2023 December Collectors Estate Sale Auction
Auction closed.
Auction closed.
2023 December Collectors Estate Sale Auction
Auction closed.
Auction closed.
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Description
New Items Added Daily! Fine Art, Gold, Silver, Bullions, Memorabilia, Cards, Ephemera, Action Figs, Limited Edition Prints, Giclees etc. To get upcoming auctions, text ncauctions to 77222. Email or text with questions (619) 787-4906 or casey@northcountyauctions.com.
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Closed Lots
1929 Gazelle Mercedes Factory Replica Car
smog pending low 1800 miles! Buyer will receive Signed Title.
buyer responsible for dmv, TRANSFER, Title, removal fees etc. Buyer to verify all DMV fees,
buyer responsible for dmv, TRANSFER, Title, removal fees etc. Buyer to verify all DMV fees,
Delfino Double Bench Classic Delfino Quadricycle Looks New Seats x4 adults x2 Children
Looks new!
Yellow canvas canopy/awning
3 new Tires
3 new tubes
3 new rubber boots for R/P steering
0623 SCOD
Dimensions
Net Weight: 360 lbs
Loading Capacity: 100 lbs
Length: 105 inches
Width: 48 inches
Height: 71 inches
Front Tires: 16 inch
Rear Tires: 18 inch
Spoked Wheels with Zinc Coated Spokes
Zinc Hardware (nuts, bolts and washers)
4 Ply Generic Tires
White Alloy Clad Panels and Rear Fenders
Steel Components
Classic Design Steel Surrey Frame
Rack and Pinion Steering
Rear Drum Brakes
Sealed Bearing Hubs and Bottom Brackets
?Dummy? Headlamps
Canvas Awning
EXTRAS
Original Oil on Hardstock Panel by Alexei Von Jawlensky authenticated appraised
denb 0330
Appraisal $8000-14000 USD
GB Tate and Sons Fine Art
Appraisal $8000-14000 USD
GB Tate and Sons Fine Art
Kislovodsk Oil on Canvas. 22 x 18 by Aristarkh Vasilievic Lentulov
appraised value $175000 0330 DENB
Mixed Media on paper by Henry Moore
Estimated Value of Work $40,000 as of August 5th 2004 0330 DENB
7.375in x 11in
AUTHENTICATION OF ARTWORK
Prepared for
Dennis Busch
By
(Mr) Gayle B. Tate
G. B. Tate & Sons Fine Art
Laramie, Wyoming
SUBJECT ARTWORK
Henry Moore
(English, 1831 - 1895)
?Study for Sculpture Forms?
Crayon with Ink Wash and Pen & Ink on Paper, 11 X 7 3/8 Inches
Signed and dated "Moore 50" lower right
Subject Artwork ? Detail of Signature
AUTHENTICATION NOTES
1. In addition to our own research and findings from independent resources, this authentication is submitted, using photographs, images, documentation and information supplied by Mr. Busch and representatives.
2. The Subject Artwork is a crayon and ink drawing, and executed in the manner of Henry Moore. This evaluation of the Subject Artwork is made primarily from comparisons made to similar works of the period sold through the public venues, most notably by major auction houses of the United States and Europe, and private galleries. In addition, substantiation of our conclusions is supported through various professional texts and documents, written by authorities on the artist?s work.
3. The Subject Artwork was purchased direct from the artist by Mr. Busch in London in 1980 and an art rally at Hyde Park.
4. The Subject Artwork shows an interesting technique that we have observed only in the work of Henry Moore: that is the use of a blue ink as a compliment to the artist's warmer colored wax media. The Subject Artwork can be classified as a part of Henry Moore's notebooks, which have been documented in Ann Garrould's 'Henry Moore: Complete Drawings, Vol II' and further in Alan G. Wilkinson's 'The Drawings of Henry Moore'. These authors reveal that ?The mixed media composition demonstrates the key period of Henry Moore's experiment with wax crayons or similar waxy substances overlaid with a bluish India ink.? Comparable works from his notebook, such as the Subject Artwork, do appear in the marketplace.
5. The signature closely favors that of Henry Moore, is signed on top of dried pigments, a technique common of the artist's signatures. Comparable signatures and dates:
6. The ascetic qualities of the Subject Artwork are typical of the work of Henry Moore offered in the marketplace. Its value is reflected in comparison to similar works sold at auction. The closest comparable found for the Subject Artwork is as follows:
7. Explanation of the Appraisal Value:
In an open and competitive market economy, the works of Moore are well known and viable goods in the marketplace. The artist's works are sold regularly through established venues, and usually bring prices within or above forecast parameters and pre-sale estimates.
The Appraised Value is the actual value at which the Subject Artwork can be expected to sell from a typical retail or commercial art gallery located in a favorable market area for the artist. Galleries or dealers will certainly buy or consign for a lesser net amount, depending on their policies and projected profit or desired returns on investment. For marketing purposes, the actual cash proceeds anticipated from such a gallery for the Subject Artwork should be more or less 50-80 percent of this Appraised Value for an outright purchase. If placed at auction, the anticipated result would be comparable to such a gallery transaction or a bit more, less auction commissions and assorted fees. To a suitable private buyer in a direct sale, it should be anticipated that the full Appraised Value would be obtained.
Due to wide range of price results in the public venues, our evaluation of the Subject Artwork is based according to our findings and interpretation of results in the competitive auction marketplace. The actual cash value can be adjusted either upward or downward, according to the specific market and time of the offering.
CONCLUSIONS
The Subject Artwork is an original mixed media drawing by Henry Moore.
Appraised Value: $40,000 ? 50,000 USD
The purchase of the Subject Artwork from the artist is compelling for authenticity. Other factors include the style as well as the technique and overall color and feel of the drawing and the favorable comparison of the artist's signature. We carefully considered the quality of the drawing, along with testimony of the owner and his relationship with the artist. All points of this consideration favor for authentication of the Subject Artwork.
CERTIFICATION
The results are based on information submitted to us by Dennis Busch and his assigns,
together with our own research, experience and other resources, including the opinion of respected associates
7.375in x 11in
AUTHENTICATION OF ARTWORK
Prepared for
Dennis Busch
By
(Mr) Gayle B. Tate
G. B. Tate & Sons Fine Art
Laramie, Wyoming
SUBJECT ARTWORK
Henry Moore
(English, 1831 - 1895)
?Study for Sculpture Forms?
Crayon with Ink Wash and Pen & Ink on Paper, 11 X 7 3/8 Inches
Signed and dated "Moore 50" lower right
Subject Artwork ? Detail of Signature
AUTHENTICATION NOTES
1. In addition to our own research and findings from independent resources, this authentication is submitted, using photographs, images, documentation and information supplied by Mr. Busch and representatives.
2. The Subject Artwork is a crayon and ink drawing, and executed in the manner of Henry Moore. This evaluation of the Subject Artwork is made primarily from comparisons made to similar works of the period sold through the public venues, most notably by major auction houses of the United States and Europe, and private galleries. In addition, substantiation of our conclusions is supported through various professional texts and documents, written by authorities on the artist?s work.
3. The Subject Artwork was purchased direct from the artist by Mr. Busch in London in 1980 and an art rally at Hyde Park.
4. The Subject Artwork shows an interesting technique that we have observed only in the work of Henry Moore: that is the use of a blue ink as a compliment to the artist's warmer colored wax media. The Subject Artwork can be classified as a part of Henry Moore's notebooks, which have been documented in Ann Garrould's 'Henry Moore: Complete Drawings, Vol II' and further in Alan G. Wilkinson's 'The Drawings of Henry Moore'. These authors reveal that ?The mixed media composition demonstrates the key period of Henry Moore's experiment with wax crayons or similar waxy substances overlaid with a bluish India ink.? Comparable works from his notebook, such as the Subject Artwork, do appear in the marketplace.
5. The signature closely favors that of Henry Moore, is signed on top of dried pigments, a technique common of the artist's signatures. Comparable signatures and dates:
6. The ascetic qualities of the Subject Artwork are typical of the work of Henry Moore offered in the marketplace. Its value is reflected in comparison to similar works sold at auction. The closest comparable found for the Subject Artwork is as follows:
7. Explanation of the Appraisal Value:
In an open and competitive market economy, the works of Moore are well known and viable goods in the marketplace. The artist's works are sold regularly through established venues, and usually bring prices within or above forecast parameters and pre-sale estimates.
The Appraised Value is the actual value at which the Subject Artwork can be expected to sell from a typical retail or commercial art gallery located in a favorable market area for the artist. Galleries or dealers will certainly buy or consign for a lesser net amount, depending on their policies and projected profit or desired returns on investment. For marketing purposes, the actual cash proceeds anticipated from such a gallery for the Subject Artwork should be more or less 50-80 percent of this Appraised Value for an outright purchase. If placed at auction, the anticipated result would be comparable to such a gallery transaction or a bit more, less auction commissions and assorted fees. To a suitable private buyer in a direct sale, it should be anticipated that the full Appraised Value would be obtained.
Due to wide range of price results in the public venues, our evaluation of the Subject Artwork is based according to our findings and interpretation of results in the competitive auction marketplace. The actual cash value can be adjusted either upward or downward, according to the specific market and time of the offering.
CONCLUSIONS
The Subject Artwork is an original mixed media drawing by Henry Moore.
Appraised Value: $40,000 ? 50,000 USD
The purchase of the Subject Artwork from the artist is compelling for authenticity. Other factors include the style as well as the technique and overall color and feel of the drawing and the favorable comparison of the artist's signature. We carefully considered the quality of the drawing, along with testimony of the owner and his relationship with the artist. All points of this consideration favor for authentication of the Subject Artwork.
CERTIFICATION
The results are based on information submitted to us by Dennis Busch and his assigns,
together with our own research, experience and other resources, including the opinion of respected associates
Sy Crie - She Cries Julius Mordecai Pincas Watercolor and Ink on Paper 11 15/16in x 16 1/16 In
Estimated value in the open marketplace... $4,000 ? 6,000 USD
Julius Mordecai Pincas, French, 1885 - 1930 with appraisal and authentication aka Jules Pascin
0330 DENB
Julius Mordecai Pincas, French, 1885 - 1930 with appraisal and authentication aka Jules Pascin
0330 DENB
Landscape with Island Fortress by JMW Turner Oil on canvas
<div style="text-align:justify"> Estimated market value... $20,000 ? 25,000 USD <br> <br> Canvas has small stretch and several small pin holes visible in direct light <br> work has small indent in canvas. Repair 1/2 inch long. May need professional restoration. <br> <br> Mr . Gayle B. Tate G. B. Tate & Sons Fine Art Laramie, Wyoming <br> <br> <br> <br> Approx 5 1/2 X 7 in <br> <br> 0330 DENB <br> <br> AUTHENTICATION AND APPRAISAL OF ARTWORKS <br> <br> Prepared for Dennis Busch <br> <br> By <br> <br> (Mr) Gayle B. Tate G. B. Tate & Sons Fine Art Laramie, Wyoming <br> <br> Attributed to Joseph Mallord William Turner (United Kingdom, 1775 - 1851) "Landscape with Island Fortress" Oil on canvas, Approx 5 1/2 X 7 inches Signed indistinctly with initials ?JMT? lower left <br> <br> AUTHENTICATION NOTES <br> <br> 1. In addition to our own research and findings from independent resources, this authentication is submitted, using our own examination of images and information submitted to us by the owner of the Subject artwork. <br> <br> 2. The Subject Artwork is an oil painting executed in the typical style and fashion of Joseph Mallord William Turner. <br> <br> This evaluation of the Subject Artwork is made primarily from comparisons made to similar works sold through the public venues, most notably by major auction houses of the United States and Europe, as well as private galleries. In addition, substantiation of our conclusions is supported through the discovery of historical and technical factors, as well as supporting evidence found in various professional texts by authorities on the artist?s work. <br> <br> 3. The signature on the Subject Artwork compares favorably with the typical signature on the work of JMW Turner. Furthermore, it is noted that the initials are the same as the artist's typical pattern of signing, as seen in other paintings by the artist. Variations on ?JMW Turner?, using the initials ?JMWT? and ?JMT?, ?JM? & etc follow patterns as per this discussion: A more thorough discussion on the subject of Turner's hidden signatures and initials can be found online in a discussion on the work of researcher Peter Paul Bir..., at: http://jmwturner.ca/JWT%20JMW%20Turner%20signature.htm 4. Sara Kinch, art expert who wrote a certificate for the Subject Artwork, stated in her document of October 26, 2009, that the painting "is probably by" JMW Turner. Her opinion is based on style and subject matter, "similar to cataloged paintings created by the artist". She dates the painting to the early 1830's, and assessed a value of $35 - 45,000 USD for the Subject Artwork. An artwork that is attributed to an artist typically can be evaluated to a percentage of no more than 5 - 10% of the value of an artwork that is roughly similar in overall competence and desirability, and has been researched and documented as authentic by the ascribed artist. <br> <br> <br> 4. Provenance: Estate sale of Theresa Fleming in Blandford Dorset, UK; purchased from the estate representative, Portia Fine Arts, London. The provenance is not sufficient to trace the Subject Artwork back to the artist himself. Nor can it be found in any of the texts or resources available to this writer. <br> <br> 5. There are no public records found to substantiate any sale or exhibition by a recognized auction house or museum, other than Portia Fine Arts. <br> <br> 6. Our conclusions are supported by factors and characteristics that can typically be found in the work of Turner, namely that the artist frequently painted in a bold and quick manner with a sure hand. This work exhibits much of the confident methods that would define the artist's work throughout his life. <br> <br> 7. Stylistically, the artist went through many changes over his life time, from the realistic to the abstract. He ultimately became known for his large and dramatic scenes of epic events of the history of Great Britain, in a forceful and nearly abstract style. Along the way, Turner's work showed the pains of change, as he struggled with his own personal vision. Many studies were repeated of the same scene in preparation for a greater work, each exploring a new idea in style. Such paintings as the Subject Artwork often were done in series to fully explore an idea or concept, thus leading to multiple images of the same scene or idea. The placement of the main subject at the center of the composition with bolder colors defines much of the artist's work. This is typical of a devise used by Turner to call a viewer's attention to the focus of the concept. <br> <br> 8. The Subject Artwork was compared with other work
Manhatten by Lyonel Feininger Watercolor and Ink on Paper signed
Estimated marketplace value... $ 8,000 - 10,000 USD
Circa 1942 -45 9 1/2 X 5 1/4 Inches denb 0330
signed lower left corner
AUTHENTICATION AND APPRAISAL OF ARTWORKS Prepared for Dennis Busch By (Mr) Gayle B. Tate G. B. Tate & Sons Fine Art Laramie, Wyoming
Lyonel Feininger (American, 1871 - 1956) "Manhatten", Circa 1942 -45 Watercolor and Ink on Paper, 9 1/2 X 5 1/4 Inches
AUTHENTICATION NOTES
1. In addition to our own research and findings from independent resources, this authentication is submitted, using images and information obtained from he owner.
2. The Subject Artwork is a watercolor and ink on paper, executed in the style and manner of Lyonel Feininger. This evaluation of the Subject Artwork is made primarily from comparisons made to similar works sold through the public venues, most notably by major auction houses of the United States and Europe, and private galleries. In addition, substantiation of our conclusions is supported through various professional texts and documents, written by authorities on the artist?s work as well as the opinions obtained from art dealers and museum representatives specializing in the artist and his contemporaries.
3. Feininger signed his work in a variety of ways, but consistently similar in form. The signature on the Subject Artwork compares favorably with the artist's signatures:
f another opinion, Edward J. Morgan, of Morgan Co, Fine Art Appraisers, wrote a letter of authenticity for the Subject Artwork, dated May 22, 2004. In the letter, Mr. Morgan dated the drawing circa 1943 ? 1948. APPRAISAL NOTES Valuation of the Subject Artwork is based on the current market as of the date of this writing.
8. Explanation of the Appraisal Value: In an open and competitive market economy, the works of Lyonel Feininger are well known and viable goods in the marketplace. The artist's works are sold regularly through established venues, and usually bring prices within or above forecast parameters and pre-sale estimates. The Appraised Value is the actual value at which the Subject Artwork can be expected to sell from a typical retail or commercial art gallery located in a favorable market area for the artist. Galleries or dealers will certainly buy or consign for a lesser net amount, depending on their policies and projected profit or desired returns on investment. For marketing purposes, the actual cash proceeds anticipated from such a gallery for the Subject Artwork should be more or less 50-80 percent of this Appraised Value for an outright purchase or consignment. If placed at auction, the anticipated result would be comparable to such a gallery transaction or a bit more. To a suitable private buyer in a direct sale, it should be anticipated that the full Appraised Value would be obtained. NOTE: Value of frame or other additions is not considered in this evaluation
9. The value assessed for the Subject Artwork is made on the assumption of true authorship by Lyonel Feininger. The empirical evidence is sufficiently compelling to establish a solid value. CONCLUSIONS The Subject Artwork is a watercolor and ink drawing by Lyonel Feininger Estimated marketplace value... $ 8,000 - 10,000 USD The empirical evidence of the Subject Artwork compared to the general work of the artist is sufficiently compelling to declare authorship to Lyonel Feininger. The opinion of other dealers and art professionals involved with the artist's work support our conclusions. CERTIFICATION This authentication and appraisal is submitted for Dennis Busch. The results are based on information submitted to us by Mr. Busch and his representatives, without firsthand examination of the Subject Artwork and together with our own research, experience and other resources. I certify that the information contained in this document has been thoroughly researched and is a true, accurate and complete record of my findings. A copy of this report is retained at our offices. Certified on this day... March 15, 2018
G. B. Tate & Sons Fine Art 414 South 19th Street | Laramie, Wyoming 82070 | 307 399-3316 www.gbtate.com | gbt@gbtate.com
Appendix ?A? COMPARABLE WORKS OFFERED IN THE MARKETPLACE Lyonel Feininger Note: These are auction results taken from AskArt.com, the premier art research site online. These comparable works show the subject and style of drawing/painting that Feininger used for virtually all his work
Appendix ?B? REFERENCES AND RESOURCES Standard Biographical References and resources used in research, and quoted in this appraisal are: Mallet...s Index: Mallett...s Index of Artists, an International Bibliography, by Daniel Trowbridge Mallett, 1948 Fielding: Dictionary of American Painters, Sculptors and Engravers by Mantle Fielding, 1974, revised and expanded 1989 Davenport: Davenport...s Art Reference and Price Guide by R.J. Davenport, published yearly, 1987 to present. Benezit
Circa 1942 -45 9 1/2 X 5 1/4 Inches denb 0330
signed lower left corner
AUTHENTICATION AND APPRAISAL OF ARTWORKS Prepared for Dennis Busch By (Mr) Gayle B. Tate G. B. Tate & Sons Fine Art Laramie, Wyoming
Lyonel Feininger (American, 1871 - 1956) "Manhatten", Circa 1942 -45 Watercolor and Ink on Paper, 9 1/2 X 5 1/4 Inches
AUTHENTICATION NOTES
1. In addition to our own research and findings from independent resources, this authentication is submitted, using images and information obtained from he owner.
2. The Subject Artwork is a watercolor and ink on paper, executed in the style and manner of Lyonel Feininger. This evaluation of the Subject Artwork is made primarily from comparisons made to similar works sold through the public venues, most notably by major auction houses of the United States and Europe, and private galleries. In addition, substantiation of our conclusions is supported through various professional texts and documents, written by authorities on the artist?s work as well as the opinions obtained from art dealers and museum representatives specializing in the artist and his contemporaries.
3. Feininger signed his work in a variety of ways, but consistently similar in form. The signature on the Subject Artwork compares favorably with the artist's signatures:
f another opinion, Edward J. Morgan, of Morgan Co, Fine Art Appraisers, wrote a letter of authenticity for the Subject Artwork, dated May 22, 2004. In the letter, Mr. Morgan dated the drawing circa 1943 ? 1948. APPRAISAL NOTES Valuation of the Subject Artwork is based on the current market as of the date of this writing.
8. Explanation of the Appraisal Value: In an open and competitive market economy, the works of Lyonel Feininger are well known and viable goods in the marketplace. The artist's works are sold regularly through established venues, and usually bring prices within or above forecast parameters and pre-sale estimates. The Appraised Value is the actual value at which the Subject Artwork can be expected to sell from a typical retail or commercial art gallery located in a favorable market area for the artist. Galleries or dealers will certainly buy or consign for a lesser net amount, depending on their policies and projected profit or desired returns on investment. For marketing purposes, the actual cash proceeds anticipated from such a gallery for the Subject Artwork should be more or less 50-80 percent of this Appraised Value for an outright purchase or consignment. If placed at auction, the anticipated result would be comparable to such a gallery transaction or a bit more. To a suitable private buyer in a direct sale, it should be anticipated that the full Appraised Value would be obtained. NOTE: Value of frame or other additions is not considered in this evaluation
9. The value assessed for the Subject Artwork is made on the assumption of true authorship by Lyonel Feininger. The empirical evidence is sufficiently compelling to establish a solid value. CONCLUSIONS The Subject Artwork is a watercolor and ink drawing by Lyonel Feininger Estimated marketplace value... $ 8,000 - 10,000 USD The empirical evidence of the Subject Artwork compared to the general work of the artist is sufficiently compelling to declare authorship to Lyonel Feininger. The opinion of other dealers and art professionals involved with the artist's work support our conclusions. CERTIFICATION This authentication and appraisal is submitted for Dennis Busch. The results are based on information submitted to us by Mr. Busch and his representatives, without firsthand examination of the Subject Artwork and together with our own research, experience and other resources. I certify that the information contained in this document has been thoroughly researched and is a true, accurate and complete record of my findings. A copy of this report is retained at our offices. Certified on this day... March 15, 2018
G. B. Tate & Sons Fine Art 414 South 19th Street | Laramie, Wyoming 82070 | 307 399-3316 www.gbtate.com | gbt@gbtate.com
Appendix ?A? COMPARABLE WORKS OFFERED IN THE MARKETPLACE Lyonel Feininger Note: These are auction results taken from AskArt.com, the premier art research site online. These comparable works show the subject and style of drawing/painting that Feininger used for virtually all his work
Appendix ?B? REFERENCES AND RESOURCES Standard Biographical References and resources used in research, and quoted in this appraisal are: Mallet...s Index: Mallett...s Index of Artists, an International Bibliography, by Daniel Trowbridge Mallett, 1948 Fielding: Dictionary of American Painters, Sculptors and Engravers by Mantle Fielding, 1974, revised and expanded 1989 Davenport: Davenport...s Art Reference and Price Guide by R.J. Davenport, published yearly, 1987 to present. Benezit
Moise Kisling 30 x 24 Floral in Interior Appraised / Authenticated
Appraisal done by GB Tate estimated $20000 - $30000
some paint loss on artwork - see pics - Unframed.
some paint loss on artwork - see pics - Unframed.
Amazing Vintage Imperial Godzilla Action Figure Neon Light Store Promo
Imperial Godzilla Figure is Mounted to the base. arms and legs are still articulated and move.
Light tested and lights up.
1215 TOMP
Pokemon Cards WOTC, Holos, Charizard, 1st Edition
This binder has over 200 Original WOTC Pok...mon cards, With a base set Charizard. Cards from Team Rocket, Base set, legendary Set. 0901 JUSK
2023 GSM 1 Troy Oz .999 Fine Silver Santa Merry Christmas Silver Round Coin
Sigma Tested 0901 CS34
Sealed Marvel Universe Series 2 Trading Card Tin Lmtd 3849/7500 Rare
Marked 3849 of 7500 sealed new 1215 TOMP
