Sofe Design Auctions, LLC Auction Catalog - Important May 8th Collection of Asian Arms, Part I Online Auctions

Good 19th C. Philippine Mindanao Moro Kris Sword ~ Rare Twist-Core Damascus Blade.

Lot #1 (Sale Order 1 of 298)

Good 19th C. Philippine Mindanao Moro Kris Sword ~ Rare Twist-Core Damascus Blade.This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, andmore numerous and therefore required greater skill to prevent the blade bouncing off or beingstuck in an enemys body. The higher number of waves meant the more potent the kris was intalismanic power. Sometimes engravings (often filled in with brass or silver inlay) are found onthe blade in okir motifs (vines, foliage, etc.) or Arabic script. Many kris blades are forged withfullers and these are likely heavily influenced by Malay style keris called malela keris (keris isthe Malay and Indonesian term for a dagger of similar but different form, while kris is used for Philippine swords which are larger and more distinct in form). Older kris before the 19thcentury tended to be smaller in size. Laminated steel patterns are also sometimes evident. One of the other key defining features of almost all kris blade is the ganja, or the portion of the blade at the base and which on genuine antique example is welded on, has opposite the hook likefretwork is a cavity in the form of an elephant, eagle, or the mouth of a naga (a mythical snake). This example in the Schmiedt Collection of fine quality. The hilt a simple straight handled formwith a flat pommel. The handle woven with twine. The 13 luk (the luk refers to the waves in theblade) is secured to the handle through the use of dual clamps called asang-asang in Tausug andbaca-baca in Maguindanao languages. The blade is an especially interesting example with aniron structure of distinctive form. The blade has been etched to bring out this pattern which shows a seemingly different and likely softer iron core and hardened outer edge. This form of smithing done by the Moro pan day (blade smith) is similar to have swords in China and Japan which were made with an inner softer core that would provide flexibility to the blade while the outer edge would be hardened and provide the strength and sharpened cutting edge. Late 19th century. Total Length (inside scabbard if present) : 25 1/2"Blade Length : 22 1/4"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San Francisco Craft &Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum of CulturalHistory4. Combes, F. (1667) Historia de Mindanao y Jol, por el p. Francisco Combs ... Obra publicadaen Madrid en 1667, y que ahora con la colaboracin del p. Pablo Pastells ... sacanuevamente ÃÂluz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]5. Krieger, H. W. (1926). The collection of primitive weapons and armor of the Philippine islands in the United States National museum. Washington: Govt. Print. Off..6. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art. Macau Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th C. Philippine Mindanao Moro Kris Sword with Silver Inlaid Arabic Script & Presentation Nam

Lot #2 (Sale Order 2 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctly larger and made purposefully for fighting. While the classic terminology of kris is used for these Philippine and Sulu sea swords, they are also known as Sundang. Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved half-straight, or straight in which case they were more practical in combat. Older kris had fewer waves and the waves were deeper and wider. Over time the waves became shallower, tighter, and more numerous and therefore required greater skill to prevent the blade bouncing off or being stuck in an enemy's body. The higher number of waves meant the more potent the kris was in talismanic power. Sometimes engravings (often filled in with brass or silver inlay) are found on the blade in okir motifs (vines, foliage, etc.) or Arabic script. The terminology used to describe kris depends on the ethnic group in the southern Philippines that wielded the kris but the name used by the Tausugs, Samals and Yakans is kalis, while in Mindanao and in the Malay and Borneo regions where it was carried it is called Sundang and is used by the Maranaos, Maguindanos and others.Older kris before the 19th century tended to be smaller in size. Laminated steel patterns are sometimes evident. One of the other key defining features of almost all kris blade is the ganja, or the portion of the blade at the base and which on genuine antique example is welded on, has opposite the hook like fretwork on the right side (with the blade facing up), is a cavity in the form of an elephant, eagle, or the mouth of a naga (a mythical snake).This example in the Schmiedt Collection of fine quality. The hilt a simple straight handled form with a flat silver hilted pommel while the grip is woven with twine. The blade is secured to the handle through the use of dual clamps called asang-asang in Tausug and baca-baca in Maguindanao languages. The 9 luk blade is a good fighting example of heavy construction with long shallow waves while the cavity indicates the origin may be Mindanao. The relative straightness of the blade indicates this would have been more useful in battle.Dating to the late 19th century.Total Length (inside scabbard if present) : 28 1/4" Blade Length : 24 1/2"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San Francisco Craft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum of Cultural History4. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obra publicada en Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ... saca nuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]5. Krieger, H. W. (1926). The collection of primitive weapons and armor of the Philippine islands in the United States National museum. Washington: Govt. Print. Off..6. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art. MacauDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th C. Philippine Mindanao Datu's Barong Sword with Damascus Steel Blade.

Lot #3 (Sale Order 3 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sultanatearea called a barong. These swords have a distinctive form that is specific to this region of SouthEast Asia and the southern Philippines, though it is believed that they are related to theIndonesian badik knife, though in a greatly expanded and enlarged form.The barong has a distinct leaf shaped blade which is an effective cutting and slicing form, andmay be used for stabbing depending on the profile the smith develops. Barong blades are oftenthick and heavy with the weight aiding in the slicing capability of this sword. Older blades canrange from small lengths of 8" upwards to 22" which is uncommon. In some cases barong bladesare also patterned in lamellar patterns and in rare examples with twistcore iron. Some bladeswere also known to either have been traded from China, and are marked with a series of Chinesecharacters, or were marked by Moro smiths as a mark of quality with pseudo-marks which areunintelligible. Especially high quality barong were owned by Moro Datus who led tribesagainst successive invasions from the Spanish to the Americans, and were only ultimatelydefeated in the early 20th century through overwhelming American firepower.The handles are simple in design except in the pommel which in some examples is a flamboyantinterpretation of the cockatua with a long metal ferrule (usually made of silver or fine patternedhardwood). The ferrule will often also have lacquered and braided natural fiber rings to aid inthe grip. Cockatuas tended to be made of banati wood, however on higher end barongsbelonging to those of the upper classes rarer materials were utilized. The highest quality barongswould also have very elaborate carved junggayan, meaning (elongated) cockatuas, while simplerexamples would have vestigial cockatua motifs.This example in the Schmiedt Collection of fine quality and likely a Datu's barong. The hilt iswell carved in the jungayyan cockatua pattern in beautiful patterned wood, remaining in nearlyperfect condition with fine ukkil or okir pattern carvings. The ferrule is made of silver and long,indicating a Sulu Moro example, as opposed to a Yakan form which tended to have shorterferrules. The blade of classic barong profile, with a thick spine and showing signs of lamellarpatterning.Total Length (inside scabbard if present) : 25" Blade Length : 16 1/4"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San Francisco Craft &Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum of CulturalHistory4. Pigafetta, A. (2010). PIGAFETTA'S ACCOUNT OF MAGELLAN'S VOYAGE. In H. Stanley (Ed.),First Voyage Round the World by Magellan: Translated from the Accounts of Pigafetta andOther Contemporary Writers (Cambridge Library Collection (Hakluyt First Series, pp. 33)163). Cambridge: Cambridge University Press5. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco Comb's ... Obra publicadaen Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ... sacanuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]6. Krieger, H. W. (1926). The collection of primitive weapons and armor of the Philippineislands in the United States National museum. Washington: Govt. Print. Off..7. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art. Macau Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th C. Philippine Mindanao Datu's Moro Twistcore Damascus Kris Sword with Nicely Carved Pommel

Lot #4 (Sale Order 4 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Especially high qualitykris for Datu's, would have been made of rare materials and had blades of especially fineconstruction with lamellar steel or in some rare cases twistcore blade forms. Datu's would havewielded these in battle against Americans during the successive (pacification) campaigns theAmerican carried out following the Spanish American War. The Moros armed resistance tookseveral forms. Some Moros, especially on heavily forested Mindanao, practiced guerrillawarfare, raiding U.S. encampments for weapons and setting ambushes on jungle trails. The mostunnerving form of Moro resistance was the juramentado, or suicide attack. A juramentadoattacker would seek to reach paradise by slaying as many nonbelievers as possible before beingkilled himself.Older kris before the 19th century tended to be smaller in size. Laminated steel patterns aresometimes evident. One of the other key defining features of almost all kris blade is the ganja, orthe portion of the blade at the base which on genuine antique examples is welded on, hasopposite the hook like fretwork, a cavity in the form of an elephant, eagle, or the mouth of a naga(a mythical snake).This example in the Schmiedt Collection is of Datu level quality. The hilt is a classic form with astylized carved kakatua pommel. The handle wrapped in twine and with silver or white metalfittings. The asang-asang clamps in silver, and potentially replaced from the originals. Theblade is a very fine example of shallow 7 luk form and displaying a complex lamellar patternwhich appears to be twistcore patterned. Twistcore blades are rare on Moro swords, and morecommonly found on Indonesian swords.Dating to the late 19th century.Total Length (inside scabbard if present) : 28 1/2" Blade Length : 24"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San Francisco Craft &Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum of CulturalHistory4. Combes, F. (1667) Historia de Mindanao y Jol, por el p. Francisco Comb's ... Obra publicadaen Madrid en 1667, y que ahora con la colaboracion del p. Pablo Pastells ... sacanuevamente Â¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]5. Krieger, H. W. (1926). The collection of primitive weapons and armor of the Philippineislands in the United States National museum. Washington: Govt. Print. Off..6. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art. MacauDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good 19th C. Philippine Mindanao Moro Kris Sword with Fantastic Damascus Steel Blade.

Lot #5 (Sale Order 5 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved half-straight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, andmore numerous and therefore required greater skill to prevent the blade bouncing off or beingstuck in an enemy's body. The higher number of waves meant the more potent the kris was intalismanic power such as this example. Sometimes engravings (often filled in with brass or silverinlay) are found on the blade in okir motifs (vines, foliage, etc.) or Arabic script. Many krisblades are forged with fullers and these are likely heavily influenced by Malay style keris calledmalela keris. Especially high quality kris for Datu's, would have been made of rare materialsand had blades of especially fine construction with lamellar steel or in some rare cases twistcoreblade forms. It is possible to differentiate between Moro kris and attribute to certain regions orethnic groups such as the Maguindano, Sulu Moros, and Maranaos, based on the design of theblades and the fullering. In some cases, certain types of hilts and decoration can also indicateorigin. One of the classic ways of distinguishing kris by region is by examining the cavity form,with slight variations in shape indicating different regional attributions.This example in the Schmiedt Collection of fine quality and likely originates from Maguindanaobased on the carving of the elephant trunk cavity (Cato 1996: pl. 41). The hilt is a classic formwith a stylized carved kakatua pommel. The handle wrapped in darkened cloth and then boundwith copper wire, which also is wound around the protrusion of the kakatua pommel. The asangasang clamps made of silver and original to the sword. The 17 luk blade is a fine late 19th centuryform, though the handle has design elements of the earlier forms judging by the refined carvedwood pommel. The blade displays elements of lamellar patterning.Dating to the late 19th century.Total Length (inside scabbard if present) : 26" Blade Length : 22"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San Francisco Craft &Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum of CulturalHistory4. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obra publicadaen Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ... sacanuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]5. Krieger, H. W. (1926). The collection of primitive weapons and armor of the Philippineislands in the United States National museum. Washington: Govt. Print. Off..6. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art. MacauDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Nice Philippine Mindanao Horsehoof Moro Kris Sword ~ Layered Steel Blade.

Lot #6 (Sale Order 6 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, andmore numerous and therefore required greater skill to prevent the blade bouncing off or beingstuck in an enemys body. The higher number of waves meant the more potent the kris was intalismanic power such as this example. Sometimes engravings (often filled in with brass or silverinlay) are found on the blade in okir motifs (vines, foliage, etc.) or Arabic script. Especially highquality kris for Datus, would have been made of rare materials and had blades of especially fineconstruction with lamellar steel or in some rare cases twistcore blade forms. It is possible todifferentiate between Moro kris and attribute to certain regions or ethnic groups such as theMaguindano, Sulu Moros, and Maranaos, based on the design of the blades and the fullering. Insome cases, certain types of hilts and decoration can also indicate origin. Hilts were in avariation of forms, with most hilts following a standard form with a stylized kakatua, or cockatoobird, form. However other types of hilts exist with hilts shaped as stylized horsehoofs or roundballs as well.This example in the Schmiedt Collection is an interesting example of a form called a horsehoofkris. The hilt is wrapped in copper wire and twine, and the horsehoof pommel inlaid with motherof pearl. The horsehoof is generally associated with the Sulu Sultanate, which reigned overnorth Borneo and islands in the Sulu Sea, including Basilan. The form of horsehoof where thepommel is at a strong curve to the handle is especially associated with Basilan Island. The bladeis a fine straight fighting with three fullers in a pleasing pattern, two in the lower portion of theblade, near the ganja, and one in between running the remainder of the blade.First half of 20th century.Total Length (inside scabbard if present) : 27 1/4" Blade Length : 22 3/4" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San Francisco Craft &Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum of CulturalHistory4. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obra publicadaen Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ... sacanuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]5. Krieger, H. W. (1926). The collection of primitive weapons and armor of the Philippineislands in the United States National museum. Washington: Govt. Print. Off..6. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art. MacauDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Scarce 19th C. Philippine T'Boli Barong Sword with Rare Damascus Blade.

Lot #7 (Sale Order 7 of 298)

An interesting sword from the T'boli tribe from Cotabato, Southern Mindanao,Philippines. T'boli swords rarely take the form of the Moro barong but this sword is aninteresting cross-cultural amalgam with a barong blade and handle showing a barong form butcomposed in the T'Boli bronze casting tradition as opposed to the use of natural materials morecommon to other Moro barongs. The hilt is of solid cast bronze or brass picked out with bands ofdetailing, the whole edge of the pommel area is applied with half hemispherical links wherebrass chains may have been suspended.T'boli lost wax brass casting tradition is a long standing and distinctive tradition thatdistinguishes them amongst the people of the Philippines. The T'boli's brass casting tradition,which they call kem tau temwel is taught to children at a young age or from older casters called(the tau temwel). The traditional T'boli brass casting method involves several steps, tools, andmaterials following in the lost wax method known in many cultures around the world. There'sclay, which is dug from the earth. The clay will become the mold for the final product. The brassmaker also uses beeswax, which is collected from the forest and is shaped into the form of thebrass object. Then there's the brass itself, which is obtained from a metalsmith or a metalshop.The brass caster first forms the beeswax into the shape of the object and covers it with clay.The clay is then placed in a fire pit where it hardens (modern methods make use of a smallblowtorch to harden the clay). The brass is then melted and poured into the clay mold. The hotliquid melts the beeswax inside, allowing the brass to take up the space and form into shape. Thebrass caster lets the brass solidify. The clay mold is allowed to cool, with the brass castersubmerging it in water for a few minutes. Then the mold is opened and the brass object releasedfrom the mold and finished forus.While this barong is distinctive in its form among T'Boli weapons, generally the edged weaponsof the T'boli include two types of swords called tok and kafilan. Metal smiths recycle old brokengongs or other metal objects and use outside sources of steel (for example, scavenging the steelsprings from abandoned trucks). Blades are forged with skill and are heat-treated. Late 19th Century.Total Length (inside scabbard if present) : 17 1/4" Blade Length : 12 1/4"References:1. Krieger, H. (1926) The Collection of Primitive Weapons and Armor of the PhilippineIslands in the United States National Museum. Smithsonian Institution; United StatesNational Museum, Bulletin 1372. Macau Museum of Art. (2007). History of Steel in Eastern AsiaÃ¢â‚¬â€œA View on theDevelopment of Weaponry. Macau Museum of Art.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Interesting 19th C. Visayas Philippine Garab Talibon Sword Dagger ~ Samar or Leyte Islands.

Lot #8 (Sale Order 8 of 298)

An interesting sword from the Visayan group the garab is a typical weapon fromthe islands of Samar or Leyte. The swords have a distinct form with a crescent shaped blade flaton one side and sharpened with a convex edge on the other side. The blade often with a heavythickness and with a center of balance near the edge due to the weight of the blade.The other identifying stylistic features include the pommel of the hilt which always has a three-lobedcarving that resembles a flower bud flanked with leaves. The wood used in these swords isusually from the kamagong tree, known in English as the butter fruit or ironwood, the fruits ofwhich are related to persimmons. These swords were considered to be the favored weapon of theDios-Dios cult, also known as the Pulajanes. The Pulajanes were the members of a religiousrevival of Philippine beliefs that developed in the Visayas prior to the Philippine Revolution.As the Visayas were primarily Christian, the Pulajanes threatened the Christianization of theisland and at their peak, numbered around 10,000 - 15,000 adherents. The movement wasexterminated during the Philippine Revolution after the Philippine Constabulary took overpatrols in Samar, after the U.S. military declared the island as "pacified".This example in the Schmiedt Collection has a finely carved native wood hilt with floral decoration and thetri-lobed pommel, with the classic form blade, with a heavy belly. 19th-early 20th century.Total Length (inside scabbard if present) : 24 1/4" Blade Length : 18"References:1. Krieger, H. (1926) The Collection of Primitive Weapons and Armor of the PhilippineIslands in the United States National Museum. Smithsonian Institution; United StatesNational Museum, Bulletin 1372. Macau Museum of Art. (2007). History of Steel in Eastern AsiaÃ¢â‚¬â€œA View on theDevelopment of Weaponry. Macau Museum of Art.3. Cato, R. (1996) Moro swords. Graham Brash: Singapore Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good 19th C. Indonesian PARANG JIMPUL Sword ~ Dayak Headhunters Tribe ~ Sarawak or Borneo Islan

Lot #9 (Sale Order 9 of 298)

A distinctive Bornean sword of the Sea Dayak, called a Parang Jimpul, this swordis similar in style to the classic Iban Dayak Mandau and is the traditional weapon of the SeaDayak and Kenyah people from Borneo. It is often thought that the Parang Jimpul may beconsidered as a hybrid between the Mandau and Langgai Tinggang usually date to the late 19thcentury.They are distinguished by a set of similar features to the Mandau though the blade of the Jimpulhas flat sides and is distinctly curved with a widened point and a slanted or drop point. Theblade often has two or three grooves, running at short distance from the back, as well as hooksand protrusions (krowit) near the hilt on the sharp edge. Chased designs can be found on bothsides near the hilt while the hilt and scabbard are made in the same way as those of the Mandau.The blades are often made of tempered metal and in some cases may display a lamellar pattern,similar to the pamor found on Indonesian kris blades, though this is highly uncommon. The hiltsare often delicately carved with various carving details varying across the many tribes of theDayak, but often depict creatures or anthropomorphic deities.This example in the Schmiedt Collection for example is a fine early and complete fightingexample with a finely carved hilt with short tufts of hair. The blade has a single deep fullerrunning along the length of the spine and have a well-proportioned krowit near the ricasso. Theslanted edge also has several curved and carved iron protrusions with inlays of brass metal. Thehilt displays a pleasing patina and carving of leeches, classically found Dayak Mandau also,indicating an earlier sword, while the blade is finely proportioned. The original scabbard is invery fine condition with nicely patterned carving of leeches, red tufts of hair, and rattan binding.Dating to the 19th century. Total Length (inside scabbard if present) : 27 1/2" Blade Length : 19 1/2"References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fÃƒÂ¼rEthnographie. Band 1. Pp. 22-26 Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Strong 19th C. Philippine Datu's Moro KRIS Sword ~ Powerful Blade with Silver Inlays.

Lot #10 (Sale Order 10 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, andmore numerous and therefore required greater skill to prevent the blade bouncing off or beingstuck in an enemys body. The higher number of waves meant the more potent the kris was intalismanic power such as this example. Sometimes engravings (often filled in with brass or silverinlay) are found on the blade in okir motifs (vines, foliage, etc.) or Arabic script. Many krisblades are forged with fullers and these are likely heavily influenced by Malay style keris calledmalela keris. Especially high quality kris for Datus, would have been made of rare materialsand had blades of especially fine construction with lamellar steel or in some rare cases twistcoreblade forms. It is possible to differentiate between Moro kris and attribute to certain regions orethnic groups such as the Maguindano, Sulu Moros, and Maranaos, based on the design of theblades and the fullering.In some cases, certain types of hilts and decoration can also indicate origin. This variation withthe classic kakatua pattern pommel, were made of a variety of metal alloys and are likely to befrom the Sulu Sultanate. An especially elegant example was displayed in the 2019 exhibition(Steel and Magic) at the Deutsche Klingen Museum (2020) and attributed to the Sulu Sultanate.This example in the Schmiedt Collection is of fine quality. The pommel is formed from a metalalloy, potentially suasa or gilded silver. Suasa being a gold and copper alloy, sometimes alsoreferred to as (river gold). The hilt is wrapped in alternating metal bands. The blade is a finelymade example with okir decorations at the base and displaying lamellar patterns throughout.This level of decoration of the hilt and the blade indicate this would have been a Datus kris.Dating to the 19th century.Total Length (inside scabbard if present) : 26 1/4" Blade Length : 21 3/4"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San Francisco Craft &Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum of CulturalHistory4. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obra publicadaen Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ... sacanuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]5. Krieger, H. W. (1926). The collection of primitive weapons and armor of the Philippineislands in the United States National museum. Washington: Govt. Print. Off.6. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art. Macau7. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago. EditionFichter, Frankfurt am MainDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Unusual Early 20th C. Philippine Moro Kris Sword ~ Rare Damascus Blade.

Lot #11 (Sale Order 11 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved half-straight,or straight in which case they were more practical in combat. Sometimes engravings(often filled in with brass or silver inlay) are found on the blade in okir motifs (vines, foliage,etc.) or Arabic script. Many kris blades are forged with fullers and these are likely heavilyinfluenced by Malay style keris called malela keris. Especially high quality kris for Datus,would have been made of rare materials and had blades of especially fine construction withlamellar steel or in some rare cases twistcore blade forms. It is possible to differentiate betweenMoro kris and attribute to certain regions or ethnic groups such as the Maguindano, Sulu Moros,and Maranaos, based on the design of the blades and the fullering.In some cases, certain types of hilts and decoration can also indicate origin. On this variation ofhilt, with this form of straight handle is likely be a Maranao fighting kris (Cato 1996). A verysimilar form with the same handle type and blade form is illustrated in Macao Museum of Art(2007).This example in the Schmiedt Collection is of fine quality and likely a fighting example. Thehandle is the straight form used for fighting while the 11 luk blade is a finely chiseled form likelyof the early 20th century as the fullering is more angular in form and sharper. The hilt is wrappedin twine, some lost now, and with a round flattened carved pommel.Early 20th century.Total Length (inside scabbard if present) : 28 3 /4" Blade Length : 25 3/4"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San Francisco Craft &Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum of CulturalHistory4. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obra publicadaen Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ... sacanuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]5. Krieger, H. W. (1926). The collection of primitive weapons and armor of the Philippineislands in the United States National museum. Washington: Govt. Print. Off.6. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art. Macau7. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago. EditionFichter, Frankfurt am MainDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare Late 19th C. Indonesian Dayak Headhunters Tribe Sword

Lot #12 (Sale Order 12 of 298)

A distinctive Bornean sword of the Sea Dayak this type of sword is called a niabor.The niabor has a convex edge and concave back broadening towards the tip in the form of acutlass and similar to the parang nabur. The blade usually has one or more broken hollowsections and no midrib. Most blades are not usually decorated though this example has floraldecoration the entire length of the blade. In some versions, a projection is forged to the blade,which is seated on the cutting edge and serves as a finger guard. This is called kundieng. It istypical of these swords. The hilt carved in in a distinct form with a thirty degree angle betweenthe handle and the projecting pommel. Often, the hilt is carved with traditional Dayak designs,including scrolls and leech motifs. The leech (lemetek) is associated with blood sucking and sowas considered an appropriate motif for a weapon.The Niabor is very similar to another Sea Dayak sword called Langgai Tinggang which has asimilar blade but a traditional Mandau style handle. These swords often would reflect theowners predilections and interests so would not always be doctrinaire in their construction.The example in the Schmiedt Collection for example has the hilt of a niabor and the blade formof a langgai tinggang and is a well preserved example with a finely made blade displaying awell-defined blade profile including floral decoration along the face of the blade. The hilt isseated to the blade with a cast brass bolster. The sword retains its original scabbard of carvedwood with fine carving to the mouth of the scabbard.Likely dating to the early 20th century.Total Length (inside scabbard if present) : 24 1/2"Blade Length :19"References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit PublishersDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.comPrebidding Ends: May 07, 2021 11:00 pm PDTLive Internet Bidding Begins: May 08, 2021 12:00 am PDT

Fine 19th C. Philippine Moro Datu's BARONG Mindanao Sword ~ Amazing Damascus Blade Different on Each

Lot #13 (Sale Order 13 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sultanatearea called a barong. These swords have a distinctive form that is specific to this region of SouthEast Asia and the southern Philippines, though it is believed that they are related to theIndonesian badik knife, though in a greatly expanded and enlarged form.The barong has a distinct leaf shaped blade which is an effective cutting and slicing form, andmay be used for stabbing depending on the profile the smith develops. Barong blades are oftenthick and heavy with the weight aiding in the slicing capability of this sword. Older blades canrange from small lengths of 8" upwards to 22" which is uncommon. In some cases barong bladesare also patterned in lamellar patterns and in rarer examples with twistcore iron. Some bladeswere also known to either have been traded from China, and are marked with a series of Chinesecharacters, or were marked by Moro smiths as a mark of quality with pseudo-marks which areunintelligible.The handles are simple in design except in the pommel which in some examples has a distinctiveinterpretation of a cockatua showing a vestigial appropriation of the form. Often handles wouldbe made from finely patterned wood representing the social class of the owner.This example in the Schmiedt Collection is of fine quality workmanship and likely a Datusbarong even though it is not a jungayyan form, the delicate carving at the bottom of the pommelremains in fine condition with no losses. The ferrule is made of silver and long, indicating aSulu Sultanate Moro example. The blade of classic barong profile, with a thick spine andshowing signs of lamellar patterning.Total Length (inside scabbard if present) : 24" Blade Length : 17" 1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum of CulturalHistory3. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obra publicadaen Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ... sacanuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]4. Krieger, H. W. (1926). The collection of primitive weapons and armor of the Philippineislands in the United States National museum. Washington: Govt. Print. Off..5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art. MacauDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good 19th C. Philippine Mindanao Moro KRIS Sword ~ Silver Inlaid Layered Steel Blade ~ Fine Car

Lot #14 (Sale Order 14 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, andmore numerous and therefore required greater skill to prevent the blade bouncing off or beingstuck in an enemys body. The higher number of waves meant the more potent the kris was intalismanic power such as this example. Sometimes engravings (often filled in with brass or silverinlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or other esotericmotifs such as this example in the Schmiedt Collection. Many kris blades are forged with fullersand these are likely heavily influenced by Malay style keris called malela keris.This example in the Schmiedt Collection is of fine quality and likely a Datus example. Theoverall form is likely a Sulu example based on the relatively simple but finely carved pommeland the finely fullered blade. However it is possible the blade is Maranao as the cavity displaysan elongated form and the spike in the middle runs parallel to the ganja. The blade is anespecially fine example with an inlay of concentric overlaid circles of unknown meaning. Theseinlays would likely have had significance to the owner, and in this case the level of qualityindicates that this would have been a Datus kris.Dating to the late 19th century.Total Length (inside scabbard if present) : 27 1/4" Blade Length : 23 1/4" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San Francisco Craft &Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum of CulturalHistory4. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obra publicadaen Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ... sacanuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]5. Krieger, H. W. (1926). The collection of primitive weapons and armor of the Philippineislands in the United States National museum. Washington: Govt. Print. Off.6. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art. Macau7. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago. EditionFichter, Frankfurt am MainDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Extremely Rare 18th-19th C. Indonesian Tanimbar KRAI SILAI ~Great Sword~ Fine Carved Bone mount.

Lot #15 (Sale Order 15 of 298)

Tanimbarese culture developed a wide group of weaponry of which the mostimpressive is the (Great Sword) or Krai Silai. Generally used as a ritual object, these swords wereoften found in ranges of twenty to thirty inches, with shorter examples used for daily use and thelonger examples reserved for important rituals. Tanimbar Island does not have a rich history ofiron smithing, unlike other Indonesian islands, and it is considered that the blades were acquiredfrom itinerant tradesmen who visited the islands. The hilts were then created by the Tanimbareseoften with intricate designs decorated in carved patterns. Some swords were equipped with ahand protector, and others have sea cowrie shells attached to the hilt, as is the case with thissword, which are believed to represent severed heads.The Krai Silai was rarely used in battle and would hang inside the house, often suspended from asmall hole in the blade as on this example near the tip. Only in certain circumstances would theweapon be wielded in battle or for ritual purposes, such as the payment of a bride price,celebration of a ritual headhunters' feast, and the fighting of a ceremonial duel were the mostimportant occasions. Tanimbarese society is patrilineal and when a marriage occurs, a womanbecomes part of the descent group of her spouse. This accompanied by the presenting of a brideprice that consists of several parts and would include objects such as heirloom krai silai.Besides being an instrument of the male violence necessary to a man's quest for prestige, theantique sword also played a role in the context of ritual aggression. The weapon would be usedin solemn duels, in which the two factions separated by a bamboo fence faced each other.Until the beginning of the 20th century, wars between Tanimbarese villages were commonplace.Reasons to go to war were constantly sought out, with an ultimate goal of showing off a victory.Combat would often yield casualties, and the victorious party would attempt to take the heads ofthe slain home as trophies. During a special ritual, in which the Krai Silai was ostentatiouslybrandished, the headhunters would extol their own valor and marital prowess, reenacting theirexploits in the presence of the vanquished enemy's heads and the village community. This example in the Schmidt Collection is an Exceptionally Impressive Large specimen with a very thick and massive blade of actively patterned Damascus steel, having a superbly crafted hilt of carved bone panels connected together. Dating to the 18th - 19th century.Total Length (inside scabbard if present) : 34 1/2" Blade Length : 27 1/4"1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books2. Nico de Jonge, "Sword with handle resembling a human face in profile," in Eyes of theAncestors: The Arts of Island Southeast Asia at the Dallas Museum of Art, ed. ReimarSchefold in collaboration with Steven Alpert (Dallas: Dallas Museum of Art; New Havenand London: Yale University Press, 2013), 288-289Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Scarce Early 20th C. Indonesian Borneo NIABOR Sword ~ Dayak Headhunters Tribe

Lot #16 (Sale Order 16 of 298)

A distinctive Bornean sword of the Sea Dayak this type of sword is called a niabor.The niabor has a convex edge and concave back broadening towards the tip in the form of acutlass and similar to the parang nabur. The blade usually has one or more broken hollowsections and no midrib. Most blades are not usually decorated though this example has floraldecoration the entire length of the blade. In some versions, a projection is forged to the blade,which is seated on the cutting edge and serves as a finger guard. This is called kundieng. It istypical of these swords. The hilt carved in in a distinct form with a thirty degree angle betweenthe handle and the projecting pommel. Often, the hilt is carved with traditional Dayak designs,including scrolls and leech motifs. The leech (lemetek) is associated with blood sucking and sowas considered an appropriate motif for a weapon.The Niabor is very similar to another Sea Dayak sword called Langgai Tinggang which has asimilar blade but a traditional Mandau style handle. These swords often would reflect theowners predilections and interests so would not always be doctrinaire in their construction.The example in the Schmiedt Collection for example has the hilt of a niabor and the blade formof a langgai tinggang and is a well preserved example with a finely made blade displaying awell-defined blade profile including floral decoration along the face of the blade. The hilt isseated to the blade with a cast brass bolster. The sword retains its original scabbard of carvedwood with fine carving to the mouth of the scabbard.Likely dating to the early 20th century.Total Length (inside scabbard if present) : 28 1/2"Blade Length : 21 1/2"References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit PublishersDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Nice 20th C. Indonesian Javanese KERIS Dagger with Dramatic Damascus Blade ~ Surakarta, Java, I

Lot #17 (Sale Order 17 of 298)

The Javanese keris Dagger, is one of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The hilts more often follow a distinctstyle, with some regional variations. The most classic style of hilt is from the Royal Palaces ofSurakarta in central Java and called a cecekan hilt. This hilt has seven flat planar sides, with twocarvings at internal angles of the hilt. The one nearest the pommel represents the kala mask, abenevolent demon and the small protrusion in the carving called a kuncung represents a nose.Another form closely related in form is from the Palaces of Yogyakarta and is referred to as aNunggak Semi shape, but also as the distinctive carvings on the inside angles of the handle.Before Islam became dominant, hilt forms had been anthropomorphic in nature and morereflective of those still found in Bali. As Islam prohibits the depiction of living things, these hiltsbecame more and more abstract with the central Javanese forms in Surakarta and Yogyakarta themost abstract.On the Javanese keris, the main part of the dagger, including the blade, sheath, and hilt eachcharacterize the keris in terms of origination, era, owner, and symbolism. The blade, or wilah, isthe most valued part, holding the sacred and esoteric power of the keris. The different forms ofpamor and blade shapes all have specific attributions to the type of owner that is most suited tothat paomor and shape and also the magical powers it can provide. The differing pamor patternsare made through the operation of the empu, a highly valued member of Javanese society. Bladeshave a series of waves called luk, or may alternately be straight. Any keris above 13 luk isuncommon and made for either someone of high status of representing some esoteric need of thecommissioner.This example in the Schmiedt Collection is a Javanese Keris of cecekan form in the Surakartastyle with a Yudo Winatan form hilt, also called an ukiran. The blade is hand forged and with arare 25 luk pattern and consists of pamor pattern called ngulit semangka, or watermelon skin.The mendak, or cuff between the blade and hilt, is in silver and the Surakarta style. Thewarangka, or the scabbard throat and which enables regional distinctions, is of GayamanTaman type (kidney shaped) in the Surakarta form. The gandar (scabbard body) with a chiseledbrass pendok (cover) featuring embossed decoration.Dating from first half of 20th century.Total Length (inside scabbard if present) : 20" Blade Length : 15"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Nice Late 19th- early 20th C. Indonesian Malay KERIS Dagger ~ Minangkabau ~ East Sumatra ~ Fine Dama

Lot #18 (Sale Order 18 of 298)

Keris from Minangkabau have a distinct form similar to those of from the Bugisregion, but slightly distinctive features. As is often the case there are mixed elements fromdifferent regions found on the same object. In the case of Bugis keris, most have hilts carved ofvarious materials or cast in precious materials such as silver and set at a ninety degree angle inthe form of a pistol grip. These handles are referred to as a kerdas form. Some Bugis kerisscabbards also have a loop like attachment called a toil-toli, which is most often worn by higherstatus individuals especially indicative on older examples and those who can afford to purchasesuch an example of later period examples. Whereas Minankabau keris often have similarhandles to Bugis forms, but with scabbards that have a large buntut, or bottom portion that flaresout into an ovular shape. Minangjabau keris forms are found both in Sumatra and the state ofNegri Sembilan in Peninsula Malaysia.This example in the Schmiedt Collection is a fine representation of an antique example. Thekerdas form handle is carved of wood, and the cup seating the blade, called a pendongkok inMalay, is brass and faceted. A similar style pendongkok is illustrated in Ghiringelli (2007, pg.29). The sheath is typical in form for Minangkabau workmanship with a large wrangka in theTengah form, and the gandar, or the covering over the wood of the long section of the sheath, isin brass with finely carved floral designs.Dagger's blade is very finely crafted and a straight form often referred to as a bahari form, butdisplaying a richly patterned pamor. This style is approximated by a form called Udan Mas (KiEmpu Jhuel) showing a linear pattern of small circular designs in the iron the length of the blade.Overall likely early 20th century.Total Length (inside scabbard if present) : 20 1/4" Blade Length : 15 3/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art BooksDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Strong Indonesian Bali KERIS Dagger ~ Powerful Dasmascus Steel Blade ~ Carved Horn Grip.

Lot #19 (Sale Order 19 of 298)

Keris from Bali are some of the most finely crafted among the Indonesianarchipelago. As Bali is a Hindu society, the influences on the keris have survived theIslamicization of form and design found elsewhere in the region, with some exceptions. As aresult, Balinese keris often sport hilts carved with richly designed Hindu deities in more realisticmanner than the more the stylized interpretations found in other parts of the region, such as thehighly stylized Garuda imagery of the Bugis or on Sumatra. The keris played a particularlyimportant role in Balinese society and is used as a ritual tool in almost every Balinese religiousceremony. Standing as pusaka, a powerful sanctified heirloom and serving as a strong marker ofsocio-economic status, a keris could only be made by Pande blacksmiths who claim status higherthan that of a Brahman. The historical development of the Balinese keris is related to theorigination of the keris in the early part of the 2nd millennium A.D. and which spread to Balifrom the east Javanese kingdom of Kedhiri from 11th-13th centuries. The Majaphit conquest ofBali in 1343 especially influenced the development of the keris in Balinese society.This example in the Schmiedt Collection is a good representation of a classic Balinese form.Dagger hilt appears to represent a raksasa, or a demon. Raksasa representations are common inBalinese hilts and usually is represented by a demon with bulging eyes and fangs sitting atop thetriangular tumpal motif. The wrangka is a classic Balinese form axe-shaped called a kandik.The blade is a finely crafted 9 luk form, called a dhapur luk sia representing in Balinese culturethe perfection and completion of the body and soul because the number nine in Hinduism andBuddhism is considered to be final (Neka 2014). The blade has finely patterned linear patterncalled pamor miring.First Half of 20th century.Total Length (inside scabbard if present) : 27 3/4" Blade Length : 22" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Neka, W. S. (2014) Understanding Balinese Keris: An Insiders Perspective. Neka ArtMuseumDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Exquisite Indonesian Bugis/Sulawesi KERIS Dagger for Royalty ~ Silver, Gold, Ruby & Emerald Stones.

Lot #20 (Sale Order 20 of 298)

Keris from the southern Sulawesi region of Bugis have a distinctive look anddesign. Handles are often carved of various materials or cast in precious materials such as silverand set at a ninety degree angle in the form of a pistol grip. These handles are referred to as akerdas form. Some Bugis keris scabbards also have a loop like attachment called a toil-toli,which is most often worn by higher status individuals especially indicative on older examplesand those who can afford to purchase such an example of later period examples.This example in the Schmiedt Collection is a fine representation of first half of 20th century workmanship. The handle and scabbard are both covered in silver filigree and silver granulation and inlaid withgold floral designs. There are also inlays of precious stones, potentially rubies or garnets inaddition to green stones such as emeralds.Dagger's blade is well made and the overall form, or dapor, is called lar ngatap representing a straightblade with this specific form of ganja. The pamor pattern is called dwi warna with more thanone pattern present in the blade. The ganja displays a pamor mas kemambang, while the singleline that runs the length of the blade is called a sada saler. Along the sides of the sada salerpattern appears to be a pattern termed a manggar, also referred to as a coconut palm pattern.The blade earlier than the mounts, which are overall 20th century.Total Length (inside scabbard if present) : 17 1/4" Blade Length : 13 1/2" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor KerisDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Lovely 20th C. Indonesian Yogyakarta / Java KERIS Dagger with Silver & Gold Mounts ~ Rare Carved Dam

Lot #21 (Sale Order 21 of 298)

Javanese keris, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt. This hilt has seven flatplanar sides, with two carvings at internal angles of the hilt. The one nearest the pommelrepresents the kala mask, a benevolent demon and the small protrusion in the carving called akuncung represents a nose. These highly abstract forms represent the highest level of abstractionin Indonesian keris handles, though other such as the Bugis hilt representing a garuda are alsohighly abstract.The blade, or wilah, of the keris is the most valued part, holding the sacred and esoteric power ofthe keris. The different forms of pamor and blade shapes all have specific attributions to the typeof owner that is most suited to that pamor and shape and also the magical powers it can provide.Any keris above 13 luk is uncommon and made for either someone of high status of representingsome esoteric need of the commissioner.This example in the Schmiedt collection is a Javanese Keris of with a cecekan ukiran, or hilt, inthe Surakarta style, Yudo Winatan. The blade is hand forged and with a 13 luk pattern calleddapor naga siluman and consists of pamor pattern called ngulit semangka, or watermelon skin.The base of the blade, gandik, is chiseled with a naga, snake, head and inlaid in the mouth withgold. The selut cup seating the Surakarta hilt is beautifully made of gilt metal or gold, and themendak (cuff) between hilt and blade in the Surakarta style. The warangka (scabbard throat) isin the Ladrang Surakarta type. The gandar (scabbard body) with a chiseled and gilded metalpendok (cover) featuring embossed and repousse floral decoration of high quality workmanship.First Half of 20th century.Dagger 's Total Length (inside scabbard if present) : 20 1/4" Blade Length : 14 3/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good Early 20th C. Indonesian Yogyakarta Java KERIS Dagger ~ Fine Damascus Blade of Rare Patter

Lot #22 (Sale Order 22 of 298)

Javanese keris , are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Java and called a cecekan hilt. This form of hilt has seven flat planar sides, withtwo carvings at internal angles of the hilt. The one nearest the pommel represents the kala mask,a benevolent demon and the small protrusion in the carving called a kuncung represents a nose.The form from the Palaces of Yogyakarta is referred to as a Nunggak Semi and has a lessenlarged pommel than the Surakarta form, but has the distinctive carvings on the inside angles ofthe handle.The blade, or wilah, of the keris is the most valued part, holding the sacred and esoteric power ofthe keris. The different forms of pamor and blade shapes all have specific attributions to the typeof owner that is most suited to that pamor and shape and also the magical powers it can provide.This example in the Schmiedt collection is a Javanese Keris of cecekan form in the Yogyakartastyle called Nunggak Semi. The blade is hand forged and with a straight pattern called daporbethok and consists of dwi warna pamor pattern with the central portion of small circles calledudan mas and the outer edges forged in the pattern called untu walang. The mendak (cuff)between hilt and blade in Surakarta style inlaid with semi-precious stones, either intan intan rosecut diamonds or rock crystals. The warangka (scabbard throat) of Gayaman Surakarta type.The gandar (scabbard body) with a chiseled brass Pendok (cover) featuring embossed andrepousse decoration imitating a palm or rattan weave.First half of 20th century.Dagger Total Length (inside scabbard if present) : 20" Blade Length : 14 1/2".References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Rare Indonesian Sumatra KERIS Dagger in Fossil Mammoth Tooth mounts ~ Early Blade with Gold.

Lot #23 (Sale Order 23 of 298)

Keris throughout the Malay archipelago often have a variety of features that can beascribed to differing regions due to the travel by skilled craftsman from one region to another. Inaddition, the migration of styles of workmanship is also a possibility. Therefore, one must lookat all of the elements of a keris to determine where it may be from. Keris, Dagger such as this example in the Schmiedt Collection represent several interesting design elements. The handle has theupturned face and snout that some associate with the kingfisher bird hilt of the Malay Peninsulaand Thailand but is more likely a representation of a Wayang figure, perhaps Rajamala (Van Zonneveld 2001). Hilts similar to this, but with more detailed carving were made in Tegal inNorthern Java (Ghiringelli 2011). Other hilts of this similar form are known as a Lampung style.The wrangka of the sheath form in the Tengah style from East Sumatra with a classicallyenlarged buntut.This fine example of an interesting Sumatran keris is composed of an en suite carved hilt andwrangka. The remainder of the sheath is wood with silver fittings and a carved buntut. The longstemmed cup is in a classically Sumatran style (Frey 1986). The hilt has elements of the classicSumatran Jawa Demam figure but with an upturned nose and more humanoid features that haveelements of Lampung form. The straight blade has gold decoration at base of the blade. As iscommon on Sumatra and Malay keris, there is no discernible pamor pattern, as opposed to kerisfound in Java and Bali.First half of 20th century, Blade is 19th century.Total Length (inside scabbard if present) : 18 1/2" Blade Length : 14" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Beautiful Indonesian Surakarta, Java KERIS Dagger ~ Painted Mounts ~ Rare Damascus Pattern Blade ~ D

Lot #24 (Sale Order 24 of 298)

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. In Javanese culture, the keris is reveredas tosan aji (Javanese for sacred heirloom weapons) and considered a pusaka, or treasuredheirloom. A pusaka keris given by a Javanese king to nobles or his subjects, was meant tosymbolize the king's confidence bestowed upon the receiver and was considered a great honor.These keris would be composed of rare materials and have exceptional blades of fine forging byJavanese empus. The most classic style of hilt is from the Royal Palaces of Surakarta in centralJava and called a cecekan hilt. This hilt has seven flat planar sides, with two carvings at internalangles of the hilt. The one nearest the pommel represents the kala mask, a benevolent demonand the small protrusion in the carving called a kuncung represents a nose. Another formclosely related in form is from the Palaces of Yogyakarta and is referred to as a Nunggak Semishape, but also has the distinctive carvings on the inside angles of the handle. These highlyabstract forms represent the highest level of abstraction in Indonesian keris handles, though othersuch as the Bugis hilt representing a garuda are also highly abstract.This example in the Schmiedt collection is a Javanese Keris of cecekan form in the Surakartastyle called Yudo Winkan. The blade is hand forged and with a 7 luk pattern most closelyapproximated by the form known as dapor jaran guying and consists of a rare pamor patterncalled Ron Pakis, or Bulu Ayam (chicken feathers). Judging by the deep wear of the blade it isof considerable age and has been mounted in 20th century mounts, and most likely is a pusakablade. The selut cup seating the Surakarta hilt is beautifully made of silver and inlaid with rockcrystal or intan intan, or rough diamond. The warangka (scabbard throat) of Ladrang Surakartatype and painted in the form called sunggingan. The gandar (scabbard body) painted red.First half of 20th century, Blade is earlier.Total Length (inside scabbard if present) : 19 1/4" Blade Length : 14" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Verty Good 19th C. Ethiopian Arabic SAIF or SHOTEL Sword ~ Powerful Blade with Engraved Decorations.

Lot #25 (Sale Order 25 of 298)

A classic form of sword from Ethiopia referred to as a saif, this straight sword is a well-known style of sword introduced in the 19th century and often mounted with importedEuropean blades. Swords were often awarded to citizens by the emperor for merit in battle or other activities and as Ethiopia was independent for a long period of time without having beencolonized by any of the European powers until the 1930s, there is a profusion of swords fromImperial period Ethiopia. This example in the Schmiedt Collection is of typical form with a handle of classic form with a mirrored flared pommel and crossguard with a tubular cross section.The blade of this sword is single edged and likely made by Wilkinson, a famous English sword maker, and which exported many blades to Ethiopia during the period of Menelik II (1885-1913), who was also known as the Lion of Judah. This blade crisply decorated in the fullers with floral designs typical of the period and with a deeply stamped Lion of Judah motif at the ricasso.A group of these blades with similar Amharic inscriptions and designs can be seen in early 20th century Wilkinsons sword catalog.Total Length (inside scabbard if present) : 37" Blade Length : 31 1/4" References:1. Stone, G. C. (1934). A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times. Mineola NY: Dover Publications.2. Spring, Christopher (1993). African arms and armour. British Museum Press.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good 19th - early 20th C. Indonesian Sumatra KERIS Dagger ~ Fine Carved Grip & Rare Damascus Bl

Lot #26 (Sale Order 26 of 298)

Keris Dagger from Sumatra have a distinct form and are most often associated with aparticular handle form referred to as a Jawa Demam hilt. The origin of this form are unknownbut the general form is a highly abstracted crouching figure, the term itself translates as feverstricken. Commentators have noted that its origin may be as varied as a representation of theHindu bird god Garuda (which can be found on other Indonesian origin hilts in Madura forexample), whether it is a representation of an earlier Majapahit period hilt, or a variation on acockatoo which is otherwise found represented in Malay and Indonesian hilts. Regardless of theorigin it is consistently a striking form closest in approximation to modern art abstract humanforms.This example in the Schmiedt Collection is a fine representation of an antique example. Thevery finely carved and aged jawa demam form handle is in fine condition with finely carved andengraved mendak, similar to those found on other Sumatran keris (See Ghirinelli 2007; pg. 65).The sheath is simple but made of finely patterned wood, which was much prized for the qualityof the wood grain and lustre called chatoyancy. Chatoyancy in wood occurs in various species, especially the most prized hardwoods found on Indonesian keris scabbards and hilts, particularlywhere stress from the weight of the growing tree results in denser patches, or where stressescause burls or bird's eye. The richer the chatoyancy of the hilt or scabbard the more prized thekeris is.The blade is very finely crafted and with a 3 luk waved form, and displaying a richly patternedpamor. This has a pattern in the middle called a Kulit Semangka but with lines running along theedges in the style called Adeg.Dating from late 19th to early 20th century.Total Length (inside scabbard if present) : 18" Blade Length : 12 1/4" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid PressDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Beautiful Indonesian Surakarta Java KERIS Dagger ~ Fine Painted Mounts & Exquisite Carved Damascus B

Lot #27 (Sale Order 27 of 298)

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt. This hilt has seven flatplanar sides, with two carvings at internal angles of the hilt. The one nearest the pommelrepresents the kala mask, a benevolent demon and the small protrusion in the carving called akuncung represents a nose. One of the features only found on Javanese and some early Balinesekeris is the use of painted designs called sungginan. These painted designs are found on kerisinearly collected European collections where the designs have more affinity with Chinese paintingbut later keris sunggingan are closer to Europeanized painting and may reflect one of the fewEuropean influences on Javanese keris. Many of the designs on sunggingan keris are taken fromlocal motifs and can also be found on batak textiles.This example in the Schmiedt collection is a Javanese Keris of cecekan form in the Surakartastyle called Yudo Winkan and painted ensuite with the wrangka and scabbard. The blade is handforged and with a 13 luk pattern most closely approximated by the form known as dapor nagasastra and consists of a pamor pattern called beras wutah, or spilled rice grains. The silvermendak in Surakarta style. Warangka (scabbard throat) of Ladrang Surakarta type and paintedin the form called sunggingan showing a variety of animals and the emblem of Surakarta in thecentral portion of the wrangka. The gandar (scabbard body) painted ensuite with a brass pendok,sheath covering.First half of 20th century overall.Total Length (inside scabbard if present) : 19 3/4 Blade Length : 14 3/4 References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Rare and Fine Indonesian Surakarta, Java KERIS Dagger in Fossil Mammoth Tooth Mounts ~ Fine Dam

Lot #28 (Sale Order 28 of 298)

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt. This hilt has seven flatplanar sides, with two carvings at internal angles of the hilt. The one nearest the pommelrepresents the kala mask, a benevolent demon and the small protrusion in the carving called akuncung represents a nose. Another form closely related in form is from the Palaces ofYogyakarta and is referred to as a Nunggak Semi shape, but also has the distinctive carvings onthe inside angles of the handle. These highly abstract forms represent the highest level ofabstraction in Indonesian keris handles, though other such as the Bugis hilt representing a garudaare also highly abstract.The blade, or wilah, of the keris is the most valued part, holding the sacred and esoteric power ofthe keris. The different forms of pamor and blade shapes all have specific attributions to the typeof owner that is most suited to that pamor and shape and also the magical powers it can provide.Pamor comes in many varieties, each having a particular symbolism. Pamor then is furtherdivided into two categories called rekan and tiban, meaning respectively "willed" and "fated".Blades have a series of waves called luk, or may alternately be straight. Any keris above luk 13is uncommon and made for either someone of high status of representing some esoteric need ofthe commissioner.This example in the Schmiedt collection is a Javanese Keris of cecekan form in the Surakartastyle called Yudo Winkan and carved en suite of the same material as the wrangka. Thebeautiful grain and patina of the handle and wrangka indicate a fossilized appearance. The bladeis hand forged and with an 11 luk pattern most closely approximated by the form known as daporcarita prasaja and consists of a pamor pattern likely to be ngulit semangka, watermelon skin.The gilded mendak in Surakarta style and inlaid with intan intan rough cut diamonds or rockcrystal in the Javanese manner. The warangka (scabbard throat) of Gayaman Surakarta typeand carved of en suite material as the hilt. The gandar (scabbard body) with a brass pendok,sheath covering.First half of 20th century overall.Total Length (inside scabbard if present) : 20 1/4" Blade Length : 14"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Good late 19th - early 20th C. Indonesian KERIS Dagger ~ Surakarta, Java ~ Damascus Blade.

Lot #29 (Sale Order 29 of 298)

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt. This hilt has seven flatplanar sides, with two carvings at internal angles of the hilt. The one nearest the pommelrepresents the kala mask, a benevolent demon and the small protrusion in the carving called akuncung represents a nose. Another form closely related in form is from the Palaces ofYogyakarta and is referred to as a Nunggak Semi shape, but also has the distinctive carvings onthe inside angles of the handle. These highly abstract forms represent the highest level ofabstraction in Indonesian keris handles, though other such as the Bugis hilt representing a garudaare also highly abstract.This example in the Schmiedt collection is a Javanese Keris of cecekan form in the Surakartastyle called Yudo Winkan. The beautiful wood grain and patina of the handle and wrangkaindicate a high quality wood, such as Sawo or Sono wood, and have a good degree ofchatoyancy. Chatoyancy being the lustre of the hardwood and which is highly prized onIndonesian keris fittings. The quality of the wood used in the hilts and wrangka is highlyindicative of the quality of the keris. The blade is hand forged and with a 31 luk pattern. Themendak in the Surakarta style. The warangka (scabbard throat) of Gayaman Surakarta type.The gandar (scabbard body) with an embossed brass pendok, sheath covering.Dating from late 19th - early 20th century overall.Total Length (inside scabbard if present) : 19 1/2" Blade Length : 15"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sien Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Fine 19th C. Indonesian Madura Northeast Java KERIS Dagger ~ Exquisite Carved Grip & Damascus Blade.

Lot #30 (Sale Order 30 of 298)

Keris Dagger from Madura have some of the most distinctly carved hilts of all Indonesiankeris. The hilts often resembling in the Javanese form only in rough outline are fantasticallycarved with various emblematic designs, some of which are playfully hidden within the complexfloral carvings. The island of Madura is located off the Northeast coast of Java and had a richroyal culture and history with a variety of symbolism employed to represent the royal family.One of the most iconic images found in Maduran royal imagery and also on Keris hilts is thewinged horse. The winged horse is mentioned in the story of Joko tolÃƒÂ¨, a Maduran prince whowas gifted a winged horse named Si Mega. This winged horse emblem is still the regionalsymbol of the Sumenep regency in Indonesia.This example in the Schmiedt Collection is a fine representation of an antique Maduran keriswith elements of other regions in the overall design. The hilt is a classic Maduran carved form,with a very deep and fine carving showing the Si Mega winged horse design on the inside curveof the handle. The hilt fittings in the Javanese style with a silver mendak inlaid with semipreciousstones and a silver selut also inlaid with stones. The Tengah form wrangka is in theSulawesi Macassor style with a silver pendok and carved buntut.The blade is very finely crafted and a 9 luk form called dhapur jarudeh displaying a richlypatterned pamor. This style is approximated by a form called wulan wulan comprised of circularpatterns running the length of the blade (Ki Empu Jhuel).Dating from 19th century.Total Length (inside scabbard if present) : 19 1/2" Blade Length : 15" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art BooksDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Early 20th C. Ethiopian (Horn of Africa) Danakil GILE Dagger

Lot #31 (Sale Order 31 of 298)

A classic form of Horn of Africa dagger called a gile, similar in form and derivedfrom the Arabian peninsular jambiya, the gile can be found in Ethiopia, Eritrea, Djibouti, andSomalia, where is known by a variety of different terms including qolxad in Somali and jile inthe Afar language.Most closely associated with the Afar or Danakil people, the gile is primarily considered adagger with a distinctive pommel ending in a cap-like protrusion often of bronze, zinc or silver.The double-edged blade is shaped like an asymmetrical leaf with a distinctive flare at the sharpcurve of the blade. The blades were most often made from salvaged metal, usually iron or steelfrom vehicle springs, though older examples would have forged trade blades. The sheaths weremade of hardened leather or leather wrapped wood and in some cases would be decorated, suchas this example. The sheath usually has a prolonged metal tip, sometimes embellished with metaldecoration of varying quality with an enlarged knob on the end.The sheath is worn on a belt around the waist and attached to the belt with a circular or squarebuckle or more rarely sewn on. As with other daggers in this region, the dagger's handle oftenindicates the social status of the person who wears it.This example is of classic form. The handle of middling quality, with a brass pommel protrusion.The double edged blade in fine condition but likely of leaf stock or scrap metal construction.The scabbard is hardened leather with an embossed brass decorated chape.Total Length (inside scabbard if present) : 25" Blade Length : 15"References:1. Stone, G. C. (1934). A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times. Mineola NY: Dover Publications.2. Spring, Christopher (1993). African arms and armour. British Museum Press.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Good 19th C. African Sudanese KASKARA Sword

Lot #32 (Sale Order 32 of 298)

This sword is characteristic of the swords of Sudan, Darfur, Kanem-Bornu (Chad) and Nubia andis known as a kaskara. The term kaskara is a recent name and is unknown in the Sudan, wherethese swords are termed simply saif. The kaskara is a broadsword, with a long straight bladewith a central grove with two cutting edges. The cruciform hilt has a straight cross guard withtwo languets. The quillons are often flared andusually are long, straight and end in a T-shapedform. The crossguard center has upper and lowerlanguets. The wooden grip is usually wrapped withleather bands and ends with a disc shaped pommelsuch as this example. These swords are usually oneyard in length though sometimes there are shorterexamples such as this one. There are some regionaldifferences in the types of kaskara especially withrespect to the form of the crossguard and thisparticularly crossguard of iron is more specific to theregion around Dongola to the north.This example in the Schmiedt Collection is a rathersimple style likely attributed to the examples usedby the Beja and Hadendoa of south east Sudan. Thescabbards are frequently made of molded leathersuch as this example and have a characteristic bulgeat the tip, called a bouterolle. See to the right animage of a Beja warrior holding a similar kaskara,though of longer dimensions.Total Length (inside scabbard if present) : 24 3/4" Blade Length : 19 1/2"References:1. Stone, G. C. (1934). A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times. Mineola NY: Dover Publications.2. Spring, Christopher (1993). African arms and armour. British Museum Press3. Pradines, Stephane & Khorasani, Manouchehr. (2018). SUFI IN WAR: PERSIAN INFLUENCEON AFRICAN WEAPONRY IN 19TH CENTURY MAHDIST SUDAN.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Fine Early 20th C. Indonesian Sumatra KERIS Dagger ~ Silver Mounts ~ Fine Carved Grip.

Lot #33 (Sale Order 33 of 298)

Keris Dagger from Sumatra have a distinct form and are most often associated with aparticular handle form referred to as a Jawa Demam hilt. The origin of this form are unknownbut the general form is a highly abstracted crouching figure, the term itself translates as (fever stricken). Commentators have noted that its origin may be as varied as a representation of the Hindu bird god Garuda (which can be found on other Indonesian origin hilts in Madura for example), whether it is a representation of an earlier Majapahit period hilt, or a variation on a cockatoo which is otherwise found represented in Malay and Indonesian hilts. Regardless of the origin it is consistently a striking form closest in approximation to modern art abstract human forms.This example in the Schmiedt Collection is a fine representation of an antique example very finely aged and patinated from handling over time. It appears to be a mix of both the Jawa Demam form with elements of the Bugis style and classically Sumatran. The sheath has a wood wrangka (upper portion) in the Tengah form and the Sulawesi Macassar form. The pendok in chiseled silver and with a classic Sumatran/Malay buntut. There is an old repair near the buntut in silver wire.The 9 luk blade is very finely made and likely of significant age as the edged are now soft from repeated etchings over time. The pamor is richly patterned and could be called a wulan wulan pattern (Ki Empu Juel) showing circular patterns the length of the blade. Early 20th century, a very beautiful example.Total Length (inside scabbard if present) : 18 1/2" Blade Length : 14 1/4"1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid PressDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Rare and Fine Indonesian Yogyakarta, Java KERIS Dagger ~ Fossil Mammoth Tooth mounts ~ Superb D

Lot #34 (Sale Order 34 of 298)

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt. This hilt has seven flatplanar sides, with two carvings at internal angles of the hilt. The one nearest the pommel represents the kala mask, a benevolent demon and the small protrusion in the carving called a kuncung represents a nose. Another form closely related in form is from the Palaces ofYogyakarta and is referred to as a Nunggak Semi shape, but also has the distinctive carvings onthe inside angles of the handle. These highly abstract forms represent the highest level ofabstraction in Indonesian keris handles, though other such as the Bugis hilt representing a garudaare also highly abstract.The blade, or wilah, of the keris is the most valued part, holding the sacred and esoteric power ofthe keris. The different forms of pamor and blade shapes all have specific attributions to the typeof owner that is most suited to that pamor and shape and also the magical powers it can provide.Pamor comes in many varieties, each having a particular symbolism. Pamor then is furtherdivided into two categories called rekan and tiban, meaning respectively "willed" and "fated".Blades have a series of waves called luk, or may alternately be straight. Any keris above luk 13is uncommon and made for either someone of high status of representing some esoteric need ofthe commissioner.This example in the Schmiedt collection is a Javanese Keris of cecekan form in the Yogyakartastyle called Nunggak Semi and carved en suite of the same material as the wrangka. Thebeautiful grain and patina of the handle and wrangka indicate a fossilized appearance. The bladeis hand forged and with a straight blade most closely approximated by the form known as daporpasupati and consists of a superb etched pamor pattern called mangar, or a reference to themanggaran clapper plant. The gilded mendak in the Yogyakarta style. The warangka (scabbard throat) of Gayaman Yogyakarta type and carved of en suite material as the hilt. The gandar(scabbard body) with a chiseled silver pendok, sheath covering.First half of 20th century overall, very beautiful and rare example.Total Length (inside scabbard if present) : 19 1/4" Blade Length : 14 3/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Impressive Indonesian Cased Presentation KERIS Dagger ~ Carved Wood ~ Very Large Piece ~ First Half

Lot #35 (Sale Order 35 of 298)

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt. This hilt has seven flatplanar sides, with two carvings at internal angles of the hilt. Other forms of hilts from NortheastJava and Madura include a form called Jangellan and which is distinct in form, shaped like anelongated corn cob with carvings. This form lends itself to various interpretation including shortor longer Jangellan style hilts but all are distinguished by the heavy carving which covers theshape with floral designs similar to those found on the most classic Madurese hilt called adonoriko form.This example in the Schmiedt collection is a Northeast Java or Madura Keris of with a hilt in aJangellan style but more elongated in form. The blade is hand forged and with a 5 luk form mostclosely approximated by dapor known as dholog and with a pamor pattern called ngulitsemangka, or watermelon skin. The warangka (scabbard throat) of Ladrang Balinese type witha kandik axe shape. The gandar (scabbard body) with a chiseled silver pendok, sheathcovering.20th century overall.Total Length (inside scabbard if present) : 25 3/4" Blade Length : 14"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sien Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Nice 19th-early 20th C. Indonesian Java, Madura KERIS Dagger ~ Gold Embellished Damascus Blade

Lot #36 (Sale Order 36 of 298)

Keris Dagger from the region of Java and Madura often are composed of individual elements of differentregional origin. A single keris may have a Maduran handle, Javan blade, and Balinese scabbard,and may even include elements Sumatran style as well. Classic elements of Maduranworkmanship include carved scabbards and especially finely carved hilts in various materials.The use of figural carving is also known on Northeast Javan hilts and Maduran hilts as well.While especially fine hilts are prized, the blade, or wilah, of the keris is the most valued part,holding the sacred and esoteric power of the keris.Some keris blades would be carved with representations of nagas. In the Javanese belief systemswhere nagas are referenced, the naga refers to a a class of semi-divine beings, half human andhalf serpent who were relegated to an underground kingdom by Brahma, when they became toopopulous on earth. There are a number of individually named nagas, who carry individualresponsibilities and are capable of supernatural acts (Maisy, 2000).This example in the Schmiedt collection is a Javanese and Maduran Keris of with a hilt carved inwood of figural form, potentially of a Wayang figure. The blade is hand forged and with an 11luk pattern called dapor naga siluman and with a very fine pamor primarily in the middle portionof the blade, approximated by the style ngulit semangka, or watermelon skin, or beras wutah.The base of the blade, gandik, is chiseled with a gold decorated Naga head. The mendak (cuff)between hilt and blade in Solo style. The Warangka (scabbard throat) of Ladrang Surakartatype but carved with Maduran style carving. The gandar (scabbard body) with a brass Pendok(cover).Late 19th to early 20th century.Total Length (inside scabbard if present) : 21" Blade Length : 15"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Maisy, A. (2000) The Keris and the Naga. Arms Cavalcade (1) 39. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sien Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Antique Indonesian KERIS Stand ~ Surakarta, Java, Bali ~ Fits 5 Daggers ~ Nicely Carved Dragons.

Lot #37 (Sale Order 37 of 298)

Antique Indonesian KERIS Stand ~ Surakarta, Java, Bali ~ Fits 5 Daggers ~ Nicely Carved Dragons.Total Length (inside scabbard if present) : 23 1/2" x 15".Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Beautiful Indonesian Surakarta, Java KERIS Dagger ~ Painted Mounts ~ Strong Damascus Blade.

Lot #38 (Sale Order 38 of 298)

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt, and specifically YudoWinatan. This hilt has seven flat planar sides, with two carvings at internal angles of the hilt.The one nearest the pommel represents the kala mask, a benevolent demon and the smallprotrusion in the carving called a kuncung represents a nose. Another form closely related inform is from the Palaces of Yogyakarta and is referred to as a Nunggak Semi shape, but also hasthe distinctive carvings on the inside angles of the handle. These highly abstract forms representthe highest level of abstraction in Indonesian keris handles, though other such as the Bugis hiltrepresenting a garuda are also highly abstract. One of the features only found on Javanese andsome early Balinese keris is the use of painted designs called sungginan. These painted designsare found on kerisin early collected European collections where the designs have more affinitywith Chinese painting but later keris sunggingan are closer to Europeanized painting and mayreflect one of the few European influences on Javanese keris. Many of the designs onsunggingan keris are taken from local motifs and can also be found on batak textiles.This example in the Schmiedt collection is a Javanese Keris of cecekan form in the Surakartastyle, Yudo Winatan, which differs from Yogyakarta in having a more pronounced roundedpommel. The blade is hand forged and with a straight blade with a pamor pattern called beraswutah, or spilled rice grains. The mendak (cuff) between hilt and blade in Solo style. The warangka (scabbard throat) of Ladrang Surakarta type and in the sunginngan painted style with the central medallion the emblem of the Sultanate (Kasunanan) of Surakarta. The gandar(scabbard body) with a chiseled silver Pendok (cover) featuring embossed floral decoration.Total Length (inside scabbard if present) : 19 1/2" Blade Length : 14 3/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sien Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Rare 19th - early 20th C. Indonesian Nias BALATO Sword ~

Lot #39 (Sale Order 39 of 298)

A very rare sword of the Nias islands near Sumatra, this sword is called a balato and in the classic form but with the distinctive carved hilt in the form of dog or dragonhead called a lasara. This relatively typical Balato has a form that appears to take less the form of the traditional Lasara (dragon head) hilt and closer to a dogs head and which can be seen illustrated as a less common hilt style in Modigliani (1890). While the classic balato is considered to be a traditional headhunters sword the more common domestic knife of the Nias takes a similar form. The headhunters swords are distinguished by their longer blades, such as this example. The blades are generally not laminated and can have various forms, the common factors are: a single edge that starts only a few centimeters from the hilt and more or less widening to the point. The Schmiedt Collection example has a well carved and nicely patinated handle with a sculptural creature design carved in the pommel. The curled whorls likely represent boars tusks while the creature sitting astride the pommel is called a bechu zocha, a spirit who hunts and feeds on mens shadows, just as men feed on pigs. By sitting astride the pommel and biting the boars head, he takes on the role of a man. This image can be regarded as a talisman working against the misfortunes that the bechu zocha spirit would ordinarily bring (Brenner-Felsach 1998). Because of the spirits thirst for blood and its prominence on the headhunters sabre, the image was believed to have increased the warriors strength. This hilt can also potentially be interpreted as a niobawa bae representing the head of a monkey with a bekhu zocha on its back. The locked teeth of the spirit may it appear aggressive and this form of hilt associated with a monkey allegedly provides the warrior with speed in combat (Van Zonneveld 2001). The scabbard is of two pieces of wood secured with strips of rattan, while the talismanic basket, called raga ifoboaya, at the top of the scabbard is of classic shape and decorated with animal's teeth.The balato is most classically associated with the headhunting tradition of the Nias. Chiefs paid warriors to perform the task of headhunting task on their behalf and during peacetime, these hired warriors would hide at a bend in the path and take as victim the first person to pass by, whether it be a man, woman, or child. When warriors were unavailable, the chief slave was instead set to the task. The aim of headhunting was to take possession of the dead persons soul, or life-force, and to offer it as a gift to the spirits. In this way, the chief acquired a form of guarantee for his afterlife. A victim's soul also served as a substitute for a sick mans soul and was used to heal the latter and appease the vindictive spirit, who was thought to have caused the illness. Balato are difficult to date accurately, but this example likely dates to late 19th to early 20th century.Total Length (inside scabbard if present) : 28" Blade Length : 26 3/4" References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago. Leiden: Art Books2. Viaro, M. A. (2001). Ceremonial sabres of nias headhunters in indonesia. Arts Et Cultures, 3, 150-171.3. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inseln ringsum Sumatra, (vol. 4, Leiden)4. Modigiliani, E. (1890) Un viaggio a Nias.5. Brenner-Felsach, Joachim Freiherr von. Eine Reise nach Nias, die Indonesienexpedition 1887, edited by Reinhold MittersakschmÃƒÂ¶ller, 171Ã¢â‚¬â€œ75. Vienna: 1998Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good 19th - early 20th C. Indonesian Java, Mandura KERIS Dagger ~ Fine Carved Grip & Damascus B

Lot #40 (Sale Order 40 of 298)

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt, and specifically YudoWinatan. This hilt has seven flat planar sides, with two carvings at internal angles of the hilt.The one nearest the pommel represents the kala mask, a benevolent demon and the smallprotrusion in the carving called a kuncung represents a nose. Other hilts from the region includethe many varied hilts from eastern Java and Madura, which often have more carving. Maduranhilts in particular are often entirely covered in floral carving in a variety of materials. The mostwell-known of this form of hilt is called a donoriko style hilt and often includes imagery ofhorses on the inside curve of the hilt.This example in the Schmiedt collection is a Javanese Keris of with a rare and early Maduran hiltcalled Kojuk Mrenges (bucktoothed smiling bird) form. The blade is hand forged and with a 13luk blade with a dapor kantar with a pamor pattern called ngulit semangka, or watermelon skin.The mendak (cuff) between hilt and blade in Solo style. Warangka (scabbard throat) ofLadrang Surakarta type. The gandar (scabbard body) with a chiseled gilded metal Pendok(cover) featuring embossed floral decoration.Late 19th to early 20th century. Beautiful example.Total Length (inside scabbard if present) : 19" Blade Length : 15" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th-early 20th C. Indonesian Java, Madura KERIS Dagger ~ Carved Horn Grip ~ Early Blade.

Lot #41 (Sale Order 41 of 298)

Keris Dagger from the region of Java and Madura often are composed of individual elements of differentregional origin. A single keris may have a Maduran handle, Javan blade, and Balinese scabbard,and may even include elements Sumatran style as well. Classic elements of Maduranworkmanship include carved scabbards and especially finely carved hilts in various materials.The use of figural carving is also known on Northeast Javan hilts and Maduran hilts as well.While especially fine hilts are prized, the blade, or wilah, of the keris is the most valued part,holding the sacred and esoteric power of the keris. The different forms of pamor and bladeshapes all have specific attributions to the type of owner that is most suited to that pamor andshape and also the magical powers it can provide. Pamor comes in many varieties, each having aparticular symbolism. Pamor then is further divided into two categories called rekan and tiban,meaning respectively "willed" and "fated".This example in the Schmiedt collection is a Maduran Keris of with a hilt carved in wood offigural form, potentially of a Wayang figure. The blade is hand forged and with a powerful 3 lukpattern called dapor jangkung mayang and with a fine pamor, approximated by the style calledbonan rinenteng, known as gamelan instrument with two rows of drums with two rows ofcircular patterns separated by a line in the middle. The warangka (scabbard throat) ofGayaman Gabilan Maduran type carved with Maduran style carving. The gandar (scabbardbody) in carved dark wood.Early 20th century, Blade is 18th to early 19th century.Total Length (inside scabbard if present) : 34 1/2" Blade Length : 27 1/4References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sien Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Good 19th - early 20th C. Indonesian Surakarta, Java KERIS Dagger ~ Strong Damascus Blade ~ Beautifu

Lot #42 (Sale Order 42 of 298)

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. The onenearest the pommel represents the kala mask, a benevolent demon and the small protrusion in thecarving called a kuncung represents a nose. Another form closely related in form is from thePalaces of Yogyakarta and is referred to as a Nunggak Semi shape, but also has the distinctivecarvings on the inside angles of the handle. These highly abstract forms represent the highestlevel of abstraction in Indonesian keris handles, though other such as the Bugis hilt representinga garuda are also highly abstract.The blade, or wilah, of the keris is the most valued part, holding the sacred and esoteric power ofthe keris. The different forms of pamor and blade shapes all have specific attributions to the typeof owner that is most suited to that pamor and shape and also the magical powers it can provide.Pamor comes in many varieties, each having a particular symbolism. Pamor then is furtherdivided into two categories called rekan and tiban, meaning respectively "willed" and "fated".Blades have a series of waves called luk, or may alternately be straight. Any keris above luk 13is uncommon and made for either someone of high status of representing some esoteric need ofthe commissioner.This example in the Schmiedt collection is a Javanese Keris of cecekan form in the Surakartastyle, Yudo Winatan, which differs from the Yogyakarta form in having a more pronouncedpommel. The blade is a 19th century example, hand forged and with a straight form called daporbethok and consists of a pamor pattern ngulit semangka, or watermelon skin. The mendak (cuff)between hilt and blade in Solo style. The scabbard likely belonging to a different keris and ofSumatran form. The warangka (scabbard throat) of Bulan Sabit Riau form and in the samehigh quality en suite wood as the gandar (body). The wood displays a rich chatoyancy shine.Early 20th century, Blade is 19th century.Total Length (inside scabbard if present) : 19 3/4" Blade Length : 14 1/4" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Indonesian 20th C. KERIS Dagger, Surakarta, Java Islands.

Lot #43 (Sale Order 43 of 298)

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. The onenearest the pommel represents the kala mask, a benevolent demon and the small protrusion in thecarving called a kuncung represents a nose. Another form closely related in form is from thePalaces of Yogyakarta and is referred to as a Nunggak Semi shape, but also has the distinctivecarvings on the inside angles of the handle. These highly abstract forms represent the highestlevel of abstraction in Indonesian keris handles, though other such as the Bugis hilt representinga garuda are also highly abstract.The blade, or wilah, of the keris is the most valued part, holding the sacred and esoteric power ofthe keris. The different forms of pamor and blade shapes all have specific attributions to the typeof owner that is most suited to that pamor and shape and also the magical powers it can provide.Pamor comes in many varieties, each having a particular symbolism. Pamor then is furtherdivided into two categories called rekan and tiban, meaning respectively "willed" and "fated".Blades have a series of waves called luk, or may alternately be straight. Any keris above luk 13is uncommon and made for either someone of high status of representing some esoteric need ofthe commissioner.This example in the Schmiedt collection is a Javanese Keris of cecekan form in the Surakartastyle, Yudo Winatan mi, which differs from the Yogyakarta form in having a more pronouncedpommel. The blade is a 19th century example, hand forged and with a 13 luk blade called daporparungsari (Ki Empu Jhuel) and consists of the tiban pamor pattern called beras wutah. Themendak (cuff) between hilt and blade in Solo style. The Warangka (scabbard throat) of Gayamn of the Surakarta form and with a windowed pendok, (scabbard sheat) over a woodengandar (body).Mid 20th century.Total Length (inside scabbard if present) : 19 1/4" Blade Length : 14 1/2"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sien Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Good Early 20th C. Indonesian Surakarta, Java KERIS Dagger ~ Rough Diamonds set mount ~ Strong Damas

Lot #44 (Sale Order 44 of 298)

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. The onenearest the pommel represents the kala mask, a benevolent demon and the small protrusion in thecarving called a kuncung represents a nose. Another form closely related in form is from thePalaces of Yogyakarta and is referred to as a Nunggak Semi shape, but also has the distinctivecarvings on the inside angles of the handle. These highly abstract forms represent the highestlevel of abstraction in Indonesian keris handles, though other such as the Bugis hilt representinga garuda are also highly abstract.The blade, or wilah, of the keris is the most valued part, holding the sacred and esoteric power ofthe keris. The different forms of pamor and blade shapes all have specific attributions to the typeof owner that is most suited to that pamor and shape and also the magical powers it can provide.Pamor comes in many varieties, each having a particular symbolism. Pamor then is furtherdivided into two categories called rekan and tiban, meaning respectively "willed" and "fated".Blades have a series of waves called luk, or may alternately be straight. Any keris above luk 13is uncommon and made for either someone of high status of representing some esoteric need ofthe commissioner.This example in the Schmiedt collection is a Javanese Keris of cecekan form in the Surakartastyle, Yudo Winatan, which differs from the Yogyakarta form in having a more pronouncedpommel. The hilt has a fine patina, and old tag, likely indicating an early 20th century or earlierdating. The overall form, quality of the blade, and age indicate that the blade is a 19th centuryexample, hand forged and with a 13 luk blade called dapor parungsari (Ki Empu Jhuel) andconsists of the pamor pattern called ngulit semangka, or watermelon skin. The mendak (cuff)between hilt and blade in Solo style and inlaid with precious stones, potentially diamonds. TheWarangka (scabbard throat) of Ã¢â‚¬ËœLadrangÃ¢â‚¬â„¢ style in the Surakarta form and with a windowedpendok, (scabbard sheath) over a wooden gandar (body). The wood of the wrangka displays arich color and chatoyancy, indicative of high quality keris.Early 20th century.Total Length (inside scabbard if present) : 18" Blade Length : 14 1/2" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare Indonesian Bali KERIS Dagger ~ Carved Bone Grip ~ Fine Scabbard ~ Early 20th C.

Lot #45 (Sale Order 45 of 298)

Keris Dagger from Bali are considered some of the finest among the Indonesianarchipelago. As Bali is a Hindu society, the influences on the keris have survived theIslamicization of form and design found elsewhere in the region, with some exceptions. As aresult, Balinese keris often have hilts carved with richly designed Hindu deities in a morerealistic manner than the stylized interpretations found in other parts of the region, such as thehighly stylized Garuda imagery of the Bugis or on Sumatra. The keris played a particularlyimportant role in Balinese society, and was used as a ritual tool in almost every Balinesereligious ceremony. Standing as pusaka, a powerful sanctified heirloom, and serving as a strongmarker of socio-economic status, a keris could only be made by Pande blacksmiths who claimstatus higher than that of a Brahman. In Bali, the keris is referred to as kadutan, but the termkeris is used as it is widespread through the region.This example in the Schmiedt collection is a Balinese Keris of figural form in a provincial style,lacking the deep carving and traditional forms found on more traditional togongan hilts. Thefigure sits squatting in an ancestor pose with a hand underneath the body, one knee pulled uphigh against the belly, and the other hand grasping the belly. The hilt has an aged patina. The old 7 luk blade has the shape approximated by dapor sempana panjul (Ki Empu Jhuel) andconsists of an interesting pamor pattern called sada saler, of an undulating single line running thelength of the blade. The mendak (cuff) between hilt and blade in Javanese style and inlaid withprecious stones, potentially intan intan rough diamonds. The carved warangka (scabbard throat)of Ladrang style in the Balinese form and with a stained wood gandar (body).Early 20th century, Beautiful and rare example.Total Length (inside scabbard if present) : 20 1/4" Blade Length : 11"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Neka, W. S. (2014) Understanding Balinese Keris: An Insiders Perspective. Neka ArtMuseumDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th-20th C. Indonesian Surakarta, Java KERIS Dagger ~ Spectacular Damascus Blade.

Lot #46 (Sale Order 46 of 298)

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. The onenearest the pommel represents the kala mask, a benevolent demon and the small protrusion in thecarving called a kuncung represents a nose. Another form closely related in form is from thePalaces of Yogyakarta and is referred to as a Nunggak Semi shape, but also has the distinctivecarvings on the inside angles of the handle. These highly abstract forms represent the highestlevel of abstraction in Indonesian keris handles, though other such as the Bugis hilt representinga garuda are also highly abstract.The blade, or wilah, of the keris is the most valued part, holding the sacred and esoteric power ofthe keris. The different forms of pamor and blade shapes all have specific attributions to the typeof owner that is most suited to that pamor and shape and also the magical powers it can provide.Pamor comes in many varieties, each having a particular symbolism. Pamor then is furtherdivided into two categories called rekan and tiban, meaning respectively "willed" and "fated".Blades have a series of waves called luk, or may alternately be straight. Any keris above luk 13is uncommon and made for either someone of high status of representing some esoteric need ofthe commissioner.This example in the Schmiedt collection is a Javanese Keris of cecekan form in the Surakartastyle, Yudo Winatan. The hilt has a fine patina likely indicating an early 20th century or earlierdating. The 13 luk blade is a rare form possibly unique and has carved gandiks on both sides ofricikan of the blade, each in the classic elephant trunk form. This is an uncommon form andrarely found. The blade furthermore has a very finely formed serrated edge and consists ofpotentially a dwi warna pattern with two side by side pamor patterns called blarak ngirid. Themendak (cuff) between hilt and blade in Solo style in silver with filigreed designs.A rare quality keris.Early 20th century.Total Length (inside scabbard if present) : 19 3/4" Blade Length : 16" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare Indonesian Surakarta, Java KERIS Dagger ~ Fine Damascus Blade of Rare Pattern ~ Early 20th C.

Lot #47 (Sale Order 47 of 298)

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. The onenearest the pommel represents the kala mask, a benevolent demon and the small protrusion in thecarving called a kuncung represents a nose. Another form closely related in form is from thePalaces of Yogyakarta and is referred to as a Nunggak Semi shape, but also has the distinctivecarvings on the inside angles of the handle. These highly abstract forms represent the highestlevel of abstraction in Indonesian keris handles, though other such as the Bugis hilt representinga garuda are also highly abstract.This example in the Schmiedt collection is a Javanese Keris of cecekan form in the Surakartastyle, Yudo Winatan. The hilt has a fine patina likely indicating an early 20th century or earlierdating. The 11 luk blade with a dapor singo barong, referencing the carved dog or lion at thebase of the blade ganjik, and which is further inlaid with a golden tongue. The pamor pattern iscalled ron genduru and in this blade has widely spaced upward sweeping designs in the nickelpart of the blade. The mendak (cuff) between hilt and blade in Solo style in brass with filigreeddesigns.Early 20th century.Total Length (inside scabbard if present) : 20" Blade Length : 16 1/2"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th - early 20th C. Indonesian Bali KERIS Dagger ~ Fine Carved Bone Grip ~ Dramatic Damascus

Lot #48 (Sale Order 48 of 298)

Keris Dagger from Bali are considered some of the finest among the Indonesian archipelago. As Bali isa Hindu society, the influences on the keris have survived the Islamicization of form and designfound elsewhere in the region, with some exceptions. As a result, Balinese keris often sport hiltscarved with richly designed Hindu deities in much more realistic manner than the more thestylized interpretations found in other parts of the region, such as the highly stylized Garudaimagery of the Bugis or Sumatra. The keris played a particularly important role in Balinesesociety, is used as a ritual tool in almost every Balinese religious ceremony. Standing as pusaka,a powerful sanctified heirloom and serving as a strong marker of socio-economic status, a keriscould only be made by Pande blacksmiths who claim status higher than that of a Brahman. InBali, the keris is referred to as kadutan, but the term keris is used as it is widespread through theregion.The blade, or wilah, of the keris is the most valued part, holding the sacred and esoteric power ofthe keris. The different forms of pamor and blade shapes all have specific attributions to the typeof owner that is most suited to that pamor and shape and also the magical powers it can provide.Pamor comes in many varieties, each having a particular symbolism. Pamor then is furtherdivided into two categories called rekan and tiban, meaning respectively "willed" and "fated".Blades have a series of waves called luk, or may alternately be straight. Any keris above luk 13is uncommon and made for either someone of high status of representing some esoteric need ofthe commissioner.This example in the Schmiedt collection is a Balinese keris of figural form in a provincial style,lacking the deep carving and traditional forms found on more traditional togongan hilts. Thefigure sits squatting in an ancestor pose with the hands up behind its head and the knees pulledup high against the belly atop a stylized tumpal, triangular motif. The hilt has an aged patina andis carved of wood. The 13 luk blade has the shape approximated by dapor parung sari (Ki EmpuJhuel) though the gandik does not have the two sharp protrusion beneath the elephant trunk. Thepamor pattern appears to be a type of Ron Pakis, or fern feathers, whic in some areas in someareas is also called Bulu Ayam (chicken feathers). The mendak (cuff) between hilt and blade inJavanese style and in filigreed silver.Total Length (inside scabbard if present) : 18" Blade Length : 15 1/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sien Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Scarce Indonesian Yogyakarta, Java KERIS Dagger ~ Carved Bone Grip ~ Rare Damascus Pattern ~ Early 2

Lot #49 (Sale Order 49 of 298)

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. The onenearest the pommel represents the kala mask, a benevolent demon and the small protrusion in thecarving called a kuncung represents a nose. Another form closely related in form is from thePalaces of Yogyakarta and is referred to as a Nunggak Semi shape, but also has the distinctivecarvings on the inside angles of the handle, though generally does not have kuncung carving.abstract.The blade, or wilah, of the keris is the most valued part, holding the sacred and esoteric power ofthe keris. The different forms of pamor and blade shapes all have specific attributions to the typeof owner that is most suited to that pamor and shape and also the magical powers it can provide.Pamor comes in many varieties, each having a particular symbolism. Pamor then is furtherdivided into two categories called rekan and tiban, meaning respectively "willed" and "fated".This example in the Schmiedt collection is a Javanese Keris of cecekan form in the Yogyakartastyle, Nunggak Semi, which differs from the Surakarta form in having a less pronouncedpommel. The hilt has a fine patina, indicating an early 20th century dating. The 9 luk blade witha form called dapor sempana (Ki Empu Jhuel) and with a pamor pattern called Adeg Sakler -Adeg Telung Ler, consisting of three upright lines running the length of the blade. The mendak(cuff) between hilt and blade in Javan style and in chiseled silver. The warangka (scabbardthroat) of Gayaman style in the Yogyakarta form and with a windowed pendok, scabbardsheath, over a wooden gandar (body).Early 20th century.Total Length (inside scabbard if present) : 19" Blade Length : 15" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Wonderful Indonesian Bali Carved Wood KERIS Dagger Holder ~ Late 19th - Early 20th C.

Lot #50 (Sale Order 50 of 298)

In Bali, especially fine keris were sometimes displayed in holders carved in theshape of a person, an animal, or a mythological figure. Elaborate kris holders like this examplewould have been found only in wealthy and aristocratic homes. Wooden kris holders inparticular serve as important examples of the tradition of Indonesian woodcarving. Wooden krisholders range from intricately carved and painted wall plaques to freestanding statues thatpossess slots in their backs or hands into which a kris is fitted. Carved in elaborate and stylizedforms, these items are decorated with vibrant colored paints, semiprecious gems or gold, and,like the kris, range in style and form depending on their place of origin within Indonesia.In all their varying forms, traditional kris holders exhibit a variety of influences from the Pre-Hindu and Indo-Javanese periods. Balinese kris holders, in particular offer the greatest examplesof Indonesian cultural development while incorporating a uniquely Balinese style. One reasonfor this includes the lack of an Islamic presence on the island of Bali. After the influx of Islaminto Indonesia after the eleventh century, Indonesian art absorbed Islamic ideas in addition tothose of Buddhism and Hinduism. The art styles with strong Hindu influences that arose duringthe Majapahit period gradually disappeared as Indonesian rulers began to request art with moreIslamic influence (Castillo 2009). As a result on Java, keris holders do not take a figural formand are instead plainer, almost furniture like in their construction, while those from Bali continueto be made in figural representations of a wide variety.This example in the Schmiedt Collection is a fine example of classical form and appears torepresent Rawana. The figure is carved from a single piece of wood and decorated inpolychrome and gold paint. Rawana is shown with long, black curly hair and bulging eyes.RawaÃ¡Â¹â€¡a (known as Ravana in India) is the primary antagonist in the Hindu epic Ramayana,where he is depicted as the warrior demon king of Lanka (now Sri Lanka). The Ramayana hashad great influence on traditional culture across Southeast Asia, and especially on Bali whichremained a Hindu society after much of the rest of the Indonesian archipelago converted toIslam. The carving is very well modeled and retains much of its polychrome paint. There aresome small damages due to age but otherwise in very fine condition.Dates to the early 20th century.Height : 21 1/4"References:1. Frey. E. (1988) The Kris: Mystic Weapons of the Malay World. Oxford UniversityPress2. Castillo, C. (2009) PROTECTIVE ART OF INDONESIA BALINESE KRISHOLDERS FROM THE COLLECTION OF THE BERMAN MUSEUM OFWORLD HISTORY. Dissertation. University of Alabama Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Beautiful Indonesian Java KERIS Dagger ~ Elaborate Carved Bone Grip ~ Strong Damascus Blade ~ Late 1

Lot #51 (Sale Order 51 of 298)

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt. Other Javan hilts haveelements of Balinese designs, with figural representations such as those called togongan figuralhilts on Balinese keris.This example in the Schmiedt collection is a Javanese Keris of with a figural handle withelements of Balinese design. The hilt is carved in a provincial style, and not likely Palace orroyal workmanship. The hilt likely represents a prince wearing a crown and in a squattingposition with the hands on the knees atop a tumpal design. The straight blade with a daportumenggung has a dwi warna pamor pattern with an untu walang pattern along the edgesshowing a sawtooth pattern and ngulit semangka, or watermelon skin pattern, in the middle ofthe untu walang pattern. The mendak (cuff) between hilt and blade in Javan style and in chiseledsilver. The warangka (scabbard throat) of Gayaman style in the Surakarta form and with awindowed chiseled brass pendok, (scabbard sheath) over a wooden gandar (body).Late 19th - Early 20th century.Total Length (inside scabbard if present) : 21 1/4" Blade Length : 14 1/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Good early 20th C. Indonesian Java KERIS Dagger ~ Nice Carved Wood Grip ~ Strong Blade.

Lot #52 (Sale Order 52 of 298)

Keris Dagger from Java have some of the most distinctly carved hilts of all Indonesiankeris. The hilts often resembling in the Javanese form only in rough outline are fantasticallycarved with various emblematic designs, some of which are playfully hidden within the complexfloral carvings. The island of Madura is located off the Northeast coast of Java and had a richroyal culture and history with a variety of symbolism employed to represent the royal family.One of the most iconic images found in Maduran royal imagery and also on Keris hilts is thewinged horse. Other imagery found on Javanese and Maduran keris include variousrepresentations of a Nyamba, a classic Wayang figure, and other imagery include Raden Bima,Prince Bhima, and whose status would be signified by the crown on his head and jewels acrossthe head and ears.This example in the Schmiedt Collection is a fine carved wood representation of an antiqueMaduran keris showing Javanese elements. The hilt is an interesting interpretation of a Nyambasitting atop a tumpal that is normally found on Java proper and often attributed to Western Java(Ghiringelli 2011). The scabbard is a classic Javanese form with stained wood composition andwith a Sulawesi Macassar Tengah form wrangka.The blade is a straight form with a dapor betok with a kulit semangka pamor or a form of beraswutah, random pattern (Ki Empu Jhuel).20th century.Total Length (inside scabbard if present) : 19" Blade Length : 14 3/4" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Ghiringelle. V. (2011) Kris hilts: Masterpieces of South-east Asian Art. 5 Continents6. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books7. Gardner, G. B. (1936). Keris and Other Malay Weapons. EP Publ.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare Indonesian Java KERIS Dagger ~ Fine Carved Parrot Bone Grip ~ Strong Damascus Blade.

Lot #53 (Sale Order 53 of 298)

Keris Dagger from Java have some of the most distinctly carved hilts of all Indonesiankeris. The hilts may often take a variety of forms including various mythological and Javanesefolkloric characters. Other forms of hilt have a more naturalistic interpretation most oftenaround a carving, either stylized or more realistic of a bird. Often the cockatoo or other parrotsare the choice of representation and these can be seen on keris handle through the archipelago,from the highly stylized cockatoo form in the Malay Peninsula, to the kingfisher form in Sumatraand Pattani, Thailand, and to the Buis stylized Garuda bird form. Javanese representations of theparrot keep the representations within the confines of the Javanese hilt form, which is generallystraight and with less angular design like those in Bugis, Sumatra, or the Malay Peninsula.This example in the Schmiedt Collection is a finely carved image of a parrot, likely of Javaneseorigin though a similar Malay origin parrot is found in Ghiringelli 2011: pg 130. The scabbard isan interesting form with a Surakarta Gayaman form wrangka, and with a pendok of brassencasing the timber of the gandar. It is possible the pendok was repurposed from a European,likely Dutch, sword scabbard or was inspired by Dutch colonial sword scabbards.The blade is a straight form with a dapor betok with a linear pamor of thin close fitting linescalled ilining warih (Ki Empu Jhuel).First half of 20th century. Beautiful and rare example.Total Length (inside scabbard if present) : 20 1/2" Blade Length : 16" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Ghiringelle. V. (2011) Kris hilts: Masterpieces of South-east Asian Art. 5 Continents6. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books7. Gardner, G. B. (1936). Keris and Other Malay Weapons. EP Publ.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Nice Indonesian Bali Carved Wood KERIS Dagger Holder ~ Early 20th C.

Lot #54 (Sale Order 54 of 298)

In Bali, especially fine keris were sometimes displayed in holders carved in theshape of a person, an animal, or a mythological figure. Elaborate kris holders like this examplewould have been found only in wealthy and aristocratic homes. Wooden kris holders inparticular serve as important examples of the tradition of Indonesian woodcarving. Wooden krisholders range from intricately carved and painted wall plaques to freestanding statues thatpossess slots in their backs or hands into which a kris is fitted (see Figure 2). Carved in elaborateand stylized forms, these items are decorated with vibrant colored paints, semiprecious gems orgold, and, like the kris, range in style and form depending on their place of origin withinIndonesia.In all their varying forms, traditional kris holders exhibit a variety of influences from the Pre-Hindu and Indo-Javanese periods. Balinese kris holders, in particular offer the greatest examplesof Indonesian cultural development while incorporating a uniquely Balinese style. One reasonfor this includes the lack of an Islamic presence on the island of Bali. After the influx of Islaminto Indonesia after the eleventh century, Indonesian art absorbed Islamic ideas in addition tothose of Buddhism and Hinduism. The art styles with strong Hindu influences that arose duringthe Majapahit gradually disappeared as Indonesian rulers began to request art with more Islamicinfluence (Castillo 2009).This example in the Schmiedt Collection is a fine example of classical form and seems torepresent a demon figure, or perhaps a raksasa. The demon is carved with human hair and atraditional Balinese men's headband. The two hands cup together in front to form the holder forthe keris. The carving is well modeled and retains much of its polychrome paint showing thespotted green skin of the demon. There are some small damages and a wood split due to age butotherwise in good condition.Dates to the first half of 20th century.Height : 21"References:1. Frey. E. (1988) The Kris: Mystic Weapons of the Malay World. Oxford UniversityPress2. Castillo, C. (2009) PROTECTIVE ART OF INDONESIA BALINESE KRISHOLDERS FROM THE COLLECTION OF THE BERMAN MUSEUM OFWORLD HISTORY. Dissertation. University of AlabamaDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Nice 20th C. Indonesian Java, Surakarta KERIS Dagger ~ Lovely High Contrast Damascus Blade.

Lot #55 (Sale Order 55 of 298)

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. The onenearest the pommel represents the kala mask, a benevolent demon and the small protrusion in thecarving called a kuncung represents a nose. Another form closely related in form is from thePalaces of Yogyakarta and is referred to as a Nunggak Semi shape, but also has the distinctivecarvings on the inside angles of the handle, though generally does not have kuncung carving.abstract.This example in the Schmiedt collection is a Javanese Keris of cecekan form in the Surakartastyle, Yudo Winatan, which differs from the Yogyakarta form in having a more pronouncedpommel. The 5 luk blade called dapor kebo dhengen (Ki Empu Jhuel) and consists of a dwiwarna pamor pattern with a Batu Lapak - Watu Lapak, or flat stone pattern, at the base of theblade and an Adeg Sakler line running partially the length of the last third of the blade. Themendak (cuff) between hilt and blade in Javan style and in chiseled silver. The warangka(scabbard throat) of Gayaman style in the uncommon Cirebon form and with a windowedembossed silver pendok, (scabbard sheath) over a wooden gandar (body).Total Length (inside scabbard if present) : 19" Blade Length : 14" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Early to Mid 20th C. Indonesian Java, Surakarta KERIS Dagger

Lot #57 (Sale Order 56 of 298)

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. The onenearest the pommel represents the kala mask, a benevolent demon and the small protrusion in thecarving called a kuncung represents a nose. Another form closely related in form is from thePalaces of Yogyakarta and is referred to as a Nunggak Semi shape, but also has the distinctivecarvings on the inside angles of the handle, though generally does not have kuncung carving.This example in the Schmiedt collection is a Javanese Keris of cecekan form in the Surakartastyle, Yudo Winatan, which differs from the Yogyakarta form in having a more pronouncedpommel. The 11 luk blade called dapor sabuk inten (Ki Empu Jhuel). The pamor is difficult todiscern and may be nglulit semangka form but which is obscured as the blade appears to be anold form now worn through many years of etchings. The blade shape nonetheless has a powerfulappearance. The mendak (cuff) between hilt and blade in Javan style and in chiseled silver. Thewarangka (scabbard throat) of Ladrang style in the Surakarta form and with a windowed metalpendok, (scabbard sheath) over a wooden gandar (body).First half of 20th century.Total Length (inside scabbard if present) : 19" Blade Length : 14 1/4" 1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good Early 20th C. Indonesian Surakarta, Java KERIS Dagger ~ Rare Damascus Pattern Blade with X

Lot #58 (Sale Order 57 of 298)

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. The onenearest the pommel represents the kala mask, a benevolent demon and the small protrusion in thecarving called a kuncung represents a nose. Another form closely related in form is from thePalaces of Yogyakarta and is referred to as a Nunggak Semi shape, but also has the distinctivecarvings on the inside angles of the handle, though generally does not have kuncung carving.This example in the Schmiedt collection is an exceptional Javanese Keris of cecekan form in theSurakarta style, Yudo Winatan. The straight blade called dapor sempaner (Ki Empu Jhuel). Thedwi warna pamor is an especially rare with a batu lapak, mountain form, at the base and thentransitioning to a rarely seen form with forged X's up the blade each with with two circles onopposite sides. The form must carry deep esoteric significance to the commissioner and theblade displays good age and is potentially as early as the early 20th century. The quality of thestriated wood cecekan hilt and the wrangka of the scabbard indicate this was a very high statuskeris. The mendak (cuff) between hilt and blade in Javan style and in chiseled silver and inlaidwith rubies or other red stones. The warangka (scabbard throat) of Gayaman style in theSurakarta form of thinly striated wood. On Balinese scabbards in particular and in someJavanese scabbards, the thinner the line of striation the rarer and more valuable the wood. Thependok now in tarnished and embossed silver over a wooden gandar (body).First half of 20th century. Rare and a very nice example.Total Length (inside scabbard if present) : 19 1/2" Blade Length : 14 1/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare and Fine Indonesian Madura KERIS Dagger ~ Fine Carved Bone Grips ~ Strong Damascus Blade ~ Earl

Lot #59 (Sale Order 58 of 298)

Keris Dagger from Madura, an island east of Java, often feature well carved hilts in avariety of designs. The most classic Maduran carved design is form of hilt called a donoriko hiltentirely carved in floral designs and often with a winged horse carved into the inside angle of thehilt. Other hilts include those with various figural carvings either of princes, representations ofJavan deities from the period of Hindu rule, and other more naturalistic carving. Keris played aparticularly important role in Maduran society and the blades especially were worshiped, as onthe island of Java, according to a vast set of esoteric rituals. Standing as pusaka, a powerfulsanctified heirloom, and serving as a strong marker of socio-economic status, a keris was animportant object for Maduran royalty and commoners alike.This example in the Schmiedt collection is an interesting example of a Maduran keris with afigural form carved in a provincial style, with deep carving and a traditional form found on moreclassic Balinese togog hilts. The figure is likely of a prince with a Maduran keris in the waistband worn on behind the back. The keris as carved on the back of the figure can be discerned asa classic Maduran form by the Madurese wrangka of the dagger and the approximation of thedonoroki hilt. The hilt has a fine aged patina. The 3 luk blade has the shape approximated bydapor naga siluman (Ki Empu Jhuel) and consists of the pamor pattern called beras wutah. Themendak (cuff) between hilt and blade in Balinese style and in brass. The carved warangka(scabbard throat) of Gayaman style in the Surakarta form and with a pendok with a largebonaspatti face in embossed brass over a wood gandar (body) in the classic Maduran shape,similar to those found in Bali.First half of 20th century. Beautiful and rare example.Total Length (inside scabbard if present) : 22" Blade Length : 15 1/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sien9. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAHDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Beautiful Indonesian Sumatra KERIS Dagger ~ Fine Silver Mounts & Carved Wood Grip ~ Early 20th C.

Lot #60 (Sale Order 59 of 298)

Keris Dagger from Sumatra or Kelamantan area display a variety of stylistic attributes. Inthis example, the hilt is formed in the style of a highly stylised Garuda. This hilt form may alsobe from the Pattani area in Kelamantan. As the area was Islamized, the Hindu god Garuda wasmodified to the point where it took on the shape of a seated or squatting humaniod figure with along beak and which now is considered to be a representation of a kingfisher bird. These longbeaked birds do not appear as if in motion and instead sit solidly on a stylized tumpal throne,with a triangular design of a row of triangles and inverse triangles, in the classic squattingancestor pose. The design of these distinct hilts is more associated with Sumatra than the otherlong beaked hilt, classically known as Thai Pattani work. These Sumatran hilts are called HuluBurung and are distinguished by triangular palmettes, feathers depicted as tight curls, and whirling flower or sun motifs.This example in the Schmiedt Collection is a rare example of a quality Hulu Burung hilt, finelycarved in wood with an aged patina. The scabbard is in the Sumatran style often associated withRiau called a bulan sabit, or crescent, with three finely chiseled silver fittings showing doubleheaded birds with large fanned tail feathers, and with a slightly enlarged buntut.The blade is a straight form called a dapor sinom and a finely patterned pamor with a deep etchin Javanese style. The pamor appears to be a type called sisik sewu, translated as Thousand Sheds.First half of 20th century.Total Length (inside scabbard if present) : 20 1/2" Blade Length : 14 3/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.KerisattosanajiDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare Indonesian South Sumatra / North Java KERIS Dagger ~ Fantastic Carved Damascus Blade ~ First Ha

Lot #61 (Sale Order 60 of 298)

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. The onenearest the pommel represents the kala mask, a benevolent demon and the small protrusion in thecarving called a kuncung represents a nose. Other forms of hilt from Java include rare form thatrepresent Wayang figures with elongated noses and exaggerated features. While other forms inNorthwest Java approximate veiled durga forms from southern Sumatra. Some hilts displaysyncretic influences across cultures with features of multiple regions in one hilt, representing theskills and origin of the carver or the interests of the commissioner of the keris. As each kerishas its own spirit, reflected by the blade shape and its individual pamor. It was consideredimportant for a prospective owner to acquire a keris whose spiritual persona was compatible withhis own. The choice of hilt was generally an aesthetic choice but would often be done inalignment with the type of blade and pamor. Keris, as spiritual objects, were believed tointervene supernaturally in the lives of their owners and could help keep disease away, ease thepain of childbirth, prevent quarrels, ensure victory in battle, extinguish fires and deter attacks bywild animals. As a result many family keris, were considered pusaka, or treasured familyheirlooms. Because keris were so often calibrated to the owner's particular personality, a kerisowned by a person without the right temperament or personality could create misfortune anddisorder for the owners and others around him.This example in the Schmiedt collection is an interesting example with a hilt that has elements ofa Wayang visage but with the veiled durga form with an angular smooth shape found on southernSumatran hilts. The 13 luk blade of dapor nagasastra form with a naga carved into the gandikand the tail chiseled into the blade running towards to the tip. The pamor is indiscernible. Themendak (cuff) between hilt and blade in Javan style and in chiseled silver and inlaid withdiamonds or paste stones. The warangka (scabbard throat) of Ladrang style in the Madura Irasform and with a rich chatoyancy, or wood lustre. The pendok now in tarnished silver over awooden gandar (body) and with a chape at the foot of the gandar that represents a Dutch colonialinfluence. The overall composition potentially late Dutch colonial period.Early to mid-20th century, rare and unusual example.Total Length (inside scabbard if present) : 20 1/4" Blade Length : 15 3/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Good Indonesian Sumatra KERIS Dagger ~ Silvered Copper Mounts ~ Damascus Blade ~ First Half of 20th

Lot #62 (Sale Order 61 of 298)

Keris Dagger from Sumatra, Riau province, or Kelamantan area display a variety ofstylistic attributes. In this example, the hilt is formed in the style of a highly stylised Garuda.This hilt form may also be from the Pattani area in Kelamantan. As the area was Islamized, theHindu god Garuda was modified to the point where it took on the shape of a seated or squattinghumanoid figure with a long beak and which now is considered to be a representation of akingfisher bird. These long beaked birds do not appear as if in motion and instead sit stolidly ona stylized tumpal, triangular design, throne in the classic squatting ancestor pose. The design ofthese distinct hilts is more associated with Sumatran than the other long beaked hilt, classicallyknown as Thai Pattani work. These Sumatran hilts are called Hulu Burung and are distinguishedby triangular palmettes, feathers depicted as tight curls, and whirling flower or sun motifs.This example in the Schmiedt Collection is a rare quality form of the Hulu Burung hilt, finelymade in silver copper or bronze with a fine worn patina. The scabbard is in the Tengah styleoften associated with Gayo in Sumatra with two silvered copper finely chiseled fittings, and witha slightly enlarged buntut. The blade is a 13 luk form called a dhapur sinom and a finelypatterned pamor with a deep etch in Javanese style. The pamor appears to be a type called ngulitsemangka sewu, Watermelon Skin.First half of 20th century.Total Length (inside scabbard if present) : 20 1/4" Blade Length : 14 3/4" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.KerisattosanajiDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Exceptionally Fine 19th C. Philippine Moro Datu's BARONG Sword ~ Dramatic Damascus Blade ~ Silver Gr

Lot #63 (Sale Order 62 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sultanatearea called a barong. These swords have a distinctive form that is specific to this region of SouthEast Asia and the southern Philippines, though it is believed that they are related to theIndonesian badik knife, though in a greatly expanded and enlarged form. The barong has adistinct leaf shaped blade which is an effective cutting and slicing form, and may be used forstabbing depending on the profile the smith develops. Barong blades are often thick and heavywith the weight aiding in the slicing capability of this sword. Older blades can range from smalllengths of 8" upwards to 22" which is uncommon. In some cases barong blades are alsopatterned in lamellar patterns and in rarer examples with twistcore iron. Some blades were alsoknown to either have been traded from China, and are marked with a series of Chinesecharacters, or were marked by Moro smiths as a mark of quality with pseudo-marks which areunintelligible.The handles are simple in design except in the pommel which in some examples have adistinctive interpretation of a cockatua bird as a vestigial visual representation of the bird. Often handles would be made from finely patterned wood representing the social class of the owner.Especially fine Datu's examples would be made of rare materials, such as this example in the Schmiedt Collection.This example is of exceptional quality with a superbly carved jungayyan cockatoo in near perfectcondition with no losses. The size of the pommel and the lack of damage is a rare occurrence onsuch a largely proportioned kakatua. The blade in fine condition and displaying a lamellar pattern. The grip has a long silver ferrule and embossed silver fittings. This barong likely fromSulu or Mindanao.Dating to the late 19th century.Total Length (inside scabbard if present) : 25 3/4" Blade Length : 17 1/4"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum of CulturalHistory3. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obra publicadaen Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ... sacanuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]4. Krieger, H. W. (1926). The collection of primitive weapons and armor of the Philippineislands in the United States National museum. Washington: Govt. Print. Off..5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art. Macau Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Fine 19th C. Indonesian Banjarmasin, Borneo KERIS Dagger ~ Gold Gilt Grip with Countless Rough

Lot #64 (Sale Order 63 of 298)

Borneo does not a distinct culture of keris and the arms of the people of Borneo are primarilydistinguished by a wide variety of swords and daggers in different forms, many influenced by themultiple cultures that met at the crossroads of South Borneo due to trade and conquest. The onedistinct Bornean type of keris is not distinguished by a blade form and instead by a specific typeof hilt. This style of workmanship is associated specifically with Banjarmasin on the south coastof Borneo in South Kalimantan. These Banjarmasin hilts are distinguished by the use of inlay with (intan-intan) or rough cut diamonds or yakut, rock crystal, and which were found inabundance in Mataram and also found their way onto the mendaks of Javanese hilts as well as other decorated hilts of the region. The hilts do not display a specific shape distinctive to Banjarmasin and are found in approximation of hilt styles from across the regions south, west, and east of Kalimantan which is why these hilts can be found in planar Javanese type of cecekan form, the Java demam type of Sumatra and the Malay Peninsula, and the kerdas type from Bugisand the Malay Peninsula.This example in the Schmiedt collection is a rare example of a Banjarmasin keris of early construction and form. The Javanese cecekan form hilt inlaid with intan intan rough cut diamonds or yakut rock crystal stones, over a gilded brass or copper filigree handle. The condition is very fine with little loss to the inlays. The workmanship is of fine quality indicating an earlier dating for this style which continues to be made into the 20th century. The blade is an early example and displays both age and a fine pamor pattern, approximated best by the typecalled Jung Isi Dunia, or a sailing ship with earthly goods. The mendak (cuff) between hilt andblade in Javan style and made ensuite with the hilt inlaid with stones as well. The warangka(scabbard throat) of Ladrang style in the Java Yogyakarta form. The gandar (body) of the sheath in wood with a wooden pendok, offset in a different patterned wood from the gandar.Late 19th century. Rare and very impressive example.Total Length (inside scabbard if present) : 17 1/2" Dagger Blade Length : 14"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sien Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good Silver Mounted Ethiopian (Horn of Africa) Danakil GILE Dagger Sword ~ Early 20th C.

Lot #65 (Sale Order 64 of 298)

A classic form of Horn of Africa dagger called a gile, similar in form and derived from theArabian peninsular jambiya, the gile can be found in Ethiopia, Eritrea, Djibouti, and Somalia,where is known by a variety of different terms including qolxad in Somali and jile in the Afarlanguage.Most closely associated with the Afar or Danakil people, the gile is primarily considered a dagger with a distinctive pommel ending in a cap-like protrusion often of bronze, zinc or silver.The double-edged blade is shaped like an asymmetrical leaf with a distinctive flare at the sharp curve of the blade. The blades were most often made from salvaged metal, usually iron or steel from vehicle springs, though older examples would have forged trade blades. The sheaths weremade of hardened leather or leather wrapped wood and in some cases would be decorated, suchas this example. The sheath usually has a prolonged metal tip, sometimes embellished with metaldecoration of varying quality with an enlarged knob on the end. The sheath is worn on a belt around the waist and attached to the belt with a circular or square buckle or more rarely sewn on.As with other daggers in this region, the dagger's handle often indicates the social status of theperson who wears it.This example is of classic form but of superior quality. The handle is of classic form and relatedto the handle of Ethiopian gurade of shotel though with a flattened appearance. In this case, thehandle is embellished with silver overlay and silver wire in the central portion of the grip. The blade of classic double edged form with sharpened and polished external portion and darkened fullers for a contrasting effect. The scabbard is hardened leather and with a very fine silverchape in silver with delicate filigree work, most likely associated with Ethiopia. It is possiblethat Ethiopian silversmiths created the fittings for a Danakil client.Total Length (inside scabbard if present) : 21 1/2" Blade Length : 13 3/4" Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th C. Arabic Omani KATTARA Sword with Early European Crusader's Blade ~ Rare Battle Example.

Lot #66 (Sale Order 65 of 298)

The traditional battle sword of an Omani warrior is traditionally a curved swordcalled a saif. During the 19th century, a straight sword called the kattara replaced the Arab saif asa traditional Omani sword. However, it is unlikely that the kattara was used extensively as aserious weapon. The kattara is still today utilized as a ceremonial weapon is now almost entirelyassociated with traditional forms of ceremonial dancing at weddings and religious events. The blades of kattara are invariably made of European trade blades or locally made blades made in the European trade blade shape.The blade of this sword was most likely produced in Europe, with a faint stamped mark near the top of the fuller indicating a trade blade. The double edged blade has a short wide fullerrunning roughly Â¼ of the length of the blade and with a spatulate tip as is common on these swords. The leather-covered grip tapers continuously to the iron pommel. The crossguard is gently curved with two quillons. Historically, Omani kattaras do not have crossguards, but thecrossguard of the example in the Schmiedt Collection appears original to the mounting and idiosyncratic in form as it has design elements of Sudanese kaskara and may be influenced by those swords, as the Beja exported shields across the Red Sea and potentially swords as well.These kattara swords are especially associated with the traditional form of Omani dance and music, known as funun, originated in the Dhofar mountains in southern Oman. The dances are intended to mimic battle, and the men brandish their jambiyas and kattaras. In the dances with kattaras, men often hold small shields in their left hands so that parrying movements are incorporated in the dance.Total Length (inside scabbard if present) : 41" Blade Length : 32" References:1. Stone, G. C. (1934). A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times. Mineola NY: Dover Publications.2. Elgood, R. (1994) The Arms and Armour of Arabia in the Eighteenth, Nineteenth andTwentieth Centuries, Aldershot, England: Scolar Press3. Spring, Christopher (1993). African arms and armour. British Museum Press.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Impressive 19th C. Philippine Moro Mindanao KAMPILAN Sword

Lot #68 (Sale Order 66 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kampilan. The basic form of the sword is considered to have been borrowed from Malay prototypes and similar swords from Timor and Borneo are found in Dutch institutional collections, though with slightly different grip shapes, and a representative example from Timor.The kampilan profile is strikingly similar to that Timorese prototype but also the blade profile has deep similarities to the klewang and mandau (parang ihlang) swords thatwere used by the Dayak of Borneo. Regardless of the origin, the kampilan has been used by the Moro for hundreds of years and generally following this distinctive and primarily distinguished by a carved hilt with a heavy crossguard and in most cases a bifurcated carved pommel decoratedwith floral decoration called okir. The design of the pommel varies between ethnic groups, but it isconsidered to depict a variety of animas including a bakunawa (dragon), buaya (crocodile), kalaw(hornbill), or a kakatua (cockatoo). Some hilts also have a plugs of hair, varying called goat orhuman hair, though the longer examples in black may well be human. Krieger (1926) refers to these "hairy kampilans" as denoting considerable rank on the part of the bearer, they areornamented with a tuft of tufts of human or horse hair at the sides of the handle.The kampilan also has a storied history and from the first-hand account of MagellanÃ¢â‚¬â„¢s shipmate,Antonio Pigafetta, it is thought that Magellan was killed by the kampilan in the region of thesouthern Philippines. Pigafetta (2010) writes:Recognizing the captain [Magellan], so many turned upon him that they knocked his helmet offhis head twice... A native hurled a bamboo spear into the captain's face, but the latterimmediately killed him with his lance, which he left in the native's body. Then, trying to lay handon sword, he could draw it out but halfway, because he had been wounded in the arm with abamboo spear. When the natives saw that, they all hurled themselves upon him. One of themwounded him on the left leg with a large cutlass, which resembles a scimitar, only being larger.That caused the captain to fall face downward, when immediately they rushed upon him withiron and bamboo spears and with their cutlasses, until they killed our mirror, our light, ourcomfort, and our true guide.These early accounts considered some of the earliest European documented uses of the kampilan,the sword is mentioned in early Filipino epic poems such as the Hiligaynon Hinilawod from theVisayas; the Ilocano Biag ni Lam-Ang from Luzon; and the Maranao Darangen of Mindanao.This example in the Schmiedt Collection of fine quality. The hilt delicately carved in a darktoned and patinated wood with okir decoration and a rich chatoyancy rarely seen on kampilanhilts. The hilt also inset with longs plugs of black hair, potentially human but more likely goat.The crossguard is in the classic Moro style and inset with an iron projection for additional handprotection. The blade of classic Moro profile, with a thin ricasso and a widening blade, and inthis case with piercings at the slope, derivate perhaps of the hooks and whorls of certain Mandaublades and which supposedly one of the progenitors of the kampilan form.Total Length (inside scabbard if present) : 38 1/2" Blade Length : 28 1/4" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San Francisco Craft &Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum of CulturalHistory4. Pigafetta, A. (2010). PIGAFETTA'S ACCOUNT OF MAGELLAN'S VOYAGE. In H. Stanley (Ed.),First Voyage Round the World by Magellan: Translated from the Accounts of Pigafetta andOther Contemporary Writers (Cambridge Library Collection Ã¢â‚¬Â Hakluyt First Series, pp. 33Ã¢â‚¬Â163). Cambridge: Cambridge University Press5. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obra publicadaen Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ... sacanuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]6. Krieger, H. W. (1926). The collection of primitive weapons and armor of the Philippineislands in the United States National museum. Washington: Govt. Print. Off..7. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art. MacauDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good 19th C. Philippine Moro Mindanao KAMPILAN Sword ~ Powerful Layered Steel Blade.

Lot #69 (Sale Order 67 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kampilan. The basic form of the sword is considered to have been borrowed form Malayprototypes and similar swords from Timor and Borneo are found in Dutch institutionalcollections. The kampilan profile is strikingly similar to that Timorese prototype but also the bladeprofile has deep similarities to the klewang and mandau (parang ihlang) swords that were usedby the Dayak of Borneo. Other experts contend that the Celebes islands are the origin for theMoro kampilan.The kampilan also has a storied history and from the first-hand account of Magellan's shipmate,Antonio Pigafetta, it is thought that Magellan was killed by the kampilan in the region of thesouthern Philippines. Pigafetta (2010) writes:Recognizing the captain [Magellan], so many turned upon him that they knocked his helmet offhis head twice... A native hurled a bamboo spear into the captain's face, but the latterimmediately killed him with his lance, which he left in the native's body. Then, trying to lay handon sword, he could draw it out but halfway, because he had been wounded in the arm with abamboo spear. When the natives saw that, they all hurled themselves upon him. One of themwounded him on the left leg with a large cutlass, which resembles a scimitar, only being larger.That caused the captain to fall face downward, when immediately they rushed upon him withiron and bamboo spears and with their cutlasses, until they killed our mirror, our light, ourcomfort, and our true guide.Later accounts during the Spanish conquest of the Philippines indicate that the kampilan was afavorite weapon of the Ilanuns (a Moro ethnic group from Mindanao and the West Coast ofBorneo), though this is difficult to explain (Demetrio 1991) as the length of a kampilanapproaches and exceeds one yard. These sword are quite lengthy and difficult to use onshipboard condition but nonetheless there are accounts of Moro pirates on the classic Sulu seapiranha boats wielding these large swords.The swords are generally very distinct, and primarily distinguished by a carved hilt, sometimes inrare materials such as bone, with a heavy crossguard and in most cases a bifurcated carved pommeldecorated with floral decoration called okir. The pommels are considered to depict a variety ofanimals including a bakunawa (dragon), buaya (crocodile), kalaw (hornbill), or a kakatua(cockatoo). Some hilts also have a plugs of hair, varying called goat or human hair, though thelonger examples in black may well be human.This example in the Schmiedt Collection of fine quality. The hilt carved in a with fine decorationand sheets of brass or darkened silver interspersed with rattan. The hilt also inset with long plugsof black hair, likely goat. The crossguard is in the classic Moro style and inset with halfhemispherical iron projections for hand protection. The blade of classic Moro profile, with a thinricasso and a widening blade, and in this case with the sharp point at the edge called a sundi.According to Cato (1996) different Moro groups attribute different meanings to it, bothdecorative and utilitarian. Maranaos indicate that it is a representation of a hornbill, whileMaguindanao warriors used the projection in battle as a way to distract and harass the opposingwarrior. Most of these are broken off considering the delicate manner in which they are carved,but this example remains on this blade in good condition.Total Length (inside scabbard if present) : 37" Blade Length : 27" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Pigafetta, A. (2010). PIGAFETTA'S ACCOUNT OF MAGELLAN'S VOYAGE. InH. Stanley (Ed.), First Voyage Round the World by Magellan: Translated from theAccounts of Pigafetta and Other Contemporary Writers (Cambridge LibraryCollection - Hakluyt First Series, pp. 33-163). Cambridge: Cambridge UniversityPress5. Demetrio, F. (1991). Encyclopedia of Philippine folk beliefs and customs. Volume 2:Folk medicine to weaponry. Cagayan de Oro City, R.P.: Xavier University.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Early 20th C. Philippine Moro Mindanao KAMPILAN Sword.

Lot #70 (Sale Order 68 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kampilan. The basic form of the sword is considered to have been borrowed form Malayprototypes and similar swords from Timor and Borneo are found in Dutch institutionalcollections, though with slightly different grip shapes, a representative example can be seen here.The kampilan has a storied history and from the first-hand account of Magellan's shipmate,Antonio Pigafetta, it is thought that Magellan was killed by the kampilan in the region of thesouthern Philippines. Later accounts during the Spanish conquest of the Philippines indicate thatthe kampilan was a favorite weapon of the Ilanuns (a Moro ethnic group from Mindanao and theWest Coast of Borneo), though this is difficult to explain (Demetrio 1991) as the length of akampilan approaches and exceeds one yard.The swords are generally very distinct, and distinguished by a carved hilt, sometimes in rarematerials such as bone, with a heavy crossguard and in most cases a bifurcated carved pommeldecorated with floral decoration called okir. The design of the pommel varies between ethnicgroups, but it is considered to depict a variety of animas most prominently as a buaya (crocodile).In some cases, the hilt also called a sumba in Maguindanoan is often carved and decorated withfloral decoration called okir.This example in the Schmiedt Collection of early 20th century quality. The hilt carved in a darktoned and patinaed wood with minimal okir decoration. The hilt also inset with longs plugs ofblack hair, likely goat. The crossguard is in the classic Moro style but wider than usually found,in a disproportionate way indicating a later production example. The blade is in a known style ofMoro profile, with a thin ricasso and a widening blade, and in this case with the rounded invertedbarong form (Cato 1996). The hilt on this example also inset with silver or aluminum pins in adecorative manner and featuring a star shaped inset brass plaque, normally where a coin wouldbe inset.Total Length (inside scabbard if present) : 43 3/4" Blade Length : 32 3/4"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Pigafetta, A. (2010). PIGAFETTA'S ACCOUNT OF MAGELLAN'S VOYAGE. InH. Stanley (Ed.), First Voyage Round the World by Magellan: Translated from theAccounts of Pigafetta and Other Contemporary Writers (Cambridge LibraryCollection - Hakluyt First Series, pp. 33-163). Cambridge: Cambridge UniversityPress5. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obrapublicada en Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ...saca nuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]6. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off..7. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau8. Macaraeg, R. (2009). "Pirates of the Philippines: a critical thinking exercise." Journalof Asian Martial Arts,18 (3)9. Demetrio, F. (1991). Encyclopedia of Philippine folk beliefs and customs. Volume 2:Folk medicine to weaponry. Cagayan de Oro City, R.P.: Xavier University. Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare Southern Philippine Cotabato KAMPILAN Sword with Scabbard & Brass Bells ~ First Half of 20th C.

Lot #71 (Sale Order 69 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kampilan but with decorative elements distinct to the T'Boli ethnic group as well. Thebasic form of the sword is considered to have been borrowed form Malay prototypes and similarswords from Timor and Borneo are found in Dutch institutional collections, though with slightlydifferent grip shapes. The kampilan profile isstrikingly similar to that Timorese prototype but also the blade profile has deep similarities to theklewang and mandau (parang ihlang) swords that were used by the Dayak of Borneo. Otherscontend that the Celebes islands are the origin for the Moro kampilan, which shows off the similarity with the Moro version.The kampilan also has a storied history and from the first-hand account of Magellan's shipmate,Antonio Pigafetta, it is thought that Magellan was killed by the kampilan in the region of thesouthern Philippines. Later accounts during the Spanish conquest of the Philippines indicate thatthe kampilan was a favorite weapon of the Ilanuns (a Moro ethnic group from Mindanao and theWest Coast of Borneo), though this is difficult to explain (Demetrio 1991) as the length of akampilan approaches and exceeds one yard.The swords are generally very distinct, and primarilydistinguished by a carved hilt, sometimes in rarematerials such as bone, with a heavy crossguard and inmost cases a bifurcated carved pommel decorated withfloral decoration called okir. The design of the pommelvaries between ethnic groups, but it is considered todepict a variety of animas most prominently as a buaya(crocodile). In some cases, the hilt also called a sumbain Maguindanoan is often carved and decorated withfloral decoration called okir.This example in the Schmiedt Collection of mid- 20thcentury dating. The hilt carved in a medium coloredbrown wood with some okir decoration and insetwith now worn plugs of hair. The crossguard is aderivation of the classic Moro style butdisproportionate and inset with small brass bells,called tiger bells and often found on T'Boli andBagobo swords. These tiger bells were known on kampilans particularly from the Ilanun and canbe found on two swords in the Dresden Ethnographic museum, seen in the image on the previouspage and published in Foy (1899). The blade is a derivation of classic kampilan blade but alsoshows elements of T'Boli style blade in its thicker ricasso and more sharply angled edge but withthe sharpened Moro protrusion called a sundi.The original scabbard is made for the sword and of wood, decorated with chiseled brass fittingsand the classic T'Boli or Bagobo style brass plugs at the foot of the scabbard.Based on the look of the wood, the brass fittings, and the combination of styles, it was likely produced in the first half of 20th century.Total Length (inside scabbard if present) : 34" Blade Length : 21 1/4"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Pigafetta, A. (2010). PIGAFETTA'S ACCOUNT OF MAGELLAN'S VOYAGE. InH. Stanley (Ed.), First Voyage Round the World by Magellan: Translated from theAccounts of Pigafetta and Other Contemporary Writers (Cambridge LibraryCollection - Hakluyt First Series, pp. 33-163). Cambridge: Cambridge UniversityPress5. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obrapublicada en Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ...saca nuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]6. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off..7. Demetrio, F. (1991). Encyclopedia of Philippine folk beliefs and customs. Volume 2:Folk medicine to weaponry. Cagayan de Oro City, R.P.: Xavier University8. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau9. Macaraeg, R. (2009). "Pirates of the Philippines: a critical thinking exercise." Journalof Asian Martial Arts,18 (3)10. Foy (1899) Schwerter von der Celebes-See. Dresden.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Good 19th C. African Egyptian Abyssinian Arabic Hide Domed Shield with Pierced Brass Mounts.

Lot #72 (Sale Order 70 of 298)

Good 19th C. African Egyptian Abyssinian Arabic Hide Domed Shield with Pierced Brass Mounts.Total Diameter : 19"References:1. Stone, G. C. (1934). A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times. Mineola NY: Dover Publications.2. Spring, Christopher (1993). African arms and armour. British Museum Press.3. Paschke, D. and Zirngibl, M. (1992) Afrikanische Schilde / African Shields. PanterraPress4. Benitez-Johannot, P. and Barbier, J-P (2000) Shields: Africa, Southeast Asia andOceania, Prestel Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 18th C. Mughal Indian Tulwar Hilted DHUP Sword ~ Actively Patterned Damascus Blade ~ Chiseled &

Lot #73 (Sale Order 71 of 298)

An Indian sword dating to the 18th century, this example is classically termed a Dhup by Stone (1934) and Elgood (2004). Both authors describe a straight bladed Indiansword with a disc pommel and a short spike. These long straight swords were consideredemblems of authority and conferred as a mark of distinction on successful soldiers, nobles andfavourites. The Mughals used these swords as a staff sword conveying rank, and they wouldoften be made from European trade blades, in which case they were known as firangis. Whenthey used an Indian made blade, also called sukhela, these swords would then be known as adhup or sukhela.The example in the Schmiedt Collection of fine quality workmanship. The hilt is in the classicIndian style, with a discoid pommel, swelling grip, and two short rounded quillons. The hilt offine quality in chiseled iron and with gilding embellishment to the raised surfaced, now worn.The floral decoration on the handle with five petalled flowers surrounding a six petaled flower inthe swollen grip. These floral designs can be found through North and Central India and aredifficult to directly attribute to a specific region though these swords are found through MughalIndia and among the Mahrattas. The crossguard terminates with a stylized lotus bud at the tipnear the pommel.The blade is a native made blade, and with a visible layered patterned damascus iron pattern, anda false edge for the last fifth of the blade.Total Length (inside scabbard if present) : 37 3/4" Blade Length : 33"References:1. Elgood, R. (2004) Hindu Arms and Rituals.2. Elgood, R. (2018) Rajput Arms and Armor.There are hundreds of examples of Indian tulwar hilted sword sales, from those selling for $50 to those in thetens of thousands. The vast majority of swords are sold for between $200Ã¢â‚¬Â1000. Higher quality swords aredistinguished by the quality of the workmanship on the blade, handle, and whether they are complete. Listingcomparable sales would not produce a useful metric and the value is based on handling hundreds of tulwars overthe period of nearly 35 years and reviewing sales for dozens of tulwars.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Early 20th African Sudanese Arabic KASKARA Sword ~ Beja Tribe ~ Rare Snake Skin Mounts

Lot #74 (Sale Order 72 of 298)

This sword is characteristic of the swords of Sudan, Darfur, Kanem-Bornu (Chad) and Nubia andis currently referred to as a kaskara. The term kaskara is a recent name and is completelyunknown in the Sudan, where these swords are termed simply saif. The kaskara is a broadsword,with a long straight blade with a central grove with two cutting edges. The cruciform hilt has astraight cross guard with two languets. The quillons are often flared and usually are long, straightand end in a T-shaped form. The crossguard center has upper and lower languets. The woodengrip is usually wrapped with leather bands or other materials such as silver filigree and ends witha disc shaped pommel. These swords are usually one yard in length. There are some regionaldifferences in the types of kaskara especially with respect to the form of the crossguard. Thisparticular crossguard with the heavily flared quillons of iron is more characteristic of swordsfrom the western Sudan Darfur region.This example in the Schmiedt Collection is a good example of a mid-level sword, with a distinctstyle of handle mounted in twine and reptile skin. The crossguard of this sword most closelyresembles the style of crossguard called the "Mutamaan" which has a diamond shape at the ends,but with eight facets, hence the name deriving from the Arabic word for eight, tamaanye. It is the most common style. The blade of this sword, attributed in the Schmiedt Collection as a local blade, has a wide single fuller running the full length of the blade, called khar (channel or canal).The scabbard in embossed leather, with white leather embellishment and a bouterolle enlargedtip mounted with a silver chape.Total Length (inside scabbard if present) : 40 3/4" Blade Length : 35 1/4" References:1. Stone, G. C. (1934). A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times. Mineola NY: Dover Publications.2. Spring, Christopher (1993). African arms and armour. British Museum Press3. Pradines, Stephane & Khorasani, Manouchehr. (2018). SUFI IN WAR: PERSIAN INFLUENCEON AFRICAN WEAPONRY IN 19TH CENTURY MAHDIST SUDAN.4. Hunley, E. (1984) The Social Economics of Small Craft Production: The Sword andKnife Makers of Kassala, Eastern Sudan. Dissertation. State University of New York atBinghamton.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good Silver Mounted African Sudanese Arabic KASKARA Sword ~ South East Sudan Beja Tribe ~ Early

Lot #75 (Sale Order 73 of 298)

This sword is characteristic of the swords of Sudan, Darfur, Kanem-Bornu (Chad) and Nubia andis currently referred to as a kaskara. The term kaskara is a recent name and is completelyunknown in the Sudan, where these swords are termed simply saif. The kaskara is a broadsword,with a long straight blade with a central grove with two cutting edges. The cruciform hilt has astraight cross guard with two languets. The quillons are often flared and usually are long, straightand end in a T-shaped form. The crossguard center has upper and lower languets. The woodengrip is usually wrapped with leather bands or other materials such as silver filigree and ends witha disc shaped pommel. There are some regional differences in the types of kaskara especiallywith respect to the form of the crossguard and this particularly crossguard of with the heavilyflared quillons of iron and the silver filigree handle is more characteristic of fine swords from theEast Sudan region of the Beja people.This example in the Schmiedt Collection is a good example of a higher quality sword, with adistinct style of handle mounted in silver filigree. This type of grip treatment consists of filigreedsilver tape wrapped around the wooden grip base. The process close to the execution of similarlystyled handles with embossed silver patterns. However, this signature style addresses theprotective qualities of silver and is coupled with a traditional Beja tassel. The crossguard of thissword most closely resembles the style of crossguard called the "Mutamaan" which has adiamond shape at the ends, but with eight facets, hence the name deriving from the Arabic wordfor eight, tamaanye. The blade of this sword, attributed in the Schmiedt Collection as aEuropean blade, has a wide single fuller running the full length of the blade, called khar (channelor canal). The scabbard in embossed brown leather and mounted with silver scabbard fittings,and an enlarged bouterolle.Total Length (inside scabbard if present) : 41" Blade Length : 34 1/2"References:1. Stone, G. C. (1934). A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times. Mineola NY: Dover Publications.2. Spring, Christopher (1993). African arms and armour. British Museum Press3. Pradines, Stephane & Khorasani, Manouchehr. (2018). SUFI IN WAR: PERSIAN INFLUENCEON AFRICAN WEAPONRY IN 19TH CENTURY MAHDIST SUDAN.4. Hunley, E. (1984) The Social Economics of Small Craft Production: The Sword andKnife Makers of Kassala, Eastern Sudan. Dissertation. State University of New York atBinghamton5. Hunley. E. Ã¢â‚¬Å“The Sudanese Kaskara Sword in Silver Dress.Ã¢â‚¬ÂDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Good 18th C. Islamic Afghan PULWAR Sword ~ Early European Blade.

Lot #76 (Sale Order 74 of 298)

A classic Indo-Afghan sword called a pulwar, or pulouar, this sword likely dates to the 18th to early 19th century. The pulwar sword is an interesting amalgam of two styles and hasdesign elements of early origin. The hilts of these swords take the partial form of the classic Indian tulwar, with a discoid pommel, swelling grip, and double quillons. However, invariablythe quillons terminate in stylized dragon heads which are relics of much earlier Central Asian Timurid swords which migrated to the Indo-Afghan region and to the Mughal Empire. Whereasthat earlier form of dragon headed quillon died out in the Indian sub-continent and was replaced by more abstract rounded or tri-foil designs the more secluded Afghan environment led to this design element being preserved through to the 19th century when pulwars continued to be used by Afghan armies.The example in the Schmiedt Collection of fine quality workmanship. The hilt is in the classicpulwar style, with a discoid pommel, swelling grip, and two curved quillons with stylized dragonhead terminals. This hilt of fine quality in chiseled iron and pierced embellishment in thequillons and the pommel. This piercing work is another cultural influence from Safavid and early Qajar Persian (Iran) where pierced ironwork of high quality was popular on religious objects and in arms and armor (Allan and Gilmor 2000).The blade appears to be a European trade blade with marks along the inner fuller near the handle and embellished with chiseled designs along the upper portion following the spine, and with a raised false edge similar to a yelman on Ottoman swords. It is also possible that the blade is a native interpretation of a European blade, as similar style blades have been found in places as far west as the Balkans and in Indonesia, and were likely produced in Italian iron making towns for export.Total Length (inside scabbard if present) : 39" Blade Length : 30 1/2" References:1. Allan, J. and Gilmour, B. (2000). Persian Steel: The Tanavoli Collection. New York:Oxford University Press2. Elgood, R. (2004) Hindu Arms and Rituals.3. Elgood, R. (2018) Rajput Arms and Armor.4. Stone, G. (1934) A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times: Together with Some Closely Related Subjects.Portland, Maine: Southwork Press.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th C. Mughal Indian SHAMSHIR / TULWAR Sword ~ Vicious Serrated Blade ~ Fine Silver Damascened

Lot #77 (Sale Order 75 of 298)

An interesting Indian tulwar of classic hilt but with a rather unique serrated blade.The hilt of this sword takes the form of the classic Indian tulwar, with a discoid pommel,swelling grip, and double quillons, and this case a d-guard that flows into the pommel andterminates in a stylized lotus bud.The example in the Schmiedt Collection of fine quality workmanship. The hilt is a classicregional tulwar style most associated with Lahore and North-west India, and finely decoratedoverall with silver foil decoration, called koftgari, in floral designs. The decoration remains infine condition with few losses. The blade appears to be a native blade which has been serratedalong the cutting edge with a series of vicious looking indentations and sharpened points.Along the spine the blade has been indented. Serrated blades on Indian swords are not unknown, and blades with indentations along the spine are also known but quite scarce. In the Royal Collection Trust, U.K., several such swords can be found all with original collection provenance to the 19th century including Acc. No. RCIN 38425 and Acc. No.RCIN 38768. Others with serrated blades have come up for sale in previous years including an example with an identical form blade sold at Bonhams in 2007.Total Length (inside scabbard if present) : 32 1/4" Blade Length : 27" Comparable sales:https://www.bonhams.com/auctions/23410/lot/1044/https://www.bonhams.com/auctions/15101/lot/7/References:1. Elgood, R. (2004) Hindu Arms and Rituals.2. Elgood, R. (2018) Rajput Arms and Armor.3. Stone, G. (1934) A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times: Together with Some Closely Related Subjects.Portland, Maine: Southwork Press.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Fine and Rare 18th-19th C. Mughal Indian ZULFIKAR Shamshir Sword with Gold & Silver Damascened Tulwa

Lot #78 (Sale Order 76 of 298)

An interesting Indian tulwar of classic hilt but with a rather unique serrated blade.The hilts of this sword takes the form of the classic Indian tulwar, with a discoid pommel, swelling grip, and double quillons.The example in the Schmiedt Collection of good quality workmanship. The hilt is a classic regional tulwar style likely North Indian, though too indistinct in features to be assigned to a specific region, and decorated overall with silver and gold koftgari decoration. The blade appears to be a native layered steel blade which has been serrated along the cutting edge with a series of viscous looking indentations and sharpened points. Along the spine the blade has been indented. The scabbard is wood covered in leather. The blade is distinguished by the double pointed tip which is an interpretation of the Zulfikar sword of Mohammed. Zulfikar swords are known throughout the Islamic world and depending on the culture zulfikar blades take different shapes and forms. In some cases, there are two thin blades side by side as can be found on some Ottoman Turkish swords. In India it is more common to see zulfikar blades as double pointed edges. Tirri (2003) and Paul (2005) illustrate two such swords and describe them both as a Tegha.Serrated blades on Indian swords are not unknown, and blades with indentations along the spine are also known although uncommon. In the Royal Collection Trust U.K. several such swords can be found all with original collection provenance to the 19th century including Acc. No. RCIN 38425 and Acc. No.RCIN 38768. This one is a very significant fighting saber with powerful and very vicious blade.Total Length (inside scabbard if present) : 38" Blade Length : 32 3/4"Comparable sales:https://www.bonhams.com/auctions/23410/lot/1044/ References:1. Elgood, R. (2004) Hindu Arms and Rituals.2. Elgood, R. (2018) Rajput Arms and Armor.3. Stone, G. (1934) A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times: Together with Some Closely Related Subjects.Portland, Maine: Southwork Press.4. Tirri, A. (2003) Islamic Weapons: Maghrib to Moghul. Indigo5. Paul, E.J. (2005) Arms and Armour Traditional Weapons of India.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good 19th C. Ottoman Turkish PALA Kilij Sword with Heavily Gold Inlaid Blade.

Lot #79 (Sale Order 77 of 298)

A fine representation of one of the most well-known forms of Islamic and Ottoman arms, this is a sword called in collector circles a kilij, or kilich, referring to the Turkish word for Sword. This is commonly used to refer to a sword with a deeply curved saber blade with a widened false edge, called a yelman such as this example. The blades of these swords vary considerably in quality and which are directly correlated with the valuations. These variations are based on the quality of the iron and whether blades are wootz steel or plain iron and the quality of any inscriptions or decoration work.Examples of these swords are found in institutional collections but always of differing levels of quality and condition. This example in the Schmiedt Collection with a blade of classic kilij displaying the longstanding Mamluk influences in Ottoman Turkish arms likely dating to the mid-19th century. This blade appears to be made of wootz, which is uncommon for these kinds of swords, and also has a gold inlaid inscription at the forte of the blade, in addition to an inscription along the fuller. The handle mounted with a gilt brass crossguard of typical form with stylized lotus bud quillons and a pistol form grip.Total Length (inside scabbard if present) : 30 3/4" Blade Length : 25 3/4"References:1. Al-Biruni (1989). KitÃ„Âb al-jamÃ„Âhir fÃ„Â« maÃŠÂ»rifat al-jawÃ„Âhir (The book Most Comprehensivein Knowledge on Precious Stones) Farlang: Islamabad.2. Civita, F. (2014). Islam: armi e armature dalla collezione di Frederick Stibbert. Centrodi della Edifimi. Firenze3. Elgood, R. (2009). The Arms of Greece. Thames and Hudson.4. Hales, R. (2013). A Lifetime's Passion: Islamic and Oriental Arms and Armour.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 18th - early 19th C. Archaic Twistcore Damascus Philippine Moro KRIS Sword.

Lot #80 (Sale Order 78 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, andmore numerous and therefore required greater skill to prevent the blade bouncing off or beingstuck in an enemys body. The higher number of waves meant the more potent the kris was intalismanic power such as this example. Sometimes engravings (often filled in with brass or silverinlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or other esotericmotifs such as this example in the Schmiedt Collection.This example in the Schmiedt Collection is a rare example of early workmanship referred to as an archaic pattern and displaying the rare blade form with a twistcore pattern. The archaic form kris are generally smaller in form, have more delicate carving and fullering, and displayinga more graceful curvature to the luks and the blade itself. The hilt is a horsehoof pattern and thestyle of blade is more reminiscent of Malaysian forms, though the twistcore patterning and thelarge heavy form are classically Moro. The hilt form is simple fighting style while the 5 lukblade has a graceful curve and form reminiscent of so called 18th century Sulu kris. The asangasangclamp is missing. It is likely that the blade is earlier than both the hilt and scabbard and potentially 18th century workmanship. The scabbard is a distinct form that does not include the wings on the side of the upper portion of the scabbard and which are attributed as Maguindanao.Very rare Early example, possibly 18th century to early 19th.Total Length (inside scabbard if present) : 27 1/2" Blade Length : 20 1/4" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San Francisco Craft &Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum of CulturalHistory4. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obra publicadaen Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ... sacanuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]5. Krieger, H. W. (1926). The collection of primitive weapons and armor of the Philippineislands in the United States National museum. Washington: Govt. Print. Off.6. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art. Macau7. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago. EditionFichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good 19th C. Persian SHAMSHIR Sword ~ Massive Wootz Damascus Blade

Lot #81 (Sale Order 79 of 298)

A fine representation of one ofdistinct swords of the Ottoman Empire mostclosely associated with the sword makers ofDamascus, this sword does not have aspecific name but is iconically associatedwith the Persian trade blade that it is mountedwith. These trade blades are all distinguishedby several design elements, but which comein a variety of sizes and shapes. The firstelement is the chiseled design at the base ofthe blade with an inscription that often readsAssadullah which is either a reference to a17th century swordsmith or a mark of thebladesmith guild that made these blades(Pinchot 2002). These blades hearkenedback to earlier Safavid swords with morecomplex fullers and were invariably made ofgood quality wootz steel, such as thisexample.The mounts of this swords are of theDamascus armory type, and are anintermediate design between a classic Persianshamshir, Arabian peninsula saif, andOttoman pistol gripped shamshir swords. These swords areusually distinguished by the down turned pommel, a chain cross guard, and the use of silverdamascene decoration on the crossguard and the scabbard fittings. This sword retains its originalscabbard and baldric as well.Total Length (inside scabbard if present) : 38 1/4" Blade Length : 31 3/4" References:1. Elgood, R. (2009). The Arms of Greece. Thames and Hudson.2. Hales, R. (2013). A LifetimeÃ¢â‚¬â„¢s Passion: Islamic and Oriental Arms and Armour3. Pinchot, O. (2002) On the Persian Shamshir and the Signature of Assad Allah. Journal of Arms Collecting.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Rare 19th C. Turkish KILIJ Shamshir Sword with a Massive 17th C. Wootz Blade.

Lot #82 (Sale Order 80 of 298)

A fine representation of an early kilich sword, this is the classic fighting saber of the Ottoman Empire. Distinguished by a curved blade with a raised step along the later third ofthe blade, called a yelman, the kilich form was used by the Ottomans from the 15th century through to the late 19th century. Kilich are distinguished by the form of the blades, with earlier blades such as this example being of longer and more slender proportions and often made of wootz with a distinct style such as that found on this blade, with small linear lines, very different from the tight dots and whorls of Indian wootz blades.Rivkin (2018) discusses the evolution of these Turkish blades and notes that this form with the slender longer blade is more associated with dated and institutional examples of an earlierperiod, while the deeper curved blades with wider yelmans are likely later interpretations of the later 18th and 19th centuries. The blade of this sword displays a pleasing geometry with a fulllength wide fuller that morphs into a horizontal raised rib near the tip. This feature may be reflective of the influence of swords from Crimean Tatars which were used by Tatars in theemploy of the Ottoman armies during the 16th - 17th centuries, which is the period to when this blade can be dated.The mounts of this swords are of the Damascus armory type, with a silver damascened crossguard and Ottoman pistol grip, all likely mounted in the 19th century. Very rare example, 17th century blade of such form extremely seldom encountered for sale.Total Length (inside scabbard if present) : 38" Blade Length : 32 1/2" References:1. Elgood, R. (2009). The Arms of Greece. Thames and Hudson.2. Hales, R. (2013). A LifetimeÃ¢â‚¬â„¢s Passion: Islamic and Oriental A.rms and Armour, nos. 507and 5083. Rivkin, K., Isaac, B. (2018) A Study of the Eastern Sword. Independent PublisherDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good 18th - 19th C. North Indian Mughal TULWAR / SHAMSHIR Sword ~ Dramatic Patterned Damascus B

Lot #83 (Sale Order 81 of 298)

A good quality Indian tulwar of classic hilt form and with a finely patternedmechanical steel blade, displaying a stepped pattern similar to the famous pattern called aladder pattern more often found in wootz blade. The hilts of this sword takes the form of theclassic Indian tulwar, with a discoid pommel, swelling grip, and double quillons, and this case ad-guard that flows into the handle and terminates in a stylized lotus bud head. The mechanicalDamascus blade of this tulwar is formed through multiple layering of the iron, to create aspecific pattern that would be revealed through etching. The patterns have the appearanceresembling contour lines and to create this pattern the contrasting materials are welded togetherin sandwich fashion and then folded back over upon themselves a few times to yield a fewthousand layers. To create the pattern in this blade with a series of graduated circular patterns thelength of the blade, would have required a skill smith and this pattern is rarely seen on Indianmechanical Damascus blades.This example in the Schmiedt Collection with a blade of fine quality workmanship. The hilt is aclassic regional tulwar style most associated with Lahore and North-west India, and decoratedoverall with silver and gold foil decoration, called koftgari, in floral designs and now with losses.Total Length (inside scabbard if present) : 34 3/4" Blade Length : 30"References:1. Figiel, Leo S (1991) On Damascus Steel. Atlantis, Florida: Atlantis Arts Press2. Elgood, R. (2004) Hindu Arms and Rituals.3. Elgood, R. (2018) Rajput Arms and Armor.4. Stone, G. (1934) A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times: Together with Some Closely Related Subjects.Portland, Maine: Southwork Press.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Spectacular 19th C. Ottoman Greek Trebizond Coral & Turquoise Encrusted PALA Kilich Sword ~ Rare Woo

Lot #84 (Sale Order 82 of 298)

A fine representation of one of the most well-known forms of Islamic and Ottoman arms, this coral and turquoise-encrusted sword is called, in Western collectors circles, a kilij, though the term translates in Turkish to denote sword. Now kilij is commonly used to refer to a sword with a deeply curved saber blade with a widened false edge, called a yelman.This example, a member of a well-known group of kilij encrusted with coral and turquoise are considered to be in the Trebizond or Trabzon style (Elgood 2009). Trebizond is a region of Turkey along the Black Sea coast. Interestingly, these swords are found to be worn by warriors from the Trebizond region, indicating that these were swords produced for primarily a local audience as opposed to the myriad types of swords and other arms produced for the curio trade,primarily in other parts of the Ottoman Empire, such as Syria. Elgood (2009) treats the topic of Turkish coral encrusted arms extensively and concludes that Trebizond is the most likely origin for these types of arms. Some date as early as the late 18th century while this form of coral-encrustedkilij are 19th century. He furthers note that the coral would have been most likely traded to the region from Livorno or Greece.Documentary images of Sultan Abdulaziz's, 32nd Sultan of the Ottoman Empire, Armenian bodyguard, Nicham, show him wearing a near identical kilij, encrusted in turquoise and coral(Putnam 1894). The stones adorning the hilt and scabbard of the sword have talismanic significance in Islamic societies. Al-Biruni (1989) writes in his 11th century treatise titled Kitabal-jamahir fi ma 'rifat al-jawahir, or the Book on Multitudes (of information) on the Jewels, that turquoise, which he terms sabaj, dispels the evil eye if it is directed at the carrier of the stone.This is ascribed to the stones softness as it likely to break with the softest of shocks. Al-Biruni further notes that coral, or bussad, is found in the sea around Syria and Rome, where it joins Ifranjiyah (land of the Franks), referring to the Mediterranean sea between Syria and France.This likely refers to the species of coral called corallium rubrum, or (precious coral), which comprises the coral inlays on this sword. According to Al-Biruni, coral was supposed to prevent misfortune.Examples of these swords are found in institutional collections but always of differing levels of quality and condition. The Metropolitan Museum features two examples of similar composition and form (Acc. Nr. 32.75.300a, b; 17.190.2101a, b) in addition to another in the Stibbert Collection (Acc. Nr.6167 published in Civita 2014 and dated to 1725-1775). Other examples can be found in private collections (Hales 2013). This example is of fine quality retaining much ofthe encrusted coral and turquoise with the corals delicately carved with ribbing running in a lengthwise manner. The decoration forms a unified design around radially concentric circles with turquoise and coral. The blade of classic kilij form with gold inscriptions and displaying the longstanding Mamluk influences in Ottoman Turkish arms likely dating to the mid 19th century.This blade appears to be made of Wootz, which is uncommon for these kinds of swords, and also has a gold inlaid inscription at the forte of the blade, in addition to the additional gold koftgari decoration along the forte and the inscriptions in the fuller. A very good and rare example overall, comes with its original cord and tassels for wear.Total Length (inside scabbard if present) : 36" Blade Length : 27 1/2" Comparable auction sales:2012, Christie's; Art of the Islamic and Indian Worlds, April 26, lot 275.2012, Christie's; Islamic & Indian Works of Art & Textiles, April 27, lot 852.2015, Bonhams; Eastern Arms & Armour from the Richard R. Wagner Jr Collection, April29, lot 173.2017, Christie's; Art of the Islamic and Indian Worlds Including Oriental Rugs and Carpets,April 27, lot 13.2017, Christie's; Art of the Islamic and Indian Worlds Including Oriental Rugs and Carpets,October 26, lot 197.2019, Sotheby's; Arts of the Islamic world Including Fine Rugs and Carpets, May 1, lot 199.2019, Christie's; Art of the Islamic and Indian Worlds Including Oriental Rugs and Carpets, May2, lot 173.References:1. Al-Biruni (1989). KitÃ„Âb al-jamÃ„Âhir fÃ„Â« maÃŠÂ»rifat al-jawÃ„Âhir (The book Most Comprehensivein Knowledge on Precious Stones) Farlang: Islamabad.2. Civita, F. (2014). Islam: armi e armature dalla collezione di Frederick Stibbert. Centrodi della Edifimi. Firenze3. Elgood, R. (2009). The Arms of Greece. Thames and Hudson.4. Hales, R. (2013). A LifetimeÃ¢â‚¬â„¢s Passion: Islamic and Oriental Arms and Armour, nos. 507and 5085. Putnam, F. W. (1894). Oriental and occidental, northern and southern portrait types ofthe Midway Plaisance : a collection of photographs of individual types of various nationsfrom all parts of the world who represented, in the Department of Ethnology, themanners, customs, dress, religions, music a

Rare 19th C. Arabic Omani KATTARA Sword ~ Silver Mounts ~ Unusual Curved Example.

Lot #85 (Sale Order 83 of 298)

The traditional battle sword of an Omani warrior is traditional a curved sword called a Saif. During the 19th century, the kattara replaced the Arab saif as a traditional Omani sword. However, it is unlikely that the kattara was used extensively as a serious weapon. It is now almost entirely associated with traditional forms of ceremonial dancing at weddings and religious events. However, these curved kattara swords are more likely to function as a transitional style between the curved earlier saifs and the more common straight swords.The blade of this sword was most likely produced in Europe, though does not have any maker marks. The grip of tapering ovoidal section bound with leather strips interwoven withvertical strips of silver forming a diaper pattern between silver wire borders, and tall rectangular silver pommel above. The original wood-lined leather scabbard (minor damage) decorated with scrollwork against cord along each side and with a silver locket and chape embossed and chasedwith foliage, suspension mounts chased with foliage, and two silver rings for suspension. The single edged blade has a two long and thin fullers running the full length of the blade with aslightly spatulate tip.These kattara swords are especially associated with the traditional form of Omani dance and music, known as funun, originated in the Dhofar mountains in southern Oman. The dances are intended to mimic battle, with the men brandishing their jambiyas or kattaras. In the dances with kattaras, men often hold small shields (bucklers) in their left hands so that parrying movements are incorporated in the dance.A rare fighting example of highly unusual Curved form. With its original tasseled cord for wear.Total Length (inside scabbard if present) : 37" Blade Length : 26 1/2" Comparable auction sales:https://www.bonhams.com/auctions/24229/lot/37/References:1. Stone, G. C. (1934). A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times. Mineola NY: Dover Publications.2. Elgood, R. (1994) The Arms and Armour of Arabia in the Eighteenth, Nineteenth andTwentieth Centuries, Aldershot, England: Scolar Press3. Spring, Christopher (1993). African arms and armour. British Museum Press.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 18th-19th C. Mughal Indian TULWAR Sword, Lahore, Northwest India ~ Early Damascus Blade with Go

Lot #86 (Sale Order 84 of 298)

A good quality Indian tulwar of classic hilt form associated with Sikh manufacturein Lahore, with a finely patterned mechanical steel blade, and a scabbard mounted with silverfittings. The hilts of this sword takes the form of the classic Indian tulwar, with a discoidpommel of thick proportions, swollen grip, double quillons, and d-guard that flows into thepommel and terminates in a stylized lotus bud head. The tulwar is the traditional swordthroughout India and in the form seen in the Schmiedt Collection dates to the late 16th to early17th century and continues to be produced today, primarily for use at Sikh weddings and otherreligious events. The tulwar as a form is classically Indian and has elements of design fromIslamic swords introduced by the Timurid Mughals in the 15th century but in the discoidpommels and swollen grips has elements of classical Indian workmanship. As a true syncreticobject, the tulwar therefore is representative of the intermingling of Hindu and Islamic Mugalcultures in India after the 16th century.This example in the Schmiedt Collection of relatively good quality workmanship. The hilt is aclassic regional tulwar style most associated with Lahore and North-west India, and decoratedwith silver koftgari, a technique which overlays silver on metal which has been prepared withchiseled marks. The silver koftgari further embellished with floral designs which remain in finecondition. The blade of this example also in pattern welded mechanical Damascus and remainsin fine quality with no damage or serious pitting.Dating from the 18th to Early 19th century, Blade is probably earlier.Total Length (inside scabbard if present) : 37" Blade Length : 29 1/2" References:1. Elgood, R. (2004) Hindu Arms and Rituals.2. Elgood, R. (2018) Rajput Arms and Armor.3. Stone, G. (1934) A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times: Together with Some Closely Related Subjects.Portland, Maine: Southwork Press.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Nice 19th-early 20th C. Indonesian Bali KERIS Dagger Holder ~ Carved Wood Statue.

Lot #87 (Sale Order 85 of 298)

In Bali, especially fine keris were sometimes displayed in holders carved in theshape of a person, an animal, or a mythological figure. Elaborate keris holders like this examplewould have been found only in wealthy and aristocratic homes. Wooden keris holders inparticular serve as important examples of the tradition of Indonesian woodcarving. Wooden krisholders range from intricately carved and painted wall plaques to freestanding statues thatpossess slots in their backs or hands into which a keris is fitted. Carved in elaborate and stylizedforms, these items are decorated with vibrant colored paints, semiprecious gems or gold, and,like the keris, range in style and form depending on their place of origin within Indonesia.Freestanding keris holders are made and used more frequently in Bali than any other Indonesianisland. The Balinese style of keris holder usually ranges in height from 15 to 35 inches. Many ofthese holders depict the same bug-eyed, wide-mouthed, and large-toothed zoomorphic protectivespirits or anthropomorphic guardian figures used in and around Indonesia's Hindu Temples andsacred precincts.This example in the Schmiedt Collection is a fine example of idiosyncratic form and seems torepresent a Balinese prince as opposed to the more common depictions of Hindu mythologicalfigures. The carving is very well formed and retains much of its polychrome paint. There aresome small damages due to age but otherwise in very fine condition.Dates to the 19th to early 20th century.Height : 30"Comparable auction sale:https://www.christies.com/lotfinder/Lot/a-bali-kris-holder-3826799-details.aspxReferences:1. Frey. E. (1988) The Kris: Mystic Weapons of the Malay World. Oxford UniversityPress2. Castillo, C. (2009) PROTECTIVE ART OF INDONESIA BALINESE KRISHOLDERS FROM THE COLLECTION OF THE BERMAN MUSEUM OFWORLD HISTORY. Dissertation. University of AlabamaDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th C. Philippine Moro Datu's KRIS Sword ~ Twist-Core Damascus Blade ~ Silver Mounts.

Lot #88 (Sale Order 86 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, andmore numerous and therefore required greater skill to prevent the blade bouncing off or beingstuck in an enemys body. The higher number of waves meant the more potent the kris was intalismanic power such as this example. Sometimes engravings (often filled in with brass or silverinlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or other esotericmotifs such as this example in the Schmiedt Collection. Many kris blades are forged with fullersand these are likely heavily influenced by Malay style keris called malela keris.This example in the Schmiedt Collection is an impressive example of Sulu silver mountedhorsehoof kris with a massive multifaceted pommel. The condition and quality of this krisseparate it from the remaining pieces in the collection as the hilt represents the apex of Suluworkmanship in both design and quality. The grip is bound with silver panels and silver twistedwire. The massive straight fighting blade with a layered lamellar pattern in the middle portion ofthe blade, showing as the lighter portion, and a dark heat treated edge. The carved cavity in theSulu style with a down swept spike and the blade attached to the hilt with two silver asang asang clamps.Good 19th century example.Total Length (inside scabbard if present) : 27 1/2" Blade Length : 23 3/4" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obrapublicada en Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ...saca nuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]5. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.6. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau7. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am MainDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Nice Indonesian Kalimantan, Borneo MANDAU Sword of Dayak Headhunters ~ Layered Steel Blade.

Lot #89 (Sale Order 87 of 298)

Nice Indonesian Kalimantan, Borneo MANDAU Sword of Dayak Headhunters ~ Layered Steel Blade.A distinctive Bornean sword of the Iban Dayak, called a Mandau, these swords arefound throughout institutional and private collections in varying degrees of quality. They aredistinguished by a set of similar features, all varying in the level of quality of the constructions,materials, and workmanship. The Mandau blade has a convex shape on one side and somewhatconcave on the other. The blades are often made of tempered metal and in some cases maydisplay a lamellar pattern, similar to the pamor found on Indonesian kris blades, though this ishighly uncommon. The hilts are often delicately carved with various carving varying across themany tribes of the Dayak, but often depict creatures or anthropomorphic deities. This prominentand widespread theme of the art of Borneo combines the attributes of the dog and dragon in asingle creature called an aso and signifies protection and status. The use of the image istraditionally restricted to the upper class (Alpert 2013).Some mandaus are also found with a side knife called a pisau raut (pisau meaning 'knife'; rautmeaning 'rattan') and are used as whittling-knife that serves as a tool to prepare the rattan foundlocally with the mandau and used for repair and construction. These knives are placed in thesame sheath as the mandau, but mainly used for woodworking and working the rattan used tobind scabbards and other utilitarian objects.This example in the Schmiedt Collection for example has fine carved hilt, though not to the levelof the finest carved Mandau hilts, and comes with an original piso raut. The blade is a relativelysimple style without the complex iron carving found on other Mandau swords, and whichaccording to Shelford (1901) transcribing the Kajamans of the Belaga district is referred to assong bila, referring to the smooth slope of the blade.The scabbard in wood, bound with rattan, while the hilt has inset plugs of animal or human hairtinted red.Likely dating to the mid-20th century.Total Length (inside scabbard if present) : 24 1/2" Blade Length : 17 1/2"References:1. Schefold, R. Alpert, S. (2013) Eyes of the Ancestors: The Arts of Island SoutheastAsia. New Haven and London: Yale University Press2. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land3. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers4. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20125. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)6. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good Indonesian Kalimantan, Borneo MANDAU Sword of Dayak Headhunters ~ Layered Steel Blade ~ Fi

Lot #90 (Sale Order 88 of 298)

Very Good Indonesian Kalimantan, Borneo MANDAU Sword of Dayak Headhunters ~ Layered Steel Blade ~ First Half of 20th C.A distinctive Bornean sword of the Iban Dayak, called a Mandau, these swords arefound throughout institutional and private collections in varying degrees of quality. They aredistinguished by a set of similar features, all varying in the level of quality of the constructions,materials, and workmanship. The Mandau blade has a convex shape on one side and somewhatconcave on the other. The blades are often made of tempered metal and in some cases maydisplay a lamellar pattern, similar to the pamor found on Indonesian kris blades, though this ishighly uncommon. The hilts are often delicately carved with various carving details varyingacross the many tribes of the Dayak, but often depict creatures or anthropomorphic deities. Themost common carving depicts an Aso or dragon dog motif such as on this example.Some mandaus are also found with a side knifecalled a pisau raut (pisau meaning 'knife'; rautmeaning 'rattan') and are used as whittling-knife thatserves as a tool to prepare the rattan found locallywith the mandau and used for repair andconstruction. These knives are placed in the samesheath as the mandau.This example in the Schmiedt Collection forexample has finely carved hilt, though not to thelevel of the finest carved Mandau hilts, and comeswith an original piso raut. The hilt displays a designelement found on other Mandau, namely the carvingof leeches, which as bloodsucking creatures wereconsidered appropriate for a headhunter warriorssword. The blade is a relatively simple style withoutthe complex iron carving found on other Mandauswords. The scabbard in wood, bound with rattanand covered in animal fur, while the hilt has insetplugs of animal or human hair tinted red.According to Shelford (1901) transcribing the Kajamans of the Belaga district is referred to as song bila, referring to the smooth slope of the blade.Likely dating to the first half of the 20th century.Total Length (inside scabbard if present) : 28 3/4" Blade Length : 19 1/2" References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.1Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare Indonesian Kalimantan, Borneo MANDAU - PARANG IHLANG Sword ~ Rare Gold Inlaid Blade ~ First Hal

Lot #91 (Sale Order 89 of 298)

A distinctive Bornean sword of the Iban Dayak, called a Mandau or Parang Ihlang,these swords are found throughout institutional and private collections in varying degrees ofquality. They are distinguished by a set of similar features, all varying in the level of quality ofthe constructions, materials, and workmanship. The Mandau blade has a convex shape on oneside and somewhat concave on the other. The blades are often made of tempered metal and insome cases may display a lamellarpattern, similar to the pamor found onIndonesian kris blades, though this ishighly uncommon. The hilts are oftendelicately carved with various carvingdetails varying across the many tribes ofthe Dayak, but often depict creatures oranthropomorphic deities.This example in the Schmiedt Collectionfor example has nicely carved hilt, thoughnot to the level of the finest carvedMandau hilts. The blade is a relativelysimple style without the complex ironcarving found on other Mandau swordsthough retains some simplified Asodesigns chiseled into the base of theblade. The blade does display elementsof more complex scroll like carvingfound at the base of the blade and alongthe spine, and which according toShelford (1901) transcribing theKajamans of the Belaga district isreferred to as song bila, or a the flat slopeof the end of the blade in this cut intoconcave half circles.Likely dating to the first half of 20th century.Total Length (inside scabbard if present) : 29" Blade Length : 19 1/4" References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fÃƒÂ¼rEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th C. Philippine Moro Datu's KRIS Sword ~ Damascus and Silver Inlaid Blade.

Lot #92 (Sale Order 90 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, andmore numerous and therefore required greater skill to prevent the blade bouncing off or beingstuck in an enemy's body. The higher number of waves meant the more potent the kris was intalismanic power such as this example. Sometimes engravings (often filled in with brass or silverinlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or other esotericmotifs such as this example in the Schmiedt Collection.This example in the Schmiedt Collection is a rare example of a ball pommel Datus level kris.The impressive 21 luk blade appears to be in the Maguindanao or Sulu style with complex fullering at the base and inlaid silver running the length of the blade culminating in a trisula formdesign. The composition of the blade is lamellar though it appears that it may display a twistedcore pattern. The hilt is a finely made rare ball pommel form composed of wood inlaid withvarious materials. The grip with silver bands and wires. These forms are considered to bepotentially related to the horsehoof pattern or derivations thereof and therefore could beattributed to the Sulu region or Maguidanao.Dating to the late 19th century.Total Length (inside scabbard if present) : 30 1/2" Blade Length : 26 1/4" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obrapublicada en Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ...saca nuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]5. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.6. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau7. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th C. Indonesian Hulu PUNTUNG RECONG, Gayo, North Sumatra ~ Solid Gold & Enamel Mount ~ Damas

Lot #93 (Sale Order 91 of 298)

A rare form of a classic Indonesian dagger, called the rencong, this example in the Schmiedt Collection has handle in a rare form called a hulu puntung. This form of hilt with atruncated end and carved with leave shaped form is rarely found on the classic Gayo and Acehnese rencong. The blade of this example has the classic shape of the down swept bladewith an inside edge, similar to a Turkish yataghan, while the handle has a fitting in the shape of adouble crown in gold with elements of enamel. The rencong is the traditional weapon of Acehand Acehnese folklore ascribes mystical attributes and supernatural powers. The Acehnese notethat the rencong takes the shape of the Muslim invocation, "Bismillaah In the name of God, themerciful and compassionate." While the hilt form of this rencong indicates that it is from theGayo people who live in the highlands of the Aceh province, the distinct shape elementsnonetheless indicate stylistic similarity to the classic Acehnese style rencong.On sight field research has indicated based on professors at the Department of Education andCulture in Aceh, that the component parts of the rencong can be likened to individual letters ofthe formal Arabic script huruf gundul, literally bare lettering, of the phrase Bismillaah:Ã¯â€šÂ· The hilt of the rencong is in the shape of "ba"Ã¯â€šÂ· The decoration at the base of the hilt is "sin"Ã¯â€šÂ· The blade's shape is "mim"Ã¯â€šÂ· The shape of the metal parts at the top of the blade is "lam"Ã¯â€šÂ· The base of the scabbard has the shape of the letter "ha"Ã¯â€šÂ· Together, "ba, sin, mim, lam and ha" make up the world, "Bismillaah"The length of most rencongs varies drastically from very short examples of 3-4"- nearly 20" butis distinguished by the shape of the blade, which slightly undulates and is slightly hollowedalong its back. The underside of the blade has a protuberance called Duru Seuke, chiseled like the Keris greneng.Total Length (inside scabbard if present) : 17 3/4" Blade Length : 11 3/4"References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books2. Leigh, B. (1989) Hands of Time: The Crafts of Aceh. JakartaDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Extremely Large 19th C. Philippine Moro Datu's BARONG Sword ~ Huge Blade of Active Damascus Steel.

Lot #94 (Sale Order 92 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sultanatearea called a barong. These swords have a distinctive form that is specific to this region of SouthEast Asia and the southern Philippines, though it is believed that they are related to theIndonesian badik knife, though in a greatly expanded and enlarged form.The barong has a distinct leaf shaped blade which is an effective cutting and slicing form, andmay be used for stabbing depending on the profile the smith develops. Barong blades are oftenthick and heavy with the weight aiding in the slicing capability of this sword. Older blades canrange from small lengths of 8" upwards to 22" which is uncommon. In some cases barong bladesare also patterned in lamellar patterns and in rarer examples with twistcore iron. Some bladeswere also known to either have been traded from China, and are marked with a series of Chinesecharacters, or were marked by Moro smiths as a mark of quality with pseudo-marks which areunintelligible.The handles are simple in design except in the pommel which in some examples has a distinctiveinterpretation of a cockatua showing a vestigial appropriation of the form. Often handles wouldbe made from finely patterned wood representing the social class of the owner. Especially fineDatus examples would be made of silver over a wooden core, such as this example in theSchmiedt Collection and have large jungayyan pommels in fine wood with chatoyancy.This example in the Schmiedt Collection is of very fine quality workmanship and likely a Datu'sbarong judging by the oversized form and shape. The pommel with a large and jungayyancockatoo overlaid with strips of silver in a decorative manner. The blade with a classic barongprofile, a thick spine, and showing distinctive lamellar patterning throughout. These especiallylarge barongs with a longer and thinner profile were prized for fighting.Total Length (inside scabbard if present) : 31 1/4" Blade Length : 20"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History3. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obrapublicada en Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ...saca nuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off..5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Exceptionally Rare 19th C. Russian Caucasian AZERBAIJAN Kinjal Dagger ~ Very Rare and Fine Silver Wo

Lot #95 (Sale Order 93 of 298)

Exceptionally Rare 19th C. Russian Caucasian AZERBAIJAN Kinjal Dagger ~ Very Rare and Fine Silver Workmanship.Total length in scabbard : 19 3/4" Blade length : 12 1/2"

Very Fine early 20th C. Philippine Moro Datu's KRIS Sword ~ Sulu Sea Region ~ Exceptional Huge Carve

Lot #96 (Sale Order 94 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, andmore numerous and therefore required greater skill to prevent the blade bouncing off or beingstuck in an enemyÃ¢â‚¬â„¢s body. The higher number of waves meant the more potent the kris was intalismanic power such as this example. Sometimes engravings (often filled in with brass or silverinlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or other esotericmotifs such as this example in the Schmiedt Collection. Many kris blades are forged with fullersand these are likely heavily influenced by Malay style keris called malela keris.This example in the Schmiedt Collection is a very fine example of with a large carved jungayyanpommel and a silver and gold band wrapped hilt decorated with chased okir designs. Theimpressive 11 luk blade, also called a lanti in Maguindanao, has a finely carved and chiseledganja, a controlled though angular waves to the blade indicating early 20th century workmanship.The pronounced pommel reflecting the kakatua, jungayyan, remains in superb condition, and theblade is attached to the hilt through a single asang asang clamp. The ganja cavity is formed inthe style associated with the Maranao, though the jungayyan hilt is more closely associated withthe Mindanao or Sulu sultanate Moro. A jungayyan hilt would have been appropriate only for aDatu or other royal to have worn.Total Length (inside scabbard if present) : 31 3/4" Blade Length : 23" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San Francisco Craft &Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum of CulturalHistory4. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obra publicadaen Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ... sacanuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]5. Krieger, H. W. (1926). The collection of primitive weapons and armor of the Philippineislands in the United States National museum. Washington: Govt. Print. Off.6. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art. Macau7. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago. EditionFichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Fine and Rare 19th C. Philippine Moro Datu's BARONG Sword ~ Exceptional Layered Damascus Blade ~ Sil

Lot #97 (Sale Order 95 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sultanatearea called a barong. These swords have a distinctive form that is specific to this region of SouthEast Asia and the southern Philippines, though it is believed that they are related to theIndonesian badik knife, though in a greatly expanded and enlarged form.The barong has a distinct leaf shaped blade which is an effective cutting and slicing form, andmay be used for stabbing depending on the profile the smith develops. Barong blades are oftenthick and heavy with the weight aiding in the slicing capability of this sword. Older blades canrange from small lengths of 8" upwards to 22" which is uncommon. In some cases barong bladesare also patterned in lamellar patterns and in rarer examples with twistcore iron. Some bladeswere also known to either have been traded from China, and are marked with a series of Chinesecharacters, or were marked by Moro smiths as a mark of quality with pseudo-marks which areunintelligible.The handles are simple in design except in the pommel which in some examples has a distinctiveinterpretation of a cockatua showing a vestigial appropriation of the form. Often handles wouldbe made from finely patterned wood representing the social class of the owner. Especially fineDatuÃ¢â‚¬â„¢s examples would be made of a variety of rare materials including in some cases kamagongwood with contrasting inlays. There is contention that barongs may be attributed to tribe basedon the angle of the pommel to the grip, with barongs featuring a 45 degree tilt to the cockatua asTausug while those with a sharp angle as Samal or Yakan. Cato (1996) describes a near identicaljungayyan hilted barong as Ã¢â‚¬Å“a magnificently carved jungayyan barung hilt of rich darkkamagong wood with contrasting inlays. Such pieces are rare.This example in the Schmiedt Collection is of exceptional quality workmanship and a Datu'sbarong and displays a rare form of two-toned jungayyan cockatoo with a finely carved form.The grip with additional silver wire wrapping, also near identical to the piece illustrated in Cato(1996; pl. 22) wrapping and a finely chased silver ferrule, or punto. The blade of classic barongprofile, with a thick spine. The blade is distinct in the level of quality of the forging and displaysa richly patterned linear damascus with a hardened edge. The form of the linear patterning isvery tightly controlled and indicates a high level of forging and control by the Moro bladesmith, or panday. Late 19th century.Total Length (inside scabbard if present) : 23" Blade Length : 15 1/4" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History3. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obrapublicada en Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ...saca nuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off..5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good 19th C. Philippine Moro Datu's BARONG Sword ~ Unique Damascus Blade Similar to Wootz Steel

Lot #98 (Sale Order 96 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sultanatearea called a barong. These swords have a distinctive form that is specific to this region of SouthEast Asia and the southern Philippines, though it is believed that they are related to theIndonesian badik knife, though in a greatly expanded and enlarged form.The barong has a distinct leaf shaped blade which is an effective cutting and slicing form, andmay be used for stabbing depending on the profile the smith develops. Barong blades are oftenthick and heavy with the weight aiding in the slicing capability of this sword. Older blades canrange from small lengths of 8" upwards to 22" which is uncommon. In some cases barong bladesare also patterned in lamellar patterns and in rarer examples with twistcore iron. Some bladeswere also known to either have been traded from China, and are marked with a series of Chinesecharacters, or were marked by Moro smiths as a mark of quality with pseudo-marks which areunintelligible.The handles are simple in design except in the pommel which in some examples has a distinctiveinterpretation of a cockatua showing a vestigial appropriation of the form. Often handles wouldbe made from finely patterned wood representing the social class of the owner. Especially fineDatus examples would be made of a variety of rare materials. There is contention that barongsmay be attributed to tribe based on the angle of the pommel to the grip, with barongs featuring a45 degree tilt to the cockatua as Tausug while those with a sharp angle as Samal or Yakan.This example in the Schmiedt Collection is of exceptional quality workmanship and a Datu'sbarong and displays a rare finely carved pommel with the vestigial form kakatua pommel, whilethe ferrule, or punto, is of exceptional quality and appears to be gold or suasa, an especially highquality feature. The blade of classic barong profile, with a thick spine. The blade is a fine qualityexample of especial length. The scabbard, or tagub, remains in good condition and is formed oftwo pieces of wood, bound in a complex rattan pattern.Total Length (inside scabbard if present) : 29" Blade Length : 19 3/4" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History3. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obrapublicada en Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ...saca nuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off..5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th C. Indonesian Malaysian BELADAH BELABANG Sword ~ Kalimantan, Borneo ~ Carved Horn Grip ~ R

Lot #99 (Sale Order 97 of 298)

A rare form of a classic Indonesian sword, called the beladah belabang, thisexample in the Schmiedt Collection has the classic form of the sword with the pistol grippedhandle and the upswept blade that has close parallels with Turkish and Islamic swords of similarform and shape and which are likely the inspiration of this sword form but which are alsoinfluenced by European swords with the crossguards. From the 16th century onward,Banjarmasin was one of the chief sources of pepper in South East Asia during the period 1700-1747. The need for this commodity attracted the English, Dutch, Chinese and Indonesianmerchants to the area. The longstanding Muslim linkages also brought traders in contact withOttoman Empire traders who would have carried their traditional scimitars, termed kilichs. Allof these influences can be seen in the beladah belabang.The blade nonetheless maintains as a well-balanced slashing weapon and is adapted in form andsize for the Malay people. The production of these swords and blades was described byHendriks (1842) where he describes the smith's techniques as the blades were polished oncompletion with stones, oil and a fragment of shark skin.This example in the Schmiedt Collection has sustained some damage to the handle which ismissing the quillon opposite the crossguard, but is in otherwise good condition. The blade isdouble fullered and has a flattened tip with a floral design indicative of other Bornean weaponsof the Dayak and which betrays the local influence on the sword which otherwise has elementsof European and Islamic design.Total Length (inside scabbard if present) : 29 3/4" Blade Length : 24 1/2"References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books2. Deutsche Klingen Museum (2019). Steel and Magic Edged Weapons of the MalayArchipelago. Deutsche Klingen Museum Solingen.3. Hendriks, A. (1842) Iets over de wapenfabricatie op Borneo. Bataviaasch Genootschapvan Kunsten en Wetenschappen,Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th C. Indonesian ALAMANG Sword ~ Sulawesi, Java ~ Carved Horn Grip ~ Layered Damascus Blade.

Lot #100 (Sale Order 98 of 298)

A rare form of an Indonesian sword, called the alamang, this sword has a flattened,heavy and deeply indented hilt which takes the form of a stylized hornbill head. The blade's edgeand back are straight and parallel. The back curves towards the edge at the point. The alamanghas a straight, plain scabbard sometimes with a small foot, while scabbard's mouth is somewhatbroadened in the form of keris scabbards with buntut enlargements. These are uncommonswords and have found their way into important institutional collections. For example, the RoyalCollection Trust has an example presented to the King of England in the early 19th century. That example is described as having been 'found in a chest at Hampton CourtPalace, Nov. 12th 1827'. However, it was likely sent to George IV from Malaysia by Sir Stamford Raffles, who had excellent diplomatic relations with many of the local rulers, andreceived gifts from them. It could, for example, have come from the Sultan of Sambar who presented him with an orangutan in 1810.The example in the Schmiedt Collection is of particular fine quality and includes the originalscabbard mounted in embossed silver displaying traditional Sulawesi style floral designs in atriangular motif, similar to the tumpal motif found on keris hilts, and which can also be found onSulawesi style kris scabbards. These swords are attributed to the Bugis and Makassar peoples inthe southern Sulawesi region. In the region the sword is also called a Sonri or Salapu while it isalso known as a Sudang in Makassar terms, and Labbo Penai in Toraja terms. The blade of thisexample is well forged with a fine controlled linear pamor pattern.Total Length (inside scabbard if present) : 25 1/4" Blade Length : 19" References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Rare Philippine Moro PIRA Sword ~ Layered Steel Blade ~ Late 19th - Early 20th C.

Lot #101 (Sale Order 99 of 298)

This is a rare form of sword of the Moro people from the southern Philippines and of the SuluSultanate area called a pira. This example is a later form of an early style of sword. Theseswords have a distinctive form that is specific to the Moro and is especially associated with theYakans of Basilan Island, who used it as a fighting sword. The pira form is considered to be aderivative of the Indonesian klewang, and which can be found in a variety of forms throughoutIndonesia.The pira has a distinct upswept blade in the form of a cutlass, somewhat similar to the beladahbelabang, and is found in two forms. The first is an older example where the handle, simple inconstruction but sculptural in form is composed of a hilt with a long upswept pommel. A laterderivative version has a handle similar to the classic kakatua pommel barong and with a blade ofstraighter profile with a flared end.This example in the Schmiedt Collection is a very nice example of exceptional length and in theform of the later form of pira. The hilt carved in fine grained wood with chatoyancy with a silverferrule (punto). The blade of fine workmanship displaying element of lamellar construction andquality panday workmanship. The scabbard remains in good condition and is formed of twopieces of wood, bound in rattan.As the second type of pira this example likely dates to the 1st quarter of the 20th century.Total Length (inside scabbard if present) : 30 3/4" Blade Length : 24"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History3. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obrapublicada en Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ...saca nuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off..5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Extremely Rare Indonesian Borneo MANDAU PARANG IHLANG Sword ~ Dayak Headhunters ~ Fantastic Gold Inl

Lot #102 (Sale Order 100 of 298)

A distinctive Bornean sword of the Iban Dayak, called a Mandau or Parang Ihlang,these swords are found in institutional and private collections in varying degrees of quality.They are distinguished by a set of similar features, all varying in the level of quality of theconstructions, materials, and workmanship. The Mandau blade has a convex shape on one sideand somewhat concave on the other. The blades are often made of tempered metal and in somecases may display a lamellar pattern, similar to the pamor found on Indonesian kris blades,though this is highly uncommon. The hilts are often delicately carved with various carvingdetails varying across the many tribes of the Dayak, but often depict creatures oranthropomorphic deities. The scabbards of some of the finer swords will often depict varioussymbols, such as the mata kalung (necklace eye; parallel two dots with a carving beneath),mubung bilah (tomb of ancient kings), kalung telu, kalung helat, and kalung aso lejo (tiger).Some blades will include decoration with holesfilled with brass and are called Lantak Pakusuch as this blade.This example in the Schmiedt Collection forexample has nicely carved hilt. The hilt alsoinlaid with long tufts of black hair likelyhuman. The blade is a relatively simple styleand inlaid with brass dots near the tip, and withsome minimal fretwork along the slope of theblade. In this case Shelford (1901) refers tothis type of blade, transcribing the Kajamans ofthe Belaga district, as song bila, referring tofretwork along the slope of the blade butwithout the complex iron carving found onother Mandau swords. The well-madescabbard is decorated with various charmsincluding animal teeth and strung with beads.The multi colored beadwork is most similar tothat done by the Kayan tribe and who were themost accomplished beadwork artists amongstthe Dayak.Likely dating to the late 19th to early 20th century.Total Length (inside scabbard if present) : 26 1/2" Blade Length : 19 1/4" References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Scarce 19th C. Philippine BICOL MINASBAD Sword ~ Silver Mounted Carved Horn Grip.

Lot #103 (Sale Order 101 of 298)

A distinct form of a Philippine sword, this form of sword is called a minasbad andis associated with Bicol region of Eastern Luzon Island. These swords have a distinct form witha stylized bat head carved grip, flared blade, and a crossguard with strong influences from theSpanish colonial period. It is possible as well that these swords were influenced by colonialswords from Nuevo Espana (now Mexico) which was the vice royalty that controlled thePhilippines. Spanish colonial swords from Mexico, display a similar form and profile profile,though it possibly the transmission occurred from west to east as well. The minasbad is alsospecifically identified with the Cimarrones tribe of the Bicol, and like many other Philippine andIndonesian weapons, often functioned as a war sword and an agricultural tool.The example in the Schmiedt Collection is of classic form and has the especially distinct hilt thatis alternately referred to as a bat or a dogs head and decorated in silver. The blade flares in thedistinctive style of the Bornean parang nabur which may have influenced this sword. The handleform also has distinct resemblance to Chinese inspired mythological creatures and may have alsobeen influenced by the large Chinese community in the Philippines.Total Length (inside scabbard if present) : 25" Blade Length : 19 1/2" References:1. Macau Museum of Art. (2007). History of Steel in Eastern AsiaÃ¢â‚¬â€œA View on theDevelopment of Weaponry. Macau Museum of Art.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Unique WW II Period Indonesian MANDAU Sword ~ Japanese Hilt & Inscription on Blade.

Lot #104 (Sale Order 102 of 298)

A most odd form of sword and one of the most interestingobjects in the Schmiedt Collection. This sword appears to marry two distinct cultures in aparticular time period around the WWII period. The blade of this sword is a classic Dayak bladedisplaying exceptional quality chiseled iron decorative details and blade profile of the stylefound on fine Dayak blades. The decorative vinework along the spine of this blade is of veryfine quality, while blade is inlaid at the base with several copper circles, and incised with whatappears to be Japanese kanji characters.The handle of this sword appears to be a cast brassversion of a Japanese WWII naval sword, with eithercrossguard taken from such a sword or the handle castentirely from a carved copy of such a handle.The marriage of two such pieces could only have takenplace during the Japanese occupation of Borneo, andlikely done locally, so the sword may be dated to theperiod of March 1942-September 1945. The Japanesewere as cruel in their occupation of Dutch Indonesia asthey were elsewhere in their occupations, and by late1944 the Dayaks of West Kalimantan had begun killingJapanese in retaliation for the cruelty of Japanese control. The Japanese in particular perpetrateda series of massacres in Kalimantan that exterminated the Malay elite regardless of their origincalled the Pontianak Massacres and which sparked resistance amongst the Malay and Dayak ofBorneo. During May and June 1945, some Japanese were killed in a rebellion by the Dayaks inSanggau. This rebellion, during which many Dayaks and Japanese were killed, occurred fromApril through August 1945, and was called the "Majang Desa War".This unique sword was likely a product of this tumultuous time period and speaks to the unique forced cultural intermingling of this period during WWII.Total Length (inside scabbard if present) : 25 1/4" Blade Length : 20 1/4"References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books2. Davidson, Jamie Seth (2002). Violence and Politics in West Kalimantan, Indonesia.University of Washington.3. Heidhues, Mary F. Somers (2003). Golddiggers, Farmers, and Traders in the "ChineseDistricts" of West Kalimantan, Indonesia. Volume 34 of Southeast Asia publicationsseries (illustrated ed.). SEAP Publications.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Nice 19th C. BELADAH BELABANG Sword ~ Malaysian Indonesian ~ Kalimantan, Borneo Islands.

Lot #105 (Sale Order 103 of 298)

A rare form of a classic Indonesian sword, called a beladah belabang, this examplein the Schmiedt Collection has the classic form of the sword with the pistol gripped handle andthe upswept blade that has close parallels with Turkish and Islamic swords of similar form andshape and which are likely the inspiration of this sword form but which are also influenced byEuropean swords with the crossguards. These swords are most closely associated withBanjarmasin on the island of Kalimantan. From the 16th century onward, Banjarmasin was oneof the chief sources of pepper in South East Asia during the period up to the mid-18th century.The need for this commodity attracted the English, Dutch, Chinese and Indonesian merchants tothe area. The longstanding Muslim linkages also brought traders in contact with OttomanEmpire traders who would have carried their traditional scimitars, termed kilichs. All of theseinfluences can be seen in the beladah belabang.The blade is a well-balanced slashing weapon and is adapted in form and size for the Malaypeople. The production of these swords and blades was described by Hendriks (1842) where hedescribes the smith's techniques as the blades were polished on completion with stones, oil and afragment of shark skin.This example in the Schmiedt Collection is in fine condition with a finely patinated wooden grip,crossguard with no damage and a finely incised iron blade of classic cutlass form. Thecrossguard and pommel both feature design elements betraying the Indonesian region with floraldesigns that are uncommon to other Islamic or European swords. The blade is forged without afuller but decorated with incised design and has the characteristic flattened tip with carved floraldesign indicative of the indigenous influence of the Bornean weapons of the Dayak.Total Length (inside scabbard if present) : 29" Blade Length : 22 1/2" References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books2. Deutsche Klingen Museum (2019). Steel and Magic Edged Weapons of the MalayArchipelago. Deutsche Klingen Museum Solingen.3. Hendriks, A. (1842) Iets over de wapenfabricatie op Borneo. Bataviaasch Genootschapvan Kunsten en Wetenschappen.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Good Indonesian MANDAU PARANG IHLANG Sword, Kalimantan, Borneo Dayak Headhunters ~ Highly Decorated

Lot #106 (Sale Order 104 of 298)

A distinctive Bornean sword of the Iban Dayak, called a Mandau or Parang Ihlang,these swords are found throughout institutional and private collections in varying degrees ofquality. They are distinguished by a set of similar features, all varying in the level of quality ofthe constructions, materials, and workmanship. The Mandau blade has a convex shape on oneside and somewhat concave on the other. The blades are often made of tempered metal and insome cases may display a lamellar pattern, similar to the pamor found on Indonesian kris blades,though this is highly uncommon. The hilts are often delicately carved with various carvingdetails varying across the manytribes of the Dayak, but oftendepict creatures oranthropomorphic deities. Thescabbards of some of the finerswords will often depict varioussymbols, such as the matakalung (necklace eye; paralleltwo dots with a carvingbeneath), mubung bilah (tombof ancient kings), kalung telu,kalung helat, and kalung asolejo (tiger).This example in the Schmiedt Collection for example hasnicely carved hilt, though not to the level of the finest carved Mandau hilts. The hilt also inlaid with shortened tufts of grey hair. The blade is a relatively simple style with a blade tip stylemost closely related to the style called li-po-tong based on research from 1888 from the Dutchresident in Koetei, where the Kayan tribe made mandaus of this form and style. The decorationalong the spine is also closely related to the form of decoration called mata joh.Total Length (inside scabbard if present) : 28 1/2" Blade Length : 22 3/4" Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Scarce 19th C. Indonesian JIMPUL Sword ~ Sarawak, Borneo Dayak Headhunters ~ Rare Blade Form.

Lot #107 (Sale Order 105 of 298)

A distinctive Bornean sword of the Sea Dayak, called a Parang Jimpul, this swordis similar in style to the classic Iban Dayak Mandau and is the traditional weapon of the SeaDayak and Kenyah people from Borneo. It is often thought that the Parang Jimpul may beconsidered as a hybrid between the Mandau and Langgai Tinggang usually date to the late 19thcentury.Jimpul are distinguished by a set of similar features to the Mandau though the blade of theJimpul has flat sides and is distinctly curved with a widened point and a slanted or drop point.The blade often has two or three grooves, running at short distance from the back, as well ashooks and protrusions (krowit) near the hilt on the sharp edge. Chased designs can be found onboth sides near the hilt while the hilt and scabbard are made in the same way as those ofthe Mandau. The blades are often made of tempered metal and in some cases display a lamellarpattern, similar to the pamor found on Indonesian kris blades, though this is highly uncommon.The hilts are often delicately carved with various carving details varying across the many tribesof the Dayak, but often depict creatures or anthropomorphic deities.This example in the Schmiedt Collection for example has a finely carved hilt with short tufts ofhair and showing the carved tusks and aso designs found on classic Mandau hilts. The hiltdisplays a pleasing patina indicating an earlier sword. The blade is classic jimpul form, flat onboth sides, with a long single fuller running along the spine and darkened while the remainder ofthe blade polished, creating a contrasting effect. The drop point of the blade carved with a floraldesign, and showing the influence it has on the beladah belabang sword.Dating to the late 19th century to early 20th century.Total Length (inside scabbard if present) : 26" Blade Length : 21"References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fÃƒÂ¼rEthnographie. Band 1. Pp.22-26.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Good 19th C. Indonesian MANDAU PARANG IHLANG Sword, Kalimantan, Borneo Dayak Headhunters.

Lot #108 (Sale Order 106 of 298)

A distinctive Bornean sword of the Iban Dayak, called a Mandau or Parang Ihlang,these swords are found throughout institutional and private collections in varying degrees ofquality. They are distinguished by a set of similar features, all varying in the level of quality ofthe constructions, materials, and workmanship. The Mandau blade has a convex shape on oneside and somewhat concave on the other. The blades are often made of tempered metal and insome cases may display a lamellar pattern, similar to the pamor found on Indonesian kris blades,though this is highly uncommon. The hilts are often delicately carved with various carvingdetails varying across the many tribes of the Dayak, but often depict creatures oranthropomorphic deities. The scabbards of some of the finer swords will often depict varioussymbols, and may include various charms include animals teeth, shells, and beads, such as this example.This example in the Schmiedt Collection has nicely carved hilt of a darker material thannormally found Mandau swords. The hilt is inset with shortened tufts of black and grey tintedhair. The blade is a simple style with the blade tip most closely related to the style called long-nabased on research from 1888 from the Dutch resident in Koetei, where the Kayan tribe mademandaus of this form and style (Tromp 1888). The original scabbard is well made, bound withrattan and covered in animal fur, and includes a piso raut side knife used for wood and rattancarving. The blade of this example along the slope with a plain back and no fretwork. Shelford (1901)describes these kinds of slopes as song bang where it is not fretted nor produced into hooks andprojections but plain or excised into a series of short concave curves.Dating to the late 19th to early 20th century, the blade is quite early.Total Length (inside scabbard if present) : 27 1/2" Blade Length : 20" References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fÃƒÂ¼rEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th C. Indonesian PENAI Sword ~ Sumara, Sulawesi, Toraja ~ Layered Damascus Blade ~ Large Carv

Lot #109 (Sale Order 107 of 298)

A rare form of Indonesian sword, this sword is called a sumara and is related to amore common style called a penai. The penai or the sumara are the machete sword of the Bareespeaking Toraja people. The hilts distinguish these swords and are formed with a ninety degreeangle and then two long protrusions finely carved in this case and which attribute this swordspecifically as a sumara. Both the penai and the sumara however have similar blades with theblade broadening towards the tip and turning in a slight curve towards the edge. These areconsidered to be true headhunters swords and those that are decorated with tin foil were reservedfor only the most renowned headhunters.The Toraja people were only converted to Christianity in the early 20th century and these swordshave a long tradition of usage in Toraja culture. According to Blair and Blair, the Ã¢â‚¬Å“Toraja huntedheads until as recently as the 1920s, but they were feared by their neighbours less for theirferocity than for their magic, part of which was their unnerving reputation for being able to causethe dead to walk. Toraja warriors had to die in their own 'Rante,' or village circle, if their soulswere successfully to return to the stars. Should they die beyond the Rante, then their shamans,the stories went, could quicken their corpses long enough for them to walk home under their ownsteam, even without their heads.Ã¢â‚¬Â As late as WWII, this zombie folklore continued as Ã¢â‚¬Å“theoccupying Japanese forces had apparently been so terrified by the Toraja that after a fewerstwhile massacres they had left them to themselves. On several occasions groups of Torajaresistance fighters had been taken into the forest by the Japanese, machine-gunned, and left thereas a warning to others. Later in the evening their horrified executioners had reportedencountering them again, in serious disrepair, shambling in single file back through the foresttowards their Rante."This example in the Schmiedt Collection is in fine condition with a well toned carved grip. Theblade is a particularly fine example made of twistcore iron, an indication of the status of theowner and a rarity throughout the weapons of the Indonesian Archipelago.Total Length (inside scabbard if present) : 24 1/2" Blade Length : 19"References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books2. Blair, L., and Blair, L. (1988). Ring of Fire. Bantam Books.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Strong 19th C. Philippine Moro Datu's KRIS Sword ~ Rare Blade Form ~ Silver Inlays

Lot #110 (Sale Order 108 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, andmore numerous and therefore required greater skill to prevent the blade bouncing off or beingstuck in an enemys body. The higher number of waves meant the more potent the kris was intalismanic power such as this example. Sometimes engravings (often filled in with brass or silverinlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or other esotericmotifs such as this example in the Schmiedt Collection. Many kris blades are forged with fullersand these are likely heavily influenced by Malay style keris called malela keris.This example in the Schmiedt Collection is a very fine example with a large heavy silverjungayyan carved pommel in superb condition. The handle itself with gold or suasa bands withchased okir designs and filigreed silver. The asang asang also with okir motifs and original tothe sword. The blade is a 5 luk form with a complex geometry, inlaid with silver dots and asilver border around the fuller running two thirds of the length of the blade. The large hilt formof this type was most popular with Sulu Moros and those from Maguindanao on the island ofMindanao. Mindanao pieces were often hilted in this form with the okir chased silver andfiligreed silver hilts. Pieces of this level of quality would be considered lineage pieces (Cato 1996) and would be passed down through generations of ownership.Dating to the late 19th to early 20th century.Total Length (inside scabbard if present) : 32 1/4" Blade Length : 26 1/2" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obrapublicada en Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ...saca nuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]5. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.6. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau7. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good 19th C. Indonesian MANDAU Parang Ihlang Sword ~ Borneo Dayak Headhunters ~

Lot #111 (Sale Order 109 of 298)

A distinctive Bornean sword of the Iban Dayak, called a Mandau or Parang Ihlang,these swords are found throughout institutional and private collections in varying degrees ofquality. They are distinguished by a set of similar features, all varying in the level of quality ofthe constructions, materials, and workmanship. The Mandau blade has a convex shape on oneside and somewhat concave on the other. The blades are often made of tempered metal and insome cases may display a lamellar pattern, similar to the pamor found on Indonesian kris blades,though this is highly uncommon. The hilts are often delicately carved with various carvingdetails varying across the many tribes of the Dayak, but often depict creatures oranthropomorphic deities. The scabbards of some of the finer swords will often depict varioussymbols, and may include various charms include animals teeth, shells, and beads.This example in the Schmiedt Collection has a very finely carved hilt seemingly displaying theiconography of the leech, which is traditionally based on scrolls and leech motifs. The leech(lemetek) is associated with blood sucking and was considered an appropriate motif for aweapon. The hilt also inlaid with shortened tufts of black and red tinted hair. The blade is asimple style with the blade tip most closely related to the style called lidjib based on researchfrom 1888 from the Dutch resident in Koetei, where the Kayan tribe made mandaus of this formand style (Tromp 1888).The flat slope of the blade in this example, cut in the form, according to Shelford (1901),transcribing the Kajamans of the Belaga district as song bila, referring to the smooth slope of theblade though in this case cut into a distinctive stepped shape.Dating to the 19th to early 20th century though the blade may date earlier.Total Length (inside scabbard if present) : 30" Blade Length : 21"References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fÃƒÂ¼rEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Large Indonesian Bali KERIS Dagger ~ Silver Grip with Gemstones ~ High Contrast Damascus Blade.

Lot #112 (Sale Order 110 of 298)

Keris from Bali are considered some of the finest among the Indonesianarchipelago. As Bali is a Hindu society, the influences on the keris have survived theIslamicization of form and design found elsewhere in the region, with some exceptions. As aresult, Balinese keris often sport hilts carved with richly designed Hindu deities in much morerealistic manner than the more the stylized interpretations found in other parts of the region, suchas the highly stylized Garuda imagery of the Bugis or Sumatra. Other forms of hilts are simplerin design and would have been used by the warrior class while another type in a distinctivecylindrical form is called danganan grantim. The keris played a particularly important role inBalinese society, is used as a ritual tool in almost every Balinese religious ceremony. Kerisfunctioned as pusaka, or powerful sanctified heirlooms, and served as a strong marker of socioeconomicstatus depending on the materials and quality of the workmanship. The historicaldevelopment of the Balinese keris is related to the origination of the keris in the early part of the2nd millennium A.D. and which spread to the Bali from the east Javanese kingdom of Kedhirifrom 11th-13th centuries. The Majaphit conquest of Bali in 1343 especially influenced thedevelopment of the keris in Balinese society. The classic indicators of a Balinese keris are thehilt, which are richly carved in realistic interpretations of Hindu deities or otherwise in theclassic form of hilt such as danganan grantin.This example in the Schmiedt Collection is a good representation of a classic Balinese form.The hilt called a danganan grantim, in embossed silver, imitating a woven lotjeng- or grantimhandle. In the pommel cap, the tail of a mythical animal can be seen, or a plantÃ¢â‚¬â„¢s sprout. Theselut is silver inlaid with semi-precious stones.The blade is a finely crafted 17 luk form, called a dhapur kalawijan, representing a blade withover 13 luk and meaning a (time for sowing seeds) This luk pattern is believed to have specialmeanings for the commissioner and does not represent a standard luk pattern with a specificmeaning. The pamor is nglulit semangka, known as watermelon skin pattern.Overall first half of 20th century.Total Length (inside scabbard if present) : 24 3/4" Blade Length : 19 1/2"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Neka, W. S. (2014) Understanding Balinese Keris: An Insiders Perspective. Neka ArtMuseum.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Good 19th C. Indonesian JIMPUL Sword ~ Sarawak, Borneo Dayak Headhunters ~ Nicely Carved Grip

Lot #113 (Sale Order 111 of 298)

A distinctive sword of the Sea Dayak, called a Parang Jimpul, these swords arefound throughout institutional and private collections in varying degrees of quality though areconsidered an interesting transitional form between the langgai tingang and the Mandau.They are distinguished by a set of similar features, all varying in the level of quality of theconstructions, materials, and workmanship. The Mandau blade has a convex shape on one sideand somewhat concave on the other. The blades are often made of tempered metal and in somecases may display a lamellar pattern, similar to the pamor found on Indonesian kris blades,though this is highly uncommon. The hilts are often delicately carved with various carvingdetails varying across the many tribes of the Dayak, but often depict creatures oranthropomorphic deities. The scabbards of some of the finer swords will often depict varioussymbols, and may include various charms include animals teeth, shells, and beads.This example in the Schmiedt Collection has very finely carved hilt seemingly displaying theiconography of the leech (lemetek), which is traditionally based on scrolls and leech motifs. Thehilt also inlaid with shortened tufts of black and red tinted hair. The blade is of the classic jimpulform, with a long single fuller terminating in a curved form near the ricasso, and the bladedecorated with linear designs called kyan (Shelford 1901).Dating to the late 19th century.Total Length (inside scabbard if present) : 28 1/2" Blade Length : 18 1/2"References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fÃƒÂ¼rEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Scarce 19th C. Indonesian PANDANT Sword ~ Sarawak, Kalimantan

Lot #114 (Sale Order 112 of 298)

The Pandat, also knownas Parang Pandit is the war sword of theland Dayak or Bidayah of Sarawak, inNorth West Kalimantan (Borneo). TheLand Dayak is the name for severalindigenous groups found in southernSarawak, Malaysia and northern WestKalimantan, Indonesia, on the island ofBorneo, that are broadly similar inlanguage and culture (see also issuesbelow). The name Bidayuh means'inhabitants of land'. Originally from thewestern part of Borneo, the collectivename Land Dayak was first used duringthe period of Rajah James Brooke, theWhite Rajah of Sarawak during the 19thcentury.It is a two handed sword, used only as awar sword and never as a tool, a multiusewhich is so common to other blades fromthe Indonesian archipelago. The uniqueconstruction is such that the blade andhandle are forged from one piece of steel.Most examples are approximately 20-30inches with blades widening toward thetip and cut in a V shaped cut. The handlesoften mounted with brass bands and a bone pommel. The shape of the swords suggest that theyare often attributed to the Sidin or Bennah Dayak people.This example in the Schmiedt Collection is a fine example entirely in iron as is traditional, withremnants of hair at the joint of the blade. The handle includes a bone protrusion with brass bandon the handle. The blade tip in an less common form more closely related to a parang bladeedge.Total Length (inside scabbard if present) : 26" Blade Length : 21 3/4"References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books2. Blair, L., and Blair, L. (1988). Ring of Fire. Bantam Books.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Scarce 19th C. Indonesian BELADAH BELABANG Sword ~ Kalimantan, Banjarmarsin ~ Marked Blade.

Lot #115 (Sale Order 113 of 298)

A rare form of a classic Indonesian sword, called the beladah belabang, thisexample in the Schmiedt Collection has the classic form of the sword with the pistol grippedhandle and the upswept blade that has close parallels with Turkish and Islamic swords of similarform and shape and which are likely the inspiration of this sword form but which are alsoinfluenced by European swords with the crossguards. This example is interesting for twodeviations including a chain link crossguard, also mainly found on European swords, and thenon-standard beladah belabang blade, instead approximating the style of blade found on the cojang, a different sword.These swords are most closely associated with Banjarmasin on the island of Kalimantan. Fromthe 16th century onward, Banjarmasin was one of the chief sources of pepper in South East Asiaduring the period up to the mid-18th century. The need for this commodity attracted the English,Dutch, Chinese and Indonesian merchants to the area. The longstanding Muslim linkages alsobrought traders in contact with Ottoman Empire traders who would have carried their traditionalscimitars, termed kilichs. All of these influences can be seen in the beladah belabang.The blade is a well-balanced slashing weapon and is adapted in form and size for the Malaypeople. The production of these swords and blades was described by Hendriks (1842) where hedescribes the smith's techniques as the blades were polished on completion with stones, oil and afragment of shark skin.This example in the Schmiedt Collection is in fine condition with a well-toned wooden grip,crossguard with no damage and a finely incised iron blade of interesting form. The blade isstraight with a rounded edge, similar to a co jang blade. The blade at the forte marked in Latinletters "KT 5".Total Length (inside scabbard if present) : 26 1/4" Blade Length : 21 3/4" References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books2. Hendriks, A. (1842) Iets over de wapenfabricatie op Borneo. Bataviaasch Genootschapvan Kunsten en Wetenschappen,Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare Indonesian Nias BALATO Sword (telugu, balatu sebua) ~ Hippo Teeth Mounts.

Lot #116 (Sale Order 114 of 298)

A rare sword of the Nias islands near Sumatra, this sword is called a balato and is of the classic balato form but with the distinctive carved hilt in the form of a dragonhead called a lasara. The balato is the classic and well recognized Nias warriors sword and comes in a variety of shapes. This relatively typical Balato has a form that closely follows the traditional Lasara (dragon head) hilt and which can be seen illustrated in Modigliani (1890). While the classic balato is considered to be a traditional headhunters sword the more common domestic knife of the Nias takes a similar form. The headhunters swords are distinguished by their longer blades, such as this example. The blades are generally not laminated and can have various forms, the common factors are: a single edge that starts only a few centimeters from the hilt and more or less widening to the point.The Schmiedt Collection example has a well carved and nicely patinated handle with a sculptural creature design carved in the pommel. The curled whorls likely represent boars tusks while the creature sitting astride the pommel is called a bechu zocha, a spirit who hunts and feeds on mens shadows, just as men feed on pigs. This image can be regarded as a talisman working against the misfortunes that the bechu zocha spirit would ordinarily bring (Brenner-Felsach 1998). Because of the spirit's thirst for blood and its prominence on the headhunter's sabre, the image was believed to have increased the warrior's strength. This particular form of hilt is called niobawa lawolo and is cut in the form of the lasara with the open mouth and striking teeth. This hilt is the most common form of hilt found on Nias and comes in a variety of forms from more realistic to abstract types (Van Zonneveld 2001). The scabbard is of two pieces of wood secured with strips of rattan, while the talismanic basket at the top of the scabbard is of classic shape and decorated with charms of various types and in some places held in place with metal wire, indicating a 20th century dating. The blade now with pitting from age. The Schmiedt Collection example here, has an interesting charm basket, or raga ifoboaya, whereas most are decorated with animal teeth, this example has multiple charms, which is less commonly found. Modigliani writes in 1890 that: In the south of the island, the sabre evokes moments of glory in the mind of the warrior-headhunter and is girdled with precious idols that have protected him and will continue to protect him in the future. The idols are always attached to a ball of braided rattan which is bound to the sheath with pieces of vegetable cord. . . . The amulets are sometimes inserted inside the ball, and are always wrapped with pieces of cotton and firmly tied. Balato are difficult to date accurately, but this example likely dates to the first half of 20th C.Total Length (inside scabbard if present) : 28 1/4" Blade Length : 19"References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago. Leiden: Art Books2. Viaro, M. A. (2001). Ceremonial sabres of nias headhunters in indonesia. Arts Et Cultures, 3, 150-171.3. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inseln ringsum Sumatra, (vol. 4, Leiden)4. Modigiliani, E. (1890) Un viaggio a Nias.5. Brenner-Felsach, Joachim Freiherr von. Eine Reise nach Nias, die Indonesienexpedition 1887, edited by Reinhold MittersakschmÃƒÂ¶ller, 171Ã¢â‚¬â€œ75. Vienna: 1998.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Rare 19th C. Indonesian Nias Sumatra BALATO Sword ~ Alligator Teeth Mounts ~ Museum Number on S

Lot #117 (Sale Order 115 of 298)

A very rare sword of the Nias islands near Sumatra, this sword is called a balato and is of the classic balato form but with a highly distinct and finely patinated cast bronze handle of stylized balato hilt form. The Balato is the classic and well recognized Nias warriors sword and comes in a variety of shapes. It can be recognized by its hilt representing an animal's head and has a brass ferrule. The wooden scabbard is decorated with a series of metal rings or rattan strips and in the south Nias, with a charm basket called a raga ifoboaya. The typical Balato has a Lasara (dragon head) hilt. The blades are generally not laminated and can have various forms, the common factors are: a single edge that starts only a few centimeters from the hilt and more or less widening to the point. Hilts can vary from the more classically carved lasara hilt to those of more stylized design which are considered earlier examples. A similarly designed hilt to the Schmiedt Collection example can be found in the Wereldmuseum, Netherlands, collected circa 1940, though carved of wood and not cast in bronze such as this one. Another rare form in the Wereldmuseum deviates also from the classic Lasara form though not exactly similar to the example in the Schmiedt Collection and which was itself collected circa 1887. Another example of direct comparison in hilt style but carved in wood is in the Musee de Quai Branly. The form in the Schmiedt Collection, very rarely encountered, was documented in the classic work on Indonesian ethnography (Katalog des ethnographischen Reichsmuseums, Vol. 4) and reproduced in a line drawing in 1909, as Type 2, and of which nine are documented in the catalog as Type 2. Even earlier examples were documented by Elio Modigliano in 1890 in his classic work Un Viaggio a Nias where this form is considered the earliest in the progression of the style of handle.The balato is most classically associated with the headhunting tradition of the Nias. Chiefs paid warriors to perform the task of headhunting on their behalf and during peacetime, these hired warriors would hide at a bend in the path and take as victim the first person to pass by, whether it be a man, woman, or child. When warriors were unavailable, the chief slave was instead set to the task. The aim of headhunting was to take possession of the dead person's soul, or life-force, and to offer it as a gift to the spirits. In this way, the chief acquired a form of guarantee for his afterlife. A victim's soul also served as a substitute for a sick man's soul and was used to heal the latter and appease the vindictive spirit, who was thought to have caused the illness. This sword is one of the superlative examples in the Schmiedt Collection and stands out for the rare form of hilt, complete condition, and the quality of workmanship. This distinctive form of stylized lasara hilt is called a niotaka waena from the South Nias term for "a hilt as a swallow". In this hilt the lips of the lasara mouth are stylized, flatly cut, and recede completely (Van Zonneveld 2001). While balato are difficult to date accurately, considering the earlier form of hilt, well documented institutional examples and early ethnographic literature, a 19th century attribution is reasonable as a true headhunters sword.Total Length (inside scabbard if present) : 30 1/2" Blade Length : 21"Comparable auction sales:1. https://www.christies.com/lotfinder/lot_details/?intobjectid=50058342. https://www.sothebys.com/en/auctions/ecatalogue/2014/collection-murray-frum-oceanie-pf1438/lot.45.html3. https://www.sothebys.com/es/auctions/ecatalogue/2012/art-dafrique-et-docanie-pf1218/lot.32.html4. https://www.bonhams.com/auctions/24872/lot/72/5. https://www.bonhams.com/auctions/20973/lot/3230/References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago. Leiden: Art Books2. Viaro, M. A. (2001). Ceremonial sabres of nias headhunters in indonesia. Arts Et Cultures, 3, 150-171.3. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inseln ringsum Sumatra, (vol. 4, Leiden)4. Modigiliani, E. (1890) Un viaggio a NiasDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th C. Philippine Moro BARONG Sword ~ Unbelievable Damascus Blade Pattern.

Lot #118 (Sale Order 116 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sultanatearea called a barong. These swords have a distinctive form that is specific to this region of SouthEast Asia and the southern Philippines, though it is believed that they are related to theIndonesian badik knife, though in a greatly expanded and enlarged form.The barong has a distinct leaf shaped blade which is an effective cutting and slicing form, andmay be used for stabbing depending on the profile the smith develops. Barong blades are oftenthick and heavy with the weight aiding in the slicing capability of this sword. Some of the rarerexamples have blades made of twistcore iron. Some Moro swords including the kris swords,kampilans, and barong are found with twistcore blades such as this example. Moro twistcorewas formed in a manner very similar to Chinese twistcore blades, and it possible that the Moroand Indonesian twistcore construction influenced Chinese and Tibetan twistcore workmanship(Tom 2001). The use of this technique among the Moros of the southern Philippines indicatesthat the technique was exported northward from Indonesia, likely with the spread of Islam. Therows of star-shaped elements, feathery or flamelike bands, and "barber-pole" structures seen onMoro and Chinese twist-core forging are remarkably similar. Traders, pirates, and emigres fromsouthern China had extensive contact with Southeast Asian peoples. Chinese smiths are knownto have made barong blades of lamellar qiangang structure for export to the Philippines, whilethe type of twistcore found on this sword may have influenced twistcore construction in Chinaitself. The twistcore pattern of the blade was formed by laying together multiple bars of steel,twisting them in a specific manner and then hammering them out flat. Multiple such twisted barscould be welded together forming multiple twisted layers side by side.This example in the Schmiedt Collection has a fine blade of twistcore construction, showing themulti-bar tiger stripe pattern indicative of twistcore workmanship. The handle is original,mounted with rattan, and with some loss to the pommel.Total Length (inside scabbard if present) : 23 1/4" Blade Length : 17"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History3. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obrapublicada en Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ...saca nuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off..5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Tom, P. (2001) Notable sabers of the Qing Dynasty at the Metropolitan Museum ofArt. The Metropolitan Museum Journal. 36Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Extremely Fine 19th C. Philippine Moro Datu's KRIS Sword ~ Fabulous Carved Pommel ~ Rare Gold Inlaid

Lot #119 (Sale Order 117 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, andmore numerous and therefore required greater skill to prevent the blade bouncing off or beingstuck in an enemy's body. The higher number of waves meant the more potent the kris was intalismanic power such as this example. Sometimes engravings (often filled in with brass or silverinlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or other esotericmotifs such as this example in the Schmiedt Collection. Many kris blades are forged with fullersand these are likely heavily influenced by Malay style keris called malela keris.This example in the Schmiedt Collection is an exceptionally fine example with a large heavyjungayyan carved pommel in superb condition. The handle itself with silver bands with chasedokir designs and silver wire interspersed between. The double asang asang in silver and originalto the sword. The blade is a superb dark colored 13 luk waved blade inlaid with silver dots andlinear silver inlay throughout the length. These inlaid blades are uncommon, especially in thislevel of quality, and considered to be some of the highest quality Moro kris blades, in addition totwistcore blades. The form of the hilt were most popular with Sulu Moros and those fromMaguindanao on the island of Mindanao. While Mindanao pieces were often hilted in this formwith the okir chased silver and silver plaited wire, the complex blade form may indicate a Suluorigin for this sword overall.Dating to the mid- late 19th century.Total Length (inside scabbard if present) : 27 3/4" Blade Length : 22"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Large 19th C. Philippine Moro KAMPILAN Sword ~ Rare Brass or Gold Inlaid Blade.

Lot #120 (Sale Order 118 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kampilan but with decorative elements distinct to the T'Boli ethnic group as well. Thebasic form of the sword is considered to have been borrowed form Malay prototypes and similarswords from Timor and Borneo are found in Dutch institutional collections, though with slightlydifferent grip shapes, a representative example can be seen here. The kampilan profile isstrikingly similar to that Timorese prototype but also the blade profile has deep similarities to theklewang and mandau (parang ihlang) swords that were used by the Dayak of Borneo. Otherscontend that the Celebes islands are the origin for the Moro kampilan, and a representativeexample can be found here, which shows off the similarity with the Moro version.The kampilan also has a storied history and from the first-hand account of Magellan's shipmate,Antonio Pigafetta, it is thought that Magellan was killed by the kampilan in the region of thesouthern Philippines. Later accounts during the Spanish conquest of the Philippines indicate thatthe kampilan was a favorite weapon of the Ilanuns (a Moro ethnic group from Mindanao and theWest Coast of Borneo), though this is difficult to explain (Demetrio 1991) as the length of akampilan approaches and exceeds one yard.The swords are generally very distinct, and primarily distinguished by a carved hilt, sometimes inrare materials such as bone, with a heavy crossguard and in most cases a bifurcated carved pommeldecorated with floral decoration called okir. The design of the pommel varies between ethnicgroups, but it is considered to depict a variety of animas most prominently as a buaya (crocodile).In some cases, the hilt also called a sumba in Maguindanoan is carved and decorated with floraldecoration called okir.This example in the Schmiedt Collection is an early fighting example displaying several featuresof early forms, including the use of inset brass plugs, which is relatively uncommon on Moro orSouthern Philippine kampilans and indicates it may be a Bornean example more heavilyinfluenced by the Dayak parang ihlang. In addition, the crossguard, of classic form, and inset notwith the more common iron hand guard, but with chainmail twisted on itself to form theadditional hand protection. The handle carved in the classic kampilan shape with rattan bindingfor the grip and delicate okir carving along the outer edge of the bifurcated pommel.Total Length (inside scabbard if present) : 39" Blade Length : 28 1/4" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Pigafetta, A. (2010). PIGAFETTA'S ACCOUNT OF MAGELLAN'S VOYAGE. InH. Stanley (Ed.), First Voyage Round the World by Magellan: Translated from theAccounts of Pigafetta and Other Contemporary Writers (Cambridge LibraryCollection - Hakluyt First Series, pp. 33-163). Cambridge: Cambridge UniversityPress5. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obrapublicada en Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ...saca nuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]6. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off..7. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau8. Macaraeg, R. (2009). "Pirates of the Philippines: a critical thinking exercise." Journalof Asian Martial Arts,18 (3)9. Foy (1899) Schwerter von der Celebes-See. Dresden10. Demetrio, F. (1991). Encyclopedia of Philippine folk beliefs and customs. Volume 2:Folk medicine to weaponry. Cagayan de Oro City, R.P.: Xavier University.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Rare and Fine 19th C. Philippine Moro Datu's KAMPILAN Sword ~ Fantastic Carved Hilt ~ Layered D

Lot #121 (Sale Order 119 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kampilan but with decorative elements distinct to the T'Boli ethnic group as well. Thebasic form of the sword is considered to have been borrowed form Malay prototypes and similarswords from Timor and Borneo are found in Dutch institutional collections, though with slightlydifferent grip shapes. The kampilan profile isstrikingly similar to that Timorese prototype but also the blade profile has deep similarities to theklewang and mandau (parang ihlang) swords that were used by the Dayak of Borneo. Otherscontend that the Celebes islands are the origin for the Moro kampilan.The kampilan has a storied history and from the first-hand account of Magellan's shipmate,Antonio Pigafetta, it is thought that Magellan was killed by the kampilan in the region of thesouthern Philippines. Later accounts during the Spanish conquest of the Philippines indicate thatthe kampilan was a favorite weapon of the Ilanuns (a Moro ethnic group from Mindanao and theWest Coast of Borneo), though this is difficult to explain (Demetrio 1991) as the length of akampilan approaches and exceeds one yard.The swords are distinct in shape typified by the pommel and distinguished by a carved hilt,sometimes in rare materials such as bone as this example, with a heavy crossguard and in mostcases a bifurcated carved pommel decorated with floral decoration called okir. The design of thepommel varies between ethnic groups, but it is considered to depict a variety of animals, mostprominently as a buaya (crocodile). In some cases, the hilt, also called a sumba in Maguindanoan,is carved and decorated with floral decoration called okir.This example in the Schmiedt Collection is the finest of the kampilans in the collection, and waspublished in Cato (1996: pl. 31) where it is described in the text further as: Bone kampilans were the property of wealthier Moros. This was due to the cost and aristocratic character of theraw material, as well as the expense of hiring a top-flight artisan who knew how to carve it properly. While the blade is an early fighting example well-worn and displaying a lamellarpattern, the hilt is the distinguishing feature. Kampilans mounted in bone such as this example would have been considered Datu's swords. The Datu in Moro culture being the equivalent of anobleman or gentry elsewhere, and who would have worn more expensive swords such as this example. The Datu followed in importance the Moro sultans, whose rule was sanctioned by theQuran. The title of Datu and Rajah however, predated the coming of Islam but these titles were assimilated into the new structure when the Moros were Islamicized. In return for tribute and labor, the Datu provided aid in emergencies and advocacy in disputes with other communities and warfare through the Agama and Maratabat laws.The hilt of this example is very finely carved, with beautiful okir carvings along the hilt, and inset with red plugs of hair.Based on the above features, likely a mid-19th century or earlier example.Provenance: Robert Cato. Published in Cato (1996: pl. 31)Total Length (inside scabbard if present) : 40" Blade Length : 3 1/2"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Pigafetta, A. (2010). PIGAFETTA'S ACCOUNT OF MAGELLAN'S VOYAGE. InH. Stanley (Ed.), First Voyage Round the World by Magellan: Translated from theAccounts of Pigafetta and Other Contemporary Writers (Cambridge LibraryCollection - Hakluyt First Series, pp. 33-163). Cambridge: Cambridge UniversityPress5. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obrapublicada en Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ...saca nuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th - early 20th C. Philippine Moro KAMPILAN Sword ~ Wavy & Engraved Blade ~ Mindanao, Souther

Lot #122 (Sale Order 120 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kampilan but with decorative elements distinct to the T'Boli ethnic group as well. Thebasic form of the sword is considered to have been borrowed form Malay prototypes and similarswords from Timor and Borneo are found in Dutch institutional collections, though with slightlydifferent grip shapes, a representative example can be seen here. The kampilan profile isstrikingly similar to that Timorese prototype but also the blade profile has deep similarities to theklewang and mandau (parang ihlang) swords that were used by the Dayak of Borneo. Otherscontend that the Celebes islands are the origin for the Moro kampilan.The swords are generally distinct, and primarily distinguished by a carved hilt, sometimes in rarematerials such as bone, with a heavy crossguard and in most cases a bifurcated carved pommeldecorated with floral decoration called okir. The design of the pommel varies between ethnicgroups, but it is considered to depict a variety of animals most prominently as a buaya (crocodile).In some cases, the hilt also called a sumba in Maguindanoan is often carved and decorated withfloral decoration called okir.This example in the Schmiedt Collection is a post Spanish-American war example which has aninteresting blade with a series of waves at the ricasso approximating the form of a Moro kris.This is not unknown in kampilan blades but is attributed by Cato (1996) to post-SpanishAmerican war period swords which were made for the trade. The blade however is made oflamellar steel and further decorated with okir carving along its entire length, and does feature theclassic sumba spike.The handle with white metal mounts and a less refined form of carving. The crossguard alsoindicating later production through the thicker and less lengthy proportions. Based on the abovefeatures, the kampilan dates to the post Spanish-American war period into the early 20th century.Total Length (inside scabbard if present) : 39" Blade Length : 27 1/2" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Pigafetta, A. (2010). PIGAFETTA'S ACCOUNT OF MAGELLAN'S VOYAGE. InH. Stanley (Ed.), First Voyage Round the World by Magellan: Translated from theAccounts of Pigafetta and Other Contemporary Writers (Cambridge LibraryCollection - Hakluyt First Series, pp. 33-163). Cambridge: Cambridge UniversityPress5. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obrapublicada en Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ...saca nuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]6. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off..7. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau8. Macaraeg, R. (2009). "Pirates of the Philippines: a critical thinking exercise." Journalof Asian Martial Arts,18 (3)9. Foy (1899) Schwerter von der Celebes-See. Dresden.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Scarce 19th C. Philippine Moro PANABAS Sword ~ Maguindanao, Mindanao ~ Massive Blade.

Lot #123 (Sale Order 121 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a panabas. The panabas has an especially fearsome reputation and is known as abeheading sword. Because of its effectiveness at chopping due to its distinct construction andblade weight, the panabas was favored for use in executions. As such, the panabas also came tosymbolize a datu's power - a demonstration of his ability to wield violence on behalf of the state.The panabas was also used by a rearguard of Moro warriors who would move through abattlefield and kill any enemy warriors still alive after the battle.The swords are distinct, and are distinguished by a heavy upswept curved blade, which often has arelatively sharp curve and widening tip. The blade is often of very heavy thickness and the handlesgenerally long, for two handed usage and to counterbalance the heavy blades. The older examplesare usually devoid of decoration while later examples, of the 20th century, sometimes have incisedokir carving along the side of the blade. Those later blades are often relatively thin, while the olderswords have thick cross-section blades, such as this example.This example in the Schmiedt Collection is a good example of this sword with a thick and heavyblade and the hilt in the general form, roughly octagonal or hexagonal in cross-section, and withseveral sections of metal bands dividing the hilt.This example likely dates to the 19th century, or the period of the Philippine Insurrection.Total Length (inside scabbard if present) : 33" Blade Length : 19 3/4" Blade Width : 4 1/2"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Macaraeg, R. (2009). "Pirates of the Philippines: a critical thinking exercise." Journalof Asian Martial Arts,18 (3). Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good 19th Philippine Moro KAMPILAN Sword ~ Layered Steel Damascus Blade ~ Mindanao, Southern P

Lot #124 (Sale Order 122 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kampilan but with decorative elements distinct to the TÃ¢â‚¬â„¢Boli ethnic group as well. Thebasic form of the sword is considered to have been borrowed from Malay prototypes and similarswords from Timor and Borneo are found in Dutch institutional collections, though with slightlydifferent grip shapes. The kampilan profile isstrikingly similar to that Timorese prototype but the blade profile has deep similarities to theklewang and mandau (parang ihlang) swords that were used by the Dayak of Borneo. Otherscontend that the Celebes islands are the origin for the Moro kampilan. The swords are distinct, and distinguished by a carved hilt, with a heavy crossguard and in mostcases a bifurcated pommel decorated with floral decoration called okir. The design of the pommelvaries between ethnic groups, but it is considered to depict a variety of animals most prominently asa buaya (crocodile). In some cases, the hilt also called a sumba in Maguindanoan, is carved anddecorated with floral decoration called okir.This example in the Schmiedt Collection is an earlier fighting example in beautifully patternedhardwood with a shiny chatoyancy. The handle is finely carved with the classic bifurcatedpommel and decorated with delicate okir carving. The handle retains the original textile clothwhich when the sword was wielded would be wrapped around the hand and wrist in a figure-eightto keep the sword tight during battle. The blade of this sword a fine fighting bladedisplaying a strong lamellar pattern and with the sumba protrusion worn from use.Total Length (inside scabbard if present) : 37 3/4" Blade Length : 27 3/4" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Pigafetta, A. (2010). PIGAFETTA'S ACCOUNT OF MAGELLAN'S VOYAGE. InH. Stanley (Ed.), First Voyage Round the World by Magellan: Translated from theAccounts of Pigafetta and Other Contemporary Writers (Cambridge LibraryCollection - Hakluyt First Series, pp. 33-163). Cambridge: Cambridge UniversityPress5. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obrapublicada en Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ...saca nuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]6. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off..7. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau8. Macaraeg, R. (2009). "Pirates of the Philippines: a critical thinking exercise." Journalof Asian Martial Arts,18 (3)9. Foy (1899) Schwerter von der Celebes-See. Dresden.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th C. Laz People KOPESH Yataghan Sword ~ Eastern Ottoman Empire ~ Black Sea Region.

Lot #125 (Sale Order 123 of 298)

A good example of a rare sword called a Laz Bichaq, these swords are most associated with the Laz people of the eastern Anatolian peninsula along the eastern Black Seanear Georgia. Of classic form these swords have a double recurved blade with a swollen tip which culminates in a sharp point, similar to early Tatar swords of the 14th-16th centuries.The Laz people were known as pirates and these swords would have been worn shipboard. This style of sword, being relatively short and with good cutting ability, was well suited to use on small and medium sized boats, such as those used by Laz pirates. Many of these swords were made in Sormene, Turkey, and there is still an active modern knifemaking industry in the region. The Laz Bichaq has a distinctive style of pommel with a bifurcated tip that approximates the Turkish yataghan form but is distinct in the sharpness of the ears. These are very fragile and often broken on extant examples.Total Length (inside scabbard if present) : 31 1/2" Blade Length : 25"References:1. Elgood, R. (2009). The Arms of Greece. Thames and Hudson.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Classic 19th C. Philippine Moro Sulu KRIS Battle Sword.

Lot #126 (Sale Order 124 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, andmore numerous and therefore required greater skill to prevent the blade bouncing off or beingstuck in an enemyÃ¢â‚¬â„¢s body.One of the additional ways in which origins are identified are through the design of the elephanthead trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard. CertainMindanao kris have a similar form except that the mouth is round instead of oval and is notangled. The Maguindanao form is very similar to the Sulu style with an elliptical shape but it isnot angled downwards and instead runs perpendicular to the guard. Later versions of thisgenerally exhibit a ridge which has been chiseled into the outer metal that surrounds both sidesof the mouth hollow. The Maranao form has an elongated trunk while the mouth cavity isnarrow and the lower jaw runs parallel to the guard. While Sulu and Maguindanao forms have aconcave cavity beneath the lower jaw, the Maranao form does not and instead has a protrusionthat juts out from beneath it (Cato 1996).This example in the Schmiedt Collection is a fine fighting example displaying elements of earlyarchaic Sulu kris in the form of the pommel and the simplicity of the blade, but which alreadyhas later elements including the larger form and size and the form of carving of the ganja. Basedon the carving of the elephantÃ¢â‚¬â„¢s trunk cavity the kris may be of Maranao origin. The pommel ofthis example is finely carved in the stylized kakatua form with a rich chatoyancy, while the gripis wrapped in twine or jute. The nine 9 luk blade is a half waved and half straight form whichhas been heavily used and polished over its lifetime but which displays a very pleasing geometrywith a medial ridge that follows the length of the sword in a crisp manner indicating a highlycontrolled smithing process.Dating to the 19th century.Total Length (inside scabbard if present) : 28 1/2" Blade Length : 23"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San Francisco Craft &Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum of CulturalHistory4. Krieger, H. W. (1926). The collection of primitive weapons and armor of the Philippineislands in the United States National museum. Washington: Govt. Print. Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art. Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago. EditionFichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th C. Indonesian NIABOR Sword ~ Kalimantan, Borneo Dayek Headhunters ~ Superb Blade.

Lot #127 (Sale Order 125 of 298)

distinctive Bornean sword of the Sea Dayak this type of sword is called a niabor.The niabor has a convex edge and concave back broadening towards the tip in the form of acutlass and similar to the parang nabur. The blade usually has one or more broken hollowsections and no midrib. Most blades are not usually decorated though this example has someminimal decoration at the ricasso. In some versions, a projection, called a kundieng, is forged tothe blade, which is seated on the cutting edge and serves as a finger guard. The hilts are carvedin a distinct form with approximately a thirty degree angle between the handle and the projectingpommel. Often, the hilt is carved with traditional Dayak designs, including scrolls and leechmotifs. The leech (lemetek) is associated with blood sucking and so was considered anappropriate motif for a weapon and is found with this motif. Other motifs found on niaborsinclude phyllomorphic patterns with some common patterns called cantok referring to the resamshoots of Gleichenia dichotoma or telingai (scorpion), or entadok kaul (caterpillars interlocking).The Niabor is very similar to another Sea Dayak sword called Langgai Tinggang which has asimilar blade but a traditional Mandau style handle. These swords often would reflect theowners predilections and interests so would not always be doctrinaire in their construction.The example in the Schmiedt Collection has the classic niabor style hilt and blade. The finelyforged blade features an integrally forged kundieng projection and phyllomorphic decoration atthe ricasso and with an early patina indicating long use. The carved hilt with a rich patina alsoand patterned carving at the crook of the hilt, is secured to the blade with a brass wire.Likely dating to the late 19th century.Total Length (inside scabbard if present) : 26 1/2" Blade Length : 20 1/4"Comparable auction sale:https://www.bonhams.com/auctions/21588/lot/22/References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fÃƒÂ¼rEthnographie. Band 1. Pp.22-264. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good Indonesian MANDAU Parang Ihlang Sword ~ Kalimantan, Borneo Dayak Headhunters ~ Strong Engr

Lot #128 (Sale Order 126 of 298)

A distinctive Bornean sword of the Iban Dayak, called a Mandau or Parang Ihlang,these swords are found throughout institutional and private collections in varying degrees ofquality. In the past, the majority of the native people living in the island of Kalimantan, theDayak, were animists in belief. The most widely commented on practice of the Dayak was theirancient tradition of headhunting practices and which was conducted by the use of the Mandau.As a result Mandau were crafted with attention to detail and ritual materials. Sacred kinds ofwood from specific forest trees were used for carving the hilt and features of the mandau.They are distinguished by a set of similar features, all varying in the level of quality of theconstructions, materials, and workmanship. The Mandau blade has a convex shape on one sideand somewhat concave on the other. The blades are often made of tempered metal and in somecases may display a lamellar pattern, similar to the pamor found on Indonesian kris blades,though this is highly uncommon. The hilts are often delicately carved with various carvingdetails varying across the many tribes of the Dayak, but often depict creatures oranthropomorphic deities. The scabbards of some of the finer swords will often depict varioussymbols, and may include various charms include animals teeth, shells, and beads.This example in the Schmiedt Collection has nicely carved hilt. The blade is a simple style withthe blade tip most closely related to the style called leng-ook-monong based on research from1888 from the Dutch resident in Koetei, where the Kayan tribe made mandaus of this form andstyle (Tromp 1888). The original scabbard is well made, bound with rattan and covered inanimal fur, and includes a piso raut side knife used for wood and rattan carving. The flat slope of the blade in this example, cut in the form, according to Shelford (1901),transcribing the Kajamans of the Belaga district is also referred as song bila, referring to thesmooth slope of the blade.Dating to the first half of 20th century.Total Length (inside scabbard if present) : 26 1/2" Blade Length : 19 1/4" References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fÃƒÂ¼rEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Fine 19th - early 20th C. Indonesian MANDAU Parang Ihlang Sword ~ Impressive Carved Grip & Gold Inla

Lot #129 (Sale Order 127 of 298)

A distinctive Bornean sword of the Iban Dayak, called a Mandau or Parang Ihlang,these swords are found throughout institutional and private collections in varying degrees ofquality. They are distinguished by a set of similar features, all varying in the level of quality ofthe constructions, materials, and workmanship. The Mandau blade has a convex shape on oneside and somewhat concave on the other side. The blades are often made of tempered metal andin some cases may display a lamellar pattern, similar to the pamor found on Indonesian krisblades, though this is highly uncommon. The hilts are often delicately carved with variouscarving details varying across the many tribes of the Dayak, but often depict creatures oranthropomorphic deities. The scabbards of some of the finer swords will often depict varioussymbols, and may include various charms include animals teeth, shells, and beads or stags horn.This example in the Schmiedt Collection has nicely carved hilt. The blade is a simple style withthe blade tip most closely related to the style called leng-ook-monong based on research from1888 from the Dutch resident in Koetei, where the Kayan tribe made mandaus of this form andstyle (Tromp 1888). The original scabbard is well made, bound with rattan and covered inanimal fur, and includes a piso raut side knife used for wood and rattan carving. The flat slope of the blade in this example, cut in the form, according to Shelford (1901),transcribing the Kajamans of the Belaga district, is referred to as song bila, referring to thesmooth slope of the blade. The blade of this sword also decorated the entire length with severaltraditional Dayak designs including inlaid brass dots called tap-set-sien and mata kalaong of fourmirrored S-shapes also representing a flying fox bat. The decoration is not proportional or wellinlaid indicating a later dating for the sword.Dating to the late 19th to early 20th century.Total Length (inside scabbard if present) : 26 1/2" Blade Length : 19 1/2"References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fÃƒÂ¼rEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good Indonesian MANDAU Parang Ihlang Sword ~ Kalimantan, Borneo Dayak Headhunters ~ Strong Engr

Lot #130 (Sale Order 128 of 298)

A distinctive Bornean sword of the Iban Dayak, called a Mandau or Parang Ihlang,these swords are found throughout institutional and private collections in varying degrees ofquality. They are distinguished by a set of similar features, all varying in the level of quality ofthe constructions, materials, and workmanship. The Mandau blade has a convex shape on oneside and somewhat concave on the other. The blades are often made of tempered metal and insome cases may display a lamellar pattern, similar to the pamor found on Indonesian kris blades,though this is highly uncommon. The hilts are often delicately carved with various carvingdetails varying across the many tribes of the Dayak, but often depict creatures oranthropomorphic deities. The scabbards of some of the finer swords will often depict varioussymbols, and may include various charms include animals teeth, shells, and beads or stags horn.This example in the Schmiedt Collection has nicely carved hilt. The blade is a simple style withthe blade tip most closely related to the style called lid-jib based on research from 1888 from theDutch resident in Koetei, where the Kayan tribe made mandaus of this form and style (Tromp1888). The original scabbard is well made, bound with rattan and with charms and toggles, andincludes a piso raut side knife used for wood and rattan carving.The flat slope of the blade in this example, cut in the form, according to Shelford (1901),transcribing the Kajamans of the Belaga district is also referred as song ikang, referring to thehooks and frets along slope of the blade. The blade of this sword appears to show a simplelamellar pattern as well which is uncommon on Dayak swords of this type.Dating to the 1st half of the 20th century.Total Length (inside scabbard if present) : 27" Blade Length : 19 1/2"References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fÃƒÂ¼rEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Scarce early 20th C. Indonesian JIMPUL Parang Latok Sword ~ Borneo Dayak Headhunters ~ Rare Blade Fo

Lot #131 (Sale Order 129 of 298)

A distinctive Bornean sword of the Dayak, this sword displays design elements ofboth the jimpul and the Parang Latok. The jimpul is, similar to the Langgai Tinggang, witha krowit developed on one side and the tip of the blade is in a slanting angle. In this case, theblade has a distinctive upturned angle from the base of the blade and approximates the LandDayak sword called a Parang Latok. As swords of this region would often come in nondoctrinairestyles it is not unheard to see a cultural mix such as that found on this sword, thoughit is common. The hilts of this sword has a distinct plain style of hilt with subdued carving moresimilar to that found on niabor hilts.This example in the Schmiedt Collection has a nicely carved hilt. The blade is a simple stylewith the blade inlaid with brass dots, called tap-set-sien based on research from 1888 from theDutch resident in Koetei (Tromp 1888). The original scabbard is well made, carved withinterlocked designs, bound with rattan and inset with two brass 2 Ã‚Â½ cent from the NetherlandsIndies, with script in Soenda in the outer band and Djawi in the inner band.Dating to the early 20th century.Total Length (inside scabbard if present) : 28" Blade Length : 18 1/2"References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fÃƒÂ¼rEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Nice 19th-early 20th C. Indonesian Bali KERIS Dagger ~ High Contrast Damascus Blade.

Lot #132 (Sale Order 130 of 298)

Keris from Bali are considered some of the finest among the Indonesianarchipelago. As Bali is a Hindu society, the influences on the keris have survived theIslamicization of form and design found elsewhere in the region, with some exceptions. As aresult, Balinese keris often sport hilts carved with richly designed Hindu deities in much morerealistic manner than the more the stylized interpretations found in other parts of the region, suchas the highly stylized Garuda imagery of the Bugis or Sumatra. Other forms of hilts are moresimple and would be used by the warrior class and commoners such as a planar form calleddanganan bebondolan (weaver bird) named for the resemblance to the common bondol, orweaver bird. The blade of the keris is considered to represent a serpent and likely reflects thenaga of Hindu mythology, guardian of the earth's treasures, and which can be found on somekeris blades carved into the base. When the blade is straight such as this example, the serpent isat rest. Since the earthly serpent is formed of meteoric metal in the pamor of the keris blade, thekeris is considered to fuse the heavenly and earthly.The belief system surrounding the keris is complex and multifaceted. Each keris is believed tohave its own spirit, reflected by the blade shape and the individual pamor. It was consideredimportant for a prospective owner to acquire a keris whose spiritual persona was compatible withhis own. Only then could the weapon's mystical powers be used to his advantage. A keris couldhelp keep disease away, ease the pain of childbirth, prevent quarrels, ensure victory in battle,extinguish fires and deter attacks by wild animals. As a result, many keris were kept as familyheirlooms called pusaka.This example in the Schmiedt Collection is a good representation of a classic Balinese form.This hilt called the danganan cecekahan in carved wood with a thick striation, considered anauspicious and desirable feature. The form of hilt classicaly Balinese in execution but thececekan form hilt is originally from Java and can be found primarily on Javanese keris. Thecrosspiece of the sheath in the form called batun poh, or mango seed. The pamor is a rare formcalled udan mas with circular designs in a twisted form up the blade called pamor pluntiran.Overall late 19th to early 20th century.Total Length (inside scabbard if present) : 27 1/4" Blade Length : 17 1/2" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Neka, W. S. (2014) Understanding Balinese Keris: An Insiders Perspective. Neka ArtMuseumDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Fine and Rare 18th-19th C. Ottoman Turkish KILIJ / SHAMSHIR Sword ~ Gold Inlaid Wootz Damascus

Lot #133 (Sale Order 131 of 298)

A fine representation of one of the distinct swords of the Ottoman Empire, this sword does not have a specific name but is iconically associated with the Persian trade blade thatit is mounted with. These trade blades are all distinguished by several design elements, but which then come in a variety of sizes and shapes. The first is the chiseled design at the base ofthe blade with an inscription that often reads Assadullah which is either a reference to a 17th century swordsmith or a mark of the bladesmith guild that made these blades (Pinchot 2002).These blades hearkened back to earlier Safavid swords with more complex fullers and were invariably made of good quality wootz steel, such as this example. This blade has an especiallyfine wootz pattern of dark Kara Khorasan style wootz and with a complex fullering and blade geometry. In addition to the quality of the workmanship of the blade, the ricasso is decoratedwith gold koftgari inscriptions in Arabic, from the Quran.The mounts of this swords are of indeterminate origin, while the hilt is in the classic style. These sort of carved grips have been associated with North Africa and Egypt during the Ottomanperiod which is a reasonable geographic attribution though swords of this type would have been widely traded.Total Length (inside scabbard if present) : 37 1/4" Blade Length : 30 3/4"References:1. Elgood, R. (2009). The Arms of Greece. Thames and Hudson.2. Hales, R. (2013). A LifetimeÃ¢â‚¬â„¢s Passion: Islamic and Oriental Arms and Armour3. Pinchot, O. (2002) On the Persian Shamshir and the Signature of Assad Allah. Journal ofArms Collecting.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Australian 19th-early 20th C.Aborigine Kimberley Glass Dagger shaped Spear Point.

Lot #134 (Sale Order 132 of 298)

A distinctive spear point from the Aborigine people of Australia. These particularforms of spear points, made of recycled glass were a phenomenon in Colonial Australia in the19th century. This serrated spear point is likely from the Kimberley district of North WesternAustralia. This spear point represents a fascinating object representative of the intermingling ofcultures during the Colonial period in Australia. In this case, Australian Aboriginal methods ofproducing stone tools were hybridized with imported European materials, such as the dark glasson this Schmiedt Collection example, to produce a sharper and more easily manufacturedspearhead. These points are excellent examples of the sort of pressure-flaked spear points thathave been produced in the northern Kimberley and Arnhem Land for more than three thousandyears. These points are bifacial, worked on both sides of the blade, and were regarded veryhighly by many Aboriginal groups throughout Northern and Western Australia. Consequently,they have been documented as passing more than 1,000km to the south through trade. There arenumerous types of Kimberley points known and manufactured in materials such as bottle glass,porcelain from the insulators of cross-country telegraph cables, as well as more the moretraditional materials of quartzite and basalt used in pre-colonial times.The point itself was made by applying a hammer stone to a large core of the material, in this caseglass. When it was formed into the rough shape, the edge was then flaked. The distinctiveserrated edge that runs along the outer edge of the point was produced by 'pressure flaking',which involves applying a pressure flaking stick - such as a pointed stick or a shaped piece ofanimal bone - at a very slight oblique angle to the flat of the blade, at evenly spaced points alongthe edge.The example in the Schmiedt Collection is a beautifully preserved example with a very finelyserrated double sided edge. This example made from dark green glass.Total Length (inside scabbard if present) : Blade Length : 4 1/4" References:1. Pitt Rivers Museum. Arms and Armor: Selected Objects from the Upper Gallery. Greenglass spear head (1932.34.1).Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Nice 20th C. Custom Made Indonesian KERAMBIT Dagger ~ Maker Marked Damascus Steel Blade.

Lot #135 (Sale Order 133 of 298)

The kerambit is believed to have originated with the Minangkabau people of WestSumatra, presumably inspired by the claw of a large cat. It is often considered a stealth weaponlike the tiger claw daggers of India called the bagh nakh. It is traditionally used with anunderhand grip that could aid in its concealment. It original uses were probably as an agriculturaltool but ultimately it was used in a fighting format. As a pair of knives, they are able to deliverdeadly slashing or ripping wounds in close fighting. The use of kerambit was largely disdainedby the upper class, and was primarily used by the lower class such as peasants. The kerambit isalso known as a weapon used by used by women, due to the relative ease with which it could beconcealed in clothing or hair.The Minangkabau are one of the core ethnic groups of Indonesia and their trade and socialcontacts with other parts of South Asia led to the wider use of the kerambit. They werecommonly used by the Bugis people and in Philippine martial arts. They are sometimes knownby other names, for example as a lawi ayam (chicken's claw) (Gardner 1936). Variants are madewith a semicircle to place the index finger rather than a closed loop.This kerambit is a 20th century. The blades appears to be fashioned from Damascus pattern welded steel, layered in a decorative pattern to simulate the pamor foundon Indonesian kris. Last photo for size reference only, this lot contains 1 dagger.Total Length (inside scabbard if present) : 6 3/4" Blade Length : 3 1/2" References:1. Gardner, G. (1936) Keris and other Malay Weapons. Orchid Press; Reprint Edition (April16, 2010)2. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Nice 20th C. Custom Made Indonesian KERAMBIT Dagger ~ Maker Marked Damascus Steel Blade.

Lot #135A (Sale Order 134 of 298)

The kerambit is believed to have originated with the Minangkabau people of West Sumatra, presumably inspired by the claw of a large cat. It is often considered a stealth weapon like the tiger claw daggers of India called the bagh nakh. It is traditionally used with an underhand grip that could aid in its concealment. It original uses were probably as an agricultural tool but ultimately it was used in a fighting format. As a pair of knives, they are able to deliver deadly slashing or ripping wounds in close fighting. The use of kerambit was largely disdained by the upper class, and was primarily used by the lower class such as peasants. The kerambit isalso known as a weapon used by used by women, due to the relative ease with which it could be concealed in clothing or hair.The Minangkabau are one of the core ethnic groups of Indonesia and their trade and social contacts with other parts of South Asia led to the wider use of the kerambit. They were commonly used by the Bugis people and in Philippine martial arts. They are sometimes known by other names, for example as a lawi ayam (chickens claw) (Gardner 1936). Variants are made with a semicircle to place the index finger rather than a closed loop. This kerambit is a 20th century. The blades appears to be fashioned from Damascus pattern welded steel, layered in a decorative pattern to simulate the pamor found on Indonesian kris. Last 2 photos are for size reference only, this lot contains 1 dagger.Total Length (inside scabbard if present) : 8 1/2" Blade Length : 5"References:1. Gardner, G. (1936) Keris and other Malay Weapons. Orchid Press; Reprint Edition (April16, 2010)2. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good 18th-19th C. Turkish SHAMSHIR Sword ~ Black Wootz Damascus Blade ~ Ottoman Empire, Anatoli

Lot #136 (Sale Order 135 of 298)

A fine representation of one of the distinct swords of the Ottoman Empire, this sword is most classically called a shamshir and is distinguished by the deeply curved blade, the finest of which are mounted with wootz blades, such as this example. The shamshir in its classic form such as this example was developed in the 16th centuries and was primarily associated most closely with Persian swords of the period. The Ottomans, though devout enemies of the Persians, adopted Persian blades through trade and capture, many of which were mounted in Ottoman style hilts.Shamshir means "lions tail" and describes the deeply curved and continuously tapering parabolic saber blade typical of the Islamic world from Persia through to Mughal India from the middle of the 16th century. Contemporary illustrations most often show these swords being worn within scabbards, suspended horizontally and diagonally with the edge down, at the wearer's left side. Though the deeply curved blades are adapted for the draw cut at the expense of thrusting, these swords are known to have been carried by dismounted warriors as well as mounted warriors where the slashing technique was the preferred form of fencing for Islamic warriors.The blade of this shamshir has an especially fine wootz pattern of dark Kara Khorasan style wootz with no damages or flaws. These mirror like wootz blades were considered especially fineas the watering of the blade brought to mind poetry for the Muslim warrior and the embellishment of gold would have been considered as against Islamic teaching, though that hasnot prevented many other blades from being embellished with gold throughout the ages. These seemingly simple blades would have been highly valued for the quality of the watered steel.Total Length (inside scabbard if present) : 38 1/4" Blade Length : 33 1/4"References:1. Elgood, R. (2009). The Arms of Greece. Thames and Hudson.2. Hales, R. (2013). A LifetimeÃ¢â‚¬â„¢s Passion: Islamic and Oriental Arms and Armour,3. Pinchot, O. (2002) On the Persian Shamshir and the Signature of Assad Allah. Journal ofArms Collecting.4. Egerton, Lord of Tatton, (1896). A Description of Indian and Oriental Armour. London,W. H. Allen & Co5. Ferrel, J. (1998), The Dr. Leo S. Figiel Collection of Mogul Arms. (San Francisco:Butterfield & Butterfield6. Figel, L.S., (1991) On Damascus Steel. Atlantis, Florida: Atlantis Arts Press.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Good 19th-early 20th African Ethiopian GURADE Curved Sword ~ Well Engraved Blade ~ Silver Coin Pomme

Lot #137 (Sale Order 136 of 298)

A classic form of sword from Ethiopia referred to as a gurade, this curved sword is a well-known style of sword introduced in the 19th century and often mounted with imported European blades. This example in the Schmiedt Collection is of typical form with a handle of classic form with a mirrored flared pommel and crossguard with a tubular cross section.The blade of this sword is single edged and likely made by Wilkinson, a famous English sword maker, and which exported many blades to Ethiopia during the period of Menelik II (1885-1913), who was also known as the Lion of Judah. This blade crisply decorated in the fullers withfloral designs typical of the period and engraved with Amharic script at the base. A group of these blades with similar Amharic inscriptions and designs can be seen in an early 20th century Wilkinson catalog.Total Length (inside scabbard if present) : 37" Blade Length : 32 1/2" References:1. Stone, G. C. (1934). A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times. Mineola NY: Dover Publications.2. Spring, C. (1993). African arms and armour. British Museum Press.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Late 19th - Early 20th C. Indonesian MANDAU Parang Ihlang Sword ~ Borneo Dayak Headhunters

Lot #138 (Sale Order 137 of 298)

A distinctive Bornean sword of the Iban Dayak, called a Mandau or Parang Ihlang,these swords are found throughout institutional and private collections in varying degrees ofquality. They are distinguished by a set of similar features, all varying in the level of quality ofthe constructions, materials, and workmanship. The Mandau blade has a convex shape on oneside and somewhat concave on the other. The blades are often made of tempered metal and insome cases may display a lamellar pattern, similar to the pamor found on Indonesian kris blades,though this is highly uncommon. The hilts are often delicately carved with various detailsvarying across the many tribes of the Dayak, but often depict creatures or anthropomorphic deities.This example in the Schmiedt Collection has nicely carved hilt. The blade is well made withstyle with the blade tip most closely related to the style called leng-ook-monong based onresearch from 1888 from the Dutch resident in Koetei, where the Kayan tribe made mandaus ofthis form and style (Tromp 1888). The curvature of the blade is generally less common thanstraighter profiled Mandau blades, and has similarity with other Dayak swords with similar blade profiles.The flat slope of the blade in this example, cut in the form, according to Shelford (1901),transcribing the Kajamans of the Belaga district is also referred as song ikang, referring to thehooks and projections along slope of the blade.Dating to the first half of 20th century.Total Length (inside scabbard if present) : 29" Blade Length : 23/12"References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fÃƒÂ¼rEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Large 19th - early 20th C. African MASAI Tribe Hide War Shield

Lot #139 (Sale Order 138 of 298)

Very Large 19th - early 20th C. African MASAI Tribe Hide War Shield. Size : 33" x 29 1/2"Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.co.

Good 19th - early 20th C. Indonesian MANDAU Parang Ihlang Sword ~ Sarawak, Borneo Dayak Headhunters.

Lot #140 (Sale Order 139 of 298)

A distinctive Bornean sword of the Iban Dayak, called a Mandau or Parang Ihlang,these swords are found throughout institutional and private collections in varying degrees ofquality. They are distinguished by a set of similar features, all varying in the level of quality ofthe constructions, materials, and workmanship. The Mandau blade has a convex shape on oneside and somewhat concave on the other. The blades are often made of tempered metal and insome cases may display a lamellar pattern, similar to the pamor found on Indonesian kris blades,though this is highly uncommon. The hilts are often delicately carved with various detailsvarying across the many tribes of the Dayak, but often depict creatures or anthropomorphic deities.This example in the Schmiedt Collection has nicely carved hilt with the leech pattern carved onthe hilt called (lemetek) and which is associated with blood sucking and considered anappropriate motif for a weapon. Swords with leech motifs are considered to come from the IbanDayak of Sarawak, though the Kayan tribe also used this motif. The blade is well made withstyle with the blade tip most closely related to the style called leng-ook-monong based onresearch from 1888 from the Dutch resident in Koetei, where the Kayan tribe made mandaus ofthis form and style (Tromp 1888).The many loops and projections along the spine of the blade, according to Shelford (1901),transcribing the Kajamans of the Belaga district is referred as song batong, referring to thefretwork along the spine of the blade.Dating to the early 20th century.Total Length (inside scabbard if present) : 25 3/4" Blade Length : 20 1/2" References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fÃƒÂ¼rEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th - early 20th C. Indonesian JIMPUL Sword ~ Sarawak, Borneo Dayak Headhunters.

Lot #141 (Sale Order 140 of 298)

A distinctive Bornean sword of the Iban Dayak, called a jimpul, these swords arefound throughout institutional and private collections in varying degrees of quality. They aredistinguished by a set of similar features and may be considered as a hybrid between the parangilang and the langgai tinggang. The blade has flat sides and both back and edge have a stronganterior curvature. The blade at the commencement of the slope is generally quite broad and insome cases there are hooks and projections or a fret design on the slope and sometimes for ashort distance along the back two or three grooves run along the posterior part of the blade oneach side and each side of the shoulder is incised with a phyllomorphic pattern. A rudimentaryfinger guard krowit of the same nature as those of the parang ilang and langgai tinggang isgenerally present on jimpul such as this example. The blades are often made of tempered metaland in some cases may display a lamellar pattern, similar to the pamor found on Indonesian krisblades, though this is uncommon. The hilts are often delicately carved with various detailsvarying across the many tribes of the Dayak, but often depict creatures or anthropomorphic deities.This example in the Schmiedt Collection has a nicely carved hilt with the leech pattern carved inthe hilt called (lemetek) and which is associated with blood sucking and considered anappropriate motif for a weapon. Swords with leech motifs are considered to come from the IbanDayak of Sarawak, though the Kayan tribe also used this motif. The hilt and blade seated with abinding of red wire, likely later. The hilt is likely later than the blade which displays a finegeometry and is well forged.Dating to the early to mid-20th century.Total Length (inside scabbard if present) : 28 1/2" Blade Length : 22 1/2" References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fÃƒÂ¼rEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th C. Philippine Naga Sulu Moro KRIS Sword ~ Unique Copper Inlaid Blade

Lot #142 (Sale Order 141 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, andmore numerous and therefore required greater skill to prevent the blade bouncing off or beingstuck in an enemys body. The higher number of waves meant the more potent the kris was intalismanic power such as this example. As opposed to Javanese and Balinese keris where nagadesigns carved into the blades are more common, it is uncommon to find naga forms carved intothe blades of Moro blades.One of the additional ways in which origin is identified is through the distinctive design of theelephant head trunk and cavity of the ganja. Generally Sulu kris have cavities which areelliptical in shape. The mouth cavity and lower jaw point downwards towards the base of theguard. Certain Mindanao kris have a similar form except that the mouth is round instead of ovaland is not angled. The Maguindanao form is similar to the Sulu style with an elliptical shape butit is not angled downwards and instead runs perpendicular to the guard. Later versions of thisgenerally exhibit a ridge which has been chiseled into the outer metal that surrounds both sidesof the mouth hollow. The Maranao form has an elongated trunk while the mouth cavity isnarrow and the lower jaw runs parallel to the guard. While Sulu and Maguindanao forms have aconcave cavity beneath the lower jaw, the Maranao form does not and instead has a protrusionthat juts out from beneath it (Cato 1996).This example in the Schmiedt Collection is an interesting example displaying a series ofdecorative elements rarely found on Moro kris and more common on Indonesian keris. Thisincludes the carved form of the naga in the lower part of the blade and which is inlaid in copperor suasa. The single asang asang is also in suasa or copper and matching with a chiseled snakeskin design. The blade also inlaid with silver designs showing a flame pattern and a trisula formnear the tip. The handle is a plain straight form with a wooden pommel and wrapped in twine orjute. The ganja is separately forged indicating that this is likely Not a tourist example of the later20th century but a real fighting sword, while the inlay is of fine quality throughout.Dating to the late 19th - early 20th century.Total Length (inside scabbard if present) : 28" Blade Length : 24 3/4" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Fine 18th C. Ottoman Turkish SHAMSHIR KILIJ Sword ~ Black Wootz Damascus ~ Inlaid 1612 on the B

Lot #143 (Sale Order 142 of 298)

A very fine representation of one of the distinct swords of the Ottoman Empire,this sword is most classically called a shamshir and is distinguished by the deeply curved blade,the finest of which are mounted with wootz blades, such as this example. This example is aslight hybrid of the shamshir and kilich blade and likely dates to the 18th century based onRivkin's (2018) determination on the evolution of shamshir and kilich blades.The shamshir in its classic form such as this example was developed in the 16th centuries andwas primarily associated most closely with Persian swords of the period. The Ottomans, thoughdevout enemies of the Persians, adopted Persian blades through trade and capture, many ofwhich were mounted in Ottoman style hilts. This blade is likely of Ottoman manufacture and infine condition displaying a fine wootz pattern visible throughout and with an interesting bladeprofile. The blade has a wide shallow fuller running the length of the blade and terminating witha raised rib near the yelman. At the base of the fuller appears to be a decorative chiseled orinlaid design.The scabbard and crossguard of this example are fine condition and mounted in silver.Total Length (inside scabbard if present) : 37 3/4" Blade Length : 31"References:1. Elgood, R. (2009). The Arms of Greece. Thames and Hudson.2. Hales, R. (2013). A LifetimeÃ¢â‚¬â„¢s Passion: Islamic and Oriental Arms and Armour,3. Pinchot, O. (2002) On the Persian Shamshir and the Signature of Assad Allah. Journal ofArms Collecting.4. Egerton, Lord of Tatton, (1896). A Description of Indian and Oriental Armour. London,W. H. Allen & Co5. Ferrel, J. (1998), The Dr. Leo S. Figiel Collection of Mogul Arms. (San Francisco:Butterfield & Butterfield6. Figel, L.S., (1991) On Damascus Steel. Atlantis, Florida: Atlantis Arts Press7. Rivkin, K., Isaac, B. (2018) A Study of the Eastern Sword. Independent Publisher.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Fine 19th C. Arabic Algerian NIMCHA Sword ~ Silver & Copper Mounts ~ Impressive Sash with Silve

Lot #144 (Sale Order 143 of 298)

Very Fine 19th C. Arabic Algerian NIMCHA Sword ~ Silver & Copper Mounts ~ Impressive Sash with Silver Tassels.A Nimcha is a single-handed sword from north Africa, especially Morocco and Algeria, a type of scimitar or saif. Becoming popular in north Africa during Ottoman presence, surviving nimcha are usually from the late 18th century onward and are notable for often using older blades. Stylistically they often bore Arabian type handles with Ottoman tugrah inscribed on the blade.This outstanding example is mounted with an early large-fullered blade of European manufacture, possibly obtained as a war trophy and remounted with these high quality furniture of native workmanship. A truly beautiful and rare example overall.Total length in scabbard : 39" Blade length : 32"Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good 19th C. Philippine Moro KAMPILAN Sword ~ Layered Damascus Blade ~ Fine Large Hilt ~ Mindan

Lot #145 (Sale Order 144 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kampilan. The basic form of the sword is considered to have been borrowed from Malayprototypes and similar swords from Timor and Borneo are found in Dutch institutionalcollections, though with slightly different grip shapes, a representative example can be seen here.The kampilan profile is strikingly similar to that Timorese prototype but also the blade profilehas deep similarities to the klewang and mandau (parang ihlang)swords that were used by the Dayak of Borneo. Others contendthat the Celebes islands are the origin for the Moro kampilan. However, there areindigenous Philippine archeological found objects from theSurigao hoard of the early 2nd millennium A.D. that also showsimilarities to the kampilan and may have been the vestigialinfluences, including elements of the crossguard, the central eyeat the base of the forked pommel, and protrusion along one sideof the crossguard.The swords are generally distinct, and primarily distinguished by a carved hilt, sometimes in rarematerials such as bone, with a heavy crossguard and in most cases a bifurcated carved pommeldecorated with floral decoration called okir. The design of the pommel varies between ethnicgroups, but it is considered to depict a variety of animals most prominently as a buaya (crocodile).In some cases, the hilt also called a sumba in Maguindanoan is often carved and decorated withfloral decoration called okir.This example in the Schmiedt Collection is a fine fighting example in beautifully patternedhardwood displaying a rich chatoyancy. The handle is finely carved with the classic bifurcatedpommel and decorated with okir carving and inlaid plugs of red tinted horse hair. The handleretains wrapped around the iron protrusion the original twisted textile cloth, now worn, whichwhen the sword was wielded would be wrapped around the hand and wrist in a figure-eight tokeep the sword tight during battle. The blade of this sword a fine fighting blade displaying astrong lamellar pattern and with the sumba protrusion in good condition.Based on the above features, the kampilan likely dates 19th century and from the period of actualfighting use.Total Length (inside scabbard if present) : 36 3/4" Blade Length : 27 1/4" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Pigafetta, A. (2010). PIGAFETTA'S ACCOUNT OF MAGELLAN'S VOYAGE. InH. Stanley (Ed.), First Voyage Round the World by Magellan: Translated from theAccounts of Pigafetta and Other Contemporary Writers (Cambridge LibraryCollection - Hakluyt First Series, pp. 33-163). Cambridge: Cambridge UniversityPress5. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obrapublicada en Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ...saca nuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]6. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off..7. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau8. Macaraeg, R. (2009). "Pirates of the Philippines: a critical thinking exercise." Journalof Asian Martial Arts,18 (3)9. Foy (1899) Schwerter von der Celebes-See. Dresden.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Fine 19th C. Philippine Moro Datu's KAMPILAN Sword ~ Spectacular Carved Hilt ~ Mindanao, Southe

Lot #146 (Sale Order 145 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kampilan. The basic form of the sword is considered to have been borrowed from Malayprototypes and similar swords from Timor and Borneo are found in Dutch institutionalcollections, though with slightly different grip shapes, a representative example can be seen here.The kampilan profile is strikingly similar to that Timorese prototype but also the blade profilehas deep similarities to the klewang and mandau (parang ihlang)swords that were used by the Dayak of Borneo. Others contendthat the Celebes islands are the origin for the Moro kampilan. However, there areindigenous Philippine archeological found objects from theSurigao hoard that also show similarities to the kampilan andmay have been the vestigial influences, including elements of thecrossguard, the central eye at the base of the forked pommel, and protrusion along one side of the crossguard.The swords are generally distinct, and primarily distinguished by a carved hilt, sometimes in rarematerials such as bone, with a heavy crossguard and in most cases a bifurcated carved pommeldecorated with floral decoration called okir. The design of the pommel varies between ethnicgroups, but it is considered to depict a variety of animas most prominently as a buaya (crocodile).In some cases, the hilt also called a sumba in Maguindanoan is often carved and decorated withfloral decoration called okir. The especially finely decorated and designed hilts were mostassociated with Moro Datus, such as this sword. Moro Datus were the royals or gentry beneath thelevel of the Sultans and who provided troops to the Sultanate in times of war, but could themselveshave considerable power. The finest Philippine weapons are associated with Datu's or the Sultansthemselves.This example in the Schmiedt Collection is a fine example like belonging to a Datu as it is very finely decorated and made. The hilt appears to be very finely carved in (other than wood) natural material, inlaid with plugs of hair. The grip is wrapped in finely chased gilded brass also in okir motifs, and inset with brass coins and plaques, along the crossguard and thebase of the bifurcated pommel. The blade is a long example in the classic Moro shape with thesumba protrusion in good condition. The blade displays a potential lamellar pattern. An exceptional and very rare fine example made for a wealthy individual.Dating from late 19th - early 20th century.Total Length (inside scabbard if present) : 42 3/4" Blade Length : 32 1/2"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Pigafetta, A. (2010). PIGAFETTA'S ACCOUNT OF MAGELLAN'S VOYAGE. InH. Stanley (Ed.), First Voyage Round the World by Magellan: Translated from theAccounts of Pigafetta and Other Contemporary Writers (Cambridge LibraryCollection - Hakluyt First Series, pp. 33-163). Cambridge: Cambridge UniversityPress5. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obrapublicada en Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ...saca nuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]6. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off..7. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau8. Macaraeg, R. (2009). "Pirates of the Philippines: a critical thinking exercise." Journalof Asian Martial Arts,18 (3)9. Foy (1899) Schwerter von der Celebes-See. DresdenDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Highly Unusual 19th C. Philippine Moro Datu's KAMPILAN Sword ~ Mindanao, Southern Philippines ~ Laye

Lot #147 (Sale Order 146 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kampilan. The basic form of the sword is considered to have been borrowed from Malayprototypes and similar swords from Timor and Borneo are found in Dutch institutionalcollections, though with slightly different grip shapes, a representative example can be seen here.The kampilan profile is strikingly similar to that Timorese prototype but also the blade profilehas deep similarities to the klewang and mandau (parang ihlang)swords that were used by the Dayak of Borneo. Others contendthat the Celebes islands are the origin for the Moro kampilan. However, there areindigenous Philippine archeological found objects from theSurigao hoard that also show similarities to the kampilan andmay have been the vestigial influences, including elements of thecrossguard, the central eye at the base of the forked pommel, andprotrusion along one side of the crossguard.The swords are generally distinct, and primarily distinguished by a carved hilt, sometimes in rarematerials such as bone, with a heavy crossguard and in most cases a bifurcated carved pommeldecorated with floral decoration called okir. The especially finely decorated and designed hilts weremost associated with Moro Datus, such as this sword. Moro Datus were the royals or gentrybeneath the level of the Sultans and who provided troops to the Sultanate in times of war, but couldthemselves have considerable power. The finest Philippine weapons are associated with Datu's orthe Sultans themselves.This example in the Schmiedt Collection has a rare carved hilt form. The hilt carved of anunknown material and distinctly striated with a barber pole carving or potentially reflecting thenatural form of the material. The sword is otherwise of classic kampilan form and with a finelymade blade, with talismanic holes nearest the edge while the blade displays a fine lamellarpattern, hardened edge, and sumba protrusion. The crossguard is in the classic Moro form butnow missing the iron hand guard hemispherical iron inlays.Based on the above features, this kampilan likely dates to 19th century though this handle may havebeen added following the manufacture of the blade, and it is not uncommon to have had blades re-hilted. A very special and rare example overall.Total Length (inside scabbard if present) : 32 1/2" Blade Length : 27"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Pigafetta, A. (2010). PIGAFETTA'S ACCOUNT OF MAGELLAN'S VOYAGE. InH. Stanley (Ed.), First Voyage Round the World by Magellan: Translated from theAccounts of Pigafetta and Other Contemporary Writers (Cambridge LibraryCollection - Hakluyt First Series, pp. 33-163). Cambridge: Cambridge UniversityPress5. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obrapublicada en Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ...saca nuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]6. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off..7. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau8. Macaraeg, R. (2009). "Pirates of the Philippines: a critical thinking exercise." Journalof Asian Martial Arts,18 (3)9. Foy (1899) Schwerter von der Celebes-See. Dresden.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Fine Presentation Quality Philippine Moro Datu's KRIS Sword ~ Silver Inlaid Copper mounts ~ Mas

Lot #148 (Sale Order 147 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, andmore numerous and therefore required greater skill to prevent the blade bouncing off or beingstuck in an enemy's body.One of the additional ways in which origins are identified are through the design of the elephanthead trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard. CertainMindanao kris have a similar form except that the mouth is round instead of oval and is notangled. The Maguindanao form is similar to the Sulu style with an elliptical shape but it is notangled downwards and instead runs perpendicular to the guard. Later versions of this generallyexhibit a ridge which has been chiseled into the outer metal that surrounds both sides of themouth hollow. The Maranao form has an elongated trunk while the mouth cavity is narrow andthe lower jaw runs parallel to the guard. While Sulu and Maguindanao forms have a concavecavity beneath the lower jaw, the Maranao form does not and instead has a protrusion that jutsout from beneath it (Cato 1996).This example in the Schmiedt Collection is an interesting example displaying a series ofdecorative elements rarely found on Moro kris and more commonly found in other Morodecorative arts. The entire composition of the handle and the scabbard is made of brass orcopper and then inlaid in silver. Other types of Moro decorative arts, specifically associated withthe Maranao in Lanao and Cotabato, such as gadors (brass jars inlaid in silver) are often made inthis exact manner. The motifs in silver inlay on the scabbard include bands of stylised orchids(obar-obar) and rope twist (obid-obid) borders. This type of decoration has its origins inwoodcarving (Fraser-Lu 1989). The brassware of the Southern Philippines is closely related tothat cast in other areas of Southeast Asia. It is likely that the technique was introduced to theMaranao through close ties with Brunei a well-known area for brassware production. Howeverthe inlaying of floral and geometric patterns using silver alloy is unique to Maranao work andmakes their brassware distinctive. This type of idiosyncratic decoration likely dates this piece tothe 20th century as older examples do not utilize this form of composition. The overall form however closely associated with other Moro kris and in this case the form of the pommel iscalled a danganan, which is an oversize kakatua form. The scabbard with the enlarged chape andricasso area also associate with the form found on enlarged Datu's kris. Finally, the blade is aclassic form and the ganja form and cavity also are associated with the Maranao.Dating to the first half of 20th century.Total Length (inside scabbard if present) : Blade Length : References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

HUGE early 20th C. Philippine Moro Datu's Moro KRIS Sword ~ Sulu, Maguindanao ~ Large Carved Stone P

Lot #149 (Sale Order 148 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, andmore numerous and therefore required greater skill to prevent the blade bouncing off or beingstuck in an enemy's body. The higher number of waves meant the more potent the kris was intalismanic power such as this example. Sometimes engravings (often filled in with brass or silverinlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or other esotericmotifs such as this example in the Schmiedt Collection. Many kris blades are forged with fullersand these are likely heavily influenced by Malay style keris called malela keris.One of the additional ways in which origins are identified are through the design of the elephanthead trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard. CertainMindanao kris have a similar form except that the mouth is round instead of oval and is notangled. The Maguindanao form is very similar to the Sulu style with an elliptical shape but it isnot angled downwards and instead runs perpendicular to the guard. Later versions of thisgenerally exhibit a ridge which has been chiseled into the outer metal that surrounds both sidesof the mouth hollow. The Maranao form has an elongated trunk while the mouth cavity isnarrow and the lower jaw runs parallel to the guard. While Sulu and Maguindanao forms have aconcave cavity beneath the lower jaw, the Maranao form does not and instead has a protrusionthat juts out from beneath it (Cato 1996).This example in the Schmiedt Collection is a fine example of Giant proportions, with a large danganan carved hard-stone pommel in fine condition. The handle itself with gilded brass and filigree bands near the pommel and ganja. The 23 luk waved blade has a fine patina and is attached through the hilt through twoasang asang clamps. The ganja and cavity form indicates this is a crossover Maguindanao and Sulu origin.Dating to the early 20th century.Total Length (inside scabbard if present) : 41 3/4" Blade Length : 32 1/2"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Spectacular HUGE 19th C. Philippine Moro Datu's KAMPILAN Sword ~ Massive Hilt of Very Fine Carved Ma

Lot #150 (Sale Order 149 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kampilan. The basic form of the sword is considered to have been borrowed form Malayprototypes and similar swords from Timor and Borneo are found in Dutch institutional collections, though with slightly different grip shapes, a representative example can be seen here.The kampilan profile is strikingly similar to that Timorese prototype but also the blade profilehas deep similarities to the klewang and mandau (parang ihlang) swords that were used by theDayak of Borneo. Others contend that the Celebes islands are the origin for the Moro kampilan,and a representative example can be found here, which shows off the similarity with the Moro version.The kampilan also has a storied history and from the first-hand account of Magellan's shipmate,Antonio Pigafetta, it is thought that Magellan was killed by the kampilan in the region of thesouthern Philippines. Later accounts during the Spanish conquest of the Philippines indicate thatthe kampilan was a favorite weapon of the Ilanuns (a Moro ethnic group from Mindanao and theWest Coast of Borneo), though this is difficult to explain (Demetrio 1991) as the length of akampilan approaches and exceeds one yard.The swords are generally very distinct, and primarily distinguished by a carved hilt, sometimes inrare materials such as bone such as this example, with a heavy crossguard and in most cases abifurcated carved pommel decorated with floral decoration called okir. The design of the pommelvaries between ethnic groups, but it is considered to depict a variety of animas most prominently asa buaya (crocodile). In some cases, the hilt also called a sumba in Maguindanoan is often carved and decorated with floral decoration called okir.This example in the Schmiedt Collection is one the finest of the kampilans in the World. Cato (1996) describes the bone handled kampilans as the property of wealthier Moros. This was due to the cost and aristocratic character of the raw material, as well as the expense of hiring a top-flight artisan who knew how to carve it properly. This example likely dates to the 1st quarter of the 20th century as it displays a refinement in the carving and inlay of metal, alongside with the metal rings of the grip that are indicative of post-Spanish American war period Philippine swords. However, this is likely not made for re-sale or tourists as the quality of the workmanship is superb and of the highest quality of Moro swords. The blade of classic kampilan form with several protrusions near the tip in the form of a sumba and with an aged patina but which may be due to poor cleaning over the years.Kampilans such as this example mounted in bone, would have been considered Datu's swords.The Datu in Moro culture being the equivalent of a nobleman or gentry elsewhere, and who would have worn more expensive swords such as this example. They followed in importance the Moro sultans, whose rule was sanctioned by the Quran. The title of Datu and Rajah however, predated the coming of Islam but these titles were assimilated into the new structure when the Moros were Islamicized. In return for tribute and labor, the Datu provided aid in emergencies and advocacy in disputes with other communities and warfare through the Agama and Maratabat laws.Total Length (inside scabbard if present) : 49 1/4" Blade Length : 34"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Demetrio, F. (1991). Encyclopedia of Philippine folk beliefs and customs. Volume 2:Folk medicine to weaponry. Cagayan de Oro City, R.P.: Xavier University5. Pigafetta, A. (2010). PIGAFETTA'S ACCOUNT OF MAGELLAN'S VOYAGE. InH. Stanley (Ed.), First Voyage Round the World by Magellan: Translated from theAccounts of Pigafetta and Other Contemporary Writers (Cambridge LibraryCollection - Hakluyt First Series, pp. 33-163). Cambridge: Cambridge UniversityPress.6. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obrapublicada en Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ...saca nuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]7. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.8. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau9. Macaraeg, R. (2009). "Pirates of the Philippines: a critical thinking exercise." Journalof Asian Martial Arts,18 (3)10. Foy (1899) Schwerter von der Celebes-See. Dresden11. Demetrio, F. (1991). Encyclopedia of Philippine folk beliefs and customs. Volume 2:Folk medicine to weaponry. Cagayan de Oro City, R.P.: Xavier University.Detaile

Very Nice Indonesian LANGGAI TINGGANG Sword ~ Borneo Dayak Tribe Headhunters.

Lot #151 (Sale Order 150 of 298)

A distinctive Bornean sword of the Sea Dayak, called a Langgai Tinggang, theseswords are found throughout institutional and private collections in varying degrees of quality.The Langgai Tinggang is practically a niabor with the handle of a parang ilang or mandau. Theterm langgai tinggang means the Ã¢â‚¬Å“longest tail feather of a hornbillÃ¢â‚¬Â and refers to a broad groovewhich runs along the posterior part of the blade on each side and which is purported to be featherlike in appearance. This groove runs across to the anterior border just below the rudimentaryfinger guard. This finger guard is not a derivative of the kundieng of the niabor but is a copy ofthe ikang of the parang ilang which constitutes part of a aso dog dragon design. The handle ofthe langgai tinggang does not generally differ from that of the classic mandau.This example in the Schmiedt Collection is likely a mid 20th century example judging by thequality of the hilt, scabbard, and blade. All of these display a lack of facility with the traditionalDayak designs and are out of proportion with traditional swords. The blade is the classicLanggai Tinggang form though without the blade fuller, but inlaid with brass dots and a forgedon brass ikang, or finger guard. The scabbard is made of wood and decorated with carveddesigns showing linked tusks or perhaps derivative of the leech (lemetek) design.Total Length (inside scabbard if present) : 37 1/2" Blade Length : 25" References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fÃƒÂ¼rEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Late 19th C. African Ethiopian GURADE Curved Sword ~ Large Silver Coin Pommel

Lot #152 (Sale Order 151 of 298)

A classic form of sword from Ethiopia referred to as a gurade, this curved sword isa well-known style of sword introduced in the 19th century and often mounted with importedEuropean blades. This example in the Schmiedt Collection is of typical form with a handle of classic form with a mirrored flared pommel and crossguard with a tubular cross section, thoughsustaining some damage to the pommel. The scabbard is hardened leather.The blade of this sword is single edged and appears to have the profile of early 19th centuryFrench blades. These blades were traded to Ethiopia, or Abyssinia as it was known during the19th century, or may have been captured during the Napoleonic wars period and traded furthersouth from Egypt. The gurade was a sword used by officers often on horseback and as suchrelatively fewer were made. These swords were used as late as the Battle of Adwa in 1896where the army of Menelik II defeated an Italian invasion force as depicted in a Ethiopianpainting contemporary with the battle and now in the British Museum. The commander of theEthiopian forces, fitaurari (brigadier general) Gabbayyahu, mounted on a dark brown horse, iswearing an honorific lion skin cape and headdress. In his right hand he holds a sword with along, curved gurade with the distinctive Ethiopian handle. Below him is a mounted officercarrying a circular hide shield covered with velvet and silver.Total Length (inside scabbard if present) : 37" Blade Length : 32 3/4" References:1. Stone, G. C. (1934). A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times. Mineola NY: Dover Publications.2. Spring, Christopher (1993). African arms and armour. British Museum Press.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good African Sudanese Arabic KASKARA Sword with Silver Mounted Scabbard.

Lot #153 (Sale Order 152 of 298)

This sword is characteristic of the swords of Sudan, Darfur, Kanem-Bornu (Chad) and Nubia andis currently referred to as a kaskara. The kaskara is a broadsword, with a long straight blade witha central grove with two cutting edges. The cruciform hilt has a straight cross guard with twolanguets. The quillons are often flared and usually are long, straight and end in a T-shaped form.The crossguard center has upper and lower languets. The wooden grip is usually wrapped withleather such as this example and with a disc shaped pommel. These swords are usually one yardin length. There are some regional differences in the types of kaskara especially with respect tothe form of the crossguard.This example in the Schmiedt Collection is an example with a distinct style of blade known inboth Ethiopia and the Sudan with talismanic inscriptions. The crossguard of this sword mostclosely resembles the style of crossguard called the "Mutamaan" which has a diamond shape atthe ends, but with eight facets, hence the name deriving from the Arabic word for eight,tamaanye. The blade of this sword, attributed in the Schmiedt Collection has a locally madeblade with a three thin full length fullers etched with non-decipherable symbols likely oftalismanic significance. This type of blade is called khar hongoog (straw canal). Sudaneseblades often have inscriptions in Arabic thuluth script etched onto the blades, but there is asubset of blades where the smith decided to provide the same effect but without any legible set ofwritings. Most often inscriptions are religious in nature from the Quran, but also these weaponssometimes bear the names of places of production like Omdurman and manufacturing dates.These calligraphic ornamentations were placed purposefully and even the interpretations such asthose on this blade, acted in general as magical and symbolic elements. This blade also has adistinct chiseled symbol of a rampant lion called a Dukare affringe.The scabbard is a good quality example mounted with silver fittings an enlarged bouterolle.Total Length (inside scabbard if present) : 43 1/2" Blade Length : 39 1/2"References:1. Stone, G. C. (1934). A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times. Mineola NY: Dover Publications.2. Spring, Christopher (1993). African arms and armour. British Museum Press3. Pradines, Stephane & Khorasani, Manouchehr. (2018). SUFI IN WAR: PERSIAN INFLUENCEON AFRICAN WEAPONRY IN 19TH CENTURY MAHDIST SUDAN.4. Hunley, E. (1984) The Social Economics of Small Craft Production: The Sword andKnife Makers of Kassala, Eastern Sudan. Dissertation. State University of New York atBinghamton5. Hunley. E. Ã¢â‚¬Å“The Sudanese Kaskara Sword in Silver Dress.Ã¢â‚¬ÂDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Large 19th - early 20th C. African Tribal Cowhide War Shield

Lot #154 (Sale Order 153 of 298)

Large 19th - early 20th C. African Tribal Cowhide War Shield.Total size : 49 1/2" x 22 1/2"Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com.

Large 19th - early 20th C. African Tribal Cowhide War Shield

Lot #155 (Sale Order 154 of 298)

Large 19th - early 20th C. African Tribal Cowhide War Shield.Total size : 45" x 22 1/2"Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th-early 20th C. Provenanced Magsabil BARONG Sword ~ Mindanao, Philippines ~ Historically Rec

Lot #156 (Sale Order 155 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sultanatearea called a barong. These swords have a distinctive form that is specific to this region of SouthEast Asia and the southern Philippines, though it is believed that they are related to theIndonesian badik knife, though in a greatly expanded and enlarged form.The barong has a distinct leaf shaped blade which is an effective cutting and slicing form, andmay be used for stabbing depending on the profile the smith develops. Barong blades are oftenthick and heavy with the weight aiding in the slicing capability of this sword.This example in the Schmiedt Collection is a simple fighting example, though of finer than usualconstruction with a long silver ferule, associated with the Tausug Moros, and a good fightingform pommel. The distinguishing feature of this sword is the exceptional provenance asindicated the old collection tag which notes that this barong was taken from a Juramentadoduring the rite of Magsabil by a Philippine Scout in 1907. Following the end of the Spanish-American war in 1902, the American armed forces and Philippine allies fought a continuous war,known as the Philippine-American war or the Philippine Insurrection against groups across thePhilippines. The Moros in particular resisted American rule, as they had Spanish rule before theAmericans, but the firepower of the American occupation force pushed many Moro men, andsome women, to become candidates known as mag-sabil or those "who endure the pangs ofdeath." These warriors would rush into crowds and areas with American and Philippine soldiersand purposefully try to kill and wound as many as possible knowing that they would be killed.After a Moro youth took an oath on the Quran, he or she became a juramentado. They wouldtake a ritual bath, shave all their hair, and a strong band was wrapped firmly around the waist,and cords wrapped tightly around the genitals, ankles, knees, upper thighs, wrists, elbows, andshoulders, to restrict the blood flow and prevent the mag-sabil from losing too much blood frominjury before accomplishing their task. They would dress in a white robe and turban, and mostoften they wield a barong.At the moment of attack, the mag-sabil would approach a large group of Christians, shout "La ilaha il-la'l-lahu" ("There is no god but Allah"), draw their barong and then rush into the groupswinging the barong, killing and maiming as many victims as possible in the time he had left. At the time this barong would have been collected in 1907, there were many such incidents. A U.S. Congressional Report of a later period documents many such juramentado incidents noting thatJuramentados still terrorized Army posts and eternal vigilance and quick straight shooting is theonly chance against them. There is no defense against juramentados. It further notes just one, ofmany such incidents and which would have been indicative of the kinds of scenes that this barong would have been used in.April 6 1907 one of these ran the streets of Jolo and dropped three soldiers of the Fourth Cavalry before guards bullets sent him to Paradise. Further research in the U.S. Army rolls forthe Philippine service may identify the Sgt. Brewster identified in the collection note.Owner's note: Moro Jurumentado Barong: This barong was taken from a Sulu Moro who was killed during the rite of Magsabil. Magsabil was the Moro equivalent of the Japanese Kami-Kaze, the object being to kill as many Christians as possible therefore guaranteeing an immediateascension to paradise. The old collection tape on the blade reads "Barong of the savage Moro. Taken from the Mag sabil devil Mahamet by Scout at Parang (a town on the main island of Sulu)and given to Sgt. Brewster, 1907".Total Length (inside scabbard if present) : 24" Blade Length : 18 1/4". References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore.2. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History.3. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obrapublicada en Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ...saca nuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios].4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off..5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Tom, P. (2001) Notable sabers of the Qing Dynasty at Metropolitan Museum of Art.The Metropolitan Museum Journal. 367. Hurley, V. (1936). Swish of the Kris; The Story of the Moros. E.P. Hutton8. Philippine Uprisings and Campaigns from July 5, 1902 to December 31, 1913:Hearing ... Seventy-sixth Congress, Third Session, on H.R. 7693, a Bill GrantingPensions and Increase of Pensions to Certain Soldiers, Sailors, and Marines whoServed in the Philippine Uprisings and Campaigns f

Rare Early 20th C. Indonesian Sulawesi TORAJA Armor Vest.

Lot #157 (Sale Order 156 of 298)

A rare form of an Indonesian armor from the Toraja people, this kind of armor ismade of materials found in nature. Older examples consist of fish scales and tree bark such asthose found in the Pitt Rivers Museum, Oxford. The larger fish scales are attached to the lowervest with split rattan fibers, the smaller ones with a fixed string made from plant fibers. Thelower vest consists of interwoven layers of tree bark. Other examples in the Leiden Museum,Netherland made of tree bark or buffalo skin and cut in a similarmanner to the Schmiedt Collection example and are attributed to the Toraja people of Sulawesi.These armored vests are part of the traditional warrior's regalia of the Toraja of upland Sulawesi.The vest consists of a rattan and plant fiber backing to which armored plates are sewn. At onelevel these costumes provided warriors with actual armor. At another, the ensemble afforded thewarrior a number of magical amulets for repelling the mystical threats of enemy warriors andmagicians: the helmet that is worn with such vests is topped with buffalo horns, symbolizingluck and success, and the panels on the armor have magical protective qualities.For some time, the primary use of armored vests in the Tana Toraja has been ritual orceremonial. Warrior dances are a key part of ceremonial water buffalo and pig exchange and ofthe elaborate funeral rituals of the Toraja. Relationships between families were expressedthrough blood, marriage, and shared ancestral houses, and sealed by the exchange of waterbuffalo and pigs on ritual occasions. Such exchanges not only build political and cultural tiesbetween families but help define each person's place in a social hierarchy: who pours palm wine,who wraps a corpse and prepares offerings (perhaps the most important Torajan ritual acts),where each person can or cannot sit, what dishes should be used or avoided, and even what pieceof meat constitutes one's share in a communal feast.This example in the Schmiedt Collection is in fine condition with well-toned bark or leather scales. The vest open in the front and with two shoulder straps. The scales appear to be securedon a rattan backing. First half of 20th century, not a common example.Comparable auction sale:https://sothebyshome.com/antique-bone-armor-of-the-indonesian-toraja-warriors-acc-36177-24219.htmlReferences:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good 19th C. Mindanao KURAB-a-KULANG Philippine Moro Armor ~ Horn Scales with Heavy Brass Chain

Lot #158 (Sale Order 157 of 298)

A distinct form of a Philippine Moroarmor. This style of armor is called kurab-akulang,and is made of plates of carabao hornlinked with brass or iron chainmail and oftenmounted with silver clasps inspired by Japaneseand Chinese examples chainmail. Thedistinctiveness of these Moro armors have beenattributed to a wide variety of influences from thepotential influence of Islamic (primarily Indian)chainmail that may have reached the MoroMuslims through trade links with south Asia butalso to Spanish armors that would have beenencountered during the Spanish colonization periodin the 17th-19th centuries.This kind of defensive armor was exclusive to theMoros as it was not found among any of the otherPhilippine groups. Native artisans copied thosecoats of armor captured from the Spanish but weremade from materials in their own environment suchas the carabao horn. On ornaments of wroughtsilver, they would employ local decorative motifsdistinctive of the ukkil: scroll work, leaves,climbing plants, etc., although the links of thechains were known in the islands since the 10thcentury.The armor in the Schmiedt Collection is a classicexample and composed of piece of carabao hornlinked with brass links. There are some limiteddamages to the links and the plates, but the armor isin fine condition otherwise.Total Length (inside scabbard if present) : Blade Length : Comparable auction sale:https://www.christies.com/lotfinder/Lot/a-moro-suit-of-armour-mindanao-philippines-5422217-details.aspxReferences:1. Krieger, H. (1926) The Collection of Primitive Weapons and Armor of the PhilippineIslands in the United States National Museum. Smithsonian Institution; United StatesNational Museum, Bulletin 137.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Late 19th - early 20th C. Indonesian Sumatra, Minangkabau KERIS Dagger.

Lot #159 (Sale Order 158 of 298)

Keris from Sumatra have a distinct form and are most often associated with aparticular handle form referred to as a Jawa Demam hilt. The origin of this form are unknownbut the general form is a highly abstracted crouching figure, the term itself translates as Ã¢â‚¬Å“feverstricken.Ã¢â‚¬Â Commentators have noted that its origin may be as varied as a representation of theHindu bird god Garuda (which can be found on other Indonesian origin hilts in Madura forexample), whether it is a representation of an earlier Majapahit period hilt, or a variation on acockatoo which is otherwise found represented in Malay and Indonesian hilts. Regardless of theorigin it is consistently a striking form closest in approximation to modern artÃ¢â‚¬â„¢s abstract humanforms. Some of the forms differ in their approximation, whereas some look more like an abstractversion of a human, other such as this example are closer to the cockatoo form with the crestclearly represented on this example.This example in the Schmiedt Collection is a fine representation of this jawa demam hilt with apolished hilt and a brass mendak. The sheath is simple but made of finely pattern wood with arich chatoyancy, which was often much prized for the quality of grain and lustre.The blade is finely crafted and with a 7 luk waved form, and displaying a finely patterned pamorwith a deep etch, likely from the use of traditional etchants such as arsenic. The pamorapproximates the form called kutha mesir at the base with a circular pattern and then a randomform that be approximated as kulit semangka.Overall likely first half of 20th century.Total Length (inside scabbard if present) : 16" Blade Length : 13"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Good Indonesian Surakarta, Java KERIS Dagger ~ Layered Damascus Blade ~ First Half of 20th C.

Lot #160 (Sale Order 159 of 298)

Javanese keris, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. The onenearest the pommel represents the kala mask, a benevolent demon and the small protrusion in thecarving called a kuncung represents a nose. Another form closely related in form is from thePalaces of Yogyakarta and is referred to as a Nunggak Semi shape, but also has the distinctivecarvings on the inside angles of the handle, though generally does not have kuncung carving.abstract.This example in the Schmiedt collection is a Javanese Keris of cecekan form in the Surakartastyle, Yudo Winatan. The old straight blade called dapor sabuk inten (Ki Empu Jhuel). Thepamor is mayat miring with straight lines running the length of the blade. The blade shape has apowerful appearance from age and wear but retaining a thick stiffness often lacking on Javaneseblades. The mendak (cuff) between hilt and blade missing. The wooden warangka (scabbardthroat) of Ladrang style in the Surakarta form and with a fine chatoyancy. The embossed brasswindowed metal pendok, (scabbard sheath) over a wooden gandar (body).Total Length (inside scabbard if present) : 19" Blade Length : 14 1/4" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sien.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Nice Indonesian Surakarta, Java KERIS Dagger ~ Layered Damascus Blade ~ First Half of 20th C.

Lot #161 (Sale Order 160 of 298)

Javanese keris, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. The onenearest the pommel represents the kala mask, a benevolent demon and the small protrusion in thecarving called a kuncung represents a nose. Another form closely related in form is from thePalaces of Yogyakarta and is referred to as a Nunggak Semi shape, but also has the distinctivecarvings on the inside angles of the handle, though generally does not have kuncung carving.This example in the Schmiedt collection is a relatively simple dress Javanese keris of cecekanform in the Surakarta style, Yudo Winatan. The straight blade called dapor sabuk inten (KiEmpu Jhuel). The pamor is adeg with straight lines running the length of the blade. The mendak(cuff) in filigreed silver. The warangka (scabbard throat) of Ladrang style in the Surakartaform with a rich chatoyancy and with a windowed gilt brass metal pendok, (scabbard sheath)over a wooden gandar (body).First half of 20th century.Total Length (inside scabbard if present) : Blade Length : References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sien.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Fine 19th C. Indonesian Cirebon, Java KERIS Dagger ~ Solid Gold Applications ~ Fine Carved Grip

Lot #162 (Sale Order 161 of 298)

Javanese keris, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. While the most classic style of Javanesehilt is from Surakarta and Yogyakarta and is called a cecekan ukiran, hilt, with seven planarsides, other hilts from the island of Java include hilts from Cirebon which have figural formsgenerally covered in carved floral scrollwork. These hilts have been considered to be the imageof Bhima, the hero of the Hindu Mahabharata epics, or of a Garuda. Other explanations for thegrotesque forms is that the figures represent a being called a pulungan, or a demon like creature,similar to the raksasa of Bali and other parts of Java. The raksasa figure is often found onIndonesian keris and represents a type of demon or goblin from Hindu mythology. Raksasashave the power to change their shape at will and appear as animals, as monsters, and are oftenrepresented as fanged beings with bulging eyes.This example in the Schmiedt collection is a fine old example of a Cirebon keris with a hilt in thepulungan form, entirely carved with scrollwork showing a long nose (similar to the Wayangfigures on other keris hilts) and with a fine patina indicating a 19th century or earlier form. The11 luk blade likewise is an old form of dapor carita prasaja with a pamor potentially beras wutahor ngulit semangka, watermelon skin. The sheath of one piece of wood with a rich chatoyancy,an indication of high quality construction, with a warangka (scabbard throat) of Ladrang style in the Cirebon Iras Sarung form.Later 19th century, an Exquisite quality example.Total Length (inside scabbard if present) : 17 1/2" Blade Length : 13 3/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sien.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare Indonesian Surakarta, Java KERIS Dagger ~ Fine Carved Damascus Blade ~ Silver Mounted Scabbard.

Lot #163 (Sale Order 162 of 298)

Javanese keris, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. The onenearest the pommel represents the kala mask, a benevolent demon and the small protrusion in thecarving called a kuncung represents a nose. Another form closely related in form is from thePalaces of Yogyakarta and is referred to as a Nunggak Semi shape, but also has the distinctivecarvings on the inside angles of the handle, though generally does not have kuncung carving.This example in the Schmiedt collection is a very fine quality Javanese Keris of cecekan form inthe Surakarta style, Yudo Winatan. The ukiran, hilt, displays a higher level of carving includingon the obverse of the internal carvings which is usually flat and uncarved. The 13 luk bladecalled dapor naga bongkokan (Ki Empu Jhuel). The pamor is dhadhung muntir with a thickstraight multi-lamellar line flowing the middle portion of the blade. The base of blade is carvedwith a naga serpent in a horizontal fashion, rare in form as most naga are carved with the headforming the gandik and the tail flowing up the blade in the middle portion. The mendak (cuff) infiligreed silver. The wooden warangka (scabbard throat) of Ladrang style in the Surakartaform with a rich shimmery chatoyancy and with a windowed gilt brass metal pendok with acentral portion in carved and embossed silver showing the emblem of the Surakarta Kraton.Total Length (inside scabbard if present) : 20 1/2" Blade Length : 15 1/2" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sien.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Fine Indonesian Surakarta, Java KERIS Dagger ~ Gold & Diamonds Decorations ~ First Half of 20th

Lot #164 (Sale Order 163 of 298)

Javanese keris, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. The onenearest the pommel represents the kala mask, a benevolent demon and the small protrusion in thecarving called a kuncung represents a nose. Another form closely related in form is from thePalaces of Yogyakarta and is referred to as a Nunggak Semi shape, but also has the distinctivecarvings on the inside angles of the handle, though generally does not have kuncung carving.This example in the Schmiedt collection is a superb quality Javanese keris of cecekan form in theSurakarta style, Yudo Winatan. The overall quality is of a high quality royal example,potentially for wear by a royal courtier. The hilt displays a high quality of refinement in thecarving and is mounted with a classic Surakarta Javanese selut of chiseled gilt metal inlaid withintan intan diamonds or rock crystals. The mendak is decorated en suite with the selut withinlaid stones. The 9 luk blade called dapor carang soka (Ki Empu Jhuel). The pamor is sodosaler with a thick straight pattern flowing in the middle portion of the blade. The base of blade isdecorated with gold at the gandik and the ganja. The wooden warangka (scabbard throat) of Ladrang style in the Surakarta form finely polished and with a rich chatoyancy. The gandarmounted with a windowed gilt brass metal pendok with a central portion in embossed gilded metal.Beautiful quality example, first half of 20th century.Total Length (inside scabbard if present) : 20 1/2" Blade Length : 15" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sien.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare and Fine Indonesian Sumatra, Bali KERIS Dagger ~ Fossil Mammoth Tooth Grip ~ Exquisite Gilt Sil

Lot #165 (Sale Order 164 of 298)

Keris from Sumatra have a distinct form and are most often associated with aparticular handle form referred to as a Jawa Demam hilt. The origin of this form are unknownbut the general form is a highly abstracted crouching figure, and the term itself translates asÃ¢â‚¬Å“fever stricken.Ã¢â‚¬Â Commentators have noted that its origin may be as varied as a representation ofthe Hindu bird god Garuda (which can be found on other Indonesian origin hilts in Madura forexample), or as a representation of an earlier Majapahit period hilt, or a variation on a cockatoowhich is otherwise found represented in Malay and Indonesian hilts. Regardless of the origin itis consistently a striking form closest in approximation to modern art abstract human forms.Some of the forms differ in their design and this example seems to more resemble a humanoidfigure than others which sometimes look closer to a bird like creature. Keris also are oftencomposed of elements from different regions. In this case, a Balinese style scabbard is pairedwith a Sumatran or Malay Jawa Demam hilt. The Balinese style scabbard is distinctive as abovethe silver pendok sheath, encasing the longer portion of the scabbard, is the face of a kali or a kirtimukha.This example in the Schmiedt Collection is a fine representation of a Sumatran jawa demam hiltwith a finely carved and aged hilt and a Sumatran style stem and cup mendak. The sheath has afinely carved wooden oblate wrangka in the Balinese mango seed form and with a Bali or Maduran style silver chiseled floral designed pendok (sheath covering the long portion of thescabbard where the blade sits).The blade is finely crafted with a 5 luk form, or a dhapur Pandawa Cinarita (Irwan Antiques) anddisplaying a finely patterned pamor with a deep etch, likely from the use of traditional etchantssuch as arsenic. The pamor approximates the form called kulit semangka, or watermelon skin.Exceptional example dating from first half of 20th century.Total Length (inside scabbard if present) : 20 1/2" Blade Length : 17 1/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Irwan Antiques. The Indonesian Heritage.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Fine Indonesian Surakarta, Java KERIS Sword ~ Fossil Mammoth Tooth Mounts ~ Very Rare.

Lot #166 (Sale Order 165 of 298)

Javanese keris, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The general form is distinctive with anasymmetrical blade and handle, called ukiran. The earliest known keris go back to the tenthcentury and most probably spread from the island of Java throughout South-East Asia. Kerisblades are usually narrow with a wide, asymmetrical base. A kerisÃ¢â‚¬â„¢ aesthetic value is primarily inthe dhapur, or the form and design of the blade, with approximately 40 variants (UNESCO), thepamor (the pattern of metal alloy decoration on the blade, with approximately 120 variants), andthe tangguh referring to the age and origin of a keris. Keris were worn everyday and at specialceremonies, and heirloom blades, called pusaka, are handed down through successivegenerations.On Javanese keris, the most classic style of hilt is from the Royal Palaces of Surakarta in centralJava and called a cecekan hilt in the Yudo Winatan style. This hilt has seven flat planar sides,with two carvings at internal angles of the hilt. The one nearest the pommel represents the kalamask, a benevolent demon and the small protrusion in the carving called a kuncung represents anose. Another form closely related in form is from the Palaces of Yogyakarta and is referred toas a Nunggak Semi shape, but also has the distinctive carvings on the inside angles of the handle,though generally does not have kuncung carving.This example in the Schmiedt collection is a superb quality Javanese Keris with a cecekan hilt form in the Surakarta style, Yudo Winatan. The overall high overall quality is indicated through the matched carved ukiran and wrangka with a fine aged patina. The hilt displays a fine quality of refinement in the carving and is mounted with a classic Surakarta Javanese mendak in filigreed silver. The 13 luk blade called dapor lung gandhu (Ki Empu Jhuel). The pamor is ngulit semangka, or watermelon skin, and the blade displays significant age with a worn surface from etching. The warangka (scabbard throat) of Gayaman style in the Surakarta form and with a chiseled silver pendok with floral designs.Total Length (inside scabbard if present) : 20" Blade Length : 14" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonÃƒÂ©sien9. UNESCO. Representative List of the Intangible Cultural Heritage of Humanity.

Rare and Fine Indonesian Sumatra, Bali KERIS Dagger ~ Fossil Mammoth Tooth Grip ~ Exquisite Silver M

Lot #167 (Sale Order 166 of 298)

Keris from Sumatra have a distinct form and are most often associated with aparticular handle form referred to as a Jawa Demam hilt. The origin of this form are unknownbut the general form is a highly abstracted crouching figure, with the term translating as Ã¢â‚¬Å“feverstricken.Ã¢â‚¬Â The origin of the figure may be a representation of the Hindu bird god Garuda (whichcan be found on other Indonesian origin hilts in Madura for example), a representation of anearlier Majapahit period hilt, or a variation on a cockatoo which is otherwise found in Malay andIndonesian hilts. Some of the forms differ in their approximation, where some look more like anabstract version of a human such as this example. Other distinct elements of Sumatran keris alsoassociated with Minangkabau are sheaths with distinct enlarged portions at the bottom of thesheath opposite the flared opening, or wrangka, and which are referred to as buntut. Often thesesheaths would be covered in embossed silver in with varying floral designs.This example in the Schmiedt Collection is a fine representation of a type of jawa demam hiltwith a finely aged and polished hilt and a carved floral multi-petal mendak. The sheath has aclassic Sumatra form, with a long thin gandar with an especially finely chiseled cover in floraldesigns and with an enlarged silver embossed buntut. The blade is a finely crafted straight form,with a deeply etched pamor, likely from the use of traditional etchants such as arsenic. Thepamor approximates the form called Adeg at the edges, showing a straight linear pattern, andthen a random form that may be approximated as kulit semangka.First half of 20th century.Total Length (inside scabbard if present) : 21" Blade Length : 14 3/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Beautiful Malaysian KERIS Dagger ~ Pattani, Thailand ~ Fine Silver Mounts ~ Rare Damascus Pattern ~

Lot #168 (Sale Order 167 of 298)

Keris from the Pattani area of Thailand and the Terengganu and Kelantan region of Malaysia display a most distinct form of hilt called a tajong hilt, and also known as a pekaka, Pattani, or Kingfisher keris. This form of hilt is classically found on warriorÃ¢â‚¬â„¢s keris, called Tajong keris, of the Malaysian royal families. While it often described a Kingfisher hilt, due to the superficial similarity with the Kingfisher bird, the hilt actually reflects a stylized figure from the Wayang Kulit shadow theatre so popular across the Indonesian Archipelago. Other sources have ascribed an origin to the figure as the Hindu god Lord Shiva. However, the hilt is most characteristic with a smooth upturned nose, cheeks decorated with geometric patterns, and with scrolls and floral carving throughout the body.This example in the Schmiedt Collection is a rare quality form of the Tajong hilt, finely made in silver with a fine worn patina. The scabbard is in the Sumatran/Malay style often associated with there keris and is beautifully crafted with a chiseled silver cover over the longer portion of the sheath, carved with classic floral designs from the region. The enlarged buntut terminates the sheath with a barber pole repousse design reminiscent of Malay work.The blade is a rare 15 luk form called a dhapur rangga wilah and with a pamor with a strongly etched pattern. The pamor appears to have a few elements with a straight linear pattern adeg towards the edges and a more random beras wutah pattern in the middle. The blade also has a series of inclusions that due to their spacing and quality may be purposeful, and appear as large silvery spots distinct from the other pamor.Beautiful example dating from first half of 20th century.Total Length (inside scabbard if present) : 23 1/4" Blade Length : 19 1/4" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATA TRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago. Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: Balinese Ceremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta. Kerisattosanaji.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Fine Indonesian Bali Bugis KERIS Dagger ~ Elaborate Silver Mounts ~ Strong Damascus Blade of Rare Pa

Lot #169 (Sale Order 168 of 298)

Keris from the southern Sulawesi region of Bugis have a distinctive look and design. Handles are often carved of various materials or cast in precious materials such as silver or gold and set at a ninety degree angle in the form of a pistol grip. These handles are referred to as a kerdas form. While in this example, the hilt displays the Bugis form in cast and chiseled silver with fine floral decoration, the wrangka is a Balinese form with a large boat shaped mouth piece in a rounded batun poh shape (mango-seed) called "gayaman" in Javanese. The keris played a particularly important role in Balinese society and standing as a pusaka, a powerful sanctified heirloom and serving as a strong marker of socio-economic status, a keris could only be made by Pande blacksmiths who claimed status higher than that of a Brahman.This example in the Schmiedt Collection is a fine representation of a cross-cultural form likely indicating the idiosyncrasies of the commissioner. The hilt is in the classic Bugis pistol-grip form, while the sheath is in the Balinese style, with a very finely chiseled silver pendok (decoration covering the sheath wood itself).The blade is a well-crafted 9 luk form, with a polished etched pamor in the more typical Balinese form. The pamor is beautifully crafted with a dual pattern, with what appears to be sulur ringin in the middle with straight lines called Adeg along the edges.Overall first half of 20th century.Total Length (inside scabbard if present) : 23" Blade Length : 16 1/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATA TRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago. Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: Balinese Ceremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Neka, W. S. (2014) Understanding Balinese Keris: An Insiders Perspective. Neka Art Museum.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Large and Fine Silver Mounted 19th C. Indonesian Bali KERIS Dagger ~ Superb Damascus Blade.

Lot #170 (Sale Order 169 of 298)

Keris from Bali are considered some of the finest among the Indonesian archipelago. As a Hindu society, the influences on the Balinese keris survived the Islamicization and abstraction of form and design found elsewhere in the region, with some exceptions. As a result, Balinese keris often have hilts carved with richly designed Hindu deities in more realistic manner than the more the stylized interpretations found in other parts of the region, such as the highly stylized Garuda imagery of the Bugis or Sumatra. Other forms of hilts are simpler in design and would have been used by the warrior class and commoners such as a planar form called danganan bebondolan named for the resemblance to the common bondol, or weaver bird. Another form of handle is a distinct cylindrical form is called danganan grantim. The keris played a particularly important role in Balinese society, is used as a ritual tool in almost every Balinese religious ceremony. The historical development of the Balinese keris is related to the origination of the keris in the early part of the 2nd millennium A.D. and which spread to Bali from the east Javanese kingdom of Kedhiri from the 11th-13th centuries. The Majaphit conquest of Bali in 1343 especially influenced the development of the keris in Balinese society.This example in the Schmiedt Collection is a fine representation of a classic Balinese form in the form of a demon or raksasa carved in silver. The demon with bulging eyes and belly and fangs, indicative of the type, while sitting upon the tumpal triangular forms. The carved black wood wrangka of the form called senget, and with a pendok, or sheath ornament, entirely in chiseled silver with floral designs.Overall 19th to early 20th century.Total Length (inside scabbard if present) : 25 3/4" Blade Length : 20"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATA TRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago. Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: Balinese Ceremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Neka, W. S. (2014) Understanding Balinese Keris: An Insiders Perspective. Neka Art MuseumDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good Indonesian Sumatra, Kelamantan KERIS Dagger ~ Fine Silver Mounts ~ Rare 33 Luk Damascus Bl

Lot #171 (Sale Order 170 of 298)

Keris from Sumatra or Kelamantan area display a variety of stylistic attributes. Inthis example, the hilt is formed in the style of a highly stylised Garuda. The hilt form may befrom the Pattani area in Kelamantan. As the area was Islamized, the Hindu god Garuda wasmodified to the point where it took on the shape of a seated or squatting humanoid figure. Thefloral and geometric patterned design along with excellent silversmithing combine to create avery well modeled keris handle. A similar Wayang figure is depicted on a keris handle in theHouston Museum of Fine Arts (Acc. No. 2004.2273). The figure is sitting upon a series oftumpal, or the alternating triangles found at the base of the hilt, and representing the ancientIndonesian symbol of the mountain, the tree of life, and the male and female principles. Thescabbard is in the Sumatran style with a Sumatran Tengah wrangka form in wood with a richchatoyancy, with a long silver sheath covering chiseled with floral designs and an enlargedbuntut.The blade is a rare and finely crafted 33 luk form, with a finely patterned pamor with a deep etchin the Javanese style. Blades with this many luk do not have a formal term, or dhapur. Thepamor appears to be a mixure of thicker linear pattern called Tepen with elements of beraswutah, or a more random pattern. Alternately the linear pattern may also be termed Adeg.Early 20th century.Total Length (inside scabbard if present) : 20 1/4" Blade Length : 15 1/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH.8. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji9. Neka, W. S. (2014) Understanding Balinese Keris: An Insiders Perspective. Neka ArtMuseumDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Fine Large Indonesian Bali KERIS Dagger ~ Silver Grip with Gemstones ~ Strong Damascus Blade of High

Lot #172 (Sale Order 171 of 298)

Keris from Bali are considered some of the finest among the Indonesianarchipelago. As a Hindu society, the influences on the keris have survived the Islamicization ofform and design found elsewhere in the region, with some exceptions. As a result, Balinese kerisoften have hilts carved with richly interpreted Hindu deities in more realistic manner than themore the stylized interpretations found in other parts of the region. Other forms of hilts are moresimpler and would be used by the warrior class and commoners such as a form called danganangrantim. The keris in Bali has a significance that extends far beyond its importance as a weaponor its representative function which is not related to the influence of China and India on Balineseculture. Instead this prominent position in Balinese society is more closely aligned with oldAustronesian concepts and meaningful associations with inspired objects, as can be seen fromJapan to New Zealand (Weihrauch et al. 2017).This example in the Schmiedt Collection is an uncommon representation of a Balinese formcalled a danganan grantim or gerantiman but with more decorative elements including semipreciousinlaid stones. On Balinese hilts most often stone inlays include rubies, moonstone,topaz, other stones, and molded glass. The use of molded glass is also well known on Balinesekeris, including keris of the highest level of quality and royal objects, as the importance for thewearer of the keris was less the materials but the overall design and look. This hilt takes amodified interpretation of a classic grantim hilt with embossed silver representing the classic useof weaved silver or gold grantim hilt. The scabbard of this keris is however, not in the Balineseform but the Malay style with an enlarged buntut and chiseled silver pendok with a barber polestriped design.The straight blade of dhapur lurus form and with a linear pattern termed pamor adeg.Overall first half of 20th century, a very impressive large exmple.Total Length (inside scabbard if present) : 22 3/4" Blade Length : 15 3/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Neka, W. S. (2014) Understanding Balinese Keris: An Insiders Perspective. Neka ArtMuseumDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare Indonesian Nias BALATO Sword ~ Dayak Headhunters ~ Early 20th C.

Lot #173 (Sale Order 172 of 298)

A rare sword of the Nias islands near Sumatra, this sword is called a balato and isof the classic balato form but with the distinctive carved hilt in the form of a dragonhead called alasara. The balato is the classic and well recognized Nias warriors sword and comes in a varietyof shapes.This relatively typical balato has a form that relatively closely follows the lasara (dragon head)hilt form and which can be seen illustrated in Modigliani (1890) and Fischer (1909). While theclassic balato is considered to be a traditional headhunters sword the more common domesticknife of the Nias takes a similar form. The headhunters swords are distinguished by their longerblades, such as this example. The blades are generally not laminated and can have variousforms, the common factors are: a single edge that starts only a few centimeters from the hilt andmore or less widens to the point.The lasara carved hilts have been identified as multiple types of creatures. Some have likened itto the fantastic lawÃƒÂ´lÃƒÂ´ bird (Horner 1849); other as the niÃƒÂ´bawa lawÃƒÂ´lÃƒÂ´, an animal whosefunction is to increase the strength of the sabres owner (Schroder 1917); Modigliani sees aboar's head (1890); others interpret it as a Chinese dragon; and others as a makara, a dragonfish-elephant from Hindu-Javanese mythology and found throughout S.E. Asia (Viaro 2001).However, it is true regardless of the creature designation, the hilts were supposed to have aprotective function (lawÃƒÂ´lÃƒÂ´) for the owner of the sabre.The Schmiedt Collection example has a well carved and nicely patinated handle with a sculpturalcreature design carved in the pommel. The curled whorls likely represent boars tusks while thecreature sitting astride the pommel is called a bechu zocha, a spirit who hunts and feeds on men'sshadows, just as men feed on pigs. By sitting astride the pommel which is a representation of ananimal and biting the boar's head, he takes on the role of a man. This image can be regarded as atalisman working against the misfortunes that the bechu zocha spirit would ordinarily bring(Brenner-Felsach 1998). Because of the spirit's thirst for blood and its prominence on theheadhunter's sabre, the image was believed to have increased the warrior's strength.The scabbard is of two pieces of wood secured with strips of rattan, while the talismanic basket,raga ifoboaya, at the top of the scabbard is of classic shape and decorated with animal teeth in acurved form. The blade now pitted from age.Balato are difficult to date accurately, but considering the style of carving of the hilt and theoversized proportions of the bekhu figure this example likely dates to the early 20th century.Total Length (inside scabbard if present) : 28" Blade Length : 18 1/2" References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books2. Viaro, M. A. (2001). Ceremonial sabres of nias headhunters in indonesia. Arts EtCultures, 3, 150-171.3. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inseln ringsumSumatra, (vol. 4, Leiden)4. Modigiliani, E. (1890) Un viaggio a Nias.5. Brenner-Felsach, J.F. von (1998). Eine Reise nach Nias, die Indonesien expedition 1887,edited by Reinhold MittersakschmÃƒÂ¶ller. Vienna:6. Schroder, E. E.W. S. (1917) Nias: Ethnographische, geographische en historischeAanteekeningen en StudiÃƒÂ«n. 2 vols. Leiden: Brill,7. Horner, J. J. (1840). Ã¢â‚¬Å“Batoe-Eilanden, ten Westen van Sumatra gelegen.Ã¢â‚¬Â In Tijdschriftvoor NeerlandÃ¢â‚¬â„¢s Indie. Batavia,Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Rare 19th-early 20th C. Indonesian Nias BALATO Headhunter's Sword.

Lot #174 (Sale Order 173 of 298)

A rare sword of the Nias islands near Sumatra, this sword is called a balato and is of the classic balato form but with the distinctive carved hilt in the form of a dragonhead called a lasara. The balato is the classic and well recognized Nias warriors sword and comes in a variety of shapes. This earlier balato has a form that relatively closely follows the traditional lasara (dragon head) hilt and which can be seen illustrated in Modigliani (1890) and Fischer (1909) but which takes a simpler and earlier form without the fully carved lasara head or the bekhu figure. These earlier forms are considered to be earlier interpretations of the classic form by Modigliani (1890) and are illustrated in line drawings describing the earlier hilt styles.A similarly designed hilt to the Schmiedt Collection example can be found in the Museem fur Volkerkuunde, Netherlands, collected circa 1940, carved of wood similar to this example. Another rare form in the Wereldmuseum deviates also from the classic Lasara form though not exactly similar to the example in the Schmiedt Collection and which was itself collected circa 1887. Another example of direct comparison in hilt style but carved in wood is in the Musee de Quai Branly. The Schmiedt Collection example has a well carved and nicely patinated handle with the earlier more stylized lasara style hilt. These styles have been attributed to the North Nias, while the South Nias carved the more complex lasara hilts. This distinctive form of stylized lasara hilt is called a niotaka waena from the South Nias term for Ã¢â‚¬Å“a hilt as a swallow.Ã¢â‚¬Â In this hilt the lips of the lasara mouth are stylized, flatly cut, and recede completely (Van Zonneveld 2001). The scabbard is of two pieces of wood secured with strips of rattan, while the talismanic basket, raga ifÃƒÂ¶boaya, at the top of the scabbard is of classic shape and decorated with animal teeth in a curved form and appearing to be secured by natural fibers, which is an important indication of an earlier dating. The blade now with pitting from age. Balato are difficult to date accurately, but considering the simpler style of carving of the hilt, fine patina of the wood and the charm ball, and the use of nature fibers on the charm ball, this example likely predates the 1930s and may be a 19th century example.Total Length (inside scabbard if present) : 28 1/2" Blade Length : 20 1/2"Comparable sales:1.https://www.christies.com/lotfinder/lot_details/?intobjectid=50058342.https://www.sothebys.com/en/auctions/ecatalogue/2014/collection-murray-frum-oceanie-pf1438/lot.45.html3.https://www.sothebys.com/es/auctions/ecatalogue/2012/art-dafrique-et-docanie-pf1218/lot.32.html4.https://www.bonhams.com/auctions/24872/lot/72/5.https://www.bonhams.com/auctions/20973/lot/3230/References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago. Leiden: Art Books2. Viaro, M. A. (2001). Ceremonial sabres of nias headhunters in indonesia. Arts Et Cultures, 3, 150-171.3. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inseln ringsum Sumatra, (vol. 4, Leiden)4. Modigiliani, E. (1890) Un viaggio a Nias.

Superb Indonesian Nias BALATO Sword (Telugu, Balatu Sebua) ~ Dayak Headhunters ~ Early 20th C.

Lot #175 (Sale Order 174 of 298)

A rare sword of the Nias islands near Sumatra, this sword is called a balato and isof the classic Balato form but with the distinctive carved hilt in the form of a dragonhead called alasara. The Balato is the classic and well recognized Nias warriors sword and comes in a varietyof shapes.This relatively typical Balato has a form that relatively closely follows the lasara (dragon head)hilt and which can be seen illustrated in Modigliani (1890) and Fischer (1909). The blades aregenerally not laminated and can have various forms, the common factors are: a single edge thatstarts only a few centimeters from the hilt and more or less widening to the point.The lasara carved hilts have been identified as multiple types of creatures. Some have likened itto the fantastic lawÃƒÂ´lÃƒÂ´ bird (Horner 1849); other as the niÃƒÂ´bawa lawÃƒÂ´lÃƒÂ´, an animal whosefunction is to increase the strength of the sabreÃ¢â‚¬â„¢s owner (SchrÃƒÂ¶der 1917); Modigliani sees aboarÃ¢â‚¬â„¢s head (1890); others interpret it as a Chinese dragon; and others the makara, a mythical seadragon from Hindu-Javanese mythology and found throughout S.E. Asia. Regardless of thecreature designation, the hilts were supposed to have a protective function (lawÃƒÂ´lÃƒÂ´) for the ownerof the sabre.The Schmiedt Collection example has a well carved and nicely patinated handle with a sculpturalcreature design carved in the pommel. The curled whorls likely represent boars tusks while thecreature sitting astride the pommel is called a bechu zÃƒÂ¶cha, a spirit who hunts and feeds on menÃ¢â‚¬â„¢sshadows, just as men feed on pigs. The scabbard is of two pieces of wood secured with strips ofbrass, while the talismanic basket, raga ifÃƒÂ¶boaya, at the top of the scabbard is of classic shapeand decorated with animal teeth in a curved form. The blade now with pitting from age.Balato are difficult to date accurately, but considering the style of carving of the hilt and theoversized proportions of the bekhu figure this example likely dates to the early 20th century.Total Length (inside scabbard if present) : 29" Blade Length : 21" Comparable sales:1. https://www.christies.com/lotfinder/lot_details/?intobjectid=50058342. https://www.sothebys.com/en/auctions/ecatalogue/2014/collection-murray-frum-oceaniepf1438/lot.45.html3. https://www.sothebys.com/es/auctions/ecatalogue/2012/art-dafrique-et-docaniepf1218/lot.32.html4. https://www.bonhams.com/auctions/24872/lot/72/5. https://www.bonhams.com/auctions/20973/lot/3230/References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books2. Viaro, M. A. (2001). Ceremonial sabres of nias headhunters in indonesia. Arts EtCultures, 3, 150-171.3. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inseln ringsumSumatra, (vol. 4, Leiden)4. Modigiliani, E. (1890) Un viaggio a Nias.5. Brenner-Felsach, J.F. von (1998). Eine Reise nach Nias, die Indonesien expedition 1887,edited by Reinhold MittersakschmÃƒÂ¶ller. Vienna:6. Schroder, E. E.W. S. (1917) Nias: Ethnographische, geographische en historischeAanteekeningen en StudiÃƒÂ«n. 2 vols. Leiden: Brill,7. Horner, J. J. (1840). Ã¢â‚¬Å“Batoe-Eilanden, ten Westen van Sumatra gelegen.Ã¢â‚¬Â In Tijdschriftvoor NeerlandÃ¢â‚¬â„¢s Indie. BataviaDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good Indonesian Borneo LANGGAI TINGGANG Sword ~ Dayak Headhunters ~ First Half of 20th C.

Lot #176 (Sale Order 175 of 298)

A distinctive Bornean sword of the Sea Dayak, called a Langgai Tinggang, theseswords are found throughout institutional and private collections in varying degrees of quality.The Langgai Tinggang is similar to a niabor but with the handle of a parang ilang. The termlanggai tinggang means the Ã¢â‚¬Å“longest tail feather of a hornbillÃ¢â‚¬Â and refers to the blades of theseweapons often having a long groove running along near the spine and which supposedly refers tothe long tail of the hornbill bird. This groove runs across to the anterior border just below therudimentary finger guard which is a copy of the ikang of the parang ilang. The handle of thelanggai tinggang does not generally differ from that of the classic mandau. The blades are oftenmade of tempered metal and in some cases may display a lamellar pattern, similar to the pamorfound on Indonesian kris blades, though this is highly uncommon. The hilts are usuallydelicately carved with various details that vary across the Dayak tribes, but often depict creaturesor anthropomorphic deities.This example in the Schmiedt Collection is likely a later 20th century example judging by thequality of the hilt, scabbard, and blade. The quality of the workmanship and the finish of theblade is rough without the working refinement of pieces built made for use. The blade is theclassic Langgai Tinggang form though without the blade fuller. The scabbard nicely made in theclassic form, mounted in rattan, and with a piso raut side knife used for wood carving and rattancutting.Dating to the first half of the 20th century.Total Length (inside scabbard if present) : 33 1/4" Blade Length : 21 3/4"References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fÃƒÂ¼rEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good Indonesian Borneo MANDAU Parang Ihlang Sword ~ Dayak Headhunters ~ First Half of 20th C.

Lot #177 (Sale Order 176 of 298)

A distinctive Bornean sword of the Iban Dayak, called a mandau, these swords arefound in institutional and private collections in varying degrees of quality. They aredistinguished by a set of similar features, all varying in the level of quality of the constructions,materials, and workmanship. The Mandau blade has a convex shape on one side and somewhatconcave on the other. The blades are often made of tempered metal and in some cases maydisplay a lamellar pattern, similar to the pamor found on Indonesian kris blades, though this ishighly uncommon. The hilts are often delicately carved with creatures or anthropomorphicdeities.This example in the Schmiedt Collection has a well carved hilt with the leech pattern in the hiltcalled (lemetek) and which is associated with blood sucking and was considered an appropriatemotif for a weapon. Swords with leech motifs are considered to come from the Iban Dayak ofSarawak, though the Kayan tribe also used this motif. The blade is with the blade tip mostclosely related to the style called li-po-tong based on research from 1888 from the Dutch residentin Koetei, where the Kayan tribe made mandaus of this form and style (Tromp 1888). The hilt ofthis example in a dark material, potentially a darkened deer horn and likely indicating a laterdating.The blade is of classic form with a series of cuts and incisions along the spine near the tip. Theseloops and projections along the spine of the blade, according to Shelford (1901) transcribing theKajamans of the Belaga district, are referred to as song batong, referencing the fretwork alongthe back of the blade.Dating to the first half of 20th century.Total Length (inside scabbard if present) : 24" Blade Length : 17 3/4"References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fÃƒÂ¼rEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Good early to mid 20th C.Indonesian MANDAU Parang Ihlang Sword ~ Borneo Dayak Headhunters.

Lot #178 (Sale Order 177 of 298)

A distinctive Bornean sword of the Iban Dayak, called a mandau, these swords arefound in institutional and private collections in varying degrees of quality. They aredistinguished by a set of similar features, all varying in the level of quality of the constructions,materials, and workmanship. The mandau blade has a convex shape on one side and somewhatconcave on the other. The blades are often made of tempered metal and in some cases maydisplay a lamellar pattern, similar to the pamor found on Indonesian kris blades, though this ishighly uncommon. The hilts are often delicately carved with creatures or anthropomorphic deities.This example in the Schmiedt Collection has well carved hilt with the leech pattern in the hiltcalled (lemetek) and which is associated with blood sucking and considered an appropriate motiffor a weapon. Swords with leech motifs are considered to come from the Iban Dayak ofSarawak, though the Kayan tribe also used this motif. The blade is well made of the style mostclosely related to the blade edge style called li-po-tong (Tromp 1888). The hilt of this examplein a dark material, potentially a darkened deer horn and likely indicating a later dating. The blade well formed with a very fine blade profile full of whorls and curls in the spine. Themany loops and projections along the spine of the blade, according to Shelford (1901)transcribing the Kajamans of the Belaga district, are referred to as song batong, referencing thefretwork along the back of the blade.Dating to the early to mid-20th century.Total Length (inside scabbard if present) : 28 1/2" Blade Length : 22 3/4"References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fÃƒÂ¼rEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Good Indonesian MANDAU Parang Ihlang Sword ~ Borneo Dayak Headhunters ~ Early to mid 20th C.

Lot #179 (Sale Order 178 of 298)

A distinctive Bornean sword of the Iban Dayak, called a mandau these swords arefound in institutional and private collections in varying degrees of quality. They aredistinguished by a set of similar features, all varying in the level of quality of the constructions,materials, and workmanship. The mandau is a slashing weapon, historically used forheadhunting but also as an everyday machete. It is worn edge-upwards on the left hip, almost inthe Japanese fashion. The blade generally have a convex shape on one side and somewhatconcave on the other. The blades are often made of tempered metal and in some cases maydisplay a lamellar pattern, similar to the pamor found on Indonesian kris blades, though this ishighly uncommon. The hilts are often delicately carved with creatures or anthropomorphic deities.This example in the Schmiedt Collection has a simply carved hilt. The blade is well madeexample made for usage and not for dance or tourist sales, with the style with the blade tip mostclosely related to the style called leng ook mong based on research from 1888 from the Dutchresident in Koetei, where the Kayan tribe made mandaus of this form and style (Tromp 1888).The blade is a heavy example made for use, with minimal decorative fretwork or design, exceptfor the stylized finger guard called an ikang. The simple form of the blade end is referred to assong bang, according to Shelford (1901) transcribing the Kajamans of the Belaga district.Dating to the early to mid-20th century.Total Length (inside scabbard if present) : 28" Blade Length : 22" References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fÃƒÂ¼rEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Nice Indonesian MANDAU Parang Ihlang Sword ~ Borneo Dayak Headhunters ~ Late 19th - early 20th

Lot #180 (Sale Order 179 of 298)

A distinctive Bornean sword of the Iban Dayak, called a mandau, these swords arefound in institutional and private collections in varying degrees of quality. They aredistinguished by a set of similar features, all varying in the level of quality of the constructions,materials, and workmanship. The blade has a convex shape on one side and somewhat concaveon the other. The blades are often made of tempered metal and in some cases may display alamellar pattern, similar to the pamor found on Indonesian keris blades, though this is highlyuncommon. This example in the Schmiedt Collection has well carved hilt with the leech pattern in the hiltcalled (lemetek) and which is associated with blood sucking and was considered an appropriatemotif for a weapon. The blade is an especially interesting example with a wavy ricasso which isuncommon to find on Mandau swords and is reflective of an idiosyncratic style influenced byIndonesia keris. The blade tip is most closely related to the style called li-po-tong based onresearch from 1888 from the Dutch resident in Koetei, where the Kayan tribe made mandaus ofthis form and style (Tromp 1888). The many hooks and projections along the spine of the blade,according to Shelford (1901) transcribing the Kajamans of the Belaga district, are referred to assong ikang. The blade is also inlaid with brass dots and with a ride that runs from the ricasso andsegmenting the blade. This is reminiscent of the blades found on other Dayak swords like the Land Dayak parangs.The hilt of this example has a fine patina indicative of age, and also a distinct hilt form with asmall projection at the pommel.Dating to the late 19th century to early 20th century.Total Length (inside scabbard if present) : 26 3/4" Blade Length : 17 1/4"References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fÃƒÂ¼rEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th-early 20th C. MANDAU Parang Ihlang Sword ~ Borneo Dayak Headhunters ~ Superb Blade.

Lot #181 (Sale Order 180 of 298)

A distinctive Bornean sword of the Iban Dayak, called a mandau, these swords arefound throughout institutional and private collections in varying degrees of quality. They aredistinguished by a set of similar features, all varying in the level of quality of the constructions,materials, and workmanship. The mandau blade has a convex shape on one side and somewhatconcave on the other. The blades are often made of tempered metal and in some cases maydisplay a lamellar pattern, similar to the pamor found on Indonesian keris blades, though this ishighly uncommon. The hilts are often delicately and depict creatures or anthropomorphic deities.This example in the Schmiedt Collection has a well carved hilt with the leech pattern in the hiltcalled (lemetek) and which is associated with blood sucking and was considered an appropriatemotif for a weapon. The blade is an especially interesting example with a wavy ricasso which isuncommon to find on Mandau swords and is reflective of an idiosyncratic style influenced byIndonesia kris. The blade tip is most closely related to the style called li-po-tong based onresearch from 1888 from the Dutch resident in Koetei, where the Kayan tribe made mandaus ofthis form and style (Tromp 1888).The hilt of this example has a fine patina indicative of age, and also a distinct hilt form with asmall projection at the pommel, seen as fig. I in the image below from Tromp (1888). This typeof hilt likely an earlier form without the over complex carving found on early 20th century andlater examples.Dating to the late 19th Ã¢â‚¬â€œ early 20th century.Total Length (inside scabbard if present) : 28 3/4" Blade Length : 23"References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fÃƒÂ¼rEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th-early 20th C. MANDAU Parang Ihlang Sword ~ Borneo Dayak Headhunters ~ Superb Inlaid Blade.

Lot #182 (Sale Order 181 of 298)

A distinctive Bornean sword of the Iban Dayak, called a mandau, these swords arefound throughout institutional and private collections in varying degrees of quality. They aredistinguished by a set of similar features, all varying in the level of quality of the constructions,materials, and workmanship. The mandau blade has a convex shape on one side and somewhatconcave on the other. The blades are often made of tempered metal and in some cases maydisplay a lamellar pattern, similar to the pamor found on Indonesian keris blades, though this ishighly uncommon. The hilts are often delicately and depict creatures or anthropomorphic deities.This example in the Schmiedt Collection has a well carved hilt with the leech pattern in the hiltcalled (lemetek) and which is associated with blood sucking and was considered an appropriatemotif for a weapon. The blade is an especially interesting example with a wavy ricasso which isuncommon to find on Mandau swords and is reflective of an idiosyncratic style influenced byIndonesia kris. The blade tip is most closely related to the style called li-po-tong based onresearch from 1888 from the Dutch resident in Koetei, where the Kayan tribe made mandaus ofthis form and style (Tromp 1888).The hilt of this example has a fine patina indicative of age, and also a distinct hilt form with asmall projection at the pommel, seen as fig. I in the image below from Tromp (1888). This typeof hilt likely an earlier form without the over complex carving found on early 20th century and later examples.Dating to the late 19th - early 20th century.Total Length (inside scabbard if present) : 26" Blade Length : 20 1/2" References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fÃƒÂ¼rEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th-early 20th C. MANDAU Parang Ihlang Sword ~ Borneo Dayak Headhunters ~ Superb Inlaid Blade.

Lot #183 (Sale Order 182 of 298)

A distinctive Bornean sword of the Iban Dayak, called a mandau or parang ihlang,these swords are found throughout institutional and private collections in varying degrees ofquality. They are distinguished by a set of similar features, all varying in the level of quality ofthe constructions, materials, and workmanship. The Mandau blade has a convex shape on oneside and somewhat concave on the other. The blades are often made of tempered metal and insome cases may display a lamellar pattern, similar to the pamor found on Indonesian kris blades,though this is highly uncommon. The hilts are often delicately carved with creatures oranthropomorphic deities.This example in the Schmiedt Collection has finely patinated carved hilt with the leech pattern inthe hilt called (lemetek) and which is associated with blood sucking and was considered anappropriate motif for a weapon. The blade is a fine heavy example of good proportions andmade for use. The blade tip is most closely related to the style called leng-ook-mong based onresearch from 1888 from the Dutch resident in Koetei, where the Kayan tribe made mandaus ofthis form and style (Tromp 1888). The fret work along the slope of the blade, according toShelford (1901) transcribing the Kajamans of the Belaga district, is referred to as song bila.The hilt of this example has a very fine aged patina. This type of hilt likely an earlier formwithout the over complex carving found on early 20th century and later examples. The hilt wouldhave had tufts of inset hair now missing.Dating to the late 19th to early 20th century.Total Length (inside scabbard if present) : 23 1/4" Blade Length : 17 3/4" References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fÃƒÂ¼rEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good 19th-early 20th C. MANDAU Parang Ihlang Sword ~ Borneo Dayak Headhunters ~ Rare Damascus B

Lot #184 (Sale Order 183 of 298)

A distinctive Bornean sword of the Iban Dayak, called a Mandau or Parang Ihlang,these swords are found throughout institutional and private collections in varying degrees ofquality. They are distinguished by a set of similar features, all varying in the level of quality ofthe constructions, materials, and workmanship. The Mandau blade has a convex shape on oneside and somewhat concave on the other. The blades are often made of tempered metal and insome cases may display a lamellar pattern, similar to the pamor found on Indonesian kris blades,though this is highly uncommon. The hilts are often delicately with creatures oranthropomorphic deities. The scabbard are made of timber with carved panels bound with rattanand often feature various charms of esoteric and ritual importance to the owners which couldinclude tufts of hair, bits of textile, carvings in various materials, and would often include a pisoraut side knife used for whittling rattan.This example in the Schmiedt Collection is a very fine example with a beautifully patinatedcarved hilt with the leech pattern in the hilt called (lemetek) and which is associated with bloodsucking and was considered an appropriate motif for a weapon. The blade is a fine heavyexample of good proportions and made for use. The blade tip is most closely related to the stylecalled lidjib based on research from 1888 from the Dutch resident in Koetei, where the Kayantribe made mandaus of this form and style (Tromp 1888). The fret work along the slope of theblade, according to Shelford (1901) transcribing the Kajamans of the Belaga district, is referredto as song bang.The hilt of this example has a very fine age patina. This type of hilt of more complex form andcarving but nonetheless an early working life example of the late 19th to early 20th C.The scabbard of this sword also in very fine condition and carved with the leech motif and retaining the original red textile.Total Length (inside scabbard if present) : 29" Blade Length : 21 3/4"References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fÃƒÂ¼rEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th-early 20th C. MANDAU Parang Ihlang Sword ~ Borneo Dayak Headhunters ~ Superb Inlaid Blade.

Lot #185 (Sale Order 184 of 298)

A distinctive Bornean sword of the Iban Dayak, called a mandau, these swords arefound in institutional and private collections in varying degrees of quality. They aredistinguished by a set of similar features, all varying in the level of quality of the constructions,materials, and workmanship. The mandau blade has a convex shape on one side and somewhatconcave on the other. The blades are often made of tempered metal and in some cases maydisplay a lamellar pattern, similar to the pamor found on Indonesian kris blades, though this ishighly uncommon. The hilts are often delicately with creatures or anthropomorphic deities.This example in the Schmiedt Collection is a very fine example with a beautifully aged andpatinated carved hilt with the leech pattern called (lemetek) and which is associated with bloodsucking and was considered an appropriate motif for a weapon. The blade is a fine heavyexample of good proportions and made for use. The blade tip is most closely related to the stylecalled lidjib based on research from 1888 from the Dutch resident in Koetei, where the Kayantribe made mandaus of this form and style (Tromp 1888). The fret work along the slope of theblade, according to Shelford (1901) transcribing the Kajamans of the Belaga district, is referredto as song bang.The hilt of this example has a very fine age patina. This type of hilt of more complex form andcarving but nonetheless an early and working life example of the late 19th to early 20th century.The hilt has a tuft of long hair and is bound with wire and black resin as is typical.Total Length (inside scabbard if present) : 26 1/2" Blade Length : 20 3/4"References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fÃƒÂ¼rEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good 19th-early 20th C. MANDAU Parang Ihlang Sword ~ Borneo Dayak Headhunters ~ Superb Carved G

Lot #186 (Sale Order 185 of 298)

A distinctive Bornean sword of the Iban Dayak, called a mandau or parang ihlang,these swords are found throughout institutional and private collections in varying degrees ofquality. They are distinguished by a set of similar features, all varying in the level of quality ofthe constructions, materials, and workmanship. The mandau blade has a convex shape on oneside and somewhat concave on the other. The blades are often made of tempered metal and insome cases may display a lamellar pattern, similar to the pamor found on Indonesian kerisblades, though this is highly uncommon. The hilts are often delicately with creatures oranthropomorphic deities.This example in the Schmiedt Collection is a very fine example with a beautifully patinatedcarved hilt with the leech pattern in the hilt called (lemetek) and which is associated with bloodsucking and was considered an appropriate motif for a weapon. The blade is a simple formmade for usage with no embellishing fretwork or designs. The scabbard likely contemporarywith the blade and of carved wood with panels of hair or fur. The handle features a particularlyfine form of carving with the face of the hilt, the protrusion that seats the hand, showing the jawsof a creature, perhaps an alligator, and which is an uncommon carving. However, the quality ofthe workmanship and the aged patina indicate an early dating. This type of hilt of more complexform and carving but nonetheless an early and working life example of the late 19th to early 20th century.Total Length (inside scabbard if present) : 24 3/4" Blade Length : 17 3/4"References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fÃƒÂ¼rEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Unusual Mid 20th C. MANDAU Parang Ihlang Sword ~ New Guinea

Lot #187 (Sale Order 186 of 298)

A distinctive Bornean sword of the Iban Dayak, called a mandau or parang ihlang,these swords are found throughout institutional and private collections in varying degrees ofquality. They are distinguished by a set of similar features, all varying in the level of quality ofthe constructions, materials, and workmanship. The Mandau blade has a convex shape on oneside and somewhat concave on the other. The blades are often made of tempered metal and insome cases may display a lamellar pattern, similar to the pamor found on Indonesian kerisblades, though this is highly uncommon. The hilts are often delicately carved with creatures oranthropomorphic deities.This example in the Schmiedt Collection is an in situ collected example from the WWII periodand was likely a working life machete for the owner. This sword is particularly interesting anddates from one of the latest periods of Dayak headhunting during the Second World War. Thescabbard of this sword marked in ink New Guinea Aug 1944. In July and August 1944, Alliedforces invaded the island of Noemfoor, in Dutch New Guinea (now Papua, in Indonesia). Duringthe battle, Allied forces landed on the island to capture Japanese bases as part of their advancethrough the Pacific towards the Philippines. The island was later used by the Allies to supportoperations around Borneo. Interestingly this sword likely a working life machete has thestandard form of a Mandau with a replacement hilt. However the Dayak are not found in thispart of Indonesia as they are further west on the island of Borneo. This may have belonged to anative of the island or potentially something created and sold to a U.S. GI. The most likelyexplanation is that this was acquired in Borneo but which was mistakenly called New Guinea bythe writer of the inscription.The hilt of this example not finely carved, but overall an original object with an interestinghistory of acquisition.Provenance: In ink on the scabbard written New Guinea Aug 1944.Total Length (inside scabbard if present) : 31 1/4" Blade Length : 19"References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fÃƒÂ¼rEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Early 20th C. Mandau Parang Ihlang Sword

Lot #188 (Sale Order 187 of 298)

A distinctive Bornean sword of the Iban Dayak, called a Mandau or Parang Ihlang, these swords are found throughout institutional and private collections in varying degrees of quality. They are distinguished by a set of similar features, all varying in the level of quality of the constructions, materials, and workmanship. The Mandau blade has a convex shape on one side and somewhat concave on the other. The blades are often made of tempered metal and in some cases may display a lamellar pattern, similar to the pamor found on Indonesian keris blades, though this is highly uncommon. The hilts are often delicately carved with creatures or anthropomorphic deities.This example in the Schmiedt Collection has a finely carved handle with a deep used and patina. The carving has the classic elements of the leech motif, with likely aso dog/dragon motifs. The scabbard of classic form and bound with rattan and with two charms of importance to the owner. The piso raut likely not original as the handle has a non-traditional carved form and likely later to the sword. The blade is a working example, likely made for usage, and of simple parang profile with a blade edge termed long ook mong by Tromp (1888).Early 20th century.Total Length (inside scabbard if present) : 22" Blade Length : 17" References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales ArchivEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Extremely Fine 19th C. Archaic Style Philippine Moro KRIS Sword ~ Spectacular Huge Carved Pommel ~ R

Lot #189 (Sale Order 188 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, andmore numerous and therefore required greater skill to prevent the blade bouncing off or beingstuck in an enemyÃ¢â‚¬â„¢s body. The higher number of waves meant the more potent the kris was intalismanic power such as this example. Sometimes engravings (often filled in with brass or silverinlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or other esotericmotifs such as this example in the Schmiedt Collection.One of the additional ways in which origins are identified are through the design of the elephanthead trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard. CertainMindanao kris have a similar form except that the mouth is round instead of oval and is notangled. The Maguindanao form is very similar to the Sulu style with an elliptical shape but it isnot angled downwards and instead runs perpendicular to the guard. Later versions of thisgenerally exhibit a ridge which has been chiseled into the outer metal that surrounds both sidesof the mouth hollow. The Maranao form has an elongated trunk while the mouth cavity isnarrow and the lower jaw runs parallel to the guard. While Sulu and Maguindanao forms have aconcave cavity beneath the lower jaw, the Maranao form does not and instead has a protrusionthat juts out from beneath it (Cato 1996).This example in the Schmiedt Collection is a very fine early example with an oversizedjungayyan carved pommel in superb condition. The handle itself of plaited twine or jute, withchased silver bands with okir designs. The blade and filigree bands near the pommel and ganja.The 5 luk half waved- half straight blade has a fine patina and is inlaid with silver. The ganjaand cavity form indicates this is a crossover Maguindanao and Sulu origin as the blade hasdistinct elements of Malay sundangs with malela style fullering. However the form of the ganjais not directly similar to the 18th century Sulu archaic form and therefore is likely aninterpretation from another region.Dating to the 19th century.Total Length (inside scabbard if present) : 25 3/4" Blade Length :20 3/4" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the M.alay Archipelago.Edition Fichter, Frankfurt am MainDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th C. Philippine Maguindanao Moro KRIS Sword ~ Very Fine Twistcore Damascus Blade.

Lot #190 (Sale Order 189 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight, or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, and more numerous and therefore required greater skill to prevent the blade bouncing off or being stuck in an enemys body. One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical in shape. The mouth cavity and lower jaw point downwards towards the base of the guard. Certain Mindanao kris have a similar form except that the mouth is round instead of oval and is not angled. The Maguindanao form is very similar to the Sulu style with an elliptical shape but it isnot angled downwards and instead runs perpendicular to the guard. Later versions of this generally exhibit a ridge which has been chiseled into the outer metal that surrounds both sidesof the mouth hollow. The Maranao form has an elongated trunk while the mouth cavity is narrow and the lower jaw runs parallel to the guard. While Sulu and Maguindanao forms have aconcave cavity beneath the lower jaw, the Maranao form does not and instead has a protrusion that juts out from beneath it (Cato 1996).This example in the Schmiedt Collection is a good early example with a classic Sulu style kakatua form pommel. The handle itself of plaited twine or jute, with silver bands. The 7 luk wavey blade has a fine patina and demonstrates a complex lamellar pattern showing a hardened edge with lamellation in the center portion. The ganja and cavity form seems to indicate this is of Sulu origin but not as early as the classic archaic style.Dating to the late 19th century.Total Length (inside scabbard if present) : 28 1/4" Blade Length : 23"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th C. Archaic Philippine Sulu Moro KRIS Sword ~ Very Fine Twistcore Damascus Blade.

Lot #191 (Sale Order 190 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. The higher number of waves meant the morepotent the kris was in talismanic power such as this example. Higher quality kris would be madeof a special type of forging called twistcore by especially skilled Pandays, Moro bladesmiths.Twistcore blades were formed through stacking a set of a set of iron rods that would each betwisted, and depending upon the ultimate pattern desired, the rods be twisted either to the left orright or allowed to remain straight along the length of the rod. Rods with matching orcomplementary twist patterns could be installed side-by-side into an iron billet which was thenforged into a sword blade. After grinding away the outer surfaces of the rods this would disclosea pattern in the iron (Jones). Moro swords with twistcore blades are uncommon and consideredsome of the highest quality Moro arms.This example in the Schmiedt Collection is a fine early example of an Ã¢â‚¬Å“archaicÃ¢â‚¬Â form Moro kriswith a classic Sulu style kakatua form pommel. This form of kris with deeper waved blades,almost always with a kakatua pommel, and often in richly patterned wood with chatoyancy areconsidered Ã¢â‚¬Å“archaicÃ¢â‚¬Â or 18th to 19th century forms (Cato 1996). The handle of the kris in plaitedtwine or jute, with silver bands including an octagonal form at the base of the handle that is adistinctive Sulu stylistic attribute. A more ornate Sulu kris is illustrated in Wetzler (2020) andwhich has this similar angularity to the grip. The 7 luk blade is a superb example of a twistcorestyle blade with an archaic shape indicated by the fullering at the base of the blade, the ganja,and the general twist core pattern. While the style is in the archaic form, archaic blades oftendisplay softer wave crests while the base crest on this blade is more angular in form andtherefore pushes this example into the 19th century as opposed to an 18th century dating.19th century.Total Length (inside scabbard if present) : Blade Length : References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main7. Jones, L. Blade Patterns Intrinsic to Steel Edged Weapons.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Scarce 19th C. Philippine Sulu Moro BANGKUNG Sword ~ Layered Damascus Blade.

Lot #192 (Sale Order 191 of 298)

A rare and distinct form of a Moro sword, called a bangkung. The bangkung is a short, single-edged weapon that varies from 20 to 30 inches in length. Close to the hilt, the laminated blade is thick and narrow increasing in width towards the tip. The cutting edge often has a slight upward curve. Hilts on older bangkung were of the cockatoo style with a metal sleeve similar to the barung, like the example of the Schmiedt Collection, while those made sincethe mid-20th century have horse hoof pommels wrapped with braided cord. The bangkung is a rare sword and is most closely associated with the Sulu Moros and the Yakan.This particular form was not used by the Mindanao Moro. The origin of the sword is mostclosely related to Indonesian swords from regions south of the Moro lands and the closestparallel are the numerous form of klewang and kampilan derivations of the Celebes and Timor.On this example, the rounded blade is distinctly non-Moro in form and derives from Indonesian prototypes (Cato 1996).This example in the Schmiedt Collection is in fine condition with a well-toned wooden grip, brass ferrule with no damage and a finely patterned iron blade with a down curved edge.Total Length (inside scabbard if present) : 25 1/4" Blade Length : 19 3/4" References:1. Cato, R. (1996) Moro Swords. Graham Brash2. Macau Museum of Art. (2007). History of Steel in Eastern Asia A View on theDevelopment of Weaponry. Macau Museum of Art.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Fine 19th C. Philippine Talismanic Datu's Moro KRIS Sword ~ Fabulous Large Carved Pommel ~ Engr

Lot #193 (Sale Order 192 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight, or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, and more numerous and therefore required greater skill to prevent the blade bouncing off or being stuck in an enemys body. The higher number of waves meant the more potent the kris was in talismanic power such as this example. Sometimes engravings (often filled in with brass or silver inlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or other esoteric motifs such as this example in the Schmiedt Collection.One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard. Certain Mindanao kris have a similar form except that the mouth is round instead of oval and is notangled. The Maguindanao form is very similar to the Sulu style with an elliptical shape but it is not angled downwards and instead runs perpendicular to the guard. Later versions of thisgenerally exhibit a ridge which has been chiseled into the outer metal that surrounds both sides of the mouth hollow. The Maranao form has an elongated trunk while the mouth cavity isnarrow and the lower jaw runs parallel to the guard. While Sulu and Maguindanao forms have a concave cavity beneath the lower jaw, the Maranao form does not and instead has a protrusionthat juts out from beneath it (Cato 1996).This example in the Schmiedt Collection is a very fine example with a highly uncommon carved wood jungayyan pommel, and featuring an engraved blade. The grip with silver okir chasedbands and plaited gilded silver interspersed between the bands. The 13 luk blade is a good fighting example and is chased with talismanic designs and inlaid script. The primary scripts in the Moro regions up until and during the Spanish conquest was Jawi, Kawi, or Arabic which are not pictographic and another major script was Eskaya. Moro blades with talismanicdesigns are not unknown. Often the blades would have Islamic or traditional talismanic imagery and surrounding those would be numerous groupings of letters and numbers. These are notintended to be read, but were probably chosen in accordance with formulas derived from an Arabic book of talismans. Belonging to the gray area between magic, folk beliefs, and religion, talismans were published in Arabic books as early as the fourteenth century and are still used in some parts of the Islamic world today. Each letter and number in such a system has a mystical significance. Arranged in specific combinations, sometimes in conjunction with Qur'anic passages and other pious phrases, talismans are believed to ward off various dangers. Moroblades are known to be inlaid, most often in silver, with various talismanic designs in some cases reflecting the arms of the Prophet Muhammad, including a well-known barong in theMetropolitan Museum of Art collection (LaRocca 1996).Dating to the 19th century.Total Length (inside scabbard if present) : 29 1/2" Blade Length : 22 3/4"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main7. LaRocca, D. (1996) The Gods of War: Sacred Imagery and the Decoration of Armsand Armor. Metropolitan Museum of Art.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Extremely Rare 19th C. Philippine Sulu Moro KRIS Sword ~ Engraved with Spanish Inscription FOR MY LA

Lot #194 (Sale Order 193 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight, or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, and more numerous and therefore required greater skill to prevent the blade bouncing off or being stuck in an enemys body. Other forms of blades are straight and even this form can be found on very high quality kris which were not relegated to waved blades. Sometimes engravings (often filled in with brass or silver inlay) are found on the blade in okir motifs (vines, foliage, etc.),Arabic script, or other esoteric motifs such as this example in the Schmiedt Collection. In rare cases European or other blades could be repurposed and re-forged into the Moro blade form. Moro kris can also be identified regionally by the design of the elephant head trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical in shape. The mouth cavity andlower jaw point downwards towards the base of the guard. Certain Mindanao kris have a similar form except that the mouth is round instead of oval and is not angled. The Maguindanao form is very similar to the Sulu style with an elliptical shape but it is not angled downwards and instead runs perpendicular to the guard. Later versions of this generally exhibit a ridge which has been chiseled into the outer metal that surrounds both sides of the mouth hollow. The Maranao form has an elongated trunk while the mouth cavity is narrow and the lower jaw runs parallel to the guard. While Sulu and Maguindanao forms have a concave cavity beneath the lower jaw, the Maranao form does not and instead has a protrusion that juts out from beneath it (Cato 1996).This example in the Schmiedt Collection is a very fine example with a highly uncommon blade of early form with a straight ganja, as opposed to later ganja forms which are welded with anangle at the fretwork to the main part of the blade. The asang-asang appears to be suasa, an indication of quality, while the handle is wrapped in jute. In this blade there appears to be araised ricasso which may indicate that the blade is a captured and repurposed Spanish blade and forged in the Moro form with a ganja. The blade has a long fuller which is known on other Moroblades and is engraved Por Mi Lei Y Por Mi Rei which translates roughly to "For My Law and for My King". The inscription is interesting as it approximates the kind of inscriptions found onSpanish blades of the 18th century on so-called Bilbo swords. However those are spelled with the form "Rey not Rei. An interesting blade and potentially later inscribed by a Spanish or even American soldier on its capture. The overall form based on the cavity and the pommel is potentially from the Sulu Moros.Dating to the 19th century.Total Length (inside scabbard if present) : 28 1/2" Blade Length : 21 1/2"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main7. The Metropolitan Museum of Art (1996) The Gods of War: Sacred Imagery and theDecoration of Arms and Armor. Metropolitan Museum of Art.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Nice 19th C. Archaic Twistcore Damascus Philippine Moro KRIS Sword

Lot #195 (Sale Order 194 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctly larger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials. Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved half-straight, or straight in which case they were more practical in combat. Older kris had fewer waves and the waves were deeper and wider. Higher quality Moro kris would be mounted with twistcore blades were formed through stacking a set of a set of iron rods that would each be twisted, and depending upon the ultimate pattern desired, the rods be twisted either to the left or right or allowed to remain straight along the length of the rod. Rods with matching or complementary twist patterns could be installed side-by-side into an iron billet which was then forged into a sword blade. After grinding away the outer surfaces of the rods this would disclose a pattern in the iron (Jones).One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical in shape. The mouth cavity and lower jaw point downwards towards the base of the guard. Certain Mindanao kris have a similar form except that the mouth is round instead of oval and is not angled. The Maguindanao form is very similar to the Sulu style with an elliptical shape but it is not angled downwards and instead runs perpendicular to the guard. Later versions of this generally exhibit a ridge which has been chiseled into the outer metal that surrounds both sides of the mouth hollow. The Maranao form has an elongated trunk while the mouth cavity is narrow and the lower jaw runs parallel to the guard. While Sulu and Maguindanao forms have a concave cavity beneath the lower jaw, the Maranao form does not and instead has a protrusion that juts out from beneath it (Cato 1996).This example in the Schmiedt Collection is a good early example with a classic Sulu style kakatua form pommel. The handle itself of plaited twine, with very clean cast silver bands at the base of the handle and pommel that are a distinctive Sulu stylistic attribute. The double asang-asang are in silver and finely formed. A more ornate Sulu kris is illustrated in Wetzler (2020) and which has this angularity to the grip. The 5 luk blade is a superb example of a twistcore steel blade with an archaic shape indicated by the fullering at the base of the blade, the ganja, and the twistcore pattern. While the style is in the archaic form, archaic blades often display softer wave crests while the base crest on this blade is more angular in form and therefore pushesthis example into the 19th century as opposed to an 18th century dating. Furthermore, the handle and kakatua have a flatter form on the sides, also indicating slightly later dating than the 18th century.Dating to the 19th century.Total Length (inside scabbard if present) : 28" Blade Length : 21 1/4"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San Francisco Craft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum of Cultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of the Philippine islands in the United States National museum. Washington: Govt. Print. Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art. Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago. Edition Fichter, Frankfurt am Main7. Jones, L. Blade Patterns Intrinsic to Steel Edged Weapons,Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Extremely Rare 18th C. Archaic Twistcore Damascus Moro KRIS Sword ~ Enamel Inlaid Blade ~ Fine Carve

Lot #196 (Sale Order 195 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has alwaysbeen the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight, or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Especially high quality Moro kris would be mounted with twistcore blades. Twistcore blades were formed through stacking a set of a set ofiron rods that would each be twisted, and depending upon the ultimate pattern desired, the rods be twisted either to the left or right or allowed to remain straight along the length of the rod.Rods with matching or complementary twist patterns could be installed side-by-side into an iron billet which was then forged into a sword blade. After grinding away the outer surfaces of therods this would disclose a pattern in the iron (Jones).One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard. Certain Mindanao kris have a similar form except that the mouth is round instead of oval and is not angled. The Maguindanao form is very similar to the Sulu style with an elliptical shape but it is not angled downwards and instead runs perpendicular to the guard. Later versions of this generally exhibit a ridge which has been chiseled into the outer metal that surrounds both sides of the mouth hollow. The Maranao form has an elongated trunk while the mouth cavity is narrow and the lower jaw runs parallel to the guard. While Sulu and Maguindanao forms have a concave cavity beneath the lower jaw, the Maranao form does not and instead has a protrusion that juts out from beneath it (Cato 1996).This example in the Schmiedt Collection is a very early example with a classic Sulu style kakatua form pommel and a very old twistcore Sulu archaic blade. The handle itself of plaitedtwine, with very elegant cast silver bands. The 5 luk blade is a superb example of a twistcore steel blade with an archaic shape indicated by the curvature of the waves and the old wear of theblade, though the twistcore can still be clearly seen. This kris is likely a very early example judging by the smaller size and the very early form blade.Dating to the 18th century.Total Length (inside scabbard if present) : 22 1/4" Blade Length : 18 3/4" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main7. Jones, L. Blade Patterns Intrinsic to Steel Edged Weapons.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Superb 19th C. Philippine Moro Ball Pommel BARONG Sword ~ Dramatic Pattern Damascus Blade

Lot #197 (Sale Order 196 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sultanate area called a barong. These swords have a distinctive form that is specific to this region of South East Asia and the southern Philippines, though it is believed that they are related to the Indonesian badik knife, though in a greatly expanded and enlarged form. The barong has a distinct leaf shaped blade which is an effective cutting and slicing form, and may be used for stabbing depending on the profile the smith develops. Barong blades are oftenthick and heavy with the weight aiding in the slicing capability of this sword. Finer barongs would be made of rare materials, such as this example, and could even come in various pommelforms. While most barongs take the form of the kakatua, and the jungayan (elongated) version reserved for especially high ranking Moros, there are examples with distinctly idiosyncraticform, such as this ball pommel barong.This example in the Schmiedt Collection is an exceptional quality barong, with a handle and pommel of finely carved materials, with a silver ferrule. The blade is of classic lengthy form,displaying elements of lamellar construction. The two examples in the Schmiedt Collection with ball pommels are the only two known of this form of barong and display all of the elements ofconstruction indicating they are original and early forms. The ball pommel is not unknown on other Moro swords and there are Moro kris with ball pommels. It is possible that the Datu thatcommissioned this example was enamored with the form.Total Length (inside scabbard if present) : 26 1/4" Blade Length : 17"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History3. Combes, F. (1667) Historia de Mindanao y Jol por el p. Francisco Combs Obrapublicada en Madrid en 1667, y que ahora con la colaboracin del p. Pablo Pastells saca nuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off..5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Tom, P. (2001) Notable sabers of the Qing Dynasty at Metropolitan Museum of Art.The Metropolitan Museum Journal. 367. Hurley, V. (1936). Swish of the Kris; The Story of the Moros. E.P. Hutton8. Philippine Uprisings and Campaigns from July 5, 1902 to December 31, 1913:Hearing Seventy-sixth Congress, Third Session, on H.R. 7693, a Bill GrantingPensions and Increase of Pensions to Certain Soldiers, Sailors, and Marines whoServed in the Philippine Uprisings and Campaigns from July 5, 1902, to December31, 1913, and for Other Purposes.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Exceptionally Fine 19th C. Philippine Moro Datu's BARONG Sword ~ Fabulous Carved Pommel ~ Silver Gri

Lot #198 (Sale Order 197 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sultanatearea called a barong. These swords have a distinctive form that is specific to this region of South East Asia and the southern Philippines, though it is believed that they are related to theIndonesian badik knife, though in a greatly expanded and enlarged form. The barong has a distinct leaf shaped blade which is an effective cutting and slicing form, and may be used for stabbing depending on the profile the smith develops. Barong blades are often thick and heavy with the weight aiding in the slicing capability of this sword. Older blades canrange from small lengths of upwards to 22in which is uncommon. In some cases barong blades are also patterned in lamellar patterns and in rarer examples with twistcore iron. Some bladeswere also known to either have been traded from China, and are marked with a series of Chinese character, or were marked by Moro smiths as a mark of quality with pseudo-marks which areunintelligible. The handles are simple in design except in the pommel which in some examples has a distinctiveinterpretation of a cockatua showing a vestigial appropriation of the form. Often handles would be made from finely patterned wood representing the social class of the owner. Especially fine Datus examples would be made of rare materials such as this example in the Schmiedt Collection.This example in the Schmiedt Collection is of very fine quality workmanship and likely a Datus barong and displays a form of the jungayyan cockatoo with a finely chiseled and carved forminlaid with dark dots. The grip with an additional chiseled silver grip and a suasa ferrule. The blade of classic barong profile, with a thick spine and displaying a lamellar pattern. The scabbard finely formed with a carved throat form and chape in well patterned wood.19th centuryTotal Length (inside scabbard if present) : 23 1/2" Blade Length : 12 3/4"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History3. Combes, F. (1667) Historia de Mindanao y Jo, por el p. Francisco Combs Obrapublicada en Madrid en 1667, y que ahora con la colaboracin del p. Pablo Pastellssaca nuevamente Ãƒ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Fine 19th C. Philippine Moro Datu's BARONG Sword ~ Engraved Blade ~ Fabulous Carved Pommel.

Lot #199 (Sale Order 198 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sultanate area called a barong. These swords have a distinctive form that is specific to this region of South East Asia and the southern Philippines, though it is believed that they are related to the Indonesian badik knife, though in a greatly expanded and enlarged form. The barong has a distinct leaf shaped blade which is an effective cutting and slicing form, and may be used for stabbing depending on the profile the smith develops. Barong blades are often thick and heavy with the weight aiding in the slicing capability of this sword. Older blades can range from small lengths of 8 upwards to 22which is uncommon. In some cases barong blades are also patterned in lamellar patterns and in rarer examples with twistcore iron. Some blades were also known to either have been traded from China, and are marked with a series of Chinesecharacters, or were marked by Moro smiths as a mark of quality with pseudo-marks which are unintelligible.The handles are simple in design except in the pommel which in some examples has a distinctive interpretation of a cockatua showing a vestigial appropriation of the form. Often handles would be made from finely patterned wood representing the social class of the owner. Especially fine Datus examples would be made of rare materials such as this example, such as this example in the Schmiedt Collection.This example in the Schmiedt Collection is of very fine quality workmanship and likely a Datus barong and displays a form of the jungayyan cockatoo with a finely chiseled and carved form.The grip with additional chiseled silver fittings connecting the pommel and grip, and with a tarnished brass ferrule. The blade of classic barong profile, with a thick spine and displaying delicate okir engraving, a highly uncommon feature on a barong which normally do not have any blade decoration.Late 19th - very early 20th century.Total Length (inside scabbard if present) : Blade Length : References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History3. Combes, F. (1667) Historia de Mindanao y JolÃƒÂ³, por el p. Francisco CombÃƒÂ©s ... Obrapublicada en Madrid en 1667, y que ahora con la colaboraciÃƒÂ³n del p. Pablo Pastells ...saca nuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off..5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Extremely Rare 19th C. Ball Pommel Philippine Moro BARONG Sword ~ Maker Marked Fenomenal & Unique Da

Lot #200 (Sale Order 199 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sultanate area called a barong. These swords have a distinctive form that is specific to this region of South East Asia and the southern Philippines, though it is believed that they are related to the Indonesian badik knife, though in a greatly expanded and enlarged form. The barong has a distinct leaf shaped blade which is an effective cutting and slicing form, and may be used for stabbing depending on the profile the smith develops. Barong blades are oftenthick and heavy with the weight aiding in the slicing capability of this sword. Finer barongs would be made of rare materials, such as this example, and could even come in various pommel forms. While most barongs take the form of the kakatua, and the jungayan (elongated) version reserved for especially high ranking Moros, there are examples with distinctly idiosyncraticform, such as this ball pommel barong.This example in the Schmiedt Collection is an exceptional quality barong, with a pommel of finely carved materials, with a silver ferrule and rattan binding. The blade shorter than the otherSchmiedt Collection examples and stamped with a chop mark of Chinese, or pseudo-Chinese characters indicating the quality of the blade. The blade displays an interesting checkerboardpattern which indicates a wide twistcore pattern. The two examples in the Schmiedt Collection with ball pommels are the only two known of this form of barong and display all of the elements of construction indicating they are original and early forms. The ball pommel is not unknown on other Moro swords and there are Moro kris with ball pommels. It is possible that the Datu that commissioned this example was enamored with the form.Truly a Museum-worthy example. Late 19th century.Total Length (inside scabbard if present) : 18 1/2" Blade Length : 12 3/4"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum of CulturalHistory3. Combes, F. (1667) Historia de Mindanao y Jo, por el p. Francisco Combs ... Obrapublicada en Madrid en 1667, y que ahora con la colaboracin del p. Pablo Pastells ... sacanuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]4. Krieger, H. W. (1926). The collection of primitive weapons and armor of the Philippineislands in the United States National museum. Washington: Govt. Print. Off..5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art. Macau6. Tom, P. (2001) Notable sabers of the Qing Dynasty at Metropolitan Museum of Art. TheMetropolitan Museum Journal. 367. Hurley, V. (1936). Swish of the Kris; The Story of the Moros. E.P. HuttonDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good Early 20th C. Philippine Moro Datus Moro KRIS Sword ~ Sulu, Maguidanao ~ Rare Twis

Lot #201 (Sale Order 200 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight, or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, and more numerous and therefore required greater skill to prevent the blade bouncing off or being in an enemys body. The higher number of waves meant the more potent the kris was intalismanic power such as this example. Sometimes engravings (often filled in with brass or silver inlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or other esotericmotifs such as this example in the Schmiedt Collection.One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard. Certain Mindanao kris have a similar form except that the mouth is round instead of oval and is notangled. The Maguindanao form is very similar to the Sulu style with an elliptical shape but it is not angled downwards and instead runs perpendicular to the guard. Later versions of thisgenerally exhibit a ridge which has been chiseled into the outer metal that surrounds both sides of the mouth hollow. The Maranao form has an elongated trunk while the mouth cavity isnarrow and the lower jaw runs parallel to the guard. While Sulu and Maguindanao forms have a concave cavity beneath the lower jaw, the Maranao form does not and instead has a protrusionthat juts out from beneath it (Cato 1996).This example in the Schmiedt Collection is a fine example of Datus Sulu or Mindanao kris with a fine 13 luk waved blade. The fine carved jungayyan form hilt with a brass or gilded silverfiligree handle. The handle is mounted with silver bands interspersed with filigree and granulation work in the Malay manner known as telur ikan ('fish egg'). This form ofgrip with filigree work is associated with 20th century workmanship but the overall style is likely early 20th century. The blade is interesting as the ganja appears to not be separately forged which is common on early 20th century or earlier kris, but the kris otherwise displays features of quality of non-commercial kris.Likely early 20th century.Total Length (inside scabbard if present) : 28" Blade Length : 22 3/4" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am MainDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Unusual 19th-early 20th C. Philippine Talismanic Moro KRIS Sword ~ Rare Copper Inlaid Twistcore Dama

Lot #202 (Sale Order 201 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight, or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, and more numerous and therefore required greater skill to prevent the blade bouncing off or being stuck in an enemys body.One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard. Certain Mindanao kris have a similar form except that the mouth is round instead of oval and is notangled. The Maguindanao form is very similar to the Sulu style with an elliptical shape but it is not angled downwards and instead runs perpendicular to the guard. Later versions of thisgenerally exhibit a ridge which has been chiseled into the outer metal that surrounds both sides of the mouth hollow. The Maranao form has an elongated trunk while the mouth cavity isnarrow and the lower jaw runs parallel to the guard. While Sulu and Maguindanao forms have a concave cavity beneath the lower jaw, the Maranao form does not and instead has a protrusionthat juts out from beneath it (Cato 1996).This example in the Schmiedt Collection is a fine example with a classic Maranao style fighting kris with a talismanic silver inlaid blade. The plain tubular handle with a carved pommel isclassic for fighting examples and in this case wrapped in blackened twine. The blade is a straight form with a double fuller starting approximately one quarter of the length of the blade from the ganja, and inlaid with talismanic arrows, an indication of the quality of the workmanship.According to Cato (1996) these talismanic inlays are potentially indicative of esoteric ceremonies that trapped magic or spirits in the blade.Late 19th to early 20th century.Total Length (inside scabbard if present) : 27 1/4" Blade Length : 23 3/4"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Superb 19th-early 20th C. Philippine Moro Datu

Lot #203 (Sale Order 202 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight, or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, and more numerous and therefore required greater skill to prevent the blade bouncing off or being stuck in an enemys body. The higher number of waves meant the more potent the kris was in talismanic power such as this example. Sometimes engravings (often filled in with brass or silver inlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or other esoteric motifs.One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard. Certain Mindanao kris have a similar form except that the mouth is round instead of oval and is notangled. The Maguindanao form is very similar to the Sulu style with an elliptical shape but it is not angled downwards and instead runs perpendicular to the guard. Later versions of thisgenerally exhibit a ridge which has been chiseled into the outer metal that surrounds both sides of the mouth hollow (Cato 1996).This example in the Schmiedt Collection is a fine example of a Maguindanao or Sulu fighting kris with a finely carved danganan oversized kakatua pommel. The handle has silver bands withchased okir designs interspersed with braided silver wire. The double asang asang clamps are silver and original to the sword. The 9 luk blade displays a fine lamellar pattern and is a widelater form, likely Maguindanao in origin judging by the cavity form. Judging by the quality of the hilt this is a Datus kris.Late 19th to early 20th century.Total Length (inside scabbard if present) : 25 1/2 Blade Length : 21"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare and Fine 19th C. Philippine Moro Datu's KRIS Sword ~ Superb Twistcore Damascus Blade ~ Exquisit

Lot #204 (Sale Order 203 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight, or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, and more numerous and therefore required greater skill to prevent the blade bouncing off or being stuck in an enemys body. The higher number of waves meant the more potent the kris was in talismanic power such as this example. Sometimes engravings (often filled in with brass or silver inlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or other esoteric motifs such as this example in the Schmiedt Collection. Kris from Borneo are also known as as Malay kris they are called sundang. Their stylistic features are similar in most respects to Moro kris from Sulu and Mindanao, but display different design elements more reflective of influencesfrom the Dayak and Chinese communities.This example in the Schmiedt Collection is an important example featuring a number of idiosyncratic design elements with exceptional quality workmanship. The overall form is difficult to attribute exactly but the quality of the chiseling and the form of the handle with an offset pommel potentially indicates Sulu workmanship or North Bornean workmanship influenced by the diaspora Chinese communities. The carving of the pommel is not present on other known extant examples and appears to be a combination stylistically of the classic Sulu horse hoof and a jawa demam or garuda hilt due to the distinct angle of the pommel. The 3 luk blade is an exceptional twistcore blade with a finely controlled pattern, sharp fullering, and delicate angular waves indicating an earlier dating.Dating to the early- mid 19th century.Total Length (inside scabbard if present) : 23 3/4" Blade Length : 19 3/4"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Combes, F. (1667) Historia de Mindanao y Jol, por el p. Francisco Comb ... Obrapublicada en Madrid en 1667, y que ahora con la colaboracin del p. Pablo Pastells ...saca nuevamente ÃƒÂ¡ luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]5. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.6. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau7. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Fine 19th C. Philippine Sulu Moro Datu's Talismanic KRIS Sword ~ Superb Silver Inlaid Damascus

Lot #205 (Sale Order 204 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight, or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Sometimes engravings (often filled in with brass or silver inlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or other esoteric motifs such as this example in the Schmiedt Collection. Most commonly found are inlaid silver dots. This form of decoration is also found on Bornean Dayak swords, but not onother Philippine swords from other regions beside the Moro lands. The decoration therefore is likely influenced from the Borneo Dayak swords, though the forms of the blades are distinctlyMoro.One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard. Certain Mindanao kris have a similar form except that the mouth is round instead of oval and is notangled. While Sulu and Maguindanao forms have a concave cavity beneath the lower jaw, the Maranao form does not and instead has a protrusion that juts out from beneath it (Cato 1996).This example in the Schmiedt Collection is a superb example of a high quality Sulu kris dating to the 19th century. This style of blade hearkens to the archaic form from the 18th century but islarger indicating 19th century workmanship. The pommel is a beautifully carved danangan form with an oversized kakatua. The handle is very finely wrapped in darkened twine and set withsilver rings and pommel and guard bands. The 5 luk blade is a superb example, displaying lamellation beneath the silver inlay decoration. This is one of the most decorated of this form ofblade displaying silver inlaid dots on almost every portion of the blade surface which is then engraved underneath the silver inlay.Dated 19th century.Total Length (inside scabbard if present) : 25 1/2" Blade Length : 21 1/4"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good 19th C. Philippine Sulu Moro Datu's Talismanic KRIS Sword ~ Rare Copper Inlaid Twistcore D

Lot #206 (Sale Order 205 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight, or straight in which case they were more practical in combat. The higher number ofwaves meant the more potent the kris was in talismanic power such as this example. Sometimes engravings (often filled in with brass or silver inlay) are found on the blade in okir motifs (vines,foliage, etc.), Arabic script, or other esoteric motifs such as this example in the Schmiedt Collection.One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard. Certain Mindanao kris have a similar form except that the mouth is round instead of oval and is notangled. The Maguindanao form is very similar to the Sulu style with an elliptical shape but it is not angled downwards and instead runs perpendicular to the guard (Cato 1996).This example in the Schmiedt Collection is a superb example of a high quality Sulu or Maguindanao kris dating to the 19th century. This style of blade hearkens to the archaic form from the 18th century with fullering at the ricasso but is larger and indicates 19th or early 20th workmanship. The pommel is a beautifully carved danangan form with an oversized kakatua. The handle wrapped in silver okir chased bands, a Maguindanao feature. The 5 luk blade is a fine example, displaying lamellation beneath the silver inlay decoration and with a thin elegant double fuller culminating at the end of the fullers pointing outwards.Dating from mid to late 19th century.Total Length (inside scabbard if present) : 30" Blade Length : 25"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 18th C. Damascus Blade on Early 20th C. Philippine Sulu Moro Datu's KRIS Sword ~ Fine Large Car

Lot #207 (Sale Order 206 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of all foliage, etc.), Arabic script, or other esoteric motifs such as this example in the Schmiedt Collection. Many kris blades are forged with fullers and these are likely heavily influenced by Malay style keris called malela keris.One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard (Cato 1996).This example in the Schmiedt Collection is an interesting example of a high quality archaic Sulu kris likely mounted with early 20th century pommel and handle. The 5 luk blade is an earlyexample, 18th century, displaying a worn surface but which displays a latent twistcore pattern. The ganja of this blade has been mounted in copper or suasa wrapping which is an uncommon feature on kris of any period. The handle is mounted with silver bands interspersed with filigree and granulation work in the Malay manner known as telur ikan ('fish egg').Blade dates to the 18th century or earlier, comprehensively early 20th century. Total Length (inside scabbard if present) : 24 1/2" Blade Length : 20"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good 19th C. Philippine Maguindanao Datu's KRIS Sword ~ Twistcore Damascus Blade ~ Fine Large C

Lot #208 (Sale Order 207 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight, or straight in which case they were more practical in combat. Sometimes engravings(often filled in with brass or silver inlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or other esoteric motifs such as this example in the Schmiedt Collection.Many kris blades are forged with fullers and these are likely heavily influenced by Malay style keris called malela keris.One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. The Maguindanao form is very similar to the Sulu style with an elliptical shape but it is not angled downwards and instead runs perpendicular to the guard. Later versions of this generally exhibit a ridge which has been chiseled into the outer metal that surrounds both sides of the mouth hollow (Cato 1996).This example in the Schmiedt Collection is an interesting example of a high quality Maguindanao kris likely mounted in the early 20th century with silver and suasa grip bands. The suasa bands are chased with okir designs of classic Mindanao style. The pommel is finely aged and carved with a deep patina. The 17 luk blade has a flattened cross section without fullers and likely Maguindanao in origin judging by the elephant trunk cavity. Overall a high quality kris of Datu level workmanship.Dates from late 19th to early 20th century.Total Length (inside scabbard if present) : 27 1/2" Blade Length : 22 1/4"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good 19th C. Philippine Maguindanao Datu's KRIS Sword ~ Twistcore Damascus Blade ~ Fine Large C

Lot #209 (Sale Order 208 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight, or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Sometimes engravings (often filled in with brass or silver inlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or other esoteric motifs such as this example in the Schmiedt Collection. Kris such as this example inlaidwith silver dots are influenced by the blades of the Dayak in Borneo which also feature inlays ofbrass or silver of circles or other forms, though Moro kris generally have larger silver inlay. One of the ways to identify the origin of a kris is through the design of the elephant head trunkand cavity of the ganja. The Maguindanao form is very similar to the Sulu style with an elliptical shape but it is not angled downwards and instead runs perpendicular to the guard. Laterversions of this generally exhibit a ridge which has been chiseled into the outer metal that surrounds both sides of the mouth hollow. The Maranao form has an elongated trunk while themouth cavity is narrow and the lower jaw runs parallel to the guard. While Sulu and Maguindanao forms have a concave cavity beneath the lower jaw, the Maranao form does not and instead has a protrusion that juts out from beneath it (Cato 1996).This example in the Schmiedt Collection is an interesting example of a high quality Maguindanao kris likely mounted in the early 20th century with silver and suasa grip bands. The silver bands are very finely chased with okir designs of classic Mindanao style while the braided wire appears to be suasa metal. The pommel is finely aged and carved with a deep patina. The straight fighting blade has a flattened oval cross section without fullers, and is inlaid with silver dots and likely Maguindanao in origin judging by the elephant trunk cavity. The blade also have a linear damascus lamellar pattern.A high quality kris of Datu level workmanship.Dates from late 19th to early 20th century.Total Length (inside scabbard if present) : 29" Blade Length : 23 3/4" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Outstanding 19th C. Philippine Maguindanao Datu's KRIS Sword ~ Museum Quality Twistcore Damascus Bla

Lot #210 (Sale Order 209 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight, or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, and more numerous and therefore required greater skill to prevent the blade bouncing off or being stuck in an enemys body. The higher number of waves meant the more potent the kris was in talismanic power such as this example. Sometimes engravings (often filled in with brass or silver inlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or other esoteric motifs such as this example in the Schmiedt Collection.One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. The Maranao form has an elongated trunk while the mouthcavity is narrow and the lower jaw runs parallel to the guard. While Sulu and Maguindanao forms have a concave cavity beneath the lower jaw, the Maranao form does not and instead has a protrusion that juts out from beneath it (Cato 1996).In some Moro swords, one finds the use of twistcore designs in the iron. Twistcore iron is not solely relegated to use by Moro bladesmiths, also called pandays, but can be found in othercultures as disparate as the Vikings, China, and elsewhere. However, Moro swords with twistcore designs are desirable based on the quality of the pandays workmanship. The twistcoredesign in the iron is inherent to the structure of the blade and serves not only the purpose of creating a beautiful design but also to strengthen the blade. The twisted rod technique by whichthis pattern has been achieved is also called a pattern-welding. All of the patterns seen on Moro kris, and other swords with twistcore designs are built up from rods composed of several,frequently up to seven, alternating layers of varyingly dissimilar irons. Because the trace elements in the iron vary from one to one, when they are twisted, welded together, forged intoshape, and then cleaned and etched, the designs in the iron will stand out in lighter and darker tones. Rods with matching or complementary twist patterns were usually installed side-by-sideinto the sword blade and on grinding away the outer surfaces of such rods the blade would display a series of patterns (Jones).This example in the Schmiedt Collection is one of the most superb examples of twistcore on a Moro kris displaying an exceptionally fine control of the iron by the panday. The blade is a deceptively simple straight fighting blade but with a core of twisted steel and a series of fullers on the lower portion serving to frame the twistcore pattern. The straight handle mounted inchiseled silver bands and silver braids is capped with a carved pommel. The overall form of the ganja and handle indicate a Maranao origin based on similar examples.An exceptional Maranao kris of Datu level workmanship.Dates to 19th century.Total Length (inside scabbard if present) : 26 1/2" Blade Length : 23 1/4"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare Variant 19th C. Philippine Sulu Moro KRIS Sword ~ Fine Pimmel & Silver Mounts ~ Early Twistcore

Lot #211 (Sale Order 210 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctly larger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials. Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewer waves and the waves were deeper and wider. One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard (Cato1996).This example in the Schmiedt Collection features a rare variant of handle form considered Sulu in origin (Cato 1996: pl. 47). In this case the carved cone like pommel indicates a Sulu origin forthe sword, which is supported by the ganja form of the blade. The handle also mounted with flattened silver bands and braided wire of fine workmanship. The 5 luk blade is finely craftedwith shallow undulating waves and inlaid with a series of talismanic overlapping circles at the ricasso. A fine Sulu kris of Datu level workmanship.Dates to 19th century, blade possibly earlier.Total Length (inside scabbard if present) : 29 1/4" Blade Length : 23 3/4"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Fabulous 19th-early 20th C. Indonesian KERIS Dagger ~ Bugis or Minangkabau ~Fine Carved Mounts ~ Ear

Lot #212 (Sale Order 211 of 298)

Keris from the Minangkabau often resemble in form the Bugi style keris of Sumatra. The classic form of the Minankabau keris has a pistol grip shaped hilt called a kerdas and which is also found on Bugis keris. Keris daggers such as this example were referred to as a karih by the Minangkabau. They were worn for ceremonial purposes as a sign of power and prestige and were designed to slip into a mans waist band. The Minangkabau are the largestethnic group on the island of Sumatra, Indonesia, and traditionally from west-central highlands. Their keris were related in form to others on Sumatra and especially from the Malay Peninsula where many Minangkabau emigrated in the 19th century.The overall dagger is beautifully crafted and carved with an en suite carved hilt and scabbard displaying carved floral tendrils throughout. The silver mendak with a granulated filigree design. The 3 luk blade is a very old example, potentially earlier than the 19th century as evidenced by the degree of age and wear. As is common on Sumatra keris, there is no discernible pamor pattern, as opposed to keris found in Java and Bali. Blade 19th century or earlier, dress late 19th century- 20th century.Total Length (inside scabbard if present) : 12 3/4" Blade Length : 9 1/2"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji9. Neka, W. S. (2014) Understanding Balinese Keris: An Insiders Perspective. Neka ArtMuseum.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th C. Indonesian Cirebon, Java KERIS Dagger ~ Superb Damascus Blade of Very Rare Pattern ~ Ca

Lot #213 (Sale Order 212 of 298)

Javanese keris daggers, are some of the most highly variegated objects in the world of arms and armor. Despite maintaining a distinct overall form and shape, the variation, in particular of the style of blades is greater than any other arms and armor culture. The most classic style of hilt is from the Royal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. Other hilts from the island of Java include hilts from Cirebon which have figural forms generally covered incarved floral scrollwork. These hilts have been considered to be the image of Bhima, the hero of the Hindu Mahabharata epics, or of a Garuda. Other explanations for the grotesque forms is thatthe figures represent a being called pulungan, or a demon like creature, related to the raksasa of Bali and other parts of Java. The raksasa is a classic Hindu demon often depicted with fangs and bulging eyes. Balinese interpretations are the most well-known but the form is found throughout Java also.This example in the Schmiedt collection is a fine old example of a Cirebon keris with a hilt in the pulungan or raksasa form, entirely carved with scrollwork and with long hair denoting the figures ascetic values (Ghiringelli 2011) and with a fine patina indicating a 19th century or earlier form. The superb 9 luk blade likewise is an old form with a dapor bale kencana with a wavy ganja. The superb pamor pattern appears to be dwi warna with two patterns of ron pakis side by side and skillfully forged together with a central line separating them, running the length of the blade. The blade is deeply etched with the edges of the pattern showing as jagged from the many folds of the nickel and iron metal.19th century.Total Length (inside scabbard if present) : 18 3/4" Blade Length : 15"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignes de kris de l'archipelindonsien.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th-early 20th C. Indonesian Cirebon, Java KERIS Dagger ~ Superb Carved Damascus Blade ~ Carve

Lot #214 (Sale Order 213 of 298)

Javanese keris, are some of the most highly variegated objects in the world of arms and armor. Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from the Royal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. Other hilts from the island of Java include hilts from Cirebon which have figural forms generally covered incarved floral scrollwork. These hilts have been considered to be the image of Bhima, the hero of the Hindu Mahabharata epics, or of a Garuda. Other explanations for the grotesque forms is thatthe figures represent a being called pulungan, or a demon like creature, related to the raksasa of Bali and other parts of Java.This example in the Schmiedt collection is a fine example of a Cirebon keris with a hilt in the pulungan form, entirely carved with scrollwork and with long hair denoting the figures asceticvalues (Ghiringelli 2011) and with a fine patina indicating an early 20th century or earlier form. The superb 13 luk blade has two carvings of a human being with an animal body at the gandik, similar to a sphinx creature and an elephant with an upturned snout at the wadidang, which is the blade portion opposite the main part of the gandik that is carved. The dapor form is somewhat unique as a result of these two carvings and remains to be classified. The pamor pattern appears to be a richly formed beras wutah pattern.19th to early 20th century.Total Length (inside scabbard if present) : 18 3/4" Blade Length : 15 1/4" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignes de kris de l'archipelindonsien.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good 19th Peninsular Malaysian KERIS Dagger ~ Fine Carved Grip ~ Strong Damascus Blade.

Lot #215 (Sale Order 214 of 298)

Keris dagger from Peninsular Malaysia display features similar to those of Sumatra but often has a distinctive hilt called a perkaka and which resembles the Jawa Demam hilt. The perkaka hilt was referenced by Gardner (1936) as a Jawa Demam, Northern type from Pattani. These keris are associated with the peninsular Malaysian state of Kelantan and the Pattani region of Southern Thailand. Keris hilts in the Jawa Demam style literally translates to Feverish Javanese. The design is said to originally represent the deity Naga in a sitting position, with a snake on its back, or is a representation of a story where a prince ordered a keris hilt in a new form and the artisan carved a representation of the commissioner seated while he was ill.The overall dagger is finely crafted and likely a 19th century example. The hilt is delicately carved with a powerful presence with a beautiful well used patina. The cup form pendongkok isin silver with filigree and in the form of a flower. The blade displays a simple linear pamor called Adeg but with an interesting inclusion near the tip, likely accidental but potentially purposeful and therefore of importance to the owner.Overall 19th century.Total Length (inside scabbard if present) : 19 1/4" Blade Length : 12 3/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji9. Neka, W. S. (2014) Understanding Balinese Keris: An Insiders Perspective. Neka ArtMuseu10. Gardner, G. B. (1936). Keris and Other Malay Weapons. EP Publ.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Beautiful Indonesian Bali KERIS Dagger ~ First Half of 20th C.

Lot #216 (Sale Order 215 of 298)

Keris from Bali are considered some of the finest among the Indonesian archipelago. As Bali is a Hindu society, the influences on the keris have survived the Islamicization of form and design found elsewhere in the region, with some exceptions. As aresult, Balinese keris often sport hilts carved with richly designed Hindu deities in much more realistic manner than the more the stylized interpretations found in other parts of the region, suchas the highly stylized Garuda imagery of the Bugis or Sumatra. The keris played a particularly important role in Balinese society, is used as a ritual tool in almost every Balinese religiousceremony. Standing as pusaka, a powerful sanctified heirloom and serving as a strong marker of socio-economic status, a keris could only be made by Pande blacksmiths who claim status higher than that of a Brahman. The Majaphit conquest of Bali in 1343 especially influenced the development of the keris in Balinese society. In Bali, the keris is referred to as kadutan, but the term keris is used as it is widespread through the region.This example in the Schmiedt Collection has a hilt with a well carved representation of a classic Balinese form in the form of a demon or raksasa carved in wood with gilded elements. Thedemon with bulging eyes and belly and fangs, indicative of the type, sits upon the tumpal with triangular forms. The mendak is in filigreed silver. The 9 luk blade has a rare form called dhapur luk sia singa lembu (for the 9 luk form with a lion/bull at the base), rather distinctively separated with a long section of straight blade and with the luk distributed evenly near thepucukan (tip of the blade) and the ganja (the crosspiece at the base of the blade). The pamor pattern is distinctive with undulating ridged waves along the edges, called untu belang, meaning grasshoppers tooth and in the esoteric significance of pamor is the form most suited for educators and teachers.Overall first half of 20th century.Total Length (inside scabbard if present) : 18 3/4" Blade Length : 15 1/4" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Neka, W. S. (2014) Understanding Balinese Keris: An Insiders Perspective. Neka ArtMuseum.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Fine Indonesian Cirebon, Java KERIS Dagger ~ Exquisite Carved Bone Grip & Damascus Blade ~ Early 20t

Lot #217 (Sale Order 216 of 298)

Javanese keris, are some of the most highly variegated objects in the world of arms and armor. Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from the Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. Other hilts from the island of Java include hilts from the northern coast region of Cirebon which havefigural forms generally covered in carved floral scrollwork. These hilts have been considered to be the image of Bhima, the hero of the Hindu Mahabharata epics, or of a Garuda. Otherexplanations for the grotesque forms is that the figures represent a being called pulungan, or a demon like creature, related to the raksasa of Bali and other parts of Java.This example in the Schmiedt collection is an interesting example of a Cirebon keris with a hilt in the pulungan form, entirely carved with scrollwork and with carved waved hair denoting thefigureÃ¢â‚¬â„¢s ascetic values (Ghiringelli 2011). The fine straight blade has a form called dapor kalamisani. The pamor is a very rare form showing of the skill of the smith, and consists of aseries of circles framed by a shaped pattern with each back to back and the circles in between. The mendak is in filigreed gilded silver or gilt metal, potentially gold.Dates from early 20th century.Total Length (inside scabbard if present) : 18 3/4 Blade Length : 15 1/2" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignes de kris de l'archipelindonsien.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Scarce Early 20th C. Indonesian Bali Java KERIS Dagger ~ Rare Carved Wood Grip Form ~ Fine Damascus

Lot #218 (Sale Order 217 of 298)

Javanese keris, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. While Javanese hilts are most recognized by the form called the cecekan hilt associated with the royal court of Surakarta andYogyakarta, other types of hilts are known and which incorporate elements from nearby islands such as Madura and Bali. Likewise, keris in Java may be composed of elements from nearby oreven further afield and what makes a keris Javanese is a complex affair. The many regional interactions across islands and cultures led to keris which have parts from multiple regions in onekeris, with a blade of Javanese make, a hilt from Bali and a scabbard style from elsewhere. Hilts from Bali are often found with Javanese blades, and Balinese hilts displays the most realistic carved interpretations of various mythological and anthropomorphic figures. Balinese carvings of Ganesha, the Hindu God, take the fantastic carved form of an elephant headed creature, often holding his right arm above the head.This example in the Schmiedt collection is an example of Balinese workmanship of the hilt, likely carved of stained wood, now worn. The hilt is in the form of Lord Ganesha with an elephant head and a human body. The classic Balinese integral selut, sometines in carved gold and inlaid with stones, is carved integrally to the ukiran (or hilt). The mendak here is of classic Javanese silver granulated form. The 17 luk blade with an elephant carved into the gandik in a more realistic representation than the classic style of praen and telaleh gajah (or the formal Javan terms for the portion of the gandik that represents an elephant trunk). The pamor is a linear Adeg form.Dated 20th century.Total Length (inside scabbard if present) : 20 1/2" Blade Length : 16 1/2"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignes de kris de l'archipelindonsien.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Super Rare 17th C. Blade on 20th C. Indonesian KERIS Dagger ~ Solid Gold Mounts with Large Gemstones

Lot #219 (Sale Order 218 of 298)

Keris from Bali are considered some of the finest among the Indonesian archipelago. As Bali is a Hindu society, the influences on the keris have survived the Islamicization of form and design found elsewhere in the region, with some exceptions. As aresult, Balinese keris often sport hilts carved with richly designed Hindu deities in much more realistic manner than the more the stylized interpretations found in other parts of the region, suchas the highly stylized Garuda imagery of the Bugis or Sumatra. The keris played a particularly important role in Balinese society, is used as a ritual tool in almost every Balinese religiousceremony. Standing as pusaka, a powerful sanctified heirloom and serving as a strong marker of socio-economic status, a keris could only be made by Pande blacksmiths who claim status higher than that of a Brahman. In Bali, the keris is referred to as kadutan, but the term keris is used as it is widespread through the region. Keris are found with a variety of blade shapes and forms, though the Balinese keris with Balinese forged blades generally display less variation than those from Java which has an extremely wide and disparate field of keris blades, with hundreds of forms and patterns. Keris blades are found in both straight and curved forms, and there is no qualitative or symbolic difference between these two basic shapes. Traditionally, the wavy blade is ascribed as a snake (or naga) in motion, while the straight blade is a naga at rest.This Balinese example in the Schmiedt Collection has a gilded silver and silver wire formed hilt, inlaid with semi-precious stones, and with a selut and mendak likewise inlaid with semi-precious stones. The form of the hilt appears to be a stylized version of the kusia or kocet kocetan (the beetle cocoon) which represents the pupa of a of an insect before it becomes a butterfly. These hilts are supposed to represent a change in the life fortune of the owner.The blade is a rare form with a dapor keris pendang which is supposed to bring power and authority to the owner and is suitable for royalty. The distinctive spiral ganja is called a ganjawilut duin pandan gelung Panji (or a blade crosspiece with a harmonious pandanus thorn, Pandanus moschatus, headdress of Panji) (Neka 2014). The open space in the curled formrepresents the gelung (hairstyle headdress) and profile of Panji in gambuh. Gambuh is the courtly Balinese dance representing stories of Prince Panji of the 12th and 13th centuries. Thepamor pattern is difficult to identify and maybe a beras wutah pattern. The blade displays significant age and older than the handle mounting. A similar rarely formed blade is dated to the17th century in the Neka Museum of Art, bali (Neka 2014).Dates : Blade as early as 17th century, Mountings 20th century.Total Length (inside scabbard if present) : 28" Blade Length : 20 3/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Neka, W. S. (2014) Understanding Balinese Keris: An Insiders Perspective. Neka ArtMuseum.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Fine Indonesian Java KERIS Dagger ~ Exquisite Gold Mounted Damascus Blade ~ Fine Carved Horn Gr

Lot #220 (Sale Order 219 of 298)

Javanese keris, are some of the most highly variegated objects in the world of arms and armor. Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from the Royal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. Other hilt from the island of Java include hilts from Cirebon which have figural forms generally covered incarved floral scrollwork. These hilts have been considered to be the image of Bhima, the hero of the Hindu Mahabharata epics, or of a Garuda. Other explanations for the grotesque forms is thatthe figures represent a being called pulungan, or a demon like creature, related to the raksasa of Bali and other parts of Java. Other forms of hilt in the 20th century are more idiosyncratic andreflect the interests of the commissioner and the hilt makers influences.This example in the Schmiedt collection is an interesting example of a Javanese keris with an idiosyncratic hilt of two men sitting atop each other. Idiosyncratic representations are wellknown in Indonesian keris hilts, especially from regions with figural representations as a primary form. The meaning of the figures however remains mysterious. The blade is a fine example with two kinatah, or inlays, in gold. The first is called a kala cakra and represents a scorpionwhile the other is a naga snake. The 9 luk blade has a distinct form with a double gandik, foregoing the traditional ron dhanut and greneng. The pamor appears to be a fine form of beraswutah with very distinctive definition between the nickel and iron compositions. First half of 20th century.Total Length (inside scabbard if present) : 18 1/2" Blade Length : 15 1/4" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poigns de kris de l'archipelindonsien.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Superb early 20th C.Indonesian Bali KERIS Dagger ~ Fantastic High Contrast Damascus Blade ~ Fine Car

Lot #221 (Sale Order 220 of 298)

Keris from Bali are considered some of the finest among the Indonesian archipelago. As Bali is a Hindu society, the influences on the keris have survived the Islamicization of form and design found elsewhere in the region, with some exceptions. As aresult, Balinese keris often sport hilts carved with richly designed Hindu deities in much more realistic manner than the more the stylized interpretations found in other parts of the region, suchas the highly stylized Garuda imagery of the Bugis or Sumatra. Keris are found with a variety of blade shapes and forms, though the Balinese keris with Balinese forged blades generally displayless variation than those from Java which has an extremely wide and disparate field of keris blades, with hundreds of forms and patterns. Keris blades are found in both straight and curvedforms, and there is no qualitative or symbolic difference between these two basic shapes.Traditionally, the wavy blade is ascribed as a snake (or naga) in motion, while the straight blade is a naga at rest. The Balinese carving tradition, displayed in the fine quality of carved kerishilts, started about the 11th century with Buddhist and Hindu influences. While Bali was a colony of the Majapahit Kingdom carving continued to flourish and by the 16th and 17th centuryrecognizable Balinese carved hilts were brought back to Europe to reside now in various ethnographic institutional collections (Dam-Mikkelsen and Lundbaek 1980).This example in the Schmiedt Collection has a very finely carved hilt seemingly in the form of a Balinese demon, raksasa. The bulging eyes and fangs are the clear indictors of the type, whilethe flowing hair is finely detailed in the carving. The mendak is in the Javanese form, while the selut is carved integrally to the hilt. The blade is a fine straight example called dhapur luk lurus,which according to esoteric belief indicates religiosity. The well-defined pamor pattern is called kupu tarung, or fighting butterflies, and represent rows of butterflies opposite another along a line running the length of the blade.Early 20th century.Total Length (inside scabbard if present) : 19 1/4 Blade Length : 15 1/2" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Neka, W. S. (2014) Understanding Balinese Keris: An Insiders Perspective. Neka ArtMuseum9. Dam-Mikkelsen, B., Lundbaek, T. (1980) Ethnographic Objects in The Royal DanishKunstkammer, 1650-1800 Nationalmuseet.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good Indonesian Surakarta, Java KERIS Dagger ~ Rare Carved Damascus Blade ~ First Half of 20th

Lot #222 (Sale Order 221 of 298)

Javanese keris, are some of the most highly variegated objects in the world of arms and armor. Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from the Royal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. Another form closely related in form is from the Palaces of Yogyakarta and is referred to as a NunggakSemi shape, but also has the distinctive carvings on the inside angles of the handle, though generally does not have kuncung carving.This example in the Schmiedt collection is a good example of a classic Javanese keris of cecekan hilt form in the Surakarta style or Yudo Winatan. The finely carved hilt features a Javanese selutin filigreed silver inlaid with intan intan diamonds or rock crystals. The 13 luk blade has a distinct form and is carved the entire length with a naga and represents a dapor naga sasra. Thepamor surrounds the tail of the naga and is a simple linear style called Adeg, though the border of the blade along the edges is without pamor.First half of 20th century.Total Length (inside scabbard if present) : 19 1/4" Blade Length : 16"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignes de kris de l'archipelindonsien.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Fine & Rare Indonesian KERIS Dagger ~ Exquisite Carved Damascus Blade with Winged Horse ~ Fine Carve

Lot #223 (Sale Order 222 of 298)

The keris is the traditional dagger and weapon of the Indonesian Archipelago and the most well-known form among the myriad of weapon forms in the region. The main parts of a keris are its blade, sheath and hilt. Each part helps to characterize the keris in terms of origination, era, owner, and symbolism. The blade is the most valued part, in that it holds the sacred power of the keris imbued through the power of the smith, called an empu. There are two main constituents of the blade: the pamor (the damascene design on the blade) and the dapor (theshape of the blade). Keris from the island of Madura off the east coast of Java have fantastically carved hilts with various emblematic designs, some of which are playfully hidden within the complex Maduran floral carvings called gaya kembang, also known as the ginger-flower style, kembang temu (Ghiringelli 2011). The island of Madura is located off the Northeast coast ofJava and had a rich royal culture and history with a variety of symbolism employed to representthe royal family. The most emblematic motif in Madura keris is the winged horse called Si Mega, representing a horse gifted to an ancient Maduran prince and which today is still theregional symbol.This overall keris is Maduran and has the classic Madura donoriko style hilt with gaya kembang carved decoration and the carved winged horse Si Mega on the inside curve of the hilt. Themendak is in filigreed silver and inlaid with intan intan diamonds or rock crystals. The blade is an interesting style with a rare integral pamor showing the winged horse Si Mega and with apamor pattern called manikem, or a pattern of circles, running the length of the blade.Dates from first half of 20th century.Total Length (inside scabbard if present) : 18 1/2" Blade Length : 15 1/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Ghiringelle. V. (2011) Kris hilts: Masterpieces of South-east Asian Art. 5 Continents6. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books7. Gardner, G. B. (1936). Keris and Other Malay Weapons. EP Publ.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Fine Indonesian Madura, Java KERIS Dagger ~ Very Fine Carved Grip & Damascus Blade ~ Early 20th C.

Lot #224 (Sale Order 223 of 298)

Keris from Madura have some of the most distinctly carved hilts of all Indonesian keris. The hilts often resemble the Javanese form in rough outline but are otherwise fantasticallycarved with various emblematic designs, some of which are playfully hidden within the complex Maduran floral carvings called gaya kembang, also known as the ginger-flower style, kembangtemu (Ghiringelli 2011). The island of Madura is located off the Northeast coast of Java and hada rich royal culture and history with a variety of symbolism employed to represent the royal family. One of the most iconic images found in Maduran royal imagery and also on Keris hilts isthe winged horse. The winged horse is mentioned in the story of Joko tolÃƒÂ¨, a Maduran prince who was gifted a winged horse named Si Mega. This winged horse emblem is still the regionalsymbol of the Sumenep regency in Indonesia.This example in the Schmiedt Collection is a fine representation of an antique Maduran keris.The hilt is a classic Maduran carved form in the Donoriko style, with a very deep and fine carving showing the Si Mega winged horse design on the inside curve of the handle. The hiltfitting in the Javanese style with a silver granulated mendak. The blade is a finely crafted form of 13 luk form called dhapur naga siluman with a mythical sea serpent (naga) carved into the ganja. The blade displays a richly patterned random pamor most closely approximated by the style called beras wutah (Ki Empu Jhuel).Dates to the early 20th century.Total Length (inside scabbard if present) : 17 1/2" Blade Length : 14 1/2" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Exquisite Indonesian Bugis, Sulawesi KERIS Dagger ~ Fabulous Pierced & Carved Damascus Blade ~ Finel

Lot #225 (Sale Order 224 of 298)

Keris from the Bugis people in South Sulawesi display a distinct form of hilt called a kerdas set an angle, and often heavily carved with scrollwork and floral designs. These hilts would be made of various materials depending on the stature of the owner but the finest would often acquire a deep aged patina from use such as the handle on this example.The overall dagger is well made with a likely older Bugis hilt, very finely carved and with deep piercing work. A similar hilt is in the British Museum (Museum No. As 1972,Q.982.a). Themendak is a Javanese form and appears to be inlaid with intan intan diamonds or rock crystals.The 13 luk blade is a Javanese of the form called dapor nagasasri and heavily carved and pierced with a naga (serpent) design at the base carved into the blade with head emerging above theganja. There is no discernible pamor or pattern in the iron.Overall late 19th to early 20th century.Total Length (inside scabbard if present) : Blade Length : References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th C. Short KRiS Sword ~ Sulu Sea Region, Malay Peninsula ~ Very Fine Layered Damascus Blade.

Lot #226 (Sale Order 225 of 298)

This is a classic sword influenced by and reflective of Moro swords from the southern Philippines and the Sulu Sea region. The classic Moro form is based heavily on the Indonesiankeris but is distinctly larger and made purposefully for fighting. Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved half-straight, or straight in whichcase they were more practical in combat. Older kris had fewer waves and the waves were deeper and wider. Over time the waves became shallower, tighter, and more numerous and therefore required greater skill to prevent the blade bouncing off or being stuck in an enemys body.One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. Whereas the ganja form and cavity is less of a determination in the identification of Indonesian kris, there are also variants of kris from the Malay regions around the Sulu Sea region and those forms are more idiosyncratic in design.This example in the Schmiedt Collection is an intriguing variation of the kris, and is likely of Malay origin. In this case, the ganja does not follow the traditional Moro forms and has avestigial or minimal cavity. The blade is also relatively short and deeply curved in less of a Moro style and closer to Malay kris forms, such as the malela form (which though fullered oftendisplays a similar shortened and waved form). The blade has a lamellar pattern showing linear damascus throughout. The handle pommel has elements of the Sulu style but the silver filigree iscloser to Bugis style silverwork than the Moro work found on later period brass or gold filigreed examples.Dating from the 19th century, a very rare and high quality example.Total Length (inside scabbard if present) : 14 1/4" Blade Length : 10 3/4"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Ultra Rare Fine Indonesian Madura, Northeast Java KERIS Dagger ~ Unique Blade of Superb Quality ~ Fi

Lot #227 (Sale Order 226 of 298)

Keris from Madura have some of the most distinctly carved hilts of all Indonesian keris. The hilts often resemble Javanese form only in rough outline but are fantastically carvedwith various emblematic designs, some of which are playfully hidden within the complex Maduran floral carvings called gaya kembang, also known as the ginger-flower style, kembangtemu (Ghiringelli 2011). The island of Madura is located off the Northeast coast of Java and had a rich royal culture and history with a variety of symbolism employed to represent the royalfamily. One of the most iconic images found in Maduran royal imagery and keris hilts is the winged horse, Si Mega. Other imagery that is found on these so-called Donoriko style hiltsinclude Dutch colonial imagery, human beings, and other images of importance to the commissioner of the keris.This example in the Schmiedt Collection is a fine representation of the Maduran Donoriko style hilt with an interesting blade with an uncommon gandik carving. The hilt is a classic Madurancarved form in the Donoriko style, with a deep and well-formed gaya kembang floral carving showing the winged horse, Si Mega, carved on the inside curve of the handle. The mendak in theJavanese style, in granulated silver. The blade is a finely crafted Javanese form and with a rare 3 luk form approximated by the form called urubing dilah but with a carved human being in thegandik with an erect phallus. This imagery likely of some significance to the commissioner of the blade. The blade has a complex pamor pattern appearing to be a mix of ron pakis and blarak ngirid (Ki Empu Jhuel).First half of 20th century. Outstanding quality and rarity example.Total Length (inside scabbard if present) : 18 3/4" Blade Length : 16"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Superb Quality Philippine Moro KRIS Sword ~ Maguindanao, Mindanao ~ Jeweled and Silver Mounted ~ Twi

Lot #228 (Sale Order 227 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. Sometimes engravings (often filled in with brass or silver inlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or other esoteric motifs such as this example in the Schmiedt Collection. Many kris blades are forged with fullers and these are likely heavily influenced by Malay style keris called malela keris.One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard. Certain Mindanao kris have a similar form except that the mouth is round instead of oval and is notangled. The Maguindanao form is very similar to the Sulu style with an elliptical shape but it is not angled downwards and instead runs perpendicular to the guard. Later versions of thisgenerally exhibit a ridge which has been chiseled into the outer metal that surrounds both sides of the mouth hollow (Cato 1996).This example in the Schmiedt Collection is a fine example showing the long lifespan these swords would have in Moro communities. The sword itself is likely late 19th centuryMaguindanao workmanship with a very fine blade with a distinctive geometry and crisp fullers.The blade is further inlaid with silver dots encircling the base which is now covered by a silver or other metal plate, likely added later during the period of the scabbard which is likely mid-20th century. The plate likely covers the triangular fullering found on kris of this blade form. The handle is a classic Maguindanao/Sulu crossover with a finely carved pommel and handle wrapped in twine. The scabbard is a later addition made for the blade and composed of wood with decorative scales at the chape and the upper portion, inlaid with silver dots and semiprecious stones. These uncommon decorative elements indicate mid-20th century manufacture for the scabbard.Dates to the late 19th to early 20th century comprehensively.Total Length (inside scabbard if present) : 29" Blade Length : 24 1/4" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San Francisco Craft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum of Cultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of the Philippine islands in the United States National museum. Washington: Govt. Print. Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th C. Asian Burmese or Thailand DHA Sword ~ Dramatic Patterned Damascus Blade ~ Silver Mounts

Lot #229 (Sale Order 228 of 298)

A distinctive south-east Asian sword, this example is high quality example of the classic sword of Burma and Thailand, called a dha and daab, respectively in each country, with large variations in form and nomenclature across the Golden Triangle region which includes Cambodia, Laos, Burma, Thailand and southern China/Yunnan. These swords typically have a similar form which is comprised of round cross section tubular grips, though these come in many forms of decoration including those mounted in silver such as this example. The blades display significant variation and are distinguished by the quality of the blade geometry and smithing. Inthis case, this blade form with the rounded spatulate tip with a slight extension is termed a hua bua in Thai, or a sheeps head tip. The dha and its variants were possibly derived from the Assamese and Naga dao, a broadsword used by both the Assamese people and Naga people of northeast India for digging as well as fighting. The Naga weapon was a thick, heavy, eighteen-inch long backsword with a bevel instead of a point, and this form of blade is found on some dha.Alternatively, the dha may have its origins with the Tai people who migrated to the area from present-day Yunnan Province in southern China. The Khmer and Mon peoples were wellestablished before the arrival of the Tai or the Burmese people and perhaps invented the dha as 13th-century reliefs at Angkor Wat depict the weapon.The example in the Schmiedt Collection is a beautifully preserved example with a very finely made blade displaying a well-defined blade profile including a deep fuller running the length ofthe blade and a rare form of blade tip. The hilt and scabbard both of dark wood and mounted with silver fittings. The pommel in the form of a lotus bud, as is common on Southeast Asianswords, while the scabbard mounted with silver fittings with a braided silver fitting at the chape.The blade displays a rich damascened pattern showing the lamellar construction rarely found on dha and indicative of the level of quality of the sword.Dating from the 19th century.Total Length (inside scabbard if present) : 29" Blade Length : 15"References:1. Greaves, I. A., Bowditch, M. Winston, A. (2007) "The Swords of ContinentalSoutheast Asia," in History of Steel in Eastern Asia, Macao Museum of Art.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare early 20th C. Philippine Moro Datu's KRIS Sword ~ Fine Twistcore Damascus Blade ~ Silver Mounts

Lot #230 (Sale Order 229 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight, or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, and more numerous and therefore required greater skill to prevent the blade bouncing off or being stuck in an enemys body. One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. The Maranao form has an elongated trunk while the mouth cavity is narrow and the lower jaw runs parallel to the guard. While Sulu and Maguindanaoforms have a concave cavity beneath the lower jaw, the Maranao form does not and instead has a protrusion that juts out from beneath it (Cato 1996). This example in the Schmiedt Collection is a fine example of a classic Maranao style fighting kris with a finely crafted silver horsehoof pommel. The plain tubular handle with carved twine interspersed with silver bands. The pommel is multifaceted silver horsehoof form found in Sulu and Mindanao, though in this casethe overall sword may be Maranao judging by the form ganja on the blade. The 17 luk blade is finely crafted with angular waves near the base and sharply crested waves throughout, both anindication of early 20th century production. The blade also displays lamellar construction found on higher quality Moro blades.Late 19th to Early 20th century.Total Length (inside scabbard if present) : 26 3/4" Blade Length : 22 3/4" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Rare 19th C. Datus Moro KRIS Sword ~ Fossil Mammoth Tooth Pommel ~ Twistcore Damascus Blade ~ S

Lot #231 (Sale Order 230 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider.One of the additional ways in which origins are identified are through the design of the elephanthead trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard. (Cato1996).This example in the Schmiedt Collection is an interesting example of a Sulu kris influenced bymaterials used in Java and elsewhere south of Borneo. The jute wrapped grip of interestingcomposition, finely woven together and reminiscent of European sailor made work of the 19thcentury. The finely carved pommel is original and displays a rich yellowish patina. Thismaterial appears similar to that used on other South East Asian swords from Vietnam toMalaysia but is almost never seen on Philippine weapons. As a result the rarity of the materialfor the region indicates the high quality of the sword and the owners rank. The 13 luk blade isfinely crafted with soft crested waves and displaying an original patina without later cleaning.Based on the cavity form of the ganja, this is likely Sulu.Likely dating from the late 19th century.Total Length (inside scabbard if present) : 24" Blade Length : 20" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Superb 19th C. Philippine Moro Datu's KRIS Sword ~ Top Quality Twistcore Damascus Blade ~ Sulu Sea R

Lot #232 (Sale Order 231 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, andmore numerous and therefore required greater skill to prevent the blade bouncing off or beingstuck in an enemys body. Especially high quality kris would be mounted with twistcore blades.The twistcore design in the iron is inherent to the structure of the blade and serves not only thepurpose of creating a beautiful design but also to strengthen the blade. The twisted rodtechnique by which these patterns are achieved is also called pattern-welding. All of the patterns seen on Moro kris, and other swords with twistcore designs are built up from rodscomposed of several, frequently up to seven, alternating layers of varyingly irons. Because the trace elements in the iron vary from ore to ore, when they are twisted, welded together, forgedinto shape, and then cleaned and etched, the designs in the iron will stand out in lighter and darker tones. Rods with matching or complementary twist patterns were usually installed side by-side into the sword blade and on grinding away the outer surfaces of such rods the blade would display a series of patterns (Jones).One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard (Cato1996).This example in the Schmiedt Collection is a superb example of twistcore workmanship on a Moro kris displaying a very fine controlled twist core pattern throughout the 11 luk blade. Whilethe blade has an angular initial luk at the base of the blade, the remaining luk are softly crested. Coupled with the fine twist core pattern and the delicate waved fullering the overall workmanshipis likely late 19th century. The handle is a simple form but with a rare variant of pommel made of carved wood with multiple sides and which appears to be an earlier interpretation of ahorsehoof form. It is possible that the exaggerated horsehoof pattern evolved from this more subdued octagonal form which may approximate a flower more than a horsehoof. The grip isblack lacquered twine. Based on the ganja form and pommel the origin is likely Sulu.Late 19th century.Total Length (inside scabbard if present) : 28 1/4" Blade Length : 24 1/4".References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main7. Jones, L. Blade Patterns Intrinsic to Steel Edged Weapons.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Large Early 20th C. Silver Mounted Philippine Moro Datu's KRIS Sword ~ Twistcore Damascus Blade ~ Su

Lot #233 (Sale Order 232 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Sometimes engravings (often filled in with brass orsilver inlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or otheresoteric motifs such as this example in the Schmiedt Collection. Many kris blades are forgedwith fullers and these are likely heavily influenced by Malay style keris called malela keris.One of the additional ways in which origins are identified are through the design of the elephanthead trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard (Cato1996).This example in the Schmiedt Collection is a good example of a 20th century Moro datus kris, likely from Sulu. The handle is finely mounted with an oversized danganan silver kakatuapommel and mounted with suasa and silver bands. The 13 luk blade is a fine heavy fighting examples with a carved naga approximating the fullers, and then inlaid with silver okir designs.The sharper angled luk indicate a 20th century form while the ganja has Sulu elements with the rounded cavity.Dates to the early 20th century.Total Length (inside scabbard if present) : 27 3/4" Blade Length : 23"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Fine 19th C. Philippine Sulu Moro KRIS Sword ~ Exceptional Twistcore Damascus Blade ~ Fine Carv

Lot #234 (Sale Order 233 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Straight fighting blades were also common, andcould be found mounted with very fine hilts despite the general belief that multi-luk or wavedblades were considered more prestigious.One of the additional ways in which origins are identified are through the design of the elephanthead trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard (Cato1996).This example in the Schmiedt Collection is a good example of a 19th century Sulu fighting kris ofvery fine design with aged and patinated elements displaying early construction elements. Thepommel is a carved kakatua form while the grip is wrapped in silver bands and rattan binding,which is artfully wrapped around the kakatua crest. This likely keeps the pommel more securelyattached to the pommel but also is an interesting design elements found rarely on other kris. Thestraight fighting blade displays a well carved ganja of Sulu form while the blade otherwisedisplays a fine lamellar pattern.Dates to the 19th century. An exceptionally fine and rare example.Total Length (inside scabbard if present) : 25" Blade Length : 20 1/2" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Beautiful & Rare Philippine Sulu Moro KRIS Sword ~ Actively Patterned Damascus Steel Blade ~ Fine Ca

Lot #235 (Sale Order 234 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctly larger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight, or straight in which case they were more practical in combat. Older kris had fewer waves and the waves were deeper and wider. Over time the waves became shallower, tighter, and more numerous and therefore required greater skill to prevent the blade bouncing off or being stuck in an enemys body. The higher number of waves meant the more potent the kris was intalismanic power such as this example.One of the additional ways in which origins are identified is through the design of the elephant head trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical in shape. The mouth cavity and lower jaw point downwards towards the base of the guard. CertainMindanao kris have a similar form except that the mouth is round instead of oval and is not angled. The Maguindanao form is very similar to the Sulu style with an elliptical shape but it isnot angled downwards and instead runs perpendicular to the guard (Cato 1996).This example in the Schmiedt Collection is a good example of a mid-20th century kris of the form often acquired by American servicemen in the Philippines. These were often made with blades approximating the earlier styles but otherwise did not have the refinement found on the earlier blades. Another feature is that the ganjas are forged integrally to the blades as opposed to most pre-WWII examples which feature separately forged ganjas. The 13 luk blade displays lamellation of a no-nontrolled form and has a distinctive sharp luk indicating 20th century production. The handle is a Sulu style horsehoof pattern inlaid with shell and wrapped in twine.The use of shell inlay also dates this to the mid-20th century as this form decoration began to be used following WWII.Dates to the middle of 20th century.Total Length (inside scabbard if present) : 28 1/2" Blade Length : 24 1/4"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Extremely Fine 19th C. Philippine Sulu Maguindanao KRIS Sword ~ Exquisite Large Carved Pommel ~ Gold

Lot #236 (Sale Order 235 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight, or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, and more numerous and therefore required greater skill to prevent the blade bouncing off or being stuck in an enemys body. The higher number of waves meant the more potent the kris was in talismanic power such as this example. Sometimes engravings (often filled in with brass or silver inlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or other esoteric motifs such as this example in the Schmiedt Collection.Many kris blades are forged with fullers and these arelikely heavily influenced by Malay style keris calledmalela keris.One of the additional ways in which origins are identifiedare through the design of the elephant head trunk andcavity of the ganja. Generally Sulu kris have cavitieswhich are elliptical in shape. The mouth cavity and lowerjaw point downwards towards the base of the guard.Certain Mindanao kris have a similar form except that themouth is round instead of oval and is not angled. TheMaguindanao form is very similar to the Sulu style withan elliptical shape but it is not angled downwards andinstead runs perpendicular to the guard. Later versions ofthis generally exhibit a ridge which has been chiseled intothe outer metal that surrounds both sides of the mouthhollow. (Cato 1996).This example in the Schmiedt Collection is one of themost exceptional forms of early Datu or Sultan level kris1 Kris of this quality do not show up in the auction record and so valuation is an approximation but considering thequality and provenance this is a fair approximation.in the collection. This particular example with superb provenance having been published in Robert Catos Moro Swords (1996) and pictured on the frontispiece. Described in Cato as Superlative jungayyans: (19th century barung and kris). Beautifullysculpted with chased, solid gold fittings. Such pieces are extremely rare probably due to their reserved status, the economic conditions of the era, and the Prophets injunction against the use of gold for personal ornamentation for males. Each weapon undoubtedly belonged to a prominent datu or a member of Sulu royalty. The quality of this kris is without question at the highest level of workmanship with a superb oversized jungayyan hilt displaying no damage. Theoversized and massive 23 luk blade of Sulu or Maguindanao origin likewise is very finely crafted and display a complex luk form with simple lamellation faintly evident. In Krieger (1926) such similar jungayyan pommel kris are attributed to Jolo island in the Sulu sea. Dates to the 19th century.Provenance: Formerly in the Robert Cato collection.Owners note: Moro Jungayyan kris from Sulu. cockatoo pommel with the handle covered with alternating bands of woven silver wire and gold bands. Stirrups are of silver, andthe blade carries 23 waves. This kris was formerly owned by Robert Cato, and is pictured in the frontispiece of the book Moro Swords. Very few of this quality Kris survive today. Dates from the 19th century. A Museum quality example.Total Length (inside scabbard if present) : Blade Length : References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Extremely Fine 19th C. Philippine Sulu Maguindanao KRIS Sword ~ Exquisite Large Carved Pommel ~ Supe

Lot #237 (Sale Order 236 of 298)

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian keris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight, or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, and more numerous and therefore required greater skill to prevent the blade bouncing off or being stuck in an enemys body. The higher number of waves meant the more potent the kris was in talismanic power such as this example.One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard. Certain Mindanao kris have a similar form except that the mouth is round instead of oval and is notangled. The Maguindanao form is very similar to the Sulu style with an elliptical shape but it is not angled downwards and instead runs perpendicular to the guard (Cato 1996).This example in the Schmiedt Collection is one of the most exceptional forms of early Datu or Sultan level kris in the collection. This particular example is documented with superbprovenance to the Seward Collection, Washington D.C. The quality of this kris is without question at the highest level of workmanship with a superb oversized jungayyan hilt displayingno damage. The oversized and massive 19 luk blade of Sulu or Maguindanao origin likewise is finely crafted and displays a complex luk form with linear lamellation. In Krieger (1926) suchsimilar jungayyan pommel kris are attributed to Jolo island in the Sulu sea. It is also possible that based on the cavity of the ganja the blade may be Maguidanao, though there were closerelationships between the Tausugs of Sulu and the Moros of Maguindanao.Dates to the 19th century.Provenance: Formerly in the Seward collection (Washington D.C.)Owners note: Moro Jungayyan kris from Sulu. Cockatoo pommel with handle of knotted, one gold band with silver stirrups. 19 wave laminated blade. This Kris of this quality do not show up in the auction record and so valuation is an approximation but considering the quality and provenance this is a fair approximation. The Seward estate in Washington D.C. This is another example of a very rare kris in mint condition 19th century.Total Length (inside scabbard if present) : Blade Length : References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good 18th-19th C. Turkish YATAGAN Sword ~ Gold Inlaid Blade ~ Ottoman Empire, Anatolian Peninsu

Lot #238 (Sale Order 237 of 298)

A fine representation of one of the distinct swords of the Ottoman Empire, this sword is most classically called a yataghan and is distinguished by the down swept curved bladeand the eared handle. This example is of classic Ottoman Turkish manufacture, likely from the Balkan region, though these swords were known as far east as North Africa and the form foundits way as far west as the Malay peninsula, though there it evolved and adapted itself to indigenous forms. The yataghan is one of the most distinctive Turkish swords and during theperiod of Ottoman conquest especially from the early 16th century to the late 18th century, the yatagan served as the sword of Janissaries Corp. The sultan also carried a similar sword to hisJanissary corps into battle and which highlighted the integral link between the sultanate and the elite infantry. The Janissaries in particular were able as a result of their military prowess andsocietal standing accrete power such that by the 1830s the Ottoman Sultan was forced to disband them for fear for rebellion.Yataghan blades are often engraved or inlaid with motifs or inscriptions, the latter sometimes literary, such as a line of poetry or reference to an epic legend, sometimes religious in content,such as a verse from the Koran or a prayer, and sometimes words expressing the thoughts of the sword's owner. There may also be the mark of the swordsmith, the declaration of God's unity,and words identifying the ruler of the time and wishing him victorious. On this blade the makers mark is deeply impressed near the bottom of the inscriptions.This example in the Schmiedt Collection has a classic down swept blade and with gold decoration and inscriptions along the side of the blade. The inscriptions appear to be a classic sura from the Quran though difficult to decipher from the images. The hilt is a typical Balkan form and is also mounted with silver filigreed mounted inlaid with stones along the securing stripholding the blade to the handle.Total Length (inside scabbard if present) : 33 1/4" Blade Length : 23 3/4".Comparable auction sale:https://www.bonhams.com/auctions/25424/lot/14/References:1. Elgood, R. (2009). The Arms of Greece. Thames and Hudson.2. Hales, R. (2013). A Lifetimes Passion: Islamic and Oriental Arms and Armour,3. Rivkin, K., Isaac, B. (2018) A Study of the Eastern Sword. Independent Publisher.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 18th-19th C. Ottoman Empire Balkan KARABELA SHAMSHIR Sword ~ Superb Wootz Damascus Blade with

Lot #239 (Sale Order 238 of 298)

A fine representation of a shamshir style sword, this sword is distinguished by the deeply curved shamshir blade in fine dark wootz. The hilt is carved in the form of a karabelastyle handle, though the mounting is in the Balkan style with filigreed brass mounted with stones. Balkan mounted shamshirs are uncommon, and most often associated with Greekshamshirs, which are usually entirely in silver with distinctive Greek silver fittings.While Balkan shamshir hilt would normally take the form of classic Ottoman pistol grip, this distinctive sword has a karabela grip. The term, karabela, refers to a style of handle mostassociated with Polish and Eastern European swords and has given multiple meanings for the origin of the term, including Cara e bella ( Italian for "Dear and beautiful"), Arabella ( Italian for"Arabian"), Karbala ( town in Iraq), and Karabel ( town in Turkey). These forms of grips are also known in Persia and it is likely that the Shiite population of Karbalah may be associatedwith this style of grip in Persia which then shifted to Poland and spread through Eastern Europe.Other theories note that the hilt is a stylized eagle head form, and having been taken from Ottoman sabres with similar hilts captured by the Polish at the Siege of Vienna in 1683.Total Length (inside scabbard if present) : 30 3/4" Blade Length : 26"References:1. Elgood, R. (2009). The Arms of Greece. Thames and Hudson.2. Hales, R. (2013). A Lifetime Passion: Islamic and Oriental Arms and Armour,3. Pinchot, O. (2002) On the Persian Shamshir and the Signature of Assad Allah. Journal ofArms Collecting.4. Egerton, Lord of Tatton, (1896). A Description of Indian and Oriental Armour. London,W. H. Allen & Co5. Ostrowski, J & Bochnak, W. (1979) "Polish Sabres: Their Origins and Evolution" in Art,Arms and Armour Ed.R.Held, Chiasso6. Zygulski, Z. (1982) Stara Bron W Polskich Zbiorach: Old weapons in Polish collections.Krajowa Agencja Wydawnicza.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good 19th C. Indonesian Sumatra SIKIN PANJANG Sword ~ Fine Carved Grip with Possibly Gold Mount

Lot #240 (Sale Order 239 of 298)

A distinct form of a classic Indonesian sword, the Sikin Panjang has a distinct formoften with a well forged iron blade with a fuller. The Sikin Panjang is considered one of themore popular of the weapons of the Acehnese and the tribes of North Sumatra. Prior to the Acehwar against the Dutch beginning in 1873 many sikin were made before the population wasdisarmed by the Dutch. As a weapon, the sikin was limited to Sumatra, and mainly to Aceh andGayo (where the term Luju Naru is used), but also in Alas (where it is named Andar) and to alesser degree in the Batak area.There are long standing rituals and rites associated with the sikin. For example, during the AcehSultanate period (1496-1903), royals and other men could receive the title of Panglima Prang(warlord). The sikin panjang and rencong which the Panglima Prang would receive from theUlubalang (district chief) on his appointment, would have to be returned to the Ulubalang againif he were to ever cross or join forces with an enemy of the Ulubalang. Both of these weaponstherefore were invested not only with the power of an object but also as totems of loyaltybetween the ruler and his chiefs.The example in the Schmiedt Collection is of classic form and has an especially distinct hiltreferred to as a Hulu Tumpang Beunteueng taking the form of a bifurcated handle pommelangled at a thirty degree angle from the primary part of the handle. The handle is mounted inwhat appears to be silver and suasa. Suasa is a precious material found on Acehnese weaponsand is also known as tembaga suasa as a gold and copper alloy with a reddish hue. The scabbardis a classic form of sikin scabbard with a carved throat, remaining in good condition with no breaks or losses.Excellent and rare 19th century example.Total Length (inside scabbard if present) : Blade Length : References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Beautiful 19th C. Indonesian KERIS Dagger ~ Panjang, Sumatra ~ Exquisite Carved Grip ~ Strong Damasc

Lot #241 (Sale Order 240 of 298)

Keris from Sumatra have a distinct form and are most often associated with avariety of handles form, including this rare form called a keris panjang. While normallyassociated with Sumatra these were also found in Kelantan on the Malay Peninsula. The bladeof these keris were usually long, thin, straight, and double sided. The hilts are a very highlyabstract form of a garuda. Long keris such as these are commonly referred to as Ã¢â‚¬ËœexecutionerÃ¢â‚¬â„¢sÃ¢â‚¬â„¢keris. In Malaysia, only the ruler could use the beheading sword for executions as they were theonly ones who could shed blood. Therefore the local authorities would use keris of this form forexecution as they were considered a bloodless According to Gardner (1936), the usual Malayway of execution was to make the victim squat with the executioner driving a long thin bladedown through the upper shoulder near the collar bone, towards the heart. The blade would bedriven in quickly or slowly depending on the severity of the sentence. The kris was driventhrough cotton wool or other cloth so that the blood would be soaked up, thereby absolving theexecutioner of shedding blood.This example in the Schmiedt Collection is a fine representation of an antique keris panjan. Thewell carved and aged garuda form handle is in fine condition and nicely carved with crispdetailing. The Panjang style sheath is of fine quality with a classic sharply wrangka in theTengah form of Bulan Sabit type and mounted with an embossed silver pendok, sheath covering.The blade of typical Keris Panjang form, straight and of stiff proportions with no discerniblepamor pattern.Overall likely 19th C.Total Length (inside scabbard if present) : 19 1/2" Blade Length : 14" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good Silver Mounted Sudanese Arabic KASKARA Sword ~ Late 19th - Early 20th C.

Lot #242 (Sale Order 241 of 298)

This sword is characteristic of the swords of Sudan, Darfur, Kanem-Bornu (Chad) and Nubia andis currently referred to as a kaskara. The term kaskara is a recent name and is completelyunknown in the Sudan, where these swords are termed simply saaif. The kaskara is a broadsword,with a long straight blade with a central grove with two cutting edges. The cruciform hilt has astraight cross guard with two languets. The quillons are flared and usually are long, straight andend in a T-shaped form. The wooden grip is usually wrapped with leather and on certain higherend examples mounted either in silver or with additional decorations in silver. There are someregional differences in the types of kaskara especially with respect to the form of the crossguard.The tips of the cross guards are found in three styles. The most difficult to make is the six sidedstyle and is known as the Samanniya: after the largest Sufi order in Sudan. The "Mutamaan" hasa diamond shape at the ends, but has eight facets, hence the name deriving from the Arabic wordfor eight, tamaanye. The shape of all of these crossguards but generally speaking the overallform most closely resembles the early straight swords of the Mamluk period and is likely a longstanding interpretation of an ancient style.This example in the Schmiedt Collection is an example of a high quality sword, with a classictrade blade with a single fuller. The fittings are distinctive in form and indicate a high statusowner with silver filigreed fittings inlaid with red stones. This form of decoration has elementsof Afar workmanship found on high quality Gile daggers and may indicate the sword traveled toother regions further east of Sudan where it was decorated in this manner. The crossguard ofdiamond shape and of the form called Mutamaan. The original scabbard with matching silverfiligree fittings and in hardened leather. The trade blade likely from Germany and havingentered Africa via the Mediterranean harbours of Tripoli and Alexandria travelling from there via trans-Saharan caravans.Total Length (inside scabbard if present) : 42 1/2" Blade Length : 34 3/4"References:1. Stone, G. C. (1934). A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times. Mineola NY: Dover Publications.2. Spring, Christopher (1993). African arms and armour. British Museum Press3. Pradines, Stephane & Khorasani, Manouchehr. (2018). SUFI IN WAR: PERSIAN INFLUENCEON AFRICAN WEAPONRY IN 19TH CENTURY MAHDIST SUDAN.4. Hunley, E. (1984) The Social Economics of Small Craft Production: The Sword andKnife Makers of Kassala, Eastern Sudan. Dissertation. State University of New York atBinghamton5. Hunley. E. Ã¢â‚¬Å“The Sudanese Kaskara Sword in Silver Dress.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Nice Small 19th C. Indonesian KERIS Dagger ~ Minangkabau, Sumatra

Lot #243 (Sale Order 242 of 298)

Keris from the Minangkabau often resemble in form the Bugi style keris ofSulawesi. The classic form of the Minankabau keris has a pistol grip shaped hilt called a kerdasand which is also found on Bugis keris. Keris dagger such as this example were referred to as akarih by the Minangkabau. They were worn for ceremonial purposes as a sign of power andprestige and were designed to slip into a manas waist band. That there were similarities acrossBugis and Minakabau and other Peninsular keris is understandable as the seafaring peoples of theCelebes would have traveled throughout the archipelago and styles would have co-mingledconsiderably. This is why there is no specific Bornean keris style as the long coastline wasexposed to many different styles of keris throughout Indonesia. This is also why on a keris onecan find features from different parts of the region, with a handle form one of region, a selut andmendak of another, a blade form elsewhere, and a scabbard from another region. The best way toassign regional assignations is by looking at the handle, sheath, and blade in that order and seewhat elements point to specific regions.This old example is finely made and has a carved en suite hilt and scabbard fittings. The blade isa 3 luk variant of a Sumatran form. The mendok is a Sumatran cup form. The scabbard ismounted with a classic Sumatran tengah style wrangka in the Sumatran Minangkabau form. Asis common on Sumatra keris, there is no discernible pamor pattern, as opposed to keris found inJava and Bali.Overall 19th century to early 20th century.Total Length (inside scabbard if present) : 12" Blade Length : 8 1/2"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th C. Indonesian Hulu Meucangge RECONG Dagger ~ Damascus Steel Blade ~ Aceh, North Sumatra,

Lot #244 (Sale Order 243 of 298)

A rare form of a classic Indonesian dagger, called the rencong, this example in the Schmiedt Collection has handle in the classic form and called a Hulu Meucangge. This form ofhilt with a sharp ninety degree curve is found on most rencong. The blade of this example hasthe classic shape of down swept blade with an inside edge, while the handle has a fitting in theshape of a crown in silver with seven layers, a rare feature as most of these crowns have two orthree layers. The rencong is the traditional weapon of Aceh and Acehnese folklore ascribesmystical attributes and supernatural powers to dagger. The Acehnese say that the rencong takesthe shape of the invocation, "Bismillaah In the name of God, the merciful and compassionate"Leigh 1989)Leigh (1989) research indicated that the component parts of the rencong were likened to theindividual letters of the formal Arabic script huruf gundul, forming the phrase Bismillaah:The hilt of the rencong is in the shape of "ba"The decoration at the base of the hilt is "sin"The blade's shape is "mim"The shape of the metal parts at the top of the blade is "lam"The base of the scabbard has the shape of the letter "ha"Together, "ba, sin, mim, lam and ha" make up the world, "Bismillaah"The length of most rencongs varies drastically from very short examples of 3-4 to those nearly20 in length but all are distinguished by the shape of the blade, which slightly undulates and ishollowed along its back. The underside of the blade has a protuberance called Duru Seuke,chiseled like the keris greneng.The example in the Schmiedt Collection is distinguished by the crown mounting which features asilver seven tiered crown, a rare if ever seen element. These crowns have a hidden meaning aslittle has been written of them but they bear a resemblance to the classic tumpal motif, triangulardesign. For people who believe it, the tumpal motif has a negative meaning because of thepointed triangle motif that symbolizes crocodile's teeth but are otherwise magical or symbolic inmeaning.Total Length (inside scabbard if present) : 19 1/2" Blade Length : 10 1/4"References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books2. Leigh, B. (1989) Hands of Time: The Crafts of Aceh. Jakarta3. Utami, N.R., Pamadhi, H. An Axiological Study of Tumpal Batik Motif and ItsRelevance to the Character Education. Advances in Social Science, Education andHumanities Research, volume 327.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Nice 19th C. Turkish YATAGAN Sword ~ Silver Inlaid Blade ~ Ottoman Empire, Anatolian Peninsula.

Lot #245 (Sale Order 244 of 298)

A good representation of one of the distinct swords of the Ottoman Empire, thissword is most classically called a yataghan and is distinguished by the down swept curved bladeand the eared handle. This example is of classic Ottoman Turkish manufacture, likely from theBalkan region, though these swords were known as far east as North Africa and the form foundits way as far west as the Malay peninsula, though there it devolved and adapted itself toindigenous forms. Yataghan blades are often engraved or inlaid with motifs or inscriptions, thelatter sometimes literary, such as a line of poetry or reference to an epic legend, sometimesreligious in content, such as a verse from the Koran or a prayer, and sometimes words expressingthe thoughts of the sword's owner. There may also be the mark of the swordsmith, thedeclaration of God's unity, and words identifying the ruler of the time and wishing himvictorious.As yataghans were used in the Balkans for long period under Turkish occupation, in Bosnia andSerbia, cloth and weapons that had the symbol of the yataghan were used to protect soldiers fromevil spells and spirits (Elgood 2015). The yataghan was also used to protect the dead frombecoming vampires as totemic arm.This example in the Schmiedt Collection of classic Balkan form with a down swept blade andwith silver koftgari and inscriptions along one side of the blade. The inscriptions appear to be aclassic sura from the Quran though difficult to decipher from the images. The inscription alsoincludes a date for the Hijra date 1278, approximately 1900, in the Gregorian calendar. The hiltis a classic Balkan form and is mounted with silver filigreed mounts inlaid with stones along thesecuring strip holding the blade to the handle. The sword with the original leather scabbard.Total Length (inside scabbard if present) : 28" Blade Length : 21 1/4" Comparable auction sale:https://www.bonhams.com/auctions/25424/lot/14/References:1. Elgood, R. (2009). The Arms of Greece. Thames and Hudson.2. Hales, R. (2013). A LifetimeÃ¢â‚¬â„¢s Passion: Islamic and Oriental Arms and Armour,3. Rivkin, K., Isaac, B. (2018) A Study of the Eastern Sword. Independent PublisherDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Large 20th C. Indonesian Bali KERIS Dagger ~ Powerful Damascus Blade ~ Fine Carved Grip.

Lot #246 (Sale Order 245 of 298)

Keris from Bali are considered some of the finest among the Indonesianarchipelago. As Bali is a Hindu society, the influences on the keris have survived theIslamicization of form and design found elsewhere in the region, with some exceptions. As aresult, Balinese keris often sport hilts carved with richly designed Hindu deities in much morerealistic manner than the more the stylized interpretations found in other parts of the region, suchas the highly stylized Garuda imagery of the Bugis or Sumatra. The keris played a particularlyimportant role in Balinese society, and is used as a ritual tool in almost every Balinese religiousceremony. Standing as pusaka, a powerful sanctified heirloom and serving as a strong marker ofsocio-economic status, a keris could only be made by Pande blacksmiths who claim status higherthan that of a Brahman. Balinese keris with Balinese forged blades generally display lessvariation than those from Java which has an extremely wide and disparate field of keris blades,with hundreds of forms and patterns. Keris blades are found in both straight and curved forms,and there is no qualitative or symbolic difference between these two basic shapes. Traditionally,the wavy blade is ascribed as a snake (or naga) in motion, while the straight blade is a naga atrest.This example in the Schmiedt Collection has a black wood carved hilt in the form of a Balinesedemon or raksasa, of which there are numerous types. The bulging eyes and fangs are the clearindictors of the type, while the flowing hair is finely detailed in the carving. The wewer, or ringbetween the handle and blade, is set with semi-precious stones, while the selut is carvedintegrally to the hilt representing the form of selut found on other hilts which is separate andinlaid with semi-precious stones. The blade is an old 17 luk form called dhapur kalawijan (andrepresents a blade with any number of luk more than 13). These high luk blades were purportedto have special meanings and relevance to the owners. The pamor is of the style called pamortiban, or an unexpected pattern, and of the type called beras wutah (spilled rice grains).Overall mid 20th century.Total Length (inside scabbard if present) : 25 1/2" Blade Length : 20 3/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Neka, W. S. (2014) Understanding Balinese Keris: An Insiders Perspective. Neka ArtMuseum.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good 19th C. Turkish YATAGAN Sword ~ Silver Inlaid Blade ~ Ottoman Empire, Anatolian Peninsula.

Lot #247 (Sale Order 246 of 298)

A good representation of one of the distinct swords of the Ottoman Empire, thissword is most classically called a yataghan and is distinguished by the down swept curved bladeand the eared handle. This example is of classic Ottoman Turkish manufacture, likely from theBalkan region, though these swords were known as far east as North Africa and the form foundits way as far west as the Malay peninsula, though there it devolved and adapted itself toindigenous forms. Yataghans were widely used during the Ottoman period in the Anatolianpeninsula and the Balkans, and was a traditional weapon used by the Janissaries-Ottomaninfantry soldiers, the levents or Ottoman marines and the zeibecks gangs of the Aegean Region.The typical inverse curved shape is found also in Northern Ordos bronze blades of Hunnicheritage and the evolution of the form can be traced from to the town of Yatagan in the Anatolianpeninsula. One of the earliest known of the Ottoman form of a yataghan (Acc. No. 1993.14) canbe found in the Metropolitan Museum and is associated with royal Ottoman manufacture.Yataghan blades are often engraved or inlaid with motifs or inscriptions, the latter sometimesliterary, such as a line of poetry or reference to an epic legend, sometimes religious in content,such as a verse from the Koran or a prayer, and sometimes words expressing the thoughts of thesword's owner. There may also be the mark of the swordsmith, the declaration of God's unity,and words identifying the ruler of the time and wishing him victorious.This example in the Schmiedt Collection has the classic down swept blade and silver decorationand inscriptions along the side of the blade. The inscriptions appear to be a classic sura from theQuran though difficult to decipher from the images. The hilt is a classic Balkan form and is alsomounted with silver filigreed mounted inlaid with stones along the securing strip holding theblade to the handle.Total Length (inside scabbard if present) : 31" Blade Length : 25 1/4" Comparable auction sale:https://www.bonhams.com/auctions/25424/lot/14/References:1. Elgood, R. (2009). The Arms of Greece. Thames and Hudson.2. Hales, R. (2013). A LifetimeÃ¢â‚¬â„¢s Passion: Islamic and Oriental Arms and Armour,3. Rivkin, K., Isaac, B. (2018) A Study of the Eastern Sword. Independent Publisher4. Baykara, T. (2017). Unrivaled Turkish sword with a unique design: YataghanInternational Journal of Cultural Heritage.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Unusual 19th C. Burmese Thailand DHA Sword ~ Silver Mounted with Stone Pommel ~ Massive Blade.

Lot #248 (Sale Order 247 of 298)

A distinctive south-east Asian sword, this example is a typical though higherquality example of the classic sword of Burma and Thailand, called a dha and daab, respectivelyin each country, with large variations in form and nomenclature across the Golden Triangleregion including Cambodia, Laos, Burma, Thailand and southern China/Yunnan. These swordstypically have a similar form which is comprised of rounded cross section tubular grips, thoughthese come in many forms of decoration including those mounted in silver such as this example.The blades display significant variation and are distinguished by the quality of the bladegeometry and smithing. In this case, this blade form with the rounded spatulate tip with a slightextension is termed a hua bua in Thai, or a sheephead tip.The dha and its variants were possibly derived from the Assamese and Naga dao, a broadswordused by both the Assamese people and Naga people of northeast India for digging as well asfighting. The Naga weapon was a thick, heavy, eighteen-inch long backsword with a bevelinstead of a point, and this form of blade is found on some dha.Alternatively, the dha may have its origins with the Tai people who migrated to the area frompresent-day Yunnan Province in southern China. The Khmer and Mon peoples were wellestablished before the arrival the Tai or the Burmese people; and perhaps invented the dha as13th-century reliefs at Angkor Wat depict the weapon.The example in the Schmiedt Collection is a beautifully preserved example with a very finelymade blade displaying a well-defined blade profile including a deep fuller running the length ofthe blade and the rare form of hua bua blade tip. The fullering and geometry of the blade areindicative of very high quality smithing.Total Length (inside scabbard if present) : Blade Length : References:1. Greaves, I. A., Bowditch, M. Winston, A. (2007) "The Swords .of ContinentalSoutheast Asia," in History of Steel in Eastern Asia, Macao Museum of ArtDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 18th C. Bidri-Hilt Indian SHAMSHIR Sword with 17th C. Wootz Damascus Blade ~ Mughal Empire ~ Ra

Lot #249 (Sale Order 248 of 298)

An interesting Indian tulwar-hilted Shamshir saber, with classically formed North Indian hilt with adistinctively decorated form with decoration in true zarneeshan fashion (inlaid as opposed tooverlaid) silver. The sword is in the classic style of an Indian tulwar, with a traditional form hilt,a discoid pommel, swelling grip, and double quillons.The example in the Schmiedt Collection of fine quality workmanship. The hilt is a classicregional tulwar style with decoration of inlaid silver most associated with Bidar in the state ofKarnataka and described as Bidri-work. Bidri-work was made from the 17th century through tothe 19th century but is distinguished by silver floral decoration inlaid into iron and burnished.Often the silver would be inlaid against a blackened iron background to highlight the decoration.The decoration on this example remains in fine condition with a few losses. The blade appearsto be a native wootz blade in fine condition as well.A few bidri decorated hilts are known though they are uncommon. One is published inMohammed (2007) and has a distinctive Arabian style nimcha hilt but made in the Indian stylewith inlaid floral silver decoration.Dating from the 18th century, blade is 17th century.Total Length (inside scabbard if present) : 38 1/2" Blade Length : 30 3/4"References:1. Elgood, R. (2004) Hindu Arms and Rituals.2. Elgood, R. (2018) Rajput Arms and Armor.3. Stone, G. (1934) A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times: Together with Some Closely Related Subjects.Portland, Maine: Southwork Press.4. Mohamed, B. (2007) The Arts of the Muslim Knight: The Furusiyya Art Foundation.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good 19th C. Malaysian KERIS Dagger ~ Pattani, Thailand ~ Fine Carved Grip & Damascus Blade.

Lot #250 (Sale Order 249 of 298)

Keris from the Pattani area of Thailand and the Terengganu and Kelantan region ofMalaysia display a distinct form of hilt called a tajong hilt, or also known as a Pekaka, Pattani, orKingfisher keris. This form of hilt is classically found on warrior keris, called Tajong keris, ofthe Malaysian royal families. While it often described a Kingfisher hilt, due to the superficialsimilarity with the Kingfisher bird species, the hilt actually reflects a stylized figure from theWayang Kulit shadow theatre so popular in the Indonesian Archipelago. Other sources haveascribed an origin to the figure as the Hindu god Lord Shiva. However, the hilt is mostcharacteristic with a smooth upturned nose, cheeks decorated with geometric patterns, and scrollsand floral carving throughout the body. These hilts evolved in form from a smaller beakedversion in earlier centuries, pre-19th century, towards a more fully developed form in the 19ththrough 20th centuries.This example in the Schmiedt Collection is a rare quality form of the Tajong hilt, carved in woodwith finely detailed carving. The pendongkok in the Sumatran/Malay style with a cup and stemmade in silver with a worn patina. The scabbard is in the Sumatran/Malay style and is craftedwith a chiseled silver pendok, sheath cover, embossed with classic floral designs from the region.The enlarged buntut terminates the sheath with barber pole repouss design reminiscent of Malaywork.The blade is a straight Sumatran style blade called a dhapur laler mangeng and a pamor with awell etched distinct patterning. The pamor appears to have two elements with a straight linearpattern adeg towards the edges and a more random beras wutah pattern in the middle (Ki EmpuJhuel).Dating to 19th century.Total Length (inside scabbard if present) : 19 1/4" Blade Length : 15 3/4" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Ã¢â‚¬â€œ Sesuatu mengenai KERIS dan TOMBAK KERIS Ã¢â‚¬â€œ SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good & Rare 17th-18th C. Ottoman Turkish KALKAN Shield with Coins.

Lot #251 (Sale Order 250 of 298)

This is a classic form of Ottoman shield called a kalkan. These were defensivebucklers used to parry sword blows. They typically take the form of a domed and circular formcomposed of concentric wicker bands woven with thread, the exterior made up of radial steelbars linking the steel frame, steel domed center boss with rosette and square finials. The interiorcenter set with wood and remains of the original red fabric lining. Some shields were also covered in coins, such as this example.This type of wicker kalkan shield is a rare example of the latter interpretation of much largerwicker Ottoman shield which were emblematic of the Golden Age of the Ottoman Empire andwere made for high ranking officers as large luxurious parade shields decorated with gold andembellished with precious stones. This particular one is a smaller combat shield and a moremaneuverable form of to protect the Ottoman warrior from attack by archers. The flexibility ofthe wicker absorbed the blow of arrows and sword cuts.This example in the Schmiedt Collection of fine workmanship for the style decorated with early Ottoman coins and with few losses. Fine early example, likely to date from the 18th century or earlier.Total Length (diameter) : 10 1/2"References:1. Stone, G. (1934) A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times: Together with Some Closely Related Subjects.Portland, Maine: Southwork Press.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th C. Philippine Igorot Tribe BONTOC Shield, Mountain Province, Philippines.

Lot #252 (Sale Order 251 of 298)

A distinct form of a Philippine shieldattributed to the Bontoc people of the northernPhilippines and now the Mountain region. Theshortened and flattened points of the shield, two onone side and three on the other, delineate this stylefrom the more well-known Igorot shield which haslonger and sharp points. Shields of this type areassociated with headhunting and would be carriedalongside the classic Bontoc axe, which were usedto cut the heads off of fallen enemies. Othershields of this type can be seen in the plates takenof Philippine arms captured during the SpanishAmerican war and the Philippine Insurrection andkept at the Smithsonian Institution.The shield in the Schmiedt Collection of a solidpiece of carved wood, but with some damage tothe sides. The 'damaged' sides of the shield are agood sign of authentic tribal use as during wartime(before and/or after) all warriors would celebrateand while walking in a row tap with a stick on thesides of their shield. These shields were thereforealso sometimes referred to as gaklaba i.e. soundof tapping on the shields now at the National Gallery of Australia.Other early images of these shields were published in an ethnographic study of the Bontoc.Total size: 38" x 16"Comparable auction sales:https://www.bonhams.com/auctions/16146/lot/4010/https://www.bonhams.com/auctions/16146/lot/4011/https://www.bonhams.com/auctions/21588/lot/14/References:1. Krieger, H. (1926) The Collection of Primitive Weapons and Armor of the PhilippineIslands in the United States National Museum. Smithsonian Institution; United StatesNational Museum, Bulletin 1372. Jenks, A.E. (1904) The Bontoc Igorot. Manila. Dept. of InteriorDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Large 19th-early 20th C. African Masai Tribe Shield (Sword), Western Kenya

Lot #253 (Sale Order 252 of 298)

This shield is likely of the Maasai people of Western Kenya and NorthernTanzania. The pastoralist Maasai from the grasslands of southern Kenya and northern Tanzaniaused these shields in warfare, hunting, and rites of passage. A hide is sewn onto a wooden frameand becomes a convex elliptical canvas onto which an artist traced polychrome geometricpatterns. The motifs of each shield identified the owner's position within a complex lineagesystem. These symbolic motifs, called sirata, have fallen into disuse. The red and black dyes,traditionally obtained by mixing different types of clays and ashes, were the prerogative ofaccomplished individuals. The colors for the natural dyes were made from local materials: red bymixing earth with blood and fruit sap, white from local clays, and black from the skins of burntgourds. It has a handle attached across the center at the back which is often covered with leather.Each shield is uniquely decorated with patterns made from natural and commercial dyes. Youngwarriors were allowed to use black, grey and white, while red dye was reserved for moreexperienced warriors.This shield is an authentic example, not made for tourists and likely of the late 19th to early 20thcenturies. The black and red pigment is now slightly lost in places while the shield has warpedover time. It retains its carrying handle on the underside and is otherwise in good condition withno losses to the hide.Provenance - Schmiedt Collection.Total size : 38" x 29 1/2"Comparable auction sale:https://www.bonhams.com/auctions/24946/lot/83/https://www.bonhams.com/auctions/24946/lot/81/References:1. Stone, G. C. (1934). A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times. Mineola NY: Dover Publications.2. Spring, Christopher (1993). African arms and armour. British Museum Press.3. Paschke, D. and Zirngibl, M. (1992) Afrikanische Schilde / African Shields. PanterraPress.4. Benitez-Johannot, P. and Barbier, J-P (2000) Shields: Africa, Southeast Asia andOceania, Prestel.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare Late 19th-early 20th C. Indonesian Iban or Kenyah Dayak Headhunter's KLIAU Wooden Shield.

Lot #254 (Sale Order 253 of 298)

A rare form of an Indonesian shield from the Iban or Kenyah Dayak people, thisshield is called a kliau and is of classic form. This distinctly unpainted and unmarked example islikely of considerable age. The shield is carved from a single piece of timber, banded with wovencane to stop it being split longitudinally from sword blows. The wood has developed a goldenbrown colour and patina, with subtle decoration to areas, grooved and branded geometric motifsto the front cane and edges, and the grip.Warfare played a central role in the art and culture of the Dayak peoples of Borneo. Theseshields were used in hand to hand combat to protect against the use of metal spears and thefeared Mandau parang ihlang. In other situations, the attackers would creep into the village atnight and set alight the huts that were built on poles to force the occupants out. The warriorswould hold the shields above their heads to protect themselves from objects dispatched fromabove, such as poison blow darts, boiling water, rocks, or any other heavy object. The shieldswere also used as ceremonial dance accessories.In addition to hereditary rank, prowess in warfare and success in taking enemy heads were theprimary means for a man to achieve social prominence. The larger kliau shields also providedthe bearer supernatural protection and many shields were decorated with locks of human hairobtained from slain enemies. The presence of hair on a shield indicated that the owner was an accomplished warrior.Provenance - Schmiedt Collection.Total size : 54" x 13" Comparable auction sales:https://www.bonhams.com/auctions/16979/lot/5001/https://www.bonhams.com/auctions/21588/lot/21/https://www.sothebys.com/en/auctions/ecatalogue/2018/coll-z-pf1848/lot.38.htmlReferences:1. Van Zonneveld, A.G. (2001). Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books2. Evans, B. (ed.) (2019). War Art & Ritual. Shields from the Pacific.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Early 20th C. Horn of Africa Somali Gaschan Shield

Lot #255 (Sale Order 254 of 298)

African cultures developed the widest and disparate groups of shield forms. From classic roundexamples to more complex profiles, the shield always played an important role in the defensivearmament of African warriors. Shields from east Africa and the horn of African in particulargenerally had a circular shape. Similar shields of smaller dimensions and with a less pronouncedcentral button were carried by Somali warriors and called gaschan. Examples in the British Museum have a similar style of decoration and form as the example in the Schmiedt collection. These Somali shields were often smaller than those from neighboring Ethiopia, though they were created in a similar way. The first stage was to cut out a piece of untreated hide, then toplace it over a shaped wooden mold sunk firmly in the ground. Hair would be scraped off at thisstage from the hide, and the hide allowed to dry. Then several coats of oil would be applied overa period of days, causing the hide to swell, while at the same time being beaten with a mallet toachieve a tough and virtually impenetrable surface.The shield maker would then use a number of special hammers to apply embossed markings tothe supple surface before allowing the hide to dry out completely. Despite their small size,Somali shields are extremely strong and may be looked upon almost as offensive rather thandefensive weapons. They had a very large hand grip which would allow the owner to push theshield up his arm when not in combat.The significance of shields such as this example extended far beyond their purely functionalcapabilities. Possessing a fine, perfectly round and bleached white shield was an indication of aman's standing in society. Some shields also have intricate designs, painted in henna, beneath thegrip on the reverse side. These were known as marriage shields and formed part of the dowrygiven by the brides father to his son-in-law. Similar shields were used in the Arabian Peninsula,and there is evidence to suggest they were made in Somalia for export, particularly to Oman.Further west in Ethiopia, the Afar/Danakil group from the Issa tribe, likely from the region nowthe country of Djibouti carried a similar shield alongside the traditional gile dagger or shortsword (see this catalog nos. 31 and 65), and these were formed of hardened leather with the handstraps composed of similar hardened leather. In Paschke and Zirngibl (1992), a picture of anAfar warrior from the period of 1901 is shown with a similar shield being carried alongside agile and a spear.Provinance - Schmiedt Collection.Diameter: 12"References:1. Stone, G. C. (1934). A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times. Mineola NY: Dover Publications.2. Spring, Christopher (1993). African arms and armour. British Museum Press.3. Paschke, D. and Zirngibl, M. (1992) Afrikanische Schilde / African Shields. PanterraPress.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th - early 20th C. Indonesian Nias BALATO Sword (telugu, balatu sebua) ~ Animal Teeth & Shell

Lot #256 (Sale Order 255 of 298)

A rare sword of the Nias islands near Sumatra, this sword is called a balato and is of the classic balato form but with the distinctive carved hilt in the form of a dragonhead called a lasara. This atypical balato has a form that follows certain documented interpretations of the traditional lasara (dragon head) hilt and which can be seen illustrated in Modigliani (1890) and Fischer (1909). This particularly long blade balato would be a considered a traditional headhunters sword while the shorter examples are considered a knife for domestic usage. The blade likely not laminated and with a downswept and inward sharpened edge. The hilt of this example with a carved handle in the form called a niobawa bae representing the head of a monkey with a bekhu zocha on its back. The locked teeth of the spirit may it appear aggressive and this form of hilt associated with a monkey allegedly provides the warrior with speed in combat (Van Zonneveld 2001). Other forms of hilts have lasara hilts that are considered representations of a lasara, which has been identified alternately as a lawalo bird (Horner 1849); nibawa lawalo, an animal whose function is to increase the strength of the sabres owner (Schrider 1917); boars head (Modigliani 1890); a Chinese dragon; and others as a makara, a sea dragon from Hindu-Javanese mythology and found throughout S.E. Asia However, the hilts were supposed to have a protective function for the owner of the sabre. Alongside the protection offered by the lasara and the niobawa bae moneky figure these hilts feature the bechu zocha, a spirit who hunts and feeds on men's shadows, just as men feed on pigs. By sitting astride the pommel and biting the boar's head, he takes on the role of a man. This image can be regarded as a talisman working against the misfortunes that the bechu zocha spirit would ordinarily bring (Brenner-Felsach 1998). The scabbard is of two pieces of wood secured with strips of rattan. This example instead of the talismanic basket has talismans and amulets hanging along the upper portion of the scabbard including shells and animal teeth, which all appear to be secured using natural thread, an indication of an earlier dating. The blade now with pitting from age. Balato are difficult to date accurately, but considering the style of carving of the hilt, the distinct form of amulet charm attachment, and the use of natural fibers, this example likely dates to the late 19th century to early 20th century.Provenance - Schmiedt Collection.Total Length (inside scabbard if present) : Blade Length : Comparable auction sales:1. https://www.christies.com/lotfinder/lot_details/?intobjectid=50058342. https://www.sothebys.com/en/auctions/ecatalogue/2014/collection-murray-frum-oceanie-pf1438/lot.45.html3. https://www.sothebys.com/es/auctions/ecatalogue/2012/art-dafrique-et-docanie-pf1218/lot.32.html4. https://www.bonhams.com/auctions/24872/lot/72/5. https://www.bonhams.com/auctions/20973/lot/3230/References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago. Leiden: Art Books2. Viaro, M. A. (2001). Ceremonial sabres of nias headhunters in indonesia. Arts Et Cultures, 3, 150-171.3. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inseln ringsum Sumatra, (vol. 4, Leiden)4. Modigiliani, E. (1890) Un viaggio a Nias.5. Brenner-Felsach, Joachim Freiherr von. Eine Reise nach Nias, die Indonesienexpedition 1887, edited by Reinhold Mittersakschmller, 171-75. Vienna: 19986. Schroder, E. E.W. S. Nias: Ethnographische, geographische en historische Aanteekeningen en Studin. 2 vols. Leiden: Brill, 1917.7. Horner, Johann Jakob. Batoe-Eilanden, ten Westen van Sumatra gelegen. In Tijdschrift voor Neerlanas Indie. Batavia, 1840.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Impressive Early 20th C. African OROMO Shield, South Central Ethiopian

Lot #257 (Sale Order 256 of 298)

This striking Ethiopian Shield is from the Oromo tribe. Extremely thick hide is decorated with dimpled impressions and extreme patination. This shield form has always drawnthe attention of art and ethnic arms collectors as a result of the deep sculptural form.This style has been attributed to various sub-tribes of Ethiopia's larger ethnic groups, includingthe Oromo, the Sidamo, and Arussi. Made on wood forms that create the bumpy format, theseshields are then further decorated with fine line etching. The shield in the Schmiedt Collection is a fine example displaying a dark brown patina as a round example with a high relief bump pattern. The intricate surface has a purposeful pattern that may distinguish the status of the owner.Diameter: 29"Comparable auction sales:https://www.bonhams.com/auctions/18631/lot/6315/https://www.bonhams.com/auctions/22830/lot/204/References:1. Stone, G. C. (1934). A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times. Mineola NY: Dover Publications.2. Spring, Christopher (1993). African arms and armour. British Museum Press.3. Paschke, D. and Zirngibl, M. (1992) Afrikanische Schilde / African Shields. PanterraPress4. Benitez-Johannot, P. and Barbier, J-P (2000) Shields: Africa, Southeast Asia andOceania, Prestel.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good early 20th C. Indonesian Nias BALATO Sword ~ Dayak Headhunters.

Lot #258 (Sale Order 257 of 298)

A rare sword of the Nias islands near Sumatra, this sword is called a balato and is of the classic balato form but with the distinctive carved hilt in the form of a dragonhead called a lasara. This relatively typical balato has a form that closely follows the design of the lasara (dragon head) hilt and which can be seen illustrated in Modigliani (1890) and Fischer (1909). While the classic balato is considered to be a traditional headhunters sword the more common domestic knife of the Nias takes a similar form. The headhunters swords are distinguished by their longer blades, such as this example. The blades are generally not laminated and can have various forms, the common factors are: a single edge that starts only a few centimeters from the hilt and more or less widening to the point. The lasara carved hilts are found in varying degrees of quality with earlier examples being distinguished primarily by patina of usage on the wooden handles, and sometimes earlier and more distinctive handle shapes, some of which can be found in the Schmiedt Collection. The lasara form itself has been identified as multiple types of creatures including a law' bird (Horner 1849); nibawa law, an animal whose function is to increase the strength of the sabre's owner (Schrader 1917); boar's head (Modigliani 1890); but also potentially as a naga or Hindu Javanese sea serpent (Viaro 2001). The Schmiedt Collection example has a well carved handle with the lasara form carved into the face of the pommel of the hilt and with a small creature sitting astride the back of the lasara called a bechu zocha, a spirit who hunts and feeds on men's shadows, just as men feed on pigs. This image can be regarded as a talisman working against the misfortunes that the bechu zocha spirit would ordinarily bring (Brenner-Felsach 1998). This hilt form is called niobawa lawolo and is the most frequent type of hilt found and comes in a variety of forms from more realistic to abstract forms (Van Zonneveld 2001). The scabbard is of two pieces of wood secured with strips of brass, while the talismanic basket, raga ifoboaya, at the top of the scabbard is of classic shape formed of woven rattan. The basket is decorated with animal teeth and what appear to be teeth made of wood, another telltale 20th century element, in a curved form. The blade now with pitting from age. Balato are difficult to date accurately, but considering the style of carving of the hilt, the oversized proportions of the bekhu figure, the use of wood for the charm basket, this example likely dates to the first half of the 20th century. Total Length (inside scabbard if present) : 27" Blade Length : 17 3/4" Comparable auction sales:1. https://www.christies.com/lotfinder/lot_details/?intobjectid=50058342. https://www.sothebys.com/en/auctions/ecatalogue/2014/collection-murray-frum-oceanie-pf1438/lot.45.html3. https://www.sothebys.com/es/auctions/ecatalogue/2012/art-dafrique-et-docanie-pf1218/lot.32.html4. https://www.bonhams.com/auctions/24872/lot/72/5. https://www.bonhams.com/auctions/20973/lot/3230/References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago. Leiden: Art Books2. Viaro, M. A. (2001). Ceremonial sabres of nias headhunters in indonesia. Arts Et Cultures, 3, 150-171.3. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inseln ringsum Sumatra, (vol. 4, Leiden)4. Modigiliani, E. (1890) Un viaggio a Nias.5. Brenner-Felsach, Joachim Freiherr von. Eine Reise nach Nias, die Indonesienexpedition 1887, edited by Reinhold Mittersakschmller, 171-75. Vienna: 19986. Schroder, E. E.W. S. Nias: Ethnographische, geographische en historische Aanteekeningen en Studin. 2 vols. Leiden: Brill, 1917.7. Horner, Johann Jakob. Batoe-Eilanden, ten Westen van Sumatra gelegen. In Tijdschrift voor Neerlands Indie. Batavia, 1840.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare mid-20th C. Indonesian Nias BALATO Sword ~ (telugu, balatu sebua) ~ Impressive example.

Lot #259 (Sale Order 258 of 298)

A rare sword of the Nias islands near Sumatra, this sword is called a balato and is of the classic balato form but with the distinctive carved hilt in the form of a dragonhead called a lasara. This relatively typical Balato has a form that follows the traditional lasara (dragon head) hilt illustrated in Modigliani (1890) and Fischer (1909). While the classic balato is considered to be a traditional headhunters sword the more common domestic knife of the Nias takes a similar form. These swords have continued to be made into the 20th century and shifted from their traditional use as headhunter swords to being used in dancing ceremonies in the mid-20th century and then as tourist swords later into the 20th century. This sword likely of the later half of the 20th century. The lasara carved hilts are found in varying degrees of quality with earlier examples being distinguished primarily by patina of usage on the wooden handles, and sometimes earlier and more distinctive handle shapes, some of which can be found in the Schmiedt Collection. This hilt of classic with a carved handle in the lasara form and with the small creature sitting astride the back of the lasara called the bechu zocha. This hilt form is called niobawa lawolo and is the most frequent type of hilt found and comes in a variety of form from more realistic to abstract forms (Van Zonneveld 2001). The scabbard is of two pieces of wood secured with strips of rattan, while the talismanic basket, raga ifoboaya, at the top of the scabbard is of classic shape and decorated seemingly entirely with carved teeth that appear to be teeth made of wood, a telltale 20th century element, in a curved form. The blade now with pitting from age. Considering the relatively inelegant style of the carving of the hilt, the oversized proportions of the bechu figure, and the use of wood for the charm basket, this example likely dates to around middle of the 20th century.Total Length (inside scabbard if present) : 27 1/4" Blade Length : 17 1/2"Comparable auction sales:1. https://www.christies.com/lotfinder/lot_details/?intobjectid=50058342. https://www.sothebys.com/en/auctions/ecatalogue/2014/collection-murray-frum-oceanie-pf1438/lot.45.html3. https://www.sothebys.com/es/auctions/ecatalogue/2012/art-dafrique-et-docanie-pf1218/lot.32.html4. https://www.bonhams.com/auctions/24872/lot/72/5. https://www.bonhams.com/auctions/20973/lot/3230/References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago. Leiden: Art Books2. Viaro, M. A. (2001). Ceremonial sabres of nias headhunters in indonesia. Arts Et Cultures, 3, 150-171.3. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inseln ringsum Sumatra, (vol. 4, Leiden)4. Modigiliani, E. (1890) Un viaggio a Nias.5. Brenner-Felsach, Joachim Freiherr von. Eine Reise nach Nias, die Indonesien expedition 1887, edited by Reinhold Mittersakschmller, 171-75. Vienna: 19986. Schroder, E. E.W. S. Nias: Ethnographische, geographische en historische Aanteekeningen en Studin. 2 vols. Leiden: Brill, 1917.7. Horner, Johann Jakob. Ã¢â‚¬Å“Batoe-Eilanden, ten Westen van Sumatra gelegen. In Tijdschrift voor Neerlands Indie. Batavia, 1840.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare mid-20th C. Indonesian Nias BALATO Sword ~ (telugu, balatu sebua) ~ Impressive example.

Lot #260 (Sale Order 259 of 298)

A rare sword of the Nias islands near Sumatra, this sword is called a balato and is of the classic balato form but with the distinctive carved hilt in the form of a dragonhead called a lasara. This relatively typical Balato has a form that relatively closely follows the traditional lasara (dragon head) hilt and can be seen in Modigliani (1890) and Fischer (1909). The classic balato is considered to be a traditional headhunters sword the more common domestic knife of the Nias takes a similar form. These swords have continued to be made into the 20th century and shifted from their traditional use as headhunter swords to being used in dancing ceremonies in the mid-20th century and then as tourist swords later into the 20th century. This sword likely of the later half of the 20th century. Traditionally, these swords would be used in headhunting and numerous rituals and ceremonies in Nias required severed heads. Chiefs would pay warriors to perform this task on their behalf and during peacetime, these hired warriors would hide at a bend in the path and take as victim the first person to pass by. If warriors were not available the chief slave would be responsible for the task, and the aim of headhunting was to take possession of the dead person's soul, or life-force, and to offer it as a gift to the spirits. In this way, the chief acquired a form of guarantee for his afterlife (Viaro 2001). Lasara carved hilts are found in varying degrees of quality with earlier examples being distinguished primarily by patina of usage on the wooden handles, and sometimes earlier and more distinctive handle shapes, some of which can be found in the Schmiedt Collection. This hilt of classic with a carved handle in the form called a niobawa bae representing the head of a monkey with a bekhu zocha on its back. The locked teeth of the spirit may it appear aggressive and this form of hilt associated with a monkey allegedly provides the warrior with speed in combat (Van Zonneveld 2001). The bekhu zocha spirit hunts and feeds on mens shadows, just as men feed on pigs (Brenner-Felsach 1998). The hilt of this example sustaining some damage to the face.The scabbard is of two pieces of wood secured with strips of brass, while the talismanic basket, raga ifoboaya, at the top of the scabbard is of classic shape and decorated seemingly entirely with carved teeth that appear to be teeth made of wood, a telltale 20th century element, in a curved form. The blade now with pitting from age. Considering the relatively inelegant style of the carving of the hilt, the oversized proportions of the bekhu figure, and the use of wood for the charm basket, this example likely dates to around middle of the 20th century.Total Length (inside scabbard if present) : 26" Blade Length : 19 3/4" Comparable sales:1. https://www.christies.com/lotfinder/lot_details/?intobjectid=50058342. https://www.sothebys.com/en/auctions/ecatalogue/2014/collection-murray-frum-oceanie-pf1438/lot.45.html3. https://www.sothebys.com/es/auctions/ecatalogue/2012/art-dafrique-et-docanie-pf1218/lot.32.html4. https://www.bonhams.com/auctions/24872/lot/72/5. https://www.bonhams.com/auctions/20973/lot/3230/References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago. Leiden: Art Books2. Viaro, M. A. (2001). Ceremonial sabres of nias headhunters in indonesia. Arts Et Cultures, 3, 150-171.3. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inseln ringsum Sumatra, (vol. 4, Leiden)4. Modigiliani, E. (1890) Un viaggio a Nias.5. Brenner-Felsach, Joachim Freiherr von. Eine Reise nach Nias, die Indonesien expedition 1887, edited by Reinhold Mittersakschm, 171-75. Vienna: 1998.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Late 19th - early 20th C. Indonesian Sumatra, Minangkabau KERIS Dagger.

Lot #261 (Sale Order 260 of 298)

Keris from the Minangkabau often resemble in form the Bugi style keris of Sulawesi. The classic form of the Minangkabau keris has a Jawa Demam style hilt. Keris daggers such as this example were referred to as a karih by the Minangkabau. They were worn for ceremonial purposes as a sign of power and prestige and were designed to slip into a manas waist band. While blades would often be considered the primary element of a keris, the hilts and sheaths were also valued especially when fine woods were used or the hilts displayed a high level of artistic carving. Even simple looking hilts could carry deep esoteric meaning for the commissioner and the lines of a Jawa Demam hilt, such as on this example, need to be considered carefully to determine whether it displays an aged patina or other distinctive characteristic enabling it to be dated or attributed more closely to a region or province.This example is finely made with a hilt of the classic interpretation of a Jawa Demam, and generally based on the overall form could be from Minangkabau province judging by the slightly upturned shape which is similar to Bugis forms but different in the profile of the upper portion fo the hilt. The scabbard has a wrangka tengah form in the tebeng Peninsular Malay style commensurate with the Sumatran style blade. The high quality wood has a vivid flame pattern found only on the desirable hardwoods used in this form of sheaths. The blade is a 9 luk variant of a Sumatran form showing a simple linear pamor. The mendok is a Sumatran or Malay cup form.Overall early 20th century.Total Length (inside scabbard if present) : 17 3/4" Blade Length : 15" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATA TRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago. Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: Balinese Ceremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta. Kerisattosanaji9. Neka, W. S. (2014) Understanding Balinese Keris: An Insiders Perspective. Neka Art Museum10. Marval, G.de. UKIRAN - Essai de classification des poignes de kris de l'archipel indonesienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Large 19th - early 20th C. African Masai Tribe Painted Cowhide War Shield

Lot #262 (Sale Order 261 of 298)

Very Large 19th - early 20th C. African Masai Tribe Painted Cowhide War ShieldProvenance Schmiedt collection. Total size : 37" x 29"Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Nice Silver & Diamonds Mounted Indonesian Java KERIS Dagger ~ Damascus Steel Blade ~ First Half

Lot #263 (Sale Order 262 of 298)

Javanese keris daggers, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. Anotherform closely related in form is from the Palaces of Yogyakarta and is referred to as a NunggakSemi shape, but also has the distinctive carvings on the inside angles of the handle, thoughgenerally does not have kuncung carving.This example in the Schmiedt collection is a good example of a classic Javanese keris of cecekanhilt form in the Surakarta style or Yudo Winatan. The finely carved hilt features a Javanese selutin filigreed silver. The 7 luk blade has a dapor sempana najul. The pamor is indistinct with agreyish etch. The scabbard is mounted with a gayamana style wood wrangka and a chiseledsilver pendok, sheath covering, with a floral design. The chape of the sheath has a half moonprotrusion which is indicative of the influence of Dutch swords on keris, which otherwiseregister very few Europeanized influence except in the imagery of some Maduran hilts. Thissame form of protrusion was found mainly on European, including Dutch swords, of the period1750-1900 or so. Early to mid-20th century.Total Length (inside scabbard if present) : 21 1/2" Blade Length : 14"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignÃƒÂ©es de kris de l'archipelindonesien.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Good early 20th C. Indonesian Java KERIS Dagger ~ Layered Damascus Steel Blade.

Lot #264 (Sale Order 263 of 298)

Javanese keris, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. Anotherform closely related in form is from the Palaces of Yogyakarta and is referred to as a NunggakSemi shape, but also has the distinctive carvings on the inside angles of the handle, thoughgenerally does not have kuncung carving.This example in the Schmiedt collection is a good example of a classic Javanese keris of cecekanhilt form in the Surakarta style or Yudo Winatan. The finely carved hilt features a Javanese selutin filigreed silver. The straight blade has a dapor brojol. The pamor is an Adeg form with threelong lines running the length of the blade. The scabbard is mounted with a Ladranga stylewrangka in the Surakarta form with a rich chatoyancy and a brass windowed pendok, sheath covering.First half of 20th century.Total Length (inside scabbard if present) : 20 3/4" Blade Length : 16 3/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignes de kris de l'archipelindonesien.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Wonderful Indonesian Bali Carved Wood KERIS Dagger Holder ~ Late 19th - Early 20th C

Lot #265 (Sale Order 264 of 298)

Provenance - Schmiedt Collection.Indonesian Bali Carved Wood KERIS Dagger Holder ~ Late 19th - Early 20th C. Height : 13 1/2"References:1. Frey. E. (1988) The Kris: Mystic Weapons of the Malay World. Oxford UniversityPress2. Castillo, C. (2009) PROTECTIVE ART OF INDONESIA BALINESE KRISHOLDERS FROM THE COLLECTION OF THE BERMAN MUSEUM OFWORLD HISTORY. Dissertation. University of AlabamaDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Large Indonesian Bali Carved Wood KERIS Dagger Holder ~ Late 19th - Early 20th C.

Lot #266 (Sale Order 265 of 298)

Provenance - Schmiedt Collection. Indonesian Bali Carved Wood KERIS Dagger Holder ~ Late 19th - Early 20th C. Height : 24 1/2"References:1. Frey. E. (1988) The Kris: Mystic Weapons of the Malay World. Oxford UniversityPress2. Castillo, C. (2009) PROTECTIVE ART OF INDONESIA BALINESE KRISHOLDERS FROM THE COLLECTION OF THE BERMAN MUSEUM OFWORLD HISTORY. Dissertation. University of AlabamaDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Nice Large Indonesian Bali Carved Wood KERIS Dagger Holder ~ Late 19th - Early 20th C

Lot #267 (Sale Order 266 of 298)

Provenance - Schmiedt Collection. Indonesian Bali Carved Wood KERIS Dagger Holder ~ Late 19th - Early 20th C. Height : 26"References:1. Frey. E. (1988) The Kris: Mystic Weapons of the Malay World. Oxford UniversityPress2. Castillo, C. (2009) PROTECTIVE ART OF INDONESIA BALINESE KRISHOLDERS FROM THE COLLECTION OF THE BERMAN MUSEUM OFWORLD HISTORY. Dissertation. University of AlabamaDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th C. Indonesian Bali Carved Wood KERIS Dagger Holder with Gold Leaf Inlaying.

Lot #268 (Sale Order 267 of 298)

Provenance - Schmiedt Collection. Rare Indonesian Bali Carved Wood KERIS Dagger Holder with traces of gold inlaying. Circa 19th Century. Height : 22"References:1. Frey. E. (1988) The Kris: Mystic Weapons of the Malay World. Oxford UniversityPress2. Castillo, C. (2009) PROTECTIVE ART OF INDONESIA BALINESE KRISHOLDERS FROM THE COLLECTION OF THE BERMAN MUSEUM OFWORLD HISTORY. Dissertation. University of AlabamaDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Unusual FROG Indonesian Bali Carved Wood KERIS Dagger Holder ~ Late 19th - Early 20th C.

Lot #269 (Sale Order 268 of 298)

Provenance - Schmiedt Collection. Indonesian Bali Carved Wood KERIS Dagger Holder ~ Late 19th - Early 20th C. Height : 17 1/2"References:1. Frey. E. (1988) The Kris: Mystic Weapons of the Malay World. Oxford UniversityPress2. Castillo, C. (2009) PROTECTIVE ART OF INDONESIA BALINESE KRISHOLDERS FROM THE COLLECTION OF THE BERMAN MUSEUM OFWORLD HISTORY. Dissertation. University of AlabamaDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Nice 20th C. Indonesian Bali Carved Wood KERIS Dagger Holder.

Lot #270 (Sale Order 269 of 298)

Provenance - Schmiedt Collection. Nice 20th C. Indonesian Bali Carved Wood KERIS Dagger Holder. Height : 18"References:1. Frey. E. (1988) The Kris: Mystic Weapons of the Malay World. Oxford UniversityPress2. Castillo, C. (2009) PROTECTIVE ART OF INDONESIA BALINESE KRISHOLDERS FROM THE COLLECTION OF THE BERMAN MUSEUM OFWORLD HISTORY. Dissertation. University of AlabamaDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Cool Early 20th C. Indonesian Fishing or Hunting Basket (Bag) ~ Birds Feet Decorations.

Lot #271 (Sale Order 270 of 298)

Very Cool Early 20th C. Indonesian Fishing or Hunting Basket (Bag) ~ Birds Feet Decorations. Late 19th , early 20th Century. This example in the Schmiedt Collection is a very nice example of traditional hunting bag, decorated with real dried birds feet. Total size :14 1/2" x 13 1/2" x 11"Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

African Ethiopian 19th C. AGELGEL ~ Shepherds Food Basket

Lot #272 (Sale Order 271 of 298)

Sherpherds Lunch Basket. Late 19th , early 20th Century. Ethiopia. This example in the Schmiedt Collection is a very nice example of traditional so called Agelgel , Food basket. Woven grass with a leather outer covering. These baskets were commonly used in Ethiopia by the Oromo and other people as a kind of "lunch/hot box". They would fill them with "Njira", the type of pancakes eaten commonly in Ethiopia (along with "wat" or sauce) and these insulated baskets would keep the food warm for many hours, so it could be eaten at midday. The baskets usually have straps to tie them closed as well as to make carrying them easier. The leather becomes heavily patinated with extended use. Diameter : 15", height is 8"Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

African Ethiopian 19th C. AGELGEL ~ Shepherds Food Basket

Lot #273 (Sale Order 272 of 298)

Sherpherds Lunch Basket. Late 19th , early 20th Century. Ethiopia. This example in the Schmiedt Collection is a very nice example of traditional so called Agelgel , Food basket. Woven grass with a leather outer covering. These baskets were commonly used in Ethiopia by the Oromo and other people as a kind of "lunch/hot box". They would fill them with "Njira", the type of pancakes eaten commonly in Ethiopia (along with "wat" or sauce) and these insulated baskets would keep the food warm for many hours, so it could be eaten at midday. The baskets usually have straps to tie them closed as well as to make carrying them easier. The leather becomes heavily patinated with extended use. Diameter : 13", height is 8"Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Impressive 19th - early 20th C. African Ethiopian War Shield

Lot #274 (Sale Order 273 of 298)

Very Impressive 19th - early 20th C. African Ethiopian War Shield.Diameter is 21 1/2".Provenance : Schmiedt Collection.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare Philippine Igorot or Bontoc War Shield ~ Mountain Province, Philippines ~ First Half of 20th C.

Lot #275 (Sale Order 274 of 298)

A distinct form of a Philippine shield attributed to the Bontoc people of the northern Philippines and now the Mountain region. The shortened and flattened points of the shield, two onone side and three on the other, delineate this style from the more well-known Igorot shield which has longer and sharp points. Shields of this type are associated with headhunting and would be carried alongside the classic Bontoc axe, which were used to cut the heads off of fallen enemies. Other shields of this type can be seen in the plates taken of Philippine arms captured during the Spanish American war and the Philippine Insurrection and kept at the Smithsonian Institution. The shield in the Schmiedt Collection of a solid piece of carved wood, but with some damage to the sides. The 'damaged' sides of the shield are a good sign of authentic tribal use as during wartime (before and/or after) all warriors would celebrate and while walking in a row tap with a stick on the sides of their shield. These shields were therefore also sometimes soundof tapping on the shields now at the National Gallery of Australia. Other early images of these shields were published in an ethnographic study of the Bontoc.Total length: 32 3/4", length of the blade: 15"Comparable auction sales:https://www.bonhams.com/auctions/16146/lot/4010/https://www.bonhams.com/auctions/16146/lot/4011/https://www.bonhams.com/auctions/21588/lot/14/References:1. Krieger, H. (1926) The Collection of Primitive Weapons and Armor of the PhilippineIslands in the United States National Museum. Smithsonian Institution; United StatesNational Museum, Bulletin 1372. Jenks, A.E. (1904) The Bontoc Igorot. Manila. Dept. of InteriorDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare Late 19th C. Indonesian Dayak Headhunter's Kliau Kalimantan Painted War Shield ~ Very Impressiv

Lot #276 (Sale Order 275 of 298)

Rare Late 19th C. Indonesian Dayak Headhunter's Kliau Kalimantan Painted War Shield ~ Very Impressive Large Example.Dating from the late 1800s, provenance: Kalimantan, In wood, of rectangular shape, pointed on the upper and lower side, ribbed in the center, embossed and hand-painted with animal teeth, animals similar to octopus and with floral and geometrical motifs. With a strong enarme inside, embossed in one piece with the shield with ends with human faces. Provenance - Schmiedt Collection. Shield Dimensions: Height 47", width 13"See the two very similar specimen in 'Traditional Weapons of the Indonesian Archipelago' by Albert G. van Zonneveld, page 72/73, the first bought by the Sultan of Lutei in 1883. Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Impressive Huge 19th C. African Tribal Hide & Wood War Shield.

Lot #277 (Sale Order 276 of 298)

Impressive Huge 19th C. African Tribal Hide & Wood War Shield.Height is 53", width is 20".Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Early 20th C. African Congo Large Woven Type War Shield

Lot #278 (Sale Order 277 of 298)

Late 19th - early 20th Century Congo shield, splendid tribal Art example of a Classic woven type. Cleverly constructed to allow both substantial defense and swift mobility to its bearer on the battlefield.Provenance - Schmiedt Collection. Dimensions: Height is 56", width is 19"Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Scarce 19th C. Indonesian Dayak Headhunter's SUMPITAN Blow Dart Tolor Kalimantan Quiver & Arrows

Lot #279 (Sale Order 278 of 298)

Scarce 19th C. Indonesian Dayak Headhunter's SUMPITAN Blow Dart Tolor Kalimantan Quiver & Arrows.The blowgun used with poisonous and plain darts was a longstanding weapon ofthe Dayak people. Before extensive contact with the Europeans, the longhouse blowpipe, locallyknown as a Sumpitan, was handcrafted by the Dayak people of Borneo as a functional weapon with the craftsman holding special social status as the pride of the community.Traditionally, a blowpipe would take three to four months or longer to make using primitivemethods of plain drill and jungle scaffolding. The blowpipe is perforated by means of a longmetal rod with a chisel-shaped bit. The craftsman would choose wood such as belian with a darkcolour. Water would be poured into the hole to float out wood chips. The pipe would then betrimmed and whittled to a diameter of about 5 cm after the drilling was completed. Then thefinished weapon would be polished with a tough-grained, slightly waxy leaf. The bore of theblowpipe is very slightly curved to compensate for the weight of the weapon in use as it ishorizontally held. The bore is polished by means of pulling lengths of rattan through it.Some blowpipe makers would build a hut to work in isolation. Crafted usually around seven feetin length with a metal or wood spear tied with rattan at one end. The dart is inserted at the otherend, using the spear to point to the target. Some blowpipes are shorter, two feet in length andused for short distance shooting.The example in the Schmiedt Collection is a finely preserved antique example remaining in goodcondition with the rattan finely woven on both the sumpitan and the tolor, or dartcase.Total Length (inside scabbard if present) : Blade Length :14 3/4"References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good early 20th C. Indonesian MANDAU Parang Ihlang Sword ~ Borneo Dayak Headhunters ~ Good Qual

Lot #280 (Sale Order 279 of 298)

A distinctive Bornean sword of the Iban Dayak, called a Mandau or Parang Ihlang,these swords are found in institutional and private collections in varying degrees of quality.They are distinguished by a set of similar features, all varying in the level of quality of theconstructions, materials, and workmanship. The Mandau blade has a convex shape on one sideand somewhat concave on the other. The blades are often made of tempered metal and in somecases may display a lamellar pattern, similar to the pamor found on Indonesian kris blades,though this is highly uncommon. The hilts are often delicately carved with creatures oranthropomorphic deities.This example in the Schmiedt Collection is a very fine complete example. The handle is finelycarved handle with a deep used patina. The scabbard complete and well made with finely agedpatina on the rattan and wood. The scabbard also fitted with a beaded counterweight called a talibukar and is indicative of the workmanship of the Iban tribe. The piso raut with a carved handle.The blade is a fine working example, with very fine fretting along the spine and called songbatong as it is in intervals along the blade. The blade edge of the form termed long ook mong by Tromp (1888).Total Length (inside scabbard if present) : 26 3/4" Blade Length : 19" References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales ArchiveEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Ancient 1300-1000 B.C. Bronze Dagger ~ Short Sword ~ Luristan, Persian, Western Persia

Lot #281 (Sale Order 280 of 298)

Luristan bronzes are a well known group of wide ranging cast bronze objects,including daggers such as this example, from the Early Iron Age which have been found in largenumbers in Lorestan Province and Kermanshah in western Persia. They include a great numberof ornaments, tools, weapons, horse-fittings and a smaller number of vessels, and those found inknown excavations are generally found in burials. The ethnicity of the people who created themremains unclear, though they may well have been Persian, possibly related to the modern Lurpeople who have given their name to the area.The bronzes tend to be flat and use openwork, like the related metalwork of Scythian art. TheLuristan style is characterized by stylized human and animal forms, often combined to createfantastic creatures. Humans, birds, snakes, horses, bovid and feline species, and several speciesof goats are the main components. Vegetal elements are mostly used in a Å“tree of life capacity,as border motifs or as filler motifs in between the principal iconography.There are several categories of objects that display the Luristan style. Horse gear includes horseharnesstrappings and horse bits with decorative cheek pieces. Arms and equipment includespiked axe heads, adzes, daggers, swords, whetstone handles, and quiver plaques. There aremultiple types of daggers and swords, and this example approximates in form one of theprincipal types that has protrusions for the fingers on either side of the handle to seat the fingers more comfortably.The example in the Schmiedt Collection is a well preserved example, finely cast with a deepverdris patina from age. The handle displays multiple protrusions for the grip and is indented forthe inclusion of material to act as the handle grip. The blade is double edged, swollen at the ricasso, and with a single fuller.Total Length (inside scabbard if present) : 16 1/4" Blade Length : 12 1/2" References:1. Overlaet, B. (2016) Luristan Bronzes- The Field Research In EncyclopidiaIranica2. Khorasani, M.M. (2006) Arms & Armour from Iran. The bronze Age to theEnd of the Qajar Period. Tubingen.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good 20th C. African Zulu Warrior's Knobkerrie Fighting War Club

Lot #282 (Sale Order 281 of 298)

Lightweight, wooden, ball-headed clubs like this one from South Africa are commonly termed 'knobkerries'. They are also called 'Knopkieri' by the Afrikans, but the worditself is a mixture of the Kung (Kalahari bushmen) term 'kieri' meaning 'club' and the English'knop' or 'knob', alluding to the rounded head. In some examples the head is hollow and was usedas a snuff container, snuff being still widely used in sub-Saharan Africa.This club is finely made and would have been a fine object known to its Zulu owner as an Iwisa.It features a rounded head and a decorative striped band around the shaft made of iron, copperand brass wire. The knobkerrie was less often used than the spear and shield in warfare, and thisIwisa would have been part of male everyday dress, carried as a means of self-defence (to beboth wielded and thrown) and as an accessory for hunting. It was also the traditional weapon ofexecution under paramount chief Shaka (1787-1828), whereby repeated blows were delivered tothe back of the head. Shaka executed thousands, both enemies and his own people, in his quest tounite the Zulu tribes and transform them into fearsome warriors and turn the Zulu empire into potent military machine. In recent times, the Zulu political movement Inkatha have claimed the right of the Zulu man to bear arms, and both Iwisa and spears have been designated as Cultural Weapons by the South African government. Iwisa come in many form from long thin examples such as the example in the Schmiedt Collection to much larger and heavy examples with larger rounded knobs.Total Length : 37 1/2".References:1. Stone, G. C. (1934). A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times. Mineola NY: Dover Publications.2. Spring, Christopher (1993). African arms and armour. British Museum Press3. Pitt River Museum. Arms and Armor Around the World- Zulu Knobkerry- Knobkerriefrom South Africa. Collected by Francis Acland, Henry Acland or John Bodger. Given tothe Museum by Clemence Margaret Acland in 1943.Ã¢â‚¬ÂDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th-20th C. Indonesian Konyak Naga Headhunter's Helmet ~ Very Impressive Artifact.

Lot #283 (Sale Order 282 of 298)

This helmet comes from the Naga Konyak tribe residing in the far east of India, onboth sides of the border to Myanmar (in the states of Nagaland, Assam, Manipur in India and inthe Sagaing division of northeastern Myanmar). Until the 19th century, the Nagas had very littlecontact with the outside world, even with the rest of India, and fiercely fought British occupation.At the heart of Naga society was the practice of headhunting. Young men could not move ontoadulthood or marry without completing the ritual of ritual of headhunting. They believed that thepractice was also essential for maintaining the fertility of the crops and the wellbeing of thecommunity. The Konyaks traditionally wear colorful tribal beaded jewelry, exotic accessories,and intricately woven textiles. Nagas would also have elaborate facial and hand tattoos that weredrawn when someone managed to take an enemy's head in a battle. One of the most distinctelements of Naga dress is the helmet, often made of woven cane and decorated with variousritual elements such as animal teeth, charms, and other meaningful trinkets to the bearer of thehelmet. These helmets generally follow a similar shape but look drastically different from eachother as they reflect the idiosyncratic elements valuable to the bearer.The example in the Schmiedt Collection is a finely preserved example with a woven cap, covered in fur, and then with two types of tusks attached to the brim and the sides. The effect is strangely enough like one would find on old representations of Viking helmets, though a world away.References:1. Stone, G. C. (1934). A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times. Mineola NY: Dover Publications.2. Von Furer-Haimendorf, C. (1938). Through the Unexplored Mountains of the Assam-BurmaBorder. The Geographical Journal, 91(3).Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th-20th C. Indonesian Konyak Naga Headhunter's Helmet ~ Monkey Skull Mount ~ Very Impressive

Lot #284 (Sale Order 283 of 298)

This helmet comes from the distinct tribe called the Naga Konyak. The Naga livein the far east of India, on both sides of the border to Myanmar (in the states of Nagaland,Assam, Manipur in India and in the Sagaing division of northeastern Myanmar). Until the 19thcentury, the Nagas had very little contact with the outside world, even with the rest of India, andfiercely fought British occupation.At the heart of Naga society was the practice of headhunting. Young men could not move ontoadulthood or marry without completing the ritual of ritual of headhunting. They believed that thepractice was also essential for maintaining the fertility of the crops and the wellbeing of thecommunity. The Konyaks traditionally wear colorful tribal beaded jewelry, exotic accessoriesand intricately woven shawls. Nagas would also have elaborate facial and hand tattoos that weredrawn when someone managed to take an enemy's head in a battle. One of the most distinctelements of Naga dress is the helmet, often made of woven cane and decorated with variousritual elements such as animal teeth, charms, and other meaningful trinkets to the bearer of thehelmet. These helmets generally follow a similar shape but look drastically different from eachother as they reflect the idiosyncratic elements valuable to the bearer. These helmets were alsoused in dances, and described in 1922 in the diary of Henry Balfour, anthropologist and chiefcurator of the Pitt Rivers Museum, Oxford: The dancers were led by the Puthi wearing a special kind of cane-work helmet covered withcloth of dogs hair dyed red and with long dogs hair strings hanging from it down the back.Pairs of boars tusks forming circles were applique on the cloth cover and thin horns ofmithan-horn stood out at the sides of the helmet.The example in the Schmiedt Collection is a finely preserved example with a finely woven cap,covered in skin, and then with a skull, likely a type of monkey, attached to the brim with horns tothe sides.Diameter : 9"References:1. Jacobs, J. (1998) The Nagas: Hill Peoples of Northeast India: Society, Culture and theColonial Encounter. Thames and Hudson2. Stone, G. C. (1934). A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times. Mineola NY: Dover Publications.3. Von Farer-Haimendorf, C. (1938). Through the Unexplored Mountains of the Assam-BurmaBorder. The Geographical Journal, 91(3).Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Nice 20th C. Indonesian Bali KERIS Dagger Holder ~ Carved & Painted Wood Figure.

Lot #285 (Sale Order 284 of 298)

In Bali, especially fine keris daggers were sometimes displayed in holders carved in theshape of a person, an animal, or a mythological figure. Elaborate keris holders like this examplewould have been found only in wealthy and aristocratic homes. Wooden keris holders inparticular serve as important examples of the tradition of Indonesian and especially Balinesewoodcarving. Wooden keris holders range from intricately carved and painted wall plaques,primarily from Java, to freestanding statues that possess slots in their backs or hands into which akris is fitted. Carved in elaborate and stylized forms, these items are decorated with vibrant colored paints, semiprecious gems or gold, and, like the keris, range in style and form depending on their place of origin within Indonesia. Freestanding keris holders are made and used more frequently in Bali than any other Indonesian island. The Balinese style of keris holder usually ranges in height from 15 to 35 inches. Many of these holders depict the same bug-eyed, wide-mouthed, and large toothed zoomorphic protective spirits or anthropomorphic guardian figures used in and around Indonesia's Hindu Temples and sacred precincts.This example in the Schmiedt Collection is a fine example of idiosyncratic form and seems to represent the figure of the winged lion singa or potentially a Balinese demon. Deliberately intimidating, the bulging eyes, flared nostrils and prominent fangs were intended to help ward off danger and deter evil spirits. While the style of carving is inspired by traditions of Indonesian Hinduism, the winged lion motif also reveals the influence of Chinese culture, an indication of the complex cross-cultural interactions that have occurred throughout Bali's history. The carving is very finely detailed and retains much of its polychrome paint. There are some small damages due to age but otherwise in very fine condition.Dates to the first half of 20th century.Total Length : 23"References:1. Frey. E. (1988) The Kris: Mystic Weapons of the Malay World. Oxford UniversityPress.2. Castillo, C. (2009) PROTECTIVE ART OF INDONESIA BALINESE KRISHOLDERS FROM THE COLLECTION OF THE BERMAN MUSEUM OFWORLD HISTORY. Dissertation. University of Alabama.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th-20th C. Indonesian Konyak Naga Headhunter's Helmet ~ Monkey Skull Mount ~ Very Impressive

Lot #286 (Sale Order 285 of 298)

Photos are Coming Soon. Thank you ! Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th C. Indonesian Dayak Headhunter's Real Human Skull ~ Trophy Ornament Decoration.

Lot #287 (Sale Order 286 of 298)

Photos are Coming Soon. Thank you ! Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare Museum Display of Indonesian Dayak Headhunter's Human Skull ~ Trophy Decoration.

Lot #288 (Sale Order 287 of 298)

Rare Museum Display of Indonesian Dayak Headhunter's Human Skull ~ Trophy Decoration.Photos are Coming Soon. Thank you ~ !Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Impressive Museum Display of Indonesian Dayak Headhunter's Human Skull ~ Trophy Decoration.

Lot #289 (Sale Order 288 of 298)

Rare Museum Display of Indonesian Dayak Headhunter's Human Skull ~ Trophy Decoration.Photos are Coming Soon. Thank you !Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Impressive Museum Display of Indonesian Dayak Headhunter's Human Skull ~ Trophy Decoration.

Lot #290 (Sale Order 289 of 298)

Impressive Museum Display of Indonesian Dayak Headhunter's Human Skull ~ Trophy Decoration.Photos are Coming Soon. Thank you !Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare Museum Display of Indonesian Dayak Headhunter's Human Skull ~ Trophy Decoration.

Lot #291 (Sale Order 290 of 298)

Rare Museum Display of Indonesian Dayak Headhunter's Human Skull ~ Trophy Decoration.Photos are Coming Soon. Thank you !Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare Museum Display of Indonesian Dayak Headhunter's Human Skull ~ Trophy Decoration.

Lot #292 (Sale Order 291 of 298)

Rare Museum Display of Indonesian Dayak Headhunter's Human Skull ~ Trophy Decoration.Photos are Coming Soon. Thank you ~ !Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Impressive Museum Display of Indonesian Dayak Headhunter's Human Skull ~ Trophy Decoration.

Lot #293 (Sale Order 292 of 298)

Impressive Museum Display of Indonesian Dayak Headhunter's Human Skull ~ Trophy Decoration.Photos are Coming Soon. Thank you ~ !Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare Museum Display of Indonesian Dayak Headhunter's Human Skull ~ Trophy Decoration.

Lot #294 (Sale Order 293 of 298)

Impressive Museum Display of Indonesian Dayak Headhunter's Human Skull ~ Trophy Decoration.Photos are Coming Soon. Thank you ~ !Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Large 18th-19th C. Middle Eastern Islamic Decorated Powder Horn

Lot #296 (Sale Order 294 of 298)

Middle Eastern Islamic Powder Horn. Horn covered with highly decorated Brass and silver mounts engraved with floral motifs. Total Length 16". Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Late 19th C. Middle Eastern Islamic Decorated Powder Horn

Lot #297 (Sale Order 295 of 298)

Middle Eastern Islamic Powder Horn. Horn covered with highly decorated Brass mounts engraved with floral motifs. Length 16". Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Large 18th-19th C. Mughal Indian Hide Battle Shield

Lot #298 (Sale Order 296 of 298)

Large 18th-19th C. Mughal Indian Battle Shield of Hardened Hide. A large and early example made of hardened animal hide with chiseled iron bosses. Diameter is 16 1/4". Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Rare 19th Century Indo Persian Battle Axe with Chiseled Blade

Lot #299 (Sale Order 297 of 298)

Rare 19th Century Indo Persian Battle Axe with fine Chiseled Blade. Old stack with brass mounts. Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

Very Good 18th-19th C. Black Wootz Damascus SHAMSHIR Sword ~ Gold Inlaid Blade with Arabic Inscripti

Lot #300 (Sale Order 298 of 298)

A superb Ottoman shamshir of the 18th to 19th centuries, this example displays the fine quality and trans-regional workmanship common to Middle Eastern weapons of the period. The shamshir is the most classically recognized swords of the Ottoman Empire and surrounding near Eastern and Indian regions. The sword is distinguished by curved single edged blades many of which have varying blade profiles depending on the regional attribution. Generally, blades from the Turkish regions of the Ottoman empire would have blades with fullers and yelman, while blades from Persia would have simple, though no less refined, profiles with a single edge and a triangular or wedge shaped cross-sections. The blades of classic Persian shamshirs would generally not have fullers though some Safavid and Safavid revival period blades would have complex fullering. This shamshir features a blade of black Kara Khorasan wootz and overlaid with koftgari decoration, likely a sura from the Quran and another more decorative cartouche where usually there would be a maker's inlaid inscription. The hilt made in the style of Damascus under the period of Ottoman control, while the blade either of Persian or Turkish origin, though on closer examination the style of wootz can provide a closer regional approximation.Total Length (inside scabbard if present) : Blade Length : References: 1. Elgood, R. (2009). The Arms of Greece. Thames and Hudson. 2. Hales, R. (2013). A LifetimeÃ¢â‚¬â„¢s Passion: Islamic and Oriental Arms and Armour, 3. Pinchot, O. (2002) On the Persian Shamshir and the Signature of Assad Allah. Journal of Arms Collecting. 4. Egerton, Lord of Tatton, (1896).Ã‚Â A Description of Indian and Oriental Armour. London, W. H. Allen & Co 5. Ferrel, J. (1998),Ã‚Â The Dr. Leo S. Figiel Collection of Mogul Arms. (San Francisco: Butterfield & Butterfield 6. Figel, L.S.,Ã‚Â (1991) On Damascus Steel. Atlantis, Florida: Atlantis Arts Press 7. Rivkin, K., Isaac, B. (2018) A Study of the Eastern Sword. Independent Publisher.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com


Important May 8th Collection of Asian Arms, Part I
Guns & Military Artifacts > Sofe Design Auctions, LLC > Important May 8th Collection of Asian Arms, Part I
Important May 8th Collection of Asian Arms, Part I
by Sofe Design Auctions, LLC Sat, May 8, 2021 10:00 AM Central A Prominent, Fresh to Market Collection of Antique Asian Arms. This Auction will include part I of the entire David Schmiedt Collection. We are very humbled and excited to facilitate the sale of such an impressive estate. Mr. Schmiedt, internationally known, prominent collector, out of California have been actively and passionately gathering priceless artifacts from All Over the World for period over 30+ years . The collection includes some exceptionally rare and fine quality examples of Indonesian and Philippine Weaponry Art with mega-rare Damascus steel patterned blades and exquisite mounts, almost never encountered on the market. Some Fantastic Kris, Keris, Barong, Kampilan, Mandau, Balato & Parang Jimpul examples that will Blow any Collector's Mind ! Also a number of High Quality Ottoman and Indo-Persian sabers with fine Wootz blades, as well as some rare examples of Large Tribal Shields and Armor, Spears, Clubs, Dayak Headhunter's Skull displays & Fantastic carved wood Keris-holder statues. This phenomenal sale is a Once in a Lifetime opportunity to put together a Superb collection for yourself or advance your existing collection of Tribal and Islamic Art and Weapons.