Eternity Gallery Auction Catalog - Eternity Masterpieces - November 2014 Online Auctions

Shino-Yaki pottery bowl -JAPANESE TEA ceremony, signed

Low Estimate: 2,000High Estimate: 5,000Original

Large Shino-Yaki glazed pottery bowl - JAPANESE TEA CEREMONY, Signed Horaku. This is not tea bowls but bowls for Wagashi (Japanese cakes) in tea ceremony; Seal: made by Horaku; Diameter: 7 in. = 18.41 cm; Height: approx. 3 in. = 8.25cm;Weight: 701g; Shino-yaki is one of the most loved varieties of ceramics, both for the table and the tearoom. Named for its Shino glaze, which ranges from snowy white to deep cream and on to grey and even orange and thick, curdled texture that often shows small holes. Shino-yaki is certainly distinctive in its Zen-like simplicity. This was Japans first white glaze, and is made of ground feldspar mixed with clay. Firings of Shino glaze tend to be of lower temperature for a longer period of time, and then a slow cooling process. These conditions do not allow the glaze to melt fully, and the result is a thick glaze that often has a crawling pattern. Shino first appeared in the Momoyama era (1568-1600) but the glaze fell out of favor in the early 18th century when green and brown Oribe glazes became popular. This is beautiful example of Japanese Shino ware (yaki).
Condition It is in very good condition with no cracks or chips.
Low Estimate: 2000;
High Estimate: 5000;
Orignal: Yes;

Japanese Chawan, Tea ceremony Shino Yaki Ceramic flower

Lot # 254

Low Estimate: 800High Estimate: 2,000Original

Japanese Chawan, Tea ceremony Shino Yaki Ceramic flower Bowl.Ceramic Chawan that would be used in the tea ceremony, creamy color with purple flower design. Condition: It is in good condition with no chips or cracks. There is a kiln flaw - see photo. Dates from 20th century; Diameter: 5 inches = 12.5 cm. Height: 3 inches = 7.5 cm;Weight: 12 oz. = 350 g; References: A chawan (; literally "tea bowl") is a bowl used for preparing and drinking tea. There are many types of chawan used in East Asian tea ceremonies. The choice of their use depends upon many considerations.
Condition It is in good condition with no chips or cracks. There is a kiln flaw - see photo;
Low Estimate: 800;
High Estimate: 2000;
Orignal: Yes;

Shino Yaki Japanese Chawan wavy glaze bowl

Lot # 255

Low Estimate: 500High Estimate: 1,500Original

Japanese Chawan, Tea ceremony Shino Yaki Ceramic Bowl, wavy glaze. Ceramic Chawan that would be used in the tea ceremony, creamy color with wavy over glaze. Condition: It is in good condition with no chips or cracks. There is a kiln flaw - see photo. Dates from 20th century;Diameter: 4.75 inches = 12 cm;Height: 3 inches = 7.5 cm; Weight: 11 oz. = 300 g; References: A chawan (; literally "tea bowl") is a bowl used for preparing and drinking tea. There are many types of chawan used in East Asian tea ceremonies. The choice of their use depends upon many considerations.
Condition good condition with no chips or cracks;
Low Estimate: 500;
High Estimate: 1500;
Orignal: Yes;

JAPANESE small plate with Mount. FUJI, Fukagawa mark

Lot # 256

Low Estimate: 500High Estimate: 2,000Original

BEAUTIFUL JAPANESE SMALL PLATE WITH MT. FUJI AND A STREAM BLUE MARK, early 20th c; This auction is for a beautiful Japanese small plate. It has a mark of Mount Fuji and a stream painted in blue ink on the back. Diameter: 5 in. = 126 mm Weight: 6.3 oz. = 179.18 g Condition: It has 2 small, 3-mm chips (see pictures). Thank you for looking.
Condition It has 2 small, 3-mm chips on the edge (see pictures).
Low Estimate: 500;
High Estimate: 2000;
Orignal: Yes;

Painted & glazed pottery plate by FAYE NAKAMURA, signed

Lot # 257

Low Estimate: 500High Estimate: 2,000Original

Painted & glazed pottery plate by FAYE NAKAMURA, signed This is very early, glazed and painted clay, plate by Eugene artist Faye Nakamura. Faye Nakamura, who was born in Honolulu, received her BFA degree from the University of Oregon in 1977, has created fine art ceramics more than for 30 years now. Working in the ceramic medium, Nakamuras subject matter is often the nude or draped female form, decorative, heavily outlined, in an environment of pattern inspired by textiles or nature. Her work requires the viewer to think about and envision a life both playful and peaceful at the same time. Delicate yet strong, her women in art guide you to understand that gentle beauty is the only a thin cloak over power and wisdom. Faye creates with a beauty from within that exposes a thoughtful and bold spirit hidden behind an engaging smile. This plate is in good condition with no chips or cracks. It has a clear sing Nakamura 80. Diameter: 7 inches = 177 mm. Weight: 14 oz. = 400 g Thank you for looking.
Condition Excellent, no defects;
Low Estimate: 500;
High Estimate: 2000;
Orignal: Yes;

Japanese Kutani porcelain vase, Meiji period 1868-1912?

Lot # 258

Low Estimate: 600High Estimate: 1,000Original

Japanese antique Kutani porcelain vase, Meiji period 1868- 1912(?) A beautifully hand painted and enameled Japanese porcelain vase, depicting scenes of trees, flowers, bird. A group of 4 people is having a conversation about 3 vases. Height: 4.5 in. = 10.8 cm; Weight: 11 oz. = 300 g;
Condition Overall extra fine condition. No cracks. There is a chip at the bottom rim, which is not visible in normal standing position. There is a lack of glaze in a triangle shape inside the vase. Refer to photos please.
Low Estimate: 600;
High Estimate: 1000;
Orignal: Yes;

Set of 4 Japanese Kutani cups, signed, Meiji period

Lot # 259

Low Estimate: 1,000High Estimate: 3,000Original

Set of four Japanese Kutani cups, signed, Meiji period 1868 1912(?) Height: 4 in. = 10 cm; Diameter of the opening: 3 in. = 75 mm; Weight of one cup: 5 oz. = 150 g; Weight of four cups: 1 lb. 3oz. = 540 g;
Condition one cup has a stable crack, otherwise great condition;
Low Estimate: 1000;
High Estimate: 3000;
Original: Yes;

SATSUMA TASHIO ANTIQUE, 24cm, JAPANESE VASE 19-20th c

Lot # 260

Low Estimate: 300High Estimate: 1,200Original

ANTIQUE JAPANESE SATSUMA TASHIO VASE circa 1880-1910 In my opinion a late 19th to early 20th century, JAPANESE, FULLY HAND PAINTED SATSUMA TASHIO WARE LARGE VASE WITH HAND PAINTED LARGE FLOWER AND INSECT DESIGN. Made for the export market of Europe. Circa 1880 to 1910 in date. Height: 10.5 inches = 24.5 cm. Width: 4.5 inches = 12 cm. Weight: 1 lb. 4 oz. = 550 g. Provenance: This vase previously owned by lady from NEWCASTLE, Tyne and Wear, United Kingdom from the 1990's.
Condition The item is in good order. There is an expected amount of age associated wear; chip and crack free, see pictures for full details.
Low Estimate: 300;
High Estimate: 1200;
Original: Yes;

Kutani Antique Japanese porcelain red vase, 12 = 30 cm

Lot # 261

Low Estimate: 500High Estimate: 1,200Original

Antique Japanese Kutani porcelain red vase, 12 = 30 cm tall, Height: 12 = 30 cm Width: 5.5 = 14 cm Upper gorge diameter: 2 = 7 cm Lower base diameter: 2.75 = 7 cm Approximate Weight: 1 lb. = 0.5 kg Kutani ware ( Kutani-yaki?) is a style of Japanese porcelain first established by Got Saijir, a member of the Maeda clan, who set up a kiln in the village of Kutani (now part of the city of Kaga)[1] on the order of Maeda Toshiharu, ruler of the Kaga domain. The porcelain style is known for multiple colorssuch as greens, blues, yellows, purples, and redsand bold designs covering most of the surface of each piece. Kutaniyaki was first produced in 1655 in the city of Kaga. The first kiln was set up at the present-day Yamanaka Onsen Kutani in the city, upon discovery of high-quality potter's clay in the area. It was then known as kokutani, with bold-coloured designs characterized by its motifs of birds, flowers, mountains and water. Maeda Toshiharu ordered Got Saijir to go to Arita in Saga Prefecture to learn how to make porcelain. Maeda did this to increase his political and personal fortune. Recently, a theory has been put forward that most or all of the Kokutani ware was actually created in Arita rather than just influenced by the ceramics being created there. Kokutani enjoyed popularity for the next few decades until the Kutani suddenly closed down in 1730. The reasons for this closure are debated. Theories put forward include that supplies of the pigments necessary for the glazing were difficult to find, or that there were financial difficulties. This period of production is now referred to as the Old Kutani ( Kokutani?).
Condition No defects, refer to the photos;
Low Estimate: 500;
High Estimate: 1200;
Original: Yes;

Delicate Antique Japanese porcelain tea caddy 2 lids

Lot # 263

Low Estimate: 1,000High Estimate: 2,000Original

Delicate antique Japanese porcelain tea caddy with 2 lids. The walls of the vase are really thin and delicate and are transmissible for light.Height: 7 in. = 15.5 cm;Upper diameter: 4.5 in. = 10.5 cm;Upper opening: 2.5 in. = 6.5 cm;Base diameter: 2.5 in. = 6.5 cm;Weight: 1lb. 6 oz. = 600 g;Wooden stand is not included.References:A tea caddy is a box, jar, canister, or other receptacle used to store tea.The word is believed to be derived from catty, the Chinese pound, equal to about a pound and a third avoirdupois. The earliest examples that came to Europe were of Chinese porcelain, and approximated in shape to the ginger-jar. They had lids or stoppers likewise of china, and were most frequently blue and white. Until about 1800 they were called tea canisters rather than caddies.[1]A Tea Caddy is one of basic tool for a tea ceremony. Tea caddy is necessary for tea ceremony. There are 2 types of tea caddy. One is Natsume and another is Chaire. The Natsume is for thin tea powder and the Chaire is for thick tea. The Natsume is made of plastic, artificial wood or natural wood sometimes with lacquered pictures. The Chaire is made of potter with small bag ( Ko-Bukusa ). Some items are so beautiful and fashionable. It is presumed that they were used not only as a tea tool but their fashion item to show to their guest.
Condition Condition report for the vase: Very good, minor wear, no chips, no cracks; Condition or the inner lid: Small repaired crack; Condition for outer lid: Broken in several pieces and repaired;
Low Estimate: 1000;
High Estimate: 2000;
Orignal: Yes;

Japanese erotic wooden Netsuke, Loving family 19th c

Lot # 264

Low Estimate: 1,000High Estimate: 2,000Original

Japanese antique carved wooden Netsuke, - Loving family, 4 cm, 22g. Height: 1.25 in. = 2.25 cm. Length: 2.5 in. = 4 cm. Weight: 22.46 g. Provenance: from private collection in Florida, USA; purchased in 1980s -1990's
Condition Used old polished wood, no defects;
Low Estimate: 1000;
High Estimate: 2000;
Original: Yes;

Japanese antique erotic wooden Netsuke, 2 Lovers 19th c

Lot # 265

Low Estimate: 1,000High Estimate: 2,000Original

Japanese antique carved wooden Netsuke, - Two lovers, 5 cm, 21 g; Height: 1.8 in. = 5 cm; Width: 1 in. = 2.5 cm; Weight: 20.60 g; Condition: Used, no defects; Provenance: from private collection in Florida, USA; purchased in 1980s -1990's Netsuke (?) are miniature sculptures that were invented in 17th-century Japan to serve a practical function (the two Japanese characters ne+tsuke mean "root" and "to attach"). Traditional Japanese garments robes called kosode and kimonohad no pockets; however, men who wore them needed a place to store their personal belongings, such as pipes, tobacco, money, seals, or medicines. Their solution was to place such objects in containers (called sagemono) hung by cords from the robes' sashes (obi). The containers may have been pouches or small woven baskets, but the most popular were beautifully crafted boxes (inr), which were held shut by ojime, which were sliding beads on cords. Whatever the form of the container, the fastener that secured the cord at the top of the sash was a carved, button-like toggle called a netsuke. Netsuke, like the inr and ojime, evolved over time from being strictly utilitarian into objects of great artistic merit and an expression of extraordinary craftsmanship. Such objects have a long history reflecting the important aspects of Japanese folklore and life. Netsuke production was most popular during the Edo period in Japan, around 1615-1868. Today, the art lives on, and some modern works can command high prices in the UK, Europe, the USA, Japan and elsewhere. Inexpensive yet faithful reproductions are available in museums and souvenir shops.
Condition Used old polished wood, no defects;
Low Estimate: 1000;
High Estimate: 2000;
Orignal: Yes;

Edo period (1600-1868) Japanese bronze mirror, 9 cranes

Lot # 266

Low Estimate: 1,000High Estimate: 3,000Original

Authentic Japanese bronze mirror, 6+3 cranes, D=9.5, Edo period (1600-1868); Five adult cranes and three baby cranes. Cranes are symbols of fidelity and happiness in the family. Nice patina all over. Weight: 3 lb. 5 oz. = 1kg 500 g; Diameter: 9.5 in. = 24 cm = 240 mm; Total length with a handle: 14 in. = 35 cm; Rim: 5 mm, rectangular; Mirror surface: flat, nicely polished, can be used as a mirror; Material: bronze; Signed by the artist on the right side. Condition: excellent References: Japanese bronze mirrors Bronze mirrors were introduced into Japan from China and Korea during the Yayoi period (about 300 BC - AD 300). At first they had a religious function and were regarded as symbols of authority. The Japanese soon learnt to make their own mirrors using the lost-wax technique, decorating them with Chinese or native Japanese designs. By the Nara period (AD 710 -794) mirrors were being made for everyday use, with the increasing use of Japanese designs, such as native plants and animals symbolizing good fortune. From the Kamakura period (1185-1333) a design showing Hôraizan (the Chinese 'Island of Immortality') became popular. Mirrors gradually became more robust. They mostly have a central boss, often in the shape of a tortoise, which was pierced and a cord passed through for holding. More new designs and the first handled mirrors appeared in the Muromachi period (1333-1568). During the Edo period (1600-1868), mirrors decorated with lucky symbols or Chinese characters were given at weddings. Mirrors became larger as hairstyles became more ornate; some mirrors in Kabuki theater dressing-rooms were up to fifty centimeters across and were placed on stands. The faces of mirrors were highly polished or burnished, with itinerant tanners and polishers specializing in this work. Since the mirror, together with the sword and the jewel, were symbols of Imperial power, mirror-makers were deeply revered and often given honorary titles such as Tenka-Ichi ('First under Heaven'). However, this title was often misused and was officially prohibited in 1682
Condition Perfect, several spots of green patina and oxidation;
Low Estimate: 1000;
High Estimate: 3000;
Original: Yes;

Edo Japanese/Korean bronze mirror 2 cranes & 2 turtles

Lot # 267

Low Estimate: 1,000High Estimate: 3,000Original

Authentic Japanese/Korean bronze mirror 2 cranes, 2 turtles, etc., Edo period (1600-1868); Lot of symbols of longevity (turtles), fidelity (cranes), happiness, good fortune, etc. Nice patina all over; Weight: 1 lb. 8 oz. = 700 g; Diameter: 7.5 in. = 183 mm; Total length with a handle: 11 = 28 cm; Rim: 5 mm, rectangular; Mirror surface: flat; Material: bronze; This is a Japanese (or remotely possible-a Korean) bronze mirror. It has elaborate decoration as seen in my photos. The large Chinese characters depict Long life and Happiness and there are many symbols of longevity, such as the Crane, Bundles of rice, etc. It appears that the makers name might have been removed from this mirror. It is in great condition other than the possible missing signature and has no dings, dents or repairs. It is approximately 11" high and 7 3/4" wide. It was made about the turn of the century or possibly earlier. Provenance: this mirror was purchased in Korea by Americans, when they lived in South Korea from 1966 until 1974 and again from 1976 until 1985.
Condition Authentic patina and oxidation;
Low Estimate: 1000;
High Estimate: 3000;
Original: Yes;

Japanese Edo lady's bronze mirror, Houses & Trees

Lot # 268

Low Estimate: 1,000High Estimate: 2,000Original

Authentic Japanese bronze mirror, Houses & trees, D=5.3 in., Edo period (1600-1868) This is a small, possibly lady mirror. Weight: 10 oz. = 300 g; Diameter: 5 3/8 in. = 137 mm = 13.7 cm; Total length with a handle: 9 inches = 23 cm; Rim: 4 mm, rectangular; Mirror surface: flat, polished, has some green patina; Material: bronze; Mirror is signed by the artist on the left side. Condition: Nice genuine patina all over References: Japanese bronze mirrors; Bronze mirrors were introduced into Japan from China and Korea during the Yayoi period (about 300 BC - AD 300). At first they had a religious function and were regarded as symbols of authority. The Japanese soon learnt to make their own mirrors using the lost-wax technique, decorating them with Chinese or native Japanese designs. By the Nara period (AD 710 -794) mirrors were being made for everyday use, with the increasing use of Japanese designs, such as native plants and animals symbolizing good fortune. From the Kamakura period (1185-1333) a design showing Hôraizan (the Chinese 'Island of Immortality') became popular. Mirrors gradually became more robust. They mostly have a central boss, often in the shape of a tortoise, which was pierced and a cord passed through for holding. More new designs and the first handled mirrors appeared in the Muromachi period (1333-1568). During the Edo period (1600-1868), mirrors decorated with lucky symbols or Chinese characters were given at weddings. Mirrors became larger as hairstyles became more ornate; some mirrors in Kabuki theatre dressing-rooms were up to fifty centimeters across and were placed on stands. The faces of mirrors were highly polished or burnished, with itinerant tanners and polishers specializing in this work. Since the mirror, together with the sword and the jewel, were symbols of Imperial power, mirror-makers were deeply revered and often given honorary titles such as Tenka-Ichi ('First under Heaven'). However, this title was often misused and was officially prohibited in 1682. This Japanese hand mirror is probably 75-100 years old, and is made primarily of brass. The maker's mark at the left on the back is partially illegible, but appears to be an address that begins "Ooshita Ichigami-mura . . ." ("Ooshita, Ichigami Town . . ."), although it might also be something like a caption telling what the design depicts. As shown, there is a pretty fair amount of wear and tarnish, with several spots and patches of minor, green oxidation, but there is no significant structural damage. The reflective face is quite tarnished and stained, however, and so gives virtually no reflection at all.
Condition Used, perfect;
Low Estimate: 1000;
High Estimate: 2000;
Original: Yes;

Japanese/Korean bronze Symbol mirror, 14in. Edo period

Lot # 269

Low Estimate: 1,000High Estimate: 3,000Original

Authentic Japanese/ Korean bronze mirror, 14 in., Edo period (1600-1868) Another possibility it is a Korean mirror Lot of symbols of longevity, happiness, good fortune, etc. No animals Nice patina all over Weight: 2 lb. 6 oz. = 1kg 100 g Diameter: 9.5 in. = 24 cm = 240 mm; Total length with a handle: 14 in. = 35 cm; Rim: 5 mm, rectangular; Mirror surface: flat; Material: bronze; Condition: Natural patina. There are 2 bronze rings for hanging, but chain is missing. References: Japanese bronze mirrors: Bronze mirrors were introduced into Japan from China and Korea during the Yayoi period (about 300 BC - AD 300). At first they had a religious function and were regarded as symbols of authority. The Japanese soon learnt to make their own mirrors using the lost-wax technique, decorating them with Chinese or native Japanese designs. By the Nara period (AD 710 -794) mirrors were being made for everyday use, with the increasing use of Japanese designs, such as native plants and animals symbolizing good fortune. From the Kamakura period (1185-1333) a design showing Hôraizan (the Chinese 'Island of Immortality') became popular. Mirrors gradually became more robust. They mostly have a central boss, often in the shape of a tortoise, which was pierced and a cord passed through for holding. More new designs and the first handled mirrors appeared in the Muromachi period (1333-1568). During the Edo period (1600-1868), mirrors decorated with lucky symbols or Chinese characters were given at weddings. Mirrors became larger as hairstyles became more ornate; some mirrors in Kabuki theater dressing-rooms were up to fifty centimeters across and were placed on stands. The faces of mirrors were highly polished or burnished, with itinerant tanners and polishers specializing in this work. Since the mirror, together with the sword and the jewel, were symbols of Imperial power, mirror-makers were deeply revered and often given honorary titles such as Tenka-Ichi ('First under Heaven'). However, this title was often misused and was officially prohibited in 1682. Bronze mirrors were replaced by glass mirrors after the Meiji Restoration (1868).
Condition Natural patina. There are 2 bronze rings for hanging, but chain is missing.
Low Estimate: 1000;
High Estimate: 3000;
Original: Yes;

Edo Emp Japanese Wedding bronze mirror, 9.5 in., 2 lb.

Lot # 270

Low Estimate: 1,000High Estimate: 3,000Original

Authentic Edo Emp Japanese Wedding bronze mirror, 9.5 in., 2 lb. Made in Edo Emperor period (1600-1868); The mirror has a hanging chain. Has very nice sound if you strike it, can be used as a gong or bell; Diameter: 9.5 in. = 24 cm; Length with a handle: 13.5 = 34 cm Weight: 2 lb. 3 oz. = 1000g; Condition: perfect for the age, notice several spots of bronze oxidation References: Japanese bronze mirrors; Bronze mirrors were introduced into Japan from China and Korea during the Yayoi period (about 300 BC - AD 300). At first they had a religious function and were regarded as symbols of authority. The Japanese soon learnt to make their own mirrors using the lost-wax technique, decorating them with Chinese or native Japanese designs. By the Nara period (AD 710 -794) mirrors were being made for everyday use, with the increasing use of Japanese designs, such as native plants and animals symbolizing good fortune. From the Kamakura period (1185-1333) a design showing Hôraizan (the Chinese 'Island of Immortality') became popular. Mirrors gradually became more robust. They mostly have a central boss, often in the shape of a tortoise, which was pierced and a cord passed through for holding. More new designs and the first handled mirrors appeared in the Muromachi period (1333-1568). During the Edo period (1600-1868), mirrors decorated with lucky symbols or Chinese characters were given at weddings. Mirrors became larger as hairstyles became more ornate; some mirrors in Kabuki theatre dressing-rooms were up to fifty centimeters across and were placed on stands. The faces of mirrors were highly polished or burnished, with itinerant tanners and polishers specializing in this work. Since the mirror, together with the sword and the jewel, were symbols of Imperial power, mirror-makers were deeply revered and often given honorary titles such as Tenka-Ichi ('First under Heaven'). However, this title was often misused and was officially prohibited in 1682. This Japanese hand mirror is probably 75-100 years old, and is made primarily of brass. The maker's mark at the left on the back is partially illegible, but appears to be an address that begins "Ooshita Ichigami-mura . . ." ("Ooshita, Ichigami Town . . ."), although it might also be something like a caption telling what the design depicts. As shown, there is a pretty fair amount of wear and tarnish, with several spots and patches of minor, green oxidation, but there is no significant structural damage. The reflective face is quite tarnished and stained, however, and so gives virtually no reflection at all.
Condition perfect for the age, notice several spots of bronze oxidation;
Low Estimate: 1000;
High Estimate: 3000;
Original: Yes;

Japanese bronze mirror, Blooming Sakura, 8.25n, Edo p

Lot # 271

Low Estimate: 1,000High Estimate: 2,000Original

Authentic Japanese bronze mirror, Blooming Sakura, Edo period (1600-1868); Weight: 1 lb. 9 oz. = 730 g; Diameter: 8.25 in. = 21 cm = 210 mm; Total length with a handle: 12 in. = 30 cm; Rim: 4 mm, rectangular; Mirror surface: flat, polished, has some green patina; Material: bronze; Signed by the artist on the left side. Condition: Genuine patina all over, several green spots on mirror surface References: Japanese bronze mirrors: Bronze mirrors were introduced into Japan from China and Korea during the Yayoi period (about 300 BC - AD 300). At first they had a religious function and were regarded as symbols of authority. The Japanese soon learnt to make their own mirrors using the lost-wax technique, decorating them with Chinese or native Japanese designs. By the Nara period (AD 710 -794) mirrors were being made for everyday use, with the increasing use of Japanese designs, such as native plants and animals symbolizing good fortune. From the Kamakura period (1185-1333) a design showing Hôraizan (the Chinese 'Island of Immortality') became popular. Mirrors gradually became more robust. They mostly have a central boss, often in the shape of a tortoise, which was pierced and a cord passed through for holding. More new designs and the first handled mirrors appeared in the Muromachi period (1333-1568). During the Edo period (1600-1868), mirrors decorated with lucky symbols or Chinese characters were given at weddings. Mirrors became larger as hairstyles became more ornate; some mirrors in Kabuki theatre dressing-rooms were up to fifty centimeters across and were placed on stands. The faces of mirrors were highly polished or burnished, with itinerant tanners and polishers specializing in this work. Since the mirror, together with the sword and the jewel, were symbols of Imperial power, mirror-makers were deeply revered and often given honorary titles such as Tenka-Ichi ('First under Heaven'). However, this title was often misused and was officially prohibited in 1682.
Condition Genuine patina all over, several green spots on mirror surface
Low Estimate: 1000;
High Estimate: 2000;
Original: Yes;

Museum Japanese bronze mirror: Two cranes, Edo

Lot # 272

Low Estimate: 2,000High Estimate: 40,000Original

Museum Japanese bronze mirror: Two cranes and tree,- Edo Emperor period (1600-1868). Exceptional quality mirror surface you can see your real reflection almost like in a modern mirror; Diameter: 7 1/8" inches = 182 mm = 18.2 cm; Length with a handle: 11 1/4" inches = 283 mm = 28.3 cm; Weight: 2 lb. = 900 g; Condition: some rust and patina, handle still have remnants of original cover. The hay cover on the handle is partially missing. Japanese bronze mirrors Bronze mirrors were introduced into Japan from China and Korea during the Yayoi period (about 300 BC - AD 300). At first they had a religious function and were regarded as symbols of authority. The Japanese soon learnt to make their own mirrors using the lost-wax technique, decorating them with Chinese or native Japanese designs. By the Nara period (AD 710 -794) mirrors were being made for everyday use, with the increasing use of Japanese designs, such as native plants and animals symbolizing good fortune. From the Kamakura period (1185-1333) a design showing Hôraizan (the Chinese 'Island of Immortality') became popular. Mirrors gradually became more robust. They mostly have a central boss, often in the shape of a tortoise, which was pierced and a cord passed through for holding. More new designs and the first handled mirrors appeared in the Muromachi period (1333-1568). During the Edo period (1600-1868), mirrors decorated with lucky symbols or Chinese characters were given at weddings. Mirrors became larger as hairstyles became more ornate; some mirrors in Kabuki theatre dressing-rooms were up to fifty centimeters across and were placed on stands. The faces of mirrors were highly polished or burnished, with itinerant tanners and polishers specializing in this work. Since the mirror, together with the sword and the jewel, were symbols of Imperial power, mirror-makers were deeply revered and often given honorary titles such as Tenka-Ichi ('First under Heaven'). However, this title was often misused and was officially prohibited in 1682. Bronze mirrors were replaced by glass mirrors after the Meiji Restoration (1868). Edo period (1600-1868); Exceptional quality mirror surface you can see your real reflection almost like in a modern mirror; Diameter: 7 1/8" inches = 182 mm = 18.2 cm; Length with a handle: 11 1/4" inches = 283 mm = 28.3 cm; Weight: 2 lb. = 900 g; Condition: some rust and patina, handle still have remnants of original cover. The hay cover on the handle is partially missing. Japanese bronze mirrors Bronze mirrors were introduced into Japan from China and Korea during the Yayoi period (about 300 BC - AD 300). At first they had a religious function and were regarded as symbols of authority. The Japanese soon learnt to make their own mirrors using the lost-wax technique, decorating them with Chinese or native Japanese designs. By the Nara period (AD 710 -794) mirrors were being made for everyday use, with the increasing use of Japanese designs, such as native plants and animals symbolizing good fortune. From the Kamakura period (1185-1333) a design showing Hôraizan (the Chinese 'Island of Immortality') became popular. Mirrors gradually became more robust. They mostly have a central boss, often in the shape of a tortoise, which was pierced and a cord passed through for holding. More new designs and the first handled mirrors appeared in the Muromachi period (1333-1568). During the Edo period (1600-1868), mirrors decorated with lucky symbols or Chinese characters were given at weddings. Mirrors became larger as hairstyles became more ornate; some mirrors in Kabuki theatre dressing-rooms were up to fifty centimeters across and were placed on stands. The faces of mirrors were highly polished or burnished, with itinerant tanners and polishers specializing in this work. Since the mirror, together with the sword and the jewel, were symbols of Imperial power, mirror-makers were deeply revered and often given honorary titles such as Tenka-Ichi ('First under Heaven'). However, this title was often misused and was officially prohibited in 1682. Bronze mirrors were replaced by glass mirrors after the Meiji Restoration (1868).
Condition some rust and patina, handle still have remnants of original cover. The hay cover on the handle is partially missing.
Low Estimate: 2000;
High Estimate: 40000;
Orignal: Yes;

Japanese bronze mirror Two cranes, kissing turtle

Lot # 273

Low Estimate: 1,500High Estimate: 3,000

Japanese bronze mirror Two cranes, kissing a turtle, Attribution: Muromachi period (1333-1568); Weight: 1 lb. = 450 g; Diameter: 4.75 in. = 120 mm; Rim: 15 mm; Knob: in the shape of turtle; Mirror surface: shiny, very slightly concave; References: Japanese bronze mirrors Bronze mirrors were introduced into Japan from China and Korea during the Yayoi period (about 300 BC - AD 300). At first they had a religious function and were regarded as symbols of authority. The Japanese soon learnt to make their own mirrors using the lost-wax technique, decorating them with Chinese or native Japanese designs. By the Nara period (AD 710 -794) mirrors were being made for everyday use, with the increasing use of Japanese designs, such as native plants and animals symbolizing good fortune. From the Kamakura period (1185-1333) a design showing Hôraizan (the Chinese 'Island of Immortality') became popular. Mirrors gradually became more robust. They mostly have a central boss, often in the shape of a tortoise, which was pierced and a cord passed through for holding. More new designs and the first handled mirrors appeared in the Muromachi period (1333-1568). During the Edo period (1600-1868), mirrors decorated with lucky symbols or Chinese characters were given at weddings. Mirrors became larger as hairstyles became more ornate; some mirrors in Kabuki theatre dressing-rooms were up to fifty centimeters across and were placed on stands. The faces of mirrors were highly polished or burnished, with itinerant tanners and polishers, specializing in this work. Since the mirror, together with the sword and the jewel, were symbols of Imperial power, mirror-makers were deeply revered and often given honorary titles such as Tenka-Ichi ('First under Heaven'). However, this title was often misused and was officially prohibited in 1682. Bronze mirrors were replaced by glass mirrors after the Meiji Restoration (1868).
Condition Very good for the age, shiny mirror surface;
Low Estimate: 1500;
High Estimate: 3000;

Pair of Qing/Ming Dynasty(?) Ginger jars & lids, signed

Lot # 274

Low Estimate: 2,000High Estimate: 10,000Original

Pair of Qing/Ming Dynasty(?) ginger vases with lids, signed. Each vase has clear engraved signature of the master. Weight of one vase: 7 lb. = 3.15 kg, Weight of two jars: 14 lb. = 6.3 kg, Weight of two jars and packing: 20 lb. = 9 kg Height with lid: 9 inches = 22.5 cm; Width: 9 inches = 22.5 cm; Condition: Excellent for this age, no cracks. Both lids have some chips refer to the pictures Shipping in USA: FedEx or UPS, approximately $150-$300, depending on the distance and terms of delivery.
Condition Excellent for this age, no cracks. Both lids have some chips refer to the pictures. Some wear at the bottom rim.
Low Estimate: 2000;
High Estimate: 10000;
Orignal: Yes;

Peking glass multicolored vase

Lot # 275

Low Estimate: 1,000High Estimate: 2,000Original

Chinese carved multicolored Beijing Glass vase with lid. Height: 4 in. without lid, 5 in. with lid. Seal mark on the bottom: Provenance: from private collection in Florida, USA; purchased in 1980s -1990's
Low Estimate: 1000;
High Estimate: 2000;
Original: Yes;

Chinese Peking Red Glass Vase with the lid

Lot # 276

Low Estimate: 1,000High Estimate: 2,000Original

Chinese Peking glass vase with the lid, signed at the bottom. Condition: fine, no defects. Provenance: from private collection in Florida, USA; purchased in 1980s -1990's
Condition perfect, no defects;
Low Estimate: 1000;
High Estimate: 2000;
Original: Yes;

Peking glass yellow vase

Lot # 277

Low Estimate: 1,500High Estimate: 3,000Condition: ExcellentOriginal

Chinese antique carved Beijing Glass tall yellow vase, 21 cm. Height: 8.5 in. = 21 cm. Seal mark on the bottom. Provenance: from private collection in Florida, USA; purchased in 1980s -1990's.
Low Estimate: 1500;
High Estimate: 3000;
Condition: Excellent;
Original: Yes;

Peking glass yellow ball vase

Lot # 278

Low Estimate: 1,000High Estimate: 2,000Original

Chinese carved Beijing Glass yellow-green vase. Height:__________Seal mark on the bottom. Provenance: from private collection in Florida, USA; purchased in 1980s -1990's
Condition Excellent, no defects;
Low Estimate: 1000;
High Estimate: 2000;
Original: Yes;

Bid Range	Increment
$0.01 - $0.24	$0.01
$0.25 - $0.49	$0.05
$0.50 - $0.99	$0.10
$1.00 - $4.99	$0.25
$5.00 - $9.99	$0.50
$10.00 - $24.99	$1.00
$25.00 - $99.99	$5.00
$100.00 - $249.99	$10.00
$250.00 - $499.99	$25.00
$500.00 - $999.99	$50.00
$1,000.00 - $4,999.99	$100.00
$5,000.00 - $24,999.99	$250.00
$25,000.00 - $49,999.99	$500.00
$50,000.00 - $99,999.99	$1,000.00
$100,000.00 - $249,999.99	$2,500.00
$250,000.00 - $999,999.99	$5,000.00
$1,000,000.00+	$10,000.00

Category

Selling Format

Eternity Masterpieces - November 2014

Eternity Masterpieces - November 2014

Shino-Yaki pottery bowl -JAPANESE TEA ceremony, signed

Japanese Chawan, Tea ceremony Shino Yaki Ceramic flower

Shino Yaki Japanese Chawan wavy glaze bowl

JAPANESE small plate with Mount. FUJI, Fukagawa mark

Painted & glazed pottery plate by FAYE NAKAMURA, signed

Japanese Kutani porcelain vase, Meiji period 1868-1912?

Set of 4 Japanese Kutani cups, signed, Meiji period

SATSUMA TASHIO ANTIQUE, 24cm, JAPANESE VASE 19-20th c

Kutani Antique Japanese porcelain red vase, 12 = 30 cm

Delicate Antique Japanese porcelain tea caddy 2 lids

Japanese erotic wooden Netsuke, Loving family 19th c

Japanese antique erotic wooden Netsuke, 2 Lovers 19th c

Edo period (1600-1868) Japanese bronze mirror, 9 cranes

Edo Japanese/Korean bronze mirror 2 cranes & 2 turtles

Japanese Edo lady's bronze mirror, Houses & Trees

Japanese/Korean bronze Symbol mirror, 14in. Edo period

Edo Emp Japanese Wedding bronze mirror, 9.5 in., 2 lb.

Japanese bronze mirror, Blooming Sakura, 8.25n, Edo p

Museum Japanese bronze mirror: Two cranes, Edo

Japanese bronze mirror Two cranes, kissing turtle

Pair of Qing/Ming Dynasty(?) Ginger jars & lids, signed

Peking glass multicolored vase

Chinese Peking Red Glass Vase with the lid

Peking glass yellow vase

Peking glass yellow ball vase