Pr 8" pillar single light luster candlesticks with prisms, horse/pony head finial butter dish, 5" candy jar, 7 part relish, 2 part long relish, sugar and ind.nut bowls and four 6" plates - {in house shipping available, large box extra packing}
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6" vintage astronaut bobble head pin cushion and tape measure, Merrythought Hippo, unmarked Steiff lion cub and 2 Meki hedgehog figures (1 as is), 6" walnut head farmer, 4" Annalee Easter parade bunny, 7 Madame Alexander Dolls, Smothers Brothers Yoyo man video and yoyo, wooden yoyo with bag, AutoBlox wagon of alphabet blocks, Hubley Model A Station Wagon Metal Kit model (partially constructed), 2 cast iron safe and black and white puppy banks, toy cannon and more - in house shipping available
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From The Estate Of Phyllis Trager Hyman 30" X 30" signed on verso -Phillis was a sophisticated outsider artist whose imagery - lyrical, whimsical, nightmarish, puzzling, and penetrating - reveals a life fulfilled by creativity .Daughter of eastern European Jewish immigrants, her work was shaped by the melting pot of NYC post-WWII, urban social realism and the mind-quest of the Beat Generation, as well as the vibrancy of modern art, contemporary literature and world music. Painfully shy, she was isolated by and struggled with the stigmas of disability from polio and paranoid schizophrenia, from which grew profound awareness of paradox. Despite her challenging reality, she was buoyed by an enormous intellect. She absorbed aesthetic influences in palette, brushwork and line from artists as diverse as Chagall, Arp, Leger, Hans Hofmann, Ben Shahn and illustrators Ronald Searle and Al Hirschfeld. Acutely aware of the enigma that was her mind, she teased the viewer with a personal iconography of letter and number shapes, phrases and visual puns. Faces (both human and creature) peer slyly from her canvases. Though her disorder prevented her from the social mingling necessary for notice in the art world, Phyllis worked with strictly professional materials (oils, acrylic, canvas, paper, watercolor, pencils and ink). Living her art, she found joy in life and left a legacy of art worth preserving. Her vibrant color owed to her Gulf-coast Floridian residency. Gifted with a wry sense of humor and a steely gentleness, she depicted compassion, sense of place, love of the wild, vulnerability, and freedom versus confinement in kaleidoscopic, stream-of-consciousness drawings and paintings.. She was an avid follower of the art world and was registered with NARSAD Artworks, an outlet of what is now the Brain and Behavior Research Foundation. {in house shipping available}
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Floral Bouquet center of tulips, roses, lilies, asters, lilacs, violets, columbine and more, gold scroll leaf border - (in house packing Fed Ex)
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3 Gary R Libby hardbound books with dust jackets in excellent to like new condition (Reflections: Paintings of Florida 1865-1965,  Reflections II: Watercolors of Florida 1835-2000 and A Treasury of American Art featuring selections from the Museum of Arts and Sciences in Daytona Beach Florida - Reflections II in like new condition listed on Abe Books and Amazone from $180-$900+), Florida history paperbooks "True Natives, The Prehistory of Volusia County" and "Borders of Paradise - A Hisotry of Florida Through New World Maps", and Great Masters of Cuban Art 1800-1958 The Ramos Collection selected by The Museum of Arts and Sciences by Zeida Comesanas Sardinas by University Press of Florida 2009, sealed (with small puncture to binder) hardbound book with dusk jacket (Amazon and Abe Books listings $190-$275) - in house shipping available
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25" long x 17" tall {local pick or buyer arranges third party shipping}
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From The Estate Of Phyllis Trager Hyman 30" X 30" signed monogram front bottom center and sighed on verso -Phillis was a sophisticated outsider artist whose imagery - lyrical, whimsical, nightmarish, puzzling, and penetrating - reveals a life fulfilled by creativity .Daughter of eastern European Jewish immigrants, her work was shaped by the melting pot of NYC post-WWII, urban social realism and the mind-quest of the Beat Generation, as well as the vibrancy of modern art, contemporary literature and world music. Painfully shy, she was isolated by and struggled with the stigmas of disability from polio and paranoid schizophrenia, from which grew profound awareness of paradox. Despite her challenging reality, she was buoyed by an enormous intellect. She absorbed aesthetic influences in palette, brushwork and line from artists as diverse as Chagall, Arp, Leger, Hans Hofmann, Ben Shahn and illustrators Ronald Searle and Al Hirschfeld. Acutely aware of the enigma that was her mind, she teased the viewer with a personal iconography of letter and number shapes, phrases and visual puns. Faces (both human and creature) peer slyly from her canvases. Though her disorder prevented her from the social mingling necessary for notice in the art world, Phyllis worked with strictly professional materials (oils, acrylic, canvas, paper, watercolor, pencils and ink). Living her art, she found joy in life and left a legacy of art worth preserving. Her vibrant color owed to her Gulf-coast Floridian residency. Gifted with a wry sense of humor and a steely gentleness, she depicted compassion, sense of place, love of the wild, vulnerability, and freedom versus confinement in kaleidoscopic, stream-of-consciousness drawings and paintings.. She was an avid follower of the art world and was registered with NARSAD Artworks, an outlet of what is now the Brain and Behavior Research Foundation. {in house shipping available}
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#1799 - 800 FPS {Local pick up only or buyer arranges third party shipping}
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The Dictionary of Minton by Paul Atterbury and Maureen Batkin, Updating Classic American Bungalows by M Caren Connolly and Louis Wasserman, The Bungalow etc by Paul Duscherer and Douglas Keister, The New Bungalow Kitchen by Petrer Labau, In the Arts and Crafts Style by Barbara Mayer (all harbound with dust jackets in like new condition), The Eastman Press Leatherbound Library Classics (Great Expectations by Charles Dickens andcAn Autobiography of Benjamin Franklin by Benjamin Franklin), The Franklin Library 1977 limited eqdition leatherbound The Last of the Mohicans by James Fennimore Cooper, hardbound in sleeve "A Christmas Memory" by Truman Capote copyright 1956 (believed bo be 1st edition) and Alfalfa Bill by Gordon Hines Oklahoma Press (limited to 325 copies, this is #34, signed by the governorof Oklahoma and his Biographer Gordon Hines 1932 and 1894 Columbian Exhibition Art and Handicraft in the Women's Building (cover and front pages separation, protection cover page brittle, as is) - in house shipping available, media rate)
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From The Estate Of Phyllis Trager Hyman 30" X 30" signed on verso -Phillis was a sophisticated outsider artist whose imagery - lyrical, whimsical, nightmarish, puzzling, and penetrating - reveals a life fulfilled by creativity .Daughter of eastern European Jewish immigrants, her work was shaped by the melting pot of NYC post-WWII, urban social realism and the mind-quest of the Beat Generation, as well as the vibrancy of modern art, contemporary literature and world music. Painfully shy, she was isolated by and struggled with the stigmas of disability from polio and paranoid schizophrenia, from which grew profound awareness of paradox. Despite her challenging reality, she was buoyed by an enormous intellect. She absorbed aesthetic influences in palette, brushwork and line from artists as diverse as Chagall, Arp, Leger, Hans Hofmann, Ben Shahn and illustrators Ronald Searle and Al Hirschfeld. Acutely aware of the enigma that was her mind, she teased the viewer with a personal iconography of letter and number shapes, phrases and visual puns. Faces (both human and creature) peer slyly from her canvases. Though her disorder prevented her from the social mingling necessary for notice in the art world, Phyllis worked with strictly professional materials (oils, acrylic, canvas, paper, watercolor, pencils and ink). Living her art, she found joy in life and left a legacy of art worth preserving. Her vibrant color owed to her Gulf-coast Floridian residency. Gifted with a wry sense of humor and a steely gentleness, she depicted compassion, sense of place, love of the wild, vulnerability, and freedom versus confinement in kaleidoscopic, stream-of-consciousness drawings and paintings.. She was an avid follower of the art world and was registered with NARSAD Artworks, an outlet of what is now the Brain and Behavior Research Foundation. {in house shipping available}
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number 5 of 20 with Schwartz Sports holographic seal & matching card of Buddy Ryan at signing - full size helmet Riddell replica helmet in orig. box (box as is) - {in house shipping available}
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From The Estate Of Phyllis Trager Hyman 30" X 30" signed on verso -Phillis was a sophisticated outsider artist whose imagery - lyrical, whimsical, nightmarish, puzzling, and penetrating - reveals a life fulfilled by creativity .Daughter of eastern European Jewish immigrants, her work was shaped by the melting pot of NYC post-WWII, urban social realism and the mind-quest of the Beat Generation, as well as the vibrancy of modern art, contemporary literature and world music. Painfully shy, she was isolated by and struggled with the stigmas of disability from polio and paranoid schizophrenia, from which grew profound awareness of paradox. Despite her challenging reality, she was buoyed by an enormous intellect. She absorbed aesthetic influences in palette, brushwork and line from artists as diverse as Chagall, Arp, Leger, Hans Hofmann, Ben Shahn and illustrators Ronald Searle and Al Hirschfeld. Acutely aware of the enigma that was her mind, she teased the viewer with a personal iconography of letter and number shapes, phrases and visual puns. Faces (both human and creature) peer slyly from her canvases. Though her disorder prevented her from the social mingling necessary for notice in the art world, Phyllis worked with strictly professional materials (oils, acrylic, canvas, paper, watercolor, pencils and ink). Living her art, she found joy in life and left a legacy of art worth preserving. Her vibrant color owed to her Gulf-coast Floridian residency. Gifted with a wry sense of humor and a steely gentleness, she depicted compassion, sense of place, love of the wild, vulnerability, and freedom versus confinement in kaleidoscopic, stream-of-consciousness drawings and paintings.. She was an avid follower of the art world and was registered with NARSAD Artworks, an outlet of what is now the Brain and Behavior Research Foundation. {in house shipping available}
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From The Estate Of Phyllis Trager Hyman 30" X 30" signed on verso -Phillis was a sophisticated outsider artist whose imagery - lyrical, whimsical, nightmarish, puzzling, and penetrating - reveals a life fulfilled by creativity .Daughter of eastern European Jewish immigrants, her work was shaped by the melting pot of NYC post-WWII, urban social realism and the mind-quest of the Beat Generation, as well as the vibrancy of modern art, contemporary literature and world music. Painfully shy, she was isolated by and struggled with the stigmas of disability from polio and paranoid schizophrenia, from which grew profound awareness of paradox. Despite her challenging reality, she was buoyed by an enormous intellect. She absorbed aesthetic influences in palette, brushwork and line from artists as diverse as Chagall, Arp, Leger, Hans Hofmann, Ben Shahn and illustrators Ronald Searle and Al Hirschfeld. Acutely aware of the enigma that was her mind, she teased the viewer with a personal iconography of letter and number shapes, phrases and visual puns. Faces (both human and creature) peer slyly from her canvases. Though her disorder prevented her from the social mingling necessary for notice in the art world, Phyllis worked with strictly professional materials (oils, acrylic, canvas, paper, watercolor, pencils and ink). Living her art, she found joy in life and left a legacy of art worth preserving. Her vibrant color owed to her Gulf-coast Floridian residency. Gifted with a wry sense of humor and a steely gentleness, she depicted compassion, sense of place, love of the wild, vulnerability, and freedom versus confinement in kaleidoscopic, stream-of-consciousness drawings and paintings.. She was an avid follower of the art world and was registered with NARSAD Artworks, an outlet of what is now the Brain and Behavior Research Foundation. {in house shipping available}
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Allda-Eugen de Bruycker (in German) by Elsa de Bruycker signed hardback with mylar jacket and signed fold out brochure of Elsa de Bruyker's own "Liberty" works, 2 like new copies of Stories of Community: Outsider Art from the Hill Collection with 29 or more artist including Purvis Young, A Treasury of Woodblock Prints by Sadao Kikuchi  and Saikei: Living Landscapes in Miniature (HB w/ DJ) and soft cover Monet's Yers at Giverney and Turner in the Tate Collection plus 1976 Hardbound "The Nazi Drawings: by Mauricio Lasansky with 30  haunting drawings of the Nazi victims - in house shipping available
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12" Nishiki Royal Nippon pitcher with hand painted roses and raised gold leaf and grape design and scrolled handle, 9"vase raies on 4 molded feetr with side handles with applied ring and jeweled moriage slip glaze jeweled accent neck and hand painted wild roze body, 8 1/2" ovate vase with turquoise jeweled foot and neck, gilt front handles and floral net body - in house shipping available through Fed Ex
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2 - 2' X 3' USA Flags framed in oak under glass, one dated March 9th 1992, the other just with plaque no date, 4 bound photo books of service in Berlin After the War, many paperback books about Nazi Germany, Gedenkkarte-Commemorative Nixon US President post card, post stamp Berlin 1969, travel post cards, and loose family photos. {Local Pick Up Or Buyer Arranges Third Party Shipping Only}
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incl. Japanese lacquered with bird & floral motif, locking cedar with key, carved soap stone inlay, celluloid, Victorian with children graphics, & more {in house shipping available}
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Terry Labonet, Rusty Wallace, & other signed hats, Rusty Wallace signed poster, Jerry Nadeau signed small poster, action figures, collectors cards, #24 phone, & more {in house shipping available}
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From The Estate Of Phyllis Trager Hyman 30" X 30" signed on verso -Phillis was a sophisticated outsider artist whose imagery - lyrical, whimsical, nightmarish, puzzling, and penetrating - reveals a life fulfilled by creativity .Daughter of eastern European Jewish immigrants, her work was shaped by the melting pot of NYC post-WWII, urban social realism and the mind-quest of the Beat Generation, as well as the vibrancy of modern art, contemporary literature and world music. Painfully shy, she was isolated by and struggled with the stigmas of disability from polio and paranoid schizophrenia, from which grew profound awareness of paradox. Despite her challenging reality, she was buoyed by an enormous intellect. She absorbed aesthetic influences in palette, brushwork and line from artists as diverse as Chagall, Arp, Leger, Hans Hofmann, Ben Shahn and illustrators Ronald Searle and Al Hirschfeld. Acutely aware of the enigma that was her mind, she teased the viewer with a personal iconography of letter and number shapes, phrases and visual puns. Faces (both human and creature) peer slyly from her canvases. Though her disorder prevented her from the social mingling necessary for notice in the art world, Phyllis worked with strictly professional materials (oils, acrylic, canvas, paper, watercolor, pencils and ink). Living her art, she found joy in life and left a legacy of art worth preserving. Her vibrant color owed to her Gulf-coast Floridian residency. Gifted with a wry sense of humor and a steely gentleness, she depicted compassion, sense of place, love of the wild, vulnerability, and freedom versus confinement in kaleidoscopic, stream-of-consciousness drawings and paintings.. She was an avid follower of the art world and was registered with NARSAD Artworks, an outlet of what is now the Brain and Behavior Research Foundation. {in house shipping available}
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21 1/2" X 31" one small crack see photo ( local pickup or buyer arranges 3rd party shipping )
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15" Jonathan Porter Adler Pot slim white glaze gord form vase, 13" contemporary hand painted Native American vase, 7" Gouda Style and signed celadon with trailing fuchia blossom glaze vases, 11" pewter Ambercrombi and Fitch Pitcher, 7" Ren Fest style pottery stein (small chip to applied deoration), pr blue and white German figural Chinese characiture creamers, 5 1/2" pottery and 4 1/2" hand pinted brass copies of famous Greecian vases and urns and 7" long seal pup pottery figurine (tiny chip to flipper) - in house Shipping Only or Buyer arranges third party packaging and shipping)
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2 Atlanta Falcons Michael Vick, 2 Tampa Bay Buccaneers Warren Sapp, & 1 Brian Urlacher (some yellowing on plastic packaging) {in house shipping available}
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Each panel 31 3/4" X 9" (local pickup or buyer arranges 3rd party shipping)
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Gunnar Nyland 1950s Rorstrand "Granita" pattern square casserole, 4 Royal Worcester & 1 unmarked egg coddlers, marble mortar and pestle, Pfaltzgraff 3 pc mixing bowl set ( crazing to base of large bowl), 12" Portmeirion hand painted porcelain ginger jar fearuring Clematis Florida flowers and butterflies, Barnstead Pottery PA "Becky the Potter" redware pitcher "Kissin' don't last, Cookery do" motto with incised bird, pyrex visions tray, measuring cupcand more - local pick up only
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