Large framed signed / numbered Thomas Kinkade COBBLESTONE LANE III w/ 1998 Celebration of Light - Portland hand drawn cabin scene image in back of canvas w/ Kinkade signature, COA & appraisal , 1459/2100, approx 43 x 35 in. INV 1056

Large vintage framed canvas painting of an old mill by Tony Smith, approx 43 x 31 in. INV 1056

Large ornately framed original canvas painting of couple walking alleyway in European city by moonlight, nice details, signed by artist, approx 31 x 39 in. INV 1056

Vintage 1978 framed signed /numbered scenic art print by Byron Birdsall, 239/500, approx 34 x 26 in. INV 1056

Vintage 1968 VANGUARD STUDIOS INC., (Beverly Hills), cat. # 1306, vanathane ship art piece w/ wood carved look, shows minor wear, approx 20 x 30 x 6 in. INV 1056

Nicely framed signed / numbered Thomas Kinkade TWILIGHT COTTAGE w/ 1998 Celebration of Light - Portland hand drawn cabin scene image in back of canvas w/ Kinkade signature, COA & appraisal , 4090/4950 S/N canvas, approx 28 x 24 in. INV 1056

1994 signed / numbered art print THE AMAZING TIME ELEVATOR by Dean Morrissey, Mill Pond Press, 273/950 w/ COA & folder, approx 21 x 40 in.

Dean Morrissey incorporates diverse elements into his rich and colorful oil paintings - light, shadow, color, and human warmth. This storytelling artist's skills makes his artwork a centerpiece of interest wherever people gather.

INV 1056

1993 signed / numbered art print THE DREAMER'S TRUNK by Dean Morrissey, Mill Pond Press, 273/1500 w/ COA & folder, approx 34 x 27 in.

Dean Morrissey incorporates diverse elements into his rich and colorful oil paintings - light, shadow, color, and human warmth. This storytelling artist's skills makes his artwork a centerpiece of interest wherever people gather.


INV 1056

1993 signed / numbered art print DRIFTING CLOSER by Dean Morrissey, Mill Pond Press, 273/1250 w/ COA & folder, approx 22 x 27 in.

Dean Morrissey incorporates diverse elements into his rich and colorful oil paintings - light, shadow, color, and human warmth. This storytelling artist's skills makes his artwork a centerpiece of interest wherever people gather.

INV 1056

Framed vintage Egyptian papyrus pharaoh art work, approx 18 x 22 in. INV 1056

Framed vintage Egyptian papyrus pharaoh art work, approx 22 x 18 in. INV 1056

Framed vintage Egyptian papyrus pharaoh art work, approx 22 x 18 in. INV 1056

Modern attractive French Barmaid art print, approx 14 x 18 in. INV 1056

Vintage 1984 framed THE FAMOUS DUKES - HIGH GRADE SMOKING TOBACCO art print approx 28 x 22 in. INV 1056

Framed vintage signed vintage art print SNOW LEOPARD by Charles Frace, approx 22.5 x 26.5 in. INV 1056

Framed vintage signed/ numbered cat art print ETHEL THE GOURMET by Charles Wysocki, #ed 6287/10179, approx 23 x 26 in.<br> <br> <span style="font-size:14px"><span style="color:#000000"><span style="background-color:#ffffff"><em><span style="font-size:large">Americana and Folk Art Master</span></em><br> <br> Charles Wysocki was born in 1928 in Detroit, Michigan. From the time he was a little tot, he always wanted to be an artist. His father was an immigrant from Poland who worked on the assembly line at Ford Motor Co. for over 35 years. His father was not thrilled about his son?s artistic aspirations. Most of his encouragement came from his mother. She fully supported his artistic tendencies. Charles went to high school at Cass Technical High School and focused on their art program. For a time he worked as an apprentice in Detroit art studios. Then Uncle Sam snatched him up.</span></span></span><br> <span style="font-size:14px"><span style="color:#000000"><span style="background-color:#ffffff">Charles was drafted in 1950 during the Korean War. He should have been sent to Korea where he may have met his fate, but right before he was to be sent out, he was granted a leave of absence to visit his brother Harry who was very ill. After he returned to hook up with his unit, the powers that be said, ?You?re going to Germany.? He was stationed in Hanau, West Germany from 1951-1952. After his two-year obligation in the Army he decided to trade in his rifle for a paintbrush.</span></span></span><br> <span style="font-size:14px"><span style="color:#000000"><span style="background-color:#ffffff">After leaving the Army, Charles attended Art Center in Los Angeles (it is now in Pasadena) on the G.I. Bill. After completing his studies, and majoring in design and advertising illustration, Charles joined the staff of freelance artists at McNamera Brothers in Detroit in 1955. He lived at home with his parents during this time. Charles moved to Los Angeles in 1959. There he formed an advertising agency with three other artists called ?Group West? and was very successful doing freelance commercial artwork. Some of his clients included General Tire, Unocal, Carnation, Chrysler, United California Bank, Otis elevator company, and Dow Chemical Co. to name a few. During this time he won numerous awards for his illustrative talents. Then he met Elizabeth, and she unleashed the primitive artist that was buried within him.</span></span></span><br> <span style="font-size:14px"><span style="color:#000000"><span style="background-color:#ffffff">Charles and Elizabeth met at an ad agency in Los Angeles. She had just graduated from UCLA as an art major. She was working at this ad agency when she heard about a hotshot illustrator (Charles Wysocki) that was coming in to do some freelance work for them. Well, when they met, it was love at first site. Elizabeth?s family was one of the first to settle in the San Fernando Valley. Charles was enamored of the simplicity of this farm life and wholesome values. This influence is what started his whole primitive style that we all know and love. Charles and Elizabeth were married three months after they met, in July 1960. During this time they made several trips to the East Coast. They went antique shopping and visited places such as Nantucket, Martha?s Vineyard, Cape Cod, Boston, Vermont, New Hampshire, and Maine.</span></span></span><br> <span style="font-size:14px"><span style="color:#000000"><span style="background-color:#ffffff">In the early 1960?s Charles worked as a commercial artist, but his heart was in the primitive style. At night and on the weekends, he worked on his Americana/primitive paintings. After he did a one-man show at which he sold every painting in this style, he decided to leave commercial art for good and just focus on his Americana art. For most of the 1960?s he made a good living off of the original paintings he sold. He also published greeting cards and posters, along with licensed merchandise of all kinds. During this time Charles and Elizabeth had three children. David was born in 1965, Millicent in 1967, and Matthew in 1969. It is also during this time that they moved from Los Angeles to Lake Arrowhead.</span></span></span><br> <span style="font-size:14px"><span style="color:#000000"><span style="background-color:#ffffff">In 1979, Charles published his first limited edition print, ?Fox Run?, with The Greenwich Workshop. His published numerous prints with them during this time from 1979-1993. He also traveled around t

Antique framed original nature scene painting on board, approx 8 x 11 in. INV 2287

Framed antique art print MOTHER O'MINE , approx 8 x 10.5 in. INV 2287

Framed vintage winter scene art print, approx 11 x 9 in. INV 2287

Framed vintage tropical beach art print, approx 11 x 9 in. INV 2287

Framed vintage art print of woman with sticks walking path, approx 11 x 9 in. INV 2287

Antique framed wall mirror w/ art print of family at dinner table, approx 17 x 7 in. INV 2287

Vintage reverse glass floral art print, approx 14 x 8 in. INV 2287

Framed antique dog sled photograph WINTER PASTIME IN ALASKA, Thwaites 4436, approx 11.5 x 7 in. INV 2287

Antique framed female portrait art print by J. Knowles Hare Jr., Ohio Art Co., approx 5 x 9 in. INV 2287

Antique framed elk art print, approx 10 x 8 in. INV 2287

Antique framed art print, glass has cracked, approx 10 x 8 in. INV 2287

Small framed original artwork of tress by water, approx 5 x 7 in. INV 2287

Large mother of pearl frame wall mirror, approx 48 x 32 in. INV 2321

Framed color photograph of sunrise over port, approx 40 x 28 in. INV 2321

Framed color photograph of NorthWest coast beach scene, approx 31 x 22 in. INV 2321

Modern framed Breakfast at Tiffany's - Audrey Hepburn art print w/ rhinestone /faux pearl accents, approx 35 x 27 in. INV 2321

Pair of rustic wood frame window shutters w/ mirrors, approx 15 x 27 in. INV 2321

Framed signed 1997 gallery print 123rd KENTUCKY OAKS by LeRoy Neiman, approx 19 x 26 in. INV 2209

1998 Rie Munoz - Oregon Art Tour gallery poster approx 18 x 24 in.

Rie Munoz (re moo nyos), a Dutch-American, was born and raised in California. Rie passed away in 2015. She lived in Alaska since 1951, when she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau had been home to Munoz.

Munoz studied art at Washington and Lee University in Virginia, and at the University of Alaska-Juneau. Rie received the University of Alaska's Honorary Doctorate of Humanities Degree in May of 1999. Her reproductions and original prints are carried by galleries throughout the U.S. and Canada, as well as in Norway, Japan, England, and Holland. She had many solo watercolor exhibits in Alaska, Oregon and Washington State.

Of the many jobs she has held-journalist, teacher, museum curator, artist, mother- one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a I3-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps.

INV 2209

1995 signed / numbered Native American girl portrait by Sandy Craig, 42/150, approx 20 x 16 in. INV 2209

Antique canvas painting affixed to board of the crucifixion of Jesus Christ, Christian religious artwork, approx 30 x 26 in. INV 2209

Original oil on canvas vintage Alpine scene painting signed by artist Bauer, approx 39 x 20 in. INV 2209

Antique original canvas oil painting of scenic nature view signed by artist Brauer, approx 36 x 24 in. INV 2209

Framed signed / numbered art print etching TIME TOGETHER by Pat Buckley Moss, 65/250, approx 17 x 15 in.

The artist P. Buckley Moss was asked how long it takes for her to paint a picture.  "My whole life," she said.  For Pat, it is this lifelong passion and belief that is expressed in her work, giving us a collection of art that is filled with a lifetime of experiences:  from her Irish-Italian heritage to her urban art school education, the laughter of her children, and the simplicity of birds flying south for the winter.  
As a young mother Pat moved her family south and increasingly found inspiration in the imagery of Virginia?s Shenandoah Valley, becoming captivated by the life and culture of the Amish and Mennonite people of the area.  She embraced the local landscapes, lifestyles, and traditions and felt that the life and culture she was part of held an important message for modern society:  live simply and enjoy every moment!
The artistic talent, passion, and vision of P. Buckley Moss is shared in our galleries through an extensive selection of her works and accompanying stories, and the artist enjoys every opportunity to invite visitors to more fully share the beauty and sources of her artistic inspiration.

INV 2209

Framed signed / numbered art print by Pat Buckley Moss, 592/1000, approx 19 x 24 in.
 

The Artist

The artist P. Buckley Moss was asked how long it takes for her to paint a picture.  "My whole life," she said.  For Pat, it is this lifelong passion and belief that is expressed in her work, giving us a collection of art that is filled with a lifetime of experiences:  from her Irish-Italian heritage to her urban art school education, the laughter of her children, and the simplicity of birds flying south for the winter.  
As a young mother Pat moved her family south and increasingly found inspiration in the imagery of Virginia?s Shenandoah Valley, becoming captivated by the life and culture of the Amish and Mennonite people of the area.  She embraced the local landscapes, lifestyles, and traditions and felt that the life and culture she was part of held an important message for modern society:  live simply and enjoy every moment!
The artistic talent, passion, and vision of P. Buckley Moss is shared in our galleries through an extensive selection of her works and accompanying stories, and the artist enjoys every opportunity to invite visitors to more fully share the beauty and sources of her artistic inspiration.

INV 2209

Framed signed / numbered art print APPLE BLOSSOM CHAT by Pat Buckley Moss, 769/1000, approx 24 x 24 in.

The Artist

The artist P. Buckley Moss was asked how long it takes for her to paint a picture.  "My whole life," she said.  For Pat, it is this lifelong passion and belief that is expressed in her work, giving us a collection of art that is filled with a lifetime of experiences:  from her Irish-Italian heritage to her urban art school education, the laughter of her children, and the simplicity of birds flying south for the winter.  
As a young mother Pat moved her family south and increasingly found inspiration in the imagery of Virginia?s Shenandoah Valley, becoming captivated by the life and culture of the Amish and Mennonite people of the area.  She embraced the local landscapes, lifestyles, and traditions and felt that the life and culture she was part of held an important message for modern society:  live simply and enjoy every moment!
The artistic talent, passion, and vision of P. Buckley Moss is shared in our galleries through an extensive selection of her works and accompanying stories, and the artist enjoys every opportunity to invite visitors to more fully share the beauty and sources of her artistic inspiration.

INV 2209

Framed signed / numbered art print by Pat Buckley Moss, 903/1000, approx 13.5 x 16 in.

The Artist

The artist P. Buckley Moss was asked how long it takes for her to paint a picture.  "My whole life," she said.  For Pat, it is this lifelong passion and belief that is expressed in her work, giving us a collection of art that is filled with a lifetime of experiences:  from her Irish-Italian heritage to her urban art school education, the laughter of her children, and the simplicity of birds flying south for the winter.  
As a young mother Pat moved her family south and increasingly found inspiration in the imagery of Virginia?s Shenandoah Valley, becoming captivated by the life and culture of the Amish and Mennonite people of the area.  She embraced the local landscapes, lifestyles, and traditions and felt that the life and culture she was part of held an important message for modern society:  live simply and enjoy every moment!
The artistic talent, passion, and vision of P. Buckley Moss is shared in our galleries through an extensive selection of her works and accompanying stories, and the artist enjoys every opportunity to invite visitors to more fully share the beauty and sources of her artistic inspiration.

INV 2209

Large framed pencil signed Salvador Dali lithograph art print SLAVE MARKET WITH THE DISAPPEARING BUST OF VOLTAIRE w/ COA, numbered 148/300, approx 33 x 28 in.

Salvador Domingo Felipe Jacinto Dal... i Dom...nech, Marquess of Dal... of P...bol gcYC was a Spanish surrealist artist renowned for his technical skill, precise draftsmanship, and the striking and bizarre images in his work. Born in Figueres, Catalonia, Spain, Dal... received his formal education in fine arts in Madrid


INV 2209

Large framed pencil signed Salvador Dali lithograph artist proof art print CORPUS HYPERCUBICUS w/ COA, numbered AP 65/100, approx 34 x 44 in.
Salvador Domingo Felipe Jacinto Dal... i Dom...nech, Marquess of Dal... of P...bol gcYC was a Spanish surrealist artist renowned for his technical skill, precise draftsmanship, and the striking and bizarre images in his work. Born in Figueres, Catalonia, Spain, Dal... received his formal education in fine arts in Madrid

INV 2209

Large framed pencil signed Salvador Dali lithograph art print GALATEA OF THE SPHERES, numbered 50/300, approx 31 x 39 in.

Salvador Domingo Felipe Jacinto Dal... i Dom...nech, Marquess of Dal... of P...bol gcYC was a Spanish surrealist artist renowned for his technical skill, precise draftsmanship, and the striking and bizarre images in his work. Born in Figueres, Catalonia, Spain, Dal... received his formal education in fine arts in Madrid

INV 2209

Huge framed pencil signed Salvador Dali lithograph art print THE BATTLE OF TETUAN, With remark, numbered HC 47/90, approx 41 x 46 in.

Salvador Domingo Felipe Jacinto Dal... i Dom...nech, Marquess of Dal... of P...bol gcYC was a Spanish surrealist artist renowned for his technical skill, precise draftsmanship, and the striking and bizarre images in his work. Born in Figueres, Catalonia, Spain, Dal... received his formal education in fine arts in Madrid

INV 2209

Unframed pencil signed Salvador Dali dry point etching art print CONFUCIUS, numbered 300/300 w/ COA, approx 32 x 24 in.

Salvador Domingo Felipe Jacinto Dal... i Dom...nech, Marquess of Dal... of P...bol gcYC was a Spanish surrealist artist renowned for his technical skill, precise draftsmanship, and the striking and bizarre images in his work. Born in Figueres, Catalonia, Spain, Dal... received his formal education in fine arts in Madrid

INV 2209

Vintage large unframed Matterhorn mountain scene original canvas oil painting by Helmut Kahle, approx 32 x 24 in. INV 2209

Vintage large unframed nature scene original oil painting on board by unknown artist, approx 31 x 23 in. INV 2209

Large framed original German bar scene canvas oil painting IN DER TAVERNE by Peter Albert Speier, approx 39 x 34 in. Includes photo copy of COA/ history of artist. 

Peter Albert Speier is a German Postwar & Contemporary artist who was born in 1920.

INV 2209

Large 1990 framed signed / numbered serigraph art print Le Grand Cirque by Guillaume A. Azoulay, 52/140, approx 43 x 36 in.

GUILLAUME AZOULAY

Guillaume Azoulay, a self-taught artist, was born in Casablanca, Morocco in 1949. His parents settled in Paris when Azoulay was ten and by the age of thirteen, he was sketching and selling his drawings on the streets and planning his career as an artist. As Azoulay met people from various parts of the world, his interest in traveling grew, and when he was fourteen he left home and hitchhiked across Europe and the Middle East. His desire to see and be part of the life, history and beauty of the world took him from Copenhagen to Rome, from Lisbon to Jerusalem. Azoulay made the world his university. 

The brilliance of Azoulay?s art centers on his ability to convey the purity of line to create strong illusions of fluid motion and life. Line is the key element of design in Azoulay?s artwork. It is through his lines that Azoulay creates balance, harmony, contrast, and the illusion of depth and movement in each one of his compositions. 

Guillaume Azoulay is self-taught, imminently and eminently motivated. His art, far from quotidian, transcends the faddish and the pretentious. His style is so unique that it is instantly recognized, unmistakably so. The variety of approaches he conceives makes his journey distinct. 

Horses, dancers and figures are treated as graphic landscapes. Hooves, heads, manes, limbs, are so many hills and valleys. Shaded glades are evoked by the manipulation of parallel lines theatrically meandering, running close at times then separating to mimic the topography of some lost geography. 

His colors are the rainbow-like refraction of light after a downpour. They pick up the threads of his linear tale and weave them into a solid cloth. His portraits are obviously another cherished venue, exuding a compelling truth and yet so patently his in style and concept. 

Internationally appreciated and collected, his work adds an important dimension to any art collection. Accolades and decades of fame notwithstanding, Guillaume Azoulay still refers to himself as an "artisan.?

INV 2209

Large matted signed / numbered serigraph art print TWILIGHT by Guillaume A. Azoulay w/ COA, #ed 6/75 DL, approx 32 x 38 in.

GUILLAUME AZOULAY

Guillaume Azoulay, a self-taught artist, was born in Casablanca, Morocco in 1949. His parents settled in Paris when Azoulay was ten and by the age of thirteen, he was sketching and selling his drawings on the streets and planning his career as an artist. As Azoulay met people from various parts of the world, his interest in traveling grew, and when he was fourteen he left home and hitchhiked across Europe and the Middle East. His desire to see and be part of the life, history and beauty of the world took him from Copenhagen to Rome, from Lisbon to Jerusalem. Azoulay made the world his university. 

The brilliance of Azoulay?s art centers on his ability to convey the purity of line to create strong illusions of fluid motion and life. Line is the key element of design in Azoulay?s artwork. It is through his lines that Azoulay creates balance, harmony, contrast, and the illusion of depth and movement in each one of his compositions. 

Guillaume Azoulay is self-taught, imminently and eminently motivated. His art, far from quotidian, transcends the faddish and the pretentious. His style is so unique that it is instantly recognized, unmistakably so. The variety of approaches he conceives makes his journey distinct. 

Horses, dancers and figures are treated as graphic landscapes. Hooves, heads, manes, limbs, are so many hills and valleys. Shaded glades are evoked by the manipulation of parallel lines theatrically meandering, running close at times then separating to mimic the topography of some lost geography. 

His colors are the rainbow-like refraction of light after a downpour. They pick up the threads of his linear tale and weave them into a solid cloth. His portraits are obviously another cherished venue, exuding a compelling truth and yet so patently his in style and concept. 

Internationally appreciated and collected, his work adds an important dimension to any art collection. Accolades and decades of fame notwithstanding, Guillaume Azoulay still refers to himself as an "artisan.?

INV 2209

Large framed 1989 signed / numbered serigraph art print PRIMAVERA by Guillaume A. Azoulay, #ed 65/75, approx 25 x 33 in.

GUILLAUME AZOULAY

Guillaume Azoulay, a self-taught artist, was born in Casablanca, Morocco in 1949. His parents settled in Paris when Azoulay was ten and by the age of thirteen, he was sketching and selling his drawings on the streets and planning his career as an artist. As Azoulay met people from various parts of the world, his interest in traveling grew, and when he was fourteen he left home and hitchhiked across Europe and the Middle East. His desire to see and be part of the life, history and beauty of the world took him from Copenhagen to Rome, from Lisbon to Jerusalem. Azoulay made the world his university. 

The brilliance of Azoulay?s art centers on his ability to convey the purity of line to create strong illusions of fluid motion and life. Line is the key element of design in Azoulay?s artwork. It is through his lines that Azoulay creates balance, harmony, contrast, and the illusion of depth and movement in each one of his compositions. 

Guillaume Azoulay is self-taught, imminently and eminently motivated. His art, far from quotidian, transcends the faddish and the pretentious. His style is so unique that it is instantly recognized, unmistakably so. The variety of approaches he conceives makes his journey distinct. 

Horses, dancers and figures are treated as graphic landscapes. Hooves, heads, manes, limbs, are so many hills and valleys. Shaded glades are evoked by the manipulation of parallel lines theatrically meandering, running close at times then separating to mimic the topography of some lost geography. 

His colors are the rainbow-like refraction of light after a downpour. They pick up the threads of his linear tale and weave them into a solid cloth. His portraits are obviously another cherished venue, exuding a compelling truth and yet so patently his in style and concept. 

Internationally appreciated and collected, his work adds an important dimension to any art collection. Accolades and decades of fame notwithstanding, Guillaume Azoulay still refers to himself as an "artisan.?

INV 2209

Lg. framed original painting SUN WORSHIPPER by Shelley Schonberg, approx 32 x 38 in. INV 2209

Framed signed / numbered art print A GLACIER IN SOUTH EAST by Ann Militich, #ed 397/500, approx 27 x 17 in.

Ann works primarily in watercolors and collage - often pasting elements onto her paintings. The use of collage adds a three dimensional effect on many of her paintings and accomplishes something else important to her: "It forces the viewer?s eye to look at different areas of the painting."
Inspired by the landscape and beauty of Alaska, nature dominates her paintings. Ann takes a more abstract approach as she strives to capture the feeling of a place, not the place itself.

Ann has won numerous awards and considerable recognition including an exhibit at Seattle's prestigious Charles & Emma Frye Art Museum.

INV 2209

Unframed signed / numbered art print THE GATHERING by Ann Militich-Warder, # ed 87/500, approx 23 x 13 in.

Ann works primarily in watercolors and collage - often pasting elements onto her paintings. The use of collage adds a three dimensional effect on many of her paintings and accomplishes something else important to her: "It forces the viewer?s eye to look at different areas of the painting."
Inspired by the landscape and beauty of Alaska, nature dominates her paintings. Ann takes a more abstract approach as she strives to capture the feeling of a place, not the place itself.

Ann has won numerous awards and considerable recognition including an exhibit at Seattle's prestigious Charles & Emma Frye Art Museum.

INV 2209

Unframed signed / numbered art print FALL FISH by Ann Militich-Warder, # ed 93/600, approx 9 x 19 in.

Ann works primarily in watercolors and collage - often pasting elements onto her paintings. The use of collage adds a three dimensional effect on many of her paintings and accomplishes something else important to her: "It forces the viewer?s eye to look at different areas of the painting."
Inspired by the landscape and beauty of Alaska, nature dominates her paintings. Ann takes a more abstract approach as she strives to capture the feeling of a place, not the place itself.

Ann has won numerous awards and considerable recognition including an exhibit at Seattle's prestigious Charles & Emma Frye Art Museum.

INV 2209

Unframed signed / numbered art print FALL FISH by Ann Militich-Warder, # ed 92/600, approx 9 x 19 in.

Ann works primarily in watercolors and collage - often pasting elements onto her paintings. The use of collage adds a three dimensional effect on many of her paintings and accomplishes something else important to her: "It forces the viewer?s eye to look at different areas of the painting."
Inspired by the landscape and beauty of Alaska, nature dominates her paintings. Ann takes a more abstract approach as she strives to capture the feeling of a place, not the place itself.

Ann has won numerous awards and considerable recognition including an exhibit at Seattle's prestigious Charles & Emma Frye Art Museum.

INV 2209

Unframed signed / numbered art print MOVING UPSTREAM by Ann Militich-Warder, # ed 230/600, approx 18 x 24 in.

Ann works primarily in watercolors and collage - often pasting elements onto her paintings. The use of collage adds a three dimensional effect on many of her paintings and accomplishes something else important to her: "It forces the viewer?s eye to look at different areas of the painting."
Inspired by the landscape and beauty of Alaska, nature dominates her paintings. Ann takes a more abstract approach as she strives to capture the feeling of a place, not the place itself.

Ann has won numerous awards and considerable recognition including an exhibit at Seattle's prestigious Charles & Emma Frye Art Museum.

INV 2209

Unframed signed / numbered art print RAPIDS by Ann Militich-Warder, # ed 80/550, approx 18 x 24 in.

Ann works primarily in watercolors and collage - often pasting elements onto her paintings. The use of collage adds a three dimensional effect on many of her paintings and accomplishes something else important to her: "It forces the viewer?s eye to look at different areas of the painting."
Inspired by the landscape and beauty of Alaska, nature dominates her paintings. Ann takes a more abstract approach as she strives to capture the feeling of a place, not the place itself.

Ann has won numerous awards and considerable recognition including an exhibit at Seattle's prestigious Charles & Emma Frye Art Museum.

INV 2209

Unframed signed / numbered art print BIRDS BY THE SEA by Ann Militich-Warder, # ed 165/500, approx 6.5 x 20 in.

Ann works primarily in watercolors and collage - often pasting elements onto her paintings. The use of collage adds a three dimensional effect on many of her paintings and accomplishes something else important to her: "It forces the viewer?s eye to look at different areas of the painting."
Inspired by the landscape and beauty of Alaska, nature dominates her paintings. Ann takes a more abstract approach as she strives to capture the feeling of a place, not the place itself.

Ann has won numerous awards and considerable recognition including an exhibit at Seattle's prestigious Charles & Emma Frye Art Museum.

INV 2209

Signed / numbered art print A FISH OUT OF WATER by Ann Militich-Warder, #ed 95/600, approx 10 x 33 in. INV 2209

Signed / numbered art print A FISH OUT OF WATER by Ann Militich-Warder, #ed 96/600, approx 10 x 33 in. INV 2209

Signed / numbered art print HIGHTIDE by Ann Militich-Warder, #ed 127/500, approx 9 x 17 in. INV 2209

Signed / numbered art print TAKING OFF INTO A SUNRISE by Ann Militich-Warder, #ed 72/600, approx 26 x 25 in. INV 2209

Lg. 1980 framed signed / numbered bald eagles art print NORTHWEST SENTINELS by Richard Evans Younger w/ COA, #ed 362/500, approx 33 x 36 in.

Richard Evans Younger is one of the four ?Master Wildlife Artists? of the 1960s-1970s featured in this FHG Collection Web site catalog. The artwork includes four bird paintings and five animal pieces. Richard is one of America?s most prolific wildlife artists. His work is currently displayed around the world in private, business and government collections. Limited-edition productions of his paintings are sought by collectors. In fact, when limited-editions of his paintings were first published in Europe in the late ?60s, it was considered to be the foundation for the limited-edition print market that established quickly in America and continues to flourish today. Richard attended the Kansas City Art Institute and later returned to Missouri to receive an Honorary Doctorate of Fine Arts. He was commissioned by the late Julius Fleischmann to research and paint his collection of waterfowl. Later, his paintings were featured in McClane?s New Standard Fishing Encyclopedia, earning him the title ?Audubon of Fish.? More of Richard?s paintings were used in the Field Guide to Fresh Water Fish of North America, Field Guide to Salt Water Fish of North America and Field & Stream?s International Fishing Guide; and, he collaborated with botanist Julia Morton on the Golden Book, Exotic Plants, in which he did watercolor paintings of the plants and flowers. Recently, Richard?s work was featured in an important new art book, Wildlife Art, for Quarry Books. He currently resides in Blowing Rock, North Carolina. Shop wildlife prints by Richard Evans Younger online.

INV 2209

Lg. unframed Buffalo signed / numbered art print STORMY by Nancy Glazier, #ed 665/1200, approx 26 x 40 in.


Nancy Glazier is passionate about her art and the subject of her art. This passion is evident in the way she paints and the way she lives ? they are inseparable.

Surrounded by mountain beauty and the animals the artist loves to paint, Glazier says, ?I feel a kinship with the animal that grows as the painting progresses. There is a powerful chemistry at work. People ask me, ?Which is your favorite animal to paint?? I can tell you it is always the very animal I am painting at the time." For Glazier, it is ??a warm, living, breathing process that brings me back again and again to the easel. It is my ultimate reward.?

Many of the artist?s admirers and collectors consider Glazier to be an extraordinary artist whose paintings seem ?alive.? For her, this is warm praise, because she desires to share what she experiences through her paintings. She hopes the viewer, too, will feel the warmth of the sun or the crisp chill of winter, smell the sage and dust, or hear the bellow of the bison.

Glazier knew she wanted to be an artist from early childhood. In her teens, she lived in Wyoming where she immersed herself in the rugged, western terrain. There she was mentored and taught by artist Adolph Spohr, who gave her private instruction and taught her how a professional uses paint and brush?how to observe and self-correct. The artist?s style evolved over time. After seeing a dramatic photograph of a grizzly, she was awakened to a desire to paint animals ?close up and hair-by-hair.? The artist has taken hands-on anatomy classes that enable her to paint an amazingly accurate portrait of an animal from its bone structure to muscles to hair, bringing it life on her canvas.

The artist enjoys much success as one of today?s most talented wildlife painters. Her original works are represented by one of America?s leading galleries. Her paintings have been featured at prestigious shows throughout the country, and two of her works hang in the Museum of Church History and Art in Salt Lake City.

Glazier and her husband reside in an idyllic setting in Nevada where a spacious studio allows her to create her extraordinary paintings and continue her journey of discovery to capture ?the whole picture.?

INV 2209

Vintage framed original canvas oil painting of nude female by unknown artist , approx 35 x 20 in. INV 2209

Vintage Musee Picasso gallery art print , approx 24 x 31.5 in. Printed in France.
 

Pablo Picasso, in full Pablo Diego Jos... Francisco de Paula Juan Nepomuceno Crisp...n Crispiniano Mar...a Remedios de la Sant...sima Trinidad Ruiz Picasso, also called (before 1901) Pablo Ruiz or Pablo Ruiz Picasso, (born October 25, 1881, M...laga, Spain?died April 8, 1973, Mougins, France), Spanish expatriate painter, sculptor, printmaker, ceramicist, and stage designer, one of the greatest and most-influential artists of the 20th century and the creator (with Georges Braque) of Cubism. (For more information on Picasso?s name see Researcher?s Note: Picasso?s full name.)

The enormous body of Picasso?s work remains, and the legend lives on?a tribute to the vitality of the ?disquieting? Spaniard with the ?sombre?piercing? eyes who superstitiously believed that work would keep him alive. For nearly 80 of his 91 years, Picasso devoted himself to an artistic production that contributed significantly to and paralleled the whole development of modern art in the 20th century.

INV 2209

Vintage Musee Picasso gallery art print , approx 24 x 31.5 in. Printed in France.

Pablo Picasso, in full Pablo Diego Jos... Francisco de Paula Juan Nepomuceno Crisp...n Crispiniano Mar...a Remedios de la Sant...sima Trinidad Ruiz Picasso, also called (before 1901) Pablo Ruiz or Pablo Ruiz Picasso, (born October 25, 1881, M...laga, Spain?died April 8, 1973, Mougins, France), Spanish expatriate painter, sculptor, printmaker, ceramicist, and stage designer, one of the greatest and most-influential artists of the 20th century and the creator (with Georges Braque) of Cubism. (For more information on Picasso?s name see Researcher?s Note: Picasso?s full name.)

The enormous body of Picasso?s work remains, and the legend lives on?a tribute to the vitality of the ?disquieting? Spaniard with the ?sombre?piercing? eyes who superstitiously believed that work would keep him alive. For nearly 80 of his 91 years, Picasso devoted himself to an artistic production that contributed significantly to and paralleled the whole development of modern art in the 20th century.

INV 2209

Vintage signed etching of Old Couple by Professor Paul Geissler, approx 10 x 13.5 in.
 

Information about Paul Geissler from Kunsthandlung Geissendoerfer

Born June 25, 1881, Erfurt, Germany, where his father was a gardener. Studies drawing under the painter Sondermann.  Attends the Arts and Craft School in Erfurt for 4 years.  Studies at the Grand-Ducal School of Arts in Weimar, Germany, under Max Thedy, 1903.  Receives commissions for paintings from the German Empress and a Russian grand-duke.  Gives up painting and specializes on etchings, the art he likes best.  Works on large etchings in Paris, 1910-11.   Moves to Munich, Germany, 1912.  On the board of Association for Original Etchings, in Munich.  Travels through Switzerland, Liechtenstein, Belgium, Holland, Austria, France.  Moves to Garmisch-Partenkirchen, Germany, 1918.  His most productive years are 1920-30.  Travels to USA, 1928, returns via Sicily and Italian mainland. In USA, executes beautiful etchings of Independence Hall and the Betsy Ross House in Philadelphia as well as  scenes of Yale and Princeton.  Appointed professor in Germany, 1943.  Several universities offer him a post, but he remains independent.  Chairman of the Werdenfelser Kunstlerbund, association of artists in the Garmisch, Germany, area.  Died May 30, 1965.


INV 2209

Vintage signed etching of BVRG FORCHTENSTEIN by Josef Eidenberger, approx 14 x 19 in.
 

Josef Eidenberger was Born on May 30, 1899 in the little town of Goisern, Austria. He began his artistic career as a landscape painter, showing great perception for the mood of the local countryside. In 1923 he enrolled in the famed Graphic Academy of Art in Vienna and studied under Professor Alfred Cossman.

After learning copper engraving, Eidenberger soon turned to etching as his medium. His specialized studies and love for subtle color led him to the complicated process of color etching. Greatly influenced by the Austrian etch-craftman Luigi Kasimir, Eidenberger improved his technique from plate to plate.

His eye for detail and meticulous execution of each plate brought him many commissions from city officials and members of the business communities throughout Europe, especially in Austria and Germany. In 1973 after visiting the United States for the first time he created a series of California etchings, adding a new dimension to his exquisite European scenes. After visiting the United States for the first time in 1973 he created a series of California etchings. In 1974 he was commissioned to do a series of color etchings of Williamsburg, Virginia in commemoration of the United States Bicentennial celebration. During his travels throughout the U.S. in the fall of the same year he was once again commissioned to do etchings of the Utah State Capitol in Salt Lake City and scenes of the East and West Coast.

In December of 1977, the Austrian government bestowed upon Mr. Eidenberger, the honorary title of "Professor of the Arts" in appreciation for his contribution to the advancement of fine art. His work can be found in galleries and print collections throughout the world. Exhibitions of his work and his contributions to the art world are literally too numerous to mention.

Josef Eidenberger died in Niederwaldkirchen, Austria on July 21, 1991 at the age of 92. His work continued to be printed by his estate after his death

INV 2209

Vintage signed color etching RHEINSTEIN by Professor Paul Geissler, approx 13 x 17 in.
 

Information about Paul Geissler from Kunsthandlung Geissendoerfer

Born June 25, 1881, Erfurt, Germany, where his father was a gardener. Studies drawing under the painter Sondermann.  Attends the Arts and Craft School in Erfurt for 4 years.  Studies at the Grand-Ducal School of Arts in Weimar, Germany, under Max Thedy, 1903.  Receives commissions for paintings from the German Empress and a Russian grand-duke.  Gives up painting and specializes on etchings, the art he likes best.  Works on large etchings in Paris, 1910-11.   Moves to Munich, Germany, 1912.  On the board of Association for Original Etchings, in Munich.  Travels through Switzerland, Liechtenstein, Belgium, Holland, Austria, France.  Moves to Garmisch-Partenkirchen, Germany, 1918.  His most productive years are 1920-30.  Travels to USA, 1928, returns via Sicily and Italian mainland. In USA, executes beautiful etchings of Independence Hall and the Betsy Ross House in Philadelphia as well as  scenes of Yale and Princeton.  Appointed professor in Germany, 1943.  Several universities offer him a post, but he remains independent.  Chairman of the Werdenfelser Kunstlerbund, association of artists in the Garmisch, Germany, area.  Died May 30, 1965.


NV 2209

Vintage signed original silk etching GEMUSE FRAU by Professor Paul Geissler, approx 10 x 13.5 in.
 

Information about Paul Geissler from Kunsthandlung Geissendoerfer

Born June 25, 1881, Erfurt, Germany, where his father was a gardener. Studies drawing under the painter Sondermann.  Attends the Arts and Craft School in Erfurt for 4 years.  Studies at the Grand-Ducal School of Arts in Weimar, Germany, under Max Thedy, 1903.  Receives commissions for paintings from the German Empress and a Russian grand-duke.  Gives up painting and specializes on etchings, the art he likes best.  Works on large etchings in Paris, 1910-11.   Moves to Munich, Germany, 1912.  On the board of Association for Original Etchings, in Munich.  Travels through Switzerland, Liechtenstein, Belgium, Holland, Austria, France.  Moves to Garmisch-Partenkirchen, Germany, 1918.  His most productive years are 1920-30.  Travels to USA, 1928, returns via Sicily and Italian mainland. In USA, executes beautiful etchings of Independence Hall and the Betsy Ross House in Philadelphia as well as  scenes of Yale and Princeton.  Appointed professor in Germany, 1943.  Several universities offer him a post, but he remains independent.  Chairman of the Werdenfelser Kunstlerbund, association of artists in the Garmisch, Germany, area.  Died May 30, 1965.



INV 2209

Vintage signed original silk etching GEMUSE MANN by Professor Paul Geissler, approx 10 x 13.5 in.
 

Information about Paul Geissler from Kunsthandlung Geissendoerfer

Born June 25, 1881, Erfurt, Germany, where his father was a gardener. Studies drawing under the painter Sondermann.  Attends the Arts and Craft School in Erfurt for 4 years.  Studies at the Grand-Ducal School of Arts in Weimar, Germany, under Max Thedy, 1903.  Receives commissions for paintings from the German Empress and a Russian grand-duke.  Gives up painting and specializes on etchings, the art he likes best.  Works on large etchings in Paris, 1910-11.   Moves to Munich, Germany, 1912.  On the board of Association for Original Etchings, in Munich.  Travels through Switzerland, Liechtenstein, Belgium, Holland, Austria, France.  Moves to Garmisch-Partenkirchen, Germany, 1918.  His most productive years are 1920-30.  Travels to USA, 1928, returns via Sicily and Italian mainland. In USA, executes beautiful etchings of Independence Hall and the Betsy Ross House in Philadelphia as well as  scenes of Yale and Princeton.  Appointed professor in Germany, 1943.  Several universities offer him a post, but he remains independent.  Chairman of the Werdenfelser Kunstlerbund, association of artists in the Garmisch, Germany, area.  Died May 30, 1965.




INV 2209

Temple rubbing of warriors on elephants, approx 24 x 21 in. INV 2209

Antique FLANDERN German art print, approx 16 x 11.5 in. INV 2209

Antique FRENCH art print, approx 16 x 11.5 in. INV 2209

Antique FRENCH art print, approx 16 x 11.5 in. INV 2209

Vintage GERMAN / FRENCH art print, approx 14 x 12 in. INV 2209

1995 signed art print DIVE BOMBING by Rie Munoz , #ed 655/1250, approx 12.5 x 11 in. INV 2209

1980 Jesus Christ w/ Liberty Bell religious patriotic art print by Beth Sweigard, approx 17 x 24.5 in. INV 2209

Signed and numbered US Air Force jet over Mt. St. Helens art print by Richard R. Broome, #ed 150/350 with additional signature of Joe Rogers, approx 28 x 23 in. INV 2209

Signed and numbered US Air Force jet over Mt. St. Helens art print by Richard R. Broome, #ed 250/350, approx 28 x 23 in. INV 2209

Signed and numbered US Air Force jet over Mt. St. Helens art print by Richard R. Broome, #ed 252/350, approx 28 x 23 in. INV 2209

Signed and numbered US Air Force jet over Mt. St. Helens art print by Richard R. Broome, #ed 253/350, approx 28 x 23 in. INV 2209

Antique J. Pollard art print - RIDER ON BLUE COAT, approx 15.5 x 11.5 in.
 

Pollard was born in Baynes Spa Fields (later renamed Exmouth Street) in Islington, the son of the painter and publisher Robert Pollard (1755?1838).

Between 1821 and 1839, James Pollard exhibited at the Royal Academy. He exhibited at the British Institution in 1824 and 1844. During his career, he also worked with John Frederick Herring Sr. on several horse racing paintings in which he painted the backgrounds and spectators while Herring painted the horses.

Many of his compositions were published as aquatints, although, unlike his father, he engraved only a few plates himself.

James Pollard died in Chelsea in 1867.

INV 2209

Antique J. Pollard art print - PAIR-HORSE SHORT STAGE COACH, approx 15.5 x 11.5 in.
 

Pollard was born in Baynes Spa Fields (later renamed Exmouth Street) in Islington, the son of the painter and publisher Robert Pollard (1755?1838).

Between 1821 and 1839, James Pollard exhibited at the Royal Academy. He exhibited at the British Institution in 1824 and 1844. During his career, he also worked with John Frederick Herring Sr. on several horse racing paintings in which he painted the backgrounds and spectators while Herring painted the horses.

Many of his compositions were published as aquatints, although, unlike his father, he engraved only a few plates himself.

James Pollard died in Chelsea in 1867.

INV 2209

Antique J. Pollard art print - THE ROYAL MAILS PREPARING TO START, approx 15.5 x 11.5 in.
 

Pollard was born in Baynes Spa Fields (later renamed Exmouth Street) in Islington, the son of the painter and publisher Robert Pollard (1755?1838).

Between 1821 and 1839, James Pollard exhibited at the Royal Academy. He exhibited at the British Institution in 1824 and 1844. During his career, he also worked with John Frederick Herring Sr. on several horse racing paintings in which he painted the backgrounds and spectators while Herring painted the horses.

Many of his compositions were published as aquatints, although, unlike his father, he engraved only a few plates himself.

James Pollard died in Chelsea in 1867.

INV 2209

Vintage Marcel Jeanjean art print - La Plantation de la Vigne, approx 15 x 11 in.

Marcel Joseph Jeanjean , born in S...te on January 31 , 1893 and died at Soisy-sur-...cole ( Essonne ) onJuly 25 , 19731 , is a French illustrator , particularly prolific in the field of aviation .


INV 2209

Vintage Marcel Jeanjean art print - La Vendange, approx 15 x 11 in. INV 2209

Vintage Marcel Jeanjean art print - Le Cellier, approx 15 x 11 in. INV 2209

Vintage Marcel Jeanjean art print - Le Pressoir, approx 15 x 11 in. INV 2209

Vintage signed color photograph print of Mt. Rainier by Al Jensen, approx 14 x 11 in. INV 2209

Vintage signed color photograph print of Butchard Gardens, Canada by Al Jensen, approx 14 x 11 in. INV 2209

Vintage signed color photograph print of Butchard Gardens, Canada by Al Jensen, approx 14 x 11 in. INV 2209

1994 signed / numbered Rie Munoz art print STARTING DINNER, #ed 622/975, approx 14 x 17 in. INV 2209

Vintage German art print HEIDELBERG , approx 16 x 17 in. INV 2209

Demetre H. Chiparus (French-Romanian, 1886-1947):  Art deco Dancer of Kapurthala. Patinated Bronze and Ivory Figure, circa 1925 'Dancer of Kapurthala' .

 signature is on the base ''Chiparus'' cold painted  brown and green , bronze, depicting a female dancer in exotic costume, poised on the toes of one foot with her arms outstretched,on a shaped Marble and onxy base, overall: 20.5'' H x 13'' W x 2.5'' D, est:$35,000/60,000

'Chiparus: Master of Art Deco'', New York: Abbeville, 1993, p. 132, plate 63.

 

• Please see A. Shayo Chiparus Master of Art Deco Abbeville Press, 1999, plate 63, pg. 132 for an image of a near identical study.

PLEASE READ it is the responsibly of the wining bidder to arrange shipping , this item should be crated. LOCAL PICK UP IS AVAILABLE.


INV 2311

Artist: Demetre Chiparus. (Romanian, 1886?1947) Romanian 1886 1947 CIRCA 1925
 Art deco, 'Pyjama Girl' a Gilt Bronze and Carved Ivory Figure
she is modeled wearing pattern silk pyjamas, stretching as if just awoken, on marble base with gilt bronze panel of a stretching cat,
Valued 15000-30000 
PLEASE READ it is the responsibly of the wining bidder to arrange shipping , this item should be crated. Approx 10 x 19 x 5 in. LOCAL PICK UP IS AVAILABLE.

INV 2311

Signed original Johann Philipp Ferdinand Preiss (German, 1882?1943) Cold painted Bronze sculpture -Dancer
Beautiful Art deco piece on a Bronze and ivory on a polished petrified wood and stone base. Circa 1925 - has age crack in the head see pics . PLEASE READ it is the responsibly of the wining bidder to arrange shipping , this item should be crated. LOCAL PICK UP IS AVAILABLE.
Valued 5000 to 10000. Approx 10 x 19 x 5 in.


INV 2311



 

1979 signed / numbered animal art print TWO SQUIRRELS by Frank T. Gee, #ed 339/2500, approx 22 x 17.5 in. INV 2209

Vintage signed / numbered animal art print BABY RACOONS by Steve "Jum" Yee, #ed 110/3000, approx 24 x 18 in. INV 2209

1988 signed poster print by Pat Buckley Moss - MICHIGAN 150th Anniversary , approx 25.5 x 16 in. INV 2209

Vintage poster art print by Pat Buckley Moss - IOWA , approx 25.5 x 16 in. INV 2209

Vintage poster art print by Pat Buckley Moss - ANNAPOLIS , approx 25.5 x 16 in. INV 2209

Vintage poster art print by Pat Buckley Moss - ANNAPOLIS , approx 25.5 x 16 in. INV 2209

Vintage poster art print by Pat Buckley Moss - ANNAPOLIS , approx 25.5 x 16 in. INV 2209

Vintage poster art print by Pat Buckley Moss - JINNY BEYER , approx 25.5 x 16 in. INV 2209

Vintage animal art print HUNGARIA - Hunter Horse, approx 22 x 16.5 in. INV 2209

Vintage animal art print Arabian Horse, approx 22 x 16.5 in. INV 2209

Vintage original signed German watercolor artwork, Porta Nigra, approx 14 x 16 in. INV 2209

1995 signed / numbered St. Paul, Alaska art print by N. Taylor Stonington, #ed 65/950, approx 22 x 17.5 in. INV 2209

Vintage watercolor art print UNION STATION, TACOMA WASHINGTON by Paul N. Norton, approx 17 x 12 in. INV 2209

Vintage signed / numbered art print of mother w/ child on back by unknown artist, 133/275, approx 17 x 24 in. INV 2209

Vintage signed / numbered art print of flowers on blue by unknown artist, #ed 11/275, approx 16.5 x 22.5 in. INV 2209

Vintage signed / numbered etching art print of seagulls above waves by Hans Figuera, #ed F 30/250, approx 17.5 x 20.5 in. INV 2209

4 pc. lot of HARRY'S KAISERSLAUTERN portrait prints by Adolf Paul; 1958 The Happy Grandpa, The Grandma, approx 11.5 x 16.5 in. INV 2209

8 pc. lot of HARRY'S KAISERSLAUTERN portrait prints by Adolf Paul; 1958 The Happy Grandpa, The Grandma, approx 11.5 x 16.5 in. INV 2209

15 pc. lot of HARRY'S KAISERSLAUTERN portrait prints by Adolf Paul; 1958 The Happy Grandpa, The Grandma, approx 11.5 x 16.5 in. INV 2209

Framed signed /numbered art print Ohara In Autumn by Shiro Kasamatsu, #ed 250 / 300 w/ stamp, approx 17 x 22 in. INV 2311

Framed 1962 signed /numbered art print by Shiro Kasamatsu, #ed 340/400 w/ stamp, approx 17 x 22 in. INV 2311

Vintage framed Japanese flower painting signed by artist, approx 14 x 20 in. INV 2311

Lg. unframed Buffalo signed / numbered art print STORMY by Nancy Glazier, #ed 78/1200 w/ COA, approx 26 x 40 in.


Nancy Glazier is passionate about her art and the subject of her art. This passion is evident in the way she paints and the way she lives ? they are inseparable.

Surrounded by mountain beauty and the animals the artist loves to paint, Glazier says, ?I feel a kinship with the animal that grows as the painting progresses. There is a powerful chemistry at work. People ask me, ?Which is your favorite animal to paint?? I can tell you it is always the very animal I am painting at the time." For Glazier, it is ??a warm, living, breathing process that brings me back again and again to the easel. It is my ultimate reward.?

Many of the artist?s admirers and collectors consider Glazier to be an extraordinary artist whose paintings seem ?alive.? For her, this is warm praise, because she desires to share what she experiences through her paintings. She hopes the viewer, too, will feel the warmth of the sun or the crisp chill of winter, smell the sage and dust, or hear the bellow of the bison.

Glazier knew she wanted to be an artist from early childhood. In her teens, she lived in Wyoming where she immersed herself in the rugged, western terrain. There she was mentored and taught by artist Adolph Spohr, who gave her private instruction and taught her how a professional uses paint and brush?how to observe and self-correct. The artist?s style evolved over time. After seeing a dramatic photograph of a grizzly, she was awakened to a desire to paint animals ?close up and hair-by-hair.? The artist has taken hands-on anatomy classes that enable her to paint an amazingly accurate portrait of an animal from its bone structure to muscles to hair, bringing it life on her canvas.

The artist enjoys much success as one of today?s most talented wildlife painters. Her original works are represented by one of America?s leading galleries. Her paintings have been featured at prestigious shows throughout the country, and two of her works hang in the Museum of Church History and Art in Salt Lake City.

Glazier and her husband reside in an idyllic setting in Nevada where a spacious studio allows her to create her extraordinary paintings and continue her journey of discovery to capture ?the whole picture.?

INV 2209

Lg. unframed Buffalo signed / numbered art print STORMY by Nancy Glazier, #ed 4/SOIE, approx 26 x 40 in.


Nancy Glazier is passionate about her art and the subject of her art. This passion is evident in the way she paints and the way she lives ? they are inseparable.

Surrounded by mountain beauty and the animals the artist loves to paint, Glazier says, ?I feel a kinship with the animal that grows as the painting progresses. There is a powerful chemistry at work. People ask me, ?Which is your favorite animal to paint?? I can tell you it is always the very animal I am painting at the time." For Glazier, it is ??a warm, living, breathing process that brings me back again and again to the easel. It is my ultimate reward.?

Many of the artist?s admirers and collectors consider Glazier to be an extraordinary artist whose paintings seem ?alive.? For her, this is warm praise, because she desires to share what she experiences through her paintings. She hopes the viewer, too, will feel the warmth of the sun or the crisp chill of winter, smell the sage and dust, or hear the bellow of the bison.

Glazier knew she wanted to be an artist from early childhood. In her teens, she lived in Wyoming where she immersed herself in the rugged, western terrain. There she was mentored and taught by artist Adolph Spohr, who gave her private instruction and taught her how a professional uses paint and brush?how to observe and self-correct. The artist?s style evolved over time. After seeing a dramatic photograph of a grizzly, she was awakened to a desire to paint animals ?close up and hair-by-hair.? The artist has taken hands-on anatomy classes that enable her to paint an amazingly accurate portrait of an animal from its bone structure to muscles to hair, bringing it life on her canvas.

The artist enjoys much success as one of today?s most talented wildlife painters. Her original works are represented by one of America?s leading galleries. Her paintings have been featured at prestigious shows throughout the country, and two of her works hang in the Museum of Church History and Art in Salt Lake City.

Glazier and her husband reside in an idyllic setting in Nevada where a spacious studio allows her to create her extraordinary paintings and continue her journey of discovery to capture ?the whole picture.?

INV 2209

Limited Edition 2003 signed / numbered horse art print AMAZING GRAYS by Nancy Glazier, #ed 64/100 IE, approx 39 x 18.5 in. Edges show wear. INV 2209

Vintage 1979 signed / numbered lithograph art print of 4 women by DIEGO VOCI, #ed 74/60, approx 16 x 19.5 in.

Antonio Diego Voci (VOH-chee 1920-1985) is an Italian figurative artist. Although constantly drawing or painting from childhood to the day he succumbed to lung cancer, Diego's most productive period was the last quarter century of his life, which began when he met Helga Dr...ssler in January 1960 in Paris. A significant turning point in Diego's career, Diego said, "My life took on new meaning. I became more." Helga, who became Diego's wife, lover, best friend and confident, published seven chapters of her life with Diego on Artifact Collectors.Within those 25 abundant years Diego created 4000 oils mostly on canvas and many thousands of drawings.

INV 2209

Vintage 1979 pencil signed / numbered lithograph art print by DIEGO VOCI, #ed 70/60, approx 16 x 19.5 in.

Antonio Diego Voci (VOH-chee 1920-1985) is an Italian figurative artist. Although constantly drawing or painting from childhood to the day he succumbed to lung cancer, Diego's most productive period was the last quarter century of his life, which began when he met Helga Dr...ssler in January 1960 in Paris. A significant turning point in Diego's career, Diego said, "My life took on new meaning. I became more." Helga, who became Diego's wife, lover, best friend and confident, published seven chapters of her life with Diego on Artifact Collectors.Within those 25 abundant years Diego created 4000 oils mostly on canvas and many thousands of drawings.


INV 2209

Vintage 1979 signed / numbered lithograph art print of 4 women by DIEGO VOCI, #ed 73/60, approx 16 x 19.5 in.

Antonio Diego Voci (VOH-chee 1920-1985) is an Italian figurative artist. Although constantly drawing or painting from childhood to the day he succumbed to lung cancer, Diego's most productive period was the last quarter century of his life, which began when he met Helga Dr...ssler in January 1960 in Paris. A significant turning point in Diego's career, Diego said, "My life took on new meaning. I became more." Helga, who became Diego's wife, lover, best friend and confident, published seven chapters of her life with Diego on Artifact Collectors.Within those 25 abundant years Diego created 4000 oils mostly on canvas and many thousands of drawings.


INV 2209

Vintage 1979 signed / numbered lithograph art print BALLERINA by DIEGO VOCI, #ed 72/60, approx 16 x 19.5 in.

Antonio Diego Voci (VOH-chee 1920-1985) is an Italian figurative artist. Although constantly drawing or painting from childhood to the day he succumbed to lung cancer, Diego's most productive period was the last quarter century of his life, which began when he met Helga Dr...ssler in January 1960 in Paris. A significant turning point in Diego's career, Diego said, "My life took on new meaning. I became more." Helga, who became Diego's wife, lover, best friend and confident, published seven chapters of her life with Diego on Artifact Collectors.Within those 25 abundant years Diego created 4000 oils mostly on canvas and many thousands of drawings.

INV 2209

Vintage 1979 pencil signed / numbered lithograph art print BALLERINA by DIEGO VOCI, #ed 27/60, approx 16 x 19.5 in.

Antonio Diego Voci (VOH-chee 1920-1985) is an Italian figurative artist. Although constantly drawing or painting from childhood to the day he succumbed to lung cancer, Diego's most productive period was the last quarter century of his life, which began when he met Helga Dr...ssler in January 1960 in Paris. A significant turning point in Diego's career, Diego said, "My life took on new meaning. I became more." Helga, who became Diego's wife, lover, best friend and confident, published seven chapters of her life with Diego on Artifact Collectors.Within those 25 abundant years Diego created 4000 oils mostly on canvas and many thousands of drawings.


INV 2209

1984 pencil signed / numbered serigraph art print PIERROT by Shelley Schoneberg, #ed 49/100, approx 33 x 25 in. INV 2290

Vintage pencil signed Artist Proof lithograph print COASTAL FREIGHTER signed by artist, approx 33.5 x 22 in. Tape on top edge, see pics. INV 2209

1987 signed / numbered Artist Proof AP 15/25 Ferrari & Black Stallion art print 1968-275GTB/4 by Leonid Ottow, approx 35.5 x 25 in. Has tape marked on top edge, see pics. INV 2209

Vintage 1981 Mercedes CLEWORTH 300SL GULLWING auto poster art print by Harold James Cleworth, approx 22 x 28 in. INV 2209

Vintage 1983 signed / numbered art print KING'S RANSOM by Joyce Weibel, #ed 15/75, approx 24 x 20 in. INV 2209

Vintage 1979 pencil signed art print of old people sitting by DIEGO VOCI, #ed 53/720, approx 23.5 x 31.5 in.

Antonio Diego Voci (VOH-chee 1920-1985) is an Italian figurative artist. Although constantly drawing or painting from childhood to the day he succumbed to lung cancer, Diego's most productive period was the last quarter century of his life, which began when he met Helga Dr...ssler in January 1960 in Paris. A significant turning point in Diego's career, Diego said, "My life took on new meaning. I became more." Helga, who became Diego's wife, lover, best friend and confident, published seven chapters of her life with Diego on Artifact Collectors.Within those 25 abundant years Diego created 4000 oils mostly on canvas and many thousands of drawings.


INV 2209

Vintage 1979 pencil signed art print of old people sitting by DIEGO VOCI, #ed 55/720, approx 23.5 x 31.5 in.

Antonio Diego Voci (VOH-chee 1920-1985) is an Italian figurative artist. Although constantly drawing or painting from childhood to the day he succumbed to lung cancer, Diego's most productive period was the last quarter century of his life, which began when he met Helga Dr...ssler in January 1960 in Paris. A significant turning point in Diego's career, Diego said, "My life took on new meaning. I became more." Helga, who became Diego's wife, lover, best friend and confident, published seven chapters of her life with Diego on Artifact Collectors.Within those 25 abundant years Diego created 4000 oils mostly on canvas and many thousands of drawings.


INV 2209