Granny's Antique & Vintage October Auction
Auction closed.
Auction closed.
Granny's Antique & Vintage October Auction
Auction closed.
Auction closed.
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90 Second Extended Bidding
Description
coins, fine silver, gold and costume jewelry, art, fine rugs, mid century furniture, art glass, tin litho toys, dolls, Fire Dept., and so much more
Closed Lots
12'10"x9'8' Hand Woven Multi Color Persian Wool Rug
orange red ovate center medallion in cream ground with pendants resting in blue ground - center rectangular construction with red corners resting within multiple repeating borders, each layer woven together with thin arabesques Made in Iran {3rd party shipping or local pickup only}
11'1"X7'11" Hand Woven Persian Wool Rug with floral Medallion
red theme with ornate multi level sunflower medallion center with pendants, floral arabesques with orange and black theme corner accents within multi layer repeating borders - Made in Iran {3rd party shipping or local pickup only}
Phyllis Trager Hyman (1936-2011) Acrylic On Canvas "Parrot Snake" 2003
From The Estate Of Phyllis Trager Hyman 19 3/4" X 19 3/4" unframed signed on verso
Phillis was a sophisticated outsider artist whose imagery -- lyrical, whimsical, nightmarish, puzzling, and penetrating -- reveals a life fulfilled by creativity.Daughter of eastern European Jewish immigrants, her work was shaped by the melting pot of NYC post-WWII, urban social realism and the mind-quest of the Beat Generation, as well as the vibrancy of modern art, contemporary literature and world music. Painfully shy, she was isolated by and struggled with the stigmas of disability from polio and paranoid schizophrenia, from which grew profound awareness of paradox. Despite her challenging reality, she was buoyed by an enormous intellect. She absorbed aesthetic influences in palette, brushwork and line from artists as diverse as Chagall, Arp, Leger, Hans Hofmann, Ben Shahn and illustrators Ronald Searle and Al Hirschfeld. Acutely aware of the enigma that was her mind, she teased the viewer with a personal iconography of letter and number shapes, phrases and visual puns. Faces (both human and creature) peer slyly from her canvases. Though her disorder prevented her from the social mingling necessary for notice in the art world, Phyllis worked with strictly professional materials (oils, acrylic, canvas, paper, watercolor, pencils and ink). Living her art, she found joy in life and left a legacy of art worth preserving. Her vibrant color owed to her Gulf-coast Floridian residency. Gifted with a wry sense of humor and a steely gentleness, she depicted compassion, sense of place, love of the wild, vulnerability, and freedom versus confinement in kaleidoscopic, stream-of-consciousness drawings and paintings.. She was an avid follower of the art world and was registered with NARSAD Artworks, an outlet of what is now the Brain and Behavior Research Foundation. {in house shipping available}
Phillis was a sophisticated outsider artist whose imagery -- lyrical, whimsical, nightmarish, puzzling, and penetrating -- reveals a life fulfilled by creativity.Daughter of eastern European Jewish immigrants, her work was shaped by the melting pot of NYC post-WWII, urban social realism and the mind-quest of the Beat Generation, as well as the vibrancy of modern art, contemporary literature and world music. Painfully shy, she was isolated by and struggled with the stigmas of disability from polio and paranoid schizophrenia, from which grew profound awareness of paradox. Despite her challenging reality, she was buoyed by an enormous intellect. She absorbed aesthetic influences in palette, brushwork and line from artists as diverse as Chagall, Arp, Leger, Hans Hofmann, Ben Shahn and illustrators Ronald Searle and Al Hirschfeld. Acutely aware of the enigma that was her mind, she teased the viewer with a personal iconography of letter and number shapes, phrases and visual puns. Faces (both human and creature) peer slyly from her canvases. Though her disorder prevented her from the social mingling necessary for notice in the art world, Phyllis worked with strictly professional materials (oils, acrylic, canvas, paper, watercolor, pencils and ink). Living her art, she found joy in life and left a legacy of art worth preserving. Her vibrant color owed to her Gulf-coast Floridian residency. Gifted with a wry sense of humor and a steely gentleness, she depicted compassion, sense of place, love of the wild, vulnerability, and freedom versus confinement in kaleidoscopic, stream-of-consciousness drawings and paintings.. She was an avid follower of the art world and was registered with NARSAD Artworks, an outlet of what is now the Brain and Behavior Research Foundation. {in house shipping available}
Round 8'3" Persian Hand Woven Wool Rug
Deep cobalt center and edge with wide cream band, bold arabesque floral designs and woven fringe - Made in Iran {3rd party shipping or local pickup only}
Full Length Reversible Black Mink & Leather Coat
size: XL - 18" shoulders seam to seam w/ 5 hook & eye closures down the front & velvet lined slit pockets on each side super condition {in house shipping available}
Phyllis Trager Hyman (1936-2011) Acrylic On Canvas "Face Shin" 2003
From The Estate Of Phyllis Trager Hyman 24" X 24" unframed signed on verso - Phillis was a sophisticated outsider artist whose imagery -- lyrical, whimsical, nightmarish,...more
11'11"x10'2" Hand Knotted Mashad Persian Wool Rug
Red theme multi color rug with ovate floral medallion of layerd oranges, cream red and blue, indistinct floral pedants in red ground arabesques, blue corners with orange flower pointers, all within multiple repeating border - Made in Iran {3rd party shipping or local pickup only}
Phyllis Trager Hyman (1936-2011) "Forbidden Fruit" Acrylic On Canvas
Year: 2005
24" X 24" unframed stretched canvas. signed on verso and dated 2005
Phyllis Trager Hyman was a sophisticated outsider artist whose imagery -- lyrical, whimsical, nightmarish, puzzling, and penetrating -- reveals a life fulfilled by creativity.Daughter of eastern European Jewish immigrants, her work was shaped by the melting pot of NYC post-WWII, urban social realism and the mind-quest of the Beat Generation, as well as the vibrancy of modern art, contemporary literature and world music. Painfully shy, she was isolated by and struggled with the stigmas of disability from polio and paranoid schizophrenia, from which grew profound awareness of paradox. Despite her challenging reality, she was buoyed by an enormous intellect. She absorbed aesthetic influences in palette, brushwork and line from artists as diverse as Chagall, Arp, Leger, Hans Hofmann, Ben Shahn and illustrators Ronald Searle and Al Hirschfeld. Acutely aware of the enigma that was her mind, she teased the viewer with a personal iconography of letter and number shapes, phrases and visual puns. Faces (both human and creature) peer slyly from her canvases. Though her disorder prevented her from the social mingling necessary for notice in the art world, Phyllis worked with strictly professional materials (oils, acrylic, canvas, paper, watercolor, pencils and ink). Living her art, she found joy in life and left a legacy of art worth preserving. Her vibrant color owed to her Gulf-coast Floridian residency. Gifted with a wry sense of humor and a steely gentleness, she depicted compassion, sense of place, love of the wild, vulnerability, and freedom versus confinement in kaleidoscopic, stream-of-consciousness drawings and paintings.. She was an avid follower of the art world and was registered with NARSAD Artworks, an outlet of what is now the Brain and Behavior Research Foundation. {in house shipping available}
Phyllis Trager Hyman was a sophisticated outsider artist whose imagery -- lyrical, whimsical, nightmarish, puzzling, and penetrating -- reveals a life fulfilled by creativity.Daughter of eastern European Jewish immigrants, her work was shaped by the melting pot of NYC post-WWII, urban social realism and the mind-quest of the Beat Generation, as well as the vibrancy of modern art, contemporary literature and world music. Painfully shy, she was isolated by and struggled with the stigmas of disability from polio and paranoid schizophrenia, from which grew profound awareness of paradox. Despite her challenging reality, she was buoyed by an enormous intellect. She absorbed aesthetic influences in palette, brushwork and line from artists as diverse as Chagall, Arp, Leger, Hans Hofmann, Ben Shahn and illustrators Ronald Searle and Al Hirschfeld. Acutely aware of the enigma that was her mind, she teased the viewer with a personal iconography of letter and number shapes, phrases and visual puns. Faces (both human and creature) peer slyly from her canvases. Though her disorder prevented her from the social mingling necessary for notice in the art world, Phyllis worked with strictly professional materials (oils, acrylic, canvas, paper, watercolor, pencils and ink). Living her art, she found joy in life and left a legacy of art worth preserving. Her vibrant color owed to her Gulf-coast Floridian residency. Gifted with a wry sense of humor and a steely gentleness, she depicted compassion, sense of place, love of the wild, vulnerability, and freedom versus confinement in kaleidoscopic, stream-of-consciousness drawings and paintings.. She was an avid follower of the art world and was registered with NARSAD Artworks, an outlet of what is now the Brain and Behavior Research Foundation. {in house shipping available}
14'x9'9" Persian Hand Woven Wool Rug
bold rug of contrasting levels, sunflower medallion with attached pendants outlined in cream stand out against a plain red center rectangular ground edged in fine floral accents in light blue ground, bold interwoven banded border of flowers and ovals upon black band generously extend into outlining borders - semi antique rug, professionally restored (some signs of minor repairs, color correction and highlights and mild wear), made in Iran {3rd party shipping only or you arrange local pickup}
Lenox "Tosca" Grand Tier Collection Fine China
4 Pc. Place Setting Service for 4 incl. 13" platter, 10 3/4" dinner & 9 1/4" luncheon plates, 4 1/2" footed dessert/sauce bowls, & 4 flat cups & saucers in excellent condition, discontinued pattern in 2002, one of Lenox's most sought after luxury chinaware patterns {in house shipping available}
Phyllis Trager Hyman (1936-2011) Acrylic On Canvas 2001
Form The Estate Of Phyllis Trager Hyman signed on verso on stretched canvas 24" X 20", framed 28" X 24"
Phillis was a sophisticated outsider artist whose imagery -- lyrical, whimsical, nightmarish, puzzling, and penetrating -- reveals a life fulfilled by creativity.Daughter of eastern European Jewish immigrants, her work was shaped by the melting pot of NYC post-WWII, urban social realism and the mind-quest of the Beat Generation, as well as the vibrancy of modern art, contemporary literature and world music. Painfully shy, she was isolated by and struggled with the stigmas of disability from polio and paranoid schizophrenia, from which grew profound awareness of paradox. Despite her challenging reality, she was buoyed by an enormous intellect. She absorbed aesthetic influences in palette, brushwork and line from artists as diverse as Chagall, Arp, Leger, Hans Hofmann, Ben Shahn and illustrators Ronald Searle and Al Hirschfeld. Acutely aware of the enigma that was her mind, she teased the viewer with a personal iconography of letter and number shapes, phrases and visual puns. Faces (both human and creature) peer slyly from her canvases. Though her disorder prevented her from the social mingling necessary for notice in the art world, Phyllis worked with strictly professional materials (oils, acrylic, canvas, paper, watercolor, pencils and ink). Living her art, she found joy in life and left a legacy of art worth preserving. Her vibrant color owed to her Gulf-coast Floridian residency. Gifted with a wry sense of humor and a steely gentleness, she depicted compassion, sense of place, love of the wild, vulnerability, and freedom versus confinement in kaleidoscopic, stream-of-consciousness drawings and paintings.. She was an avid follower of the art world and was registered with NARSAD Artworks, an outlet of what is now the Brain and Behavior Research Foundation. {in house shipping available}
Phillis was a sophisticated outsider artist whose imagery -- lyrical, whimsical, nightmarish, puzzling, and penetrating -- reveals a life fulfilled by creativity.Daughter of eastern European Jewish immigrants, her work was shaped by the melting pot of NYC post-WWII, urban social realism and the mind-quest of the Beat Generation, as well as the vibrancy of modern art, contemporary literature and world music. Painfully shy, she was isolated by and struggled with the stigmas of disability from polio and paranoid schizophrenia, from which grew profound awareness of paradox. Despite her challenging reality, she was buoyed by an enormous intellect. She absorbed aesthetic influences in palette, brushwork and line from artists as diverse as Chagall, Arp, Leger, Hans Hofmann, Ben Shahn and illustrators Ronald Searle and Al Hirschfeld. Acutely aware of the enigma that was her mind, she teased the viewer with a personal iconography of letter and number shapes, phrases and visual puns. Faces (both human and creature) peer slyly from her canvases. Though her disorder prevented her from the social mingling necessary for notice in the art world, Phyllis worked with strictly professional materials (oils, acrylic, canvas, paper, watercolor, pencils and ink). Living her art, she found joy in life and left a legacy of art worth preserving. Her vibrant color owed to her Gulf-coast Floridian residency. Gifted with a wry sense of humor and a steely gentleness, she depicted compassion, sense of place, love of the wild, vulnerability, and freedom versus confinement in kaleidoscopic, stream-of-consciousness drawings and paintings.. She was an avid follower of the art world and was registered with NARSAD Artworks, an outlet of what is now the Brain and Behavior Research Foundation. {in house shipping available}
EDITED -9' 9"x2'2" Hand Knotted Persian Wool Rug Runner
NOTE - Original size of 11'9"x4'4" was incorrect! three light blue sunflower and pendant medallions within intertwining cobalt ground and mixed cream and blue borders - edges strengthened with leather bands on verso, Made in Iran {local pickup only or you arrange for 3rd Party Shipping}
6'5"x4'10" Persian Nain Hand Woven Persian Wool and Silk Rug
Deep pile with high knot density, central sunflower medallion outlined and accented in silk within cobalt oval, multiple borders and fine arbesque accents -subltle shades of blues, creams and grays make this an attractive rug - Made in Iran {3rd party shipping or local pickup only}
Mid Century Modern Bar Stools Comfort Lines Arthur Umanoff Style Vintage
overall hight 42 3/4", width 13 3/4", seat hight 29 1/4" wood slat back rest, vinyl seats as is. "easy recover" {3rd party shipping or local pickup only}
Adjustable Floor Lamp
polished brass & gun metal with floor step switch {Local pick up only}
5'10"x8'9" Persian Silk and Wool Blend Hand Woven Rug
Directional floral in rounded and stepped arch levels, thicker silk pile ground makes pattern pop! {in house shipping available}
7'x6'6" Persian Nain Hand Knotted Wool & Silk Rug
Deep pile with high knot density, central sunflower medallion outlined and accented in silk within cobalt oval, graduated repeating multiple borders and fine arbesque accents, burgundy corner accents within central rectangle, etc. - subltle shades of blues, creams and grays make this an attractive rug - Made in Iran {3rd party shipping or local pickup only}
Phyllis Trager Hyman (1936-2011) "Lucky 7" Oil On Canvas
Year: 2003
30" X 30" unframed stretched canvas. signed lower right and dated 2003
Phyllis Trager Hyman was a sophisticated outsider artist whose imagery -- lyrical, whimsical, nightmarish, puzzling, and penetrating -- reveals a life fulfilled by creativity.Daughter of eastern European Jewish immigrants, her work was shaped by the melting pot of NYC post-WWII, urban social realism and the mind-quest of the Beat Generation, as well as the vibrancy of modern art, contemporary literature and world music. Painfully shy, she was isolated by and struggled with the stigmas of disability from polio and paranoid schizophrenia, from which grew profound awareness of paradox. Despite her challenging reality, she was buoyed by an enormous intellect. She absorbed aesthetic influences in palette, brushwork and line from artists as diverse as Chagall, Arp, Leger, Hans Hofmann, Ben Shahn and illustrators Ronald Searle and Al Hirschfeld. Acutely aware of the enigma that was her mind, she teased the viewer with a personal iconography of letter and number shapes, phrases and visual puns. Faces (both human and creature) peer slyly from her canvases. Though her disorder prevented her from the social mingling necessary for notice in the art world, Phyllis worked with strictly professional materials (oils, acrylic, canvas, paper, watercolor, pencils and ink). Living her art, she found joy in life and left a legacy of art worth preserving. Her vibrant color owed to her Gulf-coast Floridian residency. Gifted with a wry sense of humor and a steely gentleness, she depicted compassion, sense of place, love of the wild, vulnerability, and freedom versus confinement in kaleidoscopic, stream-of-consciousness drawings and paintings.. She was an avid follower of the art world and was registered with NARSAD Artworks, an outlet of what is now the Brain and Behavior Research Foundation. {in house shipping available}
Phyllis Trager Hyman was a sophisticated outsider artist whose imagery -- lyrical, whimsical, nightmarish, puzzling, and penetrating -- reveals a life fulfilled by creativity.Daughter of eastern European Jewish immigrants, her work was shaped by the melting pot of NYC post-WWII, urban social realism and the mind-quest of the Beat Generation, as well as the vibrancy of modern art, contemporary literature and world music. Painfully shy, she was isolated by and struggled with the stigmas of disability from polio and paranoid schizophrenia, from which grew profound awareness of paradox. Despite her challenging reality, she was buoyed by an enormous intellect. She absorbed aesthetic influences in palette, brushwork and line from artists as diverse as Chagall, Arp, Leger, Hans Hofmann, Ben Shahn and illustrators Ronald Searle and Al Hirschfeld. Acutely aware of the enigma that was her mind, she teased the viewer with a personal iconography of letter and number shapes, phrases and visual puns. Faces (both human and creature) peer slyly from her canvases. Though her disorder prevented her from the social mingling necessary for notice in the art world, Phyllis worked with strictly professional materials (oils, acrylic, canvas, paper, watercolor, pencils and ink). Living her art, she found joy in life and left a legacy of art worth preserving. Her vibrant color owed to her Gulf-coast Floridian residency. Gifted with a wry sense of humor and a steely gentleness, she depicted compassion, sense of place, love of the wild, vulnerability, and freedom versus confinement in kaleidoscopic, stream-of-consciousness drawings and paintings.. She was an avid follower of the art world and was registered with NARSAD Artworks, an outlet of what is now the Brain and Behavior Research Foundation. {in house shipping available}
6'11"x4'10" Persian Nain Hand Woven Wool and Silk Rug
Deep pile with high knot density, central sunflower medallion outlined and accented in silk within red oval, multiple borders and fine arbesque accents -subltle shades of blues, creams and grays contrasting with the strong red ground make this an attractive rug - Made in Iran {3rd party shipping or local pickup only}
Callaway Hyper Lite 4.0 Michelob Ultra Golf Bag With Built in Stand Black & Silver & 16 Clubs
Callaway Big Bertha Irons # 3,5,6,7,8,9,& S. Callaway Driver Big Bertha "War Bird 10o, Great Big Bertha War Bird 10o, C4 Big Bertha 12o, Heaven wood Big Bertha War Bird #7, Hoski Tough Shot #7 21oTungston tour, Marlyn Miller Ajay #3, Maltby Distance Master Pro 335 Peak Velocity 82 350cc #1 10.5o, Wrrior Custom Golf Signature Series Putter, And Zebra Face Balanced RAM Golf Corp. Putter.{in house shipping available} $50.00 packing plus shipping and insurance
Louis Vuitton Golf Club Bag And 12 Yonex Right Hand Clubs
Louis Vuitton Sac Golf Club Bag Monogram Leather Vintage, 33 1/2" tall without club cover, 45 1/2" with cover, Plastic foot - {Used condition some leather dry rot. see photos, any condition question call before you bid.} Yonex BR500 irons including # 4,5,6,7,8,9,10 & P, Wood Aerona FL BR520Aerona FL BR520 42.0 L-B9 # 1, 3, 5, and 1 # 4 Carbonex FL 2. 41.5 L-C wood. {all used with covers.} 1- Manheim's Texas Hobby Auction Putter, 1- Chicago tour ace #4 putter, 1- RAM Micro Power putter, extending ball retriever, {in house shipping available} cost for packing $50.00 plus shipping and insurance.
Phyllis Trager Hyman (1936-2011) 2005 Diptych "High Jinks" Acrylic On Canvas
Year: 2005
2- 30" X 24" unframed stretched canvas. signed on verso and dated 2005 - Phyllis Trager Hyman was a sophisticated outsider artist whose imagery -- lyrical, whimsical, nightmarish, puzzling, and penetrating -- reveals a life fulfilled by creativity.Daughter of eastern European Jewish immigrants, her work was shaped by the melting pot of NYC post-WWII, urban social realism and the mind-quest of the Beat Generation, as well as the vibrancy of modern art, contemporary literature and world music. Painfully shy, she was isolated by and struggled with the stigmas of disability from polio and paranoid schizophrenia, from which grew profound awareness of paradox. Despite her challenging reality, she was buoyed by an enormous intellect. She absorbed aesthetic influences in palette, brushwork and line from artists as diverse as Chagall, Arp, Leger, Hans Hofmann, Ben Shahn and illustrators Ronald Searle and Al Hirschfeld. Acutely aware of the enigma that was her mind, she teased the viewer with a personal iconography of letter and number shapes, phrases and visual puns. Faces (both human and creature) peer slyly from her canvases. Though her disorder prevented her from the social mingling necessary for notice in the art world, Phyllis worked with strictly professional materials (oils, acrylic, canvas, paper, watercolor, pencils and ink). Living her art, she found joy in life and left a legacy of art worth preserving. Her vibrant color owed to her Gulf-coast Floridian residency. Gifted with a wry sense of humor and a steely gentleness, she depicted compassion, sense of place, love of the wild, vulnerability, and freedom versus confinement in kaleidoscopic, stream-of-consciousness drawings and paintings.. She was an avid follower of the art world and was registered with NARSAD Artworks, an outlet of what is now the Brain and Behavior Research Foundation. {in house shipping available}
Phyllis Trager Hyman (1936-2011)2005 "Wait Til The Sun Shines Nellie" Acrylic On Canvas
Year: 2005
30" X 30" unframed stretched canvas. signed and titled on verso dated 2005
Phyllis Trager Hyman was a sophisticated outsider artist whose imagery -- lyrical, whimsical, nightmarish, puzzling, and penetrating -- reveals a life fulfilled by creativity.Daughter of eastern European Jewish immigrants, her work was shaped by the melting pot of NYC post-WWII, urban social realism and the mind-quest of the Beat Generation, as well as the vibrancy of modern art, contemporary literature and world music. Painfully shy, she was isolated by and struggled with the stigmas of disability from polio and paranoid schizophrenia, from which grew profound awareness of paradox. Despite her challenging reality, she was buoyed by an enormous intellect. She absorbed aesthetic influences in palette, brushwork and line from artists as diverse as Chagall, Arp, Leger, Hans Hofmann, Ben Shahn and illustrators Ronald Searle and Al Hirschfeld. Acutely aware of the enigma that was her mind, she teased the viewer with a personal iconography of letter and number shapes, phrases and visual puns. Faces (both human and creature) peer slyly from her canvases. Though her disorder prevented her from the social mingling necessary for notice in the art world, Phyllis worked with strictly professional materials (oils, acrylic, canvas, paper, watercolor, pencils and ink). Living her art, she found joy in life and left a legacy of art worth preserving. Her vibrant color owed to her Gulf-coast Floridian residency. Gifted with a wry sense of humor and a steely gentleness, she depicted compassion, sense of place, love of the wild, vulnerability, and freedom versus confinement in kaleidoscopic, stream-of-consciousness drawings and paintings.. She was an avid follower of the art world and was registered with NARSAD Artworks, an outlet of what is now the Brain and Behavior Research Foundation. {in house shipping available}
Phyllis Trager Hyman was a sophisticated outsider artist whose imagery -- lyrical, whimsical, nightmarish, puzzling, and penetrating -- reveals a life fulfilled by creativity.Daughter of eastern European Jewish immigrants, her work was shaped by the melting pot of NYC post-WWII, urban social realism and the mind-quest of the Beat Generation, as well as the vibrancy of modern art, contemporary literature and world music. Painfully shy, she was isolated by and struggled with the stigmas of disability from polio and paranoid schizophrenia, from which grew profound awareness of paradox. Despite her challenging reality, she was buoyed by an enormous intellect. She absorbed aesthetic influences in palette, brushwork and line from artists as diverse as Chagall, Arp, Leger, Hans Hofmann, Ben Shahn and illustrators Ronald Searle and Al Hirschfeld. Acutely aware of the enigma that was her mind, she teased the viewer with a personal iconography of letter and number shapes, phrases and visual puns. Faces (both human and creature) peer slyly from her canvases. Though her disorder prevented her from the social mingling necessary for notice in the art world, Phyllis worked with strictly professional materials (oils, acrylic, canvas, paper, watercolor, pencils and ink). Living her art, she found joy in life and left a legacy of art worth preserving. Her vibrant color owed to her Gulf-coast Floridian residency. Gifted with a wry sense of humor and a steely gentleness, she depicted compassion, sense of place, love of the wild, vulnerability, and freedom versus confinement in kaleidoscopic, stream-of-consciousness drawings and paintings.. She was an avid follower of the art world and was registered with NARSAD Artworks, an outlet of what is now the Brain and Behavior Research Foundation. {in house shipping available}
Pair Of Teal Fixture Furniture D-Chairs
thermoplastic shell with chrome sled base, @1980 [3rd poarty shipping or local pickup only]
Antique Country Farm House Corn Shucker
35" tall wood form with cast iron turn wheel, handle and insert lip, weathered arm use surface - {local pickup or third party shipping only}