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Auction International Fine Art

Wednesday, October 23, 2013  |  6:00 PM Eastern
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Description:

American and European artists and Old Masters including among many others James Babbidge, William Bradford, Frederick Arthur Bridgman, Harry E. J. Browne, Chen Chi, Ivan Choultse, and more.

Barridoff Galleries


207 772 5011
Information & Special Terms
Important Announcements: Please scroll down for important auction information.
Internet Premium: 23%
Payment Options: Check, Money Order, and Wire Transfer
Payment Instructions: Credit cards are not an accepted form of payment. We do accept Check, Money Order, or Wire Transfer. Maine residents are subject to 5.5% sales tax.
Currency Type: USD
Shipping Instructions: Barridoff Galleries will facilitate any needed packing and/or shipping, but there is no in-house department for same. The UPS Store we use in South Portland, Maine, will be available by phone and/or email during normal business hours to provide preliminary quotes for packing and shipping to anywhere in the world. UPS will also be on site during and after the auction to handle shipping needs. We will deliver any purchased lots to The UPS Store for shipping
Preview Date & Times: Please contact the auction company for preview dates & times.
Checkout Date & Times: Please contact the auction company for checkout dates & times.
Location: The Porteous Building - 522 Congress Street, Portland, ME
Driving Directions:
Special Terms
The following Conditions of Sale and, if applicable, as they may be amended by any posted notices or oral announcements before or during the sale, form Barridoff Galleries’ and its consignors’ entire agreement with the buyer relative to the property listed herein. By participating in the sale, all bidders agree to the terms hereof. Barridoff Galleries acts as an agent for its consignors and the contract for sale is between the consignor and the buyer. Barridoff Galleries may reject any bid for any reason. Items may be subject to a reserve, and Barridoff Galleries may reject any bid below the reserve. The auctioneer may bid on behalf of the consignor or of Barridoff Galleries. Barridoff Galleries reserves the right to withdraw any property at any time before its actual sale. The buyer will be the highest bidder acknowledged by the auctioneer. Barridoff Galleries has the authority to decide any disputes over the auction process in its sole discretion, and its decision shall be final and binding. As a convenience to clients who cannot aend a sale in person, Absentee/Telephone bid forms are found at the back of this catalog. Barridoff Galleries is not responsible for errors and omissions in connection with telephone, Internet, or other absentee bidding. Provenances are included in the catalog to the extent they are available. Estimates are included with each lot. (See note on estimates on page 4.) Statements of condition are not provided herein. Barridoff Galleries, however, will endeavor to answer to the fullest extent possible any reasonable question, subject to the disclaimers below. The auctioneer may make corrections and provide additional infor- mation as available at the time of sale. Statements in the catalog and any other information provided by Barridoff Galleries and any of its employees are opinions; Barridoff Galleries and the consignors are not responsible for errors and omissions therein. Barridoff Galleries makes no representation or warranty with respect to and is not responsible for the description, quality, condition, or authenticity of any items sold, and makes no warranty as to merchantability or fitness for a particular purpose. All items are sold “AS IS.” Prospective bidders should inspect the property before bidding to determine its condition, size, and whether or not is has been repaired or restored. No representation or warranty is made as to copyright of any property or whether the buyer acquires any reproduction rights of the property. Barridoff Galleries charges the buyer a premium to be added to the hammer price on each item purchased. This premium is equal to 20% of the hammer price up to and including $500,000.00, plus 12% of the hammer price over $500,000.00. (See note on premiums on page 4.) Upon the fall of the auctioneer’s hammer, title to the item passes to the highest bidder, subject to the terms hereof, who assumes full risk and responsibility therefore. Buyer authorizes Barridoff Galleries to sign a sales record, which shall be conclusive as to the terms of the sale, on buyer’s behalf. Barridoff Galleries is not responsible for any loss by the buyer as a result of the damage or the of an article purchased. All property must be removed from the premises of the auction by the buyer, at his or her expense, on the day of sale unless other specific arrangements have been made with Barridoff Galleries. Payment for each item purchased must be made before the item is removed. Only cash or certified check will be acceptable unless other suitable arrangements have been made with Barridoff Galleries at least five days before the auction. If the buyer does not comply with any applicable conditions herein, Barridoff Galleries and the consignor shall have all of the following rights and remedies, in addition to their other remedies at law or in equity: the right a) to hold the buyer liable for the total purchase price plus interest of 1 1/2 cent per month; b) to cancel the sale and retain as liquidated damages all payments made by the buyer; c) to resell the property, in which case the buyer shall be liable for any deficiency, cost, including handling charges, the expenses of both sales, commissions on both sales and all other charges and incidental damages; d) to charge 1% of the total purchase price per month, with a minimum charge of 5%, to handle any property not timely removed; e) to exclude buyer and its affiliates from all future auctions; and f) to set off any amounts Barridoff or consignor owes the buyer. All buyers shall be deemed to have granted to Barridoff Galleries and its consignor as collateral for buyer’s obligations hereunder a security interest in any property of the buyer in the possession of Barridoff Galleries or its consignor, who shall have all of the rights of a secured party in Maine and the law of the location of the property. Barridoff Galleries shall have all of the rights of the consignor to pursue all rights and remedies hereunder, and Barridoff Galleries and its consignors shall be entitled to all of their costs, including reasonable aorney’s fees, in enforcing their rights and remedies hereunder. Requests for refunds will only be considered on the grounds of authenticity. All such requests must be made within 15 days of the auction and must be supported by the wrien testimony of at least two recognized experts in the field with respect to the specific artist involved. Only if the disputed article is in the same condition as when sold will a request for refund be considered. In the event Barridoff Galleries agrees to rescind the sale, which decision shall be at Barridoff Galleries’ sole discretion, the original purchase price shall be refunded to the buyer. Such rescission and refund is exclusive and in lieu of any other remedies which might otherwise be available as a matter of law. In no event shall Barridoff Galleries’ or its consignor’s liability exceed the purchase price of the item sold. All purchases are subject to Maine sales tax unless the buyer possesses a sales tax exemption number either from or acceptable to Maine Revenue Services and presents to Barridoff Galleries at or before the auction a valid signed certificate from the Services stating that Barridoff Galleries does not have to withhold Maine sales tax on the purchase. Maine sales tax is applicable to the full purchase price as determined by the hammer price plus premium. The descriptions used in this catalog may not be reproduced in any manner without the wrien authorization of Barridoff Galleries. The Uniform Commercial Code Title 11, Section 2-328 applies to this auction sale. These conditions of sale are governed by and shall be interpreted under Maine law, and any conflicts hereunder shall be decided in the state and federal courts located in Cumberland County, Maine, and all bidders submit themselves to the jurisdiction thereof. DISCLAIMER Apologies for the length of the disclaimer. It may be very helpful in explaining how we judge condition and interpreting what we mean by certain words or phrases in our condition reports that may be a kind of shorthand for longer explanations. DISCLAIMER If the condition report states "Good condition, good appearance" or the like with nothing further, it is our opinion that the painting appears to have little to no restoration and does not appear to be lined. Craquelure will be described in condition reports if it seems, in our opinion, to be extensive, separated, or obtrusive, especially for its date. All oils, especially earlier examples, must be assumed to have some craquelure. Loss of intensity or color in watercolors will be mentioned only if it seems, in our opinion, to be significant or obtrusive. Almost every watercolor has some loss of intensity from aging and direct or indirect light over time. We qualify those pictures we feel to be in mint condition with the term "mint or nearly mint", "pristine or nearly pristine," "little or no restoration, "little or no restoration, probably none, or the like, in order to avoid problems arising from differences of opinion and interpretation. We use "restoration" to mean inpaint or overpaint, and treat lining and thinness (or overcleaning/loss of paint surface) as issues separate from restoration. "Very minor scattered restoration" means it seems to us almost not worth mentioning; "minor scattered restoration" means a bit more. "Scattered restoration" by itself may mean anything from several scattered spots to many scattered spots, but none of these is usually or particularly meaningful or bothersome. Unless very serious, we usually don't include thinness of surface paint in most condition reports because, again, it is often a matter of opinion and taste. The problem would have to be very obvious to the naked eye to be included. We do not mention minor ghosts of a crease or line on the surface caused by a stretcher on the back unless it is in some way atypical or impacts significantly on the surface. If an image is painted directly on Masonite, board, canvasboard or the like, it is not considered lined and therefore nothing about its being lined is mentioned in condition reports. Barridoff Galleries tries to distinguish between works painted directly on such supports and those canvases that are laid down on such supports, but does not guarantee the type of support or lining. In general, if the lining or relining is not mentioned, it means that we do not believe it is lined. Although we will answer as best we can any questions in regard to the surface, if the buyer has questions about it, he or she is cautioned to examine the work under consideration in person or have an expert look at it for him/her. Usually, if a painting is lined, we state as much in the condition report, but if a condition report includes no mention of lining, the subject artwork is also probably not lined or is painted directly on a hard surface such as a wood panel. No one representing Barridoff Galleries is a qualified expert in regard to condition or restoration. While we do our best to provide an accurate description of condition no matter the medium, our description is in no way to be understood as a guarantee. Again, bidders are herein advised to examine any item in the sale prior to bidding in person and/or to have a qualified restorer of his/her own choosing do so for them. The Conditions of Sale found on the inside front cover and on page 4 of the catalogue (as well as on the barridoff.com online catalogue on severtal sites) also preclude any statements made in any other fashion and in any regard. Condition reports are in no way to be considered a guarantee of any kind. Our expertise in regard to condition is limited. This is particularly true of works on paper (including photographs), sculpture, and, most particularly of all, Old Masters. Those very few, if any, paintings whose condition reports may be more extensive and in need of more technical terms, are done by or with the help of a professional restorer. However, this disclaimer applies to all condition reports.
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All Items| Closed Items Displaying 1 - 25 of 197

Edouard Leon Cortes Fr. 1882–1969 Place de la Bourse Signed "Edouard

Lot # 1 (Sale Order: 1 of 197)

Edouard Leon Cortes Fr. 1882–1969 Place de la Bourse Signed "Edouard Cortes" l.r. Oil on panel 10 x 13 1/2 in. (25.4 x 34.3 cm)

Condition: Good condition, good appearance, very fine restoration of some scattered thinness and scattered restoration with some reglazing

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Jean Van Den Eeckhoudt Bel. 1875–1946 Sous L'Oranges Signed and dated

Lot # 2 (Sale Order: 2 of 197)

Jean Van Den Eeckhoudt Bel. 1875–1946 Sous L'Oranges Signed and dated "Mar '08 Van Den Eeckhoudt" l.r. Oil on Masonite 16 x 12 1/2 in. (40.6 x 31.8 cm)

Condition: Good condition, good appearance

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Antoine Vollon Fr. 1833–1910 Still Life Monogramed 'V" c.r Oil on p

Lot # 3 (Sale Order: 3 of 197)

Antoine Vollon Fr. 1833–1910 Still Life Monogramed 'V" c.r Oil on panel 12 x 9 in. (30.5 x 22.9 cm)

Condition: Good condition, good appearance

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Alexander DeFaux Fr. 1826–1900 La Butte Montmarte Signed and dated "A

Lot # 4 (Sale Order: 4 of 197)

Alexander DeFaux Fr. 1826–1900 La Butte Montmarte Signed and dated "A. DeFaux" l.r.; also titled as above, signed, and dated (probably) 1890 indistinctly verso Oil on board 10 x 21 in. (25.4 x 53.3 cm)

Condition: Good condition, good appearance

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Jean Baptiste Cony Fr. 1828–1873 The Hunt Signed "Cony" l.r. Oil on

Lot # 5 (Sale Order: 5 of 197)

Jean Baptiste Cony Fr. 1828–1873 The Hunt Signed "Cony" l.r. Oil on canvas 23 1/2 x 32 in. (59.7 x 81.3 cm)

Condition: Good appearance, good condition, lined, otherwise little to no restoration

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Cornelis Kuypers Dutch 1864–1932 In the Woods Signed "Cornelis Kuyper

Lot # 6 (Sale Order: 6 of 197)

Cornelis Kuypers Dutch 1864–1932 In the Woods Signed "Cornelis Kuypers" l.l. Oil on canvas 15 x 22 1/2 in. (38.1 x 57.2 cm)

Condition: Good appearance, good condition, some minor spot restoration around the figures and a section approximately 2" x 5" in the landscape area of restoration between the frame and the largest tree on the left of the canvas, otherwise very minor scattered restoration

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Narcisse Virgile Diaz de la Peña Fr. 1807–1876 Wooded Landscape with Wo

Lot # 7 (Sale Order: 7 of 197)

Narcisse Virgile Diaz de la Peña Fr. 1807–1876 Wooded Landscape with Woman on a Path Signed "N. Diaz" l.l. Oil on panel 12 x 16 in. (30.5 x 40.6 cm)

Condition: Good condition, good appearance

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Rafael Blanco Merino Sp. ca. 1864–after 1899 A Pair of Spanish Street S

Lot # 8 (Sale Order: 8 of 197)

Rafael Blanco Merino Sp. ca. 1864–after 1899 A Pair of Spanish Street Scenes Signed "R. Blanco m..." l.l. Oil on panel 12 1/2 x 8 in. (31.8 x 20.3 cm)

Condition: Good condition, good appearance

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Florent Crabeels Fl. 1829–1896 The Cavaliers Signed "F. Crabeels" and

Lot # 9 (Sale Order: 9 of 197)

Florent Crabeels Fl. 1829–1896 The Cavaliers Signed "F. Crabeels" and dated illegibly l.r. Oil on canvas 13 1/2 x 16 3/4 in. (34.3 x 42.5 cm) Property of John Dunham, Raymond, Maine

Condition: Good condition, good appearance. Two small spots of restoration in the sky, u.l. and u.r., and two small spots of restoration on the building, center. Not lined.

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German School Ger. Early 19th C. Burgermeister Insrcibed with (prob

Lot # 10 (Sale Order: 10 of 197)

German School Ger. Early 19th C. Burgermeister Insrcibed with (probably) the name of the subject and dated "1819(?)" c.r Pencil and chalk on paper 16 x 11 1/2 in. (40.6 x 29.2 cm) Property of a Cumberland Foreside family

Condition: Good appearance, good condition, does not appear to be laid down, no apparent loss of color, not examined out of frame

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Severo Rodriguez Etchart Argentinian 1865–1903 A Comforting Hand Sign

Lot # 11 (Sale Order: 11 of 197)

Severo Rodriguez Etchart Argentinian 1865–1903 A Comforting Hand Signed "Rodriguez" l.l. Oil on wood panel 25 1/2 x 18 1/2 in. (64.8 x 47.0 cm)

Condition: Good condition, good appearance., not lined, no apparent restoration when examined with a black light.

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Harry E. J. Browne Br. 19th C. Music of the Lute Signed "Harry J. Bro

Lot # 12 (Sale Order: 12 of 197)

Harry E. J. Browne Br. 19th C. Music of the Lute Signed "Harry J. Browne" l.l. Oil on canvas 30 x 60 in. (76.2 x 152.4 cm)

Condition: Good condition, good appearance, lined, 1/2" spot of restoration l.r., and 1/8 to 1/4" scattered, minor spots of restoration in the rug area, b.l.

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Carl Morgenstern Ger. 1811–1893 Woods and Distant Fields Inscribed "S

Lot # 13 (Sale Order: 13 of 197)

Carl Morgenstern Ger. 1811–1893 Woods and Distant Fields Inscribed "Stempel Nachlass Carl Morgenstern" and "Partie Bei...Albano" verso Oil (probably on paper mounted on board) 11 1/2 x 17 in. (29.2 x 43.2 cm) Property of a Cumberland Foreside family

Condition: Good condition, good appearance

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Attributed to Cornelis Bega Dutch 1631–1664 Tavern Scene Oil on wood

Lot # 14 (Sale Order: 14 of 197)

Attributed to Cornelis Bega Dutch 1631–1664 Tavern Scene Oil on wood panel 9 3/4 x 8 in. (24.8 x 20.3 cm) Exhibited: Museum of Fine Arts, Boston (label bearing the name and address of L Aron Lebowich, 14 Charlesgate, West Boston)

Condition: Good condition, good appearance

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Attributed to Cornelis Van Poelenburgh, Attributed to Sp. 1864–1899 The

Lot # 15 (Sale Order: 15 of 197)

Attributed to Cornelis Van Poelenburgh, Attributed to Sp. 1864–1899 The Huntress Diana with Handmaiden and Shepherd with Ruins in the Background Oil on wood panel 12 1/2 x 8 in. (31.8 x 20.3 cm)

Condition: Good condition, good appearance

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Attributed to Anton De Gryeff, Attributed to Fl. 1657–1715 The Hunter,

Lot # 16 (Sale Order: 16 of 197)

Attributed to Anton De Gryeff, Attributed to Fl. 1657–1715 The Hunter, His Dogs, and the Catch , A Pair Oil on canvas 12 1/2 x 15 1/2 in. (31.8 x 39.4 cm)

Condition: Good condition, good appearance, some inpainting around the figure and around the animals, lined.

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Portrait of Spanish Commander Ambrogio Spinola

Lot # 17 (Sale Order: 17 of 197)

Probably School of or Circle of Anthony Van Dyck, Dutch 1599–1641 Portrait of Spanish Commander Ambrogio Spinola Oil on canvas 17 3/4 x 16 1/4 in. (45.1 x 41.3 cm)

Condition: Good condition, good appearance, two small patches verso, not lined, some scattered restoration on the body and a few minor to insignifcant spots on the face, by far the largest of of which is about three quarters of an inch in the center of the subject's forehead.

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Jan Evert Morel Dutch 1769–1808 Landscape with Figure in Road Oil on

Lot # 18 (Sale Order: 18 of 197)

Jan Evert Morel
Dutch 1769–1808
Landscape with Figure in Road
Oil on wood panel
9 1/4 x 12 3/4 in.
(23.5 x 32.4 cm)
Provenance: F. E. Robinson Galleries (label stamped with date April 11, 1974 and address 330 A Springfield Ave., Summit NJ 07901) on the stretcher verso
Wiesenfeld Estate, Colonia, New Jersey. Another label verso (probably an early auction label with #240, Landscape as title) lists Jan Evert Morel Dutch 1777-1808 as the artist [the dates are those of Morel, the Elder, whose son, also a painter, is the likely artist here], #240 Landscape

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Jan Evert Morel Dutch 1777–1808 Landscape (with stream, house, and two

Lot # 19 (Sale Order: 19 of 197)

Jan Evert Morel
Dutch 1777–1808
Landscape (with stream, house, and two figures resting on the road on the left bank and a third figure in the distance on the right bank)
Signed "J. E. Morel" followed by an indeterminate symbol or insignia l.l.
There isn a remnant of a label simillar to the one on the previous lot
Oil on panel
12 1/2 x 15 1/2 in.
(31.8 x 39.4 cm)
Wiesenfeld Estate, Colonia, New Jersey Oil on panel

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Harry Neyland Am. 1877–1958 Luxembourg Gardens Gate, Paris Signed "Ha

Lot # 20 (Sale Order: 20 of 197)

Harry Neyland Am. 1877–1958 Luxembourg Gardens Gate, Paris Signed "Harry Neyland" l.r. Oil on board 8 1/4 x 10 1/4 in. (21.0 x 26.0 cm)

Condition: Good condition, good appearance

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Suzanne Eisendieck Fr. 1908–1998 Femme Avec Voile Rose Signed "Suzann

Lot # 21 (Sale Order: 21 of 197)

Suzanne Eisendieck Fr. 1908–1998 Femme Avec Voile Rose Signed "Suzanne Eisendieck" l.r. Oil on canvas 22 x 18 in. (55.9 x 45.7 cm)

Condition: Good condition, good appearance. No apparent restoration when examined with a blacklight.

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William Callow Br. 1812–1908 Off the Cliffs of Dover Signed "W.G. Cal

Lot # 22 (Sale Order: 22 of 197)

William Callow Br. 1812–1908 Off the Cliffs of Dover Signed "W.G. Callow" l.r. Oil on canvas 16 x 26 in. (40.6 x 66.0 cm)

Condition: Good condition, good appearance. No apparent restoration when examined with a black light.

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Edwin Douglas Br. 1860–1918 Puppy Signed with the monogram "E.D." c.r

Lot # 23 (Sale Order: 23 of 197)

Edwin Douglas Br. 1860–1918 Puppy Signed with the monogram "E.D." c.r Oil on board 15 x 13 in. (38.1 x 33.0 cm) Property from an estate. Whitehouse, New Jersey Exhibited: William Secord Gallery, New York (label verso)

Condition: Good condition, good appearance. Minor scattered restoration on the dog's face under the tounge and to the right of the nose. Restoration in the ear, u.l., and in the background.

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A. Muller Ger. 19th C. Filling His Flask Signed "A. Muller" l.r. Oi

Lot # 24 (Sale Order: 24 of 197)

A. Muller Ger. 19th C. Filling His Flask Signed "A. Muller" l.r. Oil on board 14 1/2 x 11 1/4 in. (36.8 x 28.6 cm) Property of Francia Davis, Manchester, Maine

Condition: Good condition, good appearance

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Ugo Matania It. b. b. 1888 The Woven Basket Signed "Ugo Matania" l.l.

Lot # 25 (Sale Order: 25 of 197)

Ugo Matania It. b. b. 1888 The Woven Basket Signed "Ugo Matania" l.l. Oil on canvas 26 x 19 in. (66.0 x 48.3 cm)

Condition: Good condition, good appearance. 1/2" tear in the canvas(c.r.) visible in the image, with a smaller tear just below it. Otherwise, good condition, good appearance. Not lined.

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