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Edouard Leon Cortes Fr. 1882–1969 Place de la Bourse Signed "Edouard Lot #1 (Sale Order 1 of 197) Edouard Leon Cortes Fr. 1882–1969 Place de la Bourse Signed "Edouard Cortes" l.r. Oil on panel 10 x 13 1/2 in. (25.4 x 34.3 cm)
Condition: Good condition, good appearance, very fine restoration of some scattered thinness and scattered restoration with some reglazing |
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Jean Van Den Eeckhoudt Bel. 1875–1946 Sous L'Oranges Signed and dated Lot #2 (Sale Order 2 of 197) Jean Van Den Eeckhoudt Bel. 1875–1946 Sous L'Oranges Signed and dated "Mar '08 Van Den Eeckhoudt" l.r. Oil on Masonite 16 x 12 1/2 in. (40.6 x 31.8 cm)
Condition: Good condition, good appearance |
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Antoine Vollon Fr. 1833–1910 Still Life Monogramed 'V" c.r Oil on p Lot #3 (Sale Order 3 of 197) Antoine Vollon Fr. 1833–1910 Still Life Monogramed 'V" c.r Oil on panel 12 x 9 in. (30.5 x 22.9 cm)
Condition: Good condition, good appearance |
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Alexander DeFaux Fr. 1826–1900 La Butte Montmarte Signed and dated "A Lot #4 (Sale Order 4 of 197) Alexander DeFaux Fr. 1826–1900 La Butte Montmarte Signed and dated "A. DeFaux" l.r.; also titled as above, signed, and dated (probably) 1890 indistinctly verso Oil on board 10 x 21 in. (25.4 x 53.3 cm)
Condition: Good condition, good appearance |
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Jean Baptiste Cony Fr. 1828–1873 The Hunt Signed "Cony" l.r. Oil on Lot #5 (Sale Order 5 of 197) Jean Baptiste Cony Fr. 1828–1873 The Hunt Signed "Cony" l.r. Oil on canvas 23 1/2 x 32 in. (59.7 x 81.3 cm)
Condition: Good appearance, good condition, lined, otherwise little to no restoration |
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Cornelis Kuypers Dutch 1864–1932 In the Woods Signed "Cornelis Kuyper Lot #6 (Sale Order 6 of 197) Cornelis Kuypers Dutch 1864–1932 In the Woods Signed "Cornelis Kuypers" l.l. Oil on canvas 15 x 22 1/2 in. (38.1 x 57.2 cm)
Condition: Good appearance, good condition, some minor spot restoration around the figures and a section approximately 2" x 5" in the landscape area of restoration between the frame and the largest tree on the left of the canvas, otherwise very minor scattered restoration |
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Narcisse Virgile Diaz de la Peña Fr. 1807–1876 Wooded Landscape with Wo Lot #7 (Sale Order 7 of 197) Narcisse Virgile Diaz de la Peña Fr. 1807–1876 Wooded Landscape with Woman on a Path Signed "N. Diaz" l.l. Oil on panel 12 x 16 in. (30.5 x 40.6 cm)
Condition: Good condition, good appearance |
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Rafael Blanco Merino Sp. ca. 1864–after 1899 A Pair of Spanish Street S Lot #8 (Sale Order 8 of 197) Rafael Blanco Merino Sp. ca. 1864–after 1899 A Pair of Spanish Street Scenes Signed "R. Blanco m..." l.l. Oil on panel 12 1/2 x 8 in. (31.8 x 20.3 cm)
Condition: Good condition, good appearance |
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Florent Crabeels Fl. 1829–1896 The Cavaliers Signed "F. Crabeels" and Lot #9 (Sale Order 9 of 197) Florent Crabeels Fl. 1829–1896 The Cavaliers Signed "F. Crabeels" and dated illegibly l.r. Oil on canvas 13 1/2 x 16 3/4 in. (34.3 x 42.5 cm) Property of John Dunham, Raymond, Maine
Condition: Good condition, good appearance. Two small spots of restoration in the sky, u.l. and u.r., and two small spots of restoration on the building, center. Not lined. |
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German School Ger. Early 19th C. Burgermeister Insrcibed with (prob Lot #10 (Sale Order 10 of 197) German School Ger. Early 19th C. Burgermeister Insrcibed with (probably) the name of the subject and dated "1819(?)" c.r Pencil and chalk on paper 16 x 11 1/2 in. (40.6 x 29.2 cm) Property of a Cumberland Foreside family
Condition: Good appearance, good condition, does not appear to be laid down, no apparent loss of color, not examined out of frame |
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Severo Rodriguez Etchart Argentinian 1865–1903 A Comforting Hand Sign Lot #11 (Sale Order 11 of 197) Severo Rodriguez Etchart Argentinian 1865–1903 A Comforting Hand Signed "Rodriguez" l.l. Oil on wood panel 25 1/2 x 18 1/2 in. (64.8 x 47.0 cm)
Condition: Good condition, good appearance., not lined, no apparent restoration when examined with a black light. |
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Harry E. J. Browne Br. 19th C. Music of the Lute Signed "Harry J. Bro Lot #12 (Sale Order 12 of 197) Harry E. J. Browne Br. 19th C. Music of the Lute Signed "Harry J. Browne" l.l. Oil on canvas 30 x 60 in. (76.2 x 152.4 cm)
Condition: Good condition, good appearance, lined, 1/2" spot of restoration l.r., and 1/8 to 1/4" scattered, minor spots of restoration in the rug area, b.l. |
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Carl Morgenstern Ger. 1811–1893 Woods and Distant Fields Inscribed "S Lot #13 (Sale Order 13 of 197) Carl Morgenstern Ger. 1811–1893 Woods and Distant Fields Inscribed "Stempel Nachlass Carl Morgenstern" and "Partie Bei...Albano" verso Oil (probably on paper mounted on board) 11 1/2 x 17 in. (29.2 x 43.2 cm) Property of a Cumberland Foreside family
Condition: Good condition, good appearance |
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Attributed to Cornelis Bega Dutch 1631–1664 Tavern Scene Oil on wood Lot #14 (Sale Order 14 of 197) Attributed to Cornelis Bega Dutch 1631–1664 Tavern Scene Oil on wood panel 9 3/4 x 8 in. (24.8 x 20.3 cm) Exhibited: Museum of Fine Arts, Boston (label bearing the name and address of L Aron Lebowich, 14 Charlesgate, West Boston)
Condition: Good condition, good appearance |
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Attributed to Cornelis Van Poelenburgh, Attributed to Sp. 1864–1899 The Lot #15 (Sale Order 15 of 197) Attributed to Cornelis Van Poelenburgh, Attributed to Sp. 1864–1899 The Huntress Diana with Handmaiden and Shepherd with Ruins in the Background Oil on wood panel 12 1/2 x 8 in. (31.8 x 20.3 cm)
Condition: Good condition, good appearance |
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Attributed to Anton De Gryeff, Attributed to Fl. 1657–1715 The Hunter, Lot #16 (Sale Order 16 of 197) Attributed to Anton De Gryeff, Attributed to Fl. 1657–1715 The Hunter, His Dogs, and the Catch , A Pair Oil on canvas 12 1/2 x 15 1/2 in. (31.8 x 39.4 cm)
Condition: Good condition, good appearance, some inpainting around the figure and around the animals, lined. |
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Portrait of Spanish Commander Ambrogio Spinola Lot #17 (Sale Order 17 of 197) Probably School of or Circle of Anthony Van Dyck, Dutch 1599–1641 Portrait of Spanish Commander Ambrogio Spinola Oil on canvas 17 3/4 x 16 1/4 in. (45.1 x 41.3 cm)
Condition: Good condition, good appearance, two small patches verso, not lined, some scattered restoration on the body and a few minor to insignifcant spots on the face, by far the largest of of which is about three quarters of an inch in the center of the subject's forehead. |
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Jan Evert Morel Dutch 1769–1808 Landscape with Figure in Road Oil on Lot #18 (Sale Order 18 of 197) Jan Evert Morel
Dutch 1769–1808 Landscape with Figure in Road Oil on wood panel 9 1/4 x 12 3/4 in. (23.5 x 32.4 cm) Provenance: F. E. Robinson Galleries (label stamped with date April 11, 1974 and address 330 A Springfield Ave., Summit NJ 07901) on the stretcher verso Wiesenfeld Estate, Colonia, New Jersey. Another label verso (probably an early auction label with #240, Landscape as title) lists Jan Evert Morel Dutch 1777-1808 as the artist [the dates are those of Morel, the Elder, whose son, also a painter, is the likely artist here], #240 Landscape |
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Jan Evert Morel Dutch 1777–1808 Landscape (with stream, house, and two Lot #19 (Sale Order 19 of 197) Jan Evert Morel
Dutch 1777–1808 Landscape (with stream, house, and two figures resting on the road on the left bank and a third figure in the distance on the right bank) Signed "J. E. Morel" followed by an indeterminate symbol or insignia l.l. There isn a remnant of a label simillar to the one on the previous lot Oil on panel 12 1/2 x 15 1/2 in. (31.8 x 39.4 cm) Wiesenfeld Estate, Colonia, New Jersey Oil on panel |
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Harry Neyland Am. 1877–1958 Luxembourg Gardens Gate, Paris Signed "Ha Lot #20 (Sale Order 20 of 197) Harry Neyland Am. 1877–1958 Luxembourg Gardens Gate, Paris Signed "Harry Neyland" l.r. Oil on board 8 1/4 x 10 1/4 in. (21.0 x 26.0 cm)
Condition: Good condition, good appearance |
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Suzanne Eisendieck Fr. 1908–1998 Femme Avec Voile Rose Signed "Suzann Lot #21 (Sale Order 21 of 197) Suzanne Eisendieck Fr. 1908–1998 Femme Avec Voile Rose Signed "Suzanne Eisendieck" l.r. Oil on canvas 22 x 18 in. (55.9 x 45.7 cm)
Condition: Good condition, good appearance. No apparent restoration when examined with a blacklight. |
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William Callow Br. 1812–1908 Off the Cliffs of Dover Signed "W.G. Cal Lot #22 (Sale Order 22 of 197) William Callow Br. 1812–1908 Off the Cliffs of Dover Signed "W.G. Callow" l.r. Oil on canvas 16 x 26 in. (40.6 x 66.0 cm)
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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Edwin Douglas Br. 1860–1918 Puppy Signed with the monogram "E.D." c.r Lot #23 (Sale Order 23 of 197) Edwin Douglas Br. 1860–1918 Puppy Signed with the monogram "E.D." c.r Oil on board 15 x 13 in. (38.1 x 33.0 cm) Property from an estate. Whitehouse, New Jersey Exhibited: William Secord Gallery, New York (label verso)
Condition: Good condition, good appearance. Minor scattered restoration on the dog's face under the tounge and to the right of the nose. Restoration in the ear, u.l., and in the background. |
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A. Muller Ger. 19th C. Filling His Flask Signed "A. Muller" l.r. Oi Lot #24 (Sale Order 24 of 197) A. Muller Ger. 19th C. Filling His Flask Signed "A. Muller" l.r. Oil on board 14 1/2 x 11 1/4 in. (36.8 x 28.6 cm) Property of Francia Davis, Manchester, Maine
Condition: Good condition, good appearance |
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Ugo Matania It. b. b. 1888 The Woven Basket Signed "Ugo Matania" l.l. Lot #25 (Sale Order 25 of 197) Ugo Matania It. b. b. 1888 The Woven Basket Signed "Ugo Matania" l.l. Oil on canvas 26 x 19 in. (66.0 x 48.3 cm)
Condition: Good condition, good appearance. 1/2" tear in the canvas(c.r.) visible in the image, with a smaller tear just below it. Otherwise, good condition, good appearance. Not lined. |
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Johann Christoph Frisch Dutch 1738–1815 Dutch City View Signed " J. C Lot #26 (Sale Order 26 of 197) Johann Christoph Frisch Dutch 1738–1815 Dutch City View Signed " J. C. Frisch" l.l. Oil on canvas 18 x 30 1/4 in. (45.7 x 76.8 cm)
Condition: Good condition, good appearance. Canvas appears to be separated from the stretcher, u.r. from the top of the frame to the center. In need of a light surface cleaning. Not lined. |
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British or Continental School Late 19th C./Early 20th C. A Wistful Mome Lot #27 (Sale Order 27 of 197) British or Continental School Late 19th C./Early 20th C. A Wistful Moment Oil on panel 18 1/4 x 14 3/4 in. (46.4 x 37.5 cm)
Condition: Good condition, good appearance |
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Theodore Ceriez Fl. 1831–1904 A Serious Discussion Signed "T. Ceriez Lot #28 (Sale Order 28 of 197) Theodore Ceriez Fl. 1831–1904 A Serious Discussion Signed "T. Ceriez" l.r. Oil on panel 14 x 18 1/2 in. (35.6 x 47.0 cm)
Condition: Good condition, good appearance, minute inpainted craquelure in the darkest area above the figures on the left and in the central wallpaper image above the figures |
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Ivan Choultse Rus. 1877–1932 Vue sur Monte Carlo Signed "I. F. Choult Lot #29 (Sale Order 29 of 197) Ivan Choultse Rus. 1877–1932 Vue sur Monte Carlo Signed "I. F. Choultse" l.l. Oil on canvas 26 x 32 in. (66.0 x 81.3 cm) Property of John and Joanne Payson, Hobe Sound, Florida Exhibited: Arthur Ackermann & Son, New York (label verso)
Condition: Good condition, good appearance, not lined, no apparent restoration when examined with black light. |
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François Gall Fr. 1912–1987 Beach Scene Oil on canvas 14 1/2 x 17 Lot #30 (Sale Order 30 of 197) François Gall Fr. 1912–1987 Beach Scene Oil on canvas 14 1/2 x 17 1/2 in. (36.8 x 44.5 cm)
Condition: Good condition, good appearance. No apparent restoration when examined with a black light.Some minor rippling of the canvas, lined. |
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Yvonne Canu Fr. 1921–2007 Le Petit Port Signed "Y.Canu" l.l. Waterc Lot #31 (Sale Order 31 of 197) Yvonne Canu Fr. 1921–2007 Le Petit Port Signed "Y.Canu" l.l. Watercolor 14 x 21 in. (35.6 x 53.3 cm)
Condition: Good condition, good appearance, does not appear to be laid down, not examined out of frame, no apparent loss of color |
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French School First quarter 20th C. Menton on the Riviera Signed "MH" Lot #32 (Sale Order 32 of 197) French School First quarter 20th C. Menton on the Riviera Signed "MH" l.r. Oil on canvas 30 x 30 in. (76.2 x 76.2 cm) Property from a Maine home
Condition: Good appearance, good condition, lined, minor scattered restoration |
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Remo Farruggio It. 1906–1981 Sea Reflections, Monhegan #2 Signed "R. Lot #33 (Sale Order 33 of 197) Remo Farruggio It. 1906–1981 Sea Reflections, Monhegan #2 Signed "R. Farruggio" l.r. Oil on canvas 50 x 60 in. (127.0 x 152.4 cm)
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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Remo Farruggio It. 1906–1981 Composition No. 3, #39 Signed "R. Farrug Lot #34 (Sale Order 34 of 197) Remo Farruggio It. 1906–1981 Composition No. 3, #39 Signed "R. Farrugio" l.c. Oil on canvas 25 x 35 in. (63.5 x 88.9 cm) Property of a gentleman, New York
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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Chen Chi Am./Chinese 1912–2005 Winter, Central Park Signed and dated Lot #35 (Sale Order 35 of 197) Chen Chi Am./Chinese 1912–2005 Winter, Central Park Signed and dated "Chen Chi 1976" l.l.; bearing the Chinese stamp l.r.; and bearing an inscription, probably a signature as well, in Chinese calligraphy vertically u.l. Watercolor 17 x 26 in. (43.2 x 66.0 cm)
Condition: Good condition, good appearance, watercolor (possibly with some gouache) on what appears to be rice paper on silk on Masonite, no apparent loss of color |
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Chen Chi Am./Chinese 1912–2005 Autumn, Central Park Signed and dated Lot #36 (Sale Order 36 of 197) Chen Chi Am./Chinese 1912–2005 Autumn, Central Park Signed and dated "Chen Chi 1976" l.l.; bearing the Chinese stamp l.r.; and bearing an inscription, probably a signature as well, in Chinese calligraphy vertically u.l. W/gouache 17 x 26 in. (43.2 x 66.0 cm)
Condition: Good condition, good appearance, watercolor (possibly with some gouache) on what appears to be rice paper on silk on Masonite, no apparent loss of color |
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Shiko Munakata Japanese 1903–1975 Koidakihi no saku Signed and stampe Lot #37 (Sale Order 37 of 197) Shiko Munakata Japanese 1903–1975 Koidakihi no saku Signed and stamped "Munakata 1957" b.l. Woodcut 12 1/2 x 8 in. (31.8 x 20.3 cm)
Condition: Good condition, good appearance. Not laid down (hinged) he two lots by Munakata in this sale were printed by the artist in association with the Print Club of Cleveland, Ohio. Lot 37 has a loose label hidden by the mat with the following text: Print Club publications no. 37, 1959 Fish and Flower and Female Buddha woodcut by Shiko Munakata printed by the artist on handmade Kozo paper Print Club of Cleveland, Ohio Both prints have descended in the same family, that of a well known 20th Century collector |
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Shiko Munakata Japanese 1903–1975 Gautama and Bodhisatvas Signed and Lot #38 (Sale Order 38 of 197) Shiko Munakata Japanese 1903–1975 Gautama and Bodhisatvas Signed and stamped "Munakata" b.l. Woodcut 9 x 12 3/4 in. (22.9 x 32.4 cm)
Condition: Good condition, good appearance. Not laid down he two lots by Munakata in this sale were printed by the artist in association with the Print Club of Cleveland, Ohio. Lot 37 has a loose label hidden by the mat with the following text: Print Club publications no. 37, 1959 Fish and Flower and Female Buddha woodcut by Shiko Munakata printed by the artist on handmade Kozo paper Print Club of Cleveland, Ohio Both prints have descended in the same family, that of a well known 20th Century collector Good condition, good appearance. Not laid down, |
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Kitagawa Utamaro Japanese 1753–1806 Courtesan with Handkerchief ca. 179 Lot #39 (Sale Order 39 of 197) Kitagawa Utamaro Japanese 1753–1806 Courtesan with Handkerchief ca. 1795 Signed in Japanese b.l. Woodcut 14 x 10 in. (35.6 x 25.4 cm) Property of a Cumberland Foreside family
Condition: Good condition, good appearance |
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Utagawa Sadahide Japanese 1807–1803 Battle of Ichinotani Triptych of Lot #40 (Sale Order 40 of 197) Utagawa Sadahide Japanese 1807–1803 Battle of Ichinotani Triptych of woodblock prints 14 x 9 3/4 in. sight (35.6 x 24.8 cm) sight Property of a Maine gentleman
Condition: Good condition, good appearance |
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Frederick Arthur Bridgman Am. 1847–1928 At the Fountain Signed and da Lot #41 (Sale Order 41 of 197) Frederick Arthur Bridgman Am. 1847–1928 At the Fountain Signed and dated "F. A. Bridgman 1878" l.r. Oil on canvas 10 1/4 x 14 in. (26.0 x 35.6 cm) Property From a Maine collection
recently found in the attic of a Maine home in very dirty, apparently untouched condition. At the request of the consignor it was cleaned by Anthony Moore Fine Art of York, Maine, tel (207) 363-1794 amprest44@aol.com. It is not lined and shows very minor scattered restoration of little significance when examined with a backlight. |
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Jane Peterson Am. 1876–1965 Street Scene, Biskra Signed "Jane Peterso Lot #42 (Sale Order 42 of 197) Jane Peterson Am. 1876–1965 Street Scene, Biskra Signed "Jane Peterson" l.r. Oil on canvas 18 x 24 in. (45.7 x 61.0 cm)
Condition: Good condition, good appearance. One small area of restoration in the sky between the buildings(approx. 1/2"). |
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Marguerite Zorach Am. 1887–1968 Palestine Signed with the "M" l.r. Lot #43 (Sale Order 43 of 197) Marguerite Zorach Am. 1887–1968 Palestine Signed with the "M" l.r. Oil on board 11 3/4 x 9 1/2 in. (29.8 x 24.1 cm)
Condition: Good condition, good appearance, possibly an insignificant loss across the extreme top of the board apparently to fit a frame. |
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George Grosz Ger. 1893–1959 No. 73 Restaurant Signed "Grosz" b.r. and Lot #44 (Sale Order 44 of 197) George Grosz Ger. 1893–1959 No. 73 Restaurant Signed "Grosz" b.r. and titled "No. 73 Restaurant" b.l. Watercolor 17 x 24 in. (43.2 x 61.0 cm) Property of Michael Lazrus, Elkins Park, Pennsylvania and Ogunquit, Maine. Literature: 18 1/2 x 25 1/2 in. paper (47.0 x 64.8 cm paper)
Condition: Good appearance, good condition, not laid down, museum quality mat George Grosz Ger. 1893–1959 No. 73 Restaurant Signed "Grosz" b.r. and titled "No. 73 Restaurant" b.l. Watercolor 17 x 24 in. (43.2 x 61.0 cm) Property of Michael Lazrus, Elkins Park, Pennsylvania and Ogunquit, Maine Jay Kaye Lazrus, New York By descent to his son, the current owner 18 1/2 x 25 1/2 in. paper (47.0 x 64.8 cm paper) In a fax to Barridoff Galleries, Ralph Jentsch, the recognized authority on work by George Grosz, who provided the earliest provenance, location, and date as above, writes, “...what a pleasant surprise to see this beautiful and important Grosz watercolor come to light!" In a separate statement he writes, “I herewith confirm that the work shown in this photograph is an original work by George Grosz (1894?–?1959) and that it will be included in the forthcoming catalogue raisonné of works on paper by George Grosz." Jentsch also writes the following in a statement dated August 30, 2013: “This watercolor was among 28 other works sent by George Grosz in November 1935 for an exhibition at the Germanic Museum, Harvard University, in Cambridge. [Jentsch dates the watercolor ten years earlier, ca. 1925.] The scene shows an illustrious group of people gathered in a posh Berlin restaurant. Part of the inscription of “Restaurant” can be read mirror-inverted on the big window of the palace-like dining hall. They are having a good time by champagne and exquisite wine. The place is crowded. Focus is on two tables with a couple at the right and two men with a girl on the left. The relationship between these people is not evident; however, the expression of the various faces tells us more. The gentleman on the right, eyes closed, seems to have made compliments to his companion that make her obviously slightly embarrassed, while at the other table all three seem to have a good time. It would not be Grosz to have produced just an ordinary restaurant scene. A closer look reveals what is really going on. First of all the ugliness of the three men is evident, while the girls are charming. Then there is the disparity of age. Besides the hideous faces of the men at the other table, it is their lascivious grin, like lurking animals sure of their catch, that unmasks them, while the young lady still seems to be self-assured. What most likely has taken place is that these men, executives of a firm, have invited these two girls, their secretaries or some sort of employees of the firm, with the intention to seduce them, a classic example, how people of higher rank misuse their power, shamelessly taking advantage of people depending on them. Grosz has captured the repellent scene still with fine humour. He started the work with watercolor, working wet into wet, using carefully the fine lines of pen and ink just in some places in order to outline faces, figures and objects in the composition." |
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Gerhard Richter Ger. b. 1932 Clouds, 1969 Signed and dated "Richter 6 Lot #45 (Sale Order 45 of 197) Gerhard Richter Ger. b. 1932 Clouds, 1969 Signed and dated "Richter 69" in pencil, b.r.; signed, in part illegibly, "Richter, ...1932 [the artist's birth date] Waltersdorf Liebdruck 1969; and inscribed with a previous owner's name b.r. verso Offset print 17 1/2 x 15 1/2 in. (44.5 x 39.4 cm) 17 1/2 x 15 1/2 in. (44.5 x 39.4 cm) image:25 x 19 3/4 in. (63.5 x 50.2 cm) paper:Property of a Maine gentleman
Condition: Good condition, good appearance |
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Enrico Nardi It. 1864–1947 Young Italian Girl with Basket Signed "E. Lot #46 (Sale Order 46 of 197) Enrico Nardi It. 1864–1947 Young Italian Girl with Basket Signed "E. Nardi" l.l. Watercolor 21 1/2 x 14 1/2 in. (54.6 x 36.8 cm)
Condition: Good appearance, good condition, not examined out of frame |
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Giulio Rosati It. 1858–1917 Market at the City Gate Signed "G. Rosati Lot #47 (Sale Order 47 of 197) Giulio Rosati It. 1858–1917 Market at the City Gate Signed "G. Rosati" l.l. Watercolor 10 1/2 x 7 in. sight (26.7 x 17.8 cm) sight
Condition: Good condition, good appearance, does not appear to be laid down, not examined out of frame, some minor loss of color intensity |
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Orlando Norie Br. 1832–1901 Armed Soldiers Behind an Embankment Signe Lot #48 (Sale Order 48 of 197) Orlando Norie Br. 1832–1901 Armed Soldiers Behind an Embankment Signed "Norie" l.l. Watercolor 12 x 18 3/4 in. (30.5 x 47.6 cm)
Condition: Good condition, little to no apparent loss of color or color intensity, behind non-glare glass, does not appear to be laid down, not examined out of frame |
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André Derain Fr. 1880–1954 Blue Landscape Signed "Derain" l.l. Oil Lot #49 (Sale Order 49 of 197) André Derain Fr. 1880–1954 Blue Landscape Signed "Derain" l.l. Oil on canvas 9 1/2 x 11 1/2 in. (24.1 x 29.2 cm) Property of Michael Lazrus, Elkins Park, Pennsylvania and Ogunquit, Maine
Condition: Good condition, good appearance. A two inch area of restoration l.r., and minor scattered l.r. |
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Felipe Castaneda Mex. b. 1933 Woman Standing with Vessel Signed "Cast Lot #50 (Sale Order 50 of 197) Felipe Castaneda Mex. b. 1933 Woman Standing with Vessel Signed "Castaneda 1980" on the base Bronze 33 x 13 1/2 in. (83.8 x 34.3 cm)
Condition: Good condition, good appearance |
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Abigail Osgood Williams Am. 1823–1913 Bay of Naples from Capri Signed Lot #51 (Sale Order 51 of 197) Abigail Osgood Williams Am. 1823–1913 Bay of Naples from Capri Signed, dated. and inscribed "A. O. Williams, Roma,1861" l.l. OIl on canvas 24 x 38 1/4 in. (61.0 x 97.2 cm)
Condition: Good condition, good appearance |
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William Bradford Am. 1823–1892 Iceberg on the Newfoundland Coast Oil Lot #52 (Sale Order 52 of 197) William Bradford Am. 1823–1892 Iceberg on the Newfoundland Coast Oil on canvas 16 x 24 in. (40.6 x 61.0 cm) Exhibited: De Cordova Museum, Lincoln, Massachusetts November 2– December 28, 1969, as "Icebergs and Fishing Shacks" on loan from Dr. and Mrs. S. Andrew Kulin (label verso)
Condition: Good condition, good appearance, not lined, original frame, very minor scattered spots of restoration upper left |
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American School Am. 19th C. Their Favorite Things Oil on canvas 26 Lot #53 (Sale Order 53 of 197) American School Am. 19th C. Their Favorite Things Oil on canvas 26 1/2 x 19 1/2 in. (67.3 x 49.5 cm)
Condition: Good condition, good appearance It is believed that the sitters in this painting are children of early Dutch or German settlers in New York. Their ancestors originally settled there in the 1600s and 1700s. Provenance:The collection of Alice and Murray Braunfeld, Beverly Hills, California, then to the current owner, a personal friend. The Braunfelds were important collectors of Early American art, antiques, furnishings, and decorative arts and were major donors to the Los Angeles County Museum of Art as well as Winterthur. |
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John Rollin Tilton Am. 1828–1888 Rural Scene, 1850, A View of Concord i Lot #54 (Sale Order 54 of 197) John Rollin Tilton Am. 1828–1888 Rural Scene, 1850, A View of Concord in the Distance from Tilton, New Hampshire Titled "Rural Scene," dated "1850," and signed "Tilton" in the artist's hand verso Oil on canvas 36 x 45 in. (91.4 x 114.3 cm)
Condition: Good condition, good appearance. A 2" x 3" area of restoration u.r. where the branches meet the sky, and a 2" x 5" area, center, above the hills. Not lined. |
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Warren Sheppard Am. 1858–1937 Twilight, Summer's Day Signed "Warren S Lot #55 (Sale Order 55 of 197) Warren Sheppard Am. 1858–1937 Twilight, Summer's Day Signed "Warren Sheppard" l.l. Oil on canvas 16 x 28 in. (40.6 x 71.1 cm)
Condition: Good condition, good appearance, not lined, very little to no apparent restoration when examined with a black light. |
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Benjamin Champney Am. 1817–1907 Roses Signed "B. Champney" l.l. Oil Lot #56 (Sale Order 56 of 197) Benjamin Champney Am. 1817–1907 Roses Signed "B. Champney" l.l. Oil on canvas 24 x 16 in. (61.0 x 40.6 cm)
Condition: Good condition, good appearance. Minor scattered restoration u.l. and u.r., and a 1" area l.r., where the canvas meets the frame. Lined. |
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Harrison Bird Brown Am. 1831–1915 Shipwreck Signed and dated "HB Bro Lot #57 (Sale Order 57 of 197) Harrison Bird Brown Am. 1831–1915 Shipwreck Signed and dated "HB Brown 69" l.r. Oil on canvas 13 x 22 in. (33.0 x 55.9 cm) Property of a Maine gentleman
Condition: Good appearance, good condition, lined, several minor scattered spots of restoration primarily along extreme left edge where the frame touches the canvas |
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John Bradley Hudson Am. 1832–1903 Autumn Sunset Signed and dated "J. Lot #58 (Sale Order 58 of 197) John Bradley Hudson Am. 1832–1903 Autumn Sunset Signed and dated "J. B. Hudson Jr. 1867" l.r. Oil on canvas 15 x 26 in. (38.1 x 66.0 cm) Property of Margaret Browne, Bristol, Maine
Condition: Good condition, good appearance. Unseparated craquelure. Lined |
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William Verplanck Birney Am. 1858–1909 A Tender Moment Signed "W. Ves Lot #59 (Sale Order 59 of 197) William Verplanck Birney Am. 1858–1909 A Tender Moment Signed "W. Vesplanck Birney, A.N.A." l.l. Oil on board 20 x 30 in. (50.8 x 76.2 cm)
Condition: Good condition, good appearance |
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Ben Austrian Am. 1870–1921 The Newborn Chick Signed and dated " Ben A Lot #60 (Sale Order 60 of 197) Ben Austrian Am. 1870–1921 The Newborn Chick Signed and dated " Ben Austrian, Copyright 1911" l.r. Oil on canvas 8 1/4 x 10 1/4 in. (21.0 x 26.0 cm)
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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Harrison Bird Brown Am. 1831–1915 Tuckerman's Ravine Signed "H.B. Br Lot #61 (Sale Order 61 of 197) Harrison Bird Brown Am. 1831–1915 Tuckerman's Ravine Signed "H.B. Brown" l.r. Oil on fiberboard 10 1/2 x 7 1/4 in. (26.7 x 18.4 cm) Property of a Cape Elizabeth family
Condition: Good condition, good appearance, beautifully and appropriately framed in what looks like a period frame. It is also matted and framed with a gold matte and glass to protect it, appears to be mint or very nearly mint |
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Harrison Bird Brown Am. 1831–1915 River Landscape Signed "HBB" l.r. Lot #62 (Sale Order 62 of 197) Harrison Bird Brown Am. 1831–1915 River Landscape Signed "HBB" l.r. Oil on canvas 25 x 10 in. (63.5 x 25.4 cm)
Condition: Good condition, good appearance, lined, minor scattered restoration |
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Seth Steward 1844–1927 Moosehead Region Signed and dated "S. W. Stewa Lot #63 (Sale Order 63 of 197) Seth Steward 1844–1927 Moosehead Region Signed and dated "S. W. Steward 1912" verso Oil on board 9 1/4 x 12 1/4 in. (23.5 x 31.1 cm)
Condition: Good condition, good appearance |
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Daniel Santry Am. 1859–1922 Lakeside Cottages Signed "Daniel Santry" Lot #64 (Sale Order 64 of 197) Daniel Santry Am. 1859–1922 Lakeside Cottages Signed "Daniel Santry" l.r. Oil on board 12 x 17 in. (30.5 x 43.2 cm)
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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Alfred S. Mira Am. 1900–1981 A Rainy Day in the City Signed "Mira" l. Lot #65 (Sale Order 65 of 197) Alfred S. Mira Am. 1900–1981 A Rainy Day in the City Signed "Mira" l.r. Oil on canvas 23 x 29 in. (58.4 x 73.7 cm)
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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Bernard Langlais Am. 1923–1977 Fish, ca. 1973 Painted wood relief 2 Lot #66 (Sale Order 66 of 197) Bernard Langlais Am. 1923–1977 Fish, ca. 1973 Painted wood relief 24 x 31 in. (61.0 x 78.7 cm) Property 0f a Maine collector
Condition: Good condition, good appearance |
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William Zorach Am. 1887–1966 First Steps "Zorach" at the bottom of th Lot #67 (Sale Order 67 of 197) William Zorach Am. 1887–1966 First Steps "Zorach" at the bottom of the subject's left leg Bronze 7 x 4 in. (17.8 x 10.2 cm)
Condition: Good condition, good appearance |
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Vincenzo Gemito It. 1852–1929 L'Acqualiola (The Water Boy), A Fountain Lot #68 (Sale Order 68 of 197) Vincenzo Gemito It. 1852–1929 L'Acquaiolo (The Water Boy), A Fountain Signed "Gemito" on the urn; Marked "DALLORIGINAL PropTA DEL RE DI NAPOLI S. M. FRANCESCO 11 NAPOLI GEMITO" on the back of the upper part of the bronze base (Francesco II was the former king of Napoli for whom Gemito did the original water vendor sculpture; early foundry mark for the artist's own foundry Fonderia Gemito Napoli on the jug below the artist's signature, which thereby dates it to 1886 or before. Bronze, brown patina, and, desirable for most, some green oxidation (visible in the image) 22 in. (55.9 cm) Property of Christina Long, Falmouth, Maine By descent
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Lin Lisberger Am. Untitled (Coil) Wood 46 x 12 in. (116.8 x 30.5 Lot #69 (Sale Order 69 of 197) Lin Lisberger Am. Untitled (Coil) Wood 46 x 12 in. (116.8 x 30.5 cm) Property of Joanne and John Payson, Maine and Florida,
Condition: Good condition, good appearance |
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Alfred Hutty Am. 1877–1954 Under the Shady Spanish Moss Inscribed "To Lot #71 (Sale Order 70 of 197) Alfred Hutty Am. 1877–1954 Under the Shady Spanish Moss Inscribed "To Libby- Memory of a...Alfred Hutty" l.r. Watercolor 15 1/2 x 22 1/2 in. (39.4 x 57.2 cm)
Condition: Good condition, good appearance, does not appear to be laid down, not examined out of frame, no apparent loss of color |
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Mildred Giddings Burrage Am. 1890–1983 Cactus, Western Desertm probably Lot #72 (Sale Order 71 of 197) Mildred Giddings Burrage Am. 1890–1983 Cactus, Western Desertm probably Arizona Signed "Mildred G. Burrage" l.l. and dated "1932" l.r. Oil on board 15 3/4 x 11 3/4 in. (40.0 x 29.8 cm) Property of April Martin, Simsbury, Connecticut
Condition: Good condition, good appearance |
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Walter Koeniger Am. 1881–1943 Winter River Signed "W. Koeniger" l.l. Lot #73 (Sale Order 72 of 197) Walter Koeniger Am. 1881–1943 Winter River Signed "W. Koeniger" l.l. Oil on canvas 35 x 37 in. (88.9 x 94.0 cm) Property of Edmund Dandridge, Parsonsfield, Maine
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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Harry Hoffman Am. 1871–1964 Spring in Connecticut Signed "Hoffman" l. Lot #74 (Sale Order 73 of 197) Harry Hoffman Am. 1871–1964 Spring in Connecticut Signed "Hoffman" l.r. and estate-stamped verso Oil on board 12 x 16 in. (30.5 x 40.6 cm)
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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Jay Hall Connaway Am. 1893–1970 Late Winter, Monhegan Signed "Connawa Lot #75 (Sale Order 74 of 197) Jay Hall Connaway Am. 1893–1970 Late Winter, Monhegan Signed "Connaway" l.r. Oil on board 20 x 30 in. (50.8 x 76.2 cm)
Condition: Good condition, good appearance |
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William Partridge Burpee Am. 1846–1940 The Dock at Criehaven, 1905 Oi Lot #76 (Sale Order 75 of 197) William Partridge Burpee Am. 1846–1940 The Dock at Criehaven, 1905 Oil on canvas 19 1/2 x 23 1/2 in. (49.5 x 59.7 cm)
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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William Edward Norton Am. 1842–1916 Early Morning on the Bay Signed " Lot #77 (Sale Order 76 of 197) William Edward Norton Am. 1842–1916 Early Morning on the Bay Signed "W. L. Norton" l.l. Oil on board 6 1/4 x 8 1/2 in. (15.9 x 21.6 cm)
Condition: Good condition, good appearance |
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Frank Henry Shapleigh Am. 1842–1906 Sunny and Windy Florida Beach Sig Lot #78 (Sale Order 77 of 197) Frank Henry Shapleigh Am. 1842–1906 Sunny and Windy Florida Beach Signed "F. H. Shapleigh" l.r. Oil on board 7 1/2 x 12 in. (19.1 x 30.5 cm)
Condition: Good condition, good appearance |
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Willard Leroy Metcalf Am. 1858–1925 Autumn Landscape Oil on canvas Lot #79 (Sale Order 78 of 197) Willard Leroy Metcalf Am. 1858–1925 Autumn Landscape Oil on canvas 16 1/8 x 14 in. (41.0 x 35.6 cm)
Condition: Good condition, good appearance, properly lined, showing no restoration when examined with a backlight Barridoff Galleries has verified the Hirschl and Adler label and inventory number verso and unconditionally guarantees the authenticity of this lot. |
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Anthony Thieme Am. 1888–1954 Wet Morning Signed "A. Thieme" l.r. Oi Lot #80 (Sale Order 79 of 197) Anthony Thieme Am. 1888–1954 Wet Morning Signed "A. Thieme" l.r. Oil on canvas 30 x 36 in. (76.2 x 91.4 cm)
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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Frank Duveneck, Attributed to Am. 1848–1919 Portrait of a Young Woman Lot #81 (Sale Order 80 of 197) Frank Duveneck, Attributed to Am. 1848–1919 Portrait of a Young Woman Oil on canvas 22 x 18 in. (55.9 x 45.7 cm)
Condition: Good condition, good appearance. Minor scattered restoration in the forehead. A 3" line from the right temple across toward the frame, and a 6" line to the right of the face in the background. Lined. |
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Edward Lamson Henry Am. 1841–1919 Under the Arbor Signed with the mon Lot #82 (Sale Order 81 of 197) Edward Lamson Henry Am. 1841–1919 Under the Arbor Signed with the monogram "E.L.H." l.l. Oil on panel 5 1/2 x 3 1/2 in. (14.0 x 8.9 cm)
Condition: Good condition, good appearance |
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Edward Willis Redfield Am. 1869–1965 House and Garden, Monhegan Signe Lot #83 (Sale Order 82 of 197) Edward Willis Redfield Am. 1869–1965 House and Garden, Monhegan Signed and titled "E.W. Redfield, Monhegan" l.l. Oil on panel 9 x 12 in. (22.9 x 30.5 cm)
Condition: Good condition, good appearance |
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Abbott Graves Am. 1859–1936 In the Garden signed "Abbott Graves" l.r. Lot #84 (Sale Order 83 of 197) Abbott Graves Am. 1859–1936 In the Garden signed "Abbott Graves" l.r. Oil on canvas 24 x 20 in. (61.0 x 50.8 cm) Property of the estate of Dorothy Cleveland, Windham, Maine
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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Emile Gruppe Am. 1896–1978 Rockport Beach Signed "Emile A. Gruppe l.r Lot #85 (Sale Order 84 of 197) Emile Gruppe Am. 1896–1978 Rockport Beach Signed "Emile A. Gruppe l.r. 25 x 30 in. (63.5 x 76.2 cm)
Condition: Good condition, good appearance. Lined but little to no apparent restoration when examined under a black light. |
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Reynolds Beal Am. 1866–1951 Montauk Point from Great Eastern Rock Buoy Lot #86 (Sale Order 85 of 197) Reynolds Beal Am. 1866–1951 Montauk Point from Great Eastern Rock Buoy Oil on canvas 14 x 21 1/4 in. (35.6 x 54.0 cm) Literature: Impressionist Landscapes and Seascapes by Sidney Bressler with a biographical essay by Ann E. Berman and a critical essay by Ronald Pisano, page 136 (illustrated)
Condition: Good condition, good appearance, strip lined only along extremes, recently cleaned and restored almost certainly for the first time including minor flaking in the lower right and some very small scattered stress cracks, abrasions along edges. |
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George Howell Gay Am. 1858–1931 Two Landscapes and a Seascape Waterco Lot #87 (Sale Order 86 of 197) George Howell Gay Am. 1858–1931 Two Landscapes and a Seascape Watercolors
Condition: Good condition, good appearance, does not appear to be laid down, not examined out of frame, no apparent loss of color |
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George Frederick Morse Am. 1834–1925 Delano Park Inscribed "Park Wall Lot #88 (Sale Order 87 of 197) George Frederick Morse Am. 1834–1925 Delano Park Inscribed "Park Wall" on the stretcher verso Oil on canvas 24 x 16 in. (61.0 x 40.6 cm)
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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John Bradley Hudson Am. 1832–1903 Winter, Cape Elizabeth Signed "J.B. Lot #89 (Sale Order 88 of 197) John Bradley Hudson Am. 1832–1903 Winter, Cape Elizabeth Signed "J.B. Hudson" l.l. Watercolor 9 1/2 x 13 1/2 in. (24.1 x 34.3 cm) Property of George Postupak, Hasbrouck Heights, New Jersey
Condition: Good condition, good appearance, does not appear to be laid down, not examined out of frame, no apparent loss of color |
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Robert Henri Am. 1865–1929 Rocky Shore, Monhegan and House, Monhegan Lot #90 (Sale Order 89 of 197) Robert Henri Am. 1865–1929 Rocky Shore, Monhegan and House, Monhegan Signed "Robert Henri" l.l. on the "Monhegan Shore" side Double-sided oil on panel 4 x 6 in. (10.2 x 15.2 cm)
Condition: Good condition, good appearance |
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Francis Louis Mora Am. 1874–1940 Boys Fishing Signed "F. Louis Mora" Lot #91 (Sale Order 90 of 197) Francis Louis Mora Am. 1874–1940 Boys Fishing Signed "F. Louis Mora" l.r. Oil on canvas 30 x 25 in. (76.2 x 63.5 cm)
Condition: Good condition, good appearance. No apparant restoration when examined with a black light |
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Prosper L. Senat Am. 1852–1925 Along the Paget Road, Bermuda Signed, Lot #92 (Sale Order 91 of 197) Prosper L. Senat Am. 1852–1925 Along the Paget Road, Bermuda Signed, insrcibed, and dated "Prosper L. Senat, Bermuda, 1909" l.l. Watercolor and gouache 35 x 25 in. (88.9 x 63.5 cm)
Condition: Good condition, good appearance, does not appear to be laid down, not examined out of frame, no apparent loss of color |
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Stephen Scott Young Am. b. 1957 Kids Game Signed "SS Young" l.r. Wa Lot #93 (Sale Order 92 of 197) Stephen Scott Young Am. b. 1957 Kids Game Signed "SS Young" l.r. Watercolor with drybrush on paper 16 x 22 in. (40.6 x 55.9 cm)
Condition: Good condition, good appearance, does not appear to be laid down, not examined out of frame, no apparent loss of color |
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Stephen Scott Young Am. b. 1957 Quentin and Andre Signed and dated "S Lot #94 (Sale Order 93 of 197) Stephen Scott Young Am. b. 1957 Quentin and Andre Signed and dated "SS Young '85" l.r. Watercolor 17 1/2 x 13 in. (44.5 x 33.0 cm)
Condition: Good condition, good appearanceGood condition, good appearance, does not appear to be laid down, not examined out of frame, no apparent loss of color |
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Maurice Sterne Am. 1878–1957 Out of Gas, 1938 Signed and dated "M. St Lot #95 (Sale Order 94 of 197) Maurice Sterne Am. 1878–1957 Out of Gas, 1938 Signed and dated "M. Sterne 2-38" l.r. Watercolor 14 1/2 x 18 in. (36.8 x 45.7 cm)
Condition: Good condition, good appearance, does not appear to be laid down, not examined out of frame, no apparent loss of color |
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John Whorf Am. 1903–1959 Working the Shoreline Signed "John Whorf" l. Lot #96 (Sale Order 95 of 197) John Whorf Am. 1903–1959 Working the Shoreline Signed "John Whorf" l.l. Watercolor 15 x 23 in. (38.1 x 58.4 cm)
Condition: Good condition, good appearance, does not appear to be laid down, not examined out of frame, no apparent loss of color |
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Amanda Brewster Sewell Am. 1829–1926 Gull Rock, Monhegan Signed "A.B. Lot #97 (Sale Order 96 of 197) Amanda Brewster Sewell Am. 1859–1926 Gull Rock, Monhegan Signed "A.B. Sewell" l.l. Oil on board 15 x 20 in. (38.1 x 50.8 cm)
Condition: Good Condition, good appearance. No apparent Restoration when examined with a blacklight. |
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Ira Hamilton Am. Early 20th C. Pearl of Orrs Island, Orrs Island, Maine Lot #98 (Sale Order 97 of 197) Ira Hamilton Am. Early 20th C. Pearl of Orrs Island, Orrs Island, Maine Signed "Ira W. Hamilton" l.l. Oil on Academy board 6 1/2 x 12 1/2 in. (16.5 x 31.8 cm)
Good condition, good appearance, minor small losses in the sky which can be seen in the image. |
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Amanda Brewster Sewell Am. 1859–1926 The Crow's Nest, Monhegan Signed Lot #99 (Sale Order 98 of 197) Amanda Brewster Sewell Am. 1859–1926 The Crow's Nest, Monhegan Signed "A.B.Sewell" l.l. Oil on board (double-sided) 20 x 15 in. (50.8 x 38.1 cm)
Condition: Good Condition, good appearance. No apparent Restoration when examined with a black light. |
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Stephen Pace Am. 1918–2010 Lobster Boats at Green Head Signed and dat Lot #100 (Sale Order 99 of 197) Stephen Pace Am. 1918–2010 Lobster Boats at Green Head Signed and dated "Pace '04" l.r. Oil on canvas 42 x 52 in. (106.7 x 132.1 cm)
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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Hayley Lever Am. 1875–1958 Tower Bridge, London Signed Hayley Lever l Lot #101 (Sale Order 100 of 197) Hayley Lever Am. 1875–1958 Tower Bridge, London Signed Hayley Lever l.l. and inscribed in part "Cornwall" with the rest of the inscription illegible verso Oil on canvas 14 x 18 in. (35.6 x 45.7 cm) 14 x 18 in. (35.6 x 45.7 cm) image: paper:Property of Antoinette Gentempo, Wanaque, New Jersey
Condition: Good condition, good appearance, not lined, minor scattered restoration mostly in upper right quadrant |
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Ross Turner Am. 1847–1915 Garden by the Sea, Bermuda, ca. 1890 Signed Lot #102 (Sale Order 101 of 197) Ross Turner Am. 1847–1915 Garden by the Sea, Bermuda, ca. 1890 Signed and titled "Ross Turner–Bermuda" l.l. Watercolor and gouache 13 x 9 in. (33.0 x 22.9 cm)
Condition: Good condition, good appearance |
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Joseph De Martini Am. 1896–1984 View of New York from Weehawken Signe Lot #103 (Sale Order 102 of 197) Joseph De Martini Am. 1896–1984 View of New York from Weehawken Signed "Joseph De Martini" l.r. and signed and titled as above verso Oil on Masonite 12 x 15 in. (30.5 x 38.1 cm) Property of Roy Bernstein, New Jersey
Condition: Good condition, good appearance |
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Joseph De Martini Am. 1896–1984 Six Day Bicycle Race, Madison Square Ga Lot #104 (Sale Order 103 of 197) Joseph De Martini Am. 1896–1984 Six Day Bicycle Race, Madison Square Garden Signed "Joseph De Martini" l.r. Oil on board 15 x 18 1/4 in. (38.1 x 46.4 cm) Property of Roy Bernstein, Monmouth Beach, New Jersey
Condition: Good condition, good appearance |
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Charles Woodbury Am. 1864–1940 Rainbow, Granada, West Indies Signed " Lot #105 (Sale Order 104 of 197) Charles Woodbury Am. 1864–1940 Rainbow, Granada, West Indies Signed "Charles H. Woopdbury" l.l. Oil on board 12 x 17 in. (30.5 x 43.2 cm)
Condition: Good condition, good appearance |
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Charles Woodbury Am. 1864–1940 Granada, West Indies, 1905 Signed "Cha Lot #106 (Sale Order 105 of 197) Charles Woodbury Am. 1864–1940 Granada, West Indies, 1905 Signed "Charles H. Woodbury" l.r. and titled and dated as above verso Oil on board 10 x 14 in. (25.4 x 35.6 cm)
Condition: Good condition, good appearance |
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Charles H. Davis Am. 1856–1933 Afternoon Shadows, Mystic, Connecticut, Lot #107 (Sale Order 106 of 197) Charles H. Davis Am. 1856–1933 Afternoon Shadows, Mystic, Connecticut, ca. 1910 Signed "Charles H. Davis" l.l. Oil on canvas 20 x 27 in. (50.8 x 68.6 cm)
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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Hans Moller Am. 1905–2000 The Blue Roof Signed "Moller '75" l.r.; als Lot #108 (Sale Order 107 of 197) Hans Moller Am. 1905–2000 The Blue Roof Signed "Moller '75" l.r.; also signed and titled as above verso Oil on canvas 50 x 40 in. (127.0 x 101.6 cm) Property of Joanne and John Payson, Maine and Florida,. Exhibited: Midtown Galleries, New York (label verso) Hobe Sound Galleries North, Brunswick, Maine (verso)
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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Harry Hoffman Am. 1871–1964 Salt Kettle Signed indistinctly "H. Hoffm Lot #109 (Sale Order 108 of 197) Harry Hoffman Am. 1871–1964 Salt Kettle Signed indistinctly "H. Hoffman" l.c.; also titled as above and signed" Harry H..." u.r. verso Oil on panel 30 x 32 in. (76.2 x 81.3 cm)
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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Gustav Cimiotti Am. 1875–1969 Across Harrington Sound, Bermuda Signed Lot #110 (Sale Order 109 of 197) Gustav Cimiotti Am. 1875–1969 Across Harrington Sound, Bermuda Signed "Cimiotti" l.l. Oil on canvasboard 16 x 20 in. (40.6 x 50.8 cm)
Condition: Good condition, good appearance |
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Jon Legere Am. 1944–1996 The Park Signed and dated "John Legere, 197. Lot #111 (Sale Order 110 of 197) Jon Legere Am. 1944–1996 The Park Signed and dated "John Legere, 197.." l.l. Oil on canvas 16 x 22 in. (40.6 x 55.9 cm) Property of Jane Burdett, West Moreland, New Hampshire
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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Robert Van Vorst Sewell Am. 1860–1924 Fish Market, Monhegan with a View Lot #112 (Sale Order 111 of 197) Robert Van Vorst Sewell Am. 1860–1924 Fish Market, Monhegan with a View Toward Manana Signed "R.V. Sewell" l.l. Oil on canvas 25 x 35 in. (63.5 x 88.9 cm)
Condition: Good Condition, good appearance. No apparent Restoration when examined with a black light. |
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Robert Van Vorst Sewell Am. 1860–1924 Swim Beach, Monhegan Signed "R. Lot #113 (Sale Order 112 of 197) Robert Van Vorst Sewell Am. 1860–1924 Swim Beach, Monhegan Signed "R.V. Sewell" l.r. Oil on canvas 35 x 25 in. (88.9 x 63.5 cm)
Condition: One 12" line of restoration in the sky(where the bevel of the frame meets the canvas), along the top u.l., and a few small spots of restoration in the sky. |
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American School Early to mid-20th C. In the Mirror Oil on canvas 50 Lot #114 (Sale Order 113 of 197) American School Early to mid-20th C. In the Mirror Oil on canvas 50 x 36 in. (127.0 x 91.4 cm)
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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Reinhold Nagele Ger. 1884–1972 Untitled 1 Signed and tinscribed "R.N Lot #115 (Sale Order 114 of 197) Reinhold Nagele Ger. 1884–1972 Untitled 1 Signed and tinscribed "R.N. 19V 1950" l.c. Tempera on paper 10 1/2 x 8 in. sight (26.7 x 20.3 cm) sight
Condition: Good condition, good appearance |
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Reinhold Nagele Ger. 1884–1972 Untitled 2 Signed and dated "RN 1949" Lot #116 (Sale Order 115 of 197) Reinhold Nagele Ger. 1884–1972 Untitled 2 Signed and dated "RN 1949" l.l. Tempera on paper 10 1/2 x 8 in. sight (26.7 x 20.3 cm) sight
Condition: Good condition, good appearance |
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Reinhold Nagele Ger. 1884–1972 Untitled 3 Signed and dated " R. Nage Lot #117 (Sale Order 116 of 197) Rheinhold Nagele Ger. 1884–1972 Untitled 3 Signed and dated " R. Nagele 1949" l.c. Tempera on paper 14 1/2 x 12 1/2 in. sight (36.8 x 31.8 cm) sight
Condition: Good condition, good appearance |
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Reinhold Nagele Ger. 1884–1972 Untitled 4 Tempera on paper 11 1/2 Lot #118 (Sale Order 117 of 197) Reinhold Nagele Ger. 1884–1972 Untitled 4 Tempera on paper 11 1/2 x 17 1/2 in. sight (29.2 x 44.5 cm) sight
Condition: Good condition, good appearance |
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American School Am. 20th C. New York Harbor Oil on canvas 36 x 42 Lot #119 (Sale Order 118 of 197) American School Am. 20th C. New York Harbor Oil on canvas 36 x 42 in. (91.4 x 106.7 cm)
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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Stephen Etnier Am. 1903–1984 Island Sunset (Study for "Oysterman") Si Lot #120 (Sale Order 119 of 197) Stephen Etnier Am. 1903–1984 Island Sunset (Study for "Oysterman") Signed "Stephen Etnier" l.r. and titled as above, signed "Stephen Etnier," and dated '66 verso Oil on Masonite 12 1/2 x 23 in. (31.8 x 58.4 cm)
Condition: Good condition, good appearance |
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John Laurent Am. 1921–2005 Fish Signed "JL" in the red l.l. Oil on Lot #121 (Sale Order 120 of 197) John Laurent Am. 1921–2005 Fish Signed "JL" in the red l.l. Oil on board 11 1/4 x 15 1/2 in. (28.6 x 39.4 cm) Property of Beatrice Di Fabio, Philadelphia
Condition: Good condition, good appearance |
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Robert Van Vorst Sewell Am. 1860–1924 The Scavengers, Fish Beach, Monhe Lot #122 (Sale Order 121 of 197) Robert Van Vorst Sewell Am. 1860–1924 The Scavengers, Fish Beach, Monheghan Signed "R.V. Sewell" l.r. Oil on canvas 25 x 35 in. (63.5 x 88.9 cm)
Condition: Good Condition, good appearance. No apparent Restoration when examined with a black light. |
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Stephen Etnier Am. 1903–1984 Bridge to Nowhere Signed "Stephen Etnier Lot #123 (Sale Order 122 of 197) Stephen Etnier Am. 1903–1984 Bridge to Nowhere Signed "Stephen Etnier" l.r. Oil on Masonite 24 x 36 in. (61.0 x 91.4 cm) Property of Joanne and John Payson, Maine and Florida,
Condition: Good condition, good appearance, no apparent restoration when examined with black light. |
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Stephen Etnier Am. 1903–1984 Maine Coast Signed "Stephen Etnier," l.l Lot #124 (Sale Order 123 of 197) Stephen Etnier Am. 1903–1984 Maine Coast Signed "Stephen Etnier," l.l.; also titled and signed as above and dated 1974–1975 l.l. Oil on Masonite 22 x 36 in. (55.9 x 91.4 cm) Property of Joanne and John Payson, Maine and Florida,
Condition: Good condition, good appearance, no apparent restoration when examined with black light |
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Bernard Langlais Am. 1923–1977 Dog Wood 37 x 23 in. (94.0 x 58.4 Lot #125 (Sale Order 124 of 197) Bernard Langlais Am. 1923–1977 Dog Wood 37 x 23 in. (94.0 x 58.4 cm) Property of John and Joanne Payson, Hobe Sound, Florida
Condition: Good condition, good appearance, may need minor strengthening |
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John Laurent Am. 1921–2005 Oyster Workers at Low Tide Signed "JL" l.l Lot #126 (Sale Order 125 of 197) John Laurent Am. 1921–2005 Oyster Workers at Low Tide Signed "JL" l.l. of c.; also signed, titled and dated as above verso Oil on canvas 24 x 49 1/2 in. (61.0 x 125.7 cm) Property of Joanne and John Payson, Maine and Florida,
Condition: Good condition, good appearance, not lined, no apparent restoration when examined with black light. |
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Robert Vickrey Am. 1926–2011 Gentle Breeze, 2000 Signed "Robert Vickr Lot #127 (Sale Order 126 of 197) Robert Vickrey Am. 1926–2011 Gentle Breeze, 2000 Signed "Robert Vickrey" l.r. Tempera on board 20 x 24 in. (50.8 x 61.0 cm) Property by descent to the current owner, a Portland family. Exhibited: Robert Vickrey: The Magic of Realism, Boca Raton Museum of Art, Boca Raton, Florida, April 26–June 19, 2011
Condition: Good condition, good appearance |
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Carl Sprinchorn Am. 1887–1971 Smoking Break Signed "Carl Sprinchorn" Lot #128 (Sale Order 127 of 197) Carl Sprinchorn Am. 1887–1971 Smoking Break Signed "Carl Sprinchorn" l.r. Watercolor 9 1/4 x 8 1/4 in. (23.5 x 21.0 cm) Property of a Southern Maine collector
Condition: Good condition, good appearance, does not appear to be laid down, not examined out of frame, no apparent loss of color |
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Frederick S. Serger Am. 1889–1965 Still Life with Marine View Signed Lot #129 (Sale Order 128 of 197) Frederick S. Serger Am. 1889–1965 Still Life with Marine View Signed and dated "Serger 56" l.r. Oil on canvas 20 x 24 in. (50.8 x 61.0 cm)
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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Robert Vickrey Am. 1926–2011 Bird Cage Signed "Robert Vickrey" l.r. Lot #130 (Sale Order 129 of 197) Robert Vickrey Am. 1926–2011 Bird Cage Signed "Robert Vickrey" l.r. Tempera on board 28 x 42 in. (71.1 x 106.7 cm) Property of Joanne and John Payson, Maine and Florida,. Exhibited: Joan Whitney Payson Gallery of Art, Westbrook College (later University of New England) Portland (label verso)
Condition: Good condition, good appearance, in need of light surface cleaning, no apparent restoration when examined with black light. |
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Paul Cadmus Am. 1904–1999 Dancers Resting Signed "Paul Cadmus, Artist Lot #131 (Sale Order 130 of 197) Paul Cadmus Am. 1904–1999 Dancers Resting Signed "Paul Cadmus, Artist's Proof" u.r. Six color lithograph with added crayon 22 x 15 1/2 in. (55.9 x 39.4 cm) Exhibited: Louis Newman Galleries, Beverly Hills (label verso)
Condition: Good condition, good appearance, not examined out of frame and appears to be framed properly with nonacid material |
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Paul Cadmus Am. 1904–1999 Two Boys on a Beach No. 1, 1938 Signed "Pau Lot #132 (Sale Order 131 of 197) Paul Cadmus Am. 1904–1999 Two Boys on a Beach No. 1, 1938 Signed "Paul Cadmus" b.r. and titled as above and "artist's proof" b.l. Etching 5 1/8 x 7 1/8 in. (13.0 x 18.1 cm)
Condition: Good condition, good appearance, not examined out of frame and appears to be framed properly with nonacid material |
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Frederick Lynch Am. b. 1935 Boxed Figure Signed "Lynch 81" l.l. of c. Lot #133 (Sale Order 132 of 197) Frederick Lynch Am. b. 1935 Boxed Figure Signed "Lynch 81" l.l. of c.; also bears the artist's name, address as"Westport Island, Maine" and the date 1981 verso Oil on canvas 24 x 24 in. (61.0 x 61.0 cm) Exhibited: Barridoff Galleries (label verso)
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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American School 19th C. Venice Canal and Sunset, 1888 Titled and date Lot #134 (Sale Order 133 of 197) American School 19th C. Venice Canal and Sunset, 1888 Titled and dated "6th June," otherwise as above l.c. and bearing a monogram l.c. Watercolor 10 1/2 x 14 1/2 in. (26.7 x 36.8 cm) Property of the Estate of Jane Benedetson, Scarborough, Maine
Condition: Good appearance, good condition, not laid down |
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Warren Sheppard Am. 1858–1937 Naples Signed and titled "Warren Sheppa Lot #135 (Sale Order 134 of 197) Warren Sheppard Am. 1858–1937 Naples Signed and titled "Warren Sheppard, Naples" l.r. Watercolor 13 1/2 x 21 1/2 in. sight (34.3 x 54.6 cm) sight Property of a family, Shapleigh, Maine
Condition: Good condition, good appearance, a few very minor scattered spots of restoratuon in the sky |
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Bernard Karfiol Am. 1886–1952 An Open Door Signed "B Karfiol" l.l. Lot #136 (Sale Order 135 of 197) Bernard Karfiol Am. 1886–1952 An Open Door Signed "B Karfiol" l.l. Oil on canvas 30 1/4 x 24 in. (76.8 x 61.0 cm) Property of Steven Wasser, Wellesley, Massachusetts
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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Rutherford Boyd Am. 1884–1951 At Rest Overlooking Sand Beach, Mt. Deser Lot #137 (Sale Order 136 of 197) Rutherford Boyd Am. 1884–1951 At Rest Overlooking Sand Beach, Mt. Desert Island, 1936 Signed and dated "Boyd '36" l.r. Watercolor and pencil on board 21 1/2 x 29 1/2 in. (54.6 x 74.9 cm)
Condition: Good condition, good appearance, does not appear to be laid down, not examined out of frame, no apparent loss of color |
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Peter Max Am. b. 1937 Portrait of Vincent Van Gogh Signed "Max" u.l. Lot #138 (Sale Order 137 of 197) Peter Max Am. b. 1937 Portrait of Vincent Van Gogh Signed "Max" u.l. and inscribed ""For Lenny and Sandy, Love M 2002 S+L, L+S" in pencil verso Acrylic on paper 38 1/2 x 28 1/2 in. sight (97.8 x 72.4 cm) sight Property of Nicki Hemby, Bridgehampton, New York Provenance: Wentworth Gallery label, verso
Condition: Good condition, good appearance |
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George Schreiber Bel. 1904–1977 Wind in he Cornfield Signed and dated Lot #139 (Sale Order 138 of 197) George Schreiber Bel. 1904–1977 Wind in he Cornfield Signed and dated Schreiber '40" l.l. Oil on canvas 26 x 32 in. (66.0 x 81.3 cm) Property of Michael Lazrus, Elkins Park, Pennsylvania and Ogunquit, Maine
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. Appears to be untouched and in need of a light surface cleaning. |
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George Luks Am. 1867–1933 Love Nest Signed "George Luks" l.l. Water Lot #140 (Sale Order 139 of 197) George Luks Am. 1867–1933 Love Nest Signed "George Luks" l.l. Watercolor 13 1/2 x 19 1/4 in. (34.3 x 48.9 cm) Property of Michael Lazrus, Elkins Park, Pennsylvania and Ogunquit, Maine
Condition: Good condition, good appearance, does not appear to be laid down, not examined out of frame, no apparent loss of color |
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Walt Kuhn Am. 1877–1949 Cuban Girl, 1929 Signed and dated "Walt Kuhn, Lot #141 (Sale Order 140 of 197) Walt Kuhn Am. 1877–1949 Cuban Girl, 1929 Signed and dated "Walt Kuhn, 1929" u.r. Oil on canvas 30 x 25 in. (76.2 x 63.5 cm) Property of Joanne and John Payson, Maine and Florida, Exhibited: Walt Kuhn (1877–1949), traveling exhibition: Barridoff Galleries, Portland, Maine, July 21–August 31, 1984. Flint Institute of Art, Flint, Michigan, Septemver 30–November 11, 1985. Minnesota Museum of Art, St. Paul, Minnesota, January19–March 3, 1985. Walt Kuhn (1877–1949), Midtown Galleries, November 11–December 30, 1989. 19 Americans: A Tribute to Alfred H. Barr, Jr.,Forum Gallery, New York, February 7–March 10, 1990. Walt Kuhn, American Master, Ogunquit Museum of Art, Ogunquit, Maine, July 1–September 15, 1992
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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Walt Kuhn Am. 1877–1949 Lily Cushing Signed and dated "Walt Kuhn '42" Lot #142 (Sale Order 141 of 197) Walt Kuhn Am. 1877–1949 Lily Cushing Signed and dated "Walt Kuhn '42" l.r. Oil on canvas 15 x 12 1/4 in. (38.1 x 31.1 cm) Property of Joanne and John Payson, Maine and Florida, Provenance: labels verso: Midtown Payson, New York Hobe Sound North, Brunswick, Maine Salander-O'Reilly, New York Ogunquit Museum of Art
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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Walt Kuhn Am. 1877–1949 Girl, 1927 Signed and dated "Walt Kuhn, 1927" Lot #143 (Sale Order 142 of 197) Walt Kuhn Am. 1877–1949 Girl, 1927 Signed and dated "Walt Kuhn, 1927" l.l. Oil on canvas 15 x 12 in. (38.1 x 30.5 cm)
Property of Joanne and John Payson, Maine and Florida, Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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Anthony Thieme Am. 1888–1954 Rainy Dock Signed "Ant. Thieme" l.l. O Lot #144 (Sale Order 143 of 197) Anthony Thieme Am. 1888–1954 Rainy Dock Signed "Ant. Thieme" l.l. Oil on canvas 25 x 30 in. (63.5 x 76.2 cm)
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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Ben Foster Am. 1852–1926 Rolling Farmland Midsummer Twilight Signed " Lot #145 (Sale Order 144 of 197) Ben Foster Am. 1852–1926 Rolling Farmland Midsummer Twilight Signed "Ben Foster" l.r. Oil on canvas 30 x 36 in. (76.2 x 91.4 cm)
Condition: Good condition, good appearance, not lined, very minor restoration (3 or 4 dime-sized spots of restoration) |
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Ann Brelsford McCoy Am. b. 1940 Windsor Chair Signed "A. B. McCoy" l. Lot #146 (Sale Order 145 of 197) Ann Brelsford McCoy Am. b. 1940 Windsor Chair Signed "A. B. McCoy" l.r. Watercolor 12 x 8 1/2 in. (30.5 x 21.6 cm) Property of a Cape Elizabeth family
Condition: Good condition, good appearance, does not appear to be laid down, not examined out of frame, no apparent loss of color |
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William Manning Am. b. 1936 Coastal Winter Signed "Manning" l.l. Oi Lot #147 (Sale Order 146 of 197) William Manning Am. b. 1936 Coastal Winter Signed "Manning" l.l. Oil on canvas 57 1/2 x 41 in. (146.1 x 104.1 cm)
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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Ann Wyeth McCoy Am. 1915–2005 Afternoon Signed "Ann Wyeth McCoy" l.r. Lot #148 (Sale Order 147 of 197) Ann Wyeth McCoy Am. 1915–2005 Afternoon Signed "Ann Wyeth McCoy" l.r. Watercolor 12 x 8 3/4 in. (30.5 x 22.2 cm) Property of a Cape Elizabeth, Maine family
Condition: Good condition, good appearance, does not appear to be laid down, not examined out of frame, no apparent loss of color |
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Andrew Wyeth Am. 1917–2009 From Stone Island, 1938 Signed "Andrew Wye Lot #149 (Sale Order 148 of 197) Andrew Wyeth Am. 1917–2009 From Stone Island, 1938 Signed "Andrew Wyeth" l.r. Watercolor 17 3/4 x 21 1/2 in. (45.1 x 54.6 cm) Property of an Ohio family. Exhibited: Andrew Wyeth: Works on Paper From Regional and National Collections September–October 5, 1997 (label verso)
Condition: Good condition, good appearance, not laid down, no apparent loss of color |
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Charles Rosen Am. 1878–1950 The Artist's Wife Overlooking New Hope, 190 Lot #150 (Sale Order 149 of 197) Charles Rosen Am. 1878–1950 The Artist's Wife Overlooking New Hope, 1904 Signed "Rosen" on the stretcher verso Oil on canvas 20 x 14 in. (50.8 x 35.6 cm)
There are two lots by Rosen in this sale that are obviously a pair. Lot 150 is signed by the artist on the stretcher. A third painting still owned by the owner of these Rosens is signed recto and dated 1904, rare early work by the artist. They are wonderful, previously unexposed and unconditionally guaranteed. Barridoff Galleries will write a letter to that effect for the buyer. Condition: Good condition, good appearance. Minor scattered restoration along the top of the canvas and in the sky above the horizon from the center to the right side. |
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Charles Rosen Am. 1878–1950 Telephone Works, 1904 Oil on canvas 20 Lot #151 (Sale Order 150 of 197) Charles Rosen Am. 1878–1950 Telephone Works, 1904 Oil on canvas 20 x 14 in. (50.8 x 35.6 cm)
Condition: Good condition, good appearance. Minor scattered restoration above the tree line and in the sky, all to the left of the telephone pole and the figures. |
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Emile Gruppe Am. 1896–1978 At the Dock Signed "Emile A. Gruppe" l.r. Lot #152 (Sale Order 151 of 197) Emile Gruppe Am. 1896–1978 At the Dock Signed "Emile A. Gruppe" l.r. Oil on canvas 20 x 24 in. (50.8 x 61.0 cm)
Condition: Good condition, good appearance. not lined, no apparent restoration when examined with a black light |
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William Kienbusch Am. 1914–1980 Pine in the Rock, Coast, 1958 Signed Lot #153 (Sale Order 152 of 197) William Kienbusch Am. 1914–1980 Pine in the Rock, Coast, 1958 Signed and dated "Kienbusch 58" l.l. Casein on paper 27 x 37 1/4 in. (68.6 x 94.6 cm)
Condition: Good condition, good appearance |
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Alan Magee Am. b. 1947 Pemaquid Constellation Signed "Alan Magee" l.r Lot #154 (Sale Order 153 of 197) Alan Magee Am. b. 1947 Pemaquid Constellation Signed "Alan Magee" l.r. Mixed media on paper 15 x 20 in. (38.1 x 50.8 cm)
Condition: Good condition, good appearance. |
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Hans Moller Am. 1905–2000 Abstract Inscribed "To Betty and Fred from Lot #155 (Sale Order 154 of 197) Hans Moller Am. 1905–2000 Abstract Inscribed "To Betty and Fred from Helen and Hans, Dec. 30, '48" l.r. Mixed media 13 1/2 x 16 in. (34.3 x 40.6 cm)
Condition: Good condition, good appearance |
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Hans Moller Am. 1905–2005 Sunset at Tam's House, Monhegan Signed "Mol Lot #156 (Sale Order 155 of 197) Hans Moller Am. 1905–2005 Sunset at Tam's House, Monhegan Signed "Moller '60" l.r. Watercolor 12 x 16 in. (30.5 x 40.6 cm)
Condition: Good condition, good appearance, does not appear to be laid down, not examined out of frame, no apparent loss of color |
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Hans Moller Am. 1905–2000 Morning Surf Signed "Moller" l.r. Waterco Lot #157 (Sale Order 156 of 197) Hans Moller Am. 1905–2000 Morning Surf Signed "Moller" l.r. Watercolor 18 x 24 in. (45.7 x 61.0 cm)
Condition: Good condition, good appearance, does not appear to be laid down, not examined out of frame, no apparent loss of color |
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Karl Knaths Am. 1891–1971 Abstract Signed "K. Knaths" l.r. Oil on b Lot #158 (Sale Order 157 of 197) Karl Knaths Am. 1891–1971 Abstract Signed "K. Knaths" l.r. Oil on board 16 x 20 in. (40.6 x 50.8 cm) Property of Jeff Crook, Colonial Beach, Virginia Exhibited: Provincetown Art Association and Museum
Condition: Good condition, good appearance |
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Michael Loew Am. 1907–1985 Bethel Signed and dated "Loew '64" l.r.; a Lot #159 (Sale Order 158 of 197) Michael Loew Am. 1907–1985 Bethel Signed and dated "Loew '64" l.r.; also signed "M. Loew"; and dated and inscribed with the size as above, both verso Oil on canvas 50 x 60 in. (127.0 x 152.4 cm)
Condition: Good condition, good appearance, no apparent restoration |
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George Rodrigue Am. b. 1944 A...lin Dinner With Dog Signed "Rodrigue" Lot #160 (Sale Order 159 of 197) George Rodrigue Am. b. 1944 Aoli Dinner With Dog Signed "Rodrigue" b.c. and. in the print b.r.; titled and dated Signed "Rodrigue" b.c. and. in the print b.r.; titled as above with a sketch of a dog, band signed "Rodrigue" all in the artist's hand verso; and inscribed and dated "To John, You Dog, George Rodrigue 1993" also all in the artist's hand verso Oil on print 30 x 40 in. (76.2 x 101.6 cm)
George Rodrigue Am. b. 1944 A...lin Dinner With Dog Signed "Rodrigue" b.c. and. in the print b.r.; titled and dated Signed "Rodrigue" b.c. and. in the print b.r.; titled as above with a sketch of a dog, band signed "Rodrigue" all in the artist's hand verso; and inscribed and dated "To John, You Dog, George Rodrigue 1993" also all in the artist's hand verso Oil on print 30 x 40 in. (76.2 x 101.6 cm) Inscribed: "To John, You Dog, George Rodrigue, 1993"The artist To the current owner Oil on print. Rodrigue apparently made a number of variants of the image. This is the only version we could find that is an oil of the the artist's iconic dog painted on the print, the latter also a famous image. In the one print we could find of the dog actually part of the print, the dog is significantly further to the left than he (or she?) is in this lot. The current lot is one of a kind. "Aioli Dinner," the oil without the dog, is one of the artist's landmark works. According to his wife, in a quote found online, "Probably his most famous Cajun painting, the Aioli Dinner (1971, 32x46 inches) is George Rodrigue’s first painting with people. It is based on the old Creole Gourmet Societies, in their heyday between 1890 and 1920 when they met each month on the lawn of a different plantation home in and around New Iberia, Louisiana. The six hour meals included a lavish spread, cooked by the women standing along the back, served by the young men standing around the table, and enjoyed by the seated gentlemen, each with their own bottle of wine. The very French meal was not the Cajun cuisine one would expect. In fact, the men did not claim to be Cajun at all. They were French, and their cuisine was Creole." Condition: Good condition, good appearance |
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George Kunkel Am. 1922–1984 October Evening, Manana Signed "Kunkel" l Lot #161 (Sale Order 160 of 197) George Kunkel Am. 1922–1984 October Evening, Manana Signed "Kunkel" l.r. Acrylic collage 29 1/2 x 39 1/2 in. (74.9 x 100.3 cm) Property of Joanne and John Payson, Maine and Florida,
Condition: Good condition, good appearance |
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George Kunkel Am. 1922–1984 View from Moody Marsh Signed "Kunkel" l.l Lot #162 (Sale Order 161 of 197) George Kunkel Am. 1922–1984 View from Moody Marsh Signed "Kunkel" l.l. Acrylic collage 23 x 47 in. (58.4 x 119.4 cm) Property of Joanne and John Payson, Maine and Florida,
Condition: Good condition, good appearance |
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Edwin Walter Dickinson Am. 1891–1978 Untitled Signed "E. W. Dickinson Lot #163 (Sale Order 162 of 197) Edwin Walter Dickinson Am. 1891–1978 Untitled Signed "E. W. Dickinson" u.c. and inscribed "This painting was signed by Edwin Dickinson in August 1973 by Edwin Dickinson when one eye had not yet healed after surgery. Frances Dickinson" on the stretcher verso Oil on canvas 32 x 30 in. (81.3 x 76.2 cm) Property of a Maine family. Exhibited: Hirschl & Adler Modern (label verso) Cleveland Museum of Art (label verso)
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. Until October 5 when it was corrected, this lot has always been illustrated with the top on the left side. The signature is upper center when seen as it is now. It is not correct in the hard edition of the catalogue. |
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Stephen Etnier Am. 1903–1984 Near the Piling Signed and dated "Stephe Lot #164 (Sale Order 163 of 197) Stephen Etnier Am. 1903–1984 Near the Piling Signed and dated "Stephen Etnier '62" l.l. Oil on canvas 16 x 24 in. (40.6 x 61.0 cm) Property of Joanne and John Payson, Maine and Florida,
Condition: Good condition, good appearance, no apparent restoration when examined with black light. |
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Denis Boudreau Am. b. 1947 Snug Harbor Signed "Denis Boudreau" l.l. Lot #165 (Sale Order 164 of 197) Denis Boudreau Am. b. 1947 Snug Harbor Signed "Denis Boudreau" l.l. Oil on canvas 20 x 31 in. (50.8 x 78.7 cm)
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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Denis Boudreau Am. b. 1947 Oil Rigs Signed "D. Boudreau" l.l. Oil o Lot #166 (Sale Order 165 of 197) Denis Boudreau Am. b. 1947 Oil Rigs Signed "D. Boudreau" l.l. Oil on canvas 11 x 14 in. (27.9 x 35.6 cm)
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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John Heliker Am. 1909–2000 Phantom Canyon, Colorado 1947 Signed "Heli Lot #167 (Sale Order 166 of 197) John Heliker Am. 1909–2000 Phantom Canyon, Colorado 1947 Signed "Heliker" l.r. Oil on Masonite 12 x 18 in. (30.5 x 45.7 cm)
Condition: Good appearance, good condition |
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Paul Strisik Am. 1918–1998 Out of the Fog Oil on canvas 24 x 30 in. Lot #168 (Sale Order 167 of 197) Paul Strisik Am. 1918–1998 Out of the Fog Oil on canvas 24 x 30 in. (61.0 x 76.2 cm)
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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John R. Grabach Am. 1886–1981 The Ferry Signed "John R. Grabach" l.r. Lot #169 (Sale Order 168 of 197) John R. Grabach Am. 1886–1981 The Ferry Signed "John R. Grabach" l.r. and verso Oil on board 5 1/2 x 8 3/4 in. (14.0 x 22.2 cm)
Condition: Good condition, good appearance |
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Lee Court Am. 1903–1992 Monhegan Harbor Signed "Lee W. Court" l.r. Lot #170 (Sale Order 169 of 197) Lee Court Am. 1903–1992 Monhegan Harbor Signed "Lee W. Court" l.r. Oil on canvas 28 x 36 1/2 in. (71.1 x 92.7 cm)
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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Emily Muir Am. 1904–2003 Men Singing Signed and dated "Emily '49 l.r. Lot #171 (Sale Order 170 of 197) Emily Muir Am. 1904–2003 Men Singing Signed and dated "Emily '49 l.r. Oil on canvas 24 x 36 in. (61.0 x 91.4 cm)
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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Elena Jahn Am. b. 1938 Monhegan Triptych from Manana Signed "Elena Ja Lot #172 (Sale Order 171 of 197) Elena Jahn Am. b. 1938 Monhegan Triptych from Manana Signed "Elena Jahn" l.r.; titled as above and dated "1979" verso Pastel 21 1/2 x 29 1/2 in. (54.6 x 74.9 cm)
Condition: Good condition, good appearance |
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Alan Gussow Am. 1931–1997 Untitled Signed "Gussow" l.r. Oil on boar Lot #173 (Sale Order 172 of 197) Alan Gussow Am. 1931–1997 Untitled Signed "Gussow" l.r. Oil on board 24 x 34 1/2 in. (61.0 x 87.6 cm)
Condition: Good condition, good appearance, no apparent restoration when examined with black light. |
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Stephen Pace Am. 1918–2010 On the Porch Signed and dated "Pace '77" l Lot #174 (Sale Order 173 of 197) Stephen Pace Am. 1918–2010 On the Porch Signed and dated "Pace '77" l.r. Ink on paper 11 x 13 1/2 in. (27.9 x 34.3 cm)
Condition: Good condition, good appearance, no apparent restoration when examined with black light. |
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John Laurent Am. 1921–2005 Brehon's First Signed "JL" l.c. Acrylic Lot #175 (Sale Order 174 of 197) John Laurent Am. 1921–2005 Brehon's First Signed "JL" l.c. Acrylic 7 3/4 x 9 3/4 in. (19.7 x 24.8 cm) Property of Joanne and John Payson, Maine and Florida,
Condition: Good condition, good appearance, no apparent restoration when examined with black light. |
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Thomas Crotty Am. b. 1934 Fallen Spruce Signed "Thomas Crotty" u.r. Lot #176 (Sale Order 175 of 197) Thomas Crotty Am. b. 1934 Fallen Spruce Signed "Thomas Crotty" u.r. Watercolor 17 x 28 in. (43.2 x 71.1 cm) Property of Joanne and John Payson, Maine and Florida, Exhibited: Portland Museum of Art, Portland, Maine. Country Art Gallery, Locust Vallery, Long Island
Condition: Good condition, good appearance, no apparent loss of color, not examined out of frame |
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Thomas Crotty Am. b. 1934 Crow Signed "Thomas Crotty" l.l. Watercol Lot #177 (Sale Order 176 of 197) Thomas Crotty Am. b. 1934 Crow Signed "Thomas Crotty" l.l. Watercolor 23 1/2 x 28 1/2 in. (59.7 x 72.4 cm) Property of Joanne and John Payson, Maine and Florida. Exhibited: Portland Museum of Art (label verso)
Condition: Good condition, some minor discoloration at the extremes where paper and mat meet |
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Thomas Crotty Am. b. 1934 Ring Bolt Signed "Thomas Crotty" l.r. Oil Lot #178 (Sale Order 177 of 197) Thomas Crotty Am. b. 1934 Ring Bolt Signed "Thomas Crotty" l.r. Oil on Masonite 16 x 24 in. (40.6 x 61.0 cm) Property of Joanne and John Payson, Maine and Florida,
Condition: Good condition, good appearance, no apparent restoration when examined with black light. |
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Alfred Chadbourn Am. 1921–1998 Yarmouth Village Signed "A. Chadbourn" Lot #179 (Sale Order 178 of 197) Alfred Chadbourn Am. 1921–1998 Yarmouth Village Signed "A. Chadbourn" l.r. Oil on canvas 12 x 14 in. (30.5 x 35.6 cm)
Condition: Good condition, good appearance. No apparent restoration when examined with a blacklight. |
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Sidney Chase Am. 1877–1957 Island Fog Signed "S. M. Chase" l.l. Oil Lot #180 (Sale Order 179 of 197) Sidney Chase Am. 1877–1957 Island Fog Signed "S. M. Chase" l.l. Oil on canvas 20 x 24 in. (50.8 x 61.0 cm)
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. |
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Stephen Etnier Am. 1903–1984 The Fleet Signed and dated "Stephen Enie Lot #181 (Sale Order 180 of 197) Stephen Etnier Am. 1903–1984 The Fleet Signed and dated "Stephen Enier '32" l.l. Oil on canvas 24 x 20 in. (61.0 x 50.8 cm) Property of a Maine gentleman
Condition: Good condition, good appearance. No apparent restoration when examined with a black light. Canvas is rippled, and may need restretching. |
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Stephen Etnier Am. 1903–1984 The Canal Oil on board 23 3/4 x 36 in. Lot #182 (Sale Order 181 of 197) Stephen Etnier Am. 1903–1984 The Canal Oil on board 23 3/4 x 36 in. (60.3 x 91.4 cm) Property of Joanne and John Payson, Maine and Florida,
Condition: Good condition, good appearance, no apparent restoration when examined with black light. |
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DeWitt Hardy Am. b. 1940 Pat Signed "D. Hardy" l.r. Watercolor 28 Lot #183 (Sale Order 182 of 197) DeWitt Hardy Am. b. 1940 Pat Signed "D. Hardy" l.r. Watercolor 28 x 18 in. (71.1 x 45.7 cm) Property of Sidney M. Levy, Baltimore
Condition: Good condition, good appearance, does not appear to be laid down, not examined out of frame, no apparent loss of color |
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Reuben Tam Am. 1916–1991 Monhegan Cliff Signed "Tam" l.r. Acrylic a Lot #184 (Sale Order 183 of 197) Reuben Tam Am. 1916–1991 Monhegan Cliff Signed "Tam" l.r. Acrylic and watercolor 11 1/2 x 15 1/2 in. (29.2 x 39.4 cm) Property of the Estate of Jane Benedetson, Scarborough, Maine
Condition: Good condition, good appearance, no apparent restoration when examined with black light. |
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John Heliker Am. 1909–2000 Farm Boy Signed "Heliker" l.r. Oil on Ma Lot #185 (Sale Order 184 of 197) John Heliker Am. 1909–2000 Farm Boy Signed "Heliker" l.r. Oil on Masonite 16 x 14 in. (40.6 x 35.6 cm)
Condition: Good condition, good appearance, no apparent restoration when examined with black light. |
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Dahlov Ipcar Am. b. 1917 Stable and Corral Signed "Dahlov Ipcar" l.r. Lot #186 (Sale Order 185 of 197) Dahlov Ipcar Am. b. 1917 Stable and Corral Signed "Dahlov Ipcar" l.r. Oil on canvas 19 1/2 x 29 1/2 in. (49.5 x 74.9 cm)
Condition: Good condition, good appearance, minor scattered flaking that can be seen when examined up close and in the catalogue image |
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Thomas Crotty Am. b. 1934 North Boundary Signed "Thomas Crotty" u.r. Lot #187 (Sale Order 186 of 197) Thomas Crotty Am. b. 1934 North Boundary Signed "Thomas Crotty" u.r. Acrylic on board 35 x 48 in. (88.9 x 121.9 cm) Property of Joanne and John Payson, Maine and Florida,
Condition: Good condition, good appearance, no apparent restoration when examined with black light. |
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George De Lyra Am. 1929–1999 Blue Girl Signed "DeLyra" l.r. Oil on Lot #188 (Sale Order 187 of 197) George De Lyra Am. 1929–1999 Blue Girl Signed "DeLyra" l.r. Oil on Masonite 21 x 27 in. (53.3 x 68.6 cm) Property of a Southern Maine collector
Condition: Good condition good appearance |
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Carl Sprinchorn Am. 1887–1971 On the Boardwalk Pastel 23 1/2 x 17 1 Lot #189 (Sale Order 188 of 197) Carl Sprinchorn Am. 1887–1971 On the Boardwalk Pastel 23 1/2 x 17 1/2 in. (59.7 x 44.5 cm)
Condition: Good condition, good appearance, does not appear to be laid down but not examined out of frame, no apparent loss of color |
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Harvey Joiner Am. 1852–1932 Road Through the Woods Signed "Harvey Jo Lot #190 (Sale Order 189 of 197) Harvey Joiner Am. 1852–1932 Road Through the Woods Signed "Harvey Joiner" l.r. Oil on board 6 x 14 in. (15.2 x 35.6 cm) Property of Deborah Levy, Overland Park, Kansas. Exhibited: Debra Levy 13722 Goodman Street Overland Park, KS 66223
Condition: Untouched and in need of cleaning, little to no paint loss |
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Abraham Bogdanove Am. 1919–2009 Monhegan Oil on canvasboard 16 x 20 Lot #191 (Sale Order 190 of 197) Abraham Bogdanove Am. 1919–2009 Monhegan Oil on canvasboard 16 x 20 in. (40.6 x 50.8 cm)
Condition: Good condition, good appearance, no apparent restoration when examined with black light. |
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Waldo Peirce Am. 1884–1970 Morocco Signed "WP" and dated "5?" in part Lot #192 (Sale Order 191 of 197) Waldo Peirce Am. 1884–1970 Morocco Signed "WP" and dated "5?" in part below the lip of the frame l.r. Oil on canvas 19 1/2 x 25 1/2 in. sight (49.5 x 64.8 cm) sight Property of Penelope Place, Cohassett, MA and Maine
Condition: Good condition, good appearance, lined,otherwise in mint condition or nearly so, little to no restoration when examined with a black light |
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James Gardner Babbidge Am. 1844–1919 The Frances Hatch with a New Engla Lot #193 (Sale Order 192 of 197) James Gardner Babbidge Am. 1844–1919 The Frances Hatch with a New England Town on the Shore Inscribed, signed, and dated "Painted for Capt A N Fales, J. G. Babbidge, Mar 1899, No. 7" l.r. and verso Oil on canvas 21 x 30 in. (53.3 x 76.2 cm) Property of Penelope Place, Telluride, Colorado and Maine
Condition: Good condition, good appearance, not lined, apparently untouched, mint or very nearly mint |
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Fishing Village Lot #194 (Sale Order 193 of 197) Lot 194Jules Francois Pages Am. 1833–1910 Fishing Village Signed "Jules Pages" l.r. Oil 7 1/2 x 9 in. (19.1 x 22.9 cm) Property of Joanne Curtis, Northport, Maine Estimate $4000-$6000 Good condition, good appearance, probably untouched and in need of a light surface cleaning
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The Rug Merchant Lot #195 (Sale Order 194 of 197) Lot 195 JAMES WELLS CHAMPNEY Am. 1843?–?1903 The Rug Merchant Signed “J. Wells Champney” l.r. Oil on Academy board 13 1/2 x 8 1/4 in. (34.3 ×?21.0 cm) Good condition, good appearance, two or three very minor scattered spots of restoration upper left, Estimate $2,500?–?3,500
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Portland Lot #196 (Sale Order 195 of 197) 196 ALFRED GWYNNE MORANG Am. 1901–1958 A view of Portland (Maine) Harbor across South Portland to Casco Bay with Peaks Island in the Ddstance Signed and dated Alfred Morang 1938" l.r.; titled as above with a reference to 2nd pricze, Albuquerque, N.M. State Fair Exhibition verso Oil on board 14 x 22 in. (35.6 x 55.9 cm) We thank Earle Shettleworth, Maine State Historian, for his help in cataloguing this lot. Shettleworth was a close friend of Francis M. O'Brien, the legendary Portland book dealer (F. M. O'Brien Books now run by his daughter Bevin O'Brien. Francis O'Brien, Shettleworth recalls was, in turn, a close friend of the artist. Morang grew uo in the Ellsworth area of Maine but moved to Santa Fe for his health in 1938, the year the current lot was painted, after contracting tuberculosis. $5,000–7,000
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Cloud Series XVII Lot #197 (Sale Order 196 of 197) Howard Clifford Am. 1950–2003 Cloud Series XVII Signed, titled and dated "Howard Clifford, Cloud SeriesXVll 1984 verso Oil on canvas 40 x 60 in. (101.6 x 152.4 cm) Property of a Maine family
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RView of Rumford Point (Rumford ferry in mid-ground) Lot #198 (Sale Order 197 of 197) Harrison Bird Brown Am. 1831 – 1915 View at Rumford Point (The Rumford ferry in the mid-ground) Oil on canvas 13 × 22 in. (33.0 × 55.9 cm) Another, larger version of this painting with the same title as the current lot is in the collection of the City Museum, St. Louis. A copy of two old but undated newspaper articles discussing the gift of the larger version by Mr. and Mrs. Warren McK. Shapleigh to the Museum are attached verso. One newspaper article includes an image of the museum\'s Brown and the other the following story: \r\nThe articles were how this lot, not signed, was first identified as a Harrison Brown. (Stylistically in perfect harmony with other early Browns, its authenticity is undisputed.) It is a very rare early image of the then – and, to many, still – famous ferry at Rumford Point, Maine. The consignor, who recently acquired it out of state, recognized that it is a painting that belongs in Maine and so brought it here. Good condition and appearance, lined, minor scattered spot or two of restoration in sky
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