Historical Rarities of the Northwest Coast - Day 2

Historical Rarities of the Northwest Coast - Day 2

Saturday, March 2, 2024  |  9:00 AM Mountain
Auction closed.
Historical Rarities of the Northwest Coast - Day 2

Historical Rarities of the Northwest Coast - Day 2

Saturday, March 2, 2024  |  9:00 AM Mountain
Auction closed.
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Welcome to our Historical Rarities of the Northwest Coast sale. This three-day Auction has over 4000 lots to choose from.

Day 2: Northwest Coast Indian Artifacts from the George Henry Raley Collection, Paintings, Bronzes, Chinese Antiques, Rifles, Pistols, Shotguns, Edward Curtis Photos, LA Huffman Photos, Edward Bohlin Vest, John Stark Lindberg Lake Lodge Chair, Charles M Russell Bronzes, Russian Imperial Palace Icon, Ahmad Khan Sterling Buckle, 1st Generation Colt Single Action Army Revolver, Gold Nugget Watch Fob, Rudy Ruana Knives, Montana Historical Artifacts, Will James Photos, William Henry Jackson Bronzes, Tucker Smith Painting, Edward Bohlin Money Clip, Oscar Crockett Spurs, Herschel Spillman Carousel Horse, Antique Furniture, Ammo, Coins, Michael Lee Hawaii Bowl Collection, Native American Indian Artifacts, Taxidermy, and so much more. The best single sold day ever offered by Davis Brothers.

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Pg : 18 of 61

Navajo Indian Saddle Blanket Rug

Lot # 426 (Sale Order: 426 of 1502)      

34" long, 16" wide....more

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Sold for: USD 70.00

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Navajo Indian Ganado Eye Dazzler Rug

Lot # 427 (Sale Order: 427 of 1502)      

46" long, 27" wide....more

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Sold for: USD 350.00

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Christmas Stocking Made From Antique Camp Blanket

Lot # 428 (Sale Order: 428 of 1502)      

24" long, 12 3/8" wide....more

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Christmas Stocking Made From Antique Camp Blanket

Lot # 429 (Sale Order: 429 of 1502)      

23" long, 14 1/2" wide....more

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Sold for: USD 15.00

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Mexican Talavera Pottery Heart Box

Lot # 430 (Sale Order: 430 of 1502)      

6" long, 5 3/4" wide, 2 7/8" tall. Repaired as shown....more

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Collection of Native American Indian Beadwork

Lot # 431 (Sale Order: 431 of 1502)      

Nice grouping....more

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Collection of Navajo Indian Made Dolls

Lot # 432 (Sale Order: 432 of 1502)      

Nice grouping....more

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Nemadji Indian Pot Vase

Lot # 433 (Sale Order: 433 of 1502)      

3 1/4" tall, 2 7/8" diameter....more

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Sold for: USD 110.00

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Montana Saloon Dice Cup

Lot # 434 (Sale Order: 434 of 1502)      

3 1/4" tall....more

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Montana Saloon Dice Cup

Lot # 435 (Sale Order: 435 of 1502)      

3 1/2" tall....more

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Montana Saloon Dice Cup

Lot # 436 (Sale Order: 436 of 1502)      

3 3/4" tall....more

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Montana Saloon Dice Cup

Lot # 437 (Sale Order: 437 of 1502)      

4" tall....more

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Leupold M8 6x42 Rifle Scope

Lot # 438 (Sale Order: 438 of 1502)      

Matte scope. No longer produced. Duplex Reticle....more

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Sold for: USD 230.00

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Indian Wars Montana US Army Binoculars

Lot # 439 (Sale Order: 439 of 1502)      

Very nice private purchase pair of binos in case....more

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Indian Wars Montana US Army Binoculars

Lot # 440 (Sale Order: 440 of 1502)      

Very nice private purchase pair of binos in case....more

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Indian Wars Montana US Army Binoculars

Lot # 441 (Sale Order: 441 of 1502)      

Very nice private purchase pair of binos in case....more

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Antique Civil War Era Brass Powder Flask

Lot # 442 (Sale Order: 442 of 1502)      

Nice old powder flask. Unmarked....more

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Antique Civil War Era Brass Powder Flask

Lot # 443 (Sale Order: 443 of 1502)      

Nice old powder flask. Unmarked. 7 1/2" long....more

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Antique Civil War Era Brass Powder Flask

Lot # 444 (Sale Order: 444 of 1502)      

Made by the American Flask & Cap Co. Seashell design....more

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Northland Greyhound Lines Timetable Holder

Lot # 445 (Sale Order: 445 of 1502)      

Very neat rare piece. Held Timetable charts. 8 3/4" long, 6" tall, 4" wide....more

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Pyrex Shenandoah Mixing Bowl 403

Lot # 446 (Sale Order: 446 of 1502)      

Nice bowl. 2.5L size....more

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Daro Flood Ceramic and Glass Works of Art

Lot # 447 (Sale Order: 447 of 1502)      

Works in progress. Pot is 4 5/8" long, 4 1/8" wide, 2 7/8" tall. Daro Flood (1954 - 2017) was active/lived in Arizona. Daro Flood is known for Portrait bust Indian and co...morewboy sculpture. Daro Flood was a jeweler who made the decision to fully dedicate himself to realist sculpture. His studio is in Arizona, and he derives his subject matter from personal experiences depicting the people and places with which he has had contact. American Indians of the western United States are a favorite subject, and he has received commissions for public art. Longtime Jackson resident Daro M. Flood died Dec. 23, 2018 at his home in Jackson. He was 63. His family and friends provided the following. Daro Flood was born Aug. 24, 1954, to Dick Flood Sr. and Geraldine Flood, in Jackson Hole, WY. His older brother was Dick Flood II. After finishing high school in Scottsdale, Arizona, Daro was appointed conservator of the museum collections of the Alaska State Museum in Juneau, Alaska. Art was a mainstay of Daro’s life. His father opened the first art gallery in Jackson, Trailside Gallery, and his brother owned Main Trail Gallery. Daro himself was best known for his sculptures and paintings, but was hailed as a multitalented artist. Two longtime friends offered the following words on Daro: Daro is a very special person. In my 50-plus years of being with and working with very creative people, including accomplished artists, versatile artisans and highly capable craftsman, I have never known anyone who mastered so many aspects of all those endeavors. He truly was a many-faceted, amazingly capable artist, artisan and craftsman all rolled into one. He spent his whole life learning and mastering skills that for the most part are rarely mastered by very many people nowadays. He is the only person I have ever met that I would truly call a Renaissance Man — with capital letters. He was ‘a man apart’ in terms of modern society, but in a good way. He had great skills with his hands, but he also had the closest thing these days to a 19th century sensibility about nature and the natural world around him. He knew and understood things that few modern people do. He was one of the few people I have ever known that could be dropped into the middle of the wilderness and make do for himself just fine. His great excitement and enthusiasm for making things was infectious and marvelous. I’m all the sadder that I was not able to spend more time with him. I will miss him always. Patrick Stewart, former senior curator at Amon Carter Museum of American Art in Fort Worth, Texas. I have known Daro Flood since he was a gleam in his dad’s eye. I remember some of his early art ventures — kindergarten stuff — but already showing promise of talent far above the norm. By the time that I became deeply involved in the Montana Historical Society and was editing Montana: the Magazine of Western History, [a state] where the Flood family were frequent visitors, I had no doubt that Daro someday would become the closest counterpart to C.M. Russell in 20th century Western art. In 1972 Daro, age 18, came to live with our family in Juneau, Alaska, where I was director of the Alaska State Museum. Even though our families had been friends for many, many moons, his was not a social visit. Against the advice of my curatorial staff, Daro was hired as a special conservator, entrusted with some of our most priceless but deteriorating ancient Eskimo ivory and Aleut artifacts. Daro demonstrated that he could restore ivory, wood, skin-sewing, basketry and literally anything that ancient man had created since the first hunters of the hairy mammoth and the saber-toothed tiger began crossing the Bering Sea land bridge to populate the American continent. In less than a year Daro accomplished a conservation miracle. He literally ‘saved for posterity’ some of Alaska’s most priceless and irreplaceable cultural objects — Old Bering Sea and Punuk-period ivory art, Aleut headdresses, harpoons and utensils, ancient Athapascan quill-work and birchbark objects, priceless Tlingit, Haida and Copper River Indian artifacts, which could be exhibited in the museum displays and archaeological and anthropological study collection for the first time. From that time on, Daro to me was the re-creation of Kid Russell. Now, though his magnificent sculpture, he reveals that promise. In my judgement Daro is the best Western sculptor of any I have known in the past 50 years, including Remington, Proctor, Borglum and Weaver. Daro Flood, without imitation, comes closest to Charles Marion Russell. His research is impeccable, his skill and technique, like Russell, intuitive and true. He has not yet reached his creative pinnacle. Every time I visit Daro and see his latest creations I see discernible improvement in technical perfection and inspiring artistry. I am not aware of any other contemporary American artist whose work is appreciating at such a pace. The collector who acquires a bronze by Daro Flood not only gai

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Peters and Reed Zanesware Matte Green Bowl

Lot # 448 (Sale Order: 448 of 1502)      

Nice old piece of Arts and Crafts Pottery. 2 3/8" tall, 5 3/4" diameter....more

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Pyrex Golden Leaf 404 Mixing Bowl

Lot # 449 (Sale Order: 449 of 1502)      

Scarce Promotional pattern....more

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Celery Fire and Light Glass Heart Paperweight

Lot # 450 (Sale Order: 450 of 1502)      

Signed. 2" tall, 2 1/4" diameter....more

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Pg : 18 of 61

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