Eternity Masterpieces - November 2014

Eternity Masterpieces - November 2014

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Auction closed.
Eternity Masterpieces - November 2014

Eternity Masterpieces - November 2014

Auction closed.
Auction closed.
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Fine Art & Antiques from all over the world including paintings, porcelain, bronzes, coins, wood carvings, etc.

Eternity Gallery


(727) 254-3924
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Pg : 12 of 20

Qing dy blue white ceramic Double Happiness Wedding Jar

Lot # 279      

This is an authentic late Qing Dynasty blue and white ceramic "Double Happiness' Wedding Jar. It is in good condition for it's considerable age. This is a fine example of an authentic Qing Dynasty 'double happiness' ginger jar. This is not a modern reproduction. It is an authentic antique from the turn of the century. There are no chips or cracks on this jar. It is very thick and heavily built. It is hand painted in cobalt blue and glazed. It is old and used and has some visible wear from use and original firing. It has some very minor hairlines (hardly visible) and these are definitely not structural. Size: it is 9 inches tall and the base measures 6.5 inches in diameter. This is a large solid jar. You won't be disappointed. -Wooden stand is not included-
Condition It is old and used and has some visible wear from use and original firing. It has some very minor hairlines (hardly visible) and these are definitely not structural.
Low Estimate: 500;
High Estimate: 1000;
Original: Yes;

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Xuande Emp, Ming Dynasty Chinese porcelain Vase

Lot # 280      

Chinese porcelain Blue & White Vase, Ming Reign Marks- Xuande Period (AD 1426-1435) Jingdezhen, Jiangxi province . Porcelain vase with under glaze cobalt-blue decoration, with cover Tapering 8-lobed body, featuring figural scene underneath band, decorated with classic scroll and phoenix; The domed cover featuring Fu lion in Finiale design; Height without lid: 11.5 in. = 29 cm; Height with lid: 15 in. = 37.5 cm Width: 8 in. = 20 cm; Weight: 8 lb. = 3.6 kg. References The Liu Xuande (Liu Bei) Emperor was Emperor of China from 1426 to 1435. His era name means "Proclamation of Virtue". Himself being a competent poet and artist, the emperor sponsored improvements in the manufacturing of ceramics, which led to the world famous Ming porcelain. He surrounded himself with precious articles such as luxury items, precious stones and unusual animals. The Xuande Emperor, despite reigning for just ten years, commissioned an extraordinary variety of forms and patterns from the imperial kilns at Jingdezhen. Authenticity report: probability of Ming dynasty origin is very high.
Condition Very good, no cracks or any other damage, natural aging of porcelain;
Low Estimate: 5000;
High Estimate: 25000;

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Chinese porcelain Yuan dynasty vase, Tang poet Li Bai

Lot # 281      

Chinese porcelain Yuan dynasty Chizhou vase with TANG poet Li Bai ; The image represents the famous Tang dynasty poet - Li Bai - ; The inscription says when Li was drunk, he would write many poems. Height: 9.8 in = 25 cm; Weight: approx. 3 lb. = 1415 g = 1 kg 415 g; Provenance: from private collection in New York, USA; References: Li Bai (701[1]762), also known as Li Po, was a Chinese poet acclaimed from his own day to the present as a genius and romantic figure who took traditional poetic forms to new heights. He and his friend Du Fu (712770) were the two most prominent figures in the flourishing of Chinese poetry in the mid-Tang Dynasty that is often called the "Golden Age of China".Around a thousand poems attributed to him are extant, thirty-four in the canonical 18th-century anthology Three Hundred Tang Poems. The poems were models for celebrating the pleasures of friendship, the depth of nature, solitude, and the joys of drinking wine. Among the most famous are "Waking from Drunkenness on a Spring Day", "The Hard Road to Shu", and "Quiet Night Thought", which appears frequently in school texts in China today. Legend holds that Li drowned when he reached from his boat to grasp the moons reflection in the river. The Yuan dynasty (12061368)While the Mongol occupation destroyed much, it also shook China free from the static traditions and techniques of the late Southern Song and made possible many innovations, both in painting and in the decorative arts. The north was not progressive, and the main center of pottery activity shifted permanently to the south. The northern traditions of Jun and Cizhou ware continued through the Jin and Yuan, bolder but coarser than before. New shapes included a heavy, wide-mouthed jar, sometimes with decoration boldly carved through a black or brown slip or painted in two or three colours. These new techniques and the overglaze painting already developed in the Jin dynasty prepared the way for the three- and five-colour wares of the Ming.
Low Estimate: 15000;
High Estimate: 50000;
Original: Yes;

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Genuine Chinese Junyao porcelain vase, Jin/Yuan dynasty

Lot # 282      

Junyao pear-shaped vase, yuhu-chun-ping, Jin/Yuan dynasty (1115-1368). Delicately potted, standing on a short straight-cut foot, the swollen body with a tall neck, ending on a flaring rim, covered overall in a light-blue glaze and attractively splashed purple color in several (10) areas, suffused throughout with an attractive irregular russet crackles. Height: 7.2 in. = 18 cm. Biggest diameter: 4.5 in. = 11.5 cm. Diameter of the base: 2.35 in. = 6 cm. The opening is very small: 4 mm. Weight: 1 lb. 3 oz. = 540 g. Condition: very good for the age, about one dozen of tiny (1-4 mm) indentations (from the bubbles?) throughout the surface. They were originally present at the moment of glazing because of the original technique glazing over the hot wood. It means, they actually prove the authenticity. Age: Jin/Yuan dynasty (1115-1368). Authenticity report: According to our 30 years' experience in collecting of Asian and European antiques the probability of being genuine is very high. Provenance: from old US collection, purchased in 1980s. References: 1) Similar vase was sold at Christies for $84,241 US + 15% buyers premium, on Nov 2009. http://www.christies.com/Lotfinder/lot_details.aspx? 2) Another similar Jun bowl Song dynasty was sold in 2013 for $173,000. http://www.sothebys.com/en/auctions/ecatalogue/2013/chinese-works-of-art-n08974/lot.93.lotnum.html
Condition Very good. No defects, no cracks, natural aging of the porcelain;
Low Estimate: 80000;
High Estimate: 250000;
Orignal: Yes

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Set of 3 Chinese porcelain vases, Shunzhi Emperor mark

Lot # 283      

Set of three Chinese porcelain vases, Shunzhi Emperor (1644 to 1661) mark DESCRIPTION: Up for sale lot of 3 antique Chinese porcelain with 17th Century Qing Dynasty Shunzhi Emperor (1644 to 1661) mark 1. Large Vase: Height - 8 in. = 20.8 cm. Width: 7 in. wide = 17.5 cm. Opening: 3 5/8 in. = 9.2 cm. Weight 2 lb. 14.4 oz. =1300 g. 2. Lidded bowl: Height 2.5 in. = 5.8 cm. Height with lid by 4.5 in. = 10.5 cm. Weight 1 lb. & 9.2 oz. = 700 g 3. Lidded jar: Height without lid: 3 7/8 in. = 6.5 cm. Height with lid 4 in. = 10 cm. Width: 3.25 in. = 8.5 cm. Weight: 9 oz. = 240 g Condition: all in good condition no chips or cracks, some wear at the bottom, beautiful natural crazing. References The Shunzhi Emperor (Shun-chih Emperor) was the third emperor of the Qing dynasty and the first Qing emperor to rule over China, from 1644 to 1661. A committee of Manchu princes chose him to succeed his father, Hong Taiji (15921643), in September 1643, when he was five years old. The princes also appointed two co-regents: Dorgon (16121650), fourteenth son of Qing founder Nurhaci (15591626), and Jirgalang (15991655), one of Nurhaci's nephews, both of whom were members of the Qing imperial clan.
Condition Very good/fine for the age, the base was not glazed, no cracks, no chips;
Low Estimate: 2000;
High Estimate: 10000;
Orignal: Yes;

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Chinese, Jun ware porcelain Gu-vase, Jin/Yuan(?)18.7 cm

Lot # 284      

Chinese, Jun kiln ware porcelain Gu-shaped vase, Jin/Yuan dynasty (1115-1368)? Weight: 3 lb. = 1,350 g; Height: 7.5 inches = 18.7 cm; Upper diameter: 6 inches = 15.3 cm; Condition: very fine, no cracks or chips; Estimate: $2,000 - $20,000; Provenance: from private collection in USA; Age and authenticity: Style and shape of Jin/Yuan dynasty (1115-1368). This vase needs a thermolumenscent test in order to verify a real age. Until then, Jin/Yuan dynasty is only our opinion, but not a guarantee of authenticity. References: Jun ware (Chinese: ; WadeGiles: Chün) is a type of Chinese celadon. The use of straw ash in the glaze bestows its unique blue glaze suffused with white. The ware was created near Linru County in the province of Henan at the Jun kilns of Yuzhou City during the Northern Song dynasty (9601126) to the Jin dynasty (11151234) and Yuan dynasty (12711368). The Chinese character for Jun became incorporated in local place names only as late as 1368. There is no mention of the kilns of Jun ware in written sources from the Song to Yuan dynasties. A black ware with spots was produced at the Xiaobai Valley in the Tang dynasty and can be considered the precursor of Jun ware. Jun celadon closely resembles Jun official celadon with its multiple layers of blue glaze. The kiln sites of both wares were geographically near one another as well. The Jun glaze included blue-gray, sky-blue, moon-white, red and purple, the most prized have crimson or purple splashes. Varying the temperature of the kilns changed color tints, a technique known as yaobian. The foot of the later period ware is usually unglazed and brown; the rim of bowls can also be brown or greenish where the glaze is thinner. Song period examples display a careful finishing with glaze inside the foot. Naturally Song shapes are crisp and thinner than later Jin and Yuan examples. There is a great variety of shapes such as bowls, dishes and flowerpots. Narcissus bowls were often numbered and whose refinement suggests a connection with Jun official ware. Other extant examples of Jun ware display inscriptions on their bases that resemble other palace wares of the period. The numbers from one to ten are perhaps indications of size. The ware experiences a fall in quality into the Jin period. Later, in the Yuan dynasty, Jun ware production spread to other kiln sites in Henan, Hebei and Shanxi provinces, although Yuzhou City was the prime area for Jun ware production. Investigations of Jun ware kiln sites began in 1951 under Chen Wanli of the Palace Museum. A hundred kiln sites were subsequently discovered. A major report appeared in the journal Historical Relic in 1964.
Condition very fine, no cracks or chips;
Low Estimate: 500
High Estimate: 25000

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YongZheng 1722-1735, Chinese porcelain Ox blood Vase

Lot # 285      

Yong  Zheng period, 1722-1735, Qing Dyn, Chinese porcelain Red Vase. Lovely, ox blood vase from Yong Zheng period, 1722-1735. Weight: 800 g = 1 lb. 13 oz. Height: 12 in. = 30 cm.
Condition Perfect for the age. Some usage traces at the bottom. No defects.
Low Estimate: 2500;
High Estimate: 5000;
Orignal: Yes;

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Kangxi 1662-1722, Artemisia leaf Chinese porcelain Vase

Lot # 286      

Kangxi 1662-1722, Artemisia leaf mark, Chinese porcelain VasernKangxi 1662-1722 period Artemisia leaf mark, and of the period rnBlue white Phoenix and Dragon flying among clouds.rnDuring the early Qing dynasty, up until the early 1680's conditions were unsettled in China and the existence of Imperial wares as well as the use of reign marks on porcelain was restricted in various ways. During this period a number of different marks came into use, as well as two empty rings which in a way could be considered a period marking if not Imperial.rnHeight: 27 cm = 10.5 in.rnWeight: 1500g = 1.5 kg = 3 lb. 4 oz.
Condition Perfect for the age, some wear at the bottom, no defects;
Low Estimate: 1500;
High Estimate: 5000;
Original: Yes;

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Qianlong 1736-1795?, Chinese porcelain vase, 12 people

Lot # 287      

Huge Chinese porcelain vase & lid, 12 busy people, Qianlong Emperor mark period 1736-1795, 35 cm. Scene of the family, horseman and peasants, working at the estate. Height: 14 in. = 35 cm. Biggest diameter: 5.25 in. = 15.5 cm. Weight: 5.5 lb. = 2.5 kg. Condition: perfect, no defects. Provenance: from private collection in Florida, USA; purchased in 1980s -1990's.
Condition Excellent, no defects, some wear around the contact area between lid and vase.
Low Estimate: 5000;
High Estimate: 10000;

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Four Chinese Tibetan porcelain silver bowls, - Qianlong

Lot # 288      

Four Chinese Tibetan porcelain silver bowls, - Qianlong Emperor mark. Set of four Chinese Tibetan porcelain bowls with silver decorations; Four-character Qianlong Mark; Height: 2.4 in. = 6 cm; Diameter: 4.5 in. = 11.7 cm
Condition: Fine, no damage, normal age wear;
Low Estimate: 1000;
High Estimate: 2000;

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Pair of Daoguang red vases with Shen De Tang Zhi mark,

Lot # 289      

Pair of Daoguang red vases with Shen De Tang Zhi mark, circa 1831-1850. Shen De Tang Zhi - "Shen De Hall Made". This could be translated as Made for the Hall of Discreet Virtue. This mark first appeared in the Daoguang period Height: 10. 25 in. = 25.7 cm; Weight of first vase: 15 oz. = 420 g; Weight of second vases: 14 oz. = 405 g; Weight of two vases: 1 lb. 13.5 oz. = 830 g; Condition: very good for age, some wear at the bottom, no defects; Provenance: from private collection in USA References: 1) Lot 355. A Famille rose baluster vase Daoguang Shen De Tang Zhi. Sold for 102,000 (US$ 166,715) inc. premium. bonhams.com/auctions/18827/lot/355/ 2) Lot 355 A rare Famille rose vase Shen de tang zhi mark, Daoguang. Sold for 10,000 (US$ 16,344) inc. premium. bonhams.com/auctions/20108/lot/355/
Condition Overall very good condition, no cracks, several chips at the bottom;
Low Estimate: 1000;
High Estimate: 2000;

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Chinese porcelain 18th c gilded Mandarin Vase, Qing dyn

Lot # 290      

Rare Chinese export porcelain 18th c gilded Mandarin Vase, Qing dynasty. Description: An antique, 18th century MANDARIN COVERED VASE A BLUE UNDERGLAZE vase VERY FINE DECORATED with lots of detail work BUTTERFLIES CHINESE MEN FAMILLE ROSE ELEMENTS. An 18th c Chinese export one greet scenery SUPER QUALITY. Age: circa 1770 GREAT SHAPE, GOOD COLORS, GOOD DECORATED, GREAT HANDMADE AND fine quality HAND painted WITH ONE HAIR OF A BRUSH, THE SCENERY IS JUST GREAT. DIMENSIONS: Height: 7 in. = 17.5 cm. Width: 3 in. = 7.5 cm. Weight: 7 oz. = 200 g. I ALWAYS HAPPY TO COMBINE ITEMS IF THE SHIPPING AMOUNT ALLOWS IT!!! GOOD BIDDING!!!!
Condition Very good for the age, 5 mm chip on the rim, 15 mm chip on the lower rim, 5 mm chip on the lid. There is a stable hairline long crack, going all the way around the widest part of the vase.
Low Estimate: 2000;
High Estimate: 5000;
Orignal: Yes;

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Genuine Qing porcelain Chinese plate with 4 scenes;

Lot # 291      

Genuine Qing porcelain Chinese plate with 4 scenes; Diameter: 8.5 in. = 21.5 cm;  Weight: 10 oz. = 280 g; Provenance: private collection, Florida, USA;
Condition Used, Very fine; no defects, refer to the photos;
Low Estimate: 1000;
High Estimate: 10000;
Original: Yes;

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Chinese Porcelain Vase Qianlong mark, Carps & Lotus

Lot # 292      

Chinese Porcelain Vase Qing Dynasty Carps & Lotus, Qianlong Emperor 1736-1795 Chien Lung = Qianlong Emperor 1736-1795. Height: 14.5 in = 36 cm: Weight: 4 lb. = 2 kg. Shipping in USA by FEDEX International shipping: FEDEX, UPS, USPS Express mail Ask for shipping cost, please! References: Reign Marks on Qing Ceramics 1644-1912 http://www.chinese-porcelain-art.com/Chinese-Reign-Marks-Ming-Qing.html
Condition Perfect, no chips, no cracking, some normal age wear on the bottom;
Low Estimate: 800;
High Estimate: 3000;

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Attribu Tang Yin 1736, Qing Dynasty Chinese porcelain vase?

Lot # 293      

Attribution: Precious Chinese porcelain vase, Qing Dynasty, signed by Tang Yin, 1736, There are following characters on the vase: 1) From Left to right: _________________, Red Phoenix in Morning Sun. One of the Chinese traditional Lucky pictures, saying talented person in the right time. ____________________, January,1736, , Place, _______________- . 2) The very famous seal _________________"", meaning very good precious collection. 3) Seals on the bottom. _______________,, the two are Emperor Qian Long's seals. I don't know the one in the middle. The words around the bottom: ____________. Saying that Tang Ying take advantage of making this vase pot on January, 1736. TangYing was the best porcelain artist. He was good at painting, making poems, making seals and he was famous for making good porcelain. His works were in top quality and were liked by Emperor Yong Zheng and Emperor Qian Long.Translation by expert, PhD: Blue-and-White porcelain Jar. Chinese Inscription on the body: which means: Imperially written in the middle period of the great auspicious month in the first year of Qianlong reign (1736). Produced by ? studio. Seal: which means: The red phoenix flying toward the sun. Inscription on the bottom: which means: On the great auspicious day in the first year of Qianlong of the Great Qing (dynasty), Tang Ying, the imperial bestowed vice director of Imperial Household Office, who also manages the imperial kiln factory, produced (the jar) based on the commission of the emperor. Seals from right to left: Seal 1: Seal of imperial review of Qianlong. Seal 2: Art studio of bamboo art. Seal 3: Imperially used by Qianlong of the Imperial Qing (dynasty). Weight: 10 lb. = 4500 g. Height: 14 inches = 35 cm. Diameter in the middle: 8.5 inches = 21 cm. Diameter at the top: 2 inches = 5 cm. Diameter at the bottom: 2.65 inches = 12 cm. Provenance: from private collection in Florida, USA; Purchased in 1980s -1990's. References: http://most-expensive.net/vase.Disclaimer and authenticity report: It is very hard to evaluate Chinese porcelain, because Chinese masters used to make copies of the old porcelain vases,using the same techniques and characters. That was considered not as a forgery, but rather appreciation of the old masters.This vase is contradictable and the research is not finished. The thermo luminescent test was not done, because it is not statistically proven for the age less than 250-300 years. All the potential buyers are strongly advised to consult their agents and seek advice from the specialists before making their bids.Thank you for understanding!
Condition perfect, some aging wear, no major defects. There is one imperfection on the side surface of the vase, above the right wing of the phoenix bird;
Low Estimate: 200000;
High Estimate: 800000;

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Chinese porcelain vase: 4 court scenes, TongZhi Mark

Lot # 294      

Chinese porcelain vase with 4 court scenes, Tong Zhi Emperor, 1862-1874 period/mark; Square shape, 4-sided, no lid, multicolored hand-painted scenes; Height: 12.5 in. = 31.2 cm; Weight: 7.5 lb. = 3400 g; References: The Tongzhi Emperor (Wade-Giles: Tung-chih Emperor; 27 April 1856 12 January 1875), born Zaichun (Wade-Giles: Tsai-chun) of the Manchu Aisin Gioro clan, was the tenth emperor of the Qing Dynasty, and the eighth Qing emperor to rule over China. His reign, from 1861 to 1875, which effectively lasted through his adolescence, was largely overshadowed by the rule of his mother Empress Dowager Cixi. Although he had little influence over state affairs, the events of his reign gave rise to what historians call the "Tongzhi Restoration", an unsuccessful attempt to stabilize and modernize China.
Condition Normal age wear, no defects;
Low Estimate: 1000;
High Estimate: 5000;

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Museum saddled horse, Chinese Ming early glazed ceramic

Lot # 295      

Museum horse with a saddle, Chinese early glazed ceramics, Ming Dynasty(?) Height: 13 = 32.5 cm; Weight: 10 lb. = 4.5 kg; Age: Attributed to Ming dynasty (1368-1644) or earlier;
Condition very good for this age, insignificant repairs: right ear and end of the tail was glued;
Low Estimate: 15000;
High Estimate: 30000;
Original: Yes;

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Wei/ Six dynasties 386-589AD, Chinese Terracotta Horse

Lot # 296      

Genuine ancient, excavated Chinese Terracotta Horse, made in Wei/ Six dynasties (A.D 386-589). Height: 16.5 in. = 41 cm, Length: 13 in. = 32.5 cm, Weight: 9 lb. = 4 kg, Condition: fine, no cracks or other defects. Authenticity: genuine antique, Wei/ Six dynasties (A.D 386-589). Authenticated by Dr. Qing Chang, PhD as Northern Wei terracotta horse. Provenance: from private collection in Florida, USA; purchased in 1991 at auction in California.Similar horse was estimated at Sothebys at 60,000-80,000 in 2003. Provenance: from old US collection, purchased in 1980s. State of Wei: The State of Wei (simplified Chinese: ; traditional Chinese: ; pinyin: Wèi), sometimes romanized Ngwei to distinguish it from Wey, was a Zhou Dynasty vassal state during the Warring States Period (475 - 221 BCE) of Chinese history. Its territory lay between the states of Qin and Qi and included parts of modern day Henan, Hebei, Shanxi and Shandong. After its capital was moved from Anyi to Daliang (today Kaifeng) during the reign of King Hui of Wei, Wei was also called the state of Liang (). References: 2005 The University of Kansas, Lawrence, KS.
Condition Very Fine, no cracks or other defects, spots of imprints of antique tissues. Originally there was a lot of soil and dirt after excavation, so extensive cleaning was done.
Low Estimate: 30000;
High Estimate: 100000;
Orignal: Yes;

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Chinese YiXin Zisha tea pot with cover, signed

Lot # 297      

Authentic Chinese YiXin Zisha tea pot with cover, signed Chinese character seal mark at the bottom of the pot and 2 marks on the bottom of the lid It's not clay and it's not sandy mud. It's a special kind of rock which is mostly mineral deposits found under the ground near Yixing city. Nowadays the rock after it's mined are grounded by the machine with water, then it's filtered. The paste (just like the bean paste) is then used to make the teapots, Bonsai Pot, etc This paste is called Zisha Sand, because it contains very fine sandy particles. Height: 4 inches = 10 cm Length: 4-6 inches = 10-15 cm Approximate Weight: 300-400 g. Age: unknown. Provenance: from private collection in Florida, USA; purchased in 1980s -1990's
Condition Used, very good, no defects;
Low Estimate: 1000;
High Estimate: 2000;
Original: Yes;

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Chinese YiXin Zisha tea pot w cover & Characters

Lot # 298      

Authentic Chinese Yi Xin Zisha tea pot with cover, signed Chinese character seal mark at the bottom and 5 characters on the side It's not clay and it's not sandy mud. It's a special kind of rock which is mostly mineral deposits found under the ground near Yixing city. Nowadays the rock after it's mined are grounded by the machine with water, then it's filtered. The paste (just like the bean paste) is then used to make the teapots, Bonsai Pot, etc This paste is called Zisha Sand, because it contains very fine sandy particles. Height with cover: 3.5 inches = 9 cm; Length: 6.7 inches = 16.5 cm; Weight: 10 oz. = 245 g. Age: unknown. Provenance: bought on estate auction in California, USA
Condition Perfect, no defects;
Low Estimate: 1000;
High Estimate: 2000;
Original: Yes;

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Chinese wooden board table screen carving, Qing dynasty

Lot # 299      

Chinese Antique Wooden board table screen carving, Qing/Ming dynasty. Height of the screen + base: 11 inches = 26.8 cm. Width of the screen: 7.5 inches = 14 cm. Width of the base: 6.5 inches = 16.5 cm. Weight of the base: 160 g. Weight of the screen: 260 g Total weight: 420 g. Provenance: from private collection in Florida, USA; purchased in 1980s -1990's
Condition natural aging of the wood, no damage;
Low Estimate: 3000;
High Estimate: 6000;
Original: Yes;

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Antique Chinese carved hard red wood Fisherman, Qing d

Lot # 300      

Antique Chinese carved hard red wooden Fisherman, late Qing dynasty(?) Weight: 2 lb. 8 oz. = 1150 g. Height: 13 inches = 32.5 cm. Condition: normal age wear, no defects. A fisherman is holding on a left shoulder a long stick with wide part at the top. I am not sure what does it mean. There are 2 drilled holes in the funnel part of the stick. Age: approximately 1800-1920
Condition normal age wear, no defects;
Low Estimate: 2500;
High Estimate: 5000;

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Chinese antique rose wood carving old man with a beard

Lot # 301      

Chinese antique rose wood carving old man with a beard. Height: 10 inches = 25 cm. Base: 7.25 inches = 18 cm. Weight: 3 lb. 6 oz. = 1550 g. Age: approximately 1800-1900
Condition Fine, refer to the photos;
Low Estimate: 2000;
High Estimate: 6000;
Original: Yes;

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Chinese carved hard wood Bull with rider, Late Qing dyn

Lot # 302      

Chinese carved hard wood Bull with one man, Late Qing dynasty (?) The wooden stand is made of other kind of black wood. Height: 5 inches = 12.5 cm Length of the stand: 12 inches = 30 cm. Weight of the bull: 1 lb. 8 oz. = 690 g. Weight of the stand: 1 lb. = 450 g. Total weight: 2 lb. 7 oz. =1125 g.  Approximate age: 1800-1900. Check our other auction for matching pair A Bull with 2 men, please
Condition left horn is broken, otherwise great condition;
Low Estimate: 2000;
High Estimate: 6000;
Original: Yes;

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Chinese carved hard wood Two Man riding a Bull, Qing dy

Lot # 303      

Chinese carved hard red wood - Two Man riding a Bull, Late Qing dynasty (?) The wooden stand is made of other kind of black hard wood. Height: 5 inches = 12.5 cm Length of the stand: 12 inches = 30 cm Weigh of the bull: 1 lb. 9 oz. = 720 g. Weight of the stand: 14 oz. = 400 g. Total weight: 2 lb. 8 oz. =1150 g. Approximate age: 1800-1900
Condition left horn is broken, otherwise great condition;
Low Estimate: 2000;
High Estimate: 6000;
Orignal: Yes;

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1.178.0.1842.dd73747.23.24