|
|||
|
|
Fine Arts Winter Collection |
|
| Art, Antiques & Collectibles > Benson Auction Services > Fine Arts Winter Collection | |
|
Fine Arts Winter Collection |
|
|
by Benson Auction Services
Event Begins: Monday, February 16, 1:49 AM Eastern
First lots ends Thursday, February 26, 7:00 PM Eastern
Last lot ends Thursday, February 26, 9:34 PM Eastern February 26, 2026 Fine Art Paintings, Sterling Silver, Gold Jewelry, Mid-Century Modern Furniture, Lighting, Antique & Decorative Arts Auction
|
|
|
Vintage Mocca KYM Bakelite Coffee Grinder Lot #1 (Sale Order 1 of 78) Bakelite Coffee Grinder. Vintage manual coffee grinder with Bakelite body and metal grinding mechanism. Mid-century kitchen collectible.
CONDITION: Good condition overall. Please see photographs for full visual assessment. DIMENSIONS: 6 x 8.5 x 5.5 in. PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
Set of Three Glass Decanters Lot #2 (Sale Order 2 of 78) Set of Three Decanters. Three glass decanters with stoppers; suitable for bar or entertaining display.
CONDITION: Small chip on the bottom of gin bottle; otherwise good condition. Please see photographs for detail. DIMENSIONS: 3.25 x 11.5 x 3.5 in. PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
Vintage Black Patent Purse with Bakelite Handles Lot #3 (Sale Order 3 of 78) Black Patent Purse with Bakelite Handles. Vintage black patent leather handbag with distinctive Bakelite handles; mid-century fashion accessory.
CONDITION: Good condition overall. Please see photographs for full visual assessment. DIMENSIONS: 11.5 x 12 x 3 in. PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
Timmy Woods Christmas Bells Purse Lot #4 (Sale Order 4 of 78) Timmy Woods Christmas Bells Purse. Hand-carved wooden purse by designer Timmy Woods featuring Christmas bells motif. Collectible designer handbag known for whimsical carved designs.
CONDITION: Scratches on the wood; see photographs for closer detail. DIMENSIONS: 8 x 7 x 3 in. PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
Timmy Woods Wooden Clutch Lot #5 (Sale Order 5 of 78) Timmy Woods Wooden Clutch. Hand-carved wooden clutch by designer Timmy Woods. Collectible designer handbag.
CONDITION: Scratches on the wood; see photographs for closer detail. DIMENSIONS: 6 x 4 x 3 in. PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
1909 United States Coin Year Set Lot #6 (Sale Order 6 of 78) 1909 US Year Set. Complete set of United States coins from 1909 presented in display holder. Includes denominations from the year of the first Lincoln cent.
CONDITION: Good condition overall. Please see photographs for full visual assessment. DIMENSIONS: 6 x 2 x 0.25 in. PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
Vintage Whistle Soda Advertising Clock Lot #7 (Sale Order 7 of 78) Whistle Advertisement Clock. Vintage advertising clock for Whistle brand soda. Collectible advertising piece.
CONDITION: Clock does run; but may need to be rewired in the future. Please see photographs. DIMENSIONS: 11 x 11 x 3 in. PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
Italian Post-Modern Lacquer and Inlaid Dining Table; Manner of Benjamin Le Lot #8 (Sale Order 8 of 78) ITALIAN POST-MODERN LACQUER AND INLAID DINING TABLE; MANNER OF BENJAMIN LE Circa 1980s-1990s Aniline-dyed inlaid wood; high-gloss lacquer; black lacquered base A lacquered Post-Modern Italian round dining table featuring a top of whimsical inlays of mixed woods stained in vibrant shades of amber; rust; black; green; and blue; resting atop a highly lacquered black cruciform base. Each section of the abstract geometric pattern is hand cut; hand dyed; and individually inlaid in the manner of a puzzle - a technique strongly associated with Benjamin Le and Axi Contemporary Furniture of California. The bold colors and playful composition exemplify the exuberance of Italian Post-Modern design. At 58.5 inches in diameter; this is a substantial and visually commanding dining table.
DIMENSIONS: 30in. H x 58.5in. Diameter CONDITION: Good condition overall. Edge damage visible including lacquer chips and losses to perimeter. Top surface in good condition with vibrant inlay colors intact. Black lacquered base shows minor surface wear. Structurally sound. A detailed condition report with additional photographs is available upon request. PROVENANCE: Private Collection; Athens; Georgia. |
|
|
Driftwood and Copper Fountain; Attributed to Scott Coblentz Lot #9 (Sale Order 9 of 78) DRIFTWOOD AND COPPER FOUNTAIN; ATTRIBUTED TO SCOTT COBLENTZ Circa 1970s-1980s Driftwood; hand-formed copper; recirculating pump A large vintage free-form sculptural driftwood fountain mounted with leaf-form copper bowls allowing water to cascade downward to a copper trough where it then recirculates. Designed for wall mounting. The organic driftwood form is complemented by hand-formed copper leaves that create a naturalistic water path; exemplifying the California Craft aesthetic popular in the 1970s and 1980s. Coblentz is known for sculptural copper and driftwood fountain works from this period.
DIMENSIONS: 36in. H x 44in. W x 18in. D CONDITION: Good condition overall. Bending noted to copper trough. Pump has not been tested; sold as is regarding mechanical function. Driftwood structurally intact with expected age patina. Copper elements show warm natural patina. A detailed condition report with additional photographs is available upon request. PROVENANCE: Private Collection; Athens; Georgia. |
|
|
Pair of Carved Alabaster Table Lamps Lot #10 (Sale Order 10 of 78) Pair of Alabaster Lamps. Two carved alabaster table lamps with translucent stone bodies and warm natural veining. Classic form suitable for traditional or transitional interiors.
CONDITION: Good condition overall. Please see photographs for full visual assessment. DIMENSIONS: 5 x 23 x 5 in. PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
Large Mid-Century Modern Pendant Light in Walnut; Spun Aluminum; and Blackened Aluminum Lot #11 (Sale Order 11 of 78) LARGE MID-CENTURY MODERN PENDANT LIGHT IN WALNUT; SPUN ALUMINUM; AND BLACKENED ALUMINUM American; Circa 1950s Spun aluminum; blackened aluminum; walnut; textured plexiglass A monumental 1950s flying saucer pendant light having a blackened aluminum drum with textured translucent plexiglass bottom diffuser; supported by five walnut arms; while a floating spun aluminum dome hovers slightly above. At 32 inches in diameter; this is an impressive architectural-scale fixture characteristic of the finest American Mid-Century Modern lighting design. The combination of warm walnut and cool aluminum creates a striking material contrast typical of the Atomic Age aesthetic. Accommodates four standard bulbs.
DIMENSIONS: (with suspension pole): 32in. H x 32in. W x 32in. D Pendant less suspension pole: 32in. Diameter x 12in. H CONDITION: Good original condition. Minor wear as expected with age and use. Light oxidation to chrome components. Plexiglass diffuser intact with no cracks. Walnut arms show warm patina. Wiring should be inspected by a qualified electrician before use. A detailed condition report with additional photographs is available upon request. PROVENANCE: Private Collection; Athens; Georgia. |
|
|
Moroccan Coin Pin 90% Silver- Novelty Writing Instrument Lot #12 (Sale Order 12 of 78) Moroccan Coin Pin; 90% silver pin incorporating an authentic Moroccan coin into the design.
CONDITION: Good condition overall. Please see photographs for full visual assessment. DIMENSIONS: 1.75 x 1.75 x 0.25 in.; Weight: 25g PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
Sterling Silver .925 Acapulco Souvenir Pin Lot #13 (Sale Order 13 of 78) Acapulco Sterling Silver Pin .925. Souvenir brooch marked sterling; decorative design.
CONDITION: Good condition overall. Please see photographs for full visual assessment. DIMENSIONS: 1.75 x 1.75 x 0.25 in.; Weight: 6g PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
1935 Liberty Silver Dollar Lot #14 (Sale Order 14 of 78) 1935 Liberty Silver Dollar. Pre-war United States silver coin in circulated condition.
CONDITION: Good condition overall. Please see photographs for full visual assessment. DIMENSIONS: 1.5 x 1.5 in.; Weight: 26.73g PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
1991 American Silver Eagle 1 Troy oz Fine Silver Dollar Lot #15 (Sale Order 15 of 78) 1991 American Silver Eagle Walking Liberty 1 oz Fine Silver Dollar. Struck by the United States Mint; bullion coin with .999 fine silver content.
CONDITION: Good condition overall. Please see photographs for full visual assessment. DIMENSIONS: 1.5 x 1.5 in. PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
2005 Buffalo Round 1 Troy oz .999 Silver Coin Lot #16 (Sale Order 16 of 78) Buffalo Round 1 Troy oz .999 fine silver coin; 2005. Features the classic Buffalo/Indian Head design inspired by James Earle Frasers 1913 original.
CONDITION: Good condition overall. Please see photographs for full visual assessment. DIMENSIONS: 1.5 x 1.5 in. PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
Edward Loyal Field - Landscape Sketch Lot #17 (Sale Order 17 of 78) Landscape Sketch. Oil on canvas; black contemporary frame. American Realist tonalist landscape depicting rocky coastal scene with vegetation. Characteristic Field impasto technique with tactile surface. Good condition. Contemporary frame.
CONDITION: The painting surface appears stable with thick impasto application. No obvious cracking, flaking, or paint loss visible. Some light surface grime consistent with age. The frame shows wear — gold leaf inner liner has losses and rubbing, black outer frame has speckled wear exposing wood underneath. Minor edge chips on frame corners. Hanging wire and hardware intact on verso. DIMENSIONS: 16 x 16.5 in. PROVENANCE: On rear stamped ELF from artists collection. Stamped catalogue lot #232 Tovar Collection acquired from artists estate sale. Private collection. |
|
|
Edward Loyal Field - Autumn Landscape Sketch Lot #18 (Sale Order 18 of 78) Autumn Landscape Sketch. Oil on board; contemporary black frame. Bears inscription E.L. Field lower right. Vibrant autumn landscape with heavy impasto technique. Bright yellows and greens with dramatic texture. Shows Fields skill with color and paint application.
CONDITION: Heavy impasto with visible brushwork throughout. Paint surface appears stable, though the lower left area shows some minor paint loss exposing the board beneath. The board edges show some wear where paint meets frame. Overall more surface grime than Lot 1. The frame is simpler and shows wear, scuffs, and minor losses to the black finish. Hanging wire and hardware intact. DIMENSIONS: 13 x 14.5 in. PROVENANCE: On rear stamped ELF from artists collection. Stamped catalogue lot #153 Tovar Collection acquired from artists estate sale. Private collection. |
|
|
Edward Loyal Field - Autumn Landscape Sketch Lot #19 (Sale Order 19 of 78) Landscape with Trees. Oil on canvas; period ornate gilt frame with acanthus leaf decoration. Bears inscription consistent with the artist. Classic tonalist composition with trees and atmospheric lighting in autumn/evening tones. Elaborate period gesso frame significantly enhances value. Complete 19th/early 20th century presentation. Original frame. Modern matt.
CONDITION: Canvas appears stable, likely relined given the clean stretcher bars on verso. Some craquelure visible in the close-up, particularly in the darker areas. Surface grime and slight yellowing of varnish. No obvious paint loss or flaking. The gilt frame shows losses to gesso and gilding throughout corners, edges, and high points have notable wear. The green mat/liner is in good condition. Hanging wire intact. DIMENSIONS: 24 x 15.5 in. PROVENANCE: On rear stamped ELF from artists collection. Stamped catalogue lot #139 Tovar Collection inventor. Acquired from artists estate sale. Private collector. |
|
|
Edward Loyal Field - Spring Sketch Lot #20 (Sale Order 20 of 78) Sunset Landscape with Silhouetted Trees. Oil on canvas; contemporary ornate gilt frame with decorative matting. Bears inscription consistent with the artist. Tonalist sunset scene with silhouetted trees against golden sky. Coral/red decorative matting with beaded inner frame. Classic Field atmospheric effects.
CONDITION: The painting surface shows fine craquelure throughout, consistent with age. Some surface grime. The board appears stable. Professionally matted and framed. The frame is in good condition with minor gilt losses at edges. The side profile shows some gesso separation at corners. br> DIMENSIONS: 22 x 24 in. PROVENANCE: On rear stamped ELF from artists collection. Stamped catalogue lot #185 Tovar Collection acquired from artists estate sale. Private collector. |
|
|
Edward Loyal Field - Autumn Trees at Dusk Lot #21 (Sale Order 21 of 78) Autumn Trees at Dusk. Oil on canvas; contemporary ornate black and gilt frame. Bears inscription consistent with the artist. Small tonalist landscape with trees and atmospheric golden light. Multiple decorative mat layers with coral liner. Small format.
CONDITION: Paint surface appears stable with good impasto throughout. Some minor surface grime. No visible cracking or paint loss. The canvas is professionally backed with foam core and secured with offset clips. The frame is in good condition with minor gilt losses at the corners. Matting appears clean and in good condition. DIMENSIONS: 17.5 x 21 in. PROVENANCE: On rear stamped ELF from artists collection. Stamped catalogue lot #34 Tovar Collection acquired from artists estate sale. Posthumous exhibit stamp by Mrs. Field from the Salmagundi Club Thumb-box Exhibition #34 March 28 1923. Private collector. |
|
|
Edward Loyal Field - Rural Landscape with Cottages Lot #22 (Sale Order 22 of 78) Rural Landscape with Cottages. Pencil on vellum; period-style ornate frame. Pencil on vellum drawing depicting rural landscape with studio with cottage and trees. Characteristic Field subject matter. On the left is E. Loyal Fields studio; on the right is Alexander Wyants studio.
CONDITION: The drawing appears to be in good condition overall. Some light surface wear/abrasion visible, particularly at edges. The paper appears stable with no visible tears or foxing. Some light creasing. Under glass. The frame is in good condition with minor gilt losses at corner joints. The backing shows masking tape and general wear. DIMENSIONS: 18.5 x 19.5 in. PROVENANCE: On rear stamped ELF from artists collection. From the Tovar Collection acquired from artists estate sale. Private collection. |
|
|
Edward Loyal Field - Catskill Landscape Lot #23 (Sale Order 23 of 78) Winter Scene with Structure. Oil on canvas; period ornate gilt frame with decorative matting. Bears inscription consistent with the artist. A lovely winter landscape - a quintessential Field subject showing his tonalist style with a snow-covered scene featuring a bare tree and a small building or barn structure.
CONDITION: Paint surface shows good impasto, stable condition. Canvas appears to have been restretched with cardboard backing. The frame is impressive but has notable gesso losses at corners and edges, with some restoration/repair visible. Overall good condition for age. DIMENSIONS: 17 x 18.5 in. PROVENANCE: On rear stamped ELF from artists collection. Stamped catalogue lot #256 Tovar Collection acquired from artists estate sale. Private collection. |
|
|
Edward Loyal Field - Pond Landscape Lot #24 (Sale Order 24 of 78) Pond Landscape. Oil on canvas; contemporary frame with decorative scrollwork and burgundy mat. Bears inscription consistent with the artist (partially obscured by frame). Oil on canvas depicting a tonalist landscape with trees in autumn foliage. The composition features Fields characteristic impasto technique creating textural depth; with loose impressionistic brushwork capturing dappled light filtering through the canopy.
CONDITION: Paint surface is in good condition with rich impasto intact. Some minor surface grime. Canvas appears stable. Professional framing and matting in good condition. Frame shows minor wear at edges. DIMENSIONS: 22.5 x 24.5 in. PROVENANCE: From the Tovar Collection acquired from artists estate sale. Private collection. |
|
|
Set of Five Sterling Silver .925 Bread Plates Lot #25 (Sale Order 25 of 78) Set of 5 Sterling Silver Bread .925 Plates. Five individual bread and butter plates in sterling silver. Hallmarked sterling.
CONDITION: Scratches from use; consistent with age. Please see photographs. DIMENSIONS: 5.5 x 5.5 x 0.5 in.; Weight: 331g PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
Set of Six Sterling Silver .925 Bread Plates Lot #26 (Sale Order 26 of 78) Set of 6 Sterling Silver .925 Bread Plates. Six individual bread and butter plates in sterling silver. Hallmarked sterling.
CONDITION: Scratches from use; consistent with age. Please see photographs. DIMENSIONS: 6 x 6 x 0.5 in.; Weight: 442g PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
Set of Twelve Sterling Silver .925 Bread Plates Lot #27 (Sale Order 27 of 78) Set of 12 Sterling Silver .925 Bread Plates. Twelve individual bread and butter plates in sterling silver. Hallmarked sterling.
CONDITION: Scratches from use; dent in the side of one plate. Please see photographs. DIMENSIONS: 5.5 x 5.5 x 0.5 in.; Weight: 629g PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
Sam Majeed (Samuel Renaissance) - Urban Landscape Diptych Lot #28 (Sale Order 28 of 78) Urban Landscape Diptych. Acrylic on canvas (two panels). Large-scale two-panel diptych depicting colorful cityscape with power lines and dramatic orange/yellow sky. Pink; green; white buildings. Contemporary New York artist. African American Artist from Brooklyn; NY. 2016. Contemporary.
CONDITION: The paint surface is in very good condition overall with bright, saturated colors and no visible cracking, flaking, or losses. There are minor scuffs along the canvas edges where the two panels meet. The stretcher bars and cross-bracing are sturdy and in good condition. Wire hanging hardware is present on each panel with small paper tags attached. The canvases show some very minor edge wear at the corners consistent with handling. The paint extends around the edges of the stretcher bars. DIMENSIONS: 52 1/8 x 78 3/8 in. each panel PROVENANCE: Acquired directly from artist in Atlanta. Private collection. |
|
|
Peter Robert Keil - Twin Towers Cityscape Lot #29 (Sale Order 29 of 78) Twin Towers Cityscape. Acrylic on canvas; signed and unframed. Large bold neo-expressionist New York City skyline featuring Twin Towers. Heavy black outlines with yellow; pink; purple; green. Historical subject matter adds collectible appeal. In the late 50s early 60s he studied with and painted with Joan Miro while living and working in Palma; Mallorca.
CONDITION: The paint surface is in good overall condition with thick, textured impasto application throughout. The colors remain vibrant with no significant fading. There is some minor surface wear and light scuffing visible in a few areas. The canvas edges show some wear where the staples attach to the stretcher bars, and the red ground color is visible along the left edge. The side view reveals slight bowing or warping of the canvas, though this appears minor. No visible tears, punctures, or significant paint losses are apparent from the photographs. The stretcher bars appear to be of adequate construction for the canvas size. DIMENSIONS: 60 x 48 in. PROVENANCE: Acquired in a direct transaction from Peter Robert Keil via a long-standing personal and professional relationship (Dated 1985). Private collection. . |
|
|
Mixed-Media Painting on Board - Political Expressionism Lot #30 (Sale Order 30 of 78) Mixed-media painting on board depicting Senator Joseph McCarthy; architect of 1950s McCarthyism and American political witch hunts. Rendered expressionistically in acrylic; ink; and marker with vibrant yellows; blues; reds; and whites. Figure emerges through semi-transparent paint passages; present yet elusive; visible yet fragmented.
Title Undocument and reference to R.E.M.s 1987 album Document (R.E.M. No. 5) create deliberate conceptual dialogue with the bands song Exhuming McCarthy. By depicting McCarthy himself; the artist excavates the genealogy of authoritarian control across American history. McCarthy pioneered modern American political persecution: accusations without evidence; loyalty oaths; character assassination; forced confessions; professional destruction. His tactics created methodology deployed across subsequent decades. Reagan-era neo-conservatism revived McCarthyite persecution against Central American leftists and immigrants. Contemporary immigration enforcement continues this lineage: border militarization; ICE raids; DACA legal challenges; and anti-immigrant rhetoric represent McCarthyisms persistent ghost. McCarthys legacy did not end with his 1954 censure or 1957 death. His methods were resurrected; refined; and deployed across subsequent American history. The undocumented immigrant occupies same persecuted position as McCarthys accused communist: invisible; criminalized; stripped of rights despite physical presence in nation. By depicting McCarthy as undocumented - visible yet fragmented through expressionistic layering - artist creates paradox: McCarthy becomes what his victims were; present yet erased. Work positions McCarthy not as settled historical figure but as ongoing threat; his methods continuously recycled against persecuted populations. INTENTIONALLY UNSIGNED: The artist deliberately chose not to sign this work as a conceptual statement about undocumentation; invisibility; and erasure. The unsigned status reinforces the works central philosophical argument. This is sophisticated artistic intention; not accident or loss of attribution. The form perfectly aligns with the content; demonstrating conceptual rigor characteristic of contemporary political art practice. For collectors and institutions; this work offers fusion of historical genealogy; conceptual rigor; and immediate political urgency with profound relevance to 2024-2026 immigration policy debates; DACA challenges; and ICE enforcement escalation. Artist: Unknown; deliberately unsigned. CONDITION: Good. Very good condition with few signs of use. Frame is structurally sound. DIMENSIONS: 24 x 20 in. PROVENANCE: Private collection; Atlanta; Georgia. |
|
|
14K Gold Black Onyx and Diamond Earrings Lot #31 (Sale Order 31 of 78) 14K Black Onyx with Diamonds. Earrings set with black onyx and accent diamonds in 14-karat gold mounting. Elegant design.
CONDITION: Good condition overall. Please see photographs for full visual assessment. DIMENSIONS: 0.5 x 0.75 in.; Weight: 1g PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
14K Italian Gold Herringbone 18 in. Necklace Lot #32 (Sale Order 32 of 78) 14K Italian Gold Herringbone Chain. Classic herringbone pattern necklace in 14-karat yellow gold; Italian craftsmanship. Substantial weight at 35g.
CONDITION: Good condition overall. Please see photographs for full visual assessment. DIMENSIONS: 18 in. length; Weight: 35g PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
14K Gold Condor Ladies Wristwatch Lot #33 (Sale Order 33 of 78) 14K Condor Ladies Watch. Ladies wristwatch by Condor in 14-karat gold case. Elegant dress watch.
CONDITION: Good condition overall. Please see photographs for full visual assessment. DIMENSIONS: 6.25 x 0.5 in.; Weight: 23g PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
14K Italian Gold Soft Textured Bangle Bracelet Lot #34 (Sale Order 34 of 78) 14K Italian Gold Soft Textured Bangle Bracelet. Bangle bracelet in 14-karat yellow gold; Italian craftsmanship. Classic design.
CONDITION: Good condition overall. Please see photographs for full visual assessment. DIMENSIONS: 7.5 x 0.25 in.; Weight: 13g PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
Joan Miro Danseuse Creole Carborundum Etching 1978 Ed. 13/50 Lot #35 (Sale Order 35 of 78) Joan Miro (Barcelona; 1893 - Palma de Mallorca; 1983). Danseuse creole (Creole Dancer); 1978. Carborundum etching and aquatint in colors on Arches paper. From the signed and numbered edition of 50 (this impression 13/50). Published by Maeght Editeur; Paris. This monumental work features a dancing figure drawn in brilliant red and outlined with bold black lines that seem to explode outward to create an exhilarating sense of movement and energy. Lively splatters of red flash from the head and spill over the edge of the pictorial plane. Black swirls around the eyes create a focus of intensity within the frenetic movement. Hints of green and yellow illuminate the lower portion; while a handprint motif on the left arm contrasts sharply with other elements; creating a dynamic between reality and abstraction. Inscribed Miro in pencil lower right; numbered 13/50 in pencil lower left. A sibling to Mambo (Dupin 1002); both created in 1978 as part of Miro's late-career exploration of the carborundum technique. Miro's large-scale carborundum etchings from this period are considered among the most important of his graphic artworks and are highly prized by collectors.
CONDITION: Good condition overall. Soft creases visible in raking light. Minor paper losses to margins; away from image. Colors remain vibrant with the distinctive raised texture characteristic of carborundum printing. Framed; not examined out of frame. DIMENSIONS: Sheet: approximately 54 x 38 in. (137.2 x 96.5 cm); Frame: 63 x 43 in. (160 x 109.2 cm) PROVENANCE: Maeght Editeur; Paris; Private Collection of Judy Clancey; Atlanta; GA |
|
|
Anne Emerson Hall - Third of July Lot #36 (Sale Order 36 of 78) Third of July. Oil on canvas; signed and original frame. Oil on canvas titled The Third of July; shown at the Art Station in Stone Mountain; GA; depicts two women; Annie Jefferson and Mona Reeves; seated together; draped with an American flag. The composition features a woman in a white blouse on the left and a woman in a vibrant red garment on the right; both rendered with strong tonal modeling against a landscape background featuring a white building. The title references the eve of Independence Day; adding narrative significance to the patriotic imagery. The work demonstrates Halls characteristic color sensibility and figurative skill from her Studio Incamminati training under Nelson Shanks and the Art Students League in Manhattan. The painting exhibits rich color harmonies with the red; white; and blue palette anchoring the composition; while the dual portrait format suggests themes of American identity and unity. Presented in a period gilt wood frame with ornate detail.
CONDITION: The painting is in very good condition overall. The oil paint surface is clean with rich, saturated color and no visible cracking, flaking, or paint loss. There is no evidence of inpainting or restoration. The canvas appears taut and properly stretched. The gilt-finished frame shows moderate age-appropriate wear including scuffing, small nicks, and minor gilt loss along the outer edges and at the corners, with some darkening of the finish in the carved inner molding. The hanging wire and D-ring hardware on the verso are intact and functional. The wooden backing board is clean with artist's signature, notations, and labels well preserved. DIMENSIONS: 30 x 35 in. PROVENANCE: Purchased directly from artist with provenance confirmed by the artist. Private collection. |
|
|
Anne Emerson Hall - Seated Nude (Circa 2001) Lot #37 (Sale Order 37 of 78) Seated Nude (Circa 2001). Oil on canvas; signed and unframed. Oil on canvas board depicting a seated female figure viewed from behind. Executed in the tonalist-impressionist style characteristic of the Studio Incamminati tradition; the composition features rich impasto brushwork with warm peachy-orange flesh tones set against a vibrant turquoise-green background. Hall studied at the Art Students League in Manhattan and extensively under Nelson Shanks; receiving her Certificate of Completion with Excellence in 2010. The work demonstrates her mastery of color relationships derived from the Hensche-Hawthorne lineage through Shanks. Painted and exhibited at Callanwolde in Atlanta.
CONDITION: The paint surface is in excellent condition with vivid, saturated colors and confident brushwork throughout. No visible cracking, flaking, or losses. A few very fine, light surface scratches are barely perceptible in the flesh tones of the back area under close inspection but do not affect the overall presentation. The canvas is taut and properly tensioned. The stretcher bars are in good condition. The verso shows some water staining/discoloration on the canvas backing, but this does not appear to have affected the painted surface on the recto. DIMENSIONS: 36 x 30 in. PROVENANCE: Purchased directly from artist with provenance confirmed by the artist. Private collection. |
|
|
Anne Emerson Hall - Love Birds Lot #38 (Sale Order 38 of 78) Love Birds. Oil on canvas; signed and original frame. Oil on canvas titled Love Birds; depicting a classical still life arrangement featuring a decorative blue-gray pitcher adorned with pink and red bird motifs; a white and red patterned box; and red cherries arranged on draped fabric. Set against a rich; warm dark background with dramatic chiaroscuro lighting; the work demonstrates Halls command of color relationships and form. The painting showcases her training in the color theory lineage from Monet through Hensche; Hawthorne; and Chase to Nelson Shanks. Her training at Studio Incamminati under Nelson Shanks and the Art Students League in Manhattan developed the strong foundation for her art. The work exhibits confident brushwork with particular attention to the reflective surfaces of the ceramic pitcher and the luminous quality of the fruit. The warm golden-brown drapery provides tonal contrast to the cooler blues and crisp whites of the objects. Presented in a substantial gilt wood frame. Exhibited at the Atlanta Artists Center and the Unitarian Universalist Congregation of Atlanta.
CONDITION: The painting is in very good condition. The oil paint surface is clean and stable with no visible cracking, flaking, or paint loss. Brushwork is crisp and colors remain vibrant throughout. The canvas is taut on its stretcher. The gilt-finished frame is in good condition overall with light surface scratches and minor scuffing consistent with normal handling. A small dark mark or nick is visible on the top rail of the frame. A small spot of what appears to be red paint is present on the upper right corner of the frame. The verso shows the original stretcher bars, artist's biographical label, and a gallery or exhibition label with artist name, title, and medium. Hanging wire and hardware are intact and functional. DIMENSIONS: 20 x 24 in. PROVENANCE: Purchased directly from artist with provenance confirmed by the artist. Private collection. |
|
|
Anne Emerson Hall - Ballerina (2001) Lot #39 (Sale Order 39 of 78) Ballerina (2001). Oil on canvas; signed and original frame. Oil on canvas depicting a young ballerina in profile; standing en pointe in a classical pose. The dancer wears a vibrant cobalt blue tutu and bodice; rendered with confident brushwork that captures the delicate texture and volume of the tulle skirt. Set against a dramatic red curtain or backdrop with cool gray architectural elements and flooring; the composition demonstrates Halls mastery of complementary color relationships - the blue costume luminous against the warm red background. The figure shows refined anatomical understanding and tonal modeling; with particular attention to the graceful line from head through torso to pointed foot. The painting exemplifies Halls Studio Incamminati training in working from life; with the color harmonies reflecting the Hensche-Hawthorne lineage she studied under Nelson Shanks and the Art Students League in Manhattan. The subject is the artists daughter; adding personal significance to this accomplished figurative work. Inscribed Anne E. Hall on verso. Presented in an elegant gilt wood frame with cream mat.
CONDITION: Very good overall. The oil paint surface is clean, fresh, and vibrant with no visible cracking, flaking, or paint loss. Brushwork is crisp throughout with rich, saturated color. Canvas is taut and properly tensioned on what appears to be the original stretcher. The linen liner or mat surrounding the canvas within the frame shows minor pencil marks and light scuffing but is generally clean. The gilt-finished frame with black outer molding shows moderate wear including surface scratches, areas of gilt loss exposing the dark underlayer — most notably a chip at the lower left corner — and general scuffing consistent with handling. The verso shows the stretcher bars in good condition with the artist's printed biographical label stapled to the upper stretcher bar. Hanging wire and D-ring hardware are present and functional. DIMENSIONS: 38 1/4 x 32 in. PROVENANCE: Purchased directly from artist with provenance confirmed by the artist. Private collection. |
|
|
Stanislaw Ignacy Witkiewicz (Witkacy) - Portrait of a Woman With Blue Eyes Lot #40 (Sale Order 40 of 78) Portrait of a Woman with Blue Eyes. Pastel on paper; inscribed Witkacy; dated 1931; inscribed N P NTT in simple frame. Well-executed pastel portrait with striking blue eyes. Clear drug notations following Witkacys documented system. Prime period of portrait firm (1924-1939). Attributed to Stanislaw Ignacy Witkiewicz (Witkacy). Currently under review for inclusion in the catalogue raisonne. Vintage Polish publications attached to the back of this painting.
CONDITION: The pastel surface appears well-preserved with strong, vivid color throughout — the blue eyes, auburn hair, and flesh tones remain vibrant and fresh. There are no visible tears, losses, or foxing apparent from the photographs. The paper shows slight overall softness consistent with the medium and age but no significant deterioration. The frame is a modest gold-painted wood construction showing wear, scratches, and minor losses to the gilded surface, particularly at the corners and along the upper rail. The verso is especially noteworthy: it is backed with Polish-language newspaper pages, including visible headlines such as "KWADRATURA KSIEZYCÓW" (Squaring of Moons) and a subtitle referencing "Od Hipokratesa do Leonarda da Vinci" (From Hippocrates to Leonardo da Vinci), along with period photographs. This Polish newspaper backing is consistent with the work's provenance and adds supporting context for its origin. The backing shows age-related yellowing, some water staining, and minor tears. A small triangle hook hanger is visible at the top center. DIMENSIONS: 17 x 16 in. PROVENANCE: Attributed to Stanislaw Ignacy Witkiewicz (Witkacy). Currently under review for inclusion in the catalogue raisonne. Private collection. |
|
|
Stanislaw Ignacy Witkiewicz (Witkacy) - Portrait with Dark Hair Lot #41 (Sale Order 41 of 78) Portrait with Dark Hair. Pastel on paper; inscribed Witkacy; dated 1937; in contemporary frame. Large-scale bold portrait with masterful draftsmanship and strong expressionist execution. Woman with jewelry; profile view. Late 1930s peak period. Sophisticated subject and composition. Attributed to Stanislaw Ignacy Witkiewicz (Witkacy). Currently under review for inclusion in the catalogue raisonne.
CONDITION: The pastel surface is in good overall condition with strong color retention throughout, particularly in the pink/lavender background passages and the detailed rendering of the necklace. There is a noticeable crease or fold visible along the lower right edge of the sheet where it meets the mat opening, suggesting the paper was bent at some point during handling or framing. No significant foxing, staining, or losses to the pastel surface are apparent from the photographs. The paper shows some light surface abrasion in the lower center area near the signature. The frame is in good condition with minor wear and surface scratches. The verso shows brown paper dust cover with wire hanging hardware in good condition with only minor scuffing. DIMENSIONS: 26.5 x 22 in. PROVENANCE: Attributed to Stanislaw Ignacy Witkiewicz (Witkacy). Currently under review for inclusion in the catalogue raisonne. Private collection. |
|
|
Polly Doyle (Fleisher) - Wisdom or Folly Lot #42 (Sale Order 42 of 78) Wisdom or Folly. Oil on canvas in four panels; inscribed; with custom wooden frame. Monumental expressionistic figurative composition. The work presents abstracted nude figures rendered in muted tones of gray; blue; beige; coral-red; and touches of gold; with gestural brushwork characteristic of the Boston Figurative Expressionist movement. Each of the four equal quadrants creates a narrative sequence or simultaneous meditation on the human condition; with contorted; dynamic figures suggesting various states of existence and emotional intensity. The titles philosophical duality - wisdom versus folly - invites contemplation of human nature and life choices. This major work exemplifies Doyles mature figurative style at its most ambitious scale; demonstrating the influence of German Expressionism filtered through her training under Karl Zerbe; with bold color relationships and the exaggerated; expressive brushwork typical of Boston Expressionism. The work shows clear affinities to Henri Matisses Fauvist approach and the emotional intensity of Edvard Munch. Artists name and title inscribed on verso. #0137 Estate Inventory Number. Authenticated by John Curuby; President of The Boston Art Club. Certificate of Authentication available upon request.
CONDITION: The painting is in good overall condition consistent with its age. The paint surfaces across the four panels are generally stable with no significant cracking, flaking, or paint loss. The muted palette and thin paint application appear intentional and consistent across all panels. The seams where the four canvases meet are visible as thin horizontal and vertical lines running through the center of the composition, which is inherent to the quadriptych format. The walnut strip frame shows minor wear including small nicks and surface scuffing at the corners. The verso reveals the four individual stretchers joined together with white canvas overlap tacked in place; the artist's name "Polly Doyle" appears in red paint on the tacking margins of each panel, along with the title and date inscriptions in both graphite and red paint. One of the four canvases (lower left) shows moderate foxing or brown spotting on the reverse, suggesting some past exposure to moisture, though no corresponding damage is visible on the painted surface. Hanging wire is strung between eye hooks on the upper two panels. The work would benefit from a professional examination of the reverse canvas condition on the lower left panel. DIMENSIONS: 44.5 x 44 3/4 in. PROVENANCE: From the Estate of Polly Doyle via The Boston Art Club. Private collection. |
|
|
Polly Doyle (Fleisher) - Daddy was an Acrobat Lot #43 (Sale Order 43 of 78) Daddy was an Acrobat. Oil on canvas; dated 1958; bears inscription consistent with the artist and unframed. Dynamic expressionistic composition of acrobatic figures in performance. The work features abstracted human forms rendered in luminous golden yellow and cool gray-blue tones against a richly textured dark gray-brown atmospheric background. Multiple figures are shown in mid-movement - some mounted on what appear to be horses or animals; others in acrobatic poses - creating a sense of circus performance energy and spectacle. The gestural brushwork and bold color contrasts are characteristic of the Boston Figurative Expressionist movement at its height in the late 1950s. The painting demonstrates strong influences from German Expressionism; particularly in the distorted figures and emotional intensity of the palette. The deeply personal title suggests a family narrative; fitting with Doyles practice of creating work with personal historical references. This early work shows the artist fully engaged with the Karl Zerbe-influenced style taught at the School of the Museum of Fine Arts; where she had completed her studies just three years prior. Inscribed and dated lower right P. Doyle 1958. Bears inscription consistent with the artist; date; and title on verso. Presented in a simple wood frame. #0032 Estate Inventory Number. Authenticated by John Curuby; President of The Boston Art Club. Certificate of Authentication available upon request.
CONDITION: Good overall condition with wear consistent with the work's age. The paint surface is generally stable with visible canvas texture throughout. Close examination of the upper right area reveals fine hairline cracking in the darker paint passages, particularly where thicker paint has been applied over thinner layers. A small puncture or indentation is visible in the lower right quadrant of the canvas near the signature area. Scattered minor surface scratches are present in the darker background areas. The gold-toned strip frame shows moderate wear including scuffing, small nicks, and areas where the gilt surface has worn through to reveal the underlying wood, particularly at corners and edges. The verso is clean with the artist's signature, date, and title inscription clearly legible in graphite on the canvas. Original stretcher bars appear sound. Hanging wire and eye hooks are present and functional. DIMENSIONS: 36 3/8 x 50 in. PROVENANCE: From the Estate of Polly Doyle via The Boston Art Club. Private collection. |
|
|
Polly Doyle (Fleisher) - Rapid Transit Lot #44 (Sale Order 44 of 78) Rapid Transit. Mixed media on circular canvas (tondo); inscribed and unframed. Ingeniously designed to replicate the iconic circular logo of the MBTA T - Bostons Massachusetts Bay Transportation Authority subway system. The circular format of the painting itself represents the famous transit logo. At the compositions center; a luminous white and silver T emerges from a deep navy-black background with an atmospheric; almost ghostly quality created through layered brushwork and varied tonal passages. Bronze-brown vertical elements flanking the T suggest subway tracks or infrastructure columns; grounding the symbol in the physical reality of the underground transit environment. A subtle blue gradient at the bottom evokes the depths of the subway system. The textured; ethereal treatment of the white T creates a sense of movement and energy - the rapid quality referenced in the title. Within this iconic symbol; the artist has subtly concealed figurative elements depicting a family riding the subway; demonstrating her characteristic blending of geometric symbolism with humanist narrative. This conceptually sophisticated work exemplifies the Boston Figurative Expressionist commitment to depicting everyday urban experience and democratic public life through bold modernist form. Artists name; title; and Boston Mass inscribed on verso. #0029 Estate Inventory Number. Authenticated by John Curuby; President of The Boston Art Club. Certificate of Authentication available upon request.
CONDITION: The painting is in good condition overall with some wear consistent with its age. The paint surface is generally stable, though close inspection reveals scattered fine surface scratches in the dark charcoal areas, particularly in the lower right quadrant. There are a few small dark spots or paint splatter marks within the silver-toned areas that appear to be original to the artist's working process. The tacking edges at the top of the circular canvas show some fraying and minor tears where the canvas wraps over the circular stretcher/support, visible in the edge detail photos. The circular backing board or stretcher shows age-related wear. The canvas is mounted to a round hardboard support with the museum school benefit sale label and artist inscriptions in red paint well preserved on the verso. Hanging wire and hardware are present and functional. DIMENSIONS: 41 in. Diameter PROVENANCE: From the Estate of Polly Doyle via The Boston Art Club. Private collection. |
|
|
Anne Emerson Hall - Portrait of a Young Woman Lot #45 (Sale Order 45 of 78) Portrait of a Young Woman. Oil on canvas; signed in original frame. Oil on canvas depicting a classical-style portrait bust of a young woman in profile view. The subject is rendered with refined modeling and delicate tonality; showing dark hair pulled back in a chignon with bare shoulders suggesting a timeless academic study. Executed in warm peachy flesh tones against a neutral beige background; the work demonstrates Halls mastery of traditional portraiture techniques learned at Studio Incamminati and the Art Students League in Manhattan. The painting exhibits the kind of careful observation and tonal control characteristic of Nelson Shanks teaching methodology; with particular attention to the subtle gradations of light across the face and neck. The classical pose and treatment recall 19th-century academic portraiture. Presented in an elegant gilt wood frame with multiple stepped moldings.
CONDITION: The painting is in very good condition. The paint surface is clean and stable with no visible cracking, flaking, or paint loss. The canvas appears properly tensioned on what looks to be an original stretcher. The warm-toned wood frame is in good condition with minor surface scratches, light scuffing, and a small chip or nick visible at the upper left inner edge. There is slight wear to the frame finish along the outer edges consistent with age and handling. The verso shows the canvas in clean condition inscription and biographical label intact. Hanging wire and hardware are present and functional. DIMENSIONS: 27 1/4 x 23 3/8 in. PROVENANCE: Purchased directly from artist with provenance confirmed by the artist. Private collection. |
|
|
Sterling Silver .925 Covered Serving Dish Lot #46 (Sale Order 46 of 78) Sterling Silver .925 Covered Dish. Covered serving dish in silver with lid. Elegant tableware suitable for formal dining.
CONDITION: Scratches from use; consistent with age. Please see photographs. DIMENSIONS: 11 x 4 x 8.5 in.; Weight: 612g PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
F.B. Rogers Five-Piece Sterling Silver .925 Tea Set Lot #47 (Sale Order 47 of 78) Five-Piece F.B. Rogers Sterling Silver .925Tea Set. Complete tea service including teapot; creamer; sugar bowl; and additional pieces by F.B. Rogers Silver Co. Hallmarked sterling.
CONDITION: Good condition overall. Please see photographs for full visual assessment. DIMENSIONS: 10 x 10 x 5 in.; Weight: 1642g PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
International Prelude Four-Piece Sterling Silver .925 Tea Set Lot #48 (Sale Order 48 of 78) Four-Piece Prelude Sterling Silver .925 Tea Set. Complete tea service in the Prelude pattern. Sterling silver; elegant mid-century design.
CONDITION: Small dent in teapot; and a dent in the creamer. Please see photographs for detail. DIMENSIONS: 10 x 11 x 5 in.; Weight: 2005g PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
71-Piece Sterling Silver .925 Flatware Set Lot #49 (Sale Order 49 of 78) 71-Piece Sterling Silverware .925 Set. Comprehensive sterling silver flatware service. Hallmarked sterling. Weight excludes the knives with stainless handles. An excellent estate flatware collection suitable for formal entertaining.
CONDITION: Good condition overall. Please see photographs for full visual assessment. DIMENSIONS: 1.5 x 10 x 0.75 in. (per piece); Weight: 2024g (excludes stainless-handled knives) PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
Art Deco Style Sterling Silver 925 Bowl Lot #50 (Sale Order 50 of 78) Art Deco Style Sterling Bowl. Sterling Silver .925 bowl with Art Deco-influenced design. Hallmarked sterling. Elegant serving or display piece.
CONDITION: Scratches from use; consistent with age. Please see photographs. DIMENSIONS: 12 x 9 x 1 in.; Weight: 502g PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
After Pablo Picasso Bacchanal with Bull Color Linocut 1962 Lot #51 (Sale Order 51 of 78) After Pablo Picasso (Spanish; 1881-1973). Bacchanal with Bull (Bacchanale au toro); 1962. Color linocut reproduction on paper. Unsigned; as issued. Not numbered. Accompanied by Regency Fine Art Certificate (Reg. # FA-00820-750-05/17/94) correctly identifying the work as By/After: Picasso; P. and Not Signed. Pablo Picasso created the original Bacchanal with Bull in 1959 at the age of 78; pioneering the innovative reduction method of linocut printing at the Arnera workshop in Vallauris; France. This technique involved progressively cutting away portions of a single linoleum block between color printings; creating remarkably complex multi-colored images from what was traditionally considered a simple medium. The composition depicts a mythological bacchanalia scene featuring revelers and a bull; themes that recurred throughout Picasso's oeuvre. The bull held particular significance for Picasso; symbolizing strength; virility; and the essence of Spanish culture. In 1962; authorized reproduction editions were issued by Cercle d'Art (Paris); Harry N. Abrams (New York); and Gerd Hatje (Stuttgart). These editions were printed at the Arnera workshops using new linoleum blocks created specifically for the reproductions; resulting in prints approximately 42% smaller than the originals. Unlike the original edition of 50 signed and numbered impressions published by Galerie Louise Leiris; these reproduction editions were issued unsigned and unnumbered; making the present example consistent with these authorized 1962 editions. The original 1959 linocut is recorded in Georges Bloch; Pablo Picasso: Catalogue de l'oeuvre grave et lithographie; and Brigitte Baer; Picasso Peintre-Graveur; no. 1264.
CONDITION: Good condition overall. Colors remain vibrant with no visible fading. The print appears clean with no foxing; tears; or creases visible. Housed in a gilt wood frame under glass. Not examined out of frame. DIMENSIONS: Image: 11.5 x 13.34 in. (29.2 x 33.9 cm); Frame: 27 x 28 x 2 in. (68.6 x 71.1 x 5.1 cm) PROVENANCE: Private Collection of Judy Clancey; Atlanta; GA. |
|
|
Wifredo Lam Taureau-trois-graines Color Lithograph 1973 Ed. 19/99 Lot #52 (Sale Order 52 of 78) Wifredo Lam (Sagua la Grande; Cuba; 1902 - Paris; France; 1982). Taureau-trois-graines s'est laisse pousser les dents (The Bull-Three-Seeds Has Let His Teeth Grow); 1973. From the portfolio Le Regard Vertical (The Vertical Gaze); Plate 3 of 6. Color lithograph on Arches paper. Edition 19/99. Published by Editions Agori / La Mata; Paris. Printed by Ateliers Guillard; Gourdon a Cachan. Inscribed in pencil lower right with the edition number 19/99; bears pencil inscription of the artist's name. This striking lithograph belongs to Lam's celebrated 1973 portfolio Le Regard Vertical; a suite of six color lithographs representing the culmination of his mature graphic work. The composition showcases his distinctive visual vocabulary: angular; elongated forms that merge human; animal; and vegetal elements -- a synthesis rooted in Santeria iconography and the artist's lifelong dialogue between European modernism and Caribbean spirituality. Lam (1902-1982) remains one of the most significant artists of the twentieth century; bridging the avant-garde movements of Europe with the rich visual traditions of the Caribbean. After studying in Madrid and Paris; where he formed close friendships with Picasso and the Surrealists; Lam returned to Cuba in 1941 and created his most iconic works. His graphic work; particularly the lithographs from the 1970s; continues to be highly sought after by collectors of modern masters.
CONDITION: Excellent condition overall. Colors remain vibrant with no fading. Paper is clean with no foxing; tears; or creases. Margins are full and intact. Framed; not examined out of frame. DIMENSIONS: Sheet: 25.6 x 19.7 in. (65 x 50 cm) PROVENANCE: Private Collection of Judy Clancey; Atlanta; GA. |
|
|
Hans Wegner for GETAMA GE-290/2 Two-Seat Plank Sofa in Leather Lot #53 (Sale Order 53 of 78) HANS WEGNER FOR GETAMA GE-290/2 TWO-SEAT PLANK SOFA IN LEATHER Hans J. Wegner (Danish; 1914-2007) Model GE-290/2 Two-Seat Plank Sofa Designed 1953; of recent manufacture Beech and brown full-grain semi-aniline leather A finely crafted two-seat sofa in beech with paddle arms; designed by Hans J. Wegner for GETAMA. One of the most iconic mid-20th century Danish Modern designs; the GE-290 series was originally created in 1953 and remains in continuous production. This example features a spring-loaded quilted seat platform upholstered in a deep brown full-grain semi-aniline leather. The clean; architectural lines and warm material palette exemplify Wegner's mastery of form and function. Unmarked.
DIMENSIONS: 29.5in. H x 50in. W x 31in. D Seat Height: 16.5in. | Arm Height: 21.5in. CONDITION: Very good condition with few signs of use. Leather supple and free of significant wear; cracking; or staining. Beech frame structurally sound with no looseness to joints. Quilted seat cushion retains shape. A detailed condition report with additional photographs is available upon request. PROVENANCE: Private Collection; Athens; Georgia |
|
|
Hans Wegner for GETAMA GE-290/3 Three-Seat Plank Sofa in Leather Lot #54 (Sale Order 54 of 78) HANS WEGNER FOR GETAMA GE-290/3 THREE-SEAT PLANK SOFA IN LEATHER Hans J. Wegner (Danish; 1914-2007) Model GE-290/3 Three-Seat Plank Sofa Designed 1953; of recent manufacture Beech and brown full-grain semi-aniline leather A finely crafted three-seat sofa in beech with paddle arms; designed by Hans J. Wegner for GETAMA. The companion piece to the GE-290/2 two-seat sofa (Lot 32); this three-seat version offers the same iconic Danish Modern design at a more generous scale. Originally created in 1953 and remaining in continuous production; the GE-290 series represents one of Wegner's most enduring achievements. This example features a spring-loaded quilted seat platform upholstered in a deep brown full-grain semi-aniline leather. Unmarked.
DIMENSIONS: 29.5in. H x 71in. W x 31in. D Seat Height: 16.5in. | Arm Height: 21.5in. CONDITION: Very good condition with few signs of use. Leather supple and free of significant wear; cracking; or staining. Beech frame structurally sound with no looseness to joints. Quilted seat cushion retains shape. A detailed condition report with additional photographs is available upon request. PROVENANCE: Private Collection; Athens; Georgia. |
|
|
1960s Redwood Live Edge Coffee Table; Manner of Nakashima Lot #55 (Sale Order 55 of 78) 1960S REDWOOD LIVE EDGE COFFEE TABLE; MANNER OF NAKASHIMA American; Circa 1960s Redwood slab; lacquered surface; charred (shou sugi ban-style) edges and base A mid-century organic modern coffee table crafted from a dramatic redwood slab. The top surface is lacquered to a warm; rich sheen while the natural bark edges and stump base have been charred to a deep black in a technique reminiscent of the Japanese shou sugi ban tradition; creating a striking visual contrast between the glowing red-amber interior and the darkened organic perimeter. At 73 inches long; this is a substantial and commanding piece with strong sculptural presence. The organic; free-form silhouette and celebration of natural wood character place this work firmly in the tradition of George Nakashima and the American Craft movement.
DIMENSIONS: 16.5in. H x 73in. W x 38in. D CONDITION: Good condition overall. Lacquered top surface in good condition with expected wear. Charred edges and base intact with dramatic visual contrast. Structurally sound. A detailed condition report with additional photographs is available upon request. PROVENANCE: Private Collection; Athens; Georgia. |
|
|
Anne Neumark - Multi-Figure Interior Scene Lot #56 (Sale Order 56 of 78) Multi-Figure Interior Scene. Original graphite sketch; very good condition in contemporary frame. Original graphite sketch depicting three figures - two women wearing period cloche hats and a man viewed from behind - gathered at what appears to be a cafe counter. Executed during the artists student years at the Designers Art School in Boston. Demonstrates confident draftsmanship with characteristic diagonal hatching to build form and shadow. Sketch quality rather than a finished drawing. Soft and compassionate.
CONDITION: Good overall condition for a work on paper of this age. The graphite drawing is clean and well-preserved with no significant fading, smudging, or erasure. The paper shows very slight toning consistent with age. No visible tears, creases, or foxing. The work is presented in a black-painted wood frame with a gold inner fillet, appearing to be a later presentation frame in good condition with minor surface wear. Black paper dust cover on verso with hanging wire and D-ring hardware intact and functional. DIMENSIONS: 10 x 12 in. PROVENANCE: Purchased from artists estate. Private collection. |
|
|
Anne Neumark - Portrait of a Woman in Profile Lot #57 (Sale Order 57 of 78) Portrait of a Woman in Profile. Lithograph (Artists Proof); contemporary black and gold frame with professional matting. Bears inscription consistent with the artist; marked AP. Profile portrait of woman with hat tenderly and compassionately glancing toward her child. Artists Proof designation. Well-executed portrait drawing demonstrates Neumarks skill as portraitist.
CONDITION: The print appears in good condition. Paper shows minor toning at edges. Clean impression. No visible foxing, tears, or staining within the image area. Under glass. Frame in good condition with minor gilt losses showing red bole underneath. DIMENSIONS: 20.5 x 17.5 in. PROVENANCE: Purchased from artists estate. Private collection. |
|
|
Anne Neumark - Two Portrait Studies Lot #58 (Sale Order 58 of 78) Two Portrait Studies. Pencil drawing on paper; contemporary black frame with cream matting. Bears inscription consistent with the artist. Original drawing featuring two portrait studies of women (one frontal view; one profile) on single sheet. Well-executed with good draftsmanship detailed with gentle kindness.
CONDITION: Drawing appears in very good condition. Paper shows slight toning consistent with age. No visible foxing, tears, or smudging. Clean, well-preserved. Under glass. Frame in good condition. The backing paper shows a small puncture/hole at bottom center. DIMENSIONS: 18.5 x 24.75 in. PROVENANCE: Purchased from artists estate. Private collection. |
|
|
Anne Neumark - Self Portrait Lot #59 (Sale Order 59 of 78) Self Portrait. Pastel on paper; contemporary wood frame with dark matting. Bears inscription consistent with the artist and dated. Colored portrait (pastel or colored pencil/chalk) of the artist with dark hair and coral/pink garment. Painting shows Neumarks portraiture skills and use of color. Signature and label on back 1937.
CONDITION: Drawing in very good condition. Paper shows slight toning. No foxing, tears, or smudging. Charcoal and pastel well-fixed. Frame in good condition with minor wear. The verso identifies the artist's full first name as Anne Neumark, and dates this particular work to March 1937 (or 1939). The slight variation in spelling on the etching may just be the artist's cursive style. DIMENSIONS: 22.5 x 18.5 in. PROVENANCE: Purchased from Artists Estate. Private collection. |
|
|
Anne Neumark - Interior Scene with Multiple Figures Lot #60 (Sale Order 60 of 78) Interior Scene with Multiple Figures. Pencil drawing on paper; contemporary black and gold frame with white matting. Multi-figure interior scene composition demonstrating complex and narrative skill. Monochrome graphite execution. Artist paper mark - French paper impression on lower right. The soft flowing composition creates an overtone of warmth and kindness.
CONDITION: Paper in good condition with minor toning. No tears or foxing. Under glass. Frame in very good condition. DIMENSIONS: 20 x 18 in. PROVENANCE: Purchased from the artists estate. Private collection. |
|
|
Anne Neumark - Four People in Surreal Landscape Lot #61 (Sale Order 61 of 78) Four People in Surreal Landscape. Lithograph; in contemporary frame. A sensual safe surreal/dreamlike composition of three women and one man on a street far from the city with an architectural background. More finished and compositionally more sophisticated than portrait studies. Soft and compassionate.
CONDITION: The impression appears rich with good tonal range and plate tone throughout. No visible tears, foxing, or staining are apparent from the photographs, and the paper appears stable and in overall good condition. The frame is in good condition, though the lacquer finish shows minor surface scratches. The verso reveals a brown paper dust cover with moderate wear, including tears and losses to the backing paper, particularly at the upper center and lower right corners. The wire hanging hardware is intact. DIMENSIONS: 12 x 17 in. PROVENANCE: Purchased from artists estate. Private collection. |
|
|
Polly Doyle (Fleisher) - Angels Lot #62 (Sale Order 62 of 78) Angels. Oil on canvas; unframed. Two abstract figurative forms - ghostly white figures with dramatic red accents. Boston Figurative Expressionist style. Strong expressionist composition with psychological intensity. Prominent member of the Boston Art Club. Her art work is still prominently advertised on the Boston Art Club website. #0010 Estate Inventory Number. Authenticated by John Curuby; President of The Boston Art Club. Certificate of Authentication available upon request.
CONDITION: The paint surface is in good overall condition with a thin, somewhat matte application throughout. There is some minor surface dirt and light scuffing in areas, particularly in the lower portions. The canvas appears stable with no visible tears, punctures, or significant losses. Some very minor cracking may be present in the darker brown passages but nothing of concern. The edges show some wear where the canvas wraps around the stretcher bars. The stretcher bars appear lightweight but structurally sound. DIMENSIONS: 14 x 28 in. PROVENANCE: From the Estate of Polly Doyle via The Boston Art Club. Private collection. |
|
|
Stanislaw Ignacy Witkiewicz (Witkacy) - Portrait of a Young Man Lot #63 (Sale Order 63 of 78) Portrait of a Young Man. Pastel on paper; inscribed Witkacy; NP NTT in simple frame. Expressionist portrait with characteristic Witkacy drug notation system (NP NTT = no smoking; no alcohol). Shows his documented portrait firm practice. Contemporary frame. Attributed to Stanislaw Ignacy Witkiewicz (Witkacy). Currently under review for inclusion in the catalogue raisonne.
CONDITION: The paper shows notable creasing and wrinkling throughout, particularly visible in the lower half around the signature area and across the chest/collar region. These creases are consistent with past handling or improper storage of the unframed sheet. The pastel medium itself appears stable with vibrant color retention, especially in the purple/violet passages and flesh tones. There is no apparent foxing, staining, or significant losses to the pastel surface visible from the photographs. The frame is in good condition. The verso shows brown paper dust cover with wire hanging hardware; the backing has several small punctures and abrasions but is largely intact. DIMENSIONS: 28 x 24.5 in. PROVENANCE: Attributed to Stanislaw Ignacy Witkiewicz (Witkacy). Currently under review for inclusion in the catalogue raisonne. Private collector. |
|
|
Stanislaw Ignacy Witkiewicz (Witkacy) - Expressionist Portrait Lot #64 (Sale Order 64 of 78) Expressionist Portrait. Pastel on paper; inscribed Witkacy; dated 1929; drug notation visible; in contemporary frame. Portrait with wild hair and striking blue eyes showing psychological intensity. 1929 date places it five years after founding of portrait firm. Bold use of orange; blue; and black. Dramatic expressionist quality. Vintage Polish publications attached to the back of this painting. Attributed to Stanislaw Ignacy Witkiewicz (Witkacy). Currently under review for inclusion in the catalogue raisonne.
CONDITION: The pastel surface is vibrant and well-preserved with rich, saturated color throughout — the blues of the eyes and background, the warm reds and oranges of the flesh, and the dark brown/black of the hair all read strongly. There are no visible tears, foxing, or major losses apparent from the photographs. The paper shows some slight wrinkling or undulation, particularly noticeable at the upper left, consistent with the sheet not being fully tensioned against a support. The frame shows minor wear to the lacquer finish with small scratches and nicks, and the gold inner lip shows some wear. The verso is particularly rich in provenance material: it is backed with Polish-language newspaper pages featuring visible headlines including "SZEWC I ARTYSCI" (Shoemaker and Artists), "WYSTRZEGAC SIE ROMANTYZMU" (Beware of Romanticism), "NIE DO WIARY: TRANSFUZJA KRWI" (Unbelievable: Blood Transfusion), "KONKURS Z R. 1929 I JEGO BLOGOSLAWIONE SKUTKI" (Competition from 1929 and Its Blessed Results), and "UJARZMIENIE ENERGII WÓD" (Harnessing Water Energy), along with period photographs and illustrations including what appears to be an article about the Tunguska meteorite with illustrations of meteor impacts. A crossbar support and wire hanging hardware are visible. The newspaper backing shows significant age-related yellowing, tears, and losses, particularly at the corners and along the edges, but remains largely intact and legible. DIMENSIONS: 25 x 19 in. PROVENANCE: Attributed to Stanislaw Ignacy Witkiewicz (Witkacy). Currently under review for inclusion in the catalogue raisonne. Private collection. |
|
|
Stephen Wesley Gorton - Expressionist Portrait Lot #65 (Sale Order 65 of 78) Expressionist Portrait. Oil on canvas; inscribed lower right; gold frame. Bold expressionist portrait figure with vibrant colors characteristic of Gortons work. Psychological intensity reflects his reputation for challenging artistic boundaries. By internationally renowned Australian artist and founder of Paddington Art School. Authenticated by Aaron Matheson; curator and leading authority on the artists work. Mr. Matheson has curated exhibitions of Gortons paintings and maintains the artists estate archive. Authentication documentation available upon request.
CONDITION: The paint surface is in very good condition with vibrant, saturated colors and varied textural application ranging from thin washes to heavy impasto. No visible cracking, flaking, or paint losses are apparent. The canvas is taut on its stretcher with no visible deformation. The frame shows moderate wear to the gilt surface with scratches, scuffs, and small areas of loss to the gilding, particularly along the outer edges and corners, consistent with age and handling. There are some small spots of discoloration or staining on the linen liner. The verso shows the stretcher bars with some paint residue and minor marks, and the wire hanging hardware is intact. DIMENSIONS: 40 x 27.5 in. PROVENANCE: Authenticated by Aaron Matheson, curator and leading authority on the artist's work. Mr. Matheson has curated exhibitions of Gorton's paintings and maintains the artist's estate archive.; documentation available upon request. Private colleciton. |
|
|
Anne Emerson Hall - Portrait of Desire Lot #66 (Sale Order 66 of 78) Portrait of Desire. Oil on canvas; signed and unframed. Philadelphia; Atlanta; GA artist. Contemporary realist portrait of Desire in white fur/fleece coat against dramatic deep red/burgundy background. Executed by artist trained under Nelson Shanks at Studio Incamminati and the Art Students League in Manhattan. Works exclusively from life in classical realist tradition. Exhibited at the Atlanta Artists Center and the Unitarian Universalist Congregation of Atlanta.
CONDITION: The paint surface is in excellent condition with no visible cracking, flaking, or losses. The colors are fresh and saturated. The canvas is taut on its stretcher bars with no deformation. The stretcher bars appear clean and in good condition. The edges of the canvas are unpainted white. Overall in very good, essentially as-painted condition. DIMENSIONS: 24 x 17.5 in. PROVENANCE: Purchased directly from artist with provenance confirmed by the artist. Private collection. |
|
|
For Whom the Bell Tolls - Ernest Hemingway Lot #67 (Sale Order 67 of 78) For Whom the Bell Tolls by Ernest Hemingway. Classic American novel in hardcover with dust jacket.
CONDITION: Paper torn on dust jacket; page discoloration; writing on inside. Please see photographs for detail. DIMENSIONS: 6 x 8.5 x 2 in. PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
Set of Robert Motherwell Art Books with Holder Lot #68 (Sale Order 68 of 78) Set of Motherwell Books. Collection of books on the work of Robert Motherwell; American Abstract Expressionist artist. Presented in book holder.
CONDITION: Scratch on outside of book holder; books in good condition. DIMENSIONS: 5.25 x 12 x 10.5 in. PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
Pirjo Nylander Decorative Blue Plate from Finland Lot #69 (Sale Order 69 of 78) From the studio of Pirjo Nylander in Helsinki, Finland inspiried by Pablo Picasso. Encribed by the artis. Ceramic 1960's. Blue Plate from Finland. Decorative ceramic plate with cobalt blue glaze; Scandinavian design.
CONDITION: Good condition overall. Please see photographs for full visual assessment. DIMENSIONS: 8 x 8 x 1 in. PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
14K Gold Fleur-de-Lis Pin Brooch Lot #70 (Sale Order 70 of 78) Fleur-de-Lis 14K Gold Pin. Decorative brooch in 14-karat gold featuring the classic fleur-de-lis motif.
CONDITION: Good condition overall. Please see photographs for full visual assessment. DIMENSIONS: 1 x 2.5 x 0.25 in.; Weight: 3g PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
14K Gold and Diamond Tennis Bracelet Lot #71 (Sale Order 71 of 78) 14KP (Karat Plumb) Gold and Diamond Bracelet. Ladies bracelet set with diamonds in 14-karat gold mounting. Elegant design suitable for everyday wear or special occasions.
CONDITION: Good condition overall. Please see photographs for full visual assessment. DIMENSIONS: 7.5 x 0.25 in.; Weight: 14g PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
Coca-Cola 75th Anniversary 1 Troy .999 oz Silver Bar Lot #72 (Sale Order 72 of 78) 75th Anniversary Coca-Cola Silver Bar. Commemorative 1 Troy oz .999 silver bar celebrating the 75th anniversary of Coca-Cola. Collectible bullion with iconic Coke branding.
CONDITION: Good condition overall. Please see photographs for full visual assessment. DIMENSIONS: 1.25 x 2.5 x 0.25 in.; Weight: 31g PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
14K Gold Pink Star Sapphire Ring Lot #73 (Sale Order 73 of 78) 14K Pink Star Sapphire Ring. Ladies ring set with a pink star sapphire cabochon in 14-karat gold mounting. Size 3.25.
CONDITION: Good condition overall. Please see photographs for full visual assessment. DIMENSIONS: 1 x 0.5 in.; Weight: 3g; Ring Size: 3.25 PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
2017 Boys Town Centennial Commemorative Coin with Box Lot #74 (Sale Order 74 of 78) 2017 Boys Town Centennial Commemorative Coin 90% Silver. United States Mint issue celebrating 100 years of Boys Town. Presented in original packaging.
CONDITION: Good condition overall. Please see photographs for full visual assessment. DIMENSIONS: 3.5 x 1 x 3.75 in. 26.73g PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
1921 Morgan Silver Dollar with Display Box Lot #75 (Sale Order 75 of 78) 1921 Morgan Silver Dollar; the final year of issue for the iconic Morgan design. Presented in display box.
CONDITION: Good condition overall. Please see photographs for full visual assessment. DIMENSIONS: 2.5 x 1.25 x 3 in. 26.73g PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
1986 American Silver Eagle 1 Troy oz Fine Silver Dollar Lot #76 (Sale Order 76 of 78) 1986 American Eagle Walking Liberty 1 Troy oz Fine Silver One Dollar Coin. First year of issue for the American Silver Eagle series; highly collectible bullion coin struck by the United States Mint.
CONDITION: Good condition overall. Please see photographs for full visual assessment. DIMENSIONS: 1.5 x 1.5 in. PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
1977 Queen Elizabeth II Silver Jubilee Commemorative Coin Lot #77 (Sale Order 77 of 78) 1977 Silver Jubilee Coin commemorating the 25th anniversary of Queen Elizabeth IIs accession to the throne. Housed in original plastic case.
CONDITION: Scratches on plastic case; coin in good condition. DIMENSIONS: 2.5 x 2.5 x 0.25 in. PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
|
Two 1964 John F. Kennedy Silver Half Dollars Lot #78 (Sale Order 78 of 78) Two JFK Half Dollars from 1964; the first year of issue. 925 (90%) silver content. Iconic coins honoring President John F. Kennedy.
CONDITION: Good condition overall. Please see photographs for full visual assessment. DIMENSIONS: 1.25 x 1.25 in.; Weight: 25g PROVENANCE: The Maben Collection; Atlanta; Georgia. |
|
