Winter Fine Art Discovery Sale

Winter Fine Art Discovery Sale

Thursday, January 17, 2019  |  5:30 PM Eastern
Auction closed.
Winter Fine Art Discovery Sale

Winter Fine Art Discovery Sale

Thursday, January 17, 2019  |  5:30 PM Eastern
Auction closed.
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Description

19th and 20th Century Paintings and drawings by major and under-appreciated artists, along with a variety of collectible souvenir and autograph art.

500 Gallery


1-508-530-0984
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Pg : 20 of 28

B. Touraix: Le Clocher de l'Eglise, French Landscape

Lot # 299 (Sale Order: 476 of 690)      

B. Touraix: Le Clocher de l'Eglise, (The Bell Tower of the Church) French Landscape signed and dated 1982, and identified and titled by a label affixed to the back of the stretcher. Oil on canvas, framed

Dimensions: 19x25 in. frame, 15x21.5 in. canvas

Provenance: A Massachusetts estate


Framing shows wear.
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John Marin: View of Venice from Murano

Lot # 300 (Sale Order: 477 of 690)      

John Marin (American,1870-1953) attributed: pastel on paper, framed, signed. Although now remembered as an integral member of Alfred Stieglitz’s circle, John Marin’s early career was turbulent at best. Born in New Jersey in 1870, Marin initially intended to study architecture, and enrolled in the Stevens Institute of Technology for a year before transferring to the Philadelphia Academy of the Fine Arts, where he studied under luminaries Thomas Pollock Anshutz and William Merritt Chase. In 1905, Marin relocated to Paris, where he familiarized himself with European modernism and exhibited at the Salon, before traveling across Europe for nearly six years.

During his sojourn in Europe Marin honed what would become his signature style- watercolor with linear elements, varying translucency and opacity, and near pure abstraction, done in an almost expressionistic style.

In 1908, photographer and prominent member of the Stieglitz Circle, Edward Steichen, saw Marin’s exhibition at Salon d’Automne and arranged for Marin to exhibit next at Stieglitz’s 291 Gallery, an incubator and gallery for some of the most influential American modern artists. Later that year, Stieglitz, impressed by Marin’s initial showing, visited Marin at his Paris studio, beginning what would become a lifelong friendship and professional relationship.

Upon permanently returning to the United States in 1910, Marin fortified his relationship with Stieglitz, who was willing to champion watercolor in an era when it was considered inferior to oil, and gained success, exhibiting annually for the rest of his career at Stieglitz’s galleries. He settled down in New Jersey with his wife, maintaining a summer home in Maine after 1914, where he drew inspiration for his most marketable works: his gestural watercolors of New York’s architecture and Maine’s rural landscape.

This piece is rather peculiar, being that it is a pastel when an estimated 2500 out of nearly 3000 works are watercolors.Although he predominantly documented the cities he visited through etchings, it was not uncommon for him to paint en plein air, an idea he begun during his travels in Europe that he would carry over into his successful career in the United States. br>6 x 9" paper, 12 1/2 x 15 3/4" frame


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Andy Warhol: Watercolors

Lot # 301 (Sale Order: 478 of 690)      

Andy Warhol (American 1928-1987)Attributed: Watercolors, watercolor and ink painting, signed, verso stamp Contemporary Masters Exhibition and reference number, pencil signed on back, with certificate of authenticity from Bonnier Art Services, Toulouse, Francebr>11x8.2 in. paper


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Karl Steiner: Boats at Sunset

Lot # 302 (Sale Order: 479 of 690)      

Karl Steiner: Boats at Sunset, Watercolor on paper, signed and framedbr>Dimensions: 30x22 in. frame


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Rene Gruau: Payot Beauty Advertisement

Lot # 303 (Sale Order: 480 of 690)      

Rene Gruau (Italian, 1909-2004) Attributed: gouache on paper, signed, unframed. Rene Gruau was perhaps a world-renowned fashion advertiser, best known for his longstanding collaboration with Christian Dior, where he designed iconic advertisements for Dior Perfumes. After emigrating from Paris to the United States in 1973, he designed for Harper's Bazar and Vogue, among others, before becoming the exclusive artist for Flair in 1975
14 x 9.62" paper


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Joan Miro: Boy with Red Sun (1938)

Lot # 304 (Sale Order: 481 of 690)      

Joan Miro (Spanish, 1893-1983): linocut, stamped Pierre Matisse gallery verso, printed signature in plate and hand signed bottom left. Joan Miro was a painter, sculptor, and ceramicist born in Barcelona. A museum dedicated to his work, the Fundacio Joan Miro, was established in his native city of Barcelona in 1975
13 x 10"

Very good condition.
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Andy Warhol: Coke Bottle and Soup Can

Lot # 305 (Sale Order: 482 of 690)      

Andy Warhol (American, 1928-1987) Attributed/Manner of: Coke Bottle and Soup Can, graphite and watercolor on white paper, verso signed, stamped Deal Fine Arts, London, marked with ref. #s and '85. soiling, unframed
Dimensions: 11.4 x 8.25 in



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Jean Picard le Avix: Aquarium

Lot # 307 (Sale Order: 483 of 690)      

original colored lithograph, pencil signed epreuve d'artiste. Dimensions: 17 1/4 x 24 1/2" framebr>


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Georges Braque: Composition Study (Still Life with Guitar)

Lot # 308 (Sale Order: 484 of 690)      

Georges Braque (French, 1882-1963)Attributed: Composition Study (Still life with guitar), gouache and pencil on paper, signed lower left, unframed.

Certificate of Authenticity from Steinmeyer Gallery, Munich accompanies this work.

Georges Braque was most well known for being the founder of Cubism alongside famous artist Pablo Picasso. In addition to the invention of Cubism, he did also focus on other forms of art which were prominent during this time period as well. br>7.75 x 5.25" paper
Private collection, Illinois, acquired from a privare collector in Europe.
Good aged condition: Irregular surface indentations where the paint has pooled and dried over tears in the paper. Surface has an uneven sheen. On reverse the paper shows signs of aging, indications of the tears and staining. The title of the work is written in graphite and there is a stamp from Ruel-Paris with the number 37 written next to it.
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Helen Vaisnoris: Bridge III

Lot # 309 (Sale Order: 485 of 690)      

Helen Vaisnoris: Bridge I, etching on paper, signed, numbered 8/8, framedbr> Size: 22x19 in. frame


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Manner of Degas: Figure Study

Lot # 310 (Sale Order: 486 of 690)      

Artist unidentified, manner of Edgar Degas (French, 1834-1917): Figure Study. Monotype on paper. Signed bottom left, numbered 1/1 and dated 1995. Framed
Dimensions: 17.5x13.5" image, 22.2x18" framebr>


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Abstract Floral Monotype, c.1980

Lot # 311 (Sale Order: 487 of 690)      

Artist unidentified: Abstract Floral Monotype, signed indistinctly, c.1980. Ink on paper
31x25 inches, frame


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Jack Kirby: Sketch for D Man

Lot # 312 (Sale Order: 488 of 690)      

Jack Kirby (American, 1917-1994) attributed: ink on paper, signed, unframed. Jack Kirby was one of the great pioneers of American comic book art. Learning how to draw from editorial advertisements, he eventually created Captain America for Timely Comics, the predecessor of Marvel Comics
6 1/5 x 9 3/10" pape

Good aged condition. Some minor foxing.
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Paul Gaugiun: Taaroa

Lot # 313 (Sale Order: 489 of 690)      

Paul Gauguin (French, 1848-1903) Attributed: Ink and pencil drawing on paper, c. 1891, unframed. Titled upper right, signed verso. Paul Gauguin was a post-impressionist painter best known for his depictions of Tahiti and its residents. This drawing appears to be part of a set which was partially sold at Sothebys on 8 May 2013. Near infra-red (NIR) spectrometry confirms that the paper is from the 1890's.

This drawing appears to come from a sketchbook that Gauguin kept during his first trip to Tahiti. This sketchbook, Carnet de Tahiti, “was a small volume of 130 leaves measuring 17 x 11 cm. of which twenty-nine were blank and the others covered with innumerable sketches in black and white or heightened with watercolours; they date from Gauguin’s first stay in Tahiti and reveal the most intimate and spontaneous aspect of his activity as a draughtsman” (Jean Leymarie, Gauguin: Watercolors, Pastels, Drawings, New York, 1989, p. 48). It has been suggested that this drawing was a study for Le Repas, a large oil painting now in the collection of the Musée d’Orsay. Drawings from Carnet de Tahiti can be seen as some of Gauguin first works of the wonders which surrounded him in Tahiti
4.25 x 6.5"
Private collection, Hungary
Very good condition.
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Wifredo Lam: Horned Figures

Lot # 314 (Sale Order: 490 of 690)      

Wifredo Lam (Cuban, 1902-1982) attributed: oil on canvas, signed bottom right, marked back with Oil on Canvaas, Where Love" For Sale? and unidentified writing, signed. The internationally renowned Cuban painter Wifredo Lam (1902-1982) was a precursor of a cross-cultural style of painting, infusing Western modernism with African and Caribbean symbolism. His peripatetic life brought him into contact with all the avant-garde movements of his times?cubism, surrealism, CoBrA
18 x 20.25" canvas, 20.75 x 27.3" canvas


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Helen Vaisnoris: Abstract Landscape Monotype, c.1965

Lot # 315 (Sale Order: 491 of 690)      

Helen Vaisnoris: Abstract Landscape, Signed. Oil monotype on white paper, c.1965, framed
7 x 7" paper, 14 3/4 x 17 3/4" frame


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Alexej von Jawlensky: Portrait of a Woman

Lot # 316 (Sale Order: 492 of 690)      

Alexej von Jawlenksy (Russian-German, 1864-1941) Attributed: Oil on canvas, signed bottom left, framed. Alexej von Jawlensky was a Russian expressionist painter working in Germany and a prominent member of three notable groups: the New Munich Artist’s Association, Der Blaue Reiter (The Blue Rider), and Die Blaue Vier (The Blue Four). His compositions are renowned for its directional brushstrokes, distinct facial features, and innovative use of color. During World War II, Adolf Hitler exhibited many of von Jawlensky’s pieces in his infamous Degenerate Art exhibition
15.5 x 15.5" (canvas), 19 x 19" (framed)

Good condition. Recently recleaned and retouched.
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Andy Warhol: Candelabra

Lot # 317 (Sale Order: 493 of 690)      

Andy Warhol (American, 1928-1987) attributed: ink and Dr. Martin's ink on paper, signed bottom right with number 548, unframed. Andrew Warhola was an American artist, director and producer who was a leading figure in the visual art movement known as pop art. His works explore the relationship between artistic expression, celebrity culture, and advertising that flourished by the 1960s, and span a variety of media, including painting, silkscreening, photography, film, and sculpture. br>11 3/4 x 15 3/5"

Good aged condition.
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Massimo Campigli: Women on a staircase

Lot # 318 (Sale Order: 494 of 690)      

Massimo Campigli (Italian, 1895-1971) Attributed: Oil on three sheets of laid paper laid to board, signed bottom left, framed, under museum glass. Massimo Campigli was an Italian painter, illustrator and journalist. Born in Berlin and raised in Florence, Campigli moved to Milan in 1909 and became involved with many avant garde artists, including the Futurists.

It was only after his move to Paris to work as a correspondent for the Corriere della Serra that he began painting. Initially inspired by the cubist work of Pablo Picasso and Fernand Leger, he soon found his place with the Novecento group and returned to more traditional painting styles
22.75 x 9.75" (canvas), 27.5 x 14.75" (frame)

Very good condition.
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Flowers

Lot # 319 (Sale Order: 495 of 690)      

Unidentified Artist: oil on canvas, unsigned, framed
15 1/2 x 35 1/2" canvas, 18 1/2 x 38 1/2" frame


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John Singer Sargent: Porta della Carta of the Doge's Palace

Lot # 320 (Sale Order: 496 of 690)      

John Singer Sargent (American 1856-1925) attributed: oil on canvas, framed, unsigned. John Singer Sargent was born to expatriate American parents in Florence in 1856. Always in search of culture, his family traveled often throughout Europe, yet they always found their way back to Italy, the perceived epicenter of all things culturally significant. Even after establishing residency in England in 1886, he returned to Italy numerous times, including annual pilgrimages to the country between the years of 1897 and 1914. Sargent took a novel approach to painting the city that had been the inspiration for tourist paintings of the previous two centuries. Instead of highlighting the domes and towers of the city, as was the fashion of the time, Sargent places emphasis on the more mundane architectural elements-,back alleys and doorways, stucco walls and finials - to give a more intimate view of the city, one that was certainly unrecognizable to most tourists. Moreover, John Singer Sargent had an emotional attachment to Italy and felt at home in the country. The figures in his work are most often friends and family, inhabiting neither the loveliest nor the most significant places but rather those that showcase the essence of the city.

John Singer Sargent visited and painted in Venice many times. While he is most known for his luminous watercolors of Venice, he also produced a number of oil paintings of the city. In 1913, he painted a view of the Courtyard of the Scuola Grande di San Giovanni Evangelista, which is now in the collection of the Harvard Art Museums. The painting which is the subject of this analysis is an oil painting of the Porta della Carta of the Doge’s palace.

While Sargent often cropped his landscapes and chose unusual points-of-view to accentuate height of buildings or depth in the picture plane, both of these paintings are fairly straight-on compositions. As can be seen in the photos above, the courtyard painting is more detailed, but in both paintings the architecture has been softened and simplified. This aspect of the paintings also relates to Sargent’s oil paintings from previous years. For this example, his 1879 oil painting Alhambra Patio shows similar treatment of details to both of the paintings above.

The method of painting and the style and shape of the brush strokes in all three paintings is very similar, showing a consistency which spans 34 years. All three paintings were created over a dark under-painting. All three are painted with consecutively heavier (thicker) paint, with the highlights being the heaviest. All three have subtle color variations in both the darks and the light areas. All three have a dominant use of dry-brush technique to create atmosphere and blur details.

The paintings also show an impressionistic use of brush-bristle texture in the heavier painted large areas, which corresponds in each to the upper quarter of the painting: The sky and dome in Porta della Carta; The sky in Courtyard of the Scuola; The upper wall of Alhambra Patio.

Several edge-details of each painting are also similar: The ragged edges of the main archways in Alhambra Patio and Porta della Carta; the abbreviated details shown in the bases of walls in Porta della Carta and Courtyard of the Scuola; the way, in each painting, that the artist avoided creating hard edges when painting light areas next to dark ones (There is usually a buffer area of a mid-value color or grey, not covered by the lightest paint, separating them.)

Thickly painted skies can also be seen in Sargent’s two c.1905 paintings of Moab and the Dead Sea. br>14 1/2 x 21" canvas, 19 3/4 x 26 1/2" frame

Good condition.
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After Toshusai Sharaku: Portrait of Actor

Lot # 321 (Sale Order: 497 of 690)      

After Toshusai Sharaku, Japanese, active 1794–95: The Actor Matsumoto Yonesaburo as Shinobu, Posing as the Courtesan Kewaizaka no Shosho, from the play A Medley of Tales of Revenge. Polychrome Woodblock Print, with stamp from the Minato Trading Company verso, framed
8 3/5 x 13 1/4" paper, 13 9/10 x 19 4/5

Good aged condition. Minor loss of ornanmentation on frame.
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Knight: Cubist Boat Watercolor, 1960

Lot # 322 (Sale Order: 498 of 690)      

Knight: Cubist Boat, watercolor, signed and dated 1960. Installed in its original frame and matting.

Provenance: A Rhode Island Estatebr>Dimensions: 9.25x14.75 inches, image; 16x21 inches frame

Image is in good condition; matting has toned and frame shows wear.

Lack of a condition statement does not imply that a lot is perfect. Please examine photos, read descriptions, and contact the Gallery with any questions prior to bidding. Color fidelity of photos presented is not guaranteed.
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August Macke: Algiers Scene with Two Women

Lot # 323 (Sale Order: 499 of 690)      

August Macke (German, 1887-1914) Attributed: watercolor on paper, signed bottom right, unframed. August Macke was a German expressionist painter affiliated with Der Blaue Reiter. Drawing inspiration from a variety of movements, spanning from fauvism to orientalism, Macke remained forward thinking throughout the entirety of his career and had the ability to integrate his personal style with the fashionable movement of the time
approx. 10x8 inches

Good condition.
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Charles Dana Gibson: Too Late! And That Restless Sea

Lot # 324 (Sale Order: 500 of 690)      

Charles Dana Gibson (American, 1867-1944) lithographs copyright 1894, framed. Dimensions: 9 1/2 x 14 1/2" paper; 23 1/4 x 29 1/8" frame. Gibson was an American graphic artist best known for his depictions of a new, strong, and independent woman known as the Gibson Girl



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Pg : 20 of 28

1.178.0.771.56c32e2.12.226