Echoes of the Big Sky - Day 2

Echoes of the Big Sky - Day 2

Saturday, May 11, 2024  |  9:00 AM Mountain
Auction closed.
Echoes of the Big Sky - Day 2

Echoes of the Big Sky - Day 2

Saturday, May 11, 2024  |  9:00 AM Mountain
Auction closed.
Internet Premium: 28%
See Special Terms for additional fees
Share:

Description

This two-day Auction has over 2000 lots to choose from.

Day 2:

The Collection of Montana Governor Judy Martz, The Collection of Monte Dolack, Vintage Motocross Racing Equipment, Bell Helmets, Native American Indian Artifacts, Navajo Rugs, Hopi Acoma and Zuni Pots, Native American Beadwork, California Indian Baskets, Chumash California Whale Effigy Stones, Rudy Ruana Knife Collection, Giant Navajo Squash Blossom Necklace, Osage Buffalo Hide Shield, Sitting Bull Owned Medicine Pouch, Navajo Chief's Blankets, Pope and Young Record Book Taxidermy Mounts, Big Horn Sheep Mount, Saloon Nude Painting from Million Dollar Cowboy Bar Jackson Hole Wyoming, Eskimo Carvings, Northwest Coast Art, 1949 Jennings Sun Chief Slot Machine, Accordion Collection, AMF Evel Knieval Bicycle, Carl worner Folk Art Bottle, Picasso Toreros Book, 14k Gold Vacheron Constantin Watch, and much more.

Western Artwork including (William Gollings, Charles M Russell, Philip Russell Goodwin, Randy Van Beek, Earle Erik Heikka, Monte Dolack, Bob Scriver, Carl Oscar Borg, Jim Davis, William...
Show more

Davis Brothers Auction


(406) 546-0226
Catalog Terms of sale
Search Catalog :
Sort By :
Go to Lot :
Go to Page :
Per Page :
Pg : 30 of 51

Hopi Native American Indian Sifter Basket

Lot # 726 (Sale Order: 726 of 1263)      

Second Mesa. 13 1/4" diameter....more

Bid Not Accepted!

Bid Accepted!

You've been outbid!

Sold for: USD 15.00

You've been outbid  to onsite! to YOU!

Placing your bid. please wait...

Hopi Native American Wicker Cradleboard

Lot # 727 (Sale Order: 727 of 1263)      

11 1/2" long, 4 3/8" wide....more

Bid Not Accepted!

Bid Accepted!

You've been outbid!

Sold for: USD 70.00

You've been outbid  to onsite! to YOU!

Placing your bid. please wait...

Antique Pima Native American Indian Bead Basket

Lot # 728 (Sale Order: 728 of 1263)      

Blue Trade Beads. Several detached beads are present as shown. Institution worthy and difficult to find. 16" diameter, 3" tall....more

Bid Not Accepted!

Bid Accepted!

You've been outbid!

Sold for: USD 550.00

You've been outbid  to onsite! to YOU!

Placing your bid. please wait...

Antique Pima Native American Indian Hat Basket

Lot # 729 (Sale Order: 729 of 1263)      

Superb example. The best we have ever come across. 12 1/2" diameter, 3" tall....more

Bid Not Accepted!

Bid Accepted!

You've been outbid!

Sold for: USD 750.00

You've been outbid  to onsite! to YOU!

Placing your bid. please wait...

California Yokuts Native American Indian Basket

Lot # 730 (Sale Order: 730 of 1263)      

3 3/4" tall. 4 3/8" diameter....more

Bid Not Accepted!

Bid Accepted!

You've been outbid!

Sold for: USD 500.00

You've been outbid  to onsite! to YOU!

Placing your bid. please wait...

Papago Native American Indian Toad Basket

Lot # 731 (Sale Order: 731 of 1263)      

4 1/8" by 3 1/2" by 2 3/4"....more

Bid Not Accepted!

Bid Accepted!

You've been outbid!

Sold for: USD 55.00

You've been outbid  to onsite! to YOU!

Placing your bid. please wait...

Miniature Cherokee Native American Indian Basket

Lot # 732 (Sale Order: 732 of 1263)      

1 3/4" tall, 1 1/8" diameter....more

Bid Not Accepted!

Bid Accepted!

You've been outbid!

Sold for: USD 50.00

You've been outbid  to onsite! to YOU!

Placing your bid. please wait...

Miniature Papago Native American Indian Basket

Lot # 733 (Sale Order: 733 of 1263)      

1 1/4" diameter, 1" tall....more

Bid Not Accepted!

Bid Accepted!

You've been outbid!

Sold for: USD 50.00

You've been outbid  to onsite! to YOU!

Placing your bid. please wait...

Miniature Horsehair Native American Indian Basket

Lot # 734 (Sale Order: 734 of 1263)      

1 1/4" by 3/4" diameter....more

Bid Not Accepted!

Bid Accepted!

You've been outbid!

Sold for: USD 45.00

You've been outbid  to onsite! to YOU!

Placing your bid. please wait...

Miniature Papago Native American Indian Basket

Lot # 735 (Sale Order: 735 of 1263)      

1" tall, 3/4" diameter....more

Bid Not Accepted!

Bid Accepted!

You've been outbid!

Sold for: USD 50.00

You've been outbid  to onsite! to YOU!

Placing your bid. please wait...

Miniature Horsehair Native American Indian Basket

Lot # 736 (Sale Order: 736 of 1263)      

1" tall, 3/4" diameter....more

Bid Not Accepted!

Bid Accepted!

You've been outbid!

Sold for: USD 55.00

You've been outbid  to onsite! to YOU!

Placing your bid. please wait...

Plateau Native American Indian Beaded Vest

Lot # 737 (Sale Order: 737 of 1263)      

Very nicely made vest. 21" long, 19" across the chest. Mid 20th Century....more

Bid Not Accepted!

Bid Accepted!

You've been outbid!

Sold for: USD 375.00

You've been outbid  to onsite! to YOU!

Placing your bid. please wait...

Crow Native American Indian Beaded Belt Drop

Lot # 738 (Sale Order: 738 of 1263)      

Montana. 33" long. Some bead loss as shown. First half of the 20th Century....more

Bid Not Accepted!

Bid Accepted!

You've been outbid!

Sold for: USD 50.00

You've been outbid  to onsite! to YOU!

Placing your bid. please wait...

Montana Crow Native American Indian Belt Pouch

Lot # 739 (Sale Order: 739 of 1263)      

Nicely beaded belt pouch. 5" by 5". Second Half of the 20th Century....more

Bid Not Accepted!

Bid Accepted!

You've been outbid!

Sold for: USD 80.00

You've been outbid  to onsite! to YOU!

Placing your bid. please wait...

Montana Crow Native American Indian Belt Pouch

Lot # 740 (Sale Order: 740 of 1263)      

Nicely beaded belt pouch. 5" by 6 1/4". Second Half of the 20th Century....more

Bid Not Accepted!

Bid Accepted!

You've been outbid!

Sold for: USD 50.00

You've been outbid  to onsite! to YOU!

Placing your bid. please wait...

Plateau Native American Indian Beaded Belt Pouch

Lot # 741 (Sale Order: 741 of 1263)      

6" by 5 3/4". First Half of the 20th Century....more

Bid Not Accepted!

Bid Accepted!

You've been outbid!

Sold for: USD 170.00

You've been outbid  to onsite! to YOU!

Placing your bid. please wait...

Crow Native American Indian Beaded Wall Pocket

Lot # 742 (Sale Order: 742 of 1263)      

Montana. Unusual to find a wall pocket. First half of the 20th Century. 9 3/4" long, 6 7/8" wide....more

Bid Not Accepted!

Bid Accepted!

You've been outbid!

Sold for: USD 180.00

You've been outbid  to onsite! to YOU!

Placing your bid. please wait...

Cree Native American Indian Beaded Wall Hanging

Lot # 743 (Sale Order: 743 of 1263)      

First Half of the 20th Century. 10 1/4" by 10 1/2"....more

Bid Not Accepted!

Bid Accepted!

You've been outbid!

Sold for: USD 80.00

You've been outbid  to M****n! to YOU!

Placing your bid. please wait...

Plateau Native American Indian Beaded Bag

Lot # 744 (Sale Order: 744 of 1263)      

Patriotic Theme. 11" by 11 3/4" not including handle. Mid 20th Century....more

Bid Not Accepted!

Bid Accepted!

You've been outbid!

Sold for: USD 250.00

You've been outbid  to onsite! to YOU!

Placing your bid. please wait...

Antique Nez Perce Indian Woven Corn Husk Bag

Lot # 745 (Sale Order: 745 of 1263)      

Tag says Calapooya Tribe Oregon. 12 1/2" by 20 1/4". First Half of the 20th Century....more

Bid Not Accepted!

Bid Accepted!

You've been outbid!

Sold for: USD 250.00

You've been outbid  to onsite! to YOU!

Placing your bid. please wait...

Antique Nez Perce Indian Woven Corn Husk Bag

Lot # 746 (Sale Order: 746 of 1263)      

Card Suits and Swastika. 12" long including handle, 6 3/4" wide. First Half of the 20th Century....more

Bid Not Accepted!

Bid Accepted!

You've been outbid!

Sold for: USD 150.00

You've been outbid  to onsite! to YOU!

Placing your bid. please wait...

Philip Russell Goodwin Deer Oil on Board Painting

Lot # 748 (Sale Order: 747 of 1263)      

Title is Deer with Antlers. 4 1/2" by 6". Backlight reveals no inpaint or repair. Provenance: The Work of Philip Goodwin From the Collection of the Mamaroneck Public Libr...moreary New York. The artist; T. Raymond Goodwin, the artist's brother; Mamaroneck Public Library, New York, acquired from the above, 1938. Philip Russell Goodwin (1881 - 1935) was active/lived in New York, Connecticut. Philip Goodwin is known for Animal, field-stream illustration. The release of one of the greatest and most endearing publications in American history, Call of the Wild, in July 1903 would have a profound effect on the career of Charles M. Russell, even though he had nothing to do with it. Who illustrated the book? Not Frederic Remington and not Carl Rungius. No, it was illustrated by a twenty-two year old wunderkind named Philip R. Goodwin who had just opened his New York City studio. Jack London’s novel Call of the Wild was an overnight sensation. The book earned him international acclaim, and royalties from his novels made him the highest paid author in America to date. With an impressive career ahead of him, which included illustrating African Game Trails (1909) by Theodore Roosevelt and hundreds of sporting art images—one of the most famous being the Winchester Horse and Rider (1919) logo—Goodwin would be one of the artists that greatly influenced Charles M. Russell for the rest of his career. Philip Russell Goodwin was born on September 16, 1881—not 1882 as often erroneously written—in Norwich, Connecticut. Early on he was recognized as a child prodigy attending the prestigious Rhode Island School of Design when he was only fourteen. He soon caught the eye of America’s most famous illustrator, Howard Pyle, who taught such greats as Maxfield Parrish, N.C. Wyeth, Harvey Dunn, Frank Schoonover, W.H.D. Koerner, and Frank Stick. Pyle started the Brandywine School in Chadds Ford, Pennsylvania where many of the great illustrators would study over the years. Goodwin was training there as a teenager ahead of N.C. Wyeth. Casper Whitney who took over the position of publisher and editor of Outing magazine in 1901 soon commissioned young Goodwin to paint a dozen illustrations for several articles. It was Goodwin who introduced Russell to Whitney, who immediately became a big supporter of the cowboy artist. Goodwin accepted an invitation by the Russells to visit them at Bull Head Lodge in Glacier National Park in Montana in the summer of 1907. By that time the young New Yorker had illustrated a dozen books—including the Call of the Wild; dozens of magazine articles; three covers of the great magazine of the day, The Saturday Evening Post; and sporting advertisements for Harrington and Richardson Arms Company; Kemper Thomas Company; Marble Arms and Manufacturing Company; Marlin Firearms Co.; Peters Cartridge Company; Savage-Stevens; and Winchester Repeating Arms Company. Amazingly, he was only twenty-five years old. The two artists painted outdoors together for the first time. Lacking formal training, Russell learned much from his younger counterpart as evidenced by masterpieces he generated during the next few years. By the time Goodwin returned in 1910, he had illustrated African Game Trails (1909) by the most famous and popular man in the world, Theodore Roosevelt who called on the best sporting artist in America known for his ability to capture arrested motion. Goodwin would never visit Montana again, although the artists corresponded on occasion. In 1911 Goodwin spent six weeks in the Canadian Rockies with Carl Rungius who was generally regarded as the most accomplished big game painter. Like Goodwin, Rungius relied on sketches and field photography to lend detail to paintings completed back in the studio. In August 1911 Rungius invited Goodwin to join him and guide Jimmy Simpson on a hunting and sketching trip. As was the case with Russell, Rungius’s paintings were transformed by his time with Goodwin. National advertising flourished after the war during the roaring twenties as Americans confidently acquired material possessions and had the leisure time to use them. Advertising men answered new desires by establishing brand names that delicately encouraged dissatisfaction with possessions seemingly outmoded but not necessarily worn out. It was the beginning of a golden period for sporting illustration that kept Goodwin busy for years. His work landed on calendars, envelopes, posters, prints, magazine covers, die cut counter top displays, among many other items. But happy days were over in the 1930s as the Great Depression ravaged almost every American home. In 1912 Goodwin had relocated to Mamaroneck, New York. Eight years later, he moved to another home with a studio located behind it. A life-long bachelor, Goodwin was joined by his mother who lived with him until her death. The Depression battered gun sales. Guns were no longer the tools of sportsmen, but were perceived as tools of war and cruelty. Advertisers only wanted Goodwin

Bid Not Accepted!

Bid Accepted!

You've been outbid!

Sold for: USD 1,100.00

You've been outbid  to onsite! to YOU!

Placing your bid. please wait...

Philip Russell Goodwin Deer Oil on Board Painting

Lot # 749 (Sale Order: 748 of 1263)      

Title is Deer New York Zoo Park. 5 1/2" by 8". Backlight reveals no inpainting or repair. Provenance: The Work of Philip Goodwin From the Collection of the Mamaroneck Pub...morelic Library New York. The artist; T. Raymond Goodwin, the artist's brother; Mamaroneck Public Library, New York, acquired from the above, 1938. Philip Russell Goodwin (1881 - 1935) was active/lived in New York, Connecticut. Philip Goodwin is known for Animal, field-stream illustration. The release of one of the greatest and most endearing publications in American history, Call of the Wild, in July 1903 would have a profound effect on the career of Charles M. Russell, even though he had nothing to do with it. Who illustrated the book? Not Frederic Remington and not Carl Rungius. No, it was illustrated by a twenty-two year old wunderkind named Philip R. Goodwin who had just opened his New York City studio. Jack London’s novel Call of the Wild was an overnight sensation. The book earned him international acclaim, and royalties from his novels made him the highest paid author in America to date. With an impressive career ahead of him, which included illustrating African Game Trails (1909) by Theodore Roosevelt and hundreds of sporting art images—one of the most famous being the Winchester Horse and Rider (1919) logo—Goodwin would be one of the artists that greatly influenced Charles M. Russell for the rest of his career. Philip Russell Goodwin was born on September 16, 1881—not 1882 as often erroneously written—in Norwich, Connecticut. Early on he was recognized as a child prodigy attending the prestigious Rhode Island School of Design when he was only fourteen. He soon caught the eye of America’s most famous illustrator, Howard Pyle, who taught such greats as Maxfield Parrish, N.C. Wyeth, Harvey Dunn, Frank Schoonover, W.H.D. Koerner, and Frank Stick. Pyle started the Brandywine School in Chadds Ford, Pennsylvania where many of the great illustrators would study over the years. Goodwin was training there as a teenager ahead of N.C. Wyeth. Casper Whitney who took over the position of publisher and editor of Outing magazine in 1901 soon commissioned young Goodwin to paint a dozen illustrations for several articles. It was Goodwin who introduced Russell to Whitney, who immediately became a big supporter of the cowboy artist. Goodwin accepted an invitation by the Russells to visit them at Bull Head Lodge in Glacier National Park in Montana in the summer of 1907. By that time the young New Yorker had illustrated a dozen books—including the Call of the Wild; dozens of magazine articles; three covers of the great magazine of the day, The Saturday Evening Post; and sporting advertisements for Harrington and Richardson Arms Company; Kemper Thomas Company; Marble Arms and Manufacturing Company; Marlin Firearms Co.; Peters Cartridge Company; Savage-Stevens; and Winchester Repeating Arms Company. Amazingly, he was only twenty-five years old. The two artists painted outdoors together for the first time. Lacking formal training, Russell learned much from his younger counterpart as evidenced by masterpieces he generated during the next few years. By the time Goodwin returned in 1910, he had illustrated African Game Trails (1909) by the most famous and popular man in the world, Theodore Roosevelt who called on the best sporting artist in America known for his ability to capture arrested motion. Goodwin would never visit Montana again, although the artists corresponded on occasion. In 1911 Goodwin spent six weeks in the Canadian Rockies with Carl Rungius who was generally regarded as the most accomplished big game painter. Like Goodwin, Rungius relied on sketches and field photography to lend detail to paintings completed back in the studio. In August 1911 Rungius invited Goodwin to join him and guide Jimmy Simpson on a hunting and sketching trip. As was the case with Russell, Rungius’s paintings were transformed by his time with Goodwin. National advertising flourished after the war during the roaring twenties as Americans confidently acquired material possessions and had the leisure time to use them. Advertising men answered new desires by establishing brand names that delicately encouraged dissatisfaction with possessions seemingly outmoded but not necessarily worn out. It was the beginning of a golden period for sporting illustration that kept Goodwin busy for years. His work landed on calendars, envelopes, posters, prints, magazine covers, die cut counter top displays, among many other items. But happy days were over in the 1930s as the Great Depression ravaged almost every American home. In 1912 Goodwin had relocated to Mamaroneck, New York. Eight years later, he moved to another home with a studio located behind it. A life-long bachelor, Goodwin was joined by his mother who lived with him until her death. The Depression battered gun sales. Guns were no longer the tools of sportsmen, but were perceived as tools of war and cruelty. Advertisers only wanted

Bid Not Accepted!

Bid Accepted!

You've been outbid!

Sold for: USD 4,000.00

You've been outbid  to onsite! to YOU!

Placing your bid. please wait...

Philip Russell Goodwin Greenwich Village Painting

Lot # 750 (Sale Order: 749 of 1263)      

Oil on Board. Title is Greenwich Village New York 1909. 4 5/8" by 6". Backlight reveals no inpainting or repair. Provenance: The Work of Philip Goodwin From the Collectio...moren of the Mamaroneck Public Library New York. The artist; T. Raymond Goodwin, the artist's brother; Mamaroneck Public Library, New York, acquired from the above, 1938. Philip Russell Goodwin (1881 - 1935) was active/lived in New York, Connecticut. Philip Goodwin is known for Animal, field-stream illustration. The release of one of the greatest and most endearing publications in American history, Call of the Wild, in July 1903 would have a profound effect on the career of Charles M. Russell, even though he had nothing to do with it. Who illustrated the book? Not Frederic Remington and not Carl Rungius. No, it was illustrated by a twenty-two year old wunderkind named Philip R. Goodwin who had just opened his New York City studio. Jack London’s novel Call of the Wild was an overnight sensation. The book earned him international acclaim, and royalties from his novels made him the highest paid author in America to date. With an impressive career ahead of him, which included illustrating African Game Trails (1909) by Theodore Roosevelt and hundreds of sporting art images—one of the most famous being the Winchester Horse and Rider (1919) logo—Goodwin would be one of the artists that greatly influenced Charles M. Russell for the rest of his career. Philip Russell Goodwin was born on September 16, 1881—not 1882 as often erroneously written—in Norwich, Connecticut. Early on he was recognized as a child prodigy attending the prestigious Rhode Island School of Design when he was only fourteen. He soon caught the eye of America’s most famous illustrator, Howard Pyle, who taught such greats as Maxfield Parrish, N.C. Wyeth, Harvey Dunn, Frank Schoonover, W.H.D. Koerner, and Frank Stick. Pyle started the Brandywine School in Chadds Ford, Pennsylvania where many of the great illustrators would study over the years. Goodwin was training there as a teenager ahead of N.C. Wyeth. Casper Whitney who took over the position of publisher and editor of Outing magazine in 1901 soon commissioned young Goodwin to paint a dozen illustrations for several articles. It was Goodwin who introduced Russell to Whitney, who immediately became a big supporter of the cowboy artist. Goodwin accepted an invitation by the Russells to visit them at Bull Head Lodge in Glacier National Park in Montana in the summer of 1907. By that time the young New Yorker had illustrated a dozen books—including the Call of the Wild; dozens of magazine articles; three covers of the great magazine of the day, The Saturday Evening Post; and sporting advertisements for Harrington and Richardson Arms Company; Kemper Thomas Company; Marble Arms and Manufacturing Company; Marlin Firearms Co.; Peters Cartridge Company; Savage-Stevens; and Winchester Repeating Arms Company. Amazingly, he was only twenty-five years old. The two artists painted outdoors together for the first time. Lacking formal training, Russell learned much from his younger counterpart as evidenced by masterpieces he generated during the next few years. By the time Goodwin returned in 1910, he had illustrated African Game Trails (1909) by the most famous and popular man in the world, Theodore Roosevelt who called on the best sporting artist in America known for his ability to capture arrested motion. Goodwin would never visit Montana again, although the artists corresponded on occasion. In 1911 Goodwin spent six weeks in the Canadian Rockies with Carl Rungius who was generally regarded as the most accomplished big game painter. Like Goodwin, Rungius relied on sketches and field photography to lend detail to paintings completed back in the studio. In August 1911 Rungius invited Goodwin to join him and guide Jimmy Simpson on a hunting and sketching trip. As was the case with Russell, Rungius’s paintings were transformed by his time with Goodwin. National advertising flourished after the war during the roaring twenties as Americans confidently acquired material possessions and had the leisure time to use them. Advertising men answered new desires by establishing brand names that delicately encouraged dissatisfaction with possessions seemingly outmoded but not necessarily worn out. It was the beginning of a golden period for sporting illustration that kept Goodwin busy for years. His work landed on calendars, envelopes, posters, prints, magazine covers, die cut counter top displays, among many other items. But happy days were over in the 1930s as the Great Depression ravaged almost every American home. In 1912 Goodwin had relocated to Mamaroneck, New York. Eight years later, he moved to another home with a studio located behind it. A life-long bachelor, Goodwin was joined by his mother who lived with him until her death. The Depression battered gun sales. Guns were no longer the tools of sportsmen, but were perceived as tools of war and cruelty.

Bid Not Accepted!

Bid Accepted!

You've been outbid!

Sold for: USD 2,100.00

You've been outbid  to onsite! to YOU!

Placing your bid. please wait...

Philip Russell Goodwin Cowboy Saddle Drawing

Lot # 751 (Sale Order: 750 of 1263)      

Pencil on Paper. Title is Saddle Study. 4" by 6 3/8". Provenance: The Work of Philip Goodwin From the Collection of the Mamaroneck Public Library New York. The artist; T....more Raymond Goodwin, the artist's brother; Mamaroneck Public Library, New York, acquired from the above, 1938. Philip Russell Goodwin (1881 - 1935) was active/lived in New York, Connecticut. Philip Goodwin is known for Animal, field-stream illustration. The release of one of the greatest and most endearing publications in American history, Call of the Wild, in July 1903 would have a profound effect on the career of Charles M. Russell, even though he had nothing to do with it. Who illustrated the book? Not Frederic Remington and not Carl Rungius. No, it was illustrated by a twenty-two year old wunderkind named Philip R. Goodwin who had just opened his New York City studio. Jack London’s novel Call of the Wild was an overnight sensation. The book earned him international acclaim, and royalties from his novels made him the highest paid author in America to date. With an impressive career ahead of him, which included illustrating African Game Trails (1909) by Theodore Roosevelt and hundreds of sporting art images—one of the most famous being the Winchester Horse and Rider (1919) logo—Goodwin would be one of the artists that greatly influenced Charles M. Russell for the rest of his career. Philip Russell Goodwin was born on September 16, 1881—not 1882 as often erroneously written—in Norwich, Connecticut. Early on he was recognized as a child prodigy attending the prestigious Rhode Island School of Design when he was only fourteen. He soon caught the eye of America’s most famous illustrator, Howard Pyle, who taught such greats as Maxfield Parrish, N.C. Wyeth, Harvey Dunn, Frank Schoonover, W.H.D. Koerner, and Frank Stick. Pyle started the Brandywine School in Chadds Ford, Pennsylvania where many of the great illustrators would study over the years. Goodwin was training there as a teenager ahead of N.C. Wyeth. Casper Whitney who took over the position of publisher and editor of Outing magazine in 1901 soon commissioned young Goodwin to paint a dozen illustrations for several articles. It was Goodwin who introduced Russell to Whitney, who immediately became a big supporter of the cowboy artist. Goodwin accepted an invitation by the Russells to visit them at Bull Head Lodge in Glacier National Park in Montana in the summer of 1907. By that time the young New Yorker had illustrated a dozen books—including the Call of the Wild; dozens of magazine articles; three covers of the great magazine of the day, The Saturday Evening Post; and sporting advertisements for Harrington and Richardson Arms Company; Kemper Thomas Company; Marble Arms and Manufacturing Company; Marlin Firearms Co.; Peters Cartridge Company; Savage-Stevens; and Winchester Repeating Arms Company. Amazingly, he was only twenty-five years old. The two artists painted outdoors together for the first time. Lacking formal training, Russell learned much from his younger counterpart as evidenced by masterpieces he generated during the next few years. By the time Goodwin returned in 1910, he had illustrated African Game Trails (1909) by the most famous and popular man in the world, Theodore Roosevelt who called on the best sporting artist in America known for his ability to capture arrested motion. Goodwin would never visit Montana again, although the artists corresponded on occasion. In 1911 Goodwin spent six weeks in the Canadian Rockies with Carl Rungius who was generally regarded as the most accomplished big game painter. Like Goodwin, Rungius relied on sketches and field photography to lend detail to paintings completed back in the studio. In August 1911 Rungius invited Goodwin to join him and guide Jimmy Simpson on a hunting and sketching trip. As was the case with Russell, Rungius’s paintings were transformed by his time with Goodwin. National advertising flourished after the war during the roaring twenties as Americans confidently acquired material possessions and had the leisure time to use them. Advertising men answered new desires by establishing brand names that delicately encouraged dissatisfaction with possessions seemingly outmoded but not necessarily worn out. It was the beginning of a golden period for sporting illustration that kept Goodwin busy for years. His work landed on calendars, envelopes, posters, prints, magazine covers, die cut counter top displays, among many other items. But happy days were over in the 1930s as the Great Depression ravaged almost every American home. In 1912 Goodwin had relocated to Mamaroneck, New York. Eight years later, he moved to another home with a studio located behind it. A life-long bachelor, Goodwin was joined by his mother who lived with him until her death. The Depression battered gun sales. Guns were no longer the tools of sportsmen, but were perceived as tools of war and cruelty. Advertisers only wanted Goodwin’s works that emphasized con

Bid Not Accepted!

Bid Accepted!

You've been outbid!

PASSED

You've been outbid  to YOU!

This lot was not sold.

Placing your bid. please wait...

Reserve Not Met
Search Catalog :
Sort By :
Go to Lot :
Go to Page :
Per Page :
Pg : 30 of 51

1.178.0.935.3f9473c.13.216