Fine Art & Rare Memorabilia > Davis Brothers Auction > Collecting American Ethnographic History D3
Collecting American Ethnographic History D3
by Davis Brothers Auction
Sat,
Mar
15,
2025
9:00 AM
Mountain
Day 3:
Featured Artists:
Charles Schreyvogel, Jaune Quick-To-See Smith, Nahum Gutman, Charles M Russell, Paul Calle, Mark Maggiori, Olaf Carl Seltzer, Howard Norton Cook, Anna Althea Hills, Fremont Ellis, Franklin Watkins, Michael Atkinson, Allen Tucker, Karl Moon, Pierre Jules Mene, Michael McCarthy, Warren Eliphalet Rollins, Ivan Otterlifter, Bill Kuhnley, George Dabich, Jack Koonce, Donald Locke, and More
Featured Items:
Extensive and Exhaustive Collection of Ancient Inuit Artifacts, 1890s Zuni Olla, Native American Indian Beadwork/Artifacts/Art, Navajo Jewelry, Camdo Del Cielo Meteorites, Take a Kodak with You Advertising Photo Sign, Spider Woman Cross Chief's Blanket, Wyoming Mule Deer Locked In Combat Death Taxidermy, Fine Jewelry, and more.
Raven Releasing Sun Native American Ornament
Lot #1 (Sale Order 1 of 1523)
Made by Northern Light Ventures. 2 5/8" diameter.
Makah Northwest Coast Native American Basket
Lot #2 (Sale Order 2 of 1523)
3 1/4" by 2 3/4'' tall.
Makah Northwest Coast Native American Basket
Lot #3 (Sale Order 3 of 1523)
3 1/2" by 2 3/4" tall.
Antique Mexican Wool Serape Saltillo Blanket
Lot #4 (Sale Order 4 of 1523)
97 1/2" long by 51 1/4" wide.
Antique Mexican Wool Serape Saltillo Blanket
Lot #5 (Sale Order 5 of 1523)
96" by 48" wide.
Antique Mexican Wool Serape Saltillo Blanket
Lot #6 (Sale Order 6 of 1523)
107" by 43 1/2" wide.
Antique Mexican Wool Serape Saltillo Blanket
Lot #7 (Sale Order 7 of 1523)
43" by 15 1/4" wide.
Antique Mexican Wool Serape Saltillo Blanket
Lot #8 (Sale Order 8 of 1523)
38" by 16 /12" wide.
Chimayo Native American Indian Blanket Rug
Lot #9 (Sale Order 9 of 1523)
24" by 19" wide. Aceves Weavers.
Antique Mexican Wool Serape Saltillo Blanket
Lot #10 (Sale Order 10 of 1523)
46" by 19" wide.
Navajo Indian Yei Yebichai Dancer Rug
Lot #11 (Sale Order 11 of 1523)
18 1/4" by 26" tall.
Antique Mexican Wool Serape Saltillo Rug Blanket
Lot #12 (Sale Order 12 of 1523)
24" by 15 3/4" long.
Antique Mexican Wool Serape Saltillo Blanket
Lot #13 (Sale Order 13 of 1523)
46" by 18 3/4" wide.
Antique Mexican Wool Serape Saltillo Blanket
Lot #14 (Sale Order 14 of 1523)
27" by 9 1/4" wide.
Antique Mexican Wool Serape Saltillo Blanket
Lot #15 (Sale Order 15 of 1523)
25" by 9 1/4" wide.
Native American Indian Medicine Pouch & Carvings
Lot #16 (Sale Order 16 of 1523)
Leather bag with carved turtles and bear. Pouch is 5" by 3 3/4".
Miniature Salesman Sample Snowshoes
Lot #17 (Sale Order 17 of 1523)
18 1/2" long by 3 1/2" wide.
Miniature Salesman Sample Snowshoes
Lot #18 (Sale Order 18 of 1523)
18 1/2" by 3 1/2" wide.
Papago Native American Indian Basket Tray
Lot #19 (Sale Order 19 of 1523)
10" by 7 1/4". Could also be hung on the wall
Delores Andrew Papago Native American Basket
Lot #20 (Sale Order 20 of 1523)
9 3/4" by 9 1/4" by 5 3/4" tall.
Papago Native American Indian Basket
Lot #21 (Sale Order 21 of 1523)
8 1/2" by 7 1/4" by 3 3/4" tall.
Miniature Papago Native American Indian Basket Hat
Lot #22 (Sale Order 22 of 1523)
7" diameter by 2" tall.
Papago Native American Indian Basket
Lot #23 (Sale Order 23 of 1523)
8 1/2" by 5 1/2" tall.
Group of Mexican Saltillo Serape Blankets
Lot #24 (Sale Order 24 of 1523)
Lot of three. 12" long by 3 1/2" wide.
Haida Northwest Coast Totem Pole Candlesticks
Lot #25 (Sale Order 25 of 1523)
Historical Miniatures, group of two, largest is 5 3/4" tall by 2" wide.
Collection of Zuni Carved Animal Fetish Beads
Lot #26 (Sale Order 26 of 1523)
Spiny Oyster. Group of seven. 3/4" by 1/4'' tall.
Native American Indian Pipe Bowl Tamper
Lot #27 (Sale Order 27 of 1523)
5 1/2" long by 3/4" wide.
Alaskan Inuit Yupik Eskimo Woven Dance Fans
Lot #28 (Sale Order 28 of 1523)
Woven grass and fur. 8" round.
Kiana Alaska Native American Indian Totem Pole
Lot #29 (Sale Order 29 of 1523)
19 1/4" by 17 1/4" wide. Resin
Mikael Redman Solid Silver Gan Dancer Statue
Lot #30 (Sale Order 30 of 1523)
Title is The Gan Dance. Limited edition, Solid Silver on Turquoise with gold plating, number 415/900. 3 3/4" tall by 2 1/4" wide. Mikael Redman (Born 1941) is active/lives in United States. Mikael Redman is known for Sculptor-miniature Indian figure.
Alaskan Inuit Eskimo Billiken Cribbage Board
Lot #31 (Sale Order 31 of 1523)
7 3/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Eskimo Inuit Walrus Tusk Cribbage Board
Lot #32 (Sale Order 32 of 1523)
20" long by 2 1/2" wide. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Seal Blubber Hook
Lot #33 (Sale Order 33 of 1523)
11" by 3 1/2" wide. Carved wood and walrus material. Manufactured prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Antique Alaskan Inuit Eskimo Canoe Harpoon Rest
Lot #34 (Sale Order 34 of 1523)
8 1/2" by 3 1/4". Used for tying off harpoon line on the bow of a boat. Has a channel for the line. Quite unusual.
Ancient Thule Alaska Inuit Eskimo Sled Runner
Lot #35 (Sale Order 35 of 1523)
9 3/8" long by 2" wide. Found on St Lawrence Island in Alaska. Old Museum Tag. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Thule Alaska Inuit Eskimo Yupik Knapping Tool
Lot #36 (Sale Order 36 of 1523)
Flaking Tool used to make arrowheads and armatures for harpoons. 6 5/8" by 2".
Ancient Thule Alaska Inuit Eskimo Snow Knife
Lot #37 (Sale Order 37 of 1523)
10 3/4" by 1 3/4" wide. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Antique Inuit Eskimo Primer Seating Reloading Tool
Lot #38 (Sale Order 38 of 1523)
5" long. Very neat tool, made from bone.
Antique Whale Bone Corset Busk Stay
Lot #39 (Sale Order 39 of 1523)
7 7/8" by 7/8" wide.
Ancient Thule Alaska Inuit Eskimo Net Awl
Lot #40 (Sale Order 40 of 1523)
9" by 3/4". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Alaska Inuit Eskimo Bone Tool
Lot #41 (Sale Order 41 of 1523)
6" by 3/4" wide.
Ancient Thule Alaska Inuit Eskimo Bow Drill
Lot #42 (Sale Order 42 of 1523)
9 1/4" by 2 3/8". Very nice early example. Appears to have writing or characters carved into it. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Inuit Adam John Spirit of Driftwood Masquette
Lot #43 (Sale Order 43 of 1523)
6 5/8" by 5 3/4".
Russian Monk Candle Snuffer
Lot #44 (Sale Order 44 of 1523)
2" by 1 5/8" by 1 3/8"
Alaskan Inuit Eskimo Ulu Knife
Lot #45 (Sale Order 45 of 1523)
5 1/2" by 3 3/4". Resin handle
Alaskan Inuit Eskimo Baleen Bullroarer
Lot #46 (Sale Order 46 of 1523)
7 3/8" by 4". Wolf Scarer.
Antique Sailor Made Whale Bone Pie Crimper
Lot #47 (Sale Order 47 of 1523)
5 1/4" by 1".
Alaskan Eskimo Inuit Hunting Bola
Lot #48 (Sale Order 48 of 1523)
19" long. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Frontiersman Buckskin Fringe Leather Leggings
Lot #49 (Sale Order 49 of 1523)
41" long.
Black Powder Rendezvous Powder Horn
Lot #50 (Sale Order 50 of 1523)
14 1/2" long, 25" with strap extended.
Rawhide Covered Cowboy Western Saddle Tree
Lot #51 (Sale Order 51 of 1523)
14" wide, 25 1/2" overall length, 21 1/2" front to cantle. Rawhide and fiberglass.
9" long by 3" wide. Mid 20th Century, some bead loss.
Nick Halsey Lakota Spirit Bear Figure
Lot #60 (Sale Order 60 of 1523)
5" by 2 3/4" by 2 3/4"
Carved White Buffalo Fetish
Lot #61 (Sale Order 61 of 1523)
6 1/4" by 4 1/4". 1140 grams.
Barlow Quandelacy Zuni Carved Bear Fetish
Lot #62 (Sale Order 62 of 1523)
3 3/4" by 2 3/8" by 1 1/4"
Stuart Quandelacy Zuni Corn Maiden Fetish
Lot #63 (Sale Order 63 of 1523)
2 1/8" by 2" by 1 5/8".
Stuart Quandelacy Zuni Corn Maiden Fetish
Lot #64 (Sale Order 64 of 1523)
Nicely made. 3 1/8" by 1 3/8" by 3/8".
Stuart Quandelacy Zuni Corn Maiden Fetish
Lot #65 (Sale Order 65 of 1523)
2" by 1 3/4" by 7/8".
Stuart Quandelacy Zuni Corn Maiden Fetish
Lot #66 (Sale Order 66 of 1523)
2 3/4" by 1 3/8" by 1".
Farlan and Paulette Quam Zuni Turtle Fetish
Lot #67 (Sale Order 67 of 1523)
2 1/2" by 2 1/8" by 1".
Sammy Smith Jeremy Lucero Zuni Turtle Fetish
Lot #68 (Sale Order 68 of 1523)
2 3/8" by 2 1/2".
Sammy Smith Jeremy Lucero Zuni Turtle Fetish
Lot #69 (Sale Order 69 of 1523)
2 3/4" by 1 1/4" by 1"
Cape Dorset Soapstone Carved Inuit Eskimo Owl
Lot #70 (Sale Order 70 of 1523)
Signed as shown. 2" by 1 7/8" by 1"
Andres Quandelacy Zuni Buffalo Fetish
Lot #71 (Sale Order 71 of 1523)
2" by 1 3/8" by 1/2"
Amos Pino Navajo Carved Buffalo Fetish
Lot #72 (Sale Order 72 of 1523)
2 1/2" by 1 3/8" by 5/8".
Freddie Leekya Zuni Buffalo Fetish
Lot #73 (Sale Order 73 of 1523)
2 1/4" by 1 1/2" by 1 1/4".
Sammy Smith Jeremy Lucero Zuni Buffalo Fetish
Lot #74 (Sale Order 74 of 1523)
1 7/8" by 1 1/2" by 1/2".
San Ildefonso Pueblo Pottery Bear
Lot #75 (Sale Order 75 of 1523)
2" by 1" by 1"
Claudia Peina Zuni Carved Turquoise Fetish
Lot #76 (Sale Order 76 of 1523)
2" tall.
Sammy Smith Jeremy Lucero Zuni Turtle Fetish
Lot #77 (Sale Order 77 of 1523)
2" by 1 3/8" by 1/2".
Sammy Smith Jeremy Lucero Zuni Turtle Fetish
Lot #78 (Sale Order 78 of 1523)
2" by 1 1/4" by 1/2".
Sammy Smith Jeremy Lucero Zuni Turtle Fetish
Lot #79 (Sale Order 79 of 1523)
1 3/4" by 1 1/4" by 1/2"
Carved Zuni Turtle Fetish
Lot #80 (Sale Order 80 of 1523)
1 3/4" by 1 1/8" by 1/2".
Zuni Carved Labradorite Sea Turtle Fetish
Lot #81 (Sale Order 81 of 1523)
Signed. 1 5/8" by 1 1/4" by 1/2"
Barlow Quandelacy Zuni Carved Bear Fetish
Lot #82 (Sale Order 82 of 1523)
Missing half of his fish. 2 3/8" by 1 1/8" by 1"
Abby & Lynn Quam Zuni Turtle Fetish
Lot #83 (Sale Order 83 of 1523)
1 1/4" by 1" by 1/2".
Vernon Lunasee & Prudencia Quam Zuni Fetish
Lot #84 (Sale Order 84 of 1523)
1 1/4" by 1 1/4" by 1/2".
Abby & Lynn Quam Zuni Turtle Fetish
Lot #85 (Sale Order 85 of 1523)
1" by 7/8" by 1/4"
Zuni Turquoise Marble Star Fetish
Lot #86 (Sale Order 86 of 1523)
1 1/2" by 1 1/4"
Abby & Lynn Quam Zuni Turtle Fetish
Lot #87 (Sale Order 87 of 1523)
1 1/8" by 7/8" by 3/8"
Andres Quandelacy Zuni Amber Bear Fetish
Lot #88 (Sale Order 88 of 1523)
1" by 5/8" by 3/8"
Abby & Lynn Quam Zuni Turtle Fetish
Lot #89 (Sale Order 89 of 1523)
1 1/8" by 7/8" by 1/4".
Danette Laate Carved Zuni Turtle Fetish
Lot #90 (Sale Order 90 of 1523)
1 1/8" by 7/8" by 3/8"
Andres Quandelacy Zuni Bear Fetish
Lot #91 (Sale Order 91 of 1523)
1 3/8" by 5/8" by 1/2"
Alaskan Inuit Eskimo Carved Eagle
Lot #92 (Sale Order 92 of 1523)
1 7/8" by 1" by 3/8". Carved walrus material. Native made prior to 1972.
Carved Zuni Medicine Buffalo Fetishes
Lot #93 (Sale Order 93 of 1523)
1 5/8" by 1" by 1/2".
Alaskan Inuit Eskimo Carved Seal
Lot #94 (Sale Order 94 of 1523)
3/4" by 5/8" by 3/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Carved Seal
Lot #95 (Sale Order 95 of 1523)
1 3/4" by 3/4" by 5/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Matched Set of 20 Old Pawn Navajo Sterling Buttons
Lot #96 (Sale Order 96 of 1523)
Very nice old set on leather strand.
Japanese Quon Quon Porcelain Totem Pole
Lot #97 (Sale Order 97 of 1523)
7" tall.
Pipestone Minnesota Carved Book Paperweight
Lot #98 (Sale Order 98 of 1523)
3 1/4" by 2 1/8" by 1/2".
Native American Indian Pipestone Incense Burner
Lot #99 (Sale Order 99 of 1523)
In the form of a Tipi. 4" by 3" by 2 1/4"
Tatanka Takoja Native American Indian Box
Lot #100 (Sale Order 100 of 1523)
10 1/2" diameter, 5" tall.
Cree Native American Game Stick Game Set
Lot #101 (Sale Order 101 of 1523)
Nice example
Group Of Native American Indian Dolls
Lot #102 (Sale Order 102 of 1523)
Nice grouping
Sun Rose Sioux Indian Pottery Vase
Lot #103 (Sale Order 103 of 1523)
7 3/8" tall by 3 3/4" in diameter.
Marie Chino Acoma Pueblo Indian Pot Vase
Lot #104 (Sale Order 104 of 1523)
3 1/2" tall by 2 1/4" in diameter. Rim has a chip.
Alaskan Eskimo Inuit Nunivak Island Musk Ox Mask
Lot #105 (Sale Order 105 of 1523)
12" in diameter. Top hoop has a repair.
Macaw Wounaan Embera Rainforest Basket
Lot #106 (Sale Order 106 of 1523)
4 3/8" tall by 5" in diameter.
Monkey Jaguar Wounaan Embera Rainforest Basket
Lot #107 (Sale Order 107 of 1523)
5 7/8" by 7 1/2" in diameter.
Cheyenne Native American Indian Pipe Bag
Lot #108 (Sale Order 108 of 1523)
Bag has been saddle soaped at some point to make it more supple. 31 1/4" long. Second Half of the 19th Century.
Blackfoot Native American Indian Breechcloth
Lot #109 (Sale Order 109 of 1523)
Montana. 50" long by 15" wide laid flat. Mid 20th Century.
4 3/8" tall by 6 1/8" in diameter. May also be Hupa, Karok, or Modoc.
Northwest Coast Indian Tlingit Rattle Top Basket
Lot #118 (Sale Order 118 of 1523)
3 1/4" tall by 3 3/4" diameter
Native American Indian Pine Needle Basket
Lot #119 (Sale Order 119 of 1523)
3" tall by 4 1/2".
Yupik Eskimo Alaska Native Lidded Coil Basket
Lot #120 (Sale Order 120 of 1523)
3 3/4" tall by 3 1/8" in diameter.
Makah Northwest Coast Native American Basket
Lot #121 (Sale Order 121 of 1523)
4 7/8" by 3 1/8" by 2 1/4"
Jemez New Mexico Native American Totem Pole
Lot #122 (Sale Order 122 of 1523)
12" tall by 7" wide
Jemez New Mexico Native American Totem Pole
Lot #123 (Sale Order 123 of 1523)
12 1/4" tall by 7 1/4" wide
Northwest Coast Native American Indian Totem Pole
Lot #124 (Sale Order 124 of 1523)
10 3/4" by 8 1/4" wide.
Jemez New Mexico Native American Totem Pole
Lot #125 (Sale Order 125 of 1523)
8 1/8" tall by 5 3/4" wide
Jemez New Mexico Native American Totem Pole
Lot #126 (Sale Order 126 of 1523)
8" tall, 5 3/4" long.
Jemez New Mexico Native American Totem Pole
Lot #127 (Sale Order 127 of 1523)
8" tall, 5 7/8" wide.
Jemez New Mexico Native American Totem Pole
Lot #128 (Sale Order 128 of 1523)
8 1/8" tall, 5 3/4" wide.
Northwest Coast Native American Indian Totem Pole
Lot #129 (Sale Order 129 of 1523)
10" tall, 5" wide.
Native American Indian Carved Wood Totem Pole
Lot #130 (Sale Order 130 of 1523)
8 1/2" tall, 5 1/2" wide.
Northwest Coast Native American Indian Totem Pole
Lot #131 (Sale Order 131 of 1523)
5 3/4" tall, 5 1/2" wide.
Northwest Coast Native American Indian Totem Pole
Lot #132 (Sale Order 132 of 1523)
10 3/4" tall, 5 3/8"
Jemez New Mexico Native American Totem Pole
Lot #133 (Sale Order 133 of 1523)
8" tall, 5 3/4" wide.
Northwest Coast Native American Indian Totem Pole
Lot #134 (Sale Order 134 of 1523)
6 7/8" tall, 2 5/8" wide.
Northwest Coast Native American Indian Totem Pole
Lot #135 (Sale Order 135 of 1523)
4 1/2" tall, 4" wide.
Cecil Owen Riffe Alaskan Yupik Eskimo Puffin Mask
Lot #136 (Sale Order 136 of 1523)
16 1/4" by 15" by 5 3/4".
Inuit Adam John Spirit of Driftwood Rattle
Lot #137 (Sale Order 137 of 1523)
11 1/8" long.
Joseph Illig Copper Northwest Coast Indian Box
Lot #138 (Sale Order 138 of 1523)
Haida. 17 1/2" by 11 3/4" by 4 1/8". Artist also known as Joseph Ilig.
Patterson Fringe Leather Frontier Cowboy Jacket
Lot #139 (Sale Order 139 of 1523)
Sheridan Wyoming. 17" armpit to armpit, 27" long.
Native American Indian Beaded Moccasins
Lot #140 (Sale Order 140 of 1523)
9 3/4" long, 4 3/4" wide. Mid 20th Century.
Native American Indian Beaded Moccasins
Lot #141 (Sale Order 141 of 1523)
8 3/4" long, 3 7/8" wide. Mid 20th Century.
Ancient Native American Indian Stone Hammer Head
Lot #142 (Sale Order 142 of 1523)
5 7/8" by 3 1/2" by 3"
Ancient Native American Indian Basalt Gorget
Lot #143 (Sale Order 143 of 1523)
Unknown area of collection. Wonderful old patina and wear as shown. 3" by 1 1/2" by 5/8"
Bear Routzen Acoma Pueblo Indian Miniature Pot
Lot #144 (Sale Order 144 of 1523)
Plate is 2 1/8" diameter.
Bear Routzen Acoma Pueblo Indian Miniature Pot
Lot #145 (Sale Order 145 of 1523)
Plate is 2 1/4" diameter
Bear Routzen Acoma Pueblo Indian Miniature Pot
Lot #146 (Sale Order 146 of 1523)
Plate is 2 1/4" diameter
Loren Concho Acoma Pueblo Indian Pot
Lot #147 (Sale Order 147 of 1523)
4 5/8" diameter, 3 1/2" tall.
Antique Acoma Pueblo Indian Pot
Lot #148 (Sale Order 148 of 1523)
3 5/8" diameter, 3" tall.
Montana Crow Indian Strike a Light Bag
Lot #149 (Sale Order 149 of 1523)
11 3/8" long with fringe, 6 1/2" wide. Mid 20th Century. Very well made.
Nome Alaska Eskimo Inuit Walrus Cribbage Board
Lot #150 (Sale Order 150 of 1523)
Dated 1905. Tusks are removable. Wonderful old skull and tusks, as good as it gets. 22" by 10 7/8" by 5 1/2". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Navajo Sterling Coral Squash Blossom Necklace
Lot #151 (Sale Order 151 of 1523)
Nice Old Pawn necklace. 15 3/8" long. 184 grams.
John Hornbeck Sterling Tufa Spiny Oyster Bracelet
Lot #152 (Sale Order 152 of 1523)
156.3 grams. 2 3/4" outside diameter.
Plains Native American Indian Horn Spoon
Lot #153 (Sale Order 153 of 1523)
8 1/2" long. First half of the 20th Century.
Tlingit Northwest Coast Indian Copper Tinnah
Lot #154 (Sale Order 154 of 1523)
Painted on one side. 3" by 2".
Sandra Quandelacy Zuni Corn Maiden Fetish
Lot #155 (Sale Order 155 of 1523)
1" tall, 3/8" diameter.
Sandra Quandelacy Zuni Corn Maiden Fetish
Lot #156 (Sale Order 156 of 1523)
1 1/8" tall, 3/8" diameter.
Antique Bronze Maritime Whaling Harpoon Tip
Lot #157 (Sale Order 157 of 1523)
7 7/8" long with remnant of shaft. Neat early piece of Maritime history.
Campo Del Cielo Octahedrite Meteorite 1.54Kg
Lot #158 (Sale Order 158 of 1523)
1540 grams. 4 5/8" by 2 1/2" by 2 1/2".
Campo Del Cielo Octahedrite Meteorite
Lot #159 (Sale Order 159 of 1523)
295 grams. 2 7/8" by 1 3/4" by 1 3/4"
Campo Del Cielo Octahedrite Meteorite 2Kg
Lot #160 (Sale Order 160 of 1523)
2084 grams. 5 1/4" by 3 3/8" by 2 3/4".
Zuni White Medicine Buffalo Fetishes
Lot #161 (Sale Order 161 of 1523)
2" by 1 1/2" by 3/4"
Sammy Smith Jeremy Lucero Zuni Buffalo Fetish
Lot #162 (Sale Order 162 of 1523)
1 3/4" by 1 3/4" by 5/8".
Vince Chavez Zuni White Medicine Buffalo Fetish
Lot #163 (Sale Order 163 of 1523)
1 1/2" by 3/4" by 1/2".
Vince Chavez Zuni White Medicine Buffalo Fetish
Lot #164 (Sale Order 164 of 1523)
1 3/4" by 1" by 1/2"
Sammy Smith Jeremy Lucero Zuni Buffalo Fetish
Lot #165 (Sale Order 165 of 1523)
2 1/4" by 1 1/2" by 1".
Lynn Quam Zuni Carved Buffalo Fetish
Lot #166 (Sale Order 166 of 1523)
2" by 1" by 1/2"
Zuni Buffalo Fetish
Lot #167 (Sale Order 167 of 1523)
1 3/4" by 3/4" by 3/4". Unsigned
Sammy Smith Jeremy Lucero Zuni Buffalo Fetish
Lot #168 (Sale Order 168 of 1523)
1 3/4" by 1 3/4" by 3/4".
Sammy Smith Jeremy Lucero Zuni Buffalo Fetish
Lot #169 (Sale Order 169 of 1523)
1 3/4" by 1 3/4" by 3/4".
Kevin Quam Zuni White Medicine Buffalo Fetish
Lot #170 (Sale Order 170 of 1523)
2 1/4" by 1 1/2" by 3/4".
Vince Chavez Zuni White Medicine Buffalo Fetish
Lot #171 (Sale Order 171 of 1523)
1 1/2" by 1" by 1/2"
Kevin Quam Zuni White Medicine Buffalo Fetish
Lot #172 (Sale Order 172 of 1523)
1 1/2" by 1" by 5/8"
Sammy Smith Jeremy Lucero Zuni Buffalo Fetish
Lot #173 (Sale Order 173 of 1523)
2" by 1 3/8" by 7/8"
Alaskan Inuit Eskimo Carved Bear
Lot #174 (Sale Order 174 of 1523)
2" by 1 1/4" by 3/4". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Carved Buffalo
Lot #175 (Sale Order 175 of 1523)
1 1/2" by 1" by 1/2". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Zuni White Medicine Buffalo Fetish
Lot #176 (Sale Order 176 of 1523)
1 5/8" by 1 1/4" by 1/2". Unsigned
Lynn Quam Zuni Carved Buffalo Fetish
Lot #177 (Sale Order 177 of 1523)
2 3/8" by 1 1/2" by 1/2".
Lynn Quam Zuni Carved Buffalo Fetish
Lot #178 (Sale Order 178 of 1523)
2 3/4" by 1 3/4" by 3/4".
Sammy Smith Jeremy Lucero Zuni Buffalo Fetish
Lot #179 (Sale Order 179 of 1523)
2 1/8" by 1 1/2" by 1"
Native American Indian Dew Claw Rattles
Lot #180 (Sale Order 180 of 1523)
6 3/4" long with toggle. Second half of the 19th Century.
Navajo Indian Germantown Saddle Blanket Rug
Lot #181 (Sale Order 181 of 1523)
31" by 31"
Navajo Transitional Germantown Saddle Blanket Rug
Lot #182 (Sale Order 182 of 1523)
34" by 52"
Navajo Indian Saddle Blanket Rug
Lot #183 (Sale Order 183 of 1523)
Very nice rug. 33 1/2" by 45 1/2".
Navajo Indian Saddle Blanket Runner Rug
Lot #184 (Sale Order 184 of 1523)
26" by 49".
Navajo Indian Valero Star Double Saddle Blanket
Lot #185 (Sale Order 185 of 1523)
Rug is 30" by 50"
Antique Haida Northwest Coast Indian Totem Pole
Lot #186 (Sale Order 186 of 1523)
Wonderful early totem with inset mother of pearl eyes. Great old patina. 17 1/4" by 2" by 1 7/8".
Great Lakes Native American Indian Ball War Club
Lot #187 (Sale Order 187 of 1523)
More than likely had an inset spike, that hole has been filled with wood as shown. 20" long. Second half of the 18th Century.
Antique Plains Indian Peace Pipe Tomahawk
Lot #188 (Sale Order 188 of 1523)
Brass inlaid stem. Pipe draws. Head has been varnished or waxed at some point. 18" long. Second half of the 19th Century.
Dani Stone Axe West Papua New Guinea Yakabiliak
Lot #189 (Sale Order 189 of 1523)
Dani People, Baliem Valley, Central Highlands, West Papua (Irian Jaya), Indonesia. 33" long. Exceptional large example, signs of tribal use and wear.
Sioux Native American Indian Beaded Leggings
Lot #190 (Sale Order 190 of 1523)
11 1/2" by 7 3/4". Second half of the 19th Century.
Alaskan Inuit Eskimo Yupik Indian Basket
Lot #191 (Sale Order 191 of 1523)
7 1/2" by 4 5/8" by 2". Very nice old basket, finely made, seal gut sea bird form decorations.
California Washoe Native American Indian Basket
Lot #192 (Sale Order 192 of 1523)
6 1/8" diameter, 3 1/2" tall. Single Rod construction.
New England Native American Indian Ash Burl Bowl
Lot #193 (Sale Order 193 of 1523)
Has an old make do repair as shown. 16 1/2" diameter, 6 1/4" tall. 18th Century.
Karl Moon Fred Harvey Al-Che-Say Apache Photo
Lot #194 (Sale Order 194 of 1523)
AL-Che-Say Chief of the Apache Indians. Large format Silver Gelatin Photo. Blind Stamped Fred Harvey in the corner. Wonderful old image in original frame. 21 1/2" by 25 1/4" framed.
Navajo Turquoise Coral Spiny Oyster Necklace
Lot #195 (Sale Order 195 of 1523)
12 3/4" long.
Lapis Lazuli Bead Necklace
Lot #196 (Sale Order 196 of 1523)
18 1/4" long untied.
Navajo Turquoise and Spiny Oyster Necklace
Lot #197 (Sale Order 197 of 1523)
21 3/4" long.
Navajo Branch Coral Necklace
Lot #198 (Sale Order 198 of 1523)
14" long.
Lapis Lazuli Branch Coral Necklace
Lot #199 (Sale Order 199 of 1523)
11" long.
Plains Indian Buffalo Tooth Necklace
Lot #200 (Sale Order 200 of 1523)
14 3/8" long closed.
Plains Native American Indian Hairpipe Necklace
Lot #201 (Sale Order 201 of 1523)
Montana Indian Made. 31 3/4" long.
Plains Native American Indian Hairpipe Breastplate
Lot #202 (Sale Order 202 of 1523)
30 1/2" long, 16" wide. Montana Indian made.
J.W. Toadlena Navajo Sterling Silver Belt Buckle
Lot #203 (Sale Order 203 of 1523)
3" by 2". 30.44 grams.
Navajo Sterling Tufa Cast Sandcast Belt Buckle
Lot #204 (Sale Order 204 of 1523)
3 1/2" long. 88.66 grams.
Zuni Indian Carved Fox Fetish
Lot #205 (Sale Order 205 of 1523)
Signed Sean. 4" by 1 3/4" by 1 3/4".
Alaskan Inuit Eskimo Carved Totem Pole
Lot #206 (Sale Order 206 of 1523)
Carved from Fossilized Walrus Material. 3 1/4" by 1 5/8" by 1 1/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Totem Pole Carved Spoon
Lot #207 (Sale Order 207 of 1523)
5" long. Carved walrus material handle. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Glen Pollard Haida Argillite Killer Whale Box
Lot #208 (Sale Order 208 of 1523)
Gorgeous carved Argillite Northwest Coast Indian box by Glen Pollard. Dated 1993. Missing lid decoration carving as shown. 3 1/2" by 3" by 3".
Roxana Leask Salmon & Eagle Salish Indian Box
Lot #209 (Sale Order 209 of 1523)
11 5/8" by 7 3/4" by 2 1/8".
Roxana Leask Salmon & Eagle Salish Indian Box
Lot #210 (Sale Order 210 of 1523)
11 1/2" by 7 5/8" by 2 1/8"
Roxana Leask Salmon & Eagle Salish Indian Box
Lot #211 (Sale Order 211 of 1523)
11 5/8" by 7 3/4" by 2 1/4"
Alaskan Inuit Eskimo Carved Bowhead Whale
Lot #212 (Sale Order 212 of 1523)
2 1/4" by 5/8" by 3/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Russell Silook Alaskan Eskimo Inuit Bowhead Whale
Lot #213 (Sale Order 213 of 1523)
3" by 1 3/8" by 1 1/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Carved Effigy
Lot #214 (Sale Order 214 of 1523)
2 3/8" by 1 1/4" by 3/4". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Whale Carving
Lot #215 (Sale Order 215 of 1523)
1 3/4" by 1/2" by 3/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Puffin Carving
Lot #216 (Sale Order 216 of 1523)
1 5/8" by 1" by 5/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Yupik Thule Alaska Inuit Eskimo Wolf Carving
Lot #217 (Sale Order 217 of 1523)
Nice early carving, missing part of a leg as shown. 3 1/8" by 1 1/4" by 1/2". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Carved Bowhead Whale
Lot #218 (Sale Order 218 of 1523)
2 1/8" by 1/2" by 3/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Thule Inuit Alaskan Tingmiujang Game Bird
Lot #219 (Sale Order 219 of 1523)
Carved Walrus Material in the Form of a Snow Goose. 1 1/4" by 5/8". Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits. Tingmiujang Gaming bird with a hole at the back for carrying it on a cord. The bird is probably carved from a walrus tooth , and as is typical, in the form of a floating bird. The game that this is used for came into Alaska, Northern Canada and Greenland about 1000 years ago with the Thule culture, the ancient ancestors of the present day Inuit. Used within the game "tingmiujang" during which the birds were shaken in the hands of the first player, and thrown upward. Upon falling, those pieces that happened to stand upright would be taken by the player whom they faced. The players would take turns throwing until the last figure was claimed, the winner being the one with the greatest number of birds. Most of the birds have evidence of a hole drilled within the tail region, allowing the set to be strung on sinew for storage or transport.
Collection of Fossils
Lot #220 (Sale Order 220 of 1523)
Very nice grouping. Various Locales from North America to Morocco.
Makah Northwest Coast Native American Basket
Lot #221 (Sale Order 221 of 1523)
7" by 6 1/2" by 3 1/2".
Joseph Illig Northwest Coast Indian Panel Crabcat
Lot #222 (Sale Order 222 of 1523)
Haida Crabcat Studio Resin panel. Artist also known as Joseph Ilig. 17 1/2" by 12".
Joseph Illig Copper Northwest Coast Indian Panel
Lot #223 (Sale Order 223 of 1523)
Artist also known as Joseph Ilig. Haida. 16 3/8" by 10 3/8".
J. Wolf Resin Haida Northwest Coast Indian Mask
Lot #224 (Sale Order 224 of 1523)
12 1/8" by 6 7/8" by 3 5/8".
Ancient Thule Inuit Alaskan Eskimo Labret
Lot #225 (Sale Order 225 of 1523)
1 1/8" by 3/4" by 5/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Labret
Lot #226 (Sale Order 226 of 1523)
5/8" by 1/2" by 1/2". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Labret
Lot #227 (Sale Order 227 of 1523)
1" by 5/8" by 5/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Labret
Lot #228 (Sale Order 228 of 1523)
7/8" by 5/8" by 5/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Labret
Lot #229 (Sale Order 229 of 1523)
1" by 1/2" by 1/2". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Toggle
Lot #230 (Sale Order 230 of 1523)
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Labret
Lot #231 (Sale Order 231 of 1523)
Carved wood. 1" by 3/4" by 1/2"
Ancient Thule Inuit Alaskan Eskimo Labret
Lot #232 (Sale Order 232 of 1523)
7/8" by 1/2" by 3/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #233 (Sale Order 233 of 1523)
6 1/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #234 (Sale Order 234 of 1523)
5" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #235 (Sale Order 235 of 1523)
4 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #236 (Sale Order 236 of 1523)
2 7/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #237 (Sale Order 237 of 1523)
5 1/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #238 (Sale Order 238 of 1523)
4 7/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #239 (Sale Order 239 of 1523)
4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #240 (Sale Order 240 of 1523)
5" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Antique Bone Corn Husking Tool
Lot #241 (Sale Order 241 of 1523)
4 5/8" long.
Ancient Thule Inuit Alaskan Eskimo Slate Point
Lot #242 (Sale Order 242 of 1523)
As used on Spears and Harpoons. 6 1/8" long.
Ancient Thule Inuit Alaskan Eskimo Bag Handle
Lot #243 (Sale Order 243 of 1523)
Carved decoration with indentation on backside. 5 3/8" long, 1/2" wide. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #244 (Sale Order 244 of 1523)
6 5/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Awl
Lot #245 (Sale Order 245 of 1523)
8 3/4" long.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #246 (Sale Order 246 of 1523)
Retains the inset point. 9 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Yupik Thule Inuit Alaskan Eskimo Fishing Lure
Lot #247 (Sale Order 247 of 1523)
5 5/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Ice Probe
Lot #248 (Sale Order 248 of 1523)
7 3/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Adze Head
Lot #249 (Sale Order 249 of 1523)
5 5/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Adze Head
Lot #250 (Sale Order 250 of 1523)
5 1/8" by 2 1/2". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Bag Handle
Lot #251 (Sale Order 251 of 1523)
Carved decoration with indentation on backside. 6 7/8" long, 3/4" wide. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Chinese Carved Stone Shovel Amulet
Lot #252 (Sale Order 252 of 1523)
3 5/8" long. Contemporary.
Ancient Thule Inuit Alaskan Eskimo Awl
Lot #253 (Sale Order 253 of 1523)
5 5/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #254 (Sale Order 254 of 1523)
2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Barbed Harpoon Point
Lot #255 (Sale Order 255 of 1523)
4 5/8" long. Contemporary.
Ancient Thule Inuit Alaskan Eskimo Fishing Lure
Lot #256 (Sale Order 256 of 1523)
3 3/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Labret
Lot #257 (Sale Order 257 of 1523)
1 1/2" by 5/8" by 1/2". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Labret
Lot #258 (Sale Order 258 of 1523)
7/8" by 1/2" by 1/4". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Barbed Harpoon Point
Lot #259 (Sale Order 259 of 1523)
4 1/4" long. Contemporary.
Ancient Thule Inuit Alaskan Eskimo Labret
Lot #260 (Sale Order 260 of 1523)
1 1/2" by 5/8" by 1/2". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Plains Native American Indian Dag Knife Blade
Lot #261 (Sale Order 261 of 1523)
Contemporary reproduction. 13 5/8" long.
Arctic Wolf Alaskan Taxidermy Tanned Hide
Lot #262 (Sale Order 262 of 1523)
82" long. No sales to California
Plains Native American Indian Pipestone Horse Pipe
Lot #263 (Sale Order 263 of 1523)
Tag on handle is spurious. Pipe and stem are 20th Century. 38 1/4" long. Pipe bowl is 8 1/4" by 3 3/4" by 1 3/8".
Haida Northwest Coast Indian Totem Pole
Lot #264 (Sale Order 264 of 1523)
Resin. 19 3/8" by 4" by 3 7/8".
Rich Lavelle Tlingit Northwest Coast Indian Rattle
Lot #265 (Sale Order 265 of 1523)
Shaman's Oystercatcher. Rich Lavalle adopted Tlingit. Second half of the 20th Century. 13" by 5 1/8" 2 7/8".
Plains Native American Indian Peace Pipe
Lot #266 (Sale Order 266 of 1523)
29" long. Mid 20th Century.
D. Williams Haida Northwest Coast Indian Plaque
Lot #267 (Sale Order 267 of 1523)
5 3/4" by 4 3/4" by 1 1/4". Signed D. Williams
Tibetan Carved Carnelian Pema Raka Necklace
Lot #268 (Sale Order 268 of 1523)
11 1/2" long.
Northwest Coast Indian Style Totem Pole
Lot #269 (Sale Order 269 of 1523)
Not native made. 30" by 7 1/2" by 7 3/8".
Bill Kuhnley Haida Northwest Coast Totem Pole
Lot #270 (Sale Order 270 of 1523)
26 5/8" by 20 1/8" by 6 7/8".
Fison Northwest Coast Indian Totem Pole
Lot #271 (Sale Order 271 of 1523)
Resin. Damaged and repaired. 27 1/2" tall.
Ancient Thule Alaska Inuit Eskimo Sled Runner
Lot #272 (Sale Order 272 of 1523)
14 3/4" by 2 5/8" by 1 1/4". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Tyrannosaurus Rex Tooth Resin Replica
Lot #273 (Sale Order 273 of 1523)
5 1/8" long.
Eric Mack Northwest Coast Indian Whale Carving
Lot #274 (Sale Order 274 of 1523)
Has been repaired as shown. 12 1/8" by 6" by 1 1/8".
Very nice old set of candle sconces. 8" by 3 1/8" by 2 3/8"
Tlingit Northwest Coast Indian Shaman Totem
Lot #282 (Sale Order 282 of 1523)
10 1/8" by 4 5/8" by 3 1/4". Base is made from an old wood block plane, the names stamped have no correspondence to the item on top. The totem has various areas of repair as shown.
Alaskan Inuit Eskimo Seal Handle Letter Opener
Lot #283 (Sale Order 283 of 1523)
6 5/8" long. Carved fossil walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Walrus Tusk Tip Montana Residents Only
Lot #284 (Sale Order 284 of 1523)
7 5/8" long. Native made prior to 1972. Montana Residents Only. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #285 (Sale Order 285 of 1523)
Used as an ice tester pick. 6" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Eskimo Whale Tooth Montana Residents Only
Lot #286 (Sale Order 286 of 1523)
3 1/4" long. Native made prior to 1972. Montana Residents Only. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Ancient Thule Inuit Alaskan Eskimo Adze Head
Lot #287 (Sale Order 287 of 1523)
5 1/2" by 2 1/4" by 1 1/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Scrimshaw Letter Opener
Lot #288 (Sale Order 288 of 1523)
7 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Head
Lot #289 (Sale Order 289 of 1523)
7 1/2" by 1 1/4" by 1". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Carved Totem Pole
Lot #290 (Sale Order 290 of 1523)
4 1/2" tall. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Haida Style Ron Frazier Custom Made Dagger
Lot #291 (Sale Order 291 of 1523)
Haida inspired. 15 1/4" long.
Megalodon Fossil Shark Tooth Resin Replica
Lot #292 (Sale Order 292 of 1523)
Reproduction. 5 1/2" by 4" by 1 1/2"
Alaskan Inuit Eskimo Seal Effigy Amulet
Lot #293 (Sale Order 293 of 1523)
3 1/4" by 1 1/2" by 1 1/4". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Tool
Lot #294 (Sale Order 294 of 1523)
7 1/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Toluca Mexico Polychrome Coiled Grass Basket
Lot #295 (Sale Order 295 of 1523)
9 3/8" tall by 10 1/4" in diameter.
Hupa Yurok Native American Indian Basket
Lot #296 (Sale Order 296 of 1523)
5 7/8" tall by 12 1/2" in diameter
Papago Native American Indian Turtle Basket Tray
Lot #297 (Sale Order 297 of 1523)
8 1/8" in diameter
Native American Indian Cradleboard
Lot #298 (Sale Order 298 of 1523)
31 1/2" long by 12 3/4" wide
Columbian Native Carved Wood Canoe
Lot #299 (Sale Order 299 of 1523)
Canoe is 15 1/2" long by 3 3/8" wide.
Ojibwe Indian Birch Bark Canoe
Lot #300 (Sale Order 300 of 1523)
13 1/4" long by 3 1/2" wide.
Native American Indian Miniature Wood Canoe
Lot #301 (Sale Order 301 of 1523)
7" long by 2" wide.
Navajo Pueblo Indian Painted Wood Cross
Lot #302 (Sale Order 302 of 1523)
7 1/2" by 4 1/8"
Pima Native American Indian Gourd Rattle
Lot #303 (Sale Order 303 of 1523)
6 1/2" long by 2 1/8" wide.
Collection Of Jose Luis Blanco Mexican Folk Art
Lot #304 (Sale Order 304 of 1523)
Nice group of items from the artist. Included is a photo of the artist holding two of the works. Jose Luis Blanco is a carver from the Seri tribe in Sonora, Mexico. Mr Blanco went blind in 2012 and is no longer working.
S Waquiu Jemez Pueblo Indian Wedding Vase Pot
Lot #305 (Sale Order 305 of 1523)
5 3/4" tall by 3" wide.
Hopi Indian Kachina Doll
Lot #306 (Sale Order 306 of 1523)
4 1/8" tall. Sold as-is.
Francisco Ojeda Oaxacan Mexico Folk Art Carving
Lot #307 (Sale Order 307 of 1523)
4 1/4" by 3 7/8" by 2 1/2"
Angel Arrazola Oaxacan Mexico Folk Art Carving
Lot #308 (Sale Order 308 of 1523)
6 1/2" by 5 1/2" by 1 7/8"
Navajo Indian Doll
Lot #309 (Sale Order 309 of 1523)
10 1/4" tall by 3 1/2" wide
German Taxidermy Roe Deer Horns
Lot #310 (Sale Order 310 of 1523)
11 total. Five sets and a single.
Alaskan Inuit Eskimo Ulu Knife
Lot #311 (Sale Order 311 of 1523)
Knife measures 5 7/8" by 3 3/4"
Collection Of Native American Indian Dolls
Lot #312 (Sale Order 312 of 1523)
Largest doll measures 8 3/4" tall by 3 3/8" wide.
Edward Curtis The North American Indian
Lot #313 (Sale Order 313 of 1523)
Volume 6. No gravures. Only two pages as shown.
Edward Curtis The North American Indian
Lot #314 (Sale Order 314 of 1523)
Volume 17. No gravures. Unbound. Volume may not be complete and may not be in order. Pages may be missing or extra pages may be included from other volumes.
Edward Curtis The North American Indian
Lot #315 (Sale Order 315 of 1523)
Volume 3. No gravures. Unbound. Volume may not be complete and may not be in order. Pages may be missing or extra pages may be included from other volumes.
Edward Curtis The North American Indian
Lot #316 (Sale Order 316 of 1523)
Volume 9. No gravures. Unbound. Volume may not be complete and may not be in order. Pages may be missing or extra pages may be included from other volumes.
Edward Curtis The North American Indian
Lot #317 (Sale Order 317 of 1523)
Volume 2. No gravures. Unbound. Volume may not be complete and may not be in order. Pages may be missing or extra pages may be included from other volumes.
Edward Curtis The North American Indian
Lot #318 (Sale Order 318 of 1523)
Volume 6. No gravures. Unbound. Volume may not be complete and may not be in order. Pages may be missing or extra pages may be included from other volumes.
Edward Curtis The North American Indian
Lot #319 (Sale Order 319 of 1523)
Volume 3. No gravures. Unbound. Volume may not be complete and may not be in order. Pages may be missing or extra pages may be included from other volumes.
Edward Curtis The North American Indian
Lot #320 (Sale Order 320 of 1523)
Volume 7. No gravures. Unbound. Volume may not be complete and may not be in order. Pages may be missing or extra pages may be included from other volumes.
Edward Curtis The North American Indian
Lot #321 (Sale Order 321 of 1523)
Volume 6. No gravures. Unbound. Volume may not be complete and may not be in order. Pages may be missing or extra pages may be included from other volumes.
Edward Curtis The North American Indian
Lot #322 (Sale Order 322 of 1523)
Volume 2. No gravures. Unbound. Volume may not be complete and may not be in order. Pages may be missing or extra pages may be included from other volumes.
Edward Curtis The North American Indian
Lot #323 (Sale Order 323 of 1523)
Volume 10. No gravures. Unbound. Volume may not be complete and may not be in order. Pages may be missing or extra pages may be included from other volumes.
Edward Curtis The North American Indian
Lot #324 (Sale Order 324 of 1523)
Volume 1. No gravures. Unbound. Volume may not be complete and may not be in order. Pages may be missing or extra pages may be included from other volumes.
Edward Curtis The North American Indian
Lot #325 (Sale Order 325 of 1523)
Volume 16. No gravures. Unbound. Volume may not be complete and may not be in order. Pages may be missing or extra pages may be included from other volumes.
Edward Curtis The North American Indian
Lot #326 (Sale Order 326 of 1523)
Volume 9. No gravures. Unbound. Volume may not be complete and may not be in order. Pages may be missing or extra pages may be included from other volumes.
Edward Curtis The North American Indian
Lot #327 (Sale Order 327 of 1523)
Volume 7. No gravures. Unbound. Volume may not be complete and may not be in order. Pages may be missing or extra pages may be included from other volumes.
Edward Curtis The Custer Battlefield Map
Lot #328 (Sale Order 328 of 1523)
From Volume 3 page 44 of Edward Curtis The North American Indian. 12 1/2" by 9 1/2".
Edward Curtis Photogravure A Koskimo House
Lot #329 (Sale Order 329 of 1523)
Original 1914 photogravure from Edward Curtis The North American Indian.
Edward Curtis Photogravure Author's Camp
Lot #330 (Sale Order 330 of 1523)
The title is Author's Camp Walapai Land. Copyrighted 1907 from Edward Curtis The North American Indian. 9 1/2" by 12 3/8".
Edward Curtis Photogravure Chief's Wife Kalispel
Lot #331 (Sale Order 331 of 1523)
Title is The Chief's Wife - Kalispel. Copyright 1910 from Edward Curtis The North American Indian. 9 1/2" by 12 5/8".
Edward Curtis Photogravure Palo Verde
Lot #332 (Sale Order 332 of 1523)
Copyright 1907 from Edward Curtis The North American Indian. 9 1/2" by 12 3/8".
Edward Curtis Photogravure Pima Land
Lot #333 (Sale Order 333 of 1523)
Copyright 1907 from Edward Curtis The North American Indian. 9 1/2" by 12 1/4".
Edward Curtis Photogravure Yuma Girl
Lot #334 (Sale Order 334 of 1523)
Copyright 1907 from Edward Curtis The North American Indian. 9 1/2" by 12 1/2".
Edward Curtis Photogravure Winter Count 1540
Lot #335 (Sale Order 335 of 1523)
Title is Winter Count 1540. Copyright 1908. 9 1/2" by 12 1/2".
Edward Curtis Photogravure Winter Count First
Lot #336 (Sale Order 336 of 1523)
Title is Winter Count First Period. Copyright 1908. 9 1/2" by 12 1/2".
Edward Curtis Photogravure Winter Count 1680
Lot #337 (Sale Order 337 of 1523)
Title is Winter Count 1680. Copyright 1908. 9 1/2" by 12 1/2".
Montana Mountain Goat Taxidermy Mount
Lot #338 (Sale Order 338 of 1523)
Measures 21 1/8" by 21" by 13". Horns are 8 1/2" long.
Jemez Pueblo Pottery Seed Pot
Lot #339 (Sale Order 339 of 1523)
2 3/4" tall by 3" in diameter.
Tanned Horse Tails
Lot #340 (Sale Order 340 of 1523)
52" long.
Alaskan Eskimo Inuit Carved Nephrite Jade Bear
Lot #341 (Sale Order 341 of 1523)
2" long by 1 1/4" tall.
Alaskan Eskimo Inuit Carved Nephrite Jade Carving
Lot #342 (Sale Order 342 of 1523)
1 1/4"' tall by 7/8" by 7/8".
Alaskan Eskimo Inuit Carved Nephrite Jade Carving
Lot #343 (Sale Order 343 of 1523)
1 1/4" tall by 1 1/8" by 3/4"
Alaskan Eskimo Inuit Carved Nephrite Jade Carving
Lot #344 (Sale Order 344 of 1523)
1 1/2" tall by 5/8" by 1/2"
Plains Native American Indian Rolled Metal Drops
Lot #345 (Sale Order 345 of 1523)
As found on dresses and strike a light bags.
Antique Huron Native American Indian Snowshoes
Lot #346 (Sale Order 346 of 1523)
27" long.
Antique Huron Native American Indian Snowshoes
Lot #347 (Sale Order 347 of 1523)
43" long.
Antique Huron Native American Indian Snowshoes
Lot #348 (Sale Order 348 of 1523)
36 1/2" long.
Antique Huron Native American Indian Snowshoes
Lot #349 (Sale Order 349 of 1523)
36 1/2" long.
Plains Native American Indian Beaded Dress
Lot #350 (Sale Order 350 of 1523)
15" armpit to armpit, 49" long. First half of the 20th Century.
Indian Peace Medals Issued in the United States
Lot #351 (Sale Order 351 of 1523)
Bauman L. Belden. 1966
Plains Native American Indian Tin Cones
Lot #352 (Sale Order 352 of 1523)
Nice grouping. 153 total.
Hopi Native American Indian Kachina Doll
Lot #353 (Sale Order 353 of 1523)
6 1/4" tall. Sold as-is.
Pearlite Stonecraft Frog
Lot #354 (Sale Order 354 of 1523)
1 1/2" by 1 1/2" by 1"
Mexican Carved Obsidian Frog
Lot #355 (Sale Order 355 of 1523)
3 1/2" by 2 1/2" by 1 3/4".
Mexican Carved Obsidian Frog
Lot #356 (Sale Order 356 of 1523)
2 1/2" by 2" by 1 1/2"
Pearlite Northwest Coast Haida Resin Box
Lot #357 (Sale Order 357 of 1523)
4" diameter, 2 1/8" tall.
Navajo Indian Yei Rug in Progress
Lot #358 (Sale Order 358 of 1523)
Unfinished on loom. 17 1/8" by 14 1/8".
Collection of Native American Indian Baskets
Lot #359 (Sale Order 359 of 1523)
Nice grouping
Group of Whale Baleen Montana Residents Only
Lot #360 (Sale Order 360 of 1523)
Native made prior to 1972. Montana Residents Only. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Kiana of Alaska Resin Indian Totem Pole
Lot #361 (Sale Order 361 of 1523)
9 1/4" tall. Resin.
Hudsons Bay Style Wool Trade Blanket
Lot #362 (Sale Order 362 of 1523)
61" by 44"
Collection of Wool Trade Blanket Pieces for Craft
Lot #363 (Sale Order 363 of 1523)
Nice grouping.
Tzotzil Mayan Wool Sash
Lot #364 (Sale Order 364 of 1523)
66" long.
Tzotzil Mayan Sash
Lot #365 (Sale Order 365 of 1523)
82" long.
Hopi Native American Indian Sash
Lot #366 (Sale Order 366 of 1523)
50" long.
Wool Sash Roll
Lot #367 (Sale Order 367 of 1523)
88' 10" long. Either a yurt wrap or possibly used and cut down.
Wool Sash
Lot #368 (Sale Order 368 of 1523)
46" long.
South American Wool Leggings
Lot #369 (Sale Order 369 of 1523)
28 1/4" by 15"
Native American Indian Beads for Crafts
Lot #370 (Sale Order 370 of 1523)
Nice grouping.
Ojibwe Native American Indian Bark Candlesticks
Lot #371 (Sale Order 371 of 1523)
3 1/4" by 3 1/4" by 2 3/8"
Collection of Native American Artifacts Crafts
Lot #372 (Sale Order 372 of 1523)
Nice grouping.
Navajo Diamond Twill Double Saddle Blanket Rug
Lot #373 (Sale Order 373 of 1523)
21" by 25".
Apache Native American Indian Saddlebags
Lot #374 (Sale Order 374 of 1523)
Trade silk decorated. 72" by 19".
Apache Native American Indian Saddlebags
Lot #375 (Sale Order 375 of 1523)
Trade cloth decorated. 58" long, 14" wide.
Apache Native American Indian Saddlebags
Lot #376 (Sale Order 376 of 1523)
71" long, 16" wide.
Apache Native American Indian Saddlebags
Lot #377 (Sale Order 377 of 1523)
51" long, 11" wide.
Apache Native American Indian Saddlebags
Lot #378 (Sale Order 378 of 1523)
65" long, 16" wide. More contemporary.
Megalodon Fossil Shark Tooth Resin Replica
Lot #379 (Sale Order 379 of 1523)
Reproduction. 6 7/8" by 4 1/4" by 1 3/4"
Eddy Syngoc Alaskan Inuit Eskimo Seal Carving
Lot #380 (Sale Order 380 of 1523)
2 5/8" by 1 7/8" by 1 1/2". Carved fossil walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Adze Head
Lot #381 (Sale Order 381 of 1523)
3 1/2" by 1 3/4" by 1 1/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Scrimshaw Carving
Lot #382 (Sale Order 382 of 1523)
4 1/4" by 3 1/8" by 2". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Seal Effigy Pendant
Lot #383 (Sale Order 383 of 1523)
3 1/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Roger Silook Alaskan Inuit Eskimo Whale Carving
Lot #384 (Sale Order 384 of 1523)
4 1/2" by 1" by 5/8". Carved fossil walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Walrus Carving
Lot #385 (Sale Order 385 of 1523)
4 3/8" by 1 3/8" by 1 1/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Carved Polar Bear
Lot #386 (Sale Order 386 of 1523)
2" by 1 1/2" by 1". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
1950s Northwest Coast Carved Bone Totem Pole
Lot #387 (Sale Order 387 of 1523)
4 1/8" by 3" by 1".
Alaskan Inuit Eskimo Carved Totem Pole
Lot #388 (Sale Order 388 of 1523)
6" by 3 7/8" by 2". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Carved Figure
Lot #389 (Sale Order 389 of 1523)
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits. 2 1/8" by 1 1/8" by 7/8".
Ancient Thule Inuit Alaskan Eskimo Tool
Lot #390 (Sale Order 390 of 1523)
1 5/8" by 3/4" by 3/4". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Labret
Lot #391 (Sale Order 391 of 1523)
7/8" by 1/2" by 3/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Labret
Lot #392 (Sale Order 392 of 1523)
1 1/8" by 1" by 1/2". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Fishing Lure
Lot #393 (Sale Order 393 of 1523)
2 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Spindle Whorl
Lot #394 (Sale Order 394 of 1523)
2" by 1 1/2" by 1/4". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Spindle Whorl
Lot #395 (Sale Order 395 of 1523)
1" by 7/8" by 1/4". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Labret
Lot #396 (Sale Order 396 of 1523)
1 5/8" by 3/4" by 1/2". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Pendant
Lot #397 (Sale Order 397 of 1523)
2 1/4" by 1 1/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Labret
Lot #398 (Sale Order 398 of 1523)
1" by 1" by 3/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Fishing Lure
Lot #399 (Sale Order 399 of 1523)
2 3/4" by 1/2" by 1/2". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Toggle
Lot #400 (Sale Order 400 of 1523)
1 1/8" by 1" by 1". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Fishing Lure
Lot #401 (Sale Order 401 of 1523)
3 5/8" by 1/2" by 1/2". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Northwest Coast Haida Gwaii Indian Masset Canoe
Lot #402 (Sale Order 402 of 1523)
Canoe is 10 1/2" long, 1 7/8" wide, 1 7/8" tall. One figure is 3 1/4" tall, the other is 3 1/2" tall. Second half of the 19th Century.
Northwest Coast Thorn Arts Resin Rattle
Lot #403 (Sale Order 403 of 1523)
Has been broken and glued back together as shown. 14 1/4" by 5 1/2" by 3 5/8".
Northwest Coast Indian Pearlite Mask
Lot #404 (Sale Order 404 of 1523)
9 1/8" by 7 7/8" by 3 1/8".
Northwest Coast Indian Style Mask
Lot #405 (Sale Order 405 of 1523)
Not Native Made. 9 1/2" by 7 3/8" by 3 7/8".
University Museum Philadelphia Indian Mask
Lot #406 (Sale Order 406 of 1523)
6 1/8" by 5 1/2" by 2 1/4"
Plains Native American Indian War Club
Lot #407 (Sale Order 407 of 1523)
29 3/4" long. Contemporary.
Ancient Thule Inuit Alaskan Eskimo Carved Doll
Lot #408 (Sale Order 408 of 1523)
5 1/4" by 2" by 1". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Native American Indian Bottle Bannerstone
Lot #409 (Sale Order 409 of 1523)
Unknown age. Sold as-is. 2 1/2" by 2 1/4" by 1".
Ancient Thule Inuit Alaskan Eskimo Slate Ulu
Lot #410 (Sale Order 410 of 1523)
4 3/8" by 2 1/8" by 5/8". Old museum collection tag.
Ancient Thule Inuit Alaskan Eskimo Arrowhead
Lot #411 (Sale Order 411 of 1523)
2 3/4" by 1 1/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Sled Runner
Lot #412 (Sale Order 412 of 1523)
9 1/2" by 1 1/2". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Fossil Walrus Penis Oosik Baculum Bone
Lot #413 (Sale Order 413 of 1523)
11 1/8" long.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #414 (Sale Order 414 of 1523)
5" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Carved Inscribed Tusk Tip
Lot #415 (Sale Order 415 of 1523)
4 3/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Tobacco Pipe
Lot #416 (Sale Order 416 of 1523)
Has been glued. 5" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Seal Carving
Lot #417 (Sale Order 417 of 1523)
8 3/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Pipe
Lot #418 (Sale Order 418 of 1523)
4 1/8" long. Carved fossil walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Otodus obliquus Fossil Shark Teeth
Lot #419 (Sale Order 419 of 1523)
From Morocco.
Mucrospirifer Fossil Specimens
Lot #420 (Sale Order 420 of 1523)
Nice grouping.
Ancient Thule Inuit Alaskan Eskimo Harpoon Points
Lot #421 (Sale Order 421 of 1523)
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Bolas
Lot #422 (Sale Order 422 of 1523)
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Points
Lot #423 (Sale Order 423 of 1523)
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Toggles
Lot #424 (Sale Order 424 of 1523)
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Isurus desori Megalodon Negaprion Shark Teeth
Lot #425 (Sale Order 425 of 1523)
Very nice grouping of Fossil Shark Teeth.
Megalodon Fossil Shark Teeth
Lot #426 (Sale Order 426 of 1523)
Very nice grouping.
Ancient Thule Inuit Alaskan Eskimo Harpoon Points
Lot #427 (Sale Order 427 of 1523)
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits. PreSale Estimate (Each) 50.00 - 75.00
Megalodon Fossil Shark Teeth
Lot #428 (Sale Order 428 of 1523)
Nice grouping.
Ancient Thule Inuit Alaskan Eskimo Harpoon Points
Lot #429 (Sale Order 429 of 1523)
Made from slate. Two points and an adze head.
Fossilized Inuit Eskimo Walrus Teeth
Lot #430 (Sale Order 430 of 1523)
Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Megalodon Fossil Shark Teeth
Lot #431 (Sale Order 431 of 1523)
Nice grouping.
Fossilized Inuit Eskimo Walrus Teeth
Lot #432 (Sale Order 432 of 1523)
Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Fossilized Inuit Eskimo Walrus Teeth
Lot #433 (Sale Order 433 of 1523)
Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Bolas
Lot #434 (Sale Order 434 of 1523)
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Awls
Lot #435 (Sale Order 435 of 1523)
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Ice Probe
Lot #436 (Sale Order 436 of 1523)
4 3/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #437 (Sale Order 437 of 1523)
6" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #438 (Sale Order 438 of 1523)
6" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #439 (Sale Order 439 of 1523)
5 3/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #440 (Sale Order 440 of 1523)
3 1/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #441 (Sale Order 441 of 1523)
2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #442 (Sale Order 442 of 1523)
3 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #443 (Sale Order 443 of 1523)
2 3/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Spindle Whorl
Lot #444 (Sale Order 444 of 1523)
Also includes a shuttle. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Bear Toggle
Lot #445 (Sale Order 445 of 1523)
Made from a bear tooth. Only for sale where legal. No International Sales. Know your own laws. No sales to Alabama, California, Florida, Georgia, Mississippi, Kentucky, Massachusetts, Nebraska, North Dakota, Oklahoma, Oregon, Virginia, Washington, West Virginia.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #446 (Sale Order 446 of 1523)
3 1/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #447 (Sale Order 447 of 1523)
3" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #448 (Sale Order 448 of 1523)
2 7/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #449 (Sale Order 449 of 1523)
8 1/4" long. Huge point, more than likely for whale. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Net Weight
Lot #450 (Sale Order 450 of 1523)
7 5/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Drill Base
Lot #451 (Sale Order 451 of 1523)
6" long. Used for starting fires. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #452 (Sale Order 452 of 1523)
11 1/2" long. Made from Whale Bone. Native made prior to 1972.
Ancient Thule Inuit Alaskan Eskimo Snow Knife
Lot #453 (Sale Order 453 of 1523)
11 3/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Ice Probe
Lot #454 (Sale Order 454 of 1523)
14 1/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Ice Probe
Lot #455 (Sale Order 455 of 1523)
14 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #456 (Sale Order 456 of 1523)
12" long. Large size, more than likely for whales, barbed. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Alaska Inuit Eskimo Sled Runner
Lot #457 (Sale Order 457 of 1523)
9 3/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #458 (Sale Order 458 of 1523)
12" long. Large size, more than likely for whales, barbed. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
1950s Northwest Coast Carved Bone Totem Pole
Lot #459 (Sale Order 459 of 1523)
5 1/4" tall.
1950s Northwest Coast Carved Bone Totem Pole
Lot #460 (Sale Order 460 of 1523)
White Mountains. 4 5/8" tall.
1950s Northwest Coast Carved Bone Totem Pole
Lot #461 (Sale Order 461 of 1523)
Canadian Fish and Cold Storage Co Prince Rupert British Columbia. 4 5/8" tall.
1950s Northwest Coast Carved Bone Totem Pole
Lot #462 (Sale Order 462 of 1523)
5 1/2" tall.
1950s Northwest Coast Carved Bone Totem Pole
Lot #463 (Sale Order 463 of 1523)
Vancouver Canada. 5" tall.
1950s Northwest Coast Carved Bone Totem Pole
Lot #464 (Sale Order 464 of 1523)
4 1/8" tall.
Ancient Thule Alaska Inuit Eskimo Sled Runner
Lot #465 (Sale Order 465 of 1523)
5 1/2" tall. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Alaska Inuit Eskimo Ice Axe
Lot #466 (Sale Order 466 of 1523)
7 5/8" long. Decommissioned from a museum. Tag on the back says Bureau of American Ethnology 351387 Alaska. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Alaska Inuit Eskimo Straightener
Lot #467 (Sale Order 467 of 1523)
Arrow Shaft Straightener. 5 3/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Alaska Inuit Eskimo Sled Runner
Lot #468 (Sale Order 468 of 1523)
7 3/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Alaska Inuit Eskimo Adze Head
Lot #469 (Sale Order 469 of 1523)
6 1/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Alaska Inuit Eskimo Ice Axe
Lot #470 (Sale Order 470 of 1523)
7 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Ice Probe
Lot #471 (Sale Order 471 of 1523)
7 1/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Fishing Lure
Lot #472 (Sale Order 472 of 1523)
6" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Net Weight
Lot #473 (Sale Order 473 of 1523)
6 3/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Ice Probe
Lot #474 (Sale Order 474 of 1523)
6" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Ice Probe
Lot #475 (Sale Order 475 of 1523)
8 5/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Tool Handle
Lot #476 (Sale Order 476 of 1523)
7 1/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Fishing Lure
Lot #477 (Sale Order 477 of 1523)
5 1/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Bag Handle
Lot #478 (Sale Order 478 of 1523)
6 7/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Bone Halibut Fishing Hook Lure
Lot #479 (Sale Order 479 of 1523)
7 5/8" long.
Ancient Thule Inuit Alaskan Eskimo Ice Probe
Lot #480 (Sale Order 480 of 1523)
5 3/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #481 (Sale Order 481 of 1523)
11 1/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Ice Probe
Lot #482 (Sale Order 482 of 1523)
7 5/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Ice Probe
Lot #483 (Sale Order 483 of 1523)
7 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Ice Probe
Lot #484 (Sale Order 484 of 1523)
8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #485 (Sale Order 485 of 1523)
7 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Alaska Inuit Eskimo Harpoon Shaft
Lot #486 (Sale Order 486 of 1523)
10 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #487 (Sale Order 487 of 1523)
11 1/4" long. Whale size. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Ice Probe
Lot #488 (Sale Order 488 of 1523)
10 3/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #489 (Sale Order 489 of 1523)
11 7/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Child Harpoon
Lot #490 (Sale Order 490 of 1523)
Quite scarce. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #491 (Sale Order 491 of 1523)
12 3/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Snow Knife
Lot #492 (Sale Order 492 of 1523)
10 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #493 (Sale Order 493 of 1523)
11 3/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Tool
Lot #494 (Sale Order 494 of 1523)
6 1/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Net Weight
Lot #495 (Sale Order 495 of 1523)
5 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Fishing Lure
Lot #496 (Sale Order 496 of 1523)
7" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Scraper
Lot #497 (Sale Order 497 of 1523)
7 1/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Alaska Inuit Eskimo Sled Runner
Lot #498 (Sale Order 498 of 1523)
6 3/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
1950s Northwest Coast Carved Bone Totem Pole
Lot #499 (Sale Order 499 of 1523)
5 3/4" tall.
1950s Northwest Coast Carved Bone Totem Pole
Lot #500 (Sale Order 500 of 1523)
5" tall.
Antique Scrimshaw Bone Whalers Shaving Brush
Lot #501 (Sale Order 501 of 1523)
4 3/8" long. Named to W.B. Davis.
Venus of Willendorf
Lot #502 (Sale Order 502 of 1523)
Clay reproduction. 3 1/4" tall.
Alaskan Inuit Eskimo Carved Walrus
Lot #503 (Sale Order 503 of 1523)
3 1/2" by 1 1/2" by 1 3/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Shaman Carving
Lot #504 (Sale Order 504 of 1523)
2 1/4" tall. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Antique Whale Bone Handle Glass Cutter
Lot #505 (Sale Order 505 of 1523)
4 3/8" long.
Antique Whale bone Glove Stretchers
Lot #506 (Sale Order 506 of 1523)
6 5/8" long.
Alaskan Inuit Eskimo Whale Tail Pipe Stem
Lot #507 (Sale Order 507 of 1523)
2 1/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Toggle
Lot #508 (Sale Order 508 of 1523)
1 1/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Awl
Lot #509 (Sale Order 509 of 1523)
3 7/8" long.
Alaskan Inuit Eskimo Awl
Lot #510 (Sale Order 510 of 1523)
4 1/2" long.
Ancient Thule Inuit Alaskan Eskimo Awl
Lot #511 (Sale Order 511 of 1523)
3 3/4" long.
Ancient Thule Inuit Alaskan Eskimo Awl
Lot #512 (Sale Order 512 of 1523)
3 5/8" long.
Ancient Thule Inuit Alaskan Eskimo Awl
Lot #513 (Sale Order 513 of 1523)
4 1/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #514 (Sale Order 514 of 1523)
Replaced blade. 6 3/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Halibut Letter Opener
Lot #515 (Sale Order 515 of 1523)
6" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #516 (Sale Order 516 of 1523)
Replaced blade. 6" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Letter Opener
Lot #517 (Sale Order 517 of 1523)
5 3/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #518 (Sale Order 518 of 1523)
Replaced blade. 5 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
1950s Northwest Coast Carved Bone Totem Pole
Lot #519 (Sale Order 519 of 1523)
5 1/8" tall
1950s Northwest Coast Carved Bone Totem Pole
Lot #520 (Sale Order 520 of 1523)
6 1/8" tall
1950s Northwest Coast Carved Bone Totem Pole
Lot #521 (Sale Order 521 of 1523)
4 3/8" tall.
1950s Northwest Coast Carved Bone Totem Pole
Lot #522 (Sale Order 522 of 1523)
5 1/8" tall.
Alaskan Inuit Eskimo Carved Totem Pole
Lot #523 (Sale Order 523 of 1523)
4 7/8" tall. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
1950s Northwest Coast Carved Bone Totem Pole
Lot #524 (Sale Order 524 of 1523)
7 1/4" tall.
1950s Northwest Coast Carved Bone Totem Pole
Lot #525 (Sale Order 525 of 1523)
5" tall
1950s Northwest Coast Carved Bone Totem Pole
Lot #526 (Sale Order 526 of 1523)
6 1/8" tall.
Seminole Native American Indian Doll
Lot #527 (Sale Order 527 of 1523)
4 1/8" tall.
Hippo Tusk
Lot #528 (Sale Order 528 of 1523)
10 1/4" long.
Native American Indian Snake Effigy Club
Lot #529 (Sale Order 529 of 1523)
16 5/8" long. Unusual.
Alaskan Eskimo Inuit Inupiaq Snow Goggles
Lot #530 (Sale Order 530 of 1523)
5 1/2" long.
Alaskan Inuit Eskimo Carving
Lot #531 (Sale Order 531 of 1523)
3 5/8" tall. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Antique Sailor Made Whale Bone Fan Handle
Lot #532 (Sale Order 532 of 1523)
6" long.
Victorian Boar Tooth Sterling Mounted Corkscrew
Lot #533 (Sale Order 533 of 1523)
5 5/8" long.
Fossil Mosasaur Teeth
Lot #534 (Sale Order 534 of 1523)
Nice grouping
Alaskan Inuit Eskimo Totem Pole Necklace
Lot #535 (Sale Order 535 of 1523)
14 1/4" long.
Alaskan Inuit Eskimo Totem Pole Necklace
Lot #536 (Sale Order 536 of 1523)
17 1/2" long.
Souvenir Spoons
Lot #537 (Sale Order 537 of 1523)
Largest is 5 1/4" long.
Sterling Silver Indian Chief Souvenir Spoons
Lot #538 (Sale Order 538 of 1523)
Lakeside Ohio, Piqua Ohio, Niagara Falls. 29.7 grams, largest is 5" long.
Indian Chief Sterling Silver Souvenir Spoon
Lot #539 (Sale Order 539 of 1523)
Denver Colorado. 23.8 grams. 5 5/8" long.
Alaskan Inuit Eskimo Totem Pole Necklace
Lot #540 (Sale Order 540 of 1523)
21 1/2" long.
Alaskan Inuit Eskimo Totem Pole Necklace
Lot #541 (Sale Order 541 of 1523)
23" long.
Alaskan Inuit Eskimo Totem Pole Necklace
Lot #542 (Sale Order 542 of 1523)
19" long.
Ancient Thule Inuit Alaskan Eskimo Spindle Whorl
Lot #543 (Sale Order 543 of 1523)
Also includes a shuttle. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Carved Stash Box
Lot #544 (Sale Order 544 of 1523)
2" by 1 3/4" by 1 1/2". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Carved Walrus
Lot #545 (Sale Order 545 of 1523)
6" by 1 1/4" by 1 1/4". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Brian Kulik Alaskan Inuit Eskimo Seal Carving
Lot #546 (Sale Order 546 of 1523)
Made from a sled runner. 5 5/8" by 2 3/4" by 1 5/8". Carved fossil walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
1950s Northwest Coast Carved Bone Totem Pole
Lot #547 (Sale Order 547 of 1523)
3 1/8" tall.
Alaskan Inuit Eskimo Carved Totem Pole
Lot #548 (Sale Order 548 of 1523)
7 3/4" by 3 1/2" by 1 1/4". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Isaac Amitook Cape Dorset Soapstone Loon Carving
Lot #549 (Sale Order 549 of 1523)
6" by 2" by 1 3/4".
Alaskan Inuit Eskimo Carved Whale
Lot #550 (Sale Order 550 of 1523)
3 1/8" by 1 1/2" by 1 1/2". Tail has been broken and repaired. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Haida Northwest Coast Indian Argillite Totem Pole
Lot #551 (Sale Order 551 of 1523)
4 3/4" by 1 1/4" by 1 1/4". Damaged as shown.
1950s Northwest Coast Carved Bone Totem Pole
Lot #552 (Sale Order 552 of 1523)
6 3/8" tall.
1950s Northwest Coast Carved Bone Totem Pole
Lot #553 (Sale Order 553 of 1523)
3" tall.
1950s Northwest Coast Carved Bone Totem Pole
Lot #554 (Sale Order 554 of 1523)
2 1/8" tall.
1950s Northwest Coast Carved Bone Totem Pole
Lot #555 (Sale Order 555 of 1523)
4 1/8" tall.
Ancient Northwest Coast Indian Salmon Packer
Lot #556 (Sale Order 556 of 1523)
8 1/4" long.
Ancient Thule Inuit Alaskan Eskimo Tool
Lot #557 (Sale Order 557 of 1523)
8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Fishing Lure
Lot #558 (Sale Order 558 of 1523)
5 1/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Net Shuttle
Lot #559 (Sale Order 559 of 1523)
8 1/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Fishing Lure
Lot #560 (Sale Order 560 of 1523)
4 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Scoop Handle
Lot #561 (Sale Order 561 of 1523)
3 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Scraper Tool
Lot #562 (Sale Order 562 of 1523)
6 3/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Okvik Alaskan Inuit Eskimo Carved Doll
Lot #563 (Sale Order 563 of 1523)
Contemporary letter opener and Ancient Doll. Letter opener is 10 3/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #564 (Sale Order 564 of 1523)
4 5/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Carved Cigarette Stem
Lot #565 (Sale Order 565 of 1523)
4" long.
Alaskan Inuit Eskimo Carved Beaver Tile
Lot #566 (Sale Order 566 of 1523)
1" by 1" by 3/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Resin Scrimshaw Whale Tooth
Lot #567 (Sale Order 567 of 1523)
Reproduction. 5 1/2" tall.
Rich Lavelle Tlingit Northwest Coast Frontlet
Lot #568 (Sale Order 568 of 1523)
6 3/4" by 4 1/4" by 3 1/8". Rich Lavalle adopted Tlingit. Second half of the 20th Century.
Sioux Native American Indian Pipe Bowl
Lot #569 (Sale Order 569 of 1523)
6 1/2" by 3" by 1/2". Pipe bowl has been broken in half and repaired.
Northwest Coast Indian Style Whale Rattle
Lot #570 (Sale Order 570 of 1523)
Not Native Made. Contemporary. 12 1/8" by 4 3/4" by 3 1/4".
Plains Native American Indian Awl Case
Lot #571 (Sale Order 571 of 1523)
Contemporary beaded awl case. 12" long.
Yupik Inuit Eskimo Resin Reproduction Doll
Lot #572 (Sale Order 572 of 1523)
Reproduction. 3 1/8" long.
Native American Indian Porphyry Popeye Birdstone
Lot #573 (Sale Order 573 of 1523)
Appears to be of contemporary manufacture. 3 1/8" by 1 1/2" by 1 1/8"
Boma Canada Resin Totem Pole
Lot #574 (Sale Order 574 of 1523)
7 1/2" by 4 1/8" by 3 1/2"
Tlingit Northwest Coast Indian Sword Dagger
Lot #575 (Sale Order 575 of 1523)
20 7/8" long. Contemporary Reproduction.
Plains Native American Indian Beaded Pipe Bag
Lot #576 (Sale Order 576 of 1523)
Contemporary. 28 3/4" long, 6 1/8" wide.
Taxco Mexico Sterling Silver Ball Bead Necklace
Lot #577 (Sale Order 577 of 1523)
13 1/4" long. 45.05 grams.
Native American Indian Trade Beads
Lot #578 (Sale Order 578 of 1523)
12" long
Native American Indian Trade Beads
Lot #579 (Sale Order 579 of 1523)
11 3/4" long.
Santo Domingo Pueblo Indian Jacla Heishi Necklace
Lot #580 (Sale Order 580 of 1523)
11 Strand. 17 3/4" long.
Hudsons Bay Red White Heart Trade Beads
Lot #581 (Sale Order 581 of 1523)
13" long.
Native American Indian Trade Beads
Lot #582 (Sale Order 582 of 1523)
12 3/8" long.
Cornaline D'Aleppo Native American Trade Beads
Lot #583 (Sale Order 583 of 1523)
Two strands. 11 1/4" long.
Tsimshian Northwest Coast Indian Soul Catcher
Lot #584 (Sale Order 584 of 1523)
Signed as shown. 8" by 2 3/8" by 2" on stand.
Tsimshian Northwest Coast Indian Soul Catcher
Lot #585 (Sale Order 585 of 1523)
Signed DJW. 13 1/4" by 6 1/4" by 2 1/4" on necklace.
Ivan Otterlifter Northwest Coast Argillite Pipe
Lot #586 (Sale Order 586 of 1523)
8" by 3" by 1 1/8". Ivan Otterlifter (First Nations Canadian, Cherokee / Tlingit, 1936-1999). Otterlifter's distinctive signature mark a stylized "CYOT." Reportedly Otterlifter was of Cherokee descent, who lived in British Columbia, and was adopted into the Tlingit clan. He was a master wood carver, silversmith, as well as stone carver.
Tsimshian Northwest Coast Indian Soul Catcher
Lot #587 (Sale Order 587 of 1523)
Signed Heendei also known as Donald Gregory. 3 3/4" by 2 3/8" by 2" on stand.
Tsimshian Northwest Coast Indian Soul Catcher
Lot #587a (Sale Order 588 of 1523)
Signed Heendei also known as Donald Gregory. 23" long. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Gord Hill Haida Northwest Coast Raven Rattle
Lot #588 (Sale Order 589 of 1523)
12" by 8 1/4" by 4 1/8" on stand.
Northwest Coast Native American Style Rattle
Lot #589 (Sale Order 590 of 1523)
Not Native Made. 21 1/2" long.
Plains Native American Indian Peace Pipe
Lot #590 (Sale Order 591 of 1523)
Signed Redwing. 20 1/2" long, contemporary.
Native American Indian Style Totem Pole
Lot #591 (Sale Order 592 of 1523)
Non Native Made. 19 1/2" by 14 1/4" by 5 1/8".
Sioux Native American Indian Single Moccasin
Lot #592 (Sale Order 593 of 1523)
11" by 4 1/2" by 3". Second half of the 19th Century.
500ct Spiderweb Turquoise
Lot #593 (Sale Order 594 of 1523)
3" by 2" by 7/8". 100.58 grams or 502.5 Carats.
Haida Northwest Coast Indian Bentwood Box
Lot #594 (Sale Order 595 of 1523)
6 3/4" by 5" by 5".
Pearlite Northwest Coast Indian Box
Lot #595 (Sale Order 596 of 1523)
Resin. 5 1/8" by 3 3/8" by 2".
Alaskan Inuit Eskimo Soapstone Carved Mask
Lot #596 (Sale Order 597 of 1523)
7 7/8" by 6 3/4" by 1 1/8".
Navajo Indian Spider Woman Cross Chief's Blanket
Lot #597 (Sale Order 598 of 1523)
Double sided. Purple on one side, black on the other. 51 1/2" by 82 1/2".
Tlingit Haida Fleece Killer Whale Button Blanket
Lot #598 (Sale Order 599 of 1523)
Very nice Northwest Coast Indian Blanket. Mother of Pearl Buttons on Fleece. 48 1/2" by 59"
Haida Northwest Coast Indian Painted Box
Lot #599 (Sale Order 600 of 1523)
8 7/8" by 5 1/4" by 4 3/8".
Jacob Joe Haida Northwest Coast Indian Trunk
Lot #600 (Sale Order 601 of 1523)
Very nice lidded box or trunk. Signed Jacob Joe Duncan British Columbia. 12 1/8" by 10 3/8" by 6 5/8".
Northwest Coast Haida Style Rattle
Lot #601 (Sale Order 602 of 1523)
Non Native Made. 17 7/8" by 6" by 3 3/4"
Civil War Bone and Ebony Dominoes
Lot #602 (Sale Order 603 of 1523)
Each tile is 2 1/8" by 1".
Civil War Bone and Ebony Dominoes
Lot #603 (Sale Order 604 of 1523)
Nice set. Each tile is 1 3/8" by 7/8".
Alaskan Inuit Carved Totem Pole Dated 1909
Lot #604 (Sale Order 605 of 1523)
Signed on the back as shown. Possibly Alan Saxman made in Alaska 1909. 6" by 1 3/4" by 1 5/8"
Haida Northwest Coast Indian Totem Pole
Lot #605 (Sale Order 606 of 1523)
9 1/2" by 3" by 2 1/8".
Alaskan Inuit Eskimo Carved Totem Pole
Lot #607 (Sale Order 607 of 1523)
5" tall. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Carved Totem Pole
Lot #608 (Sale Order 608 of 1523)
5" tall. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Native American Indian Bone Hairpipe Beads
Lot #609 (Sale Order 609 of 1523)
1421 grams.
Native American Indian Trade Beads
Lot #610 (Sale Order 610 of 1523)
Two bundles.
Native American Indian Bone Hairpipe Beads
Lot #611 (Sale Order 611 of 1523)
815 grams.
Native American Indian Bone Hairpipe Beads
Lot #612 (Sale Order 612 of 1523)
633 grams.
Native American Indian Bone Hairpipe Beads
Lot #613 (Sale Order 613 of 1523)
887 grams.
Rolled Turquoise Heishi Beads
Lot #614 (Sale Order 614 of 1523)
19 Strands
Blown Glass Trade Beads
Lot #615 (Sale Order 615 of 1523)
1" long
Square Red Agate Trade Beads
Lot #616 (Sale Order 616 of 1523)
Nice grouping
Native American Indian Bone Hairpipe Beads
Lot #617 (Sale Order 617 of 1523)
Four strands
Rolled Red Coral Indian Pueblo Trade Beads
Lot #618 (Sale Order 618 of 1523)
Nice grouping
Heishi Trade Beads
Lot #619 (Sale Order 619 of 1523)
Nice grouping
Black Glass Tube Indian Trade Beads
Lot #620 (Sale Order 620 of 1523)
248 grams.
Antique Native American Indian Trade Beads
Lot #621 (Sale Order 621 of 1523)
Nice grouping
Turquoise Ball Beads
Lot #622 (Sale Order 622 of 1523)
Four strands.
Native American Indian Trade Beads Skunk
Lot #623 (Sale Order 623 of 1523)
240 grams.
Jasper Beads
Lot #624 (Sale Order 624 of 1523)
239 grams
Zuni Buffalo Jasper Beads
Lot #625 (Sale Order 625 of 1523)
4 1/2" long strand
Native American Indian Artifacts
Lot #626 (Sale Order 626 of 1523)
Nice grouping
Zuni Heartline Bear Plaque
Lot #627 (Sale Order 627 of 1523)
16" by 5 1/2"
Quilled Native American Indian Rosette
Lot #628 (Sale Order 628 of 1523)
2 1/8" diameter.
Miniature Native American Indian Beaded Charms
Lot #629 (Sale Order 629 of 1523)
Largest is 2 1/2" long.
Native American Indian Trade Beads Skunk
Lot #630 (Sale Order 630 of 1523)
16 1/2" long.
Millefiori Native American Indian Trade Beads
Lot #631 (Sale Order 631 of 1523)
13 1/4" long.
Native American Indian Trade Beads Skunk
Lot #632 (Sale Order 632 of 1523)
18" long.
Venetian King Native American Indian Trade Beads
Lot #633 (Sale Order 633 of 1523)
14 1/4" long.
Native American Indian Trade Beads Skunk
Lot #634 (Sale Order 634 of 1523)
18" long.
Red Tube Native American Indian Trade Beads
Lot #635 (Sale Order 635 of 1523)
Four Strands. 16 3/4" long.
Native American Indian Trade Beads
Lot #636 (Sale Order 636 of 1523)
Chevron, Blue Tube, and more. 11" long.
Native American Indian Trade Beads Skunk
Lot #637 (Sale Order 637 of 1523)
16" long.
Native American Indian Trade Beads Skunk
Lot #638 (Sale Order 638 of 1523)
13" long.
Heishi Shell Native American Indian Trade Beads
Lot #639 (Sale Order 639 of 1523)
15" long. Nice old beads.
Watermelon Chevron Native American Trade Beads
Lot #640 (Sale Order 640 of 1523)
Nice old set of Indian Trade Beads. 13 3/8" long.
Native American Indian Trade Beads Skunk
Lot #641 (Sale Order 641 of 1523)
13 1/8" long.
Native American Indian Trade Beads Skunk
Lot #642 (Sale Order 642 of 1523)
14" long.
Native American Indian Trade Beads Skunk
Lot #643 (Sale Order 643 of 1523)
13 1/2" long.
Native American Indian Trade Beads Skunk
Lot #644 (Sale Order 644 of 1523)
17" long.
Native American Indian Trade Beads Skunk
Lot #645 (Sale Order 645 of 1523)
12" long.
Native American Indian Trade Beads Skunk
Lot #646 (Sale Order 646 of 1523)
13" long.
Millefiori Native American Indian Trade Beads
Lot #647 (Sale Order 647 of 1523)
13" long.
Native American Indian Trade Beads Skunk
Lot #648 (Sale Order 648 of 1523)
11 3/4" long.
Lewis and Clark Native American Indian Trade Beads
Lot #649 (Sale Order 649 of 1523)
1 5/8" long.
Millefiori Native American Indian Trade Beads
Lot #650 (Sale Order 650 of 1523)
12 5/8" long.
Antique Brass Native American Indian Trade Beads
Lot #651 (Sale Order 651 of 1523)
15 5/8" long. Nice old set of hand cut beads.
Native American Indian Trade Beads Green
Lot #652 (Sale Order 652 of 1523)
13 1/2" long.
Native American Indian Trade Beads Red Green Heart
Lot #653 (Sale Order 653 of 1523)
13" long.
Native American Indian Trade Beads Skunk
Lot #654 (Sale Order 654 of 1523)
13" long.
Native American Indian Trade Beads Skunk
Lot #655 (Sale Order 655 of 1523)
14" long.
Millefiori Native American Indian Trade Beads
Lot #656 (Sale Order 656 of 1523)
13 1/2" long.
Native American Indian Trade Beads
Lot #657 (Sale Order 657 of 1523)
Various styles. 12" long.
Watermelon Chevron Native American Trade Beads
Lot #658 (Sale Order 658 of 1523)
13 1/2" long.
Native American Indian Trade Beads
Lot #659 (Sale Order 659 of 1523)
Various Styles. 14 3/4" long.
Native American Indian Trade Beads Skunk
Lot #660 (Sale Order 660 of 1523)
6 3/4" long.
Native American Indian Trade Beads
Lot #661 (Sale Order 661 of 1523)
Various Styles. 14 1/2" long.
Native American Indian Bone Hair Pipe Necklace
Lot #662 (Sale Order 662 of 1523)
13 1/4" long.
Native American Indian Trade Beads
Lot #663 (Sale Order 663 of 1523)
Unusual. 13" long.
Native American Indian Trade Beads
Lot #664 (Sale Order 664 of 1523)
White with blue spots. 13 1/2" long.
Chevron Native American Indian Trade Beads
Lot #665 (Sale Order 665 of 1523)
7 3/4" long.
Native American Indian Trade Beads Skunk
Lot #666 (Sale Order 666 of 1523)
15" long.
Native American Indian Trade Beads Skunk
Lot #667 (Sale Order 667 of 1523)
14 1/4" long.
Native American Indian Trade Beads Skunk
Lot #668 (Sale Order 668 of 1523)
13" long
Native American Indian Trade Beads Skunk
Lot #669 (Sale Order 669 of 1523)
16 1/2" long.
Native American Indian Trade Beads Skunk
Lot #670 (Sale Order 670 of 1523)
14" long.
Native American Indian Trade Beads Venetian
Lot #671 (Sale Order 671 of 1523)
15 1/4" long.
Native American Indian Trade Beads Millefiori
Lot #672 (Sale Order 672 of 1523)
12" long.
Native American Indian Trade Beads Skunk
Lot #673 (Sale Order 673 of 1523)
13 3/4" long.
Native American Indian Trade Beads Millefiori
Lot #674 (Sale Order 674 of 1523)
16" long.
Native American Indian Trade Beads Padre
Lot #675 (Sale Order 675 of 1523)
13 3/4" long.
Native American Indian Trade Beads Skunk
Lot #676 (Sale Order 676 of 1523)
15 1/4" long.
Native American Indian Trade Beads Skunk
Lot #677 (Sale Order 677 of 1523)
15 5/8" long.
Native American Indian Trade Beads Skunk
Lot #678 (Sale Order 678 of 1523)
16" long
Native American Indian Trade Beads Skunk
Lot #679 (Sale Order 679 of 1523)
15" long.
Native American Indian Trade Beads Skunk
Lot #680 (Sale Order 680 of 1523)
18" long.
Native American Indian Trade Beads Skunk
Lot #681 (Sale Order 681 of 1523)
20 1/2" long.
Native American Indian Trade Beads Skunk
Lot #682 (Sale Order 682 of 1523)
15 1/2" long.
Native American Indian Trade Beads Skunk
Lot #683 (Sale Order 683 of 1523)
15" long.
Native American Indian Trade Beads Skunk
Lot #684 (Sale Order 684 of 1523)
13 1/2" long
Native American Indian Trade Beads Skunk
Lot #685 (Sale Order 685 of 1523)
12 3/4" long.
Native American Indian Trade Beads Skunk
Lot #686 (Sale Order 686 of 1523)
13" long.
Native American Indian Trade Beads Skunk
Lot #687 (Sale Order 687 of 1523)
12 1/4" long.
Native American Indian Trade Beads Skunk
Lot #688 (Sale Order 688 of 1523)
12" long.
Native American Indian Trade Beads Skunk
Lot #689 (Sale Order 689 of 1523)
14 5/8" long.
Rolled Turquoise Heishi Beads
Lot #690 (Sale Order 690 of 1523)
Three strands.
Native American Indian Trade Beads
Lot #691 (Sale Order 691 of 1523)
13" long.
Native American Indian Trade Beads Chevron
Lot #692 (Sale Order 692 of 1523)
14" long.
Native American Indian Trade Beads
Lot #693 (Sale Order 693 of 1523)
19 1/2" long.
Native American Indian Hairpipe Trade Beads
Lot #694 (Sale Order 694 of 1523)
14" long.
Heishi Necklaces
Lot #695 (Sale Order 695 of 1523)
Smallest is 6 3/4" long.
Native American Indian Trade Beads Striped
Lot #696 (Sale Order 696 of 1523)
7 1/2" long.
Native American Indian Heishi Beads
Lot #697 (Sale Order 697 of 1523)
15 1/8" long.
Native American Indian Trade Beads
Lot #698 (Sale Order 698 of 1523)
11 1/2" long.
Native American Indian Trade Beads
Lot #699 (Sale Order 699 of 1523)
4 3/4" long.
Native American Indian Trade Beads Uranium
Lot #700 (Sale Order 700 of 1523)
Quite a few are Uranium Glass. 11 3/4" long.
Native American Indian Trade Beads Millefiori
Lot #701 (Sale Order 701 of 1523)
12 1/4" long.
Native American Indian Trade Beads Millefiori
Lot #702 (Sale Order 702 of 1523)
12 7/8" long.
Native American Indian Trade Beads Millefiori
Lot #703 (Sale Order 703 of 1523)
12 3/4" long.
Native American Indian Trade Beads Millefiori
Lot #704 (Sale Order 704 of 1523)
13 1/4" long.
Native American Indian Trade Beads Millefiori
Lot #705 (Sale Order 705 of 1523)
12" long.
Native American Indian Trade Beads Millefiori
Lot #706 (Sale Order 706 of 1523)
11 1/4" long.
Native American Indian Trade Beads Skunk
Lot #707 (Sale Order 707 of 1523)
15 1/2" long.
Native American Indian Trade Beads
Lot #708 (Sale Order 708 of 1523)
297 grams.
Native American Indian Trade Beads
Lot #709 (Sale Order 709 of 1523)
255 grams.
Ofelia Joe Navajo Indian Revival Chief's Blanket
Lot #710 (Sale Order 710 of 1523)
Rug is 30" by 42". Made by Ofelia Joe. Gorgeous blanket. Shiprock Trading Post Tag.
Danette Laate Carved Zuni Turquoise Bear Fetish
Lot #711 (Sale Order 711 of 1523)
2" by 7/8" by 3/8"
Danette Laate Carved Zuni Turquoise Fox Fetish
Lot #712 (Sale Order 712 of 1523)
2 1/4" by 1/2" by 3/8"
Danette Laate Carved Zuni Fox Fetish
Lot #713 (Sale Order 713 of 1523)
2 3/8" by 1 1/8" by 3/8"
Tim Lementino Zuni Alabaster Sheep Fetish
Lot #714 (Sale Order 714 of 1523)
1 1/2" by 7/8" by 1/2"
Kenny Chavez Zuni Badger Fetish
Lot #715 (Sale Order 715 of 1523)
2" by 3/4" by 3/8"
Fabian Pino Zuni Badger Fetish
Lot #716 (Sale Order 716 of 1523)
2 3/4" by 1 1/4" by 1"
Daphne Quam Zuni Ruby Fuchsite Coyote Fetish
Lot #717 (Sale Order 717 of 1523)
2" by 1 1/4" by 1/2".
Zuni Carved Bear Fetish
Lot #718 (Sale Order 718 of 1523)
1 3/4" by 1 1/8" by 5/8". Signed.
Adrian Cachini Zuni Badger Fetish
Lot #719 (Sale Order 719 of 1523)
2 3/8" by 1 1/4" by 1/2".
Zuni Carved Bird Fetish
Lot #720 (Sale Order 720 of 1523)
2 7/8" by 1 1/4" by 1/2"
Herb Halate Zuni Wolf Fetish
Lot #721 (Sale Order 721 of 1523)
2 3/4" by 5/8" by 3/8"
Gabriel Burns Zuni Wolf Fetish
Lot #722 (Sale Order 722 of 1523)
1 1/8" by 5/8" by 5/8"
Old Pawn Navajo Sterling Turquoise Belt Buckle
Lot #723 (Sale Order 723 of 1523)
3" long. 24.27 grams
Zuni Petit Point Turquoise Sterling Belt Buckle
Lot #724 (Sale Order 724 of 1523)
3" long. 32.62 grams.
Jimmy Nezzie Navajo Sterling Silver Belt Buckle
Lot #725 (Sale Order 725 of 1523)
2 3/4" long.
Navajo Sterling Silver Turquoise Belt Buckle
Lot #726 (Sale Order 726 of 1523)
3" long.
Zuni Chip Inlaid Sterling Silver Watch Band Tips
Lot #727 (Sale Order 727 of 1523)
1 1/2" long. 32.69 grams.
Zuni Petit Point Turquoise Sterling Earrings
Lot #728 (Sale Order 728 of 1523)
13.91 grams. 1 1/2" long.
Zuni Petit Point Turquoise Sterling Ring
Lot #729 (Sale Order 729 of 1523)
Size 10. 13.17 grams.
Paul Jones Petit Point Turquoise Sterling Ring
Lot #730 (Sale Order 730 of 1523)
Navajo. Size 9. 10 grams.
Zuni Petit Point Turquoise Sterling Ring
Lot #731 (Sale Order 731 of 1523)
Size 11. 15.17 grams.
Joe & Eunice Wilson Navajo Petit Point Bracelet
Lot #732 (Sale Order 732 of 1523)
Sterling Silver set with Turquoise and a Morgan Silver Dollar. 3 1/8" outside diameter. 173 grams.
Zuni Petit Point Sterling Turquoise Bracelet
Lot #733 (Sale Order 733 of 1523)
2 7/8" outside diameter. 88.03 grams.
Zuni Petit Point Sterling Turquoise Bracelet
Lot #734 (Sale Order 734 of 1523)
2 3/4" outside diameter. 55.1 grams.
Navajo Sterling Turquoise Ketoh Bow Guard
Lot #735 (Sale Order 735 of 1523)
6 7/8" long when open.
Navajo Sterling Turquoise Ketoh Bow Guard
Lot #736 (Sale Order 736 of 1523)
7 1/8" long when open.
Navajo Sterling Turquoise Ketoh Bow Guard
Lot #737 (Sale Order 737 of 1523)
3 7/8" wide.
Navajo Tufa Cast Sterling Ketoh Bow Guard
Lot #738 (Sale Order 738 of 1523)
4 1/8" wide.
Navajo Sterling Turquoise Ketoh Bow Guard
Lot #739 (Sale Order 739 of 1523)
7 1/2" long laid flat.
Zuni Petit Point Nickel Silver Turquoise Bracelet
Lot #740 (Sale Order 740 of 1523)
3" outside diameter.
Old Pawn Navajo Sterling Silver Turquoise Bracelet
Lot #741 (Sale Order 741 of 1523)
2 7/8" outside diameter. 62.98 grams.
Old Pawn Navajo Sterling Turquoise Bracelet
Lot #742 (Sale Order 742 of 1523)
2 3/4" outside diameter. Signed JHB. 70.48 grams.
Zuni Petit Point Sterling Turquoise Bracelet
Lot #743 (Sale Order 743 of 1523)
3 1/8" outside diameter.
Zuni Petit Point Nickel Silver Turquoise Bracelet
Lot #744 (Sale Order 744 of 1523)
2 7/8" outside diameter.
Emerson Bill Navajo Sterling Silver Bracelet
Lot #745 (Sale Order 745 of 1523)
Very large and impressive. 3" outside diameter. 128 grams.
Navajo Sterling Silver Turquoise Bracelet
Lot #746 (Sale Order 746 of 1523)
2 1/2" outside diameter. 28.06 grams.
Old Pawn Navajo Sterling Silver Turquoise Bracelet
Lot #747 (Sale Order 747 of 1523)
Very nice old bracelet. 3 1/8" outside diameter. 45.57 grams.
Zuni Inlaid Sterling Silver Bracelet
Lot #748 (Sale Order 748 of 1523)
Very nice. Signed as shown. 2 3/4" outside diameter. 102 grams.
Zuni Petit Point Sterling Turquoise Bracelet
Lot #749 (Sale Order 749 of 1523)
Missing a stone. 1 3/4" outside diameter. 14.96 grams.
Black Wool Sheep Skin Rug Hide
Lot #750 (Sale Order 750 of 1523)
39" by 47".
Blue Wool Sheep Skin Rug Hide
Lot #751 (Sale Order 751 of 1523)
36" by 52"
Hoofs & Dew Claws Native American Indian Crafts
Lot #752 (Sale Order 752 of 1523)
Nice grouping. Largest is 4" long.
Collection of Native American Indian Crafts
Lot #753 (Sale Order 753 of 1523)
Nice grouping
Green Tanned Leather Rattlesnake Skin
Lot #754 (Sale Order 754 of 1523)
45 1/2" long.
Tanned Mink Hides
Lot #755 (Sale Order 755 of 1523)
Group of 10
Montana Mountain Goat Hooves
Lot #756 (Sale Order 756 of 1523)
As used for Native American Crafts
Bison Vertebrae
Lot #757 (Sale Order 757 of 1523)
Painted Gold. 24 1/2" long
Coyote Heads and Rabbit Pelts
Lot #758 (Sale Order 758 of 1523)
As used for Native American Crafts.
Black Wool Sheep Skin Rug Hide
Lot #759 (Sale Order 759 of 1523)
Angora style fur. Largest measures 44" by 27 1/2".
Tanned Otter Tails Native American Indian Crafts
Lot #760 (Sale Order 760 of 1523)
Total of 10 tanned Otter Tails.
Montana Bighorn Sheep Taxidermy Head
Lot #761 (Sale Order 761 of 1523)
No horns, mount was broken in transit, hons sold separate in the following lot. As-Is. 20" by 16 1/2" by 21".
Record Book Montana Bighorn Sheep Taxidermy Horns
Lot #762 (Sale Order 762 of 1523)
Has a Confederated Salish Kootenai Tribes Montana Plug. Skull plate was broken in shipping. Cape on form sold in prior lot.
Montana Taxidermy Black Bear Hide
Lot #763 (Sale Order 763 of 1523)
26 1/2" by 55". No claws. Only for sale where legal. No International Sales. Know your own laws. No sales to Alabama, California, Florida, Georgia, Mississippi, Kentucky, Massachusetts, Nebraska, North Dakota, Oklahoma, Oregon, Virginia, Washington, West Virginia.
Taxidermy Oddity Miniature Fox Rug
Lot #764 (Sale Order 764 of 1523)
18 3/8" by 11 3/4". Super unusual, I'm sure there is quite the story associated but I don't know it.
Montana Taxidermy Badger Hide
Lot #765 (Sale Order 765 of 1523)
33 1/2" long.
Antique Deer Skull
Lot #766 (Sale Order 766 of 1523)
10 3/4" by 4 3/4" by 3 3/4".
Taxidermy Tanned Mink and Pine Marten
Lot #767 (Sale Order 767 of 1523)
Nice grouping.
Wyoming Mule Deer Horns Locked in Combat
Lot #768 (Sale Order 768 of 1523)
These deer appear to have locked horns and died together. Old Montana ranch find. You will go a long time before finding another such set. 22 1/2" by 18 3/4" by 18 1/2". Ex Daro Flood Estate Jackson Hole Wyoming.
Copper Skull Keweenaw Michigan Specimen
Lot #769 (Sale Order 769 of 1523)
5 1/2" by 4 1/8" by 2 7/8". 714 grams.
Alaskan Inuit Eskimo Carving
Lot #770 (Sale Order 770 of 1523)
9 1/8" by 2 1/2" by 1 3/4" on stand. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Joe Mathias Oregon Wood Duck
Lot #771 (Sale Order 771 of 1523)
7 3/8" by 6 3/4" by 6 3/4"
Philip R Goodwin Walking Bear Bronze
Lot #772 (Sale Order 772 of 1523)
4" by 2 3/8" by 2 1/4" Philip Russell Goodwin (1881 - 1935) was active/lived in New York, Connecticut. Philip Goodwin is known for Animal, field-stream illustration. Known for his illustrations of hunting, fishing, and cowboy scenes, especially scenes featuring firearms, Philip R. Goodwin was from Norwich, Connecticut. By the age of eleven, he had already sold his first illustrations to Collier's magazine. He was educated at the Rhode Island School of Design in Providence and the Art Students' League in New York. He also studied with Howard Pyle in Pennsylvania. His works exhibit much of Pyle's earnestness and discipline, but are restricted almost entirely to subjects of hunting and fishing. In this limited area, however, he produced many notable pictures, the subject matter always convincing and dramatic in color. In his early twenties, he established a studio in New York and met Charles Russell, whose paintings of western subjects provided a great influence on Goodwin's work in that genre. Goodwin's interest in scenes of cowboys and ranch life is evident in Bronco Buster. The two men traveled together on several occasions, sketching source material for their paintings. Meanwhile, Goodwin appeared in such books as Jack London's Call of the Wild. Goodwin's pictures were also published in Harper's Monthly and Weekly, Outing, Scribner's, and Everybody's magazines, in addition to calendar subjects for Brown & Bigelow, advertising for Winchester Arms and the Marlin Firearms Company. He also illustrated African Game Trails for Theodore Roosevelt. Goodwin's interest in Charles Russell is seen not only in Goodwin's use of bright, vivid colors, but also in the romanticized subject matter, which appears to celebrate the bonding of rider and mount.
Philip R Goodwin Mountain Lion Bronze
Lot #773 (Sale Order 773 of 1523)
3 1/2" tall, 2 1/2" long, 1 1/4" wide. Philip Russell Goodwin (1881 - 1935) was active/lived in New York, Connecticut. Philip Goodwin is known for Animal, field-stream illustration. Known for his illustrations of hunting, fishing, and cowboy scenes, especially scenes featuring firearms, Philip R. Goodwin was from Norwich, Connecticut. By the age of eleven, he had already sold his first illustrations to Collier's magazine. He was educated at the Rhode Island School of Design in Providence and the Art Students' League in New York. He also studied with Howard Pyle in Pennsylvania. His works exhibit much of Pyle's earnestness and discipline, but are restricted almost entirely to subjects of hunting and fishing. In this limited area, however, he produced many notable pictures, the subject matter always convincing and dramatic in color. In his early twenties, he established a studio in New York and met Charles Russell, whose paintings of western subjects provided a great influence on Goodwin's work in that genre. Goodwin's interest in scenes of cowboys and ranch life is evident in Bronco Buster. The two men traveled together on several occasions, sketching source material for their paintings. Meanwhile, Goodwin appeared in such books as Jack London's Call of the Wild. Goodwin's pictures were also published in Harper's Monthly and Weekly, Outing, Scribner's, and Everybody's magazines, in addition to calendar subjects for Brown & Bigelow, advertising for Winchester Arms and the Marlin Firearms Company. He also illustrated African Game Trails for Theodore Roosevelt. Goodwin's interest in Charles Russell is seen not only in Goodwin's use of bright, vivid colors, but also in the romanticized subject matter, which appears to celebrate the bonding of rider and mount.
Philip R Goodwin Seated Bear Bronze
Lot #774 (Sale Order 774 of 1523)
2 3/8" by 2" by 1 3/4". Philip Russell Goodwin (1881 - 1935) was active/lived in New York, Connecticut. Philip Goodwin is known for Animal, field-stream illustration. Known for his illustrations of hunting, fishing, and cowboy scenes, especially scenes featuring firearms, Philip R. Goodwin was from Norwich, Connecticut. By the age of eleven, he had already sold his first illustrations to Collier's magazine. He was educated at the Rhode Island School of Design in Providence and the Art Students' League in New York. He also studied with Howard Pyle in Pennsylvania. His works exhibit much of Pyle's earnestness and discipline, but are restricted almost entirely to subjects of hunting and fishing. In this limited area, however, he produced many notable pictures, the subject matter always convincing and dramatic in color. In his early twenties, he established a studio in New York and met Charles Russell, whose paintings of western subjects provided a great influence on Goodwin's work in that genre. Goodwin's interest in scenes of cowboys and ranch life is evident in Bronco Buster. The two men traveled together on several occasions, sketching source material for their paintings. Meanwhile, Goodwin appeared in such books as Jack London's Call of the Wild. Goodwin's pictures were also published in Harper's Monthly and Weekly, Outing, Scribner's, and Everybody's magazines, in addition to calendar subjects for Brown & Bigelow, advertising for Winchester Arms and the Marlin Firearms Company. He also illustrated African Game Trails for Theodore Roosevelt. Goodwin's interest in Charles Russell is seen not only in Goodwin's use of bright, vivid colors, but also in the romanticized subject matter, which appears to celebrate the bonding of rider and mount.
Philip R Goodwin Bobcat Bronze
Lot #775 (Sale Order 775 of 1523)
5 1/2" by 3 1/8" by 2 1/8" Philip Russell Goodwin (1881 - 1935) was active/lived in New York, Connecticut. Philip Goodwin is known for Animal, field-stream illustration. Known for his illustrations of hunting, fishing, and cowboy scenes, especially scenes featuring firearms, Philip R. Goodwin was from Norwich, Connecticut. By the age of eleven, he had already sold his first illustrations to Collier's magazine. He was educated at the Rhode Island School of Design in Providence and the Art Students' League in New York. He also studied with Howard Pyle in Pennsylvania. His works exhibit much of Pyle's earnestness and discipline, but are restricted almost entirely to subjects of hunting and fishing. In this limited area, however, he produced many notable pictures, the subject matter always convincing and dramatic in color. In his early twenties, he established a studio in New York and met Charles Russell, whose paintings of western subjects provided a great influence on Goodwin's work in that genre. Goodwin's interest in scenes of cowboys and ranch life is evident in Bronco Buster. The two men traveled together on several occasions, sketching source material for their paintings. Meanwhile, Goodwin appeared in such books as Jack London's Call of the Wild. Goodwin's pictures were also published in Harper's Monthly and Weekly, Outing, Scribner's, and Everybody's magazines, in addition to calendar subjects for Brown & Bigelow, advertising for Winchester Arms and the Marlin Firearms Company. He also illustrated African Game Trails for Theodore Roosevelt. Goodwin's interest in Charles Russell is seen not only in Goodwin's use of bright, vivid colors, but also in the romanticized subject matter, which appears to celebrate the bonding of rider and mount.
Harry Andrew Jackson Lost Wax Bronze Casting
Lot #776 (Sale Order 776 of 1523)
This is the original lost wax casting model for the bronze titled A Lack of Slack. Measures 22 3/4" by 14 7/8" by 11 1/2". Harry Andrew Jackson (1924 - 2011) was active/lived in Wyoming, Illinois. Harry Jackson is known for Sculpture-western figure, horses. Born with the name Harry Shapiro on the South Side of Chicago, Harry Jackson became a well-known 20th-century artists whose wide-ranging work includes painting and sculpture and styles ranging from Abstract Expressionism to Realism. He was raised in a family where his mother ran a cafe near the Stockyards, and his father was a drunken, violent man. Jackson was often a truant from school and loved to wander around the Harding Museum looking at Frederic Remington bronzes or to hang out at his mother's cafe listening to stories from the cowboys who had brought their cattle by trains to the stockyards. A teacher noticed his art talent and got him a scholarship to the Chicago Art Institute's Saturday children's classes. At age 14, he ran away from home to Wyoming where he worked at a lumber company and on a ranch. He regarded these experiences as his spiritual awakening, and his art talents were reinforced by praise from his cowboy peers. In the late 1930s, he returned to Chicago and studied at the Frederick Mizen Academy, The Chicago Academy of Fine Arts, and The Chicago Art Institute. In 1942, he entered the Marine Corps and became close to a man who introduced him to the classics of literature. In 1943, at Tarawa, he had shrapnel head wounds that caused him epileptic seizures for most of the remainder of his life, and he also took two bullets to the leg at Saipan. He was then, at age 20, ordered back to the U.S. where he was appointed an Official Marine Corps Combat Artist, the youngest in Marine history. Following discharge, he worked as a radio actor and went to New York with the idea of meeting his hero, Jackson Pollock, whom in 1948 he found to be "a beautiful fantastic man." The two formed a lasting friendship, and Pollock introduced Jackson to Abstract Expressionism, which helped Jackson express his troubled background. Jackson married artist Grace Hartigan, his first of six wives, at Pollock's home with Pollock serving as best man. He also took classes at the Brooklyn Museum and studied with Rufino Tamayo and Hans Hofmann. The newlyweds went to Mexico and further explored abstraction, and a year later the couple divorced. Jackson did scenery painting for theatre and television, headed to Europe, and returned to New York where he did portrait painting and began to break away from Abstract Expressionism, something that met with disapproval from his peers. He had a Fulbright Travel Scholarship, did some heroic paintings in Denmark, and added sculpting to his repertoire, a medium inspired on March 4, 1958 when he arrived in Peitrasanta, Italy, where a new foundry gave him space. He remained in Italy for several years. In 1966, his entire output of western art was given the first one-man show at the new National Cowboy Hall of Fame in Oklahoma City. By 1970, he was spending most of his time in Wyoming, becoming a resident of Cody, and was elected to the Cowboy Artists of America, but got "thrown out" because of his refusal to choose allegiances between it and the Cowboy Hall of Fame--entities that had had a major falling out.
Daro Flood Carved Elk Horn Pendant
Lot #777 (Sale Order 777 of 1523)
1 3/4" by 1 1/2" by 1/4" Daro Flood (1954 - 2017) was active/lived in Arizona. Daro Flood is known for Portrait bust Indian and cowboy sculpture. Daro Flood was a jeweler who made the decision to fully dedicate himself to realist sculpture. His studio is in Arizona, and he derives his subject matter from personal experiences depicting the people and places with which he has had contact. American Indians of the western United States are a favorite subject, and he has received commissions for public art. Longtime Jackson resident Daro M. Flood died Dec. 23, 2018 at his home in Jackson. He was 63.
Daro Flood Lost Wax Castings
Lot #778 (Sale Order 778 of 1523)
Daro Flood (1954 - 2017) was active/lived in Arizona. Daro Flood is known for Portrait bust Indian and cowboy sculpture. Daro Flood was a jeweler who made the decision to fully dedicate himself to realist sculpture. His studio is in Arizona, and he derives his subject matter from personal experiences depicting the people and places with which he has had contact. American Indians of the western United States are a favorite subject, and he has received commissions for public art. Longtime Jackson resident Daro M. Flood died Dec. 23, 2018 at his home in Jackson. He was 63.
Daro Flood Carved Elk Horn Pendant
Lot #779 (Sale Order 779 of 1523)
2" long. Daro Flood (1954 - 2017) was active/lived in Arizona. Daro Flood is known for Portrait bust Indian and cowboy sculpture. Daro Flood was a jeweler who made the decision to fully dedicate himself to realist sculpture. His studio is in Arizona, and he derives his subject matter from personal experiences depicting the people and places with which he has had contact. American Indians of the western United States are a favorite subject, and he has received commissions for public art. Longtime Jackson resident Daro M. Flood died Dec. 23, 2018 at his home in Jackson. He was 63.
Daro Flood Glass Cast Works of Art
Lot #780 (Sale Order 780 of 1523)
40 total pieces. Daro Flood (1954 - 2017) was active/lived in Arizona. Daro Flood is known for Portrait bust Indian and cowboy sculpture. Daro Flood was a jeweler who made the decision to fully dedicate himself to realist sculpture. His studio is in Arizona, and he derives his subject matter from personal experiences depicting the people and places with which he has had contact. American Indians of the western United States are a favorite subject, and he has received commissions for public art. Longtime Jackson resident Daro M. Flood died Dec. 23, 2018 at his home in Jackson. He was 63.
Daro Flood Glass Cast Works of Art
Lot #781 (Sale Order 781 of 1523)
1/2" long. Daro Flood (1954 - 2017) was active/lived in Arizona. Daro Flood is known for Portrait bust Indian and cowboy sculpture. Daro Flood was a jeweler who made the decision to fully dedicate himself to realist sculpture. His studio is in Arizona, and he derives his subject matter from personal experiences depicting the people and places with which he has had contact. American Indians of the western United States are a favorite subject, and he has received commissions for public art. Longtime Jackson resident Daro M. Flood died Dec. 23, 2018 at his home in Jackson. He was 63.
Daro Flood Bronze Animals
Lot #782 (Sale Order 782 of 1523)
Daro Flood (1954 - 2017) was active/lived in Arizona. Daro Flood is known for Portrait bust Indian and cowboy sculpture. Daro Flood was a jeweler who made the decision to fully dedicate himself to realist sculpture. His studio is in Arizona, and he derives his subject matter from personal experiences depicting the people and places with which he has had contact. American Indians of the western United States are a favorite subject, and he has received commissions for public art. Longtime Jackson resident Daro M. Flood died Dec. 23, 2018 at his home in Jackson. He was 63.
Daro Flood Bronze Lion Claw Pipe Rest
Lot #783 (Sale Order 783 of 1523)
4 3/4" by 2 3/4" by 1 3/4" Daro Flood (1954 - 2017) was active/lived in Arizona. Daro Flood is known for Portrait bust Indian and cowboy sculpture. Daro Flood was a jeweler who made the decision to fully dedicate himself to realist sculpture. His studio is in Arizona, and he derives his subject matter from personal experiences depicting the people and places with which he has had contact. American Indians of the western United States are a favorite subject, and he has received commissions for public art. Longtime Jackson resident Daro M. Flood died Dec. 23, 2018 at his home in Jackson. He was 63.
Daro Flood Native American Indian Cast Mask
Lot #784 (Sale Order 784 of 1523)
11 1/2" by 9" by 4 1/2" Daro Flood (1954 - 2017) was active/lived in Arizona. Daro Flood is known for Portrait bust Indian and cowboy sculpture. Daro Flood was a jeweler who made the decision to fully dedicate himself to realist sculpture. His studio is in Arizona, and he derives his subject matter from personal experiences depicting the people and places with which he has had contact. American Indians of the western United States are a favorite subject, and he has received commissions for public art. Longtime Jackson resident Daro M. Flood died Dec. 23, 2018 at his home in Jackson. He was 63.
WWI WW1 Chalkware Bulldog Salt & Pepper Shakers
Lot #785 (Sale Order 785 of 1523)
2" by 2" by 1 1/4"
Big Sky Carvers Taking Flight Sculpture
Lot #786 (Sale Order 786 of 1523)
Has been repaired as shown. 6 3/4" by 5 5/8" by 4 1/8"
Don Hedin Loki Sculpture
Lot #787 (Sale Order 787 of 1523)
8 1/4" by 5 1/4" by 4 1/8"
Don Hedin Brave New World Sculpture
Lot #788 (Sale Order 788 of 1523)
10 3/8" by 10" by 6 1/8".
Don Hedin The Jigsaw Effect Bronze
Lot #789 (Sale Order 789 of 1523)
15 1/2" by 12 3/4" by 10 3/4".
Pierre Jules Mene Chien Et Renard Bronze
Lot #790 (Sale Order 790 of 1523)
Title is Chien Et Renard or Dog and Fox. 12 1/8" by 4 5/8" by 4 5/8". Pierre Jules (P.J.) Mene (1810 - 1879) was active/lived in France. Pierre Jules Mene is known for Realistic animal sculpture, dogs, horses, wildlife. Pierre Jules Mene, (P. J. Mene), was born in Paris in March of 1810 and died in Paris at number 9 Rue de L'Entrepot on May 21, 1879. The son of a metal turner, he received his earliest teaching on sculpture and foundry work from his father, and he opened his own foundry in the 1850s, creating lost-wax castings of his sculptures in bronze. Although mostly self-taught, Mene was encouraged by sculptor Rene Compaire, and was also influenced by two painters: Edwin Landseer of England with his expressive sentimentality, as well as Carle Vernet of France, in capturing spirit, grace and compositional beauty in sculptural form. Much of Mene's early studies were made at the "Jardin des Plantes" in Paris, where he developed great talent for animal sculpture. He first exhibited the bronze statuette entitled Dog and Fox at the Paris Salon in 1838, and from that time exhibited regularly until his death. He received four awards from the Paris Salon: Second Class in 1848, First Class in 1852 and 1861, and a Third Class award in 1855. Mene did not sculpt statues, but rather bronze statuettes generally of domestic and farm animals at rest, (horses, dogs, cows, bulls, sheep and goats). He modeled over 150 subjects, and received the "Cross of the Legion of Honor" in 1861. He exhibited in England at the Great Expositions of 1855, 1867 and 1878, where he was praised as the "Landseer" of sculpture. P. J. Mene was one of the most prolific and popular sculptors of the Animalier School, as well as one of it's earliest pioneers. His sculptures were widely collected by the public. His only sculpture acquired by the State of France during his lifetime was the bronze Mounted Huntsman and His Hounds. Charming and charismatic, Mene was accepted socially within the various French artistic communities. Mene's earliest works, (such as Tiger and Alligator), reflected Antoine-Louis Barye's influence, but in contrast with the romantic style of Barye, Mene's style evolved in a contrasting way. He excelled in realistic portrayals of animals, sculpting each in their natural habitat, capturing fleeting movements and delicate details. Generally, his sculptures were portraits with a hint of human personality. Mene was praised for his "perfection in modeling the figures of animals, and for the truth and beauty of his representations." He worked in the Juste Milieu, blending romantic and naturalist elements while retaining a degree of traditionalism. Mene's casts were of the highest quality and patinas. The last cast of an addition was edited as sharply as the first, and he was meticulous in the after work of his bronze casts, chiseling extremely fine details. His bronzes were signed in block letters "P. J. Mene" with no foundry marks. He taught his son-in-law, Auguste Cain, who continued Mene's foundries from 1879 to 1892. Subsequently, Mene's models were sold to the Susse Freres Foundry which cast well into the 20th century. Many recasts have been produced.
Cedar Waxwing Wood Carving
Lot #791 (Sale Order 791 of 1523)
15 3/4" by 11 3/4" by 7 1/2"
Black Necked Stlit Shorebird Decoy Carving
Lot #792 (Sale Order 792 of 1523)
12 3/4" by 8 7/8" by 5 1/8".
French Creek Studio Bob Wanbaugh Decoy
Lot #793 (Sale Order 793 of 1523)
16 " by 6 1/2" by 6 1/8".
Blue Hill Bay Decoys Bob Wanbaugh Decoy
Lot #794 (Sale Order 794 of 1523)
11 1/2" by 6" by 6".
Blue Hill Bay Decoys Bob Wanbaugh Decoy
Lot #795 (Sale Order 795 of 1523)
Dowitcher. 12" by 11" by 4 1/2"
Lauriston Browne Black Duck Hen Decoy
Lot #796 (Sale Order 796 of 1523)
14 1/2" by 8 1/8" by 6 3/4". One feather is missing as shown.
Blue Hill Bay Decoys Bob Wanbaugh Decoy
Lot #797 (Sale Order 797 of 1523)
Mallard Drake. 14" by 12 1/8" by 9 1/8"
Charles M Russell Montana Trigg Silver Mule Deer
Lot #798 (Sale Order 798 of 1523)
Title is Doe Mule Deer. Sterling Silver. 5 1/2" by 5" by 2 1/2". Number 31/100. Charles Marion Russell (1864 - 1926) was active/lived in Montana, California, Missouri. Charles Russell is known for Indian-frontier genre painting, sculpture. Charles M. Russell, the nostalgic, held tight memories of a youthful past when the West belonged to God. There was a sense of loss, as poignant as losing a loved one. The specter of what this loss meant loomed over Russell the rest of his life. He was the quintessential nostalgic who grabbed history and married it to idealized memory and imagination. For example, despite Russell never witnessing a buffalo hunt, it became the basis for his most popular and desired art. Nancy Russell explained, "No man can be a painter without imagination." The Romantic art of the nineteenth century was the cornerstone to build the West reimagined for not only Russell, but also his contemporaries and future artists. No Western American artist fought back harder against racism, sexism, and championed environmentalism more than did Charles M. Russell. He thrived on imagining a time when the land was pristine, women were held in high regard, and people of color were the heroes. Paradoxically, the industrialized world championed just the opposite. To many, his life appeared odd—that cowboy hat, that sash, that unruly hair, that folksy talk. He and his art embraced an identity of an exile from a different place and time, which is even more appealing today. In that way, Russell was a visionary who instilled hope in all who saw his art, and his heart. For those reasons and much more, he is the most beloved of all the Western American artists. The Charles M. Russell Museum in Great Falls, Montana; the Charles M. Russell Center for the Study of Art of the American West at the University of Oklahoma in Norman; the Charles M. Russell Center Series on Art and Photography of the American West (books published by the University of Oklahoma University Press); the Charles M. Russell National Wildlife Refuge in Montana; the Russell Riders; and the Russell Skull Society are a testament to that fact. The Cowboy Artists of America have been called "The Sons of Charlie Russell" by art historian B. Byron Price for good reason. Russell was a legendary painter, sculptor, and author. Ever humble and self-effacing, as his fame skyrocketed, he never forgot his cowboy friends. The importance of his life and works is that no one has inspired more new generations of artists. Russell lived in the past and his wife Nancy who was his business manager lived for the future. How could a self-trained artist living in remote Montana become the highest paid artist in America? It’s quite a story. Charles Marion Russell was born on March 19, 1864 in St. Louis, Missouri, a bustling gateway to the West of some 200,000 people. Family history and adventure stories such as the Leatherstocking Tales by James Fenimore Cooper lured Russell to the West. On a crisp March day in 1880 Charles M. Russell jumped off the stagecoach in Helena, Montana Territory and took his turn as the latest easterner seeking western adventure. Accompanying him was Willis L.W. "Pike" Miller, a family acquaintance who acted as Russell’s guardian and gave him his first job in Montana on a sheep ranch Miller owned in the Judith Basin. While Miller was kind enough to chaperone Russell, they soon parted ways because Russell wanted nothing to do with sheepherding. For twelve years Russell and his horse Monte were together on the open range mainly nighthawking—somewhat of a lowly cowboy job of watching the horses overnight while the rest of the cowboys slept—until 1893 when Russell began transitioning from cowboy artist to full-time artist. Only a teenager, Russell was younger than most cowboys who were usually in their early twenties but shared with them the qualities of being gregarious, humble, energetic and adventuresome. Charlie saw the cowboy as the last frontiersman—unlike the colorless overburdened farmer and sheep herder. The period from 1906 to 1910 was one of the most productive and enjoyable times of Charlie’s life, which in no small part was due to the summers at Bull Head Lodge and the mentoring by others such as Philip R. Goodwin who visited him there in 1907 and 1910. Glacier National Park has the type of views that keep postcard publishers in business. The mountains fanned the flames of Charlie Russell’s creative genius. He understood that the mountains don’t need us, we need the mountains. Charlie’s favorite place in the world was the lodge, a log structure nestled among the cedar, fir, and tamarack along the shoreline of beautiful Lake McDonald. The years from 1911 to 1915 were a time of artistic achievement by Russell and promotion by Nancy who was as skilled as any field general with her well planned exhibitions in America, Canada, and England. It would be a grueling pace for the duo, but one that would yield a bountiful harvest of financial and cr
Charles M Russell Montana Trigg Silver Monkey
Lot #799 (Sale Order 799 of 1523)
Title is Monkey. Sterling Silver. 6 1/8" by 3" by 2 1/2". Number 6/100. Charles Marion Russell (1864 - 1926) was active/lived in Montana, California, Missouri. Charles Russell is known for Indian-frontier genre painting, sculpture. Charles M. Russell, the nostalgic, held tight memories of a youthful past when the West belonged to God. There was a sense of loss, as poignant as losing a loved one. The specter of what this loss meant loomed over Russell the rest of his life. He was the quintessential nostalgic who grabbed history and married it to idealized memory and imagination. For example, despite Russell never witnessing a buffalo hunt, it became the basis for his most popular and desired art. Nancy Russell explained, "No man can be a painter without imagination." The Romantic art of the nineteenth century was the cornerstone to build the West reimagined for not only Russell, but also his contemporaries and future artists. No Western American artist fought back harder against racism, sexism, and championed environmentalism more than did Charles M. Russell. He thrived on imagining a time when the land was pristine, women were held in high regard, and people of color were the heroes. Paradoxically, the industrialized world championed just the opposite. To many, his life appeared odd—that cowboy hat, that sash, that unruly hair, that folksy talk. He and his art embraced an identity of an exile from a different place and time, which is even more appealing today. In that way, Russell was a visionary who instilled hope in all who saw his art, and his heart. For those reasons and much more, he is the most beloved of all the Western American artists. The Charles M. Russell Museum in Great Falls, Montana; the Charles M. Russell Center for the Study of Art of the American West at the University of Oklahoma in Norman; the Charles M. Russell Center Series on Art and Photography of the American West (books published by the University of Oklahoma University Press); the Charles M. Russell National Wildlife Refuge in Montana; the Russell Riders; and the Russell Skull Society are a testament to that fact. The Cowboy Artists of America have been called "The Sons of Charlie Russell" by art historian B. Byron Price for good reason. Russell was a legendary painter, sculptor, and author. Ever humble and self-effacing, as his fame skyrocketed, he never forgot his cowboy friends. The importance of his life and works is that no one has inspired more new generations of artists. Russell lived in the past and his wife Nancy who was his business manager lived for the future. How could a self-trained artist living in remote Montana become the highest paid artist in America? It’s quite a story. Charles Marion Russell was born on March 19, 1864 in St. Louis, Missouri, a bustling gateway to the West of some 200,000 people. Family history and adventure stories such as the Leatherstocking Tales by James Fenimore Cooper lured Russell to the West. On a crisp March day in 1880 Charles M. Russell jumped off the stagecoach in Helena, Montana Territory and took his turn as the latest easterner seeking western adventure. Accompanying him was Willis L.W. "Pike" Miller, a family acquaintance who acted as Russell’s guardian and gave him his first job in Montana on a sheep ranch Miller owned in the Judith Basin. While Miller was kind enough to chaperone Russell, they soon parted ways because Russell wanted nothing to do with sheepherding. For twelve years Russell and his horse Monte were together on the open range mainly nighthawking—somewhat of a lowly cowboy job of watching the horses overnight while the rest of the cowboys slept—until 1893 when Russell began transitioning from cowboy artist to full-time artist. Only a teenager, Russell was younger than most cowboys who were usually in their early twenties but shared with them the qualities of being gregarious, humble, energetic and adventuresome. Charlie saw the cowboy as the last frontiersman—unlike the colorless overburdened farmer and sheep herder. The period from 1906 to 1910 was one of the most productive and enjoyable times of Charlie’s life, which in no small part was due to the summers at Bull Head Lodge and the mentoring by others such as Philip R. Goodwin who visited him there in 1907 and 1910. Glacier National Park has the type of views that keep postcard publishers in business. The mountains fanned the flames of Charlie Russell’s creative genius. He understood that the mountains don’t need us, we need the mountains. Charlie’s favorite place in the world was the lodge, a log structure nestled among the cedar, fir, and tamarack along the shoreline of beautiful Lake McDonald. The years from 1911 to 1915 were a time of artistic achievement by Russell and promotion by Nancy who was as skilled as any field general with her well planned exhibitions in America, Canada, and England. It would be a grueling pace for the duo, but one that would yield a bountiful harvest of financial and critical s
Charles M Russell Montana Trigg Silver Turkey
Lot #800 (Sale Order 800 of 1523)
Title is Merriam Turkey. Sterling Silver. 5" by 4" by 3". Number 6/100. Charles Marion Russell (1864 - 1926) was active/lived in Montana, California, Missouri. Charles Russell is known for Indian-frontier genre painting, sculpture. Charles M. Russell, the nostalgic, held tight memories of a youthful past when the West belonged to God. There was a sense of loss, as poignant as losing a loved one. The specter of what this loss meant loomed over Russell the rest of his life. He was the quintessential nostalgic who grabbed history and married it to idealized memory and imagination. For example, despite Russell never witnessing a buffalo hunt, it became the basis for his most popular and desired art. Nancy Russell explained, "No man can be a painter without imagination." The Romantic art of the nineteenth century was the cornerstone to build the West reimagined for not only Russell, but also his contemporaries and future artists. No Western American artist fought back harder against racism, sexism, and championed environmentalism more than did Charles M. Russell. He thrived on imagining a time when the land was pristine, women were held in high regard, and people of color were the heroes. Paradoxically, the industrialized world championed just the opposite. To many, his life appeared odd—that cowboy hat, that sash, that unruly hair, that folksy talk. He and his art embraced an identity of an exile from a different place and time, which is even more appealing today. In that way, Russell was a visionary who instilled hope in all who saw his art, and his heart. For those reasons and much more, he is the most beloved of all the Western American artists. The Charles M. Russell Museum in Great Falls, Montana; the Charles M. Russell Center for the Study of Art of the American West at the University of Oklahoma in Norman; the Charles M. Russell Center Series on Art and Photography of the American West (books published by the University of Oklahoma University Press); the Charles M. Russell National Wildlife Refuge in Montana; the Russell Riders; and the Russell Skull Society are a testament to that fact. The Cowboy Artists of America have been called "The Sons of Charlie Russell" by art historian B. Byron Price for good reason. Russell was a legendary painter, sculptor, and author. Ever humble and self-effacing, as his fame skyrocketed, he never forgot his cowboy friends. The importance of his life and works is that no one has inspired more new generations of artists. Russell lived in the past and his wife Nancy who was his business manager lived for the future. How could a self-trained artist living in remote Montana become the highest paid artist in America? It’s quite a story. Charles Marion Russell was born on March 19, 1864 in St. Louis, Missouri, a bustling gateway to the West of some 200,000 people. Family history and adventure stories such as the Leatherstocking Tales by James Fenimore Cooper lured Russell to the West. On a crisp March day in 1880 Charles M. Russell jumped off the stagecoach in Helena, Montana Territory and took his turn as the latest easterner seeking western adventure. Accompanying him was Willis L.W. "Pike" Miller, a family acquaintance who acted as Russell’s guardian and gave him his first job in Montana on a sheep ranch Miller owned in the Judith Basin. While Miller was kind enough to chaperone Russell, they soon parted ways because Russell wanted nothing to do with sheepherding. For twelve years Russell and his horse Monte were together on the open range mainly nighthawking—somewhat of a lowly cowboy job of watching the horses overnight while the rest of the cowboys slept—until 1893 when Russell began transitioning from cowboy artist to full-time artist. Only a teenager, Russell was younger than most cowboys who were usually in their early twenties but shared with them the qualities of being gregarious, humble, energetic and adventuresome. Charlie saw the cowboy as the last frontiersman—unlike the colorless overburdened farmer and sheep herder. The period from 1906 to 1910 was one of the most productive and enjoyable times of Charlie’s life, which in no small part was due to the summers at Bull Head Lodge and the mentoring by others such as Philip R. Goodwin who visited him there in 1907 and 1910. Glacier National Park has the type of views that keep postcard publishers in business. The mountains fanned the flames of Charlie Russell’s creative genius. He understood that the mountains don’t need us, we need the mountains. Charlie’s favorite place in the world was the lodge, a log structure nestled among the cedar, fir, and tamarack along the shoreline of beautiful Lake McDonald. The years from 1911 to 1915 were a time of artistic achievement by Russell and promotion by Nancy who was as skilled as any field general with her well planned exhibitions in America, Canada, and England. It would be a grueling pace for the duo, but one that would yield a bountiful harvest of financial and critical s
Charles M Russell Montana Trigg Silver Sow
Lot #801 (Sale Order 801 of 1523)
Title is Sow. Sterling Silver. 4 1/8" by 3 1/2" by 3". Number 6/100. Charles Marion Russell (1864 - 1926) was active/lived in Montana, California, Missouri. Charles Russell is known for Indian-frontier genre painting, sculpture. Charles M. Russell, the nostalgic, held tight memories of a youthful past when the West belonged to God. There was a sense of loss, as poignant as losing a loved one. The specter of what this loss meant loomed over Russell the rest of his life. He was the quintessential nostalgic who grabbed history and married it to idealized memory and imagination. For example, despite Russell never witnessing a buffalo hunt, it became the basis for his most popular and desired art. Nancy Russell explained, "No man can be a painter without imagination." The Romantic art of the nineteenth century was the cornerstone to build the West reimagined for not only Russell, but also his contemporaries and future artists. No Western American artist fought back harder against racism, sexism, and championed environmentalism more than did Charles M. Russell. He thrived on imagining a time when the land was pristine, women were held in high regard, and people of color were the heroes. Paradoxically, the industrialized world championed just the opposite. To many, his life appeared odd—that cowboy hat, that sash, that unruly hair, that folksy talk. He and his art embraced an identity of an exile from a different place and time, which is even more appealing today. In that way, Russell was a visionary who instilled hope in all who saw his art, and his heart. For those reasons and much more, he is the most beloved of all the Western American artists. The Charles M. Russell Museum in Great Falls, Montana; the Charles M. Russell Center for the Study of Art of the American West at the University of Oklahoma in Norman; the Charles M. Russell Center Series on Art and Photography of the American West (books published by the University of Oklahoma University Press); the Charles M. Russell National Wildlife Refuge in Montana; the Russell Riders; and the Russell Skull Society are a testament to that fact. The Cowboy Artists of America have been called "The Sons of Charlie Russell" by art historian B. Byron Price for good reason. Russell was a legendary painter, sculptor, and author. Ever humble and self-effacing, as his fame skyrocketed, he never forgot his cowboy friends. The importance of his life and works is that no one has inspired more new generations of artists. Russell lived in the past and his wife Nancy who was his business manager lived for the future. How could a self-trained artist living in remote Montana become the highest paid artist in America? It’s quite a story. Charles Marion Russell was born on March 19, 1864 in St. Louis, Missouri, a bustling gateway to the West of some 200,000 people. Family history and adventure stories such as the Leatherstocking Tales by James Fenimore Cooper lured Russell to the West. On a crisp March day in 1880 Charles M. Russell jumped off the stagecoach in Helena, Montana Territory and took his turn as the latest easterner seeking western adventure. Accompanying him was Willis L.W. "Pike" Miller, a family acquaintance who acted as Russell’s guardian and gave him his first job in Montana on a sheep ranch Miller owned in the Judith Basin. While Miller was kind enough to chaperone Russell, they soon parted ways because Russell wanted nothing to do with sheepherding. For twelve years Russell and his horse Monte were together on the open range mainly nighthawking—somewhat of a lowly cowboy job of watching the horses overnight while the rest of the cowboys slept—until 1893 when Russell began transitioning from cowboy artist to full-time artist. Only a teenager, Russell was younger than most cowboys who were usually in their early twenties but shared with them the qualities of being gregarious, humble, energetic and adventuresome. Charlie saw the cowboy as the last frontiersman—unlike the colorless overburdened farmer and sheep herder. The period from 1906 to 1910 was one of the most productive and enjoyable times of Charlie’s life, which in no small part was due to the summers at Bull Head Lodge and the mentoring by others such as Philip R. Goodwin who visited him there in 1907 and 1910. Glacier National Park has the type of views that keep postcard publishers in business. The mountains fanned the flames of Charlie Russell’s creative genius. He understood that the mountains don’t need us, we need the mountains. Charlie’s favorite place in the world was the lodge, a log structure nestled among the cedar, fir, and tamarack along the shoreline of beautiful Lake McDonald. The years from 1911 to 1915 were a time of artistic achievement by Russell and promotion by Nancy who was as skilled as any field general with her well planned exhibitions in America, Canada, and England. It would be a grueling pace for the duo, but one that would yield a bountiful harvest of financial and critical succ
Charles M Russell Montana Trigg Silver Sheep
Lot #802 (Sale Order 802 of 1523)
Title is Mountain Sheep. Sterling Silver. 4" by 3" by 2 3/4". Number 6/100. Charles Marion Russell (1864 - 1926) was active/lived in Montana, California, Missouri. Charles Russell is known for Indian-frontier genre painting, sculpture. Charles M. Russell, the nostalgic, held tight memories of a youthful past when the West belonged to God. There was a sense of loss, as poignant as losing a loved one. The specter of what this loss meant loomed over Russell the rest of his life. He was the quintessential nostalgic who grabbed history and married it to idealized memory and imagination. For example, despite Russell never witnessing a buffalo hunt, it became the basis for his most popular and desired art. Nancy Russell explained, "No man can be a painter without imagination." The Romantic art of the nineteenth century was the cornerstone to build the West reimagined for not only Russell, but also his contemporaries and future artists. No Western American artist fought back harder against racism, sexism, and championed environmentalism more than did Charles M. Russell. He thrived on imagining a time when the land was pristine, women were held in high regard, and people of color were the heroes. Paradoxically, the industrialized world championed just the opposite. To many, his life appeared odd—that cowboy hat, that sash, that unruly hair, that folksy talk. He and his art embraced an identity of an exile from a different place and time, which is even more appealing today. In that way, Russell was a visionary who instilled hope in all who saw his art, and his heart. For those reasons and much more, he is the most beloved of all the Western American artists. The Charles M. Russell Museum in Great Falls, Montana; the Charles M. Russell Center for the Study of Art of the American West at the University of Oklahoma in Norman; the Charles M. Russell Center Series on Art and Photography of the American West (books published by the University of Oklahoma University Press); the Charles M. Russell National Wildlife Refuge in Montana; the Russell Riders; and the Russell Skull Society are a testament to that fact. The Cowboy Artists of America have been called "The Sons of Charlie Russell" by art historian B. Byron Price for good reason. Russell was a legendary painter, sculptor, and author. Ever humble and self-effacing, as his fame skyrocketed, he never forgot his cowboy friends. The importance of his life and works is that no one has inspired more new generations of artists. Russell lived in the past and his wife Nancy who was his business manager lived for the future. How could a self-trained artist living in remote Montana become the highest paid artist in America? It’s quite a story. Charles Marion Russell was born on March 19, 1864 in St. Louis, Missouri, a bustling gateway to the West of some 200,000 people. Family history and adventure stories such as the Leatherstocking Tales by James Fenimore Cooper lured Russell to the West. On a crisp March day in 1880 Charles M. Russell jumped off the stagecoach in Helena, Montana Territory and took his turn as the latest easterner seeking western adventure. Accompanying him was Willis L.W. "Pike" Miller, a family acquaintance who acted as Russell’s guardian and gave him his first job in Montana on a sheep ranch Miller owned in the Judith Basin. While Miller was kind enough to chaperone Russell, they soon parted ways because Russell wanted nothing to do with sheepherding. For twelve years Russell and his horse Monte were together on the open range mainly nighthawking—somewhat of a lowly cowboy job of watching the horses overnight while the rest of the cowboys slept—until 1893 when Russell began transitioning from cowboy artist to full-time artist. Only a teenager, Russell was younger than most cowboys who were usually in their early twenties but shared with them the qualities of being gregarious, humble, energetic and adventuresome. Charlie saw the cowboy as the last frontiersman—unlike the colorless overburdened farmer and sheep herder. The period from 1906 to 1910 was one of the most productive and enjoyable times of Charlie’s life, which in no small part was due to the summers at Bull Head Lodge and the mentoring by others such as Philip R. Goodwin who visited him there in 1907 and 1910. Glacier National Park has the type of views that keep postcard publishers in business. The mountains fanned the flames of Charlie Russell’s creative genius. He understood that the mountains don’t need us, we need the mountains. Charlie’s favorite place in the world was the lodge, a log structure nestled among the cedar, fir, and tamarack along the shoreline of beautiful Lake McDonald. The years from 1911 to 1915 were a time of artistic achievement by Russell and promotion by Nancy who was as skilled as any field general with her well planned exhibitions in America, Canada, and England. It would be a grueling pace for the duo, but one that would yield a bountiful harvest of financial and critic
Charles M Russell Montana Trigg Silver Bears
Lot #803 (Sale Order 803 of 1523)
Title is Three Grizzly Bears. Sterling Silver. 4 3/8" by 2 3/4" by 2 1/2". Number 6/100. Charles Marion Russell (1864 - 1926) was active/lived in Montana, California, Missouri. Charles Russell is known for Indian-frontier genre painting, sculpture. Charles M. Russell, the nostalgic, held tight memories of a youthful past when the West belonged to God. There was a sense of loss, as poignant as losing a loved one. The specter of what this loss meant loomed over Russell the rest of his life. He was the quintessential nostalgic who grabbed history and married it to idealized memory and imagination. For example, despite Russell never witnessing a buffalo hunt, it became the basis for his most popular and desired art. Nancy Russell explained, "No man can be a painter without imagination." The Romantic art of the nineteenth century was the cornerstone to build the West reimagined for not only Russell, but also his contemporaries and future artists. No Western American artist fought back harder against racism, sexism, and championed environmentalism more than did Charles M. Russell. He thrived on imagining a time when the land was pristine, women were held in high regard, and people of color were the heroes. Paradoxically, the industrialized world championed just the opposite. To many, his life appeared odd—that cowboy hat, that sash, that unruly hair, that folksy talk. He and his art embraced an identity of an exile from a different place and time, which is even more appealing today. In that way, Russell was a visionary who instilled hope in all who saw his art, and his heart. For those reasons and much more, he is the most beloved of all the Western American artists. The Charles M. Russell Museum in Great Falls, Montana; the Charles M. Russell Center for the Study of Art of the American West at the University of Oklahoma in Norman; the Charles M. Russell Center Series on Art and Photography of the American West (books published by the University of Oklahoma University Press); the Charles M. Russell National Wildlife Refuge in Montana; the Russell Riders; and the Russell Skull Society are a testament to that fact. The Cowboy Artists of America have been called "The Sons of Charlie Russell" by art historian B. Byron Price for good reason. Russell was a legendary painter, sculptor, and author. Ever humble and self-effacing, as his fame skyrocketed, he never forgot his cowboy friends. The importance of his life and works is that no one has inspired more new generations of artists. Russell lived in the past and his wife Nancy who was his business manager lived for the future. How could a self-trained artist living in remote Montana become the highest paid artist in America? It’s quite a story. Charles Marion Russell was born on March 19, 1864 in St. Louis, Missouri, a bustling gateway to the West of some 200,000 people. Family history and adventure stories such as the Leatherstocking Tales by James Fenimore Cooper lured Russell to the West. On a crisp March day in 1880 Charles M. Russell jumped off the stagecoach in Helena, Montana Territory and took his turn as the latest easterner seeking western adventure. Accompanying him was Willis L.W. "Pike" Miller, a family acquaintance who acted as Russell’s guardian and gave him his first job in Montana on a sheep ranch Miller owned in the Judith Basin. While Miller was kind enough to chaperone Russell, they soon parted ways because Russell wanted nothing to do with sheepherding. For twelve years Russell and his horse Monte were together on the open range mainly nighthawking—somewhat of a lowly cowboy job of watching the horses overnight while the rest of the cowboys slept—until 1893 when Russell began transitioning from cowboy artist to full-time artist. Only a teenager, Russell was younger than most cowboys who were usually in their early twenties but shared with them the qualities of being gregarious, humble, energetic and adventuresome. Charlie saw the cowboy as the last frontiersman—unlike the colorless overburdened farmer and sheep herder. The period from 1906 to 1910 was one of the most productive and enjoyable times of Charlie’s life, which in no small part was due to the summers at Bull Head Lodge and the mentoring by others such as Philip R. Goodwin who visited him there in 1907 and 1910. Glacier National Park has the type of views that keep postcard publishers in business. The mountains fanned the flames of Charlie Russell’s creative genius. He understood that the mountains don’t need us, we need the mountains. Charlie’s favorite place in the world was the lodge, a log structure nestled among the cedar, fir, and tamarack along the shoreline of beautiful Lake McDonald. The years from 1911 to 1915 were a time of artistic achievement by Russell and promotion by Nancy who was as skilled as any field general with her well planned exhibitions in America, Canada, and England. It would be a grueling pace for the duo, but one that would yield a bountiful harvest of financi
Charles M Russell Montana Trigg Silver Turkey
Lot #804 (Sale Order 804 of 1523)
Title is Tom Merriam Turkey. Sterling Silver. 4 1/8" by 3 3/4" by 3 1/8". Number 6/100. Charles Marion Russell (1864 - 1926) was active/lived in Montana, California, Missouri. Charles Russell is known for Indian-frontier genre painting, sculpture. Charles M. Russell, the nostalgic, held tight memories of a youthful past when the West belonged to God. There was a sense of loss, as poignant as losing a loved one. The specter of what this loss meant loomed over Russell the rest of his life. He was the quintessential nostalgic who grabbed history and married it to idealized memory and imagination. For example, despite Russell never witnessing a buffalo hunt, it became the basis for his most popular and desired art. Nancy Russell explained, "No man can be a painter without imagination." The Romantic art of the nineteenth century was the cornerstone to build the West reimagined for not only Russell, but also his contemporaries and future artists. No Western American artist fought back harder against racism, sexism, and championed environmentalism more than did Charles M. Russell. He thrived on imagining a time when the land was pristine, women were held in high regard, and people of color were the heroes. Paradoxically, the industrialized world championed just the opposite. To many, his life appeared odd—that cowboy hat, that sash, that unruly hair, that folksy talk. He and his art embraced an identity of an exile from a different place and time, which is even more appealing today. In that way, Russell was a visionary who instilled hope in all who saw his art, and his heart. For those reasons and much more, he is the most beloved of all the Western American artists. The Charles M. Russell Museum in Great Falls, Montana; the Charles M. Russell Center for the Study of Art of the American West at the University of Oklahoma in Norman; the Charles M. Russell Center Series on Art and Photography of the American West (books published by the University of Oklahoma University Press); the Charles M. Russell National Wildlife Refuge in Montana; the Russell Riders; and the Russell Skull Society are a testament to that fact. The Cowboy Artists of America have been called "The Sons of Charlie Russell" by art historian B. Byron Price for good reason. Russell was a legendary painter, sculptor, and author. Ever humble and self-effacing, as his fame skyrocketed, he never forgot his cowboy friends. The importance of his life and works is that no one has inspired more new generations of artists. Russell lived in the past and his wife Nancy who was his business manager lived for the future. How could a self-trained artist living in remote Montana become the highest paid artist in America? It’s quite a story. Charles Marion Russell was born on March 19, 1864 in St. Louis, Missouri, a bustling gateway to the West of some 200,000 people. Family history and adventure stories such as the Leatherstocking Tales by James Fenimore Cooper lured Russell to the West. On a crisp March day in 1880 Charles M. Russell jumped off the stagecoach in Helena, Montana Territory and took his turn as the latest easterner seeking western adventure. Accompanying him was Willis L.W. "Pike" Miller, a family acquaintance who acted as Russell’s guardian and gave him his first job in Montana on a sheep ranch Miller owned in the Judith Basin. While Miller was kind enough to chaperone Russell, they soon parted ways because Russell wanted nothing to do with sheepherding. For twelve years Russell and his horse Monte were together on the open range mainly nighthawking—somewhat of a lowly cowboy job of watching the horses overnight while the rest of the cowboys slept—until 1893 when Russell began transitioning from cowboy artist to full-time artist. Only a teenager, Russell was younger than most cowboys who were usually in their early twenties but shared with them the qualities of being gregarious, humble, energetic and adventuresome. Charlie saw the cowboy as the last frontiersman—unlike the colorless overburdened farmer and sheep herder. The period from 1906 to 1910 was one of the most productive and enjoyable times of Charlie’s life, which in no small part was due to the summers at Bull Head Lodge and the mentoring by others such as Philip R. Goodwin who visited him there in 1907 and 1910. Glacier National Park has the type of views that keep postcard publishers in business. The mountains fanned the flames of Charlie Russell’s creative genius. He understood that the mountains don’t need us, we need the mountains. Charlie’s favorite place in the world was the lodge, a log structure nestled among the cedar, fir, and tamarack along the shoreline of beautiful Lake McDonald. The years from 1911 to 1915 were a time of artistic achievement by Russell and promotion by Nancy who was as skilled as any field general with her well planned exhibitions in America, Canada, and England. It would be a grueling pace for the duo, but one that would yield a bountiful harvest of financia
Charles M Russell Montana Trigg Silver Indian
Lot #805 (Sale Order 805 of 1523)
Title is Indian. Sterling Silver. 4" by 3 1/2" by 3 1/4". Number 6/100. Charles Marion Russell (1864 - 1926) was active/lived in Montana, California, Missouri. Charles Russell is known for Indian-frontier genre painting, sculpture. Charles M. Russell, the nostalgic, held tight memories of a youthful past when the West belonged to God. There was a sense of loss, as poignant as losing a loved one. The specter of what this loss meant loomed over Russell the rest of his life. He was the quintessential nostalgic who grabbed history and married it to idealized memory and imagination. For example, despite Russell never witnessing a buffalo hunt, it became the basis for his most popular and desired art. Nancy Russell explained, "No man can be a painter without imagination." The Romantic art of the nineteenth century was the cornerstone to build the West reimagined for not only Russell, but also his contemporaries and future artists. No Western American artist fought back harder against racism, sexism, and championed environmentalism more than did Charles M. Russell. He thrived on imagining a time when the land was pristine, women were held in high regard, and people of color were the heroes. Paradoxically, the industrialized world championed just the opposite. To many, his life appeared odd—that cowboy hat, that sash, that unruly hair, that folksy talk. He and his art embraced an identity of an exile from a different place and time, which is even more appealing today. In that way, Russell was a visionary who instilled hope in all who saw his art, and his heart. For those reasons and much more, he is the most beloved of all the Western American artists. The Charles M. Russell Museum in Great Falls, Montana; the Charles M. Russell Center for the Study of Art of the American West at the University of Oklahoma in Norman; the Charles M. Russell Center Series on Art and Photography of the American West (books published by the University of Oklahoma University Press); the Charles M. Russell National Wildlife Refuge in Montana; the Russell Riders; and the Russell Skull Society are a testament to that fact. The Cowboy Artists of America have been called "The Sons of Charlie Russell" by art historian B. Byron Price for good reason. Russell was a legendary painter, sculptor, and author. Ever humble and self-effacing, as his fame skyrocketed, he never forgot his cowboy friends. The importance of his life and works is that no one has inspired more new generations of artists. Russell lived in the past and his wife Nancy who was his business manager lived for the future. How could a self-trained artist living in remote Montana become the highest paid artist in America? It’s quite a story. Charles Marion Russell was born on March 19, 1864 in St. Louis, Missouri, a bustling gateway to the West of some 200,000 people. Family history and adventure stories such as the Leatherstocking Tales by James Fenimore Cooper lured Russell to the West. On a crisp March day in 1880 Charles M. Russell jumped off the stagecoach in Helena, Montana Territory and took his turn as the latest easterner seeking western adventure. Accompanying him was Willis L.W. "Pike" Miller, a family acquaintance who acted as Russell’s guardian and gave him his first job in Montana on a sheep ranch Miller owned in the Judith Basin. While Miller was kind enough to chaperone Russell, they soon parted ways because Russell wanted nothing to do with sheepherding. For twelve years Russell and his horse Monte were together on the open range mainly nighthawking—somewhat of a lowly cowboy job of watching the horses overnight while the rest of the cowboys slept—until 1893 when Russell began transitioning from cowboy artist to full-time artist. Only a teenager, Russell was younger than most cowboys who were usually in their early twenties but shared with them the qualities of being gregarious, humble, energetic and adventuresome. Charlie saw the cowboy as the last frontiersman—unlike the colorless overburdened farmer and sheep herder. The period from 1906 to 1910 was one of the most productive and enjoyable times of Charlie’s life, which in no small part was due to the summers at Bull Head Lodge and the mentoring by others such as Philip R. Goodwin who visited him there in 1907 and 1910. Glacier National Park has the type of views that keep postcard publishers in business. The mountains fanned the flames of Charlie Russell’s creative genius. He understood that the mountains don’t need us, we need the mountains. Charlie’s favorite place in the world was the lodge, a log structure nestled among the cedar, fir, and tamarack along the shoreline of beautiful Lake McDonald. The years from 1911 to 1915 were a time of artistic achievement by Russell and promotion by Nancy who was as skilled as any field general with her well planned exhibitions in America, Canada, and England. It would be a grueling pace for the duo, but one that would yield a bountiful harvest of financial and critical s
Charles M Russell Piegan Brave Plaster Model
Lot #806 (Sale Order 806 of 1523)
The original plaster Piegan Brave by Charles M Russell. This is the only known plaster model of it's kind made. There was nothing that Charles Russell loved more than making small, painted plaster sculptures which he could give as presents as a true gesture of friendship. From the Estate of Dr. Van Kirke Nelson - Kalispell, MT. Measures: 2 2/5" tall, 1 1/3" by 1" wide. This model's nose has been lost to time. The bronze in the previous lot is the first casting made from this model. The feather in the top right of the plaster on the Brave's head is representative of the same portrait sitting that Russell painted. That original watercolor sold in 1997 at auction. Charles Marion Russell (1864 - 1926) was active/lived in Montana, California, Missouri. Charles Russell is known for Indian-frontier genre painting, sculpture. Charles M. Russell, the nostalgic, held tight memories of a youthful past when the West belonged to God. There was a sense of loss, as poignant as losing a loved one. The specter of what this loss meant loomed over Russell the rest of his life. He was the quintessential nostalgic who grabbed history and married it to idealized memory and imagination. For example, despite Russell never witnessing a buffalo hunt, it became the basis for his most popular and desired art. Nancy Russell explained, "No man can be a painter without imagination." The Romantic art of the nineteenth century was the cornerstone to build the West reimagined for not only Russell, but also his contemporaries and future artists. No Western American artist fought back harder against racism, sexism, and championed environmentalism more than did Charles M. Russell. He thrived on imagining a time when the land was pristine, women were held in high regard, and people of color were the heroes. Paradoxically, the industrialized world championed just the opposite. To many, his life appeared odd—that cowboy hat, that sash, that unruly hair, that folksy talk. He and his art embraced an identity of an exile from a different place and time, which is even more appealing today. In that way, Russell was a visionary who instilled hope in all who saw his art, and his heart. For those reasons and much more, he is the most beloved of all the Western American artists. The Charles M. Russell Museum in Great Falls, Montana; the Charles M. Russell Center for the Study of Art of the American West at the University of Oklahoma in Norman; the Charles M. Russell Center Series on Art and Photography of the American West (books published by the University of Oklahoma University Press); the Charles M. Russell National Wildlife Refuge in Montana; the Russell Riders; and the Russell Skull Society are a testament to that fact. The Cowboy Artists of America have been called "The Sons of Charlie Russell" by art historian B. Byron Price for good reason. Russell was a legendary painter, sculptor, and author. Ever humble and self-effacing, as his fame skyrocketed, he never forgot his cowboy friends. The importance of his life and works is that no one has inspired more new generations of artists. Russell lived in the past and his wife Nancy who was his business manager lived for the future. How could a self-trained artist living in remote Montana become the highest paid artist in America? It’s quite a story. Charles Marion Russell was born on March 19, 1864 in St. Louis, Missouri, a bustling gateway to the West of some 200,000 people. Family history and adventure stories such as the Leatherstocking Tales by James Fenimore Cooper lured Russell to the West. On a crisp March day in 1880 Charles M. Russell jumped off the stagecoach in Helena, Montana Territory and took his turn as the latest easterner seeking western adventure. Accompanying him was Willis L.W. "Pike" Miller, a family acquaintance who acted as Russell’s guardian and gave him his first job in Montana on a sheep ranch Miller owned in the Judith Basin. While Miller was kind enough to chaperone Russell, they soon parted ways because Russell wanted nothing to do with sheepherding. For twelve years Russell and his horse Monte were together on the open range mainly nighthawking—somewhat of a lowly cowboy job of watching the horses overnight while the rest of the cowboys slept—until 1893 when Russell began transitioning from cowboy artist to full-time artist. Only a teenager, Russell was younger than most cowboys who were usually in their early twenties but shared with them the qualities of being gregarious, humble, energetic and adventuresome. Charlie saw the cowboy as the last frontiersman—unlike the colorless overburdened farmer and sheep herder. The period from 1906 to 1910 was one of the most productive and enjoyable times of Charlie’s life, which in no small part was due to the summers at Bull Head Lodge and the mentoring by others such as Philip R. Goodwin who visited him there in 1907 and 1910. Glacier National Park has the type of views that keep postcard publishers in business. The mountains fanned
Folk Art Cane Washington DC Flood of 1936
Lot #807 (Sale Order 807 of 1523)
This cane was made from a piece of wood found after the flood waters succeeded in Washington DC. It is dated March 20 1936. Wonderful piece of American Folk Art documenting one of the most significant historical events of the 20th Century. 35 5/8" long. The 1936 Northeastern United States flood was a historic flood that occurred across the Northeastern United States, as well as the Mid-Atlantic region and Ohio, in March 1936. Record-setting flooding after a combination of a particularly precipitation-heavy winter and large amounts of rainfall in March caused severe damage across the region. Record heights were recorded in many rivers, including the Connecticut River, which peaked at 37.6 feet (11.5 m) in Hartford, the Merrimack River, the Pemigewasset River, and the Androscoggin River. The flood led to an estimated 150 to 200 deaths across the Northeast, and hundreds of millions of dollars in damage in 1936 dollars. Flooding reached the nation's capital on March 20. The Potomac River crested at 18.5 feet (5.6 m) under Key Bridge, which was the only bridge connecting the district to Virginia to remain above the waters. Large portions of the National Mall were flooded, but there was enough warning for the Capitol Park Service to protect the Washington Monument and the Lincoln Memorial by building a barrier of stone and sandbags, with the help of more than 3,000 men and multiple steam shovels. Hains Point was impossible to see due to flooding, which was as high as the tops of trees. Despite the large extent of flooding, there were no fatalities in Washington, D.C.
Frederic Remington Cheyenne Bronze
Lot #808 (Sale Order 808 of 1523)
Title is Cheyenne. 4" by 3 3/4" by 2". Frederic Sackrider Remington (1861 - 1909) was active/lived in New York, Kansas, Connecticut. Frederic Remington is known for Western painting and sculpture, illustration. In his lifetime polymath Frederic Remington was the most successful and famous Western American artist. His immense talents included excelling as an illustrator, author, sculptor, and fine artist. His was a life tragically cut short. Born on October 4, 1861 in Canton, a small berg in bucolic upper state New York, he was much influenced by his father Seth Pierpont Remington, a Republican journalist who founded the St. Lawrence Plaindealer. His father had been a captain in the Civil War, and in 1870 President Ulysses S. Grant appointed him United States Collector of the Port of Ogdensburg, New York. In 1876 young Frederic enrolled at Highland Military Academy in Worcester, Massachusetts where he studied for the next two years. Two years later he enrolled at Yale for one year to study in the School of Fine Arts. His two loves were art and football. Only three months into school, he published his first illustration in the on-campus newspaper Yale Courant. On the gridiron he was a natural, demonstrating great strength and agility. Like Theodore Roosevelt, Remington also enjoyed boxing. A year later he met his future wife Eva Caten from Gloversville, New York. After the death of Remington’s father from tuberculosis on February 18, 1879, Eva rejected his first marriage proposal. Floundering, Remington headed to the American West to find himself—much like Theodore Roosevelt did when his mother and wife died on the same day. That led to a trip to Montana where he completed a number of sketches. Invigorated by his Western experiences, in February 1883 he headed to Kansas and with part of his inheritance bought a 160 acre sheep ranch near Peabody, Kansas. That failed adventure lasted about a year, and he then relocated to Kansas City, Missouri where Eva would join him as his wife. Yet he squandered the rest of his inheritance on a saloon there. After more illustrations were sold to Harper’s Weekly, in 1885 the Remingtons moved to New York City, and in 1886 he attended the Art Students League. By then Remington was earning $1,200 a year, twice the income of a school teacher. Other magazines such as St. Nicholas and Outing also published his art. His work certainly impressed a young Theodore Roosevelt who was chronicling his life in Medora—now in North Dakota—for a serial that ran in The Century Magazine. It was very common at the time for authors to serialize their works in magazines before they were published in book form. In the fall of 1887 Remington was commissioned to illustrate the magazine stories which ended up in Roosevelt’s 1888 classic book Ranch Life and the Hunting Trail. Early on, a lasting friendship between the two was cemented through these publications. By 1889 he had garnered national notoriety as one of the most accomplished illustrators in the country. He was a national celebrity. In 1889 his monumental canvas A Dash for the Timber was exhibited at the National Academy of Design. The New York Times reported, "The picture at the Autumn exhibition of the Academy of Design before which stands the largest number of people is Frederic Remington’s Dash for the Timber." A Silver medal for Last Lull in the Fight followed at the Exposition Universelle in Paris. In 1891 the National Academy of Design elected Remington as an Associate member. Yet he was never admitted as National Academician, despite support from fellow artists Gilbert Gaul, Childe Hassam, and others. His financial success allowed the Remingtons to move into a grand home he named Ednion Algonquin for "a place where I live in New Rochelle, New York. A young Norman Rockwell would someday paint in his studio. Through his travels, Remington embraced social Darwinism survival of the fittest that championed the U.S. military’s domination of the inferior Native Americans. Theodore Roosevelt, George Armstrong Custer, and Remington along with most other Americans—idolized Charles Darwin. As early as 1888 Remington started contributing short stories along with illustrations to magazines. His writings teemed with romantic Western stories chalk full of drama and violence. Initially, they presented the cavalryman as the hero and the Indian as the villain, especially when the Indian had been tainted with the vices of the white man. His West was the "frontier model where the fittest were rugged individuals from northern Europe and white Americans. Even though he was an accomplished author and painter, perhaps his greatest talent was as a sculptor. His bronzes are more famous and collectible than any other Western American artist. And yet his bronze repertoire was completed in just fourteen years. Starting in order of modeling, they are: The Broncho Buster, The Wounded Bunkie, The Wicked Pony, The Scalp, The Norther, The Cheyenne, The Buffalo Signal,
Lowell Davis Coyote Prairie Dog Bronze
Lot #809 (Sale Order 809 of 1523)
Title is Prairie Dog. 6 1/2" by 5 1/8" by 4". Lowell Davis (Born 1937) is active/lives in Missouri. Lowell Davis is known for Wildlife sculpture.
Almar Metal Arts Buffalo
Lot #810 (Sale Order 810 of 1523)
3 3/4" by 2 3/4" by 1 1/2"
Donald Locke Prince Buster Bull Bronze
Lot #811 (Sale Order 811 of 1523)
Title is Prince Buster. 7 1/2" by 4 3/8" by 4 1/4". Donald Locke (1930 - 2010) was active/lived in United States. Donald Locke is known for Ceramic sculpture. Post Graduate Award, Ceramic Research, Edinburgh College of Art, Scotland Edinburgh University, Scotland (in conjunction with Edinburgh College of Art) MA Honors Degree in Fine Art (equivalent to American PhD) Bath Academy of Art, Corsham, England. Teaching Certificate in Art Education, Supplementary Certificate in the Visual Arts with Museum and Drama (equivalent to American MA). Studied painting under William Scott, sculpture under Bernard Meadows, and ceramics under James Tower. Guyana Teacher’s Certificate, Ministry of Education, Guyana (equivalent to American BA)
Michael Atkinson Native American Indian Bronze
Lot #812 (Sale Order 812 of 1523)
Title is Daughter of Acoma. 35" by 12" by 13 1/2". Michael Atkinson (Born 1946) is active/lives in Texas. Michael Atkinson is known for Mod-landscape and figure painting, sculpture. Michael Atkinson is a painter in watercolor in abstract realist style of western and southwestern landscapes and also a sculptor of figurative, often nude, male and female figures, and athletic in pose. He works in clay and then bronze.
Russian Silver Oklad Icon Vladimir Mother of God
Lot #813 (Sale Order 813 of 1523)
Aleksandr Nikolayevich Krollau hallmark, dated 1881, 84 zolotniks. 4 3/8" by 3 1/2".
Russian Silver Oklad Icon Christ Pantocrator
Lot #814 (Sale Order 814 of 1523)
5 1/8" by 4 3/8"
Antique Imperial Russian Saint Nicholas Icon
Lot #815 (Sale Order 815 of 1523)
6" by 7".
Mexican Folk Art Building
Lot #816 (Sale Order 816 of 1523)
6 7/8" by 4 3/4" by 4".
L.A. Huffman Chief Two Moons Photogravure
Lot #817 (Sale Order 817 of 1523)
9 1/2" by 10". Cheyenne Chief Two Moons talking with George Bird Grinnell
The Forks Historic Site Canada Photo
Lot #818 (Sale Order 818 of 1523)
20 1/8" by 16"
Charles Russell
Lot #819 (Sale Order 819 of 1523)
Sophia Craze. 1989
2025 Charles C.M. Russell Museum Calendar
Lot #820 (Sale Order 820 of 1523)
9 1/8" by 12"
Hear The Hammer
Lot #821 (Sale Order 821 of 1523)
The story of Montana's Ruana Knives John Mandell, Frank Towsley, 2012
Blackfeet John L. Cutapuis Clarke Wood Sculptor
Lot #822 (Sale Order 822 of 1523)
The Silent Call of Glacier National Park. Dr. Larry Len Peterson. 2024
Richard Shorty Cycle of Life Print
Lot #823 (Sale Order 823 of 1523)
11" by 14" in matte
Steve Burnley Folk Art Critters Bricky Tastard
Lot #824 (Sale Order 824 of 1523)
Painted Tin. Title is Bricky Tastard. 19" by 9 1/2" From the Artist My name is Steve Burnley. I’ve been drawing since I was old enough to hold a pencil. I’ve always drawn creatures and such. I’m 50 years old. It’s a long story on how I got started doing these. I grew up in Thomson, Ga. Zip code 30824. I just started writing $30824 on the back one day and it stuck. My family moved to a house in Thomson in 1979. Our property touched the library property so I spent ten thousand hours looking at books. I drew creatures as soon as I could draw. The painting is kind of new to me. I’ve been painting roosters for a long time and I don’t like doing those anymore. I have zero art education other than art class in high school I’m still learning Teaching myself.
Steve Burnley Folk Art Critters Bathroom Sign
Lot #825 (Sale Order 825 of 1523)
Painted Tin. Title is Beerdy the Bathroom Sign. 23 1/2" by 9 3/4". From the Artist My name is Steve Burnley. I’ve been drawing since I was old enough to hold a pencil. I’ve always drawn creatures and such. I’m 50 years old. It’s a long story on how I got started doing these. I grew up in Thomson, Ga. Zip code 30824. I just started writing $30824 on the back one day and it stuck. My family moved to a house in Thomson in 1979. Our property touched the library property so I spent ten thousand hours looking at books. I drew creatures as soon as I could draw. The painting is kind of new to me. I’ve been painting roosters for a long time and I don’t like doing those anymore. I have zero art education other than art class in high school I’m still learning Teaching myself.
Steve Burnley Folk Art Critters Scent Chewer
Lot #826 (Sale Order 826 of 1523)
Painted Tin. Title is Scent Chewer. 22 3/8" by 9 5/8". From the Artist My name is Steve Burnley. I’ve been drawing since I was old enough to hold a pencil. I’ve always drawn creatures and such. I’m 50 years old. It’s a long story on how I got started doing these. I grew up in Thomson, Ga. Zip code 30824. I just started writing $30824 on the back one day and it stuck. My family moved to a house in Thomson in 1979. Our property touched the library property so I spent ten thousand hours looking at books. I drew creatures as soon as I could draw. The painting is kind of new to me. I’ve been painting roosters for a long time and I don’t like doing those anymore. I have zero art education other than art class in high school I’m still learning Teaching myself.
Steve Burnley Folk Art Critters 2nd
Lot #827 (Sale Order 827 of 1523)
Painted Tin. Title is 2nd. 8" by 7 3/4". From the Artist My name is Steve Burnley. I’ve been drawing since I was old enough to hold a pencil. I’ve always drawn creatures and such. I’m 50 years old. It’s a long story on how I got started doing these. I grew up in Thomson, Ga. Zip code 30824. I just started writing $30824 on the back one day and it stuck. My family moved to a house in Thomson in 1979. Our property touched the library property so I spent ten thousand hours looking at books. I drew creatures as soon as I could draw. The painting is kind of new to me. I’ve been painting roosters for a long time and I don’t like doing those anymore. I have zero art education other than art class in high school I’m still learning Teaching myself.
Steve Burnley Folk Art Critters 3rd
Lot #828 (Sale Order 828 of 1523)
Painted Tin. Title is 3rd. 6" by 8". From the Artist My name is Steve Burnley. I’ve been drawing since I was old enough to hold a pencil. I’ve always drawn creatures and such. I’m 50 years old. It’s a long story on how I got started doing these. I grew up in Thomson, Ga. Zip code 30824. I just started writing $30824 on the back one day and it stuck. My family moved to a house in Thomson in 1979. Our property touched the library property so I spent ten thousand hours looking at books. I drew creatures as soon as I could draw. The painting is kind of new to me. I’ve been painting roosters for a long time and I don’t like doing those anymore. I have zero art education other than art class in high school I’m still learning Teaching myself.
Steve Burnley Folk Art Critters Back Scratcher
Lot #829 (Sale Order 829 of 1523)
Painted Tin. Title is Double Dose Back Scratcher. 21" by 8". From the Artist My name is Steve Burnley. I’ve been drawing since I was old enough to hold a pencil. I’ve always drawn creatures and such. I’m 50 years old. It’s a long story on how I got started doing these. I grew up in Thomson, Ga. Zip code 30824. I just started writing $30824 on the back one day and it stuck. My family moved to a house in Thomson in 1979. Our property touched the library property so I spent ten thousand hours looking at books. I drew creatures as soon as I could draw. The painting is kind of new to me. I’ve been painting roosters for a long time and I don’t like doing those anymore. I have zero art education other than art class in high school I’m still learning Teaching myself.
Steve Burnley Folk Art Critters Sutter Swap
Lot #830 (Sale Order 830 of 1523)
Painted Tin. Title is Sutter Swamp Skeeter Sucker. 19 1/2" by 8 3/4". From the Artist My name is Steve Burnley. I’ve been drawing since I was old enough to hold a pencil. I’ve always drawn creatures and such. I’m 50 years old. It’s a long story on how I got started doing these. I grew up in Thomson, Ga. Zip code 30824. I just started writing $30824 on the back one day and it stuck. My family moved to a house in Thomson in 1979. Our property touched the library property so I spent ten thousand hours looking at books. I drew creatures as soon as I could draw. The painting is kind of new to me. I’ve been painting roosters for a long time and I don’t like doing those anymore. I have zero art education other than art class in high school I’m still learning Teaching myself.
Steve Burnley Folk Art Critters Hoppy Davidson
Lot #831 (Sale Order 831 of 1523)
Painted Tin. Title is Hoppy Davidson. 18 1/4" by 9 3/8". From the Artist My name is Steve Burnley. I’ve been drawing since I was old enough to hold a pencil. I’ve always drawn creatures and such. I’m 50 years old. It’s a long story on how I got started doing these. I grew up in Thomson, Ga. Zip code 30824. I just started writing $30824 on the back one day and it stuck. My family moved to a house in Thomson in 1979. Our property touched the library property so I spent ten thousand hours looking at books. I drew creatures as soon as I could draw. The painting is kind of new to me. I’ve been painting roosters for a long time and I don’t like doing those anymore. I have zero art education other than art class in high school I’m still learning Teaching myself.
Steve Burnley Folk Art Critters Peep Floyd
Lot #832 (Sale Order 832 of 1523)
Painted Tin. Title is Peep Floyd. 21 3/8" by 9 5/8". From the Artist My name is Steve Burnley. I’ve been drawing since I was old enough to hold a pencil. I’ve always drawn creatures and such. I’m 50 years old. It’s a long story on how I got started doing these. I grew up in Thomson, Ga. Zip code 30824. I just started writing $30824 on the back one day and it stuck. My family moved to a house in Thomson in 1979. Our property touched the library property so I spent ten thousand hours looking at books. I drew creatures as soon as I could draw. The painting is kind of new to me. I’ve been painting roosters for a long time and I don’t like doing those anymore. I have zero art education other than art class in high school I’m still learning Teaching myself.
Steve Burnley Folk Art Critters Snuckles
Lot #833 (Sale Order 833 of 1523)
Painted Tin. Title is Snuckles. 22" by 9 5/8". From the Artist My name is Steve Burnley. I’ve been drawing since I was old enough to hold a pencil. I’ve always drawn creatures and such. I’m 50 years old. It’s a long story on how I got started doing these. I grew up in Thomson, Ga. Zip code 30824. I just started writing $30824 on the back one day and it stuck. My family moved to a house in Thomson in 1979. Our property touched the library property so I spent ten thousand hours looking at books. I drew creatures as soon as I could draw. The painting is kind of new to me. I’ve been painting roosters for a long time and I don’t like doing those anymore. I have zero art education other than art class in high school I’m still learning Teaching myself.
Steve Burnley Folk Art Critters Coral Leg Bird
Lot #834 (Sale Order 834 of 1523)
Painted Tin. Title is Smoky Mountain Coral-Leg Bird. 29 5/8" by 9 3/8". From the Artist My name is Steve Burnley. I’ve been drawing since I was old enough to hold a pencil. I’ve always drawn creatures and such. I’m 50 years old. It’s a long story on how I got started doing these. I grew up in Thomson, Ga. Zip code 30824. I just started writing $30824 on the back one day and it stuck. My family moved to a house in Thomson in 1979. Our property touched the library property so I spent ten thousand hours looking at books. I drew creatures as soon as I could draw. The painting is kind of new to me. I’ve been painting roosters for a long time and I don’t like doing those anymore. I have zero art education other than art class in high school I’m still learning Teaching myself.
Steve Burnley Folk Art Critters Drawing
Lot #835 (Sale Order 835 of 1523)
Painted Tin. Title is Burn. 20 3/4" by 11 5/8". From the Artist My name is Steve Burnley. I’ve been drawing since I was old enough to hold a pencil. I’ve always drawn creatures and such. I’m 50 years old. It’s a long story on how I got started doing these. I grew up in Thomson, Ga. Zip code 30824. I just started writing $30824 on the back one day and it stuck. My family moved to a house in Thomson in 1979. Our property touched the library property so I spent ten thousand hours looking at books. I drew creatures as soon as I could draw. The painting is kind of new to me. I’ve been painting roosters for a long time and I don’t like doing those anymore. I have zero art education other than art class in high school I’m still learning Teaching myself.
Folk Art Dogs on the Farm Painting
Lot #836 (Sale Order 836 of 1523)
Oil on Board. Signed Beth. 5" by 7"
Folk Art Sheep at Church Painting
Lot #837 (Sale Order 837 of 1523)
Oil on board. 5" by 7". Signed Beth.
The Settlement Charles Banks Wilson Print
Lot #838 (Sale Order 838 of 1523)
20 1/2" by 28"
Ole Larsen Oil on Board Beagle Painting
Lot #839 (Sale Order 839 of 1523)
18" by 24". Oil on Board. Title is Beagle. This work was later syndicated. Ole Larsen (1898 - 1984) was active/lived in Michigan, Illinois. Ole Larsen is known for Animal painting, medical illustration. A free-lance animal artist and illustrator, Ole Larsen was born in Manistee, Michigan on January 20, 1898, the son of Frederick Carl and Augusta (Lemke) Larsen. He studied at the Chicago Academy of Fine Arts from 1916 to 1921; at the Chicago Art Institute in 1922; and in New York City at the American Academy of the Fine Arts in 1946. He married Helen Louise Rasmussen on February 27, 1943. The artist specialized in paintings of animals and animal portraiture; illustrations for judging manual farm animals pictorially; and illustrations for medical circulars and pamphlets for veterinary medicine. The artist had one-man shows in St. Louis; Pittsburgh; Chicago; Detroit; Lafayette, Indiana; Kenosha, Wisconsin; and Port Huron, Michigan. In addition to numerous private collections, the artist is in the permanent collections of the Public Library, Michigan City, Indiana; The Riveredge Foundation Calgary, Alberta, Canada, and the Saddle Horse Museum, Hall of Fame, Lexington, Kentucky. He won awards at the Kentucky State Fair, Louisville, 1938, and the Illinois State Fair, Springfield, 1955. Larsen was a member of the Society of Animal Artists; the Austin, Oak Park River Forest Art League; and the Hinsdale Community Artists. He lived for many years in La Grange and Hinsdale, Illinois but died in Grand Rapids, Michigan in 1984.
Knightia eocaena Green River Fish Fossil
Lot #840 (Sale Order 840 of 1523)
7 5/8" by 10"
Ernest Berke The Hair Ornament Pencil Study
Lot #841 (Sale Order 841 of 1523)
Title is The Hair Ornament. 16 1/2" by 19 1/4" framed. Pencil on Paper. Ernest Berke (1921 - 2010) was active/lived in Arizona. Ernest Berke is known for Western genre-Indian, sculpture. A sculptor and painter of western subjects and well known both in the Southwest and East Coast, Ernest Berke was born in Harlem, New York City in 1921 to a Romanian mother who designed clothes and a Russian father, who was a sheet metal worker. At six years of age, his father, who recognized his talent, encouraged him to pursue art. While working as an advertising illustrator for Sears & Roebuck for a number of years, Ernest became fascinated with the growing West, especially cowboys and Indians. A self-taught artist and anthropologist, Berke was a voracious reader. He met on a regular basis at a local New York City bookstore with a group who shared his interest in the West, and occasionally, Berke would also show his works there. When the New York Times reviewed his work, it was met with great interest, and he terminated his job to devote himself to his painting. His devotion to the West covers over four decades, completing more that 2500 paintings and nearly 80 sculptures, five of which are life-size. He has portrayed the North American Indian with considerable accuracy and sensitivity, having lived with the Northern Shoshone Indian tribe in Blackfoot, Idaho. He is the only Western artist to have been accepted to appear in the Kennedy Galleries in New York, and has been featured in the American Artist, Sotheby's, and Southwest Art. He has had studios in Long Island and Santa Fe, New Mexico, and has written and illustrated two books on the American frontier and on Indians, both commissioned by Doubleday. Berke spent his summers in Scottsdale, Arizona, where he erected a 12-foot by 18-foot bronze sculpture titled The Buffalo Hunt. His winters were usually spent in New York City.
Daro Flood Chief Shooting Hawk Painting
Lot #842 (Sale Order 842 of 1523)
Oil on Onyx. 5 1/8" by 7 1/4" Daro Flood (1954 - 2017) was active/lived in Arizona. Daro Flood is known for Portrait bust Indian and cowboy sculpture. Daro Flood was a jeweler who made the decision to fully dedicate himself to realist sculpture. His studio is in Arizona, and he derives his subject matter from personal experiences depicting the people and places with which he has had contact. American Indians of the western United States are a favorite subject, and he has received commissions for public art. Longtime Jackson resident Daro M. Flood died Dec. 23, 2018 at his home in Jackson. He was 63.
Antique American Folk Art Itinerant Child Painting
Lot #843 (Sale Order 843 of 1523)
32" by 37" framed. Unsigned.
Don Greytak Print Montana
Lot #844 (Sale Order 844 of 1523)
11 1/2" by 14 1/2"
Brigitte Woosley Cow Oil on Canvas Painting
Lot #845 (Sale Order 845 of 1523)
Title is Barnyard Blues. 14 1/2" by 17 1/2" framed. Oil on Canvas. Brigitte Woosley (20/21st centuries) is active/lives in Texas. Brigitte Woosley is known for Painting. After a long career as a courtroom artist, Ms. Woosley has turned her talents in the direction of the fine arts, fulfilling a lifelong ambition of being a full-time fine art painter. "I've made a commitment to paint those things I find meaningful and to share my vision of both tangible and spiritual themes. I love painting animals, the western landscape...and western people in general." Brigitte is alarmed at the rapid rate at which the landscape is being altered by development and is wanting "to capture as much of the landscape as remains undeveloped." After many years in the Dallas-Ft. Worth area Brigitte returned to the Texas Hill country where she continues to sketch the occasional trial and focus on fine art painting. She has been invited to participate in a number of prestigious Western art venues across Texas and beyond.
Brigitte Woosley Texas Steer Oil Painting
Lot #846 (Sale Order 846 of 1523)
Title is Texas Steer. Oil on Canvas. 17 1/2" by 21 1/2" framed. Brigitte Woosley (20/21st centuries) is active/lives in Texas. Brigitte Woosley is known for Painting. After a long career as a courtroom artist, Ms. Woosley has turned her talents in the direction of the fine arts, fulfilling a lifelong ambition of being a full-time fine art painter. "I've made a commitment to paint those things I find meaningful and to share my vision of both tangible and spiritual themes. I love painting animals, the western landscape...and western people in general." Brigitte is alarmed at the rapid rate at which the landscape is being altered by development and is wanting "to capture as much of the landscape as remains undeveloped." After many years in the Dallas-Ft. Worth area Brigitte returned to the Texas Hill country where she continues to sketch the occasional trial and focus on fine art painting. She has been invited to participate in a number of prestigious Western art venues across Texas and beyond.
Joe De Yong Personal Artist Travel Painting Easel
Lot #847 (Sale Order 847 of 1523)
Owned by Joe De Yong. 69" by 34" when extended. Provenance: The Dick Flood Collection. Joe (Joseph) Franklin De Yong (1894 - 1975) was active/lived in California, Montana, Missouri. Joe De Yong is known for Western painting and sculpture, illustration, etching.
Charles Schreyvogel Chief Black Horn Painting
Lot #848 (Sale Order 848 of 1523)
Title is Chief Black Horn Sioux. 8" by 11" unframed, 10 1/2" by 13 1/2" framed. Oil on Board. Charles painted less than 100 total oil's in his career, making this offering extremely rare. Chief Joseph Black Horn, a minor band chief of the Oglala Sioux, fought under Crazy Horse at the Battle of Little Big Horn at age 15. In the action against Custer’s command he captured two cavalry horses. In 1890, when he attempted to visit relative at Wounded Knee, he was fired upon by white troops and driven from friendship with whites to siding with the Ghost Dancers. He narrowly missed death at the Massacre of Wounded Knee, which he witnessed from a distant hill. Provenance: Sold in Sotheby's New York, 03/14/2001, Lot 152, Turner Branch Law Firm Estate. Charles (Carl) Schreyvogel (1861 - 1912) was active/lived in New Jersey, New York. Charles Schreyvogel is known for Indian, cowboy and military genre painting, miniatures. One of the better known painters of Western subject matter, Charles Schreyvogel was especially interested in military life in the days of the disappearing frontier. His western scenes were usually subjects with landscape as the backdrop, and his depictions of Indians were that of people with dignity and pride. "His favorite theme was warfare between intruding whites and Indians defending their ancestral homelands." (Baigell, 321) He spent most of his life as an impoverished artist and then earned what seemed like overnight fame. "When Remington died in 1909, Schreyvogel wore the mantle of premier Western artist for the brief remainder of his life." (Zellman, 557) Schreyvogel was born in New York City and grew up in a poor family of German immigrant shopkeepers on the Lower East Side and also spent much of his childhood in Hoboken, New Jersey. He found work in art-related trades including as a Meerschaum pipe carver, goldsmith, and lithographer. He taught himself to draw, but he studied with H. August Schwabe at the Newark Art League. By 1880, he was teaching drawing and painting and used the roof of his apartment in Hoboken as his studio. In 1887, with the help of several patrons, especially Dr. William Redwood Fisher, he went to Munich, Germany for three years and studied with Carl Von Marr and Frank Kirchbach. Dr. Fisher encouraged the artist to take an interest in western subject matter. Returning to the United States, he had bad health and was advised to go West to regain strength, but he didn't have the money for several years so he satisfied his aroused interest by sketching cowboys and Indians he saw in Buffalo Bill's Wild West Show. In 1893, Schreyvogel first went West, visiting Arizona and the Ute Reservation in southwest Colorado. He quickly regained his health and excelled as a horseman. He also learned sign language to communicate with the Indians to persuade them to pose for him. But the resulting paintings didn't sell in the East, so he, having married Louise Walther, earned money with portrait painting of miniatures on ivory while continuing to do western painting. In the 1890s and 1900s, he made additional trips West, including the Blackfeet Reservation in Montana. In 1901, his work, My Bunkie, won the first place honor, the Thomas B. Clarke Prize, at the National Academy of Design, and a market for his western paintings and sculpture was set. My Bunkie was a rejected painting that even his local cafe owner had refused to hang, and despairing, he had left it at the Academy. He was so sure he would get no recognition that he had not even bothered to leave his address. He worked from studios in Hoboken, New Jersey, and from a farm in West Kill, New York, and his Academy success was followed by winning a bronze medal in Paris and another at the Pan-American Exposition in Buffalo. The money he earned from this recognition allowed him to do more traveling in the West where he gathered material for his studio painting, many of them military scenes. Most of his canvases were large, but he was such a meticulous painter that he only completed about seventy-five western paintings. He also did some watercolors, and many of his paintings were reproduced during his lifetime. He died in Hoboken from blood poisoning from a chicken bone lodged in his gum. His studio and collection are on permanent display at the Cowboy Hall of Fame in Oklahoma City.
Howard Norton Cook Taos Mountains Painting
Lot #849 (Sale Order 849 of 1523)
Title is Taos Mountains. Watercolor on paper. 13" by 16" unframed, 22" by 25" framed. Provenance: Bonhams Skinner Auction 2012 Lot 432. Clare Walker Fine Art Gallery Howard Norton Cook (1901 - 1980) was active/lived in New Mexico, California. Howard Cook is known for Easel and mural painting, graphics. Considered one of America's best-known print makers including a series of woodcuts of the Grand Canyon in 1927, Howard Cook was also a painter, illustrator and lecturer who served frequently as guest professor in numerous universities and art schools. He was born in Springfield, Massachusetts and took his formal art training at the Art Students League in New York, beginning 1919 and then traveled extensively in Europe, North Africa, Turkey, the Orient, and Central America. In 1926, he took his first trip West and served as an illustrator for "Forum" magazine. He married Barbara Latham, modernist Southwest artist, and also developed a great fascination for the Santa Fe and Taos areas, where he became a resident. In 1937, he won the largest mural commission ever given to a Taos artist when the Treasury Department's Section of Painting and Sculpture chose him to paint sixteen fresco murals in the lobby of the main post office in San Antonio, Texas. His frescoes portray a history of Texas from the days of the Spanish conquest to the 1930s. In 1967 was appointed the first artist-in- residence at the Roswell Museum in Roswell, New Mexico. In the 1930s, he twice earned Guggenheim Fellowships, spending one year and a half painting in Taxco, Mexico, and also time in the Deep South where he painted and did prints of genre scenes of black people. These works are now in the Georgia Museum of Art and the J. Frank Dobie Collection at the University of Texas. During World War II, he was an artist and war correspondent in the South Pacific, and his illustrations from this time were exhibited at the War department at the National Gallery of Art in Washington D.C. and later circulated as a traveling exhibition.
David Marty Calm Evening Oil Painting
Lot #850 (Sale Order 850 of 1523)
Title is Calm Evening. Oil on Canvas. 24" by 30" unframed, 31" by 37" framed. David Marty (Born 1951) is active/lives in Washington, California. David Marty is known for Luminous mountain landscape and skyscape painting, graphic design. One of the advantages of living in the Pacific Northwest is the spectacular scenery. I am often awestruck by the beauty, complexity and diversity that surround me. I see the fingerprints of a creative God everywhere, from the last glow of golden light on Mt. Rainier to the sparkle of a meandering meadow stream. This inspires me to attempt to capture the essence of a particular setting or a moment in time, and share that with others through my paintings. I like to use the effects of early morning or late afternoon lighting to bring out the more dramatic saturated colors and transform a seemingly ordinary setting. The challenge for me is to capture the patterns and contrasts between the warm light and cool shadows. I often try to isolate and focus in on scenes that others might normally overlook and give viewers a little different perspective. As long as I can remember I have wanted to be an artist. This has encompassed several different areas design, decorating, gardening, painting. My earlier landscapes were executed in a tight, almost photo-realistic manner. The turning point began after seeing the work of the French Impressionists in Paris. I was attracted by the brighter colors, freshness and spontaneity of their paintings. In recent years I have been drawn to the Russian and Early California Impressionists. While my work is still representational, I have loosened and softened my approach. By not defining every leaf or blade of grass, viewers have more opportunity to interact and use their imagination, making them a part of the creative process. David was born in northern California. He studied at Art Center College of Design, Biola University and the Scottsdale Artist´s School. Recently he has taken workshops with the Plein-Air Painters of America and Scott Christensen. David has spent the past 24 years in the Pacific Northwest. He and his wife, Jean reside in Edmonds and have five children, including two boys from Bulgaria.
Jack Koonce Surveying the Lemhi Oil Painting
Lot #851 (Sale Order 851 of 1523)
Title is Surveying the Lemhi. Oil on Canvas. 24" by 30" unframed. 31" by 37" framed. Jack Koonce (20th century) was active/lived in Idaho. Jack Koonce is known for Wildlife in landscape painting. Jack Koonce was raised in the sagebrush hills and craggy mountain peaks of Central Idaho, where he spent a childhood rambling through the vast rugged wilderness that was his backyard. Fishing, hunting, hiking, backpacking, skiing and sketching all combined to forge a deep and elemental bond with nature, and his canvases are evidence of that profound connection. Koonce recalls of his initial trip to the high alpine backcountry: "The first time I made it to high altitude in summer,I was hooked. Stunted trees and deep, green, grass against snow-white granite. Flowers everywhere..It was a masterwork." Cold, snowy winters worked their magic too. For back in the day, when the snows fell, Idaho mountain kids took to the slopes and skied. Long winters spent in the practice of ski racing - a difficult and somewhat obscure discipline - did much to forge Koonce's character, and painting style. In his work, he clearly draws upon the fearlessness, self-reliance, perseverance and, maybe especially, sheer awe, which the mountains demand of those who travel there. They're excellent teachers. "Skiing is about the mastery of craft as a way to discover beauty… and avoid disaster. That same mastery is required to find truth in the expression of painting," says Koonce. A lifetime of exploring the natural world also taught him to trust his instincts, he says, giving him "the courage to launch myself in a direction with utter abandon. It is this confidence in the unknown that I find myself turning to, in my work, time and time again." Living today on the Eastern edge of Idaho's Smoky Mountains, Koonce still finds spiritual and artistic inspiration in his rugged backyard. "Sometimes now I see wildlife, and I'll paint them where and how they stand, but more appealing to my sensibilities is to compile, from years of observation, the scene, the gestures, the mood..bringing them together into an imaginative whole. This, I think, makes my approach different from many wildlife artists who use photographs in a more literal manner. My approach is conceptual in its construction." It's an approach to life, and now his life's work, that has left him regretless. "It offers the endless excitement of perpetual discovery." Jack Koonce studied and taught art and biology at the highschool and college level prior to embarking upon a fulltime career as an artist. He is currently a signature member of the "Society of Animal Artists", New York, the "Worlwide Nature Artists Group and the "Oil Painters of America", Chicago. He has received several awards and is currently on a national museum tour representing the Society of Animal Artists.
1939 Wizard of OZ Ray Bolger Scarecrow Straw
Lot #852 (Sale Order 852 of 1523)
Original Piece of Straw taken from the costume worn by Ray Bolger in his role as The Scarecrow in the 1939 production of The Wizard of OZ. 22" by 24". Comes with copy of letter written by Ray Bolger.
Warren Eliphalet Rollins Taos Pueblo Drawing
Lot #853 (Sale Order 853 of 1523)
Title is Taos Peublo. Mixed Media on Paper (Crayo-Tone). 10 1/2" by 15 1/2". Provenance: Private Collection Santa Fe New Mexico, John Fillmore Gallery Santa Fe New Mexico. Warren Eliphalet Rollins (1861 - 1962) was active/lived in New Mexico, California, Arizona, Nevada. Warren Rollins is known for Desert landscape and Indian portrait and genre painting. For many years Warren Eliphalet Rollins was known as the "Dean of the Santa Fe art colony." He was the first artist to have a formal exhibition there; it was held in 1906 in the old Palace of the Governors. He was a close friend of Carlos Vierra, Gerald Cassidy, Kenneth Chapman, Sheldon Parsons and most of the other famous artists who assembled in the New Mexican capital during the first half of this century. Born in Carson City, Nevada, Rollins was raised in California and attended the San Francisco School of Design where he studied under Virgil Williams. At the completion of his studies, he was awarded the Avery Gold Medal and made Assistant Director of the school. Following his marriage in 1887, he and his wife settled in San Diego, and it was during this period that Rollins became interested in the Indian as subject matter. In search of material, Rollins, his wife, and their two daughters, Ramona and Ruth, traveled through every Western state from the Mexican to the Canadian borders. While in Montana, Rollins painted a portrait of Calamity Jane. The sitting took place in a saloon, and while Rollins drew, Calamity drank, wept and poured out the story of her life to him. The portrait was lost in a fire at The Billings Club. In the early 1900s, Rollins spent a year in Arizona painting the Hopi, Navajo and Zuni Indians; these studies became very popular. His constant search for new subject matter took him to Taos, where he had a studio near his friend Irving Couse; to Chaco Canyon in northwestern New Mexico, sketching and painting its ancient ruins; and to the Grand Canyon where he had a studio near El Tovar. His dramatic Canyon painting was purchased by the Santa Fe Railroad. Rollins was the first president of the Santa Fe Art Club, and active in the Museum of New Mexico, Santa Fe, which has an extensive collection of his work, including "Grief," one of his most famous paintings. He did murals for the Museum, the post office and Harvey House in Gallup, and triptychs depicting Zuni life for Bishop's Lodge, Santa Fe. His Mayflower Series, done in Crayo-tone, a medium he developed and used almost exclusively in later years, was widely exhibited on the East Coast. Warren E. Rollins continued painting well into his nineties and died at the age of one hundred years and five months in Winslow, Arizona.
Warren Eliphalet Rollins Covered Wagon Drawing
Lot #854 (Sale Order 854 of 1523)
Title is Headed West. Mixed Media on Paper (Crayo-Tone). 12" by 12 5/8". Provenance: Private Collection Santa Fe New Mexico, John Fillmore Gallery Santa Fe New Mexico. Warren Eliphalet Rollins (1861 - 1962) was active/lived in New Mexico, California, Arizona, Nevada. Warren Rollins is known for Desert landscape and Indian portrait and genre painting. For many years Warren Eliphalet Rollins was known as the "Dean of the Santa Fe art colony." He was the first artist to have a formal exhibition there; it was held in 1906 in the old Palace of the Governors. He was a close friend of Carlos Vierra, Gerald Cassidy, Kenneth Chapman, Sheldon Parsons and most of the other famous artists who assembled in the New Mexican capital during the first half of this century. Born in Carson City, Nevada, Rollins was raised in California and attended the San Francisco School of Design where he studied under Virgil Williams. At the completion of his studies, he was awarded the Avery Gold Medal and made Assistant Director of the school. Following his marriage in 1887, he and his wife settled in San Diego, and it was during this period that Rollins became interested in the Indian as subject matter. In search of material, Rollins, his wife, and their two daughters, Ramona and Ruth, traveled through every Western state from the Mexican to the Canadian borders. While in Montana, Rollins painted a portrait of Calamity Jane. The sitting took place in a saloon, and while Rollins drew, Calamity drank, wept and poured out the story of her life to him. The portrait was lost in a fire at The Billings Club. In the early 1900s, Rollins spent a year in Arizona painting the Hopi, Navajo and Zuni Indians; these studies became very popular. His constant search for new subject matter took him to Taos, where he had a studio near his friend Irving Couse; to Chaco Canyon in northwestern New Mexico, sketching and painting its ancient ruins; and to the Grand Canyon where he had a studio near El Tovar. His dramatic Canyon painting was purchased by the Santa Fe Railroad. Rollins was the first president of the Santa Fe Art Club, and active in the Museum of New Mexico, Santa Fe, which has an extensive collection of his work, including "Grief," one of his most famous paintings. He did murals for the Museum, the post office and Harvey House in Gallup, and triptychs depicting Zuni life for Bishop's Lodge, Santa Fe. His Mayflower Series, done in Crayo-tone, a medium he developed and used almost exclusively in later years, was widely exhibited on the East Coast. Warren E. Rollins continued painting well into his nineties and died at the age of one hundred years and five months in Winslow, Arizona.
Olaf Carl Seltzer Glacier Park Montana Painting
Lot #855 (Sale Order 855 of 1523)
Title is Glacier Park Mountain Goat. Watercolor on Paper. In original frame with original backing. 8 14/2" by 12 7/8" framed. Olaf Carl Seltzer (1877 - 1957) was active/lived in Montana / Denmark. Olaf Seltzer is known for Frontier and Indian genre paitning, illustration. If there ever was an artist who inspired a fellow artist, it was Charles M. Russell who had a profound influence on Olaf Carl Seltzer (1877-1957). The cowboy artist helped bring out the best in his younger, Great Falls, Montana friend. While Russell was gregarious and enjoyed a crowd, Seltzer was quiet and somewhat withdrawn. They both saw the same truth, their love for Montana and the "West That Has Passed." Born on August 25, 1877 in Copenhagen, Denmark to German immigrant parents, Olaf was abandoned in infancy by his father. He found solace in drawing, which led to acceptance at the Tekniske Selskabe Institute, known to develop artisans. Yet the young artist dreamed of the American West of Buffalo Bill Cody. He and his mother Julie sailed to America on June 21, 1892 to join his sister Laura and her husband in Giant Springs, a short jaunt from Great Falls, Montana. His first job was a ranch hand for a local outfit, but soon he realized the wages were better working for the Great Northern Railway. In October 1893 he was employed as an apprentice machinist for the railway in Great Falls. A steady income allowed him to marry Mabel L. Cleland, and they eventually had two sons, Carl and Walter. Other jobs such as locomotive repairman found him riding trains throughout the northern Great Plains, sketching in his spare time. His big break came from Russell patron Dr. Phillip Cole who by 1925 was one of the most important collectors of Western American art in the country. Cole was born in 1883 in Illinois but raised in Montana. Cole had met Seltzer on one of his trips to Montana, and for a year starting in 1926 Seltzer moved to New York to work on art commissions for him. Many more would follow. In 1928 he purchased a home on East Central Avenue and completed for Cole a series of watercolors that would be called the "Western Characters. In 1933 Cole had yet another project for Olaf. He was to paint the history of Montana in a series of oils, measuring no greater than six inches. He and Cole worked together on the commentary for each piece. The last of the oils was delivered to Cole in the autumn of 1935. The next year Cole photocopied the miniatures and assembled them into an impressive suede-covered volume he titled Montana in Miniature. At least four copies were produced. But Cole wouldn’t enjoy his collection long. On June 29, 1941 he died of a stroke at age fifty-seven. Several years later, Oklahoma oilman Thomas Gilcrease purchased for $400,000 much of Cole’s collection that included 560 paintings, sixty-two bronzes, and historical material. Half of the paintings were executed by Seltzer. They eventually found a home in 1949 when the Thomas Gilcrease Institute of American History and Art opened in Tulsa, Oklahoma. Seltzer died in a Great Falls convalescent home on December 16, 1957. He once said, "If there is anything of lasting value in my art, it will survive. If not, it will perish. He would be happy to know that him and his art—2,500 oil and watercolor paintings—were not forgotten. In 1960 the Montana Historical Society had a major retrospective of Seltzer’s paintings. Six years later art dealer Dr. Van Kirke Nelson in Kalispell, Montana and Cato K. Butler from Helena published Montana in Miniature, after finding one of Cole’s copies by the same name. In June 1979 the Gilcrease Museum had the largest one-man exhibit of Seltzer’s to date. Many exhibitions followed, including one at the C.M. Russell Museum in 2019. Besides his art, Olaf would be proud of his grandson, Steve Seltzer, who lives in Great Falls and is a noted and prolific artist.
Franklin Watkins Nude Oil on Canvas Painting
Lot #856 (Sale Order 856 of 1523)
Title is Seated Female Nude. 16" by 19 1/2". Oil on Canvas. Provenance: Freeman's, 12/12/1999, Lot 136. Condition: Crack in paint just above the subject's foot. Franklin Chenault "Watty" Watkins (1894 - 1972) was active/lived in Pennsylvania. Franklin Watkins is known for Portrait, figure, genre and still life painting, commercial art. Born in New York City, Franklin Watkins, whose nickname was "Watty," was known for a painting style of "dramatic realism", which emerged in the mid 1920s and was "characterized by surging diagonals, expressionistic distortions and despite a brushy facture, insistent wiry outlines." (Baigell, 369) He spent his boyhood in Philadelphia and took his art training at the Pennsylvania Academy from 1913 to 1918. However, his studies were interrupted due to financial difficulties and World War I in which he enlisted in the Navy with his life-long friend, Arthur B Carles. Watkins had "service as a civilian wartime ship camouflage* artist for the U.S. Shipping Board in Philadelphia." (Behrens) He then spent five years as a commercial artist and in 1923, traveled to Europe on a Cresson Scholarship and spent time in France, Spain, and Italy. His study of the Old Masters much influenced his future career. After teaching at the Tyler School of Art at Temple University and the Philadelphia College of Art, he had a long career, from 1943 to his death in 1972, as a teacher at the Pennsylvania Academy of Art. He earned many awards including the Bronze Medal at the Paris International Exposition in 1937 and the Bronze Medal at the Musee Jeu de Paume in Paris in 1938. However, the turning point in his career was in 1931 when he won the Carnegie International* Exhibition First Award for Suicide in Costume, a dead clown with smoking pistol in hand. This work was the subject of much controversy as well as positive admiration. Watkins' painting included symbolic still life, figure and occasional portraits focused on introspection. His portrait of Mayor Clark was criticized for being too brooding. New York critics disdained Watkins after a Museum of Modern Art retrospective in 1950, so he never again showed in that city.
Fremont Ellis Taos Stream Watercolor Painting
Lot #857 (Sale Order 857 of 1523)
Title is Pojoaque Creek. Watercolor on Paper. 9" by 11" unframed, 12 1/4" by 14 1/2" framed. Provenance: From the Estate of Uvaldo and Isabel Sandoval of Taos New Mexico. Uvaldo was the sheriff of Taos Pueblo from 1952-1954. Fremont F. Ellis (1897 - 1985) was active/lived in New Mexico, California. Fremont Ellis is known for Landscape and Indian painting, graphics. Born in Virginia City, Montana, Fremont Ellis earned a reputation as a New Mexico painter of site-specific landscapes that conveyed his intense feelings for the rich coloration of the Southwest. He was much influenced by American Impressionism and was one of the few newcomer artists of Santa Fe who had been born in the West. His family had gone to Montana during the Gold Rush, and his father, trained as a dentist, went into theatrical work. As a youngster, Ellis played the drums in his father's movie theatre. The family traveled all over the county, and the future artist spent much time in the Metropolitan Museum in New York. He briefly attended the Art Students League, but decided to return West to the landscape he loved. He first went to El Paso, Texas, where he taught art and then in Santa Fe joined his friends Willard Nash, Jozef Bakos, Will Shuster, and Walter Mruk. Together they formed the Los Cinco Pintores, modernist-tending artists who had their first of several exhibitions in the Museum of Santa Fe in 1921. However, the group did not stay together very long, as stylistically they went in a variety of directions. Ellis, considered the "loner" of the group, married and spent a period of time in Espanola, about twenty-five miles north of Santa Fe. Later he settled about ten miles east of Santa Fe in a home that came to be regarded as one of the most beautiful of the haciendas in that area. From the time he was young, he had developed a great love of the Spanish people of New Mexico. His wife was a member of an old, aristocratic New Mexican family that owned in Santa Fe a large piece of property where the Hilton Inn subsequently was located. Ellis became saddened by what he regarded as the loss of the old ways--the quiet, gentle way of life.
Allen Tucker Taos New Mexico Oil Painting
Lot #858 (Sale Order 858 of 1523)
Title is Fall in Taos. 8" by 10" unframed, 10 1/2" by 12 1/2" framed. Provenance: From the Estate of Uvaldo and Isabel Sandoval of Taos New Mexico. Uvaldo was the sheriff of Taos Pueblo from 1952-1954. Allen Tucker (1866 - 1939) was active/lived in New York. Allen Tucker is known for Landscape, coastal, portrait, figure. Allen Tucker, was an architect and painter so influenced by Vincent Van Gogh that he was called "Vincent in America". (Gerdts 291) Robert Henri and Maurice Prendergast were also credited as having an influence on Tucker's brushwork and compositions, the latter decisively. However, as his painting evolved, he did not fit into any tidy slot for description and was known as an individualist not easily categorized in American art history. Tucker was born in Brooklyn in 1866 and graduated from the School of Mines of Columbia University with a degree in architecture and took a job as an architectural draftsman in the architectural firm of McIvaine and Tucker, his fathers business. During that time, he studied painting at the Art Students League with Impressionist John H. Twachtman, but it was not until around 1904, when he was 38, that Tucker became a full-time painter, leaving architecture behind. Many of his early canvases were classically Impressionistic with poplar trees resembling those of Van Gogh and haystacks and corn shocks emulating those of Claude Monet. However, he did not hold to his Impressionist style and explored other kinds of abstraction as well as architectural forms. He became, in 1911, a charter member of the Association of American Painters and Sculptors, the group that would conceive, organize, select the artists and hang the 1913 Armory Show that shocked many persons by introducing abstract art to America. Tucker helped organize the landmark Armory Show of 1913 and in 1919 was also part of the founding the Society of Independent Artists, a group that rebelled against traditionalism. In 1918, Tucker had his first large one-man show at the Whitney Studio Club (later the Whitney Museum of American Art) and became an advisor to Mrs. Juliana Force, who directed the Whitney Studio and the Whitney Studio Club. He was an Honorary Member of the Art Students' League, and taught at the League from 1921 to 1928. Tucker also wrote, "Here and There," a book of verse, 1919; "Design and Idea," 1930 and "John Henry Twachtman," 1931. His summers were spent painting in New Mexico, on the New England coast, in the Colorado and Canadian Rockies and in Europe. Allen Tucker died in New York City in 1939. His work is in the collections of the Albright-Knox Art Gallery, Buffalo, New York; Art Institute of Chicago; Brooklyn Museum; Metropolitan Museum of Art, New York City; and the Phillips Collection, Washington, D.C.
Jaune Quick-To-See Smith Mixed Media Drawing
Lot #859 (Sale Order 859 of 1523)
Title is Racism: Hands of Color. 32 1/2" by 43 1/2" framed. Mixed Media on Paper. Provenance Tootie Myhre Bigfork Montana Estate. Carol Tootie Myhre grew up in Olympia, WA where she became an excellent golfer, a sport she continued to enjoy. After graduation from Western Washington State College, she worked at the Montana School for the Deaf and Blind. Tootie and the late Eric Myhre, a Montana advertising executive, shared a passion for art and fine things. They had an extensive collection of fine art and incorporated it into their daily living between Bigfork Montana and Carefree Arizona. Jaune Quick-To-See Smith (1940 - 2025) was active/lived in New Mexico, Montana. Jaune Smith is known for Modernist Indian figure-genre painting. Jaune Quick-to-See Smith, of Salish, French-Cree and Shoshone ancestry, was born on the Flathead Indian Reservation in St. Ignatius, Montana in 1940. The daughter of an amateur painter, her pastels and paintings depict her memories of childhood landscapes, her horse, "Cheyenne," appearing in many of her works. She studied at Framingham State College, Massachusetts, earning a B.A. degree in Art Education in 1976, and the University of New Mexico, M.F.A., Art, 1980. She now lives in Corrales, New Mexico. Smith became an artist while in her 30s, and was earning a living as a painter before she completed her degree at the University of New Mexico. By the mid-1970s, Smith had also founded artists' groups, curated exhibitions, and organized grassroots protests to express her concern for the land and its people. Smith creates work that addresses the myths of her ancestors in the context of current issues facing American Indians. She works with paint, collage, and appropriated imagery, using a combination of representational and abstract images. Inspired by the formal innovations of such artists as Pablo Picasso, Paul Klee, and Robert Rauschenberg, as well as traditional American Indian art, Smith sees herself as "a harbinger, a mediator and a bridge builder. My art, my life experience, and my tribal ties are totally enmeshed. I go from one community with messages to the other, and I try to enlighten people." The artist's awards include: Purchase Award, Academy of Arts and Letters, New York City, 1987; Distinguished Service Award, Salish Kootenai College, Montana 1991; SITE Santa Fe Award, 1995; Joan Mitchell Foundation Award, 1996; Lifetime Achievement Award, Women's Caucus for the Arts, 1997; Honorary Doctorates at Minneapolis College of Art and Design 1992; Pennsylvania Academy of the Fine Arts, Philadelphia 1998; Eiteljorg Fellowship, 1999. Her one-person show, "Subversion/Affirmation: Jaune Quick-to-See Smith, A Survey," originated at the Jersey City Museum, concluding its national tour in 1998 at the Art Museum of Missoula, Montana. Other solo exhibitions include: The Neuberger Museum; Smith College; The Chrysler Museum, Lehigh University; New Mexico State University Museum. Smith's group exhibits include: The Decade Show, NY; Myth and Magic in the Americas, Museo de Arte Comtemporaneo de Monterrey, Mexico; The IV South American Biennial; Stephane Janssen Collection; Kaleidoscope Show, the National Museum of American Art, Washington, DC; World Views: Maps & Art, the Weisman Art Museum, Minneapolis; Ceremonial, the Venice Biennale; The View from Here, State Tretyakov Gallery, Moscow, Russia.Italic Smith's work is in numerous public collections, including; Museum of Mankind, Vienna, Austria; National Museum of Women in the Arts, DC; Minneapolis Institute of Arts; Smith College, Massachusetts; Walker Art Center, Minneapolis; Jersey City Museum; Chrysler Art Museum, Virginia; High Museum, Atlanta; National Museum of American Art, Washington, DC; Museum of Modern Art, and Whitney Museum of American Art, New York City. PUBLICATIONS: The Pink Glass Swan; Partial Recall and Mixed Blessings by Lucy Lippard; Art History by Marilyn Stokstad; Women Artists: Works from the National Museum of Women in the Arts by Nancy Heller; Women, Art and Society by Whitney Chadwick; Native American Identities by Scott Vickers; Mapping the Terrain: New Genre Public Art by Suzanne Lacy and Printmaking in New Mexico 1880-1990 by Clinton Adams. Smith has been featured in six PBS broadcasts, several German ZDF films and a Finnish documentary. Her work has been reviewed in Art in America, Village Voice, Art Forum, Art News, The New Art Examiner, Art Week, The New York Times and Art Papers. SELECTED PUBLIC COMMISSIONS: Commissions include the Ridgedale Library Mural, (12' X 24'), Hennepin County, MN in 1999; West Seattle AIki Beach Trail, team, memorial markers and art installations, 1996; National Museum of the American Indians, Smithsonian Institution, Washington, DC, artist on design team, 1993; Northwind Fishing Weir Story, Fish Wheel Project, collaboration with Duwamish Tribe, King County Arts Commission, Seattle, WA, 1992; Yerba Buena Park, Sculpture Garden, Moscone Center, San Francisco, CA, Cultural Museum,
1890s Zuni Indian Pueblo Olla Water Jar Pot
Lot #860 (Sale Order 860 of 1523)
Wonderful early jar with great patina and wear. Wonderful pattern with repeating birds. A few surface lines from use as expected. No repair/restoration. A very nice old honest pot. 11 1/4" diameter, 9 1/4" tall.
Fremont Ellis Yosemite National Park Painting
Lot #861 (Sale Order 861 of 1523)
Title is Bridal Veil Falls Yosemite National Park. Watercolor on paper. 6" by 8" unframed, 16 1/2" by 18 1/2" framed. Provenance: Kenneth Dean Gallery Dubuque Iowa. Fremont F. Ellis (1897 - 1985) was active/lived in New Mexico, California. Fremont Ellis is known for Landscape and Indian painting, graphics. Born in Virginia City, Montana, Fremont Ellis earned a reputation as a New Mexico painter of site-specific landscapes that conveyed his intense feelings for the rich coloration of the Southwest. He was much influenced by American Impressionism and was one of the few newcomer artists of Santa Fe who had been born in the West. His family had gone to Montana during the Gold Rush, and his father, trained as a dentist, went into theatrical work. As a youngster, Ellis played the drums in his father's movie theatre. The family traveled all over the county, and the future artist spent much time in the Metropolitan Museum in New York. He briefly attended the Art Students League, but decided to return West to the landscape he loved. He first went to El Paso, Texas, where he taught art and then in Santa Fe joined his friends Willard Nash, Jozef Bakos, Will Shuster, and Walter Mruk. Together they formed the Los Cinco Pintores, modernist-tending artists who had their first of several exhibitions in the Museum of Santa Fe in 1921. However, the group did not stay together very long, as stylistically they went in a variety of directions. Ellis, considered the "loner" of the group, married and spent a period of time in Espanola, about twenty-five miles north of Santa Fe. Later he settled about ten miles east of Santa Fe in a home that came to be regarded as one of the most beautiful of the haciendas in that area. From the time he was young, he had developed a great love of the Spanish people of New Mexico. His wife was a member of an old, aristocratic New Mexican family that owned in Santa Fe a large piece of property where the Hilton Inn subsequently was located. Ellis became saddened by what he regarded as the loss of the old ways--the quiet, gentle way of life.
Anna Althea Hills Laguna California Painting
Lot #862 (Sale Order 862 of 1523)
Title is Road to Laguna. Gouache and Watercolor on board. 6 1/2" by 9 1/2" unframed, 8" by 11 1/2" framed. Provenance: Kenneth Dean Gallery Dubuque Iowa. Anna Althea Hills (1882 - 1930) was active/lived in California, Ohio. Anna Hills is known for Landscape, marine, genre and figure painting. Born in Ravenna, Ohio, Anna Althea Hills was a prominent California landscape painter who was also remembered as a civic leader in Laguna Beach. In addition to painting in her native state, she was active in Arizona. She was raised in Olivet, Michigan, and attended Olivet College. She studied at the Art Institute of Chicago, Cooper Union in New York, and privately with Arthur Dow. After further study at the Academie Julian in Paris and traveling throughout Europe for four years, she moved to Laguna Beach in 1913 and was painting in Arizona as early as 1914. The landscape of the West inspired her to adopt a light, colorful Impressionist palette. In spite of a severe spinal injury, she took adventurous painting trips into remote mountain areas. She also supervised a Sunday School for ten years, and was a six-year president of the Laguna Beach Art Association and helped raise funds to build the existing museum. Her early works of genre and interiors were much darker than her later California landscapes and marine scenes. She combined watercolor and oil and painted in a decorative style.
Nahum Gutman Hills of Tiberias Gouache Painting
Lot #863 (Sale Order 863 of 1523)
Title is In the Hills of Tiberias. Gouache on Paper. 12" by 16" unframed, 18" by 22" framed. Provenance: Private Collection, Pennsylvania Nahum Gutman (1898 - 1980) was active/lived in Israel. Nahum Gutman is known for Modernist-leaning landscape, interior, genre. He was an Israeli painter, illustrator, sculptor and author, who became a pioneer of a style based on modern life in Israel and opposed to the old school of teaching. Nahum, or Nachum Gutman was born in Romania and emigrated to Israel with his parents in 1905. After serving in the Jewish Legion during World War I, he studied at the Herzlia Gymnasium in Tel Aviv and at Bezalel in Jerusalem (1912). In his paintings, he began portraying images of the Arab community, showing shepards and shepherdesses, farm girls washing in the orange groves etc., capturing the sensual atmosphere of the Middle East. Gutman participated in the Tower of David Exhibition in 1926, and later became a children's book author and illustrator, earning the Israeli Prize for Children's Literature in 1978. He also became known as the portrayer of life in early Tel Aviv, the story he told in many paintings and illustrations. After his death the Nachum Gutman Museum was established in Neve Tzedek, considered the first Jewish neighborhood in Tel Aviv.
G. Russell Case Fly Fishing Watercolor Painting
Lot #864 (Sale Order 864 of 1523)
Title is All Wet. Watercolor on Board. 8" by 12" unframed, 17 1/4" by 21 3/8" framed. Russell Case (Born 1966) is active/lives in Utah. Russell Case is known for Western landscape painting. Western painter G. Russell Case is inspired by nature, but he places little value on literal translations. His sweeping, idealized versions of the western landscape are compositions that combine the beauty of the natural world with the rich imagination and originality of an artist's mind. While there is an unmistakable honesty present in his painted environments -- stemming from his engagement with the land painted directly from nature -- viewers may be reminded of other great artists of the west, whose work is marked by distinctive artistic philosophies. Case's work is unfettered by philosophy and intellect, though he is surely a student of his artistic forebears. The monumental scale of Maynard Dixon, or the unfiltered color and light of Thomas Moran both find their way into his visual language. Yet Case's work is simple, pure, and fresh; his painting draws in the viewer and delivers timeless landscapes. We are immediately transported into a world created by shadow and light, of immense vistas punctuated by jagged mountains and inhabited by lonesome cowboys. Although Russell Case was undoubtedly stirred by the philosophies of the great artists and fueled by the freedom of painting from nature, this artist maintains that his most profound inspiration came from those in his own life who bolstered his career and remained faithful to his vision. Born in the small town of Brigham City, Utah, Russell Case's artistic enthusiasm was first fostered by his father, Gary Case, who was also an artist. His father encouraged Russell's artistic talents and helped him seek exposure through marketing and local galleries. For fifteen years the younger Case translated his surroundings into watercolor, creating a foundation for the liquid vibrancy found in his later oils. This transition developed during his college years, where Case studied with the intent to become a professor of art. After graduating from Utah State University in 1990 and with the support of his wife, Susanne, Case decided to dedicate himself to painting full-time. It comes as little surprise that Case's work eventually attracted the attention of collector Dr. Mike Edson and his wife Karen. Case credits Edson as being a major factor in his success due to his attentive monitoring of the young artist's progress: his vigilant observation, unwavering support, and learned guidance helped develop Case's talent and channel his artistic energy. Case has also won numerous awards including Best of Show and First Place Oil Painting, Phippen Western Art Show in Prescott, Arizona in 2001; First Place at Southwest Magazine Artist to Watch Show in Steam Boat Springs, Colorado in 2002; and Best of Show, People's Choice, and Artist's Choice, Maynard Dixon Country, Mt. Carmel Junction, Utah in 2003. Among the shows that Case has been invited to in the last few years are the Western Visions show in Jackson, WY; Coors Western Art Exhibition, Denver, CO.; and Maynard Dixon Country, Mt. Carmel. Russell Case now resides in Brigham City, Utah with his wife, Susanne and two of his children Morgan, and Cooper with the oldest Taylee away at college.
William Hawkins Arizona Oil on Board Painting
Lot #865 (Sale Order 865 of 1523)
Title is Tucson Sunset. 8" by 10" unframed, 10 3/4" by 12 3/4" framed. William Hawkins (Born 1962) is active/lives in Arizona. Wm. Hawkins is known for his colorful and stylized impressionist oil paintings. His work hangs in private, public, and corporate collections throughout the world. Clouds, trees, cows and plowed, rain-soaked fields are among his favorite subjects. His work has been featured in publications such as Art Calendar magazine and International Artist magazine and hangs in the Grand Canyon Association’s permanent collection. He has been a top auction seller on eBay and other online art sites since 2004. Several modern luminaries and political personages are among his patrons. He grew up in central Minnesota along the banks of the Mississippi river. Germaine to his development as an artist/artisan/adventurer were the tales and exploits of Teddy Roosevelt, Erik the Red (Viking), and Pecos Bill, as well as an obsession (as a youth) with wildlife art and duck calling. William lives in Tucson, Arizona with his charming wife Carmen and their four kids somewhere nearby.
William Hawkins Arizona Oil on Board Painting
Lot #866 (Sale Order 866 of 1523)
Title is Tucson Afternoon. 8" by 10" unframed, 10 3/4" by 12 3/4" framed. William Hawkins (Born 1962) is active/lives in Arizona. Wm. Hawkins is known for his colorful and stylized impressionist oil paintings. His work hangs in private, public, and corporate collections throughout the world. Clouds, trees, cows and plowed, rain-soaked fields are among his favorite subjects. His work has been featured in publications such as Art Calendar magazine and International Artist magazine and hangs in the Grand Canyon Association’s permanent collection. He has been a top auction seller on eBay and other online art sites since 2004. Several modern luminaries and political personages are among his patrons. He grew up in central Minnesota along the banks of the Mississippi river. Germaine to his development as an artist/artisan/adventurer were the tales and exploits of Teddy Roosevelt, Erik the Red (Viking), and Pecos Bill, as well as an obsession (as a youth) with wildlife art and duck calling. William lives in Tucson, Arizona with his charming wife Carmen and their four kids somewhere nearby.
Take a Kodak with You Camera Advertising Photo
Lot #867 (Sale Order 867 of 1523)
Very neat early store display sign in the form of a photo. 33 1/2" by 25 1/4".
William Hawkins Arizona Oil on Board Painting
Lot #868 (Sale Order 868 of 1523)
Title is Sonoran Sunset. 8" by 10" unframed, 10 1/2" by 12 1/2" framed. William Hawkins (Born 1962) is active/lives in Arizona. Wm. Hawkins is known for his colorful and stylized impressionist oil paintings. His work hangs in private, public, and corporate collections throughout the world. Clouds, trees, cows and plowed, rain-soaked fields are among his favorite subjects. His work has been featured in publications such as Art Calendar magazine and International Artist magazine and hangs in the Grand Canyon Association’s permanent collection. He has been a top auction seller on eBay and other online art sites since 2004. Several modern luminaries and political personages are among his patrons. He grew up in central Minnesota along the banks of the Mississippi river. Germaine to his development as an artist/artisan/adventurer were the tales and exploits of Teddy Roosevelt, Erik the Red (Viking), and Pecos Bill, as well as an obsession (as a youth) with wildlife art and duck calling. William lives in Tucson, Arizona with his charming wife Carmen and their four kids somewhere nearby.
William Hawkins Arizona Oil on Board Painting
Lot #869 (Sale Order 869 of 1523)
Title is Tucson Sunrise. 9" by 12" unframed, 12 3/4" by 15 3/4" framed. William Hawkins (Born 1962) is active/lives in Arizona. Wm. Hawkins is known for his colorful and stylized impressionist oil paintings. His work hangs in private, public, and corporate collections throughout the world. Clouds, trees, cows and plowed, rain-soaked fields are among his favorite subjects. His work has been featured in publications such as Art Calendar magazine and International Artist magazine and hangs in the Grand Canyon Association’s permanent collection. He has been a top auction seller on eBay and other online art sites since 2004. Several modern luminaries and political personages are among his patrons. He grew up in central Minnesota along the banks of the Mississippi river. Germaine to his development as an artist/artisan/adventurer were the tales and exploits of Teddy Roosevelt, Erik the Red (Viking), and Pecos Bill, as well as an obsession (as a youth) with wildlife art and duck calling. William lives in Tucson, Arizona with his charming wife Carmen and their four kids somewhere nearby.
William Hawkins Arizona Oil on Board Painting
Lot #870 (Sale Order 870 of 1523)
Title is Tucson Autumn. 5" by 7" unframed, 8 3/8" by 10 1/2" framed. William Hawkins (Born 1962) is active/lives in Arizona. Wm. Hawkins is known for his colorful and stylized impressionist oil paintings. His work hangs in private, public, and corporate collections throughout the world. Clouds, trees, cows and plowed, rain-soaked fields are among his favorite subjects. His work has been featured in publications such as Art Calendar magazine and International Artist magazine and hangs in the Grand Canyon Association’s permanent collection. He has been a top auction seller on eBay and other online art sites since 2004. Several modern luminaries and political personages are among his patrons. He grew up in central Minnesota along the banks of the Mississippi river. Germaine to his development as an artist/artisan/adventurer were the tales and exploits of Teddy Roosevelt, Erik the Red (Viking), and Pecos Bill, as well as an obsession (as a youth) with wildlife art and duck calling. William lives in Tucson, Arizona with his charming wife Carmen and their four kids somewhere nearby.
Paul Calle Walpi Pueblo Family Oil Painting
Lot #871 (Sale Order 871 of 1523)
Title is Walpi Family. Oil on Board. Painted March 1975. 37" by 47" framed. Provenance: The Artist, Husberg Fine Arts Gallery Sedona, Current owner through descent. Paul Calle (1928 - 2010) was active/lived in Connecticut, New York. Paul Calle is known for Frontier and space genre painting, commemorative stamp design. Best known for his skill with pencil in detailed drawings of western art subjects, especially mountain men during the fur trade era, Paul Calle was born in New York City. In 1947, he attended Pratt Institute at age nineteen and was much taken with the figure work of Thomas Hart Benton. He also learned woodcut techniques from Lynd Ward and the effect of sinewy lines from Ben Shahn. Ever-working in black and white until he became a painter of western subjects, he was a magazine illustrator for McCalls, The Saturday Evening Post, National Geographic and Fortune. He became official artist of the National Aeronautics and Space Administration Fine Art Program and designed the "First Man on the Moon" stamp for the United States Postal Service. He also did illustration work for the Department of the Interior, which led to many western paintings. His technique is to create a buildup of lines to create his figures, creating a soft, air-like effect. Paul Calle lives in Stamford, Connecticut, and is the author of The Pencil, recently into its sixth printing and first published in 1974.
Michael McCarthy Yosemite National Park Painting
Lot #872 (Sale Order 872 of 1523)
Title is Yosemite National Park. 18" by 24" unframed. 27" by 33" framed. Oil on Canvas. Provenance: The Artist, Husberg Fine Arts Gallery Sedona, Current owner through descent. Michael McCarthy (Born 1951) is active/lives in Arizona. Michael McCarthy is known for National park landscape painting, rock formation specialty. D. Michael McCarthy was born in Los Angeles, California in 1951. He later combined his attraction to artworks positioned in fine art museums to his love of natural outdoor settings to become a Southwestern landscape painter. McCarthy has been invited to participate in Artist in Residence programs in several national parks, twice serving as Artist in Residence at Glacier National Park. In 1998 he was named International Peace Park Artist of the Year. His work is included in the permanent collection of the National Park Service. McCarthy is routinely represented by the El Prado Gallery in Sedona, Arizona. The above biography was absorbed from their gallery website.
Jay Rummel Missoula Montana Woodblock Print
Lot #873 (Sale Order 873 of 1523)
Title is Sophisticate. 13" by 16" in matte. A Missoula artist, Rummel was known for his love of Native American and pioneer storytelling, the paintings of Charlie Russell, 1960's psychedelia, folk music and modern art. The Five Valleys Trilogy is one of his most significant works. Three panels are titled, from left to right: Road to the Buffalo, When First Unto this Country, and Lady from Missoula County. MAM's prints are from an edition of photolithographs derived from the original large-scale paintings that Rummel created between 1981-1983 with assistance from Doug Grimm. The paintings were commissioned originally for the Top Hat Bar and are on long-term loan to the University of Montana. The Road to the Buffalo is translated from the Nez Perce name for the Blackfoot River corridor, Cokahlah-ishkit. Local tribes used the foot trail to cross the Continental Divide into the Rocky Mountain Front. Lewis & Clark used the trail in 1806, followed by the Big Blackfoot Railroad, which in the early 1900s transported lumber to the Anaconda mill in Bonner. More recently, conservation efforts have helped the Road to the Buffalo recover from industrial pollution to host excellent fishing and biking trails. When First Unto this Country depicts the landscape and Native American culture that flourished for 10,000 years before Europeans arrived. Lady from Missoula County is the contemporary local art and music scene that Rummel knew well. The print features Missoula most well-known downtown watering holes, local musicians like the Snake River Outlaws, and a crew of Eddie's Club regulars -- including Rummel and Lee Nye, the bartender-photographer who so famously documented the bar's patrons.
Jay Rummel Missoula Montana Eddies Club Poster
Lot #874 (Sale Order 874 of 1523)
19 1/4" by 23 1/4" framed. Equinox Eddie's Club Reunion Carousel Lounge Bar September 23, 1979. A Missoula artist, Rummel was known for his love of Native American and pioneer storytelling, the paintings of Charlie Russell, 1960's psychedelia, folk music and modern art. The Five Valleys Trilogy is one of his most significant works. Three panels are titled, from left to right: Road to the Buffalo, When First Unto this Country, and Lady from Missoula County. MAM's prints are from an edition of photolithographs derived from the original large-scale paintings that Rummel created between 1981-1983 with assistance from Doug Grimm. The paintings were commissioned originally for the Top Hat Bar and are on long-term loan to the University of Montana. The Road to the Buffalo is translated from the Nez Perce name for the Blackfoot River corridor, Cokahlah-ishkit. Local tribes used the foot trail to cross the Continental Divide into the Rocky Mountain Front. Lewis & Clark used the trail in 1806, followed by the Big Blackfoot Railroad, which in the early 1900s transported lumber to the Anaconda mill in Bonner. More recently, conservation efforts have helped the Road to the Buffalo recover from industrial pollution to host excellent fishing and biking trails. When First Unto this Country depicts the landscape and Native American culture that flourished for 10,000 years before Europeans arrived. Lady from Missoula County is the contemporary local art and music scene that Rummel knew well. The print features Missoula most well-known downtown watering holes, local musicians like the Snake River Outlaws, and a crew of Eddie's Club regulars -- including Rummel and Lee Nye, the bartender-photographer who so famously documented the bar's patrons.
Hans Kleiber Geese Mating Time Etching
Lot #875 (Sale Order 875 of 1523)
13 3/4" by 17 5/8" framed.
Mark Maggiori Taos Pueblo Watercolor Painting
Lot #876 (Sale Order 876 of 1523)
Title is Taos Pueblo Study. Watercolor on Paper. 11 1/4" by 12 1/2" unframed, 17 1/2" by 16 1/4" framed. Mark Maggiori, b. 1977. Live in Los Angeles, California Mark Maggiori’s first views of America were framed within the front windshield of a car making its way from New York to San Francisco. That month-long trip, filled with majestic views of the national parks and timeless glimpses of the West, was made when Mark was only 15 years old and on vacation far from his home in France, but its impact would ripple throughout his life and set into motion his great fascination with the West. Years later, back in Paris, he would enroll at the famous Academie Jullian, where Western greats Ernest L. Blumenschein, Burt Geer Phillips and Joseph Henry Sharp had also studied before they helped form the Taos Society of Artists. After being formally trained in academic drawing, Mark’s life would take an important detour through music after he formed a successful band that led to many opportunities in Europe, including into other artistic disciplines such as animation, photography and film making—each one informing his artistic creativity in unique ways. After great success in the music industry, Mark was lured back to the United States thanks to his muse, creative equal and wife Petecia Lefawnhawk. They journeyed through the West and their trips immediately took him back to that original road trip two decades earlier, the trip that opened his eyes to the beauty of American West. It was then, at the age of 36, he made the decision to paint Western art. They staked temporary claims in out-of-the-way places such as Chloride and Kingman, Arizona, where the desert offered its stunning inspiration and where Mark quickly began to produce some of the most audacious Western paintings of a new generation—audacious because Mark was still brand new to the Western art world, and also because he was an outsider, a Frenchman, with a profoundly unique view of the American cowboy. In the space of just a few short years Mark rose through the ranks to become one of the premier Western artists working today. His work brought many new opportunities, including important solo and group shows, and a significant showing at the 2017Night of Artists at the Briscoe Western Art Museum, where he won the Sam Houston award. He also began to expand more artistically: he started to work more in plein air, he spent time on ranches with cowboys and on horseback to acquaint himself more with the Western way of life. He spent time in New Mexico, Arizona and Wyoming and began adding additional figures to his works and new kinds of compositions to his growing arsenal. Like Henry Farny, another Frenchman who made his way to the Southwest to paint its interesting inhabitants, Mark has carved a unique place for himself within Western art, a place where his work—part Frank Tenney Johnson, part Herbert "Buck" Dunton, with shades of Tom Ryan and Bill Owen—continues to provoke the minds of young and old Western collectors alike.
Sheryl Bodily Indian Camp Oil on Canvas Painting
Lot #877 (Sale Order 877 of 1523)
Title is Crow Camp. 11" by 14" unframed. 19" by 22" framed. Oil on Canvas. Sheryl L. Bodily (Born 1936) is active/lives in Montana, Idaho. Sheryl Bodily is known for Western frontier scene painting, wildlife, horses. A western wildlife and landscape artist, Sheryl Bodily is a resident of Montana. He was the winner of the 1986 Ellensburg Washington Rodeo Association Poster Award, and recently received Best of Show/Flatwork at the Florence Festival Art Auction in Florence, Montana. Favorite subjects rendered in oil and pencil include Indian scenes with children, old cabins, wagon trains and wildlife. He is widely exhibited in Santa Fe and Taos, New Mexico, Sedona, Arizona and Idaho. In the fall of 1970, an art auction was held through the Pacific Northwest Indian Center in Spokane, Washington. To that auction a young man named Sheryl Bodily, from Columbia Falls, Montana, brought a few of his oil paintings. A good deal of excitement was caused by the fact that Mr. Bodily's paintings were sold at auction for twice their listed value. A few months later the performance was repeated at another art auction in Great Falls, Montana, and suddenly an artist who had been painting professionally for 12 years, two of them full time, was discovered. Suddenly a man who had had to work hard to sell his work, found himself with more advance commissions than he could readily complete. Western artist Sheryl Bodily was born in Boise, Idaho, on April 20, 1936, the second oldest in a family with one brother and four sisters. Mr. Bodily's father was a farmer in the Boise Valley, and he remembers six moves to different farms in that region. He described his father as the breadwinner and his mother as the counselor and teacher in his early years. "I remember milking eight to fifteen cows which was always my chore at home, but my real interest at that time was the hobby of collecting arrowheads and other artifacts in Rocky Canyon with my younger brother near Meridian, Idaho." His enthusiastic interest in Indian people and their contemporary culture has continued to grow over the years and has had a tremendous influence on his art. Mr. Bodily first remembers drawing in the first grade of the Meridian Idaho Grade School, and being told at that time by his teacher that someday he would become an artist. The artist laughingly suggested that, "it took nearly thirty years to prove her right." Mr. Bodily began oil painting at 14, and oil has been his primary medium since that time. He has also completed a number of works in pen and ink, but at present works almost entirely in oils. "I would like to do more pen and inks, but I´m so busy now with oils that I really can't find the time." After completing high school, Mr. Bodily studied commercial art for two years at Brigham Young University in Utah. He found during those two years that commercial art held little interest for him as a lifetime pursuit and at the end of two years he accepted a call to serve a two and one half year mission for his church to the Spanish speaking peoples of Texas and New Mexico. During this period, and shortly afterward, he traveled extensively in the southwest and expanded his interest in contemporary and historical Indian culture to include those of the southwest. Those ye
Julian Taylor Oil on Canvas Painting
Lot #878 (Sale Order 878 of 1523)
Title is Cartaret. 32" by 46" unframed. 39" by 53" framed. This painting is extremely large and will be expensive to ship. Julian Taylor (Born 1954) is active/lives in France. Julian Taylor is known for Painting. Julian Taylor was born in Paris in 1954, the son of the English painter, James Taylor. Julian studied in an art school for 2 years in Britian and was self-taught thereafter. The artist moved to France in 1975 where he currently resides. His work was represented by Wally Findlay Galleries, Inc. in the U.S., as well as other European galleries.
George Dabich Sunlight Basin Wyoming Oil Painting
Lot #879 (Sale Order 879 of 1523)
Title is Sunlight Basin Wyoming. 27 1/2" by 33 1/2" framed. Condition Report: Unrestored, small quarter size area of paint loss in sky, some paint crackle as shown. Would benefit from a cleaning. George Dabich (1922 - 2013) was active/lived in Wyoming, California. George Dabich is known for West-historical genre, sculptor. George Dabich was born in 1922 in East Los Angeles, CA. Shortly he moved to be with his father in Alberhill, CA where he grew up. George was discharged from the Navy in 1945 after having two ships blown out from under him and returned to Alberhill. Jobs were scarce in those parts in 1946, so Dabich joined a friend heading off to Wyoming. Being that his friend was a gambler, they ended up in Cook City, Montana, which was a wide-open town then, where George took a job as a wrangler. After the wrangling job fell through, Dabich headed over to Cody, Wyoming where he took a job as a guide for an outfitting company. It was Dabich's guiding career that ultimately shaped his life as an artist and family man. On a hunt one morning in 1958, he went out to retrieve a couple of picketed horses. Not wanting to walk the horses back the half mile to camp he swung up on one of the horses bareback not knowing he was a bucker. Shortly Dabich flew over the horse's head landing on the ground in front of him. As the horse continued to buck, it lost it's balance and fell on him breaking Dabich's leg. Having no place to recover he was taken in by his girlfriend whom he soon married. To combat the boredom of recovery he took up sketching and painting. "Breaking that leg was the best thing that ever happened to me," Dabich said. A local restaurateur, Junior Kousolos, discovered some of Dabich's work in the trash and sold them to Senator Alan Simpson's farther, Milward, then Wyoming's governor, for $60.00 giving the cash to Dabich. Dabich had his first sale, and the artwork remains in the Simpson family cabin 'till this day. Kousolos soon opened an art gallery next door to his restaurant representing the artwork of Dabich, Bob Meyers and a resent arrival in Cody, Nick Eggenhofer. Dabich and Eggenhofer soon became fast friends and fishing buddies - although Dabich never had formal art lessons he learned immeasurably by watching Eggenhofer work. At the time of this writing Dabich is 87 years old, still painting, sometimes sculpting and doing some of his best work. He paints what he knows and his art is wonderfully detailed and accurate - a product of his intimacy with the wilderness and ranching gained through his many years of guiding and wrangling. Dabich's animals, besides being accurately illustrated, exhibit the critter's personality and reaction to specific situations. This ability is only achieved through real life experience.
Scott McDaniel Alaska Oil on Board Painting
Lot #880 (Sale Order 880 of 1523)
Title is Little Village. Oil on Board. Painting is 12 1/8" by 9" unframed, 18 1/8" by 15 1/8" framed. Scott McDaniel (1926 - 2012) was active/lived in Alaska, California. Scott McDaniel is known for Impressionist landscape painting. Alaskan Artist Scott McDaniel has been painting the varied moods and scenes of the far north for more than five decades. His impressionist style brings to life this beautiful, mysterious land. He has won numerous awards for his work, including three-time winner of the National Veterans Creative Arts competition. Scott McDaniel, moved to Alaska in 1948. He and his wife, Maxine, planned to spend a year before going on to college. Both fell in love with Alaska and have been here ever since. In 1949 they homesteaded at Kenny Lake. He has exhibited in Hawaii, California, and Washington as well as throughout the State of Alaska. Scott studied at Vallejo Jr. College and with private teachers. He has taught Art in California, Washington, Hawaii and Alaska.
Navajo Indian Klagetoh Blanket Rug
Lot #881 (Sale Order 881 of 1523)
36" by 68". Ex Mark Sublette gallery.
Montana Taxidermy Black Bear Rug
Lot #882 (Sale Order 882 of 1523)
66" by 68". Only for sale where legal. No International Sales. Know your own laws. No sales to Alabama, California, Florida, Georgia, Mississippi, Kentucky, Massachusetts, Nebraska, North Dakota, Oklahoma, Oregon, Virginia, Washington, West Virginia. Wisconsin.
Carved Napkin Rings Montana Residents Only
Lot #883 (Sale Order 883 of 1523)
1 3/4" by 1 3/4" by 5/8". Montana Residents Only. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Carved Cigarette Stems Montana Residents Only
Lot #884 (Sale Order 884 of 1523)
Montana Residents Only. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Carved Chopsticks Montana Residents Only
Lot #885 (Sale Order 885 of 1523)
Largest is 9 3/4" long. Montana Residents Only. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Japanese Farmer and Son Montana Residents Only
Lot #886 (Sale Order 886 of 1523)
8 3/4" by 2 5/8" by 2 3/8". No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Kali Hindu Goddess Montana Residents Only
Lot #887 (Sale Order 887 of 1523)
5 1/4" by 2 5/8" by 1 1/2". No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Antique Chinese Carved Wood Plummet
Lot #888 (Sale Order 888 of 1523)
4 1/2" long.
Chinese Emperor Empress Montana Residents Only
Lot #889 (Sale Order 889 of 1523)
8 3/4" by 5" by 4 3/4" on stands. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Model of Junk Boat Montana Residents Only
Lot #890 (Sale Order 890 of 1523)
14" by 5 3/8" by 2 5/8". One flag is broken as shown. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Chinese Emperor Empress Montana Residents Only
Lot #891 (Sale Order 891 of 1523)
10 1/2" by 3 1/4" by 2 1/4" on stand. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Chinese Emperor Empress Montana Residents Only
Lot #892 (Sale Order 892 of 1523)
Largest is 9 1/2" by 5 1/4" by 4 5/8" on stand. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Chinse Geisha Girls Montana Residents Only
Lot #893 (Sale Order 893 of 1523)
8 3/8" by 4" by 2" on stand. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Chinese Fisherman Montana Residents Only
Lot #894 (Sale Order 894 of 1523)
9" by 2 1/2" by 2 3/8". No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Chinse Guanyin Montana Residents Only
Lot #895 (Sale Order 895 of 1523)
7 1/8" by 4 3/4" by 4" on stand. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Geisha Girl Breastfeeding Montana Residents Only
Lot #896 (Sale Order 896 of 1523)
7 3/4" by 3 3/4" by 3 1/2" on stand. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Amitbha Buddha Montana Residents Only
Lot #897 (Sale Order 897 of 1523)
11 1/2" by 3" by 2 7/8" on stand. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Chinese Shouxing Wise Man Montana Residents Only
Lot #898 (Sale Order 898 of 1523)
13 1/2" by 4" by 3 1/4" on stand. Legs of stand in need of repair. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Chinese Emperor Empress Montana Residents Only
Lot #899 (Sale Order 899 of 1523)
Largest is 10" by 2 3/4" by 2 5/8" on stand. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Krishna Montana Residents Only
Lot #900 (Sale Order 900 of 1523)
11 1/2" by 3" by 2 1/4" on stand. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Chinese Animal Riders Montana Residents Only
Lot #901 (Sale Order 901 of 1523)
Largest is 7 1/4" by 5" by 2 3/4" on stand. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Harem of Geisha Girls Montana Residents Only
Lot #902 (Sale Order 902 of 1523)
Largest is 10 7/8" by 3 1/4" by 3 1/8" on stand. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Chinese Emperor Empress Montana Residents Only
Lot #903 (Sale Order 903 of 1523)
Largest is 9 1/2" by 4 3/4" by 4" on stand. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Buddha Montana Residents Only
Lot #904 (Sale Order 904 of 1523)
6 3/4" by 3 3/4" by 2 7/8" on stand. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Father and Child with Frog Montana Residents Only
Lot #905 (Sale Order 905 of 1523)
4 3/4" by 2" by 2" on stand. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Weituo Skanda Warrior Montana Residents Only
Lot #906 (Sale Order 906 of 1523)
12 3/8" by 3 5/8" by 3" on stand. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Japanese Saginoike Heikuro Montana Residents Only
Lot #907 (Sale Order 907 of 1523)
9" by 4" by 2 3/8" on stand. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Geisha Girl with Flowers Montana Residents Only
Lot #908 (Sale Order 908 of 1523)
10 1/4" by 3 1/2" by 2 7/8" on stand. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Geisha Girl with Flute Montana Residents Only
Lot #909 (Sale Order 909 of 1523)
12 5/8" by 4 5/8" by 3 7/8" on stand. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Chinese Emperor Empress Montana Residents Only
Lot #910 (Sale Order 910 of 1523)
9 1/2" by 5 1/4" by 4 1/2" on stand. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Geisha Girl Maidens Montana Residents Only
Lot #911 (Sale Order 911 of 1523)
Largest is 6 7/8" by 3 3/4" by 2 1/8" on stand. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Chinese Emperor Empress Montana Residents Only
Lot #912 (Sale Order 912 of 1523)
14 3/8" by 10 1/2" by 6 3/4" on stand. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Carved Village Scene Montana Residents Only
Lot #913 (Sale Order 913 of 1523)
10" long on stand. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Chinese Emperor Empress Montana Residents Only
Lot #914 (Sale Order 914 of 1523)
8" by 4 3/4" by 4 1/2" on stand. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Chinese Emperor Empress Montana Residents Only
Lot #915 (Sale Order 915 of 1523)
12" by 3 5/8" by 2 7/8" on stand. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Chinese Emperor Empress Montana Residents Only
Lot #916 (Sale Order 916 of 1523)
12 1/2" by 3 1/4" by 3" on stand. No shipping outside of the state of Montana. Only for sale to Montana Residents. Anyone else bidding, who does not reside in the state will have their bidding privilege's revoked immediately.
Navajo Turquoise Sterling Silver Ring
Lot #917 (Sale Order 917 of 1523)
Size 7
Jade & Topaz Sterling Silver Ring
Lot #918 (Sale Order 918 of 1523)
Size 5 1/4
Marcasite & Carnelian Sterling Silver Ring
Lot #919 (Sale Order 919 of 1523)
Size 6
Starborn Sterling Silver Larimar Ring
Lot #920 (Sale Order 920 of 1523)
Size 5 3/4
Channel Cut Garnet Sterling Silver Ring
Lot #921 (Sale Order 921 of 1523)
Size 5 3/4
Sterling Silver Smoky Quartz Ring
Lot #922 (Sale Order 922 of 1523)
Size 5
Sterling Silver Turquoise Ring
Lot #923 (Sale Order 923 of 1523)
Size 5 1/2
Sterling Silver Charm Bracelet
Lot #924 (Sale Order 924 of 1523)
7 1/2" long. 23.78 grams.
Sterling Silver Rough Tanzanite Bracelet
Lot #925 (Sale Order 925 of 1523)
8 1/4" long. 26.28 grams.
Sterling Silver Larimar Bracelet
Lot #926 (Sale Order 926 of 1523)
8 3/4" long. 33.3 grams.
Victorian Red Paste Rhinestone Bracelet
Lot #927 (Sale Order 927 of 1523)
7" long.
Antique Chinese Sterling Silver Hinged Bracelet
Lot #928 (Sale Order 928 of 1523)
2 3/4" diameter when closed. 44.7 grams.
Sterling Silver Bangle Bracelet
Lot #929 (Sale Order 929 of 1523)
2 1/2" diameter. 9.19 grams.
Sterling Silver Rough Tanzanite Earrings
Lot #930 (Sale Order 930 of 1523)
1 1/4" long.
Sterling Silver Larimar Earrings
Lot #931 (Sale Order 931 of 1523)
1 1/4" long.
Sterling Silver Nephrite Jade Ball Earrings
Lot #932 (Sale Order 932 of 1523)
1 1/2" long.
Sterling Silver Purple Lace Agate Earrings
Lot #933 (Sale Order 933 of 1523)
1 1/8" long.
Gold Nuggets in Gold Filled Necklace Pendant
Lot #934 (Sale Order 934 of 1523)
Nuggets with pendant weigh 1 gram. Pendant is 1" long including bail.
Ancient Faience Pottery Egyptian Scarab Pendant
Lot #935 (Sale Order 935 of 1523)
Pendant is hallmarked. 18.7 grams. 1 7/8" long.
Early Computing Engineer Microchip Lapel Pin
Lot #936 (Sale Order 936 of 1523)
Very neat early piece of computing history. 3/4" by 3/4".
Sterling Silver Montana Agate Ring Pendant Set
Lot #937 (Sale Order 937 of 1523)
Pendant is 1 1/2" long. Ring size 9 1/2
Sterling Silver Earrings
Lot #938 (Sale Order 938 of 1523)
7/8" diameter.
Early Computer Engineer Texas Instruments Tie Bar
Lot #939 (Sale Order 939 of 1523)
1 5/8" long.
Woodworking Engineer Tie Bar Clips
Lot #940 (Sale Order 940 of 1523)
Nice grouping. One is a miniature slide rule.
Collection of Sterling Silver Jewelry Some Navajo
Lot #941 (Sale Order 941 of 1523)
81.7 grams.
Art Deco Blown Glass Flapper Necklace
Lot #942 (Sale Order 942 of 1523)
7 1/2" long.
Antique Angelskin Coral Bead Necklace
Lot #943 (Sale Order 943 of 1523)
11 1/8" long.
Art Deco Delphite Glass Graduated Flapper Necklace
Lot #944 (Sale Order 944 of 1523)
8 7/8" long.
Art Deco Blown Glass Flapper Necklace
Lot #945 (Sale Order 945 of 1523)
11" long.
Art Deco Blown Glass Flapper Necklace
Lot #946 (Sale Order 946 of 1523)
10" long.
Art Deco Faceted Glass Flapper Necklace
Lot #947 (Sale Order 947 of 1523)
8" long
Art Deco Blown Glass Flapper Necklace
Lot #948 (Sale Order 948 of 1523)
8 7/8" long.
Art Deco Blown Glass Flapper Necklace
Lot #949 (Sale Order 949 of 1523)
7 5/8" long.
Art Deco Blown Glass Flapper Necklace
Lot #950 (Sale Order 950 of 1523)
6 3/4" long.
Art Deco Blown Glass Flapper Necklace
Lot #951 (Sale Order 951 of 1523)
Made by Krementz. Also includes single earring. 7 1/4" long.
Art Deco Blown Glass Flapper Necklace
Lot #952 (Sale Order 952 of 1523)
7 5/8" long.
Art Deco Graduated Orange Glass Flapper Necklace
Lot #953 (Sale Order 953 of 1523)
9 3/4" long.
Art Deco Faceted Pink Aurora Glass Necklace
Lot #954 (Sale Order 954 of 1523)
7 1/4" long.
Art Deco Faceted Red Glass Flapper Necklace
Lot #955 (Sale Order 955 of 1523)
8" long.
Art Deco Blown Glass Flapper Necklace
Lot #956 (Sale Order 956 of 1523)
8" long.
Art Deco Graduated Green Glass Flapper Necklace
Lot #957 (Sale Order 957 of 1523)
7 3/4" long.
Victorian Amethyst Glass Mourning Collar Choker
Lot #958 (Sale Order 958 of 1523)
6 1/8" long.
Art Deco Blue Crackle Glass Flapper Necklace
Lot #959 (Sale Order 959 of 1523)
6 5/8" long.
Art Deco Blown Glass Flapper Necklace
Lot #960 (Sale Order 960 of 1523)
7 1/2" long.
Art Deco Pink Blown Glass Flapper Necklace
Lot #961 (Sale Order 961 of 1523)
28 5/8" long.
Antique Angelskin Coral Bead Necklace
Lot #962 (Sale Order 962 of 1523)
8 1/2" long.
Art Deco Green Blown Glass Flapper Necklace
Lot #963 (Sale Order 963 of 1523)
19 3/4" long closed.
Navajo Bench Bead Necklace
Lot #964 (Sale Order 964 of 1523)
9 1/2" long closed. Nickel silver beads.
Art Deco Blown Glass Flapper Necklace
Lot #965 (Sale Order 965 of 1523)
7 3/8" long closed.
Art Deco Glass Bead Mourning Necklace
Lot #966 (Sale Order 966 of 1523)
8" long closed.
Art Deco Blown Glass Flapper Necklace
Lot #967 (Sale Order 967 of 1523)
10 3/8" long closed.
Double Strand Baroque Pearl Necklace
Lot #968 (Sale Order 968 of 1523)
9 3/8" long closed.
Art Deco Red Swirl Blown Glass Flapper Necklace
Lot #969 (Sale Order 969 of 1523)
8 7/8" long closed.
Shark Vertebrae Necklace
Lot #970 (Sale Order 970 of 1523)
14 1/4" long .
Art Deco Blown Glass Flapper Necklace
Lot #971 (Sale Order 971 of 1523)
12 1/2" long closed. One bead is cracked.
Coin Silver Filigree Butterfly Brooch
Lot #972 (Sale Order 972 of 1523)
2" by 1 1/2".
Sterling Silver Enamel Harvard University Seal Pin
Lot #973 (Sale Order 973 of 1523)
3/4" in diameter.
Sterling Silver Guilloche Enamel Owl Brooch Pin
Lot #974 (Sale Order 974 of 1523)
1" by 1"
Navajo Sterling Silver Turquoise Bar Pin Brooch
Lot #975 (Sale Order 975 of 1523)
2" by 3/8"
Carved Mother Of Pearl Flower Brooch
Lot #976 (Sale Order 976 of 1523)
1 3/4" by 1 1/8".
Starborn Sterling Silver Larimar Necklace Pendant
Lot #977 (Sale Order 977 of 1523)
1 1/2" by 3/4"
Carved Bone Necklace
Lot #978 (Sale Order 978 of 1523)
14 1/4" long closed.
Sigi Pineda Taxco Sterling Silver Choker Necklace
Lot #979 (Sale Order 979 of 1523)
Outside diameter is 5 3/8". 97.65 grams.
Sigi Pineda Taxco Sterling Silver Choker Necklace
Lot #980 (Sale Order 980 of 1523)
Outside dimensions are 7 3/8" by 4 3/4". 88.46 grams
Graduated Malachite Bead Necklaces
Lot #981 (Sale Order 981 of 1523)
Three strands total. Longest measures 10" closed.
Lowell Draper Navajo Sterling Turquoise Necklace
Lot #982 (Sale Order 982 of 1523)
8 1/8" long closed. 15.75 grams.
Sterling Silver Snowflake Necklace
Lot #983 (Sale Order 983 of 1523)
9 5/8" long closed.
Sterling Silver Buffalo Bill Museum Necklace
Lot #984 (Sale Order 984 of 1523)
9 1/8" long closed.
Red Carved Jasper Bead Necklace
Lot #985 (Sale Order 985 of 1523)
13 1/8" long closed.
Sterling Silver Cross Pendant Necklace
Lot #986 (Sale Order 986 of 1523)
9 3/4" long closed.
Navajo Sterling Silver Turquoise Ring
Lot #987 (Sale Order 987 of 1523)
Size 5 1/2
Art Deco Orange Blown Glass Flapper Necklace
Lot #988 (Sale Order 988 of 1523)
18" long
Blue & Clear Glass Flapper Bead Necklace
Lot #989 (Sale Order 989 of 1523)
25" long closed. Requires repair
Art Deco Green Blown Glass Flapper Necklace
Lot #990 (Sale Order 990 of 1523)
9" long closed.
Art Deco Blown Glass Flapper Necklace
Lot #991 (Sale Order 991 of 1523)
10 1/8" long closed.
Art Deco Blown Glass Flapper Necklace
Lot #992 (Sale Order 992 of 1523)
14 1/2" long
Art Deco Venetian Blown Glass Flapper Necklace
Lot #993 (Sale Order 993 of 1523)
17 1/8" long closed.
Art Deco Red Blown Glass Flapper Necklace
Lot #994 (Sale Order 994 of 1523)
15" long closed.
Art Deco Green Blown Glass Flapper Necklace
Lot #995 (Sale Order 995 of 1523)
26 3/4" long.
Art Deco Blown Glass Flapper Necklace
Lot #996 (Sale Order 996 of 1523)
9 1/4" long closed.
Art Deco Blown Glass Flapper Necklace
Lot #997 (Sale Order 997 of 1523)
20 1/2" long.
Art Deco Blown Glass Flapper Necklace
Lot #998 (Sale Order 998 of 1523)
8 3/8" long closed.
Art Deco Frosted Blown Glass Flapper Necklace
Lot #999 (Sale Order 999 of 1523)
26 1/2" long closed.
Shark Vertebrae Necklace
Lot #1000 (Sale Order 1000 of 1523)
14 1/8" long.
Pueblo Indian Mother Of Pearl Shell Necklace
Lot #1001 (Sale Order 1001 of 1523)
12" long closed.
Art Deco Blown Glass Flapper Necklace
Lot #1002 (Sale Order 1002 of 1523)
27 1/2" long.
Art Deco Blown Glass Flapper Necklace
Lot #1003 (Sale Order 1003 of 1523)
15 5/8" long.
Native American Indian Trade Beads
Lot #1004 (Sale Order 1004 of 1523)
17 1/4" long.
Navajo Nickel Silver Horse Brooch
Lot #1005 (Sale Order 1005 of 1523)
3 1/2" long.
1969 Minnesota High School Football Booster Pin
Lot #1006 (Sale Order 1006 of 1523)
2 3/4" long
US Collar Insignia & Dollar Bill Ribbon
Lot #1007 (Sale Order 1007 of 1523)
2 5/8" long.
Beau Sterling Silver Mouse Brooch Pin
Lot #1008 (Sale Order 1008 of 1523)
1 1/2" long
Alaskan Inuit Eskimo Nuguruk Scrimshaw Brooch
Lot #1009 (Sale Order 1009 of 1523)
Walrus material. Native made prior to 1972. 2 1/4" long.
1939 Martin Senour Paints Pinback Button
Lot #1010 (Sale Order 1010 of 1523)
1" in diameter
1960 Homecoming Booster Pin
Lot #1011 (Sale Order 1011 of 1523)
2 3/4" long.
Mid Century Teak Danish Viking Brooch
Lot #1012 (Sale Order 1012 of 1523)
1 3/4" long.
Bell Trading Post Sterling Turquoise Bracelet
Lot #1013 (Sale Order 1013 of 1523)
Outside diameter is 2 1/4". 12.9 grams. Band is broken on one side as shown.
Solid Copper Chain Cuban Link Bracelet
Lot #1014 (Sale Order 1014 of 1523)
3 3/4" long.
Native American Indian Trade Bead Bracelet
Lot #1015 (Sale Order 1015 of 1523)
Outside diameter is 2 5/8".
Navajo Sterling Silver Turquoise Watch Band Tips
Lot #1016 (Sale Order 1016 of 1523)
Band with tips is 5 1/4" long.
170 Carats of Jewelry Grade Turquoise Rough
Lot #1017 (Sale Order 1017 of 1523)
33.9 grams or 170 carats. 2 1/2" long.
Great Falls Montana Charles CM Russell Lapel Pins
Lot #1018 (Sale Order 1018 of 1523)
Two total. 1" by 1".
Vintage Western Buttons and Pins
Lot #1019 (Sale Order 1019 of 1523)
Nice grouping. National Cowboy Hall of Fame, Glenbow Salutes the Stampede, Heinz Pickles, Buffalo Skull, Museum of the Rockies and more.
Southwestern Style Dangle Earrings
Lot #1020 (Sale Order 1020 of 1523)
3 1/2" long
Native American Indian Banded Agate Trade Beads
Lot #1021 (Sale Order 1021 of 1523)
12 3/4" by 1 7/8 wide.
White Glass Native American Indian Trade Beads
Lot #1022 (Sale Order 1022 of 1523)
21" overall length.
Graduated Malachite Bead Necklace
Lot #1023 (Sale Order 1023 of 1523)
10" overall length.
Northwest Coast Indian Boma Resin Napkin Ring
Lot #1024 (Sale Order 1024 of 1523)
2 1/4" round.
Antique Pocket Compass Made in Bavaria
Lot #1025 (Sale Order 1025 of 1523)
1 1/2" round.
Antique Nautical Compass
Lot #1026 (Sale Order 1026 of 1523)
2 5/8" diameter. Would have sat in a wood box.
Antique Brass Pocket Compass
Lot #1027 (Sale Order 1027 of 1523)
1 3/4" round.
Semi Precious Stone Necklace
Lot #1028 (Sale Order 1028 of 1523)
12 3/4" long.
Rhinestone Costume Jewelry Necklace
Lot #1029 (Sale Order 1029 of 1523)
7 1/2" long.
Parker 61 Fountain Pen
Lot #1030 (Sale Order 1030 of 1523)
Nice classic pen.
Costume Jewelry Rhinestone Necklace
Lot #1031 (Sale Order 1031 of 1523)
10 1/8" long.
Art Deco Cut Glass Bead Necklace
Lot #1032 (Sale Order 1032 of 1523)
Two necklaces, 7 1/8" long and 9 1/2" long.
Grouping of African Plains Animal Necklaces
Lot #1033 (Sale Order 1033 of 1523)
Each 7'' long.
Art Deco Amber Cut Glass Necklace
Lot #1034 (Sale Order 1034 of 1523)
10" long.
Sterling Silver Herringbone Necklace
Lot #1035 (Sale Order 1035 of 1523)
9" long.
Spoon Bib Necklace
Lot #1036 (Sale Order 1036 of 1523)
10 1/4" long.
Old Pawn Navajo Squash Blossom Necklace
Lot #1037 (Sale Order 1037 of 1523)
9 3/4" long, 25.89 grams. Tufa sandcast Naja with White Opal drops.
Lonnie Lovness Necklace
Lot #1038 (Sale Order 1038 of 1523)
9" long
Navajo Sterling Turquoise Liquid Silver Necklace
Lot #1039 (Sale Order 1039 of 1523)
5 3/4" long.
African Red Beaded Necklace
Lot #1040 (Sale Order 1040 of 1523)
11" long.
Mother of Pearl Claw Graduated Heishi Necklace
Lot #1041 (Sale Order 1041 of 1523)
10 1/2" long.
Native American Indian Bone Hairpipe Necklace
Lot #1042 (Sale Order 1042 of 1523)
26 5/8" long. Sea shell drops.
Navajo Liquid Sterling Silver Fetish Necklace
Lot #1043 (Sale Order 1043 of 1523)
7" long.
Art Deco Cut Glass Bead Necklaces
Lot #1044 (Sale Order 1044 of 1523)
Lot of two, 6" in length.
Art Deco Cut Glass Bead Necklace
Lot #1045 (Sale Order 1045 of 1523)
14K gold filled clasp, 8 3/8" long.
Native American Indian Beaded Choker Necklaces
Lot #1046 (Sale Order 1046 of 1523)
Red choker is 11" long, yellow is 8".
Art Deco Green Glass Necklace
Lot #1047 (Sale Order 1047 of 1523)
8 1/2" long
Plains Native American Indian Brass Bead Necklace
Lot #1048 (Sale Order 1048 of 1523)
36 3/4" overall length.
Marion Godart Bakelite Celestial Necklace
Lot #1049 (Sale Order 1049 of 1523)
10 7/8" long. One link is broken
Blue Sponge Coral Heishi Necklace
Lot #1050 (Sale Order 1050 of 1523)
7" long.
Caravelle Bulova Ladies Watch Pendant Necklace
Lot #1051 (Sale Order 1051 of 1523)
Not working. 13 7/8" long.
Group of 10K Gold Filled Watches
Lot #1052 (Sale Order 1052 of 1523)
Cortebert watch is not working. The other watch is functioning.
Dee Berkeley Sterling Silver Bracelet
Lot #1053 (Sale Order 1053 of 1523)
7 1/2" long open.
Milor Sterling Silver Riccio Bracelet
Lot #1054 (Sale Order 1054 of 1523)
8 3/8" long. 32.67 grams.
2.16ct TW of Cut Montana Yogo Sapphire
Lot #1055 (Sale Order 1055 of 1523)
20 total stones. Various Sizes. Ready to be set into Fine Jewelry.
Natty Creations Brooch
Lot #1056 (Sale Order 1056 of 1523)
3 1/4" long.
Opal Lapel Pin
Lot #1057 (Sale Order 1057 of 1523)
2 3/4" long
Brotherhood Of Railroad Trainmen Pin
Lot #1058 (Sale Order 1058 of 1523)
1/2" in diameter
Zuni Petit Point Turquoise Sterling Stick Pin
Lot #1059 (Sale Order 1059 of 1523)
2 3/4" long
Victorian Sterling Silver Enamel Brooch
Lot #1060 (Sale Order 1060 of 1523)
3/4" in diameter.
Sydney Lynch Sterling Silver 18k Gold Brooch
Lot #1061 (Sale Order 1061 of 1523)
1 1/8" long.
Wood & Leather Horsehead Brooch
Lot #1062 (Sale Order 1062 of 1523)
3 1/2" long. Mane is fur on leather.
Marino Gold Tone Rhinestone Brooch
Lot #1063 (Sale Order 1063 of 1523)
1 1/2" in diameter
Jewelry By Jordan Gold Tone Rhinestone Brooch
Lot #1064 (Sale Order 1064 of 1523)
2 1/8" long.
Sterling Silver Modernist Brooch
Lot #1065 (Sale Order 1065 of 1523)
1 3/4" by 1 3/4"
Alaska Yupik Inupik Sterling Spirit Mask Brooch
Lot #1066 (Sale Order 1066 of 1523)
1 3/4" wide
Victorian Carved Shell Cameo Brooch
Lot #1067 (Sale Order 1067 of 1523)
1 1/2" wide
Carved Peacock Brooch
Lot #1068 (Sale Order 1068 of 1523)
1 1/2" in diameter.
Carved Chinese Dragon Brooch
Lot #1069 (Sale Order 1069 of 1523)
2" by 2".
Sterling Silver Fish Brooch
Lot #1070 (Sale Order 1070 of 1523)
2 1/8" wide. 15.15 grams.
Rhinestone Articulated Lizard Gecko Brooch
Lot #1071 (Sale Order 1071 of 1523)
4" long
Victor Moses Begay Navajo Turquoise Brooch
Lot #1072 (Sale Order 1072 of 1523)
Petit Point Turquoise mounted in Sterling Silver. Signed by Victor Moses Begay. 2 3/4" in diameter.
Sydney Lynch Sterling Silver 18k Gold Brooch
Lot #1073 (Sale Order 1073 of 1523)
3 3/4" long
Taxco Mexico Sterling Silver Aztec Brooch
Lot #1074 (Sale Order 1074 of 1523)
1 5/8" wide. 22.7 grams.
Alva Studios Pewter Llama Alpaca Brooch
Lot #1075 (Sale Order 1075 of 1523)
1 1/2" long
Nestor Taxco Mexico Sterling Silver Inlaid Brooch
Lot #1076 (Sale Order 1076 of 1523)
2" wide. 14.96 grams.
Navajo Sterling Silver Kachina Brooch
Lot #1077 (Sale Order 1077 of 1523)
1 5/8" long.
Navajo Sterling Silver Brooch
Lot #1078 (Sale Order 1078 of 1523)
1 7/8" wide. 15.66 grams.
Tiffany & Co Sterling 14k Gold Ruby Compact
Lot #1079 (Sale Order 1079 of 1523)
2 1/4" by 2 1/4". 84.78 grams total weight.
14K Gold The Playboy Club Key Charm Pendant
Lot #1080 (Sale Order 1080 of 1523)
1 1/4" long. 3.29 grams
10K Gold Stamper Black Hills Cross Pendant
Lot #1081 (Sale Order 1081 of 1523)
1 3/8" long. 4.65 grams.
Hawaiian Limpet Shell Pendant
Lot #1082 (Sale Order 1082 of 1523)
1 3/4" long.
Enamel .800 Silver Articulated Fish Pendant
Lot #1083 (Sale Order 1083 of 1523)
1 1/8" long.
Victorian Cameo Brooch
Lot #1084 (Sale Order 1084 of 1523)
1 3/8" long.
Zuni Inlaid Sterling Silver Knifewing Earrings
Lot #1085 (Sale Order 1085 of 1523)
1" long. No ear hooks.
Large Victorian Carved Shell Cameo
Lot #1086 (Sale Order 1086 of 1523)
2 3/8" long.
Victorian Carved Shell Cameos
Lot #1087 (Sale Order 1087 of 1523)
Two total. Largest measures 7/8" by 3/8".
.9 Carats Of Tear Drop Opals
Lot #1088 (Sale Order 1088 of 1523)
.18 grams or .9 carats.
10k Yellow Gold Sterling Harem Princess Ring
Lot #1089 (Sale Order 1089 of 1523)
Size 5. 10k Yellow Gold with Sterling Overlay. Set with Sapphires, Rubies, Jade and More.
Belly Dancer Tribal Sterling Silver Toe Rings
Lot #1090 (Sale Order 1090 of 1523)
Two total. Sizes 4 1/2 and 5, but both are adjustable.
Sterling Silver Turquoise Ring
Lot #1091 (Sale Order 1091 of 1523)
Size 7
Navajo Sterling Silver Turquoise Ring
Lot #1092 (Sale Order 1092 of 1523)
Size 7
Hopi Sterling Silver Ring
Lot #1093 (Sale Order 1093 of 1523)
Size 9
Sterling Silver Sea Glass Ring
Lot #1094 (Sale Order 1094 of 1523)
Size 7 3/4
Elanza Sterling Silver CZ Ring
Lot #1095 (Sale Order 1095 of 1523)
Size 7.
Belly Dancer Tribal Sterling Silver Ring
Lot #1096 (Sale Order 1096 of 1523)
Size 6
Navajo Sterling Silver Mother Of Pearl Ring
Lot #1097 (Sale Order 1097 of 1523)
Size 5 1/2
Ellen Myrtle Navajo Sterling Turquoise Ring
Lot #1098 (Sale Order 1098 of 1523)
Size 2
Sterling Silver Sugilite Ring
Lot #1099 (Sale Order 1099 of 1523)
Size 7.
Navajo Sterling Silver Turquoise Ring
Lot #1100 (Sale Order 1100 of 1523)
Size 7 1/2
James Saunders Navajo Turquoise Sterling Ring
Lot #1101 (Sale Order 1101 of 1523)
James Saunders turquoise and red coral ring size 4 3/4, sterling band with single stone is size 5 3/4.
Trading Post Ring Cowboy Chaps
Lot #1102 (Sale Order 1102 of 1523)
Size 6 1/2.
Navajo Old Pawn Sterling Turquoise Ring
Lot #1103 (Sale Order 1103 of 1523)
Size 5 1/4.
Indian Sterling Silver Beaded Tassel Bell Bracelet
One earring is the drop only. 2 1/2" long. 16.98 grams total weight.
Navajo Sterling Silver Spiny Oyster Earrings
Lot #1139 (Sale Order 1139 of 1523)
2 1/4" long. 19.11 grams total weight.
Taxco Mexico Sterling Silver Earrings
Lot #1140 (Sale Order 1140 of 1523)
7/8" in diameter
Navajo Sterling Silver Earrings
Lot #1141 (Sale Order 1141 of 1523)
5/8" in diameter
Sterling Silver Hammered Earrings
Lot #1142 (Sale Order 1142 of 1523)
3/8" by 3/8"
Jack Tom Navajo Sterling Turquoise Earrings
Lot #1143 (Sale Order 1143 of 1523)
1 3/8" long
Sterling Silver Hoop Earrings
Lot #1144 (Sale Order 1144 of 1523)
3/4" in diameter
Native American Made Buffalo Nickel Earrings
Lot #1145 (Sale Order 1145 of 1523)
2" long
Katherine Pino Navajo Sterling Silver Earrings
Lot #1146 (Sale Order 1146 of 1523)
1 1/2" long.
Sterling Silver Earrings
Lot #1147 (Sale Order 1147 of 1523)
1 1/4" long
Navajo Sterling Silver Earrings
Lot #1148 (Sale Order 1148 of 1523)
3/4" in diameter
Navajo Sterling Silver Branch Coral Earrings
Lot #1149 (Sale Order 1149 of 1523)
2 5/8" long
Sterling Silver Indian Chief Earrings
Lot #1150 (Sale Order 1150 of 1523)
3/4" long
Sterling Silver Modernist Earrings
Lot #1151 (Sale Order 1151 of 1523)
1" long
Sterling Silver Butterfly Earrings
Lot #1152 (Sale Order 1152 of 1523)
7/8" long
Nestor Taxco Mexico Sterling Silver Earrings
Lot #1153 (Sale Order 1153 of 1523)
1 1/4" long. 12.16 grams.
Sterling Silver Silpada Flat Hoop Earrings
Lot #1154 (Sale Order 1154 of 1523)
1 1/4" long
10K Gold Heart Cut Topaz Earrings
Lot #1155 (Sale Order 1155 of 1523)
3/8" long. 1.31 grams total weight.
Sterling Silver Hammered Hoop Earrings
Lot #1156 (Sale Order 1156 of 1523)
1" in diameter.
Navajo Sterling Silver Earrings
Lot #1157 (Sale Order 1157 of 1523)
7/8" in diameter
Navajo Copper Trading Post Earrings
Lot #1158 (Sale Order 1158 of 1523)
2 1/4" long
Navajo Sterling Snowflake Obsidian Earrings
Lot #1159 (Sale Order 1159 of 1523)
5/8" in diameter.
Navajo Sterling Silver Turquoise Earrings
Lot #1160 (Sale Order 1160 of 1523)
Two pairs. Larger pair is 1 1/2" long. 14.9 grams total weight.
14K Gold Bourbon St New Orleans Charm
Lot #1161 (Sale Order 1161 of 1523)
1 1/2" long. 4.69 grams.
Sterling Silver Braided Rope Ring
Lot #1162 (Sale Order 1162 of 1523)
Size 10
Sterling Silver Floral Pattern Ring
Lot #1163 (Sale Order 1163 of 1523)
Size 7
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1164 (Sale Order 1164 of 1523)
2 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1165 (Sale Order 1165 of 1523)
3 7/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1166 (Sale Order 1166 of 1523)
3 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1167 (Sale Order 1167 of 1523)
3 1/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1168 (Sale Order 1168 of 1523)
3 1/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1169 (Sale Order 1169 of 1523)
3 3/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1170 (Sale Order 1170 of 1523)
3 3/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1171 (Sale Order 1171 of 1523)
3 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1172 (Sale Order 1172 of 1523)
3 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1173 (Sale Order 1173 of 1523)
2 3/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1174 (Sale Order 1174 of 1523)
3 7/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1175 (Sale Order 1175 of 1523)
3 5/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1176 (Sale Order 1176 of 1523)
4 3/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1177 (Sale Order 1177 of 1523)
2 3/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1178 (Sale Order 1178 of 1523)
4 1/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Toggle
Lot #1179 (Sale Order 1179 of 1523)
1 1/4" diameter. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1180 (Sale Order 1180 of 1523)
2 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
1950s Northwest Coast Carved Bone Totem Pole
Lot #1181 (Sale Order 1181 of 1523)
10 7/8" tall.
Haida Northwest Coast Indian Pewter Totem Pole
Lot #1182 (Sale Order 1182 of 1523)
5" tall.
Haida Northwest Coast Indian Pewter Totem Pole
Lot #1183 (Sale Order 1183 of 1523)
5" tall.
Ancient Thule Alaska Inuit Eskimo Ice Axe
Lot #1184 (Sale Order 1184 of 1523)
10 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Tool
Lot #1185 (Sale Order 1185 of 1523)
2 3/4" by 6 3/4". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Ulu
Lot #1186 (Sale Order 1186 of 1523)
3 5/8" by 6 3/4". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
1950s Northwest Coast Carved Bone Totem Pole
Lot #1187 (Sale Order 1187 of 1523)
4" tall.
1950s Northwest Coast Carved Bone Totem Pole
Lot #1188 (Sale Order 1188 of 1523)
5 1/8" tall
1950s Northwest Coast Carved Bone Totem Pole
Lot #1189 (Sale Order 1189 of 1523)
5 1/4" tall.
Alaskan Inuit Eskimo Carved Totem Pole
Lot #1190 (Sale Order 1190 of 1523)
5 3/8" tall. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
1950s Northwest Coast Carved Bone Totem Pole
Lot #1191 (Sale Order 1191 of 1523)
Stanley Park Vancouver Canada. 4 1/8" tall.
1950s Northwest Coast Carved Bone Totem Pole
Lot #1192 (Sale Order 1192 of 1523)
3" tall.
Alaskan Inuit Eskimo Carved Totem Pole
Lot #1193 (Sale Order 1193 of 1523)
2 5/8" tall. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
1950s Northwest Coast Carved Bone Totem Pole
Lot #1194 (Sale Order 1194 of 1523)
7 1/4" tall
Northwest Coast Indian Style Totem Pole
Lot #1195 (Sale Order 1195 of 1523)
Non Native Made. 10 1/2" tall.
Northwest Coast Haida Indian Totem Pole
Lot #1196 (Sale Order 1196 of 1523)
7 7/8" tall.
Frank Natkong Alaskan Inuit Totem Pole
Lot #1197 (Sale Order 1197 of 1523)
Made in 2001. 5" tall.
Vic Yeoda Alaskan Inuit Carved Totem Pole
Lot #1198 (Sale Order 1198 of 1523)
5" tall.
Vic Yeoda Alaskan Inuit Carved Totem Pole
Lot #1199 (Sale Order 1199 of 1523)
6 1/2" tall.
Patrick Seale Alaskan Inuit Eskimo Totem Pole
Lot #1200 (Sale Order 1200 of 1523)
8 1/2" tall.
Ancient Thule Inuit Alaskan Eskimo Net Weight
Lot #1201 (Sale Order 1201 of 1523)
4 3/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Carved Tusk
Lot #1202 (Sale Order 1202 of 1523)
7 1/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Fossil Tusk
Lot #1203 (Sale Order 1203 of 1523)
5" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1204 (Sale Order 1204 of 1523)
3 5/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1205 (Sale Order 1205 of 1523)
3 7/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1206 (Sale Order 1206 of 1523)
3 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Oil Sack Plug
Lot #1207 (Sale Order 1207 of 1523)
1 3/4" by 1" by 7/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Adze Head
Lot #1208 (Sale Order 1208 of 1523)
4 1/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1209 (Sale Order 1209 of 1523)
3" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Fish Hook
Lot #1210 (Sale Order 1210 of 1523)
3 1/4" long.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1211 (Sale Order 1211 of 1523)
3 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Scraper
Lot #1212 (Sale Order 1212 of 1523)
6 5/8" long.
Alaskan Inuit Eskimo Saw
Lot #1213 (Sale Order 1213 of 1523)
Contemporary. 8 1/4" long.
Ancient Thule Inuit Alaskan Eskimo Artifacts
Lot #1214 (Sale Order 1214 of 1523)
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Artifacts
Lot #1215 (Sale Order 1215 of 1523)
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Bolas
Lot #1216 (Sale Order 1216 of 1523)
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Fossilized Inuit Eskimo Walrus Teeth
Lot #1217 (Sale Order 1217 of 1523)
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Artifacts
Lot #1219 (Sale Order 1218 of 1523)
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Artifacts
Lot #1220 (Sale Order 1219 of 1523)
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Bolas
Lot #1221 (Sale Order 1220 of 1523)
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Bolas
Lot #1222 (Sale Order 1221 of 1523)
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Artifacts
Lot #1223 (Sale Order 1222 of 1523)
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Artifacts
Lot #1224 (Sale Order 1223 of 1523)
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Fishing Lure
Lot #1225 (Sale Order 1224 of 1523)
4 5/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1226 (Sale Order 1225 of 1523)
5 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Artifacts
Lot #1227 (Sale Order 1226 of 1523)
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Artifacts
Lot #1228 (Sale Order 1227 of 1523)
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Fossilized Inuit Eskimo Walrus Teeth
Lot #1229 (Sale Order 1228 of 1523)
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Fossilized Inuit Eskimo Walrus Teeth
Lot #1230 (Sale Order 1229 of 1523)
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Adze Head
Lot #1231 (Sale Order 1230 of 1523)
4 3/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1232 (Sale Order 1231 of 1523)
7" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1233 (Sale Order 1232 of 1523)
8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
African Warthog Teeth Tusks
Lot #1234 (Sale Order 1233 of 1523)
Largest is 4 3/4" long.
Natural Baltic Egg Yolk Butterscotch Amber
Lot #1235 (Sale Order 1234 of 1523)
45.89 grams. 2 3/8" by 1 5/8" by 1 1/8".
Native American Indian Hourglass Bannerstone
Lot #1236 (Sale Order 1235 of 1523)
Contemporary. 2 3/4" by 2 1/8" by 1".
Natural Baltic Egg Yolk Butterscotch Amber
Lot #1237 (Sale Order 1236 of 1523)
2 1/2" by 1 1/2" by 1 1/4". 36.6 grams.
Native American Indian Bannerstone
Lot #1238 (Sale Order 1237 of 1523)
Contemporary. 3 1/2" by 2 1/4" by 7/8".
Native American Indian Slate Gorget
Lot #1239 (Sale Order 1238 of 1523)
Contemporary. 5 1/4" by 3/4" by 3/4"
Native American Indian Granite Discoidal
Lot #1240 (Sale Order 1239 of 1523)
Contemporary. 2 1/2" diameter, 1 1/8" thick.
Alaskan Inuit Eskimo Carved Totem Napkin Ring
Lot #1241 (Sale Order 1240 of 1523)
2" by 1 1/8" by 1 1/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Sailor Carved Whale Bone Parasol Handle
Lot #1242 (Sale Order 1241 of 1523)
2 1/4" long.
Carved Bone Amulet
Lot #1243 (Sale Order 1242 of 1523)
Unknown culture, appears to be contemporary. 3 3/4" long.
Ancient Thule Inuit Alaskan Eskimo Oil Sack Plug
Lot #1244 (Sale Order 1243 of 1523)
Exceptional example. 1 1/2" by 1 3/8" by 7/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Carved Totem Pole Salt & Pepper Shaker
Lot #1245 (Sale Order 1244 of 1523)
2" tall
Alaskan Inuit Eskimo Cigarette Holder
Lot #1246 (Sale Order 1245 of 1523)
2 3/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Adze Head
Lot #1247 (Sale Order 1246 of 1523)
4 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Scrimshaw Net Weight
Lot #1248 (Sale Order 1247 of 1523)
6 3/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Daumiller Scrimshaw Alaskan Inuit Eskimo Artifact
Lot #1249 (Sale Order 1248 of 1523)
5 1/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Carved Totem Pole Dice Case
Lot #1250 (Sale Order 1249 of 1523)
3" tall.
Alaskan Carved Totem Pole Dice Case
Lot #1251 (Sale Order 1250 of 1523)
3" tall
Ancient Thule Inuit Alaskan Eskimo Bow Drill
Lot #1252 (Sale Order 1251 of 1523)
4 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Sled Runner
Lot #1253 (Sale Order 1252 of 1523)
5 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1254 (Sale Order 1253 of 1523)
5" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Billiken Carving Set
Lot #1255 (Sale Order 1254 of 1523)
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
1950s Northwest Coast Carved Bone Totem Pole
Lot #1256 (Sale Order 1255 of 1523)
4 1/8" tall
1950s Northwest Coast Carved Bone Totem Pole
Lot #1257 (Sale Order 1256 of 1523)
4" tall.
1950s Northwest Coast Carved Bone Totem Pole
Lot #1258 (Sale Order 1257 of 1523)
4 1/8" tall.
1950s Northwest Coast Carved Bone Totem Pole
Lot #1259 (Sale Order 1258 of 1523)
3" tall.
1950s Northwest Coast Carved Bone Totem Pole
Lot #1260 (Sale Order 1259 of 1523)
4 1/8" tall.
1950s Northwest Coast Carved Bone Totem Pole
Lot #1261 (Sale Order 1260 of 1523)
4" tall.
1950s Northwest Coast Carved Bone Totem Pole
Lot #1262 (Sale Order 1261 of 1523)
3 1/8" tall
1950s Northwest Coast Carved Bone Totem Pole
Lot #1263 (Sale Order 1262 of 1523)
3 1/8" tall.
Alaskan Inuit Carved Totem Pole
Lot #1264 (Sale Order 1263 of 1523)
2 1/2" tall.
Chinese Black Jade Spear Point
Lot #1265 (Sale Order 1264 of 1523)
Contemporary. 6 3/8" long.
Bronze Knife
Lot #1266 (Sale Order 1265 of 1523)
Contemporary. 7 1/4" long.
Harpoon Point
Lot #1267 (Sale Order 1266 of 1523)
6 3/4" long. Contemporary.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1268 (Sale Order 1267 of 1523)
8 5/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
South American Style Pottery Cup
Lot #1269 (Sale Order 1268 of 1523)
Contemporary. Repaired as shown. 7 3/8" tall.
Vancouver Canada Totem Pole Trinket Box
Lot #1270 (Sale Order 1269 of 1523)
4 1/8" by 3 1/2" by 2"
Alaskan Inuit Eskimo Killer Whale Ulu
Lot #1271 (Sale Order 1270 of 1523)
Native made prior to 1972. Carved Caribou. 5 3/8" by 5 3/8" by 3 1/8" on stand.
Ancient Thule Alaska Inuit Eskimo Sled Runner
Lot #1272 (Sale Order 1271 of 1523)
11 3/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
1950s Northwest Coast Carved Bone Totem Pole
Lot #1273 (Sale Order 1272 of 1523)
3 1/8" tall
1950s Northwest Coast Carved Bone Totem Pole
Lot #1274 (Sale Order 1273 of 1523)
3 1/8" tall
1950s Northwest Coast Carved Bone Totem Pole
Lot #1275 (Sale Order 1274 of 1523)
3 1/8" tall.
Ancient Thule Inuit Alaskan Eskimo Stone Toggle
Lot #1276 (Sale Order 1275 of 1523)
1 1/2" by 1 1/8" by 1"
Ancient Thule Inuit Alaskan Eskimo Slate Knife
Lot #1277 (Sale Order 1276 of 1523)
3" long.
Ancient Thule Inuit Alaskan Eskimo Slate Arrowhead
Lot #1278 (Sale Order 1277 of 1523)
Found in Ketchikan Alaska. 3 1/4" long by 1" wide.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1279 (Sale Order 1278 of 1523)
3 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1280 (Sale Order 1279 of 1523)
3 5/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Totem Pole
Lot #1281 (Sale Order 1280 of 1523)
8 3/4" tall.
Alaskan Inuit Eskimo Ulu
Lot #1282 (Sale Order 1281 of 1523)
8 3/4" by 6 1/4". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Richard Krentz Haida Northwest Coast Box
Lot #1283 (Sale Order 1282 of 1523)
12 1/4" by 8 3/4" by 3 3/4"
Quentin Harris Northwest Coast Salmon Box
Lot #1284 (Sale Order 1283 of 1523)
10 5/8" by 7 5/8" by 1 1/2"
Alaskan Inuit Eskimo Horn Handle Ulu
Lot #1285 (Sale Order 1284 of 1523)
Ulu is 9" by 5 1/8" by 1 3/8"
Boma Canada Resin Totem Pole Plaque
Lot #1286 (Sale Order 1285 of 1523)
11" by 4 5/8"
Alaskan Inuit Eskimo Carved Killer Whale
Lot #1287 (Sale Order 1286 of 1523)
9 1/4" by 4" by 1 3/4"
Alaskan Inuit Eskimo Carved Killer Whale
Lot #1288 (Sale Order 1287 of 1523)
8 5/8" by 4 3/8" by 1 3/4".
Native American Indian Platform Pipe
Lot #1289 (Sale Order 1288 of 1523)
Contemporary. 2 1/2" by 2 1/2" by 1 1/2"
David Adams Mermaid Alaskan Inuit Scrimshaw
Lot #1290 (Sale Order 1289 of 1523)
Scrimshaw on Sled Runner. 3 1/2" by 2 1/8" by 1 1/2". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
South Pacific Tiki Bone Toggle
Lot #1291 (Sale Order 1290 of 1523)
1 3/4" by 1" by 1/2"
Ancient Thule Inuit Alaskan Eskimo Carved Goat
Lot #1292 (Sale Order 1291 of 1523)
2 3/8" by 1" by 5/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Wolf Carving
Lot #1293 (Sale Order 1292 of 1523)
3 1/4" by 7/8" by 5/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Whale Carving
Lot #1294 (Sale Order 1293 of 1523)
2 3/8" by 3/4" by 1/2". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Figural Carving
Lot #1295 (Sale Order 1294 of 1523)
1 1/4" by 1/2" by 1/2". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Bird Carving
Lot #1296 (Sale Order 1295 of 1523)
1 1/2" by 3/4" by 1/2". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Whale Pendant
Lot #1297 (Sale Order 1296 of 1523)
1 1/4" by 1/2" by 1/4". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
1950s Northwest Coast Carved Bone Totem Pole
Lot #1298 (Sale Order 1297 of 1523)
2" tall.
Alaskan Inuit Eskimo Carved Totem Pole
Lot #1299 (Sale Order 1298 of 1523)
2 1/4" tall. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
1950s Northwest Coast Carved Bone Totem Pole
Lot #1300 (Sale Order 1299 of 1523)
2" tall
1950s Northwest Coast Carved Bone Totem Pole
Lot #1301 (Sale Order 1300 of 1523)
2 1/8" tall.
1950s Northwest Coast Carved Bone Totem Brooch
Lot #1302 (Sale Order 1301 of 1523)
2" tall.
1950s Northwest Coast Carved Bone Totem Pole
Lot #1303 (Sale Order 1302 of 1523)
2 1/8" tall
1950s Northwest Coast Carved Bone Totem Pole
Lot #1304 (Sale Order 1303 of 1523)
2" tall.
1950s Northwest Coast Carved Bone Totem Pole
Lot #1305 (Sale Order 1304 of 1523)
2" tall
1950s Northwest Coast Carved Bone Totem Pole
Lot #1306 (Sale Order 1305 of 1523)
2 1/4" tall
1950s Northwest Coast Carved Bone Totem Pole
Lot #1307 (Sale Order 1306 of 1523)
2 1/8" tall
Northwest Coast Indian Haida Box
Lot #1308 (Sale Order 1307 of 1523)
18 1/2" by 7 5/8" by 1 3/4"
Group of Assorted Collectibles
Lot #1309 (Sale Order 1308 of 1523)
Nice grouping
Carved Totem Pole Salt & Pepper Shakers
Lot #1310 (Sale Order 1309 of 1523)
1 7/8" tall
Carved Totem Pole Salt & Pepper Shakers
Lot #1311 (Sale Order 1310 of 1523)
2" tall.
Carved Totem Pole Salt & Pepper Shakers
Lot #1312 (Sale Order 1311 of 1523)
2 3/8" tall
Carved Totem Pole Salt & Pepper Shakers
Lot #1313 (Sale Order 1312 of 1523)
2 1/2" tall
Collection of Alaskan Carved Caviar Spoons
Lot #1314 (Sale Order 1313 of 1523)
Also includes snail forks
Collection of Alaskan Carved Caviar Spoons
Lot #1315 (Sale Order 1314 of 1523)
Also includes snail forks
Alaskan Inuit Eskimo Carving Set
Lot #1316 (Sale Order 1315 of 1523)
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Carving Set
Lot #1317 (Sale Order 1316 of 1523)
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Ulu Stands
Lot #1318 (Sale Order 1317 of 1523)
Caribou horn
Carcharocles angustidens Fossil Shark Tooth
Lot #1319 (Sale Order 1318 of 1523)
1 1/8" by 1 5/8".
Megalodon Fossil Shark Tooth
Lot #1320 (Sale Order 1319 of 1523)
1 1/2" by 3/4"
Megalodon Fossil Shark Tooth
Lot #1321 (Sale Order 1320 of 1523)
1 3/4" by 1 1/2"
Megalodon Fossil Shark Tooth
Lot #1322 (Sale Order 1321 of 1523)
1 7/8" by 1 7/8"
Megalodon Fossil Shark Tooth
Lot #1323 (Sale Order 1322 of 1523)
1 7/8" by 1 1/4"
Megalodon Fossil Shark Tooth
Lot #1324 (Sale Order 1323 of 1523)
2" by 1 1/2"
Megalodon Fossil Shark Tooth
Lot #1325 (Sale Order 1324 of 1523)
2" by 1 1/4"
Megalodon Fossil Shark Tooth
Lot #1326 (Sale Order 1325 of 1523)
Nice example. 1 7/8" by 1 1/4".
Megalodon Fossil Shark Tooth
Lot #1327 (Sale Order 1326 of 1523)
2" by 1 3/8"
Megalodon Fossil Shark Tooth
Lot #1328 (Sale Order 1327 of 1523)
2 1/2" by 2".
Megalodon Fossil Shark Tooth
Lot #1329 (Sale Order 1328 of 1523)
2 3/4" by 2"
Megalodon Fossil Shark Tooth
Lot #1330 (Sale Order 1329 of 1523)
1 7/8" by 1 3/8"
Megalodon Fossil Shark Tooth
Lot #1331 (Sale Order 1330 of 1523)
1 7/8" by 1"
Megalodon Fossil Shark Tooth
Lot #1332 (Sale Order 1331 of 1523)
2 1/8" by 1 1/2"
Megalodon Fossil Shark Tooth
Lot #1333 (Sale Order 1332 of 1523)
2 1/2" by 2"
Megalodon Fossil Shark Tooth
Lot #1334 (Sale Order 1333 of 1523)
2 1/2" by 2 1/4"
Megalodon Fossil Shark Tooth
Lot #1335 (Sale Order 1334 of 1523)
2 3/4" by 2 1/8"
Megalodon Fossil Shark Tooth
Lot #1336 (Sale Order 1335 of 1523)
3 1/8" by 2 3/4"
Ancient Thule Inuit Alaskan Eskimo Tools
Lot #1337 (Sale Order 1336 of 1523)
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Eskimo Salt Pot
Lot #1338 (Sale Order 1337 of 1523)
1 1/2" tall. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Large Navajo Indian Wedding Basket
Lot #1339 (Sale Order 1338 of 1523)
12 5/8" diameter, 3 1/2" tall.
Syroco Native American Indian Ashtray
Lot #1340 (Sale Order 1339 of 1523)
6" by 4 5/8" by 3 5/8"
Eastman Kodak Cine Camera Carrying Case
Lot #1341 (Sale Order 1340 of 1523)
Empty
Victorian Oak Cigar Humidor Box
Lot #1342 (Sale Order 1341 of 1523)
10" by 6 3/4" by 4 1/8".
Collection of Assorted Mineral Specimens
Lot #1343 (Sale Order 1342 of 1523)
Nice grouping. Carnelian, Malachite, Petrified Wood and More.
The Great Southwest Along the Santa Fe
Lot #1344 (Sale Order 1343 of 1523)
Fred Harvey Kansas City Missouri.
Sioux Indian Drawings Milwaukee Public Museum
Lot #1345 (Sale Order 1344 of 1523)
Primitive Art Series. 15 1/4" by 12". Several folios worth
Shawmut Banks Native American Indian Bank
Lot #1346 (Sale Order 1345 of 1523)
6 1/2" by 4 3/8" by 3". Banthrico
Alaskan Inuit Postcards
Lot #1347 (Sale Order 1346 of 1523)
Nice grouping
WW1 WWI Model 1885 US Cavalry McClellan Saddlebags
Lot #1348 (Sale Order 1347 of 1523)
Nice set with liners.
Orcico Native American Indian Cigar Tin Can
Lot #1349 (Sale Order 1348 of 1523)
Decent example
Haida Northwest Coast Indian Pewter Necklace
Lot #1350 (Sale Order 1349 of 1523)
14 3/4" long.
Scrimshaw Whaling Scene Necklace
Lot #1351 (Sale Order 1350 of 1523)
12" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Whale Tail Necklace
Lot #1352 (Sale Order 1351 of 1523)
11 5/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Galaxy Jasper Necklace
Lot #1353 (Sale Order 1352 of 1523)
10 1/8" long.
Alaskan Inuit Eskimo Harpoon Point Necklace
Lot #1354 (Sale Order 1353 of 1523)
16 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Whale Tail Necklace
Lot #1355 (Sale Order 1354 of 1523)
15" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
New Zealand Maori Necklace
Lot #1356 (Sale Order 1355 of 1523)
9 1/8" long
19th Century Fijian Whale Tooth Necklace
Lot #1357 (Sale Order 1356 of 1523)
13 1/2" long. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
South Pacific Tribal Boar Tooth Necklace
Lot #1358 (Sale Order 1357 of 1523)
10" long.
Antique Tibetan Turquoise Bodhi Mala Beads
Lot #1359 (Sale Order 1358 of 1523)
20 1/2" long.
South Pacific Seed Pod Necklace
Lot #1360 (Sale Order 1359 of 1523)
23" long.
Children of the Raven Necklace
Lot #1361 (Sale Order 1360 of 1523)
1975 National Museum of Man. 11 5/8" long.
Tlingit Northwest Coast Indian Copper Tinnah
Lot #1362 (Sale Order 1361 of 1523)
17 1/8" long. Very nice shield necklace.
South Pacific Boar Tooth Necklace
Lot #1363 (Sale Order 1362 of 1523)
15" long.
Brian Kulik Alaskan Inuit Eskimo Necklace
Lot #1364 (Sale Order 1363 of 1523)
15 3/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Dayak Tribe Headhunter Boar Tooth Necklace
Lot #1365 (Sale Order 1364 of 1523)
16 5/8" long.
Brian Kulik Alaskan Inuit Eskimo Necklace
Lot #1366 (Sale Order 1365 of 1523)
11 7/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Brian Kulik Alaskan Inuit Eskimo Whale Necklace
Lot #1367 (Sale Order 1366 of 1523)
15 3/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Baltic Egg Yolk Butterscotch Yellow Amber Beads
Lot #1368 (Sale Order 1367 of 1523)
557 grams. 9 1/2" long.
Bell Trading Post Haida Pattern Copper Necklace
Lot #1369 (Sale Order 1368 of 1523)
17 1/2" long.
Ancient Thule Inuit Alaskan Eskimo Necklace
Lot #1370 (Sale Order 1369 of 1523)
12 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Tlingit Northwest Coast Indian Copper Tinnah
Lot #1371 (Sale Order 1370 of 1523)
15 1/2" long. Very nice shield necklace.
Haida Northwest Coast Indian Whale Necklace
Lot #1372 (Sale Order 1371 of 1523)
13 5/8" long.
Haida Northwest Coast Indian Amulet Neckalce
Lot #1373 (Sale Order 1372 of 1523)
Pendant is believed to be contemporary. 17" long.
Haida Northwest Coast Indian Necklace
Lot #1374 (Sale Order 1373 of 1523)
Raven pendant. 10 1/2" long.
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Necklace
Lot #1375 (Sale Order 1374 of 1523)
12 5/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Alaska Inuit Eskimo Tool Necklace
Lot #1376 (Sale Order 1375 of 1523)
13" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Alaska Inuit Eskimo Tool Necklace
Lot #1377 (Sale Order 1376 of 1523)
17 3/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Tlingit Northwest Coast Indian Copper Tinnah
Lot #1378 (Sale Order 1377 of 1523)
14 3/4" long. Very nice shield necklace.
South Pacific Boar Tooth Necklace
Lot #1379 (Sale Order 1378 of 1523)
17 5/8" long.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1380 (Sale Order 1379 of 1523)
3 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1381 (Sale Order 1380 of 1523)
4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1382 (Sale Order 1381 of 1523)
3 7/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1383 (Sale Order 1382 of 1523)
3 3/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1384 (Sale Order 1383 of 1523)
4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1385 (Sale Order 1384 of 1523)
3 3/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1386 (Sale Order 1385 of 1523)
3 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Alaska Inuit Eskimo Toggle
Lot #1387 (Sale Order 1386 of 1523)
7/8" by 5/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1388 (Sale Order 1387 of 1523)
4 3/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Arrow Tool
Lot #1389 (Sale Order 1388 of 1523)
Used for straightening arrow shafts. 2" by 5/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Arrowhead
Lot #1390 (Sale Order 1389 of 1523)
1 3/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Alaska Inuit Eskimo Toggle
Lot #1391 (Sale Order 1390 of 1523)
2 5/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1392 (Sale Order 1391 of 1523)
3" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Whaling Scrimshaw
Lot #1393 (Sale Order 1392 of 1523)
2 5/8" by 1". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Toggle
Lot #1394 (Sale Order 1393 of 1523)
1 5/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Rest
Lot #1395 (Sale Order 1394 of 1523)
2 3/8" by 1 7/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Line Ring
Lot #1396 (Sale Order 1395 of 1523)
1 3/4" by 1 1/2". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Fishing Hooks
Lot #1397 (Sale Order 1396 of 1523)
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1398 (Sale Order 1397 of 1523)
4 1/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1399 (Sale Order 1398 of 1523)
2 1/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Raven Carving
Lot #1400 (Sale Order 1399 of 1523)
1 5/8" tall. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1401 (Sale Order 1400 of 1523)
3 3/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1402 (Sale Order 1401 of 1523)
2 3/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Fishing Tools
Lot #1403 (Sale Order 1402 of 1523)
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1404 (Sale Order 1403 of 1523)
2 3/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Clay Balls
Lot #1405 (Sale Order 1404 of 1523)
Largest is 1 3/4" diameter.
Ancient Thule Inuit Alaskan Eskimo Ice Probe
Lot #1406 (Sale Order 1405 of 1523)
5 1/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Ice Probe
Lot #1407 (Sale Order 1406 of 1523)
5" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Line Weight
Lot #1408 (Sale Order 1407 of 1523)
2 1/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Points
Lot #1409 (Sale Order 1408 of 1523)
2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Harpoon Point
Lot #1410 (Sale Order 1409 of 1523)
2 3/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Fishing Hooks
Lot #1411 (Sale Order 1410 of 1523)
1" long.
Ancient Thule Inuit Alaskan Eskimo Fishing Hooks
Lot #1412 (Sale Order 1411 of 1523)
Largest is 2 1/8" long.
Alaskan Inuit Eskimo Puffin Carving
Lot #1413 (Sale Order 1412 of 1523)
1 1/8" tall. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Heart Pendant
Lot #1414 (Sale Order 1413 of 1523)
Polar Bear Face. 1" by 1". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Polar Bear Carving
Lot #1415 (Sale Order 1414 of 1523)
7/8" by 3/8" by 3/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Awl Toothpick
Lot #1416 (Sale Order 1415 of 1523)
2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Haida Northwest Coast Indian Pewter Pendant
Lot #1417 (Sale Order 1416 of 1523)
2 3/8" by 1 3/4"
Alaskan Inuit Eskimo Walrus Menuki
Lot #1418 (Sale Order 1417 of 1523)
4" long on string. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
12 5/8" long. Reproduction. Spurious maker mark. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
1937 Boy Scout Jamboree Pukko Finland Knife
Lot #1428 (Sale Order 1427 of 1523)
7 1/2" long.
Alaskan Inuit Eskimo Letter Opener
Lot #1429 (Sale Order 1428 of 1523)
7 7/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Rough Rider Pocket Knife
Lot #1430 (Sale Order 1429 of 1523)
Decent example. 4" long closed.
Collection of Fossils
Lot #1431 (Sale Order 1430 of 1523)
Mounted on board.
Collection of Native American Indian Trade Beads
Lot #1432 (Sale Order 1431 of 1523)
Nice grouping
Alaskan Inuit Eskimo Scrimshaw Bolo Tie
Lot #1433 (Sale Order 1432 of 1523)
15 5/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Scrimshaw Pendant
Lot #1434 (Sale Order 1433 of 1523)
1" by 5/8". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Buttons
Lot #1435 (Sale Order 1434 of 1523)
Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Northwest Coast Indian Sterling Shield Pendant
Lot #1436 (Sale Order 1435 of 1523)
2" by 1 1/2"
Haida Northwest Coast Indian Brooch
Lot #1437 (Sale Order 1436 of 1523)
Bentwood Box design. 1 1/2" by 2 3/8".
Haida Northwest Coast Indian Brooch
Lot #1438 (Sale Order 1437 of 1523)
Bentwood Box design. 1 1/4" by 2 3/8".
Alaska Sterling Silver Totem Pole Spoon
Lot #1439 (Sale Order 1438 of 1523)
3 5/8" long.
10k BPOE Elks Tooth Pocket Watch Fob
Lot #1440 (Sale Order 1439 of 1523)
8.81 grams. 1 1/2" long.
Native American Indian Stone Toggle
Lot #1441 (Sale Order 1440 of 1523)
1" by 5/8"
Brian Kulik Alaskan Inuit Eskimo Necklace
Lot #1442 (Sale Order 1441 of 1523)
18 1/2" long.
1975 Sovereign Nation of the Chippewa Silver Round
Lot #1443 (Sale Order 1442 of 1523)
Minnesota. 1 troy ounce.
1991 Anchorage Alaska Silver and Brass Rounds
Lot #1444 (Sale Order 1443 of 1523)
Made for the Fur Rendezvous
Alaskan Inuit Eskimo Pewter Totem Poles
Lot #1445 (Sale Order 1444 of 1523)
3 1/2" tall.
Alaskan Inuit Eskimo Pewter Totem Poles
Lot #1446 (Sale Order 1445 of 1523)
3 1/2" tall
Alaskan Inuit Eskimo Pewter Totem Spoons
Lot #1447 (Sale Order 1446 of 1523)
Longest is 4"
Alaskan Inuit Eskimo Carved Buttons
Lot #1448 (Sale Order 1447 of 1523)
Kuskokwin River Eskimo. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Carved Tagua Nuts
Lot #1449 (Sale Order 1448 of 1523)
Nice grouping.
Collection of Pennsylvania State Archery Medals
Lot #1450 (Sale Order 1449 of 1523)
Nice collection.
Native American Indian Slate Tools
Lot #1451 (Sale Order 1450 of 1523)
Largest is 3 7/8" long.
Harold Alfred Haida Hammered Copper Tray
Lot #1452 (Sale Order 1451 of 1523)
11 1/2" diameter.
Winold Reiss Glacier National Park Montana Prints
Lot #1453 (Sale Order 1452 of 1523)
9 5/8" by 12 5/8" framed.
Blackfoot Indian Montana Beaded Keychain
Lot #1454 (Sale Order 1453 of 1523)
8 1/8" long.
Native American Indian Balance Toy
Lot #1455 (Sale Order 1454 of 1523)
18 3/4" long. No stand.
Ancient Thule Inuit Alaskan Eskimo Artifacts
Lot #1456 (Sale Order 1455 of 1523)
Made into a necklace. 10 3/4" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Carved Whale Necklace
Lot #1457 (Sale Order 1456 of 1523)
Made from an Ancient Sled Runner. 14 5/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Native American Indian Artifact Necklace
Lot #1458 (Sale Order 1457 of 1523)
16 1/2" long.
Navajo Ganado Indian Black Field Blanket Rug
Lot #1459 (Sale Order 1458 of 1523)
50" by 72"
Native American Indian Trade Bead Collection
Lot #1460 (Sale Order 1459 of 1523)
Identified on cards.
Haida Northwest Coast Indian Copper Covered Trunk
Lot #1461 (Sale Order 1460 of 1523)
16 3/4" by 10 1/2" by 9 3/4"
Joe Gash Hopi Clown Indian Kachina Doll
Lot #1462 (Sale Order 1461 of 1523)
13" tall. Sold as-is.
Cast Iron Native American Indian Canoe Dish
Lot #1463 (Sale Order 1462 of 1523)
5 7/8" by 2" by 1 1/2"
Alaskan Inuit Eskimo Carving
Lot #1464 (Sale Order 1463 of 1523)
11 1/2" by 2 3/4" by 1 1/4". Signed as shown.
Haida Northwest Coast Indian Carved Eagle Mask
Lot #1465 (Sale Order 1464 of 1523)
Double sided. Signed JJ. 12 1/2" by 2" by 1 1/2"
Austrian Bronze Buffalo
Lot #1466 (Sale Order 1465 of 1523)
3 1/2" by 2 3/8" by 1 3/8"
1950s Northwest Coast Carved Bone Totem Pole
Lot #1467 (Sale Order 1466 of 1523)
6 1/4" tall.
1950s Northwest Coast Carved Bone Totem Pole
Lot #1468 (Sale Order 1467 of 1523)
4 1/2" tall
1950s Northwest Coast Carved Bone Totem Bottle
Lot #1469 (Sale Order 1468 of 1523)
Was once a salt shaker. 2 1/4" tall.
Alaskan Inuit Eskimo Carved Totem Pole
Lot #1470 (Sale Order 1469 of 1523)
3 3/8" tall. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Carved Native American Indian Bead
Lot #1471 (Sale Order 1470 of 1523)
2" by 5/8"
1950s Northwest Coast Carved Bone Totem Pole
Lot #1472 (Sale Order 1471 of 1523)
2 1/8" tall.
Ancient Thule Inuit Alaskan Eskimo Oil Sack Plug
Lot #1473 (Sale Order 1472 of 1523)
1 1/2" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Ancient Thule Inuit Alaskan Eskimo Labret
Lot #1474 (Sale Order 1473 of 1523)
7/8" long. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Billiken Pendant
Lot #1475 (Sale Order 1474 of 1523)
1" by 1". Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Alaskan Inuit Eskimo Carved Totem Pole
Lot #1476 (Sale Order 1475 of 1523)
3 3/8" tall. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
1950s Northwest Coast Carved Bone Totem Pole
Lot #1477 (Sale Order 1476 of 1523)
3" tall.
1950s Northwest Coast Carved Bone Totem Pole
Lot #1478 (Sale Order 1477 of 1523)
7" tall.
1950s Northwest Coast Carved Bone Totem Pole
Lot #1479 (Sale Order 1478 of 1523)
3 1/8" tall
1950s Northwest Coast Carved Bone Totem Pole
Lot #1480 (Sale Order 1479 of 1523)
4 1/4" tall
Miniature Alaskan Inuit Eskimo Canoe Model
Lot #1481 (Sale Order 1480 of 1523)
Canoe is 9 3/4" long.
1950s Northwest Coast Carved Bone Totem Pole
Lot #1482 (Sale Order 1481 of 1523)
1 1/8" tall
Miniature Alaskan Inuit Eskimo Moccasins
Lot #1483 (Sale Order 1482 of 1523)
Worn as a necklace
1950s Northwest Coast Carved Bone Totem Pole
Lot #1484 (Sale Order 1483 of 1523)
1 1/8" tall
Rice Lake Minnesota Souvenir Indian
Lot #1485 (Sale Order 1484 of 1523)
4 1/8" by 3 5/8" by 3".
Collection of Native American Indian Arrowheads
Lot #1486 (Sale Order 1485 of 1523)
Contemporary.
Antique Native American Indian Prints
Lot #1487 (Sale Order 1486 of 1523)
8 5/8" by 10 5/8" framed.
Native American Indian Adze Head Celt
Lot #1488 (Sale Order 1487 of 1523)
5 3/8" by 3 5/8". Sold as contemporary.
Columbia River Indian Artifact Stone Axe Head
Lot #1489 (Sale Order 1488 of 1523)
5" by 2 3/8" by 1 1/2".
Ancient Native American Indian Stone Adze Celt
Lot #1490 (Sale Order 1489 of 1523)
2 3/4" by 1 1/4" by 7/8".
Native American Indian Boat Bannerstone
Lot #1491 (Sale Order 1490 of 1523)
5 1/8" by 1 1/2" by 7/8". Sold as contemporary.
Ancient Native American Indian Stone Adze Celt
Lot #1492 (Sale Order 1491 of 1523)
4" by 1 1/2" by 5/8".
Ancient Native American Indian Stone Adze Celt
Lot #1493 (Sale Order 1492 of 1523)
3 7/8" by 1 1/2" by 7/8".
Native American Indian Porphyry Popeye Birdstone
Lot #1494 (Sale Order 1493 of 1523)
4 3/4" by 2" by 1 7/8". Sold as contemporary.
Ancient Fossil Mammoth Tooth Segment
Lot #1495 (Sale Order 1494 of 1523)
5 5/8" by 3 3/4" by 7/8".
Ancient Native American Indian Bannerstone
Lot #1496 (Sale Order 1495 of 1523)
Rectangular style. Shows good wear and patina. 2 1/8" by 1 3/8" by 7/8".
Ancient Fossil Mammoth Tooth Segment
Lot #1497 (Sale Order 1496 of 1523)
2 3/4" by 2 1/2" by 1 1/8"
Ancient Native American Indian Cloud Blower Pipe
Lot #1498 (Sale Order 1497 of 1523)
Nice old piece. Has honest wear and patina. 4 3/8" long.
Native American Indian Bannerstone
Lot #1499 (Sale Order 1498 of 1523)
Sold as contemporary. 4" by 1 1/4" by 1 1/8"
Native American Indian Gorget Bannerstone Necklace
Lot #1500 (Sale Order 1499 of 1523)
Stone is sold as contemporary. 22 1/2" long on cord.
Native American Indians in Canoe Balance Toy
Lot #1501 (Sale Order 1500 of 1523)
18 3/4" by 12" by 3 1/4" on stand.
Group of Assorted Native American Collectibles
Lot #1502 (Sale Order 1501 of 1523)
Nice grouping
Buffalo Bill's Memorial Museum
Lot #1503 (Sale Order 1502 of 1523)
Lookout Mountain Colorado.
1950s Northwest Coast Carved Bone Totem Pole
Lot #1504 (Sale Order 1503 of 1523)
5 1/8" tall.
1950s Northwest Coast Carved Bone Totem Pole
Lot #1505 (Sale Order 1504 of 1523)
5 1/8" tall.
Alaskan Inuit Eskimo Carved Totem Pole
Lot #1506 (Sale Order 1505 of 1523)
5 1/8" tall. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
1950s Northwest Coast Carved Bone Totem Pole
Lot #1507 (Sale Order 1506 of 1523)
6 3/8" tall
1950s Northwest Coast Carved Bone Totem Pole
Lot #1508 (Sale Order 1507 of 1523)
6" tall
1950s Northwest Coast Carved Bone Totem Pole
Lot #1509 (Sale Order 1508 of 1523)
5" tall
1950s Northwest Coast Carved Bone Totem Pole
Lot #1510 (Sale Order 1509 of 1523)
6 3/8" tall.
1950s Northwest Coast Carved Bone Totem Pole
Lot #1511 (Sale Order 1510 of 1523)
6 1/8" tall.
1950s Northwest Coast Carved Bone Totem Pole
Lot #1512 (Sale Order 1511 of 1523)
4 1/4" tall
Alaskan Inuit Eskimo Carved Totem Pole
Lot #1513 (Sale Order 1512 of 1523)
4 3/8" tall.
Alaskan Inuit Eskimo Carved Totem Pole
Lot #1514 (Sale Order 1513 of 1523)
5 1/2" tall. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
1950s Northwest Coast Carved Bone Totem Pole
Lot #1515 (Sale Order 1514 of 1523)
4 1/2" tall
1950s Northwest Coast Carved Bone Totem Pole
Lot #1516 (Sale Order 1515 of 1523)
3 3/4" tall.
1950s Northwest Coast Carved Bone Totem Pole
Lot #1517 (Sale Order 1516 of 1523)
6 1/8" tall
1950s Northwest Coast Carved Bone Totem Pole
Lot #1518 (Sale Order 1517 of 1523)
6 1/4" tall
Alaskan Inuit Eskimo Carved Totem Pole
Lot #1519 (Sale Order 1518 of 1523)
6" tall. Carved walrus material. Native made prior to 1972. This item cannot be shipped to Oregon, California, Hawaii, New York, New Jersey, Internationally, or any other state that prohibits.
Sat,
Mar
15,
2025
9:00 AM
Mountain
