Eternity Masterpieces - November 2014

Eternity Masterpieces - November 2014

Auction closed.
Auction closed.
Eternity Masterpieces - November 2014

Eternity Masterpieces - November 2014

Auction closed.
Auction closed.
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Fine Art & Antiques from all over the world including paintings, porcelain, bronzes, coins, wood carvings, etc.

Eternity Gallery


(727) 254-3924
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Pg : 6 of 20

Song Dynasty Lovely Antique Chinese Blue Crackled Jar

Lot # 128      

Song Dynasty(?) Lovely Antique Chinese Celadon Crackle Glaze Vase or Jar w/ Stand. This is a 2-tone thick porcelain or pottery vase, jar or storage vessel. It has a crackle celadon glaze with dark stains in areas. Vase comes with a simple Chinese wood display stand. With an old dealer price tag that reads: "MING 1450 $495.00 ". Age: Although exact age is unknown, but it does appear to be antique and likely of Song dynasty (1115-1368) Width: 4.1 in. = 10 cm Height without stand: 4.5 in. = 11 cm Height with stand: 5.5" tall Weight: 12.8 ounces total = 300 g Condition: Good overall condition with wear, spots, glaze stains, base rim restoration. Vase is, obviously, handmade and the shape is not proportional, which proves old age. Provenance: from a huge private collection of Chinese porcelain and pottery from Santa Cruz estate, California, USA. Chinese Collector (he paid $495 for it many years ago). Similar bowl was sold on Sothebys for $185,000 http://www.sothebys.com/en/auctions/ecatalogue/2013/chinese-works-of-art-n08974/lot.92.lotnum.html
Condition Good overall condition with wear, spots, glaze stains, base rim restoration. Vase is, obviously, handmade and the shape is not proportional, which proves old age.
Low Estimate: 5000
High Estimate: 20000
Orignal: Yes

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Pair of Chinese porcelain white-blue saucers, Qing Dyna

Lot # 129      

Beautiful Genuine Pair of Chinese antique porcelain white-blue saucers. Diameter of bigger plate: 6.25 in. = 19 cm; Diameter of smaller plate: 5.5 in. =14 cm; Weight of bigger plate: 7 oz. = 200 g; Weight of smaller plate: 5 oz. = 120 g; Age: presumably during TongZhi Emperor period (1856-1875)
Condition Very good, some age wear; there are several small (1-2 mm) chips on the edges, no cracks. The chips are old and smooth, looks like they were a part of manufacturing process. The edges of the rim at the bottom of both saucers are not glazed. All these details prove authenticity of Qing dynasty age.
Low Estimate: 500
High Estimate: 2000
Orignal: Yes

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Chinese porcelain tea set for 2 persons, Qing dynasty

Lot # 130      

Genuine Chinese porcelain tea set 2 cups + 2 saucers + 2 plates, Qing dynasty Cup 1: Weight = 135.10 g, Diameter = 3.75 = 95 mm; Cup 2: Weight = 134.81 g, Diameter = 3.75 = 95 mm; Saucer 1: Weight = 160 g, Diameter = 5 ½ = 143 mm; Saucer 2: Weight = 163.46 g; Diameter = 5.5 = 142 mm; Plate 1: Weight = 200g; Diameter = 6 ¼ = 16 cm; Plate 2: Weight = 200g; Diameter = 6 ¼ = 16 cm; Total weight: 2 lb. 4 oz. = 994 g;
Condition No cracks, overall very good condition. There are very insignificant small chips (1-2 mm) on the edges of 2 cups, 1 saucer and 1 plate. Refer to all pictures, please
Low Estimate: 500
High Estimate: 1500
Original: Yes

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Chinese porcelain, white blue, wine pot, Qianlong mark

Lot # 131      

Chinese porcelain, white blue, wine pot with lid, Qianlong period (1711-1799) mark? Possibly made in People's Republic of China 1949-1976; Weight: 1 lb. 2 oz. = 500g; Height: 8 in. = 21 cm; Diameter of the base: 2.7 in. = 7 cm; Lid diameter: 1.65 in. = 4.3 cm; Condition: some normal wear, no cracks or chips; Provenance: from private collection in Florida, USA; purchased in 1980s -1990's
Condition some normal wear, no cracks or chips
Low Estimate: 300
High Estimate: 2000

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Tang Dyn (618-906) Chinese earthenware glazed wine cup

Lot # 132      

Tang Dyn (618-906) Chinese earthenware brown glazed pottery wine cup; Age: attributed to Han dynasty (618-906). Height: 2 in. = 5.3 cm; Upper diameter: 3 inches = 8 cm; Weight: 5 oz. = 135 g; Condition report: Good. Refer to minor wear, and chips, but good news - there are no cracks; Authenticity report: The dating of Asian porcelain and pottery is very difficult and opinions of authenticity vary between experts and specialists. Subsequently, we strongly encourage all prospective buyers and/or his/her agent to carefully examine, inspect and research any and all items they wish to bid on before the auction. All references to time periods and cultures are only an opinion and are not a guarantee of authenticity. Shipping in USA: We suggest USPS Priority, FEDEX or UPS- below $20; International Shipping: We ship worldwide, please, contact about shipping rates;
Condition Good. Refer to minor wear, and chips, but good news - there are no cracks;
Low Estimate: 500.0
High Estimate: 5000.0
Original: Yes

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Jin/Yuan dyn (12-14th c) Chinese stoneware Ewer, Hebei

Lot # 133      

Jin/Yuan dynasty (12-14th c) Chinese Cizhou stoneware Ewer, Hebei-Henan (cizhou) Black floral sprays on a white ground. Creamy stoneware, coated with white slip and with painted decoration over transparent glaze. Hebei-Henan (cizhou wares) Height: 2.75 inches = 66 mm Weight: 90 g Condition: Good, a 25-mm chip on the upper rim, good news there are no cracks! In 1918 A.D, some villagers from Julu in Hebei discovered some ancient ceramics while digging a well during a drought spell. Antique dealers in Beijing got wind of the findings and the ceramics were subsequently brought to Beijing. It did not attract the interest of Chinese collectors as they were deemed to be unrefined and coarse folk kiln wares. The pieces were however snapped up eagerly by foreign antique dealers . Over the period from 1918 to 1919, many more pieces were recovered in Julu and sent to Beijing antique market. It was estimated at least half of them were now in Japan. In 1920, Tianjin Museum sent a team to Julu to carry out investigation. They recovered a stone tablet entitled '" which mentioned a davastating flood that engulfed Julu in the second year of Northern Song Daguan (). The artifacts recovered were all buried during this 1108 A.D flood. In fact, the team also discovered some residential sites which showed how some of those artifacts were actually displayed then. The artifacts recovered by the team were subsequently published in a book called ", ie a record of Julu Song wares. Among the vessels, there were some with inscription in ink such as a white glaze washer and a brown glaze box, both with a date of Daguan second year, and a carved/incised motif pillow with date of Chongning " seventh year (1092 A.D). References: http://www.koh-antique.com/cizhou/cizhouware.html
Condition Good, a 25-mm chip on the upper rim, good news there are no cracks!
Low Estimate: 1000
High Estimate: 5000
Original: Yes

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Chinese Yuan dynasty glazed lidded jar, Jingdezhen kiln

Lot # 134      

Chinese Yuan dynasty shipwreck glazed small lidded jar, found in Java, Indonesia (shipwreck?) This exceptional piece of yellow-white-blue glaze small lidded jar pottery, was found in Java, Indonesia. It was produced in Yuan dynasty (1280 AD - 1368 AD). Height - 77mm; Diameter at mouth lid - 70mm; Middle - 79 mm and at Bottom - 48 mm. Condition: There are several glaze peals and a chip at lid. Because of the pale fading colors we suggest it was found at shipwreck in the ocean. This is a good reference for studying of ancient Chinese ceramics and marine time history. References: Porcelains of the Yuan Dynasty, Appreciating Beijing Cultural relics, p. 33
Condition There are several glaze peals and a chip at lid. Because of the pale fading colors we suggest it was found at shipwreck in the ocean.
Low Estimate: 500
High Estimate: 2000
Original: Yes

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Six dynasties 222-589 Glazed Scholars Water Dropper

Lot # 135      

Evaluated by Dr. Qing Chang, PhD as Six Dynasties 222-589 AD, Chinese sienna (yellow-brown) glazed pottery Scholars' Water Dropper. The bottom is not glazed. There are 3 Chinese characters at the bottom. The character "" or "dui4" (pinyin) literally means "right" or "correct," or a pair, or toward something and is often used that way, but it is most commonly used in a way similar to the way English speakers say "yes," or "yeah." Another possible explanation of dui character is - it should not have any meaning toward scholar's study or studio, but contains a meaning of the potter or a collector, for them to record something or remember something. Height: 45 mm. Diameter at widest part: 65 mm. Diameter at the bottom: 34 mm. Weight: 3.5 oz. = 100 g. A water-dropper was used to dilute the cake of ink on the ink-stone to the right consistency for use in painting or calligraphy ('beautiful writing'). Evaluated by Dr. Qing Chang, PhD. References: Six Dynasties (Chinese: ; Pinyin: Liù Cháo; 220 or 222 - 589[1]) is a collective noun for six Chinese dynasties during the periods of the Three Kingdoms (220280 AD), Jin Dynasty (265420), and Southern and Northern Dynasties (420589). This era immediately followed the fall of the Han Dynasty in 220 AD, and was an era of disunity, instability and warfare. The era ended when Emperor Wen of Sui reunified Southern and Northern China and the Sui Dynasty began.
Condition Perfect, some wear at the bottom, no defects

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Chinese Tang-Song Dynasty (618-1279) blue/white plate

Lot # 136      

Chinese Tang-Song Dynasty (618-1279) blue & white small plate, 124 mm. During Tang Dynasty one of the famous white ware production sites in Northern China was Gongyi (previously called GongXian) in Henan. Gongyi kiln also produced the first under glaze blue and white ware. They were experimental in nature and mainly for the overseas market and production volume was small. The motifs were mainly simplified floral or Islamic geometric form. Blue and white wares were produced for the middle- east market and interest was short-lived. Production only resumed during the Yuan Dynasty and interestingly, the main market was again the Middle East. This Chinese under glaze blue & white small plate was probably made during Tang Yuan Dynasty (618-1279). It is decorated with Islamic geometric lines. This plate is in excellent condition. Dimensions: Diameter: 4.75 in. = 124 mm. 1.25 in. tall = 27 mm; Weight: 8.10 oz. = 220 g; Condition: Excellent, without any chips or repairs. Color: White, blue
Condition Excellent, without any chips or repairs.
Low Estimate: 500
High Estimate: 1000
Orignal: Yes

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Chinese ceramic lid with dragon, Qing dynasty(?)

Lot # 137      

Chinese ceramic lid with dragon, Qing dynasty(?) Diameter: 7 cm = 70 mm; Weight: 178 g. Age: unknown, possibly Qing dynasty Condition: perfect
Condition Perfect
Low Estimate: 100
High Estimate: 300

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Song Dynasty, Chinese, heavy, glazed dish, 6 in.=15.5cm

Lot # 138      

Chinese, heavy, glazed dish, Song Dynasty (960-1279) Diameter: 6 inches = 15.57cm. Weight: 11 oz. = 320 g.
Condition Fine for the age, no cracks, minor rim chips. The base is unglazed.
Low Estimate: 500
High Estimate: 2000
Orignal: Yes

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Song/Yuan glazed Chinese burnt porcelain bowl, 12.5cm

Lot # 139      

Chinese, antique, burnt glazed porcelain bowl, 5 in.=12.5cm, Song/Yuan Dynasty(?) Age: attributed to Song (960-1279) or Yuan Dynasty (1271-1368). Diameter: 5 inches = 12.5cm; Weight: 6 oz. = 160 g;
Condition Fair, refer to 3 chips on the edges, long crack and over burning in the fire
Low Estimate: 200
High Estimate: 1000
Original: Yes

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large 'JUN' turquoise bowl, attributed to SONG Dynasty?

Lot # 140      

A large 'JUN' turquoise bowl, attributed to SONG Dynasty(?), 18.8 cm. The flaring sides rising from a slightly spreading foot to an incurved rim, covered overall in a pale lavender-blue glaze thinning to a tan-gray around the rim and coagulating just above the foot. Diameter of the top: 7.45 in. = 18.8 cm; Diameter of the base: 2.25 in. = 5.9 cm; Weight: 1lb 7 oz. = 675 g; Age: attributed to Song dynasty (960-1279). Authenticity report: The dating of Asian porcelain and pottery is very difficult and opinions of authenticity vary between experts and specialists. Subsequently, we strongly encourage all prospective buyers and/or his/her agent to carefully examine, inspect and research any and all items they wish to bid on before the auction. All references to time periods and cultures are only an opinion and are not a guarantee of authenticity. Shipping in USA: We suggest USPS Priority, FEDEX or UPS- below $20. International Shipping: We ship worldwide, please, contact about shipping rates. References: Very Similar LARGE 'JUN' BOWL, SONG DYNASTY was sold on Sothebys in 2013 LOT SOLD. 68,750 USD (Hammer Price with Buyer's Premium) Diameter 8 7/8 in., 22.5 cm http://www.sothebys.com/en/auctions/ecatalogue/2013/chinese-works-of-art-n08974/lot.25.lotnum.html
Condition almost perfect, there is one superficial, 2-mm chip on the rim. This chip is almost invisible.
Low Estimate: 5000
High Estimate: 50000

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Genuine TANG/Song dynasty Chinese celadon bowl, 153 mm

Lot # 141      

Genuine Chinese celadon TANG/Song dynasty bowl, 153 mm THIS IS A BEAUTIFUL PIECE OF CHINESE CELADON WARE. This celadon bowl is probably Tang/Song (618-1279 AD) type of porcelain ware. Authenticity report: Genuine. Inner center of the bowl lost the glaze because of continuous usage. Dimensions: Diameter: 6 in. = 153 mm, Height: 2.5 in. = 67 mm, Weight: 13.10 oz. = 370 g. Condition: there is a hair-line, absolutely stable, almost invisible crack inside the bowl and a chip on the base rim.
Low Estimate: 2000
High Estimate: 6000
Original: Yes

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Chinese TANG / SONG dynasty celadon bowl, 143 mm

Lot # 142      

Chinese TANG / SONG dynasty celadon bowl, 143 mm THIS IS A BEAUTIFUL PIECE OF CHINESE CELADON WARE. This celadon bowl is probably Tang/Song (618-1279) of porcelain ware. Upper rim of the bowl is unglazed. Diameter: 5.5 in. = 143 mm, Height: 2.5 in. = 65 mm, Weight: 6.55 oz. = 185.96 g Condition: Natural glaze cracks, no chips or repairs. There is some sand or clay deposit inside the bowl. Thank you for looking.
Condition Natural glaze cracks, no chips or repairs. There is some sand or clay deposit inside the bowl.

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Rare Ming dynasty (1368-1400) bowl with 3 leaping horse

Lot # 143      

Rare Ming dynasty (1368-1400) bowl with 3 leaping horses signed There are two characters at the bottom . Translated by Dr. Qing Chang, PhD as "Second camp". The mark inside the bowl is not a character, but probably the mark of the production. Very rare and unusual early Ming dynasty, decorated with 3 leaping horses signed by the artist at the bottom. Weight: 9 oz. = 230 g. Upper diameter: 5.5 in. = 14 cm. Base diameter: 2.25 in. = 5.5 cm.
Condition there is a crack about 14 cm long across the side wall, although the bowl was reassembled from fragments; it retains its beauty and rarity.
Low Estimate: 2000;
High Estimate: 10000;
Original: Yes

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Chinese porcelain fish bowl, Jiaqing 1796-1820, Qing dy

Lot # 144      

Chinese Famille Noire porcelain fish bowl, (1796-1820). Magnificent fish bowl, on a matching black wooden stand, with a lot of hand-painted decorations. Mark: Da Qing Jiaqing Nian Zhi - "Great Qing Jiaqing period (1796-1820) made. The Jiaqing Emperor (Chia-ching Emperor; Chinese: ; pinyin: Jiqìng Dì; 13 November 1760 2 September 1820) was the seventh emperor of the Manchu-led Qing dynasty, and the fifth Qing emperor to rule over China, from 1796 to 1820.rnHe was the son of the Qianlong Emperor. During his reign, he prosecuted Heshen () (the corrupt favourite of Qianlong) and attempted to restore the state and curb the smuggling of opium inside China. Composition outside: First composition shows 11 elevated lotus flowers with blooms and multicolored leaves on the light-blue background. There are two white herons, one flying, another standing between lotus leaves. Heron in Chinese sounds a lot like the word for "path or way." A painting of a heron and a lotus has the meaning of "May your path be always upward."Second composition: One heron is flying above blooming bush with three blooming peonies. The beautiful colorations and different hues of green color on the leaves make this composition unique and show the hand of the master. Symbolism of Peonies - Queen of Flowers, the peony is an emblem of wealth and distinction. Black background between two compositions: elevated design shows multicolored lotus flowers in a cloud design. Thanks to the Buddhist influence, the lotus (or sea-rose) is of unique importance in Chinese folklore and symbolism. It is the symbol of purity. The lotus comes out of the mire but is not itself soiled. It is inwardly empty, yet outwardly - upright. It has no branches, but yet smells sweet. The words for lotus in Chinese have the same meanings as: to bind, connect (in marriage), one after the other, uninterrupted, to love, and modesty. It is one of the Eight Auspicious Symbols of Buddhism. Clouds symbolize good fortune and happiness, especially when they have more than one color.rnPainting inside: depicts 6 golden fish in a 4 symmetrical design of big blooming lotuses and their leaves. The two gold fish are usually shown head to head and represent fertility as fish produce many offspring. They are one of the Eight Auspicious Symbols of Buddhism. The Chinese words for goldfish are identical with the two words meaning "Gold and Abundance" therefore many Chinese keep goldfish at their homes or in ponds in temple gardens.rnFish in Chinese sounds like the word for "Abundance and Affluence" so the fish symbolizes wealth. Fish shown with a lotus blossom symbolize "Year after Year may you live in Affluence". Dimensions: Upper Diameter opening: 16.25 inches = 40.6 cm. Lower base diameter: 10.5 inches = 26.25 cm. Height: 13 inches = 32.5 cm rnHeight of the bowl on the stand: 22.7 inches = 56.75 cm. Weight: 30 lb. = 13.5kg. Authenticity report: There are a lot of details, which support the age of Jiaqing Emperor (1796-1820) 1) A red stamp says that this vase was produced during the rule of Jiaqing Emperor. 2) The numerous thin lines on the base/bottom were made long time ago, during polishing of the surface to make it more even and smooth. Jiaqing mark stamp was applied above/upon them. So cleaning and stamping were made at the end of the process of creating of the bowl. 3) Light colors (white, pink, yellow) have a lot of natural crackles. 4) The rim on the bottom was originally painted with black color and by now it is almost worn away; 5)Sienna paint on the upper and lower rims is slightly worn by numerous handling. 6) overall a strong eminance of antiquity. Provenance: Originally the fish bowl was a part the collection (1950-1970) of old antique dealer in New York, who passed away about 40 years ago. Approximately 35 years ago the whole collection was brought to Florida by his successor, where Eternity Gallery purchased the bowl. The fish bowl still has an old sticker with a price $1,150 (in 1960). Because of inflation since 1960 the cost of this bowl today would be about $9,000 today. References: 1)Masterpieces from the collection of the Shanghai Museum. Exhibition Sovereign Splendour in Gemeentemuseum The Hague. http://www.flickr.com/photos/54576605@N00/5703078546/
Condition Perfect for the age 200 years. NO cracks, no other defects
Low Estimate: 5000
High Estimate: 20000

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Chinese porcelain fish bowl, Qianlong Emperor 1711-1799

Lot # 145      

Chinese Masterpiece, Famille Rose, porcelain fish bowl, Qianlong Emperor Period Made. Magnificent fish bowl, on a matching wooden stand, with a lot of hand-painted decorations. Mark: Da Qing Qianlong Nian Zhi "Great Qing Qianlong Period Made": 25 September 1711 7 February 1799. The style of writing of Qing reign marks varies, but can be separated into two broad divisions within which there are further sub-divisions. In the first division written in 'kai-shu' (regular or modern script), the mark consists of six characters written in two columns of three characters. It is read from right to left and in descending order. The first character reads 'da' (great), followed by 'qing' (pure), the official name of the alien Manchu dynasty. This is followed by the two characters giving the reign title of the ruling emperor. The fifth character reads 'nian' (year) and the final character reads 'zhi' (made/manufactured). Composition outside: Highly embellished and decorated Famille Rose fish bowl. First composition: Emperor Palace with Emperor Family and nobility. Second composition: Ceremonial greeting in Emperor Palace of Emperor Family and nobility. Two garden scenes between two compositions, with two birds, butterflies and flowers. Painting inside: depicts 5 golden fish, swimming between sea grasses. The two gold fish are usually shown head to head and represent fertility as fish produce many offspring. They are one of the Eight Auspicious Symbols of Buddhism. The Chinese words for goldfish are identical with the two words meaning "Gold and Abundance" therefore many Chinese keep goldfish at their homes or in ponds in temple gardens. Fish in Chinese sounds like the word for "Abundance and Affluence" so the fish symbolizes wealth. Fish shown with a lotus blossom symbolize "Year after Year may you live in Affluence". Dimensions: Upper Diameter opening: 14.5 inches = 36.2 cm; Lower base diameter: 9.6 inches = 24 cm; Height: 12.8 inches = 32 cm; Height of the bowl on the stand: 20 inches = 50 cm; Weight: 18 lb. = 8.1 kg; Authenticity report: There are a lot of details, which support the age of Qianlong Emperor (1711 -1799): 1) A red six characters, hand-painted with thin brush (lines have different intensity) say that this vase was produced during the rule of Qianlong Emperor. 2) Light colors (white, pink, yellow) have a lot of natural crackles. 3) Generally the colors are somewhat dull, which reflects the influence of the age. 4) There is a strong aura of old antique masterpiece, which is irresistable. Provenance: Originally the Famille Rose porcelain fish bowl was a part the collection (1950-1970) of old antique dealer in New York, who passed away about 40 years ago. Approximately 35 years ago the whole collection was brought to Florida by his successor, where Eternity Gallery purchased the bowl. References: 1) Masterpieces from the collection of the Shanghai Museum. Exhibition Sovereign Splendour in Gemeentemuseum The Hague. http://www.flickr.com/photos/54576605@N00/5703078546/
Condition Overall very good condition. Natural wear of the rim of the base. Generally the colors are somewhat dull, which reflects the influence of the age.
Low Estimate: 10000
High Estimate: 50000

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PORCELAIN GILT CHINESE ROSE MEDALLION FLOOR VASE 95 cm

Lot # 146      

PORCELAIN GILT CHINESE ROSE MEDALLION FLOOR VASE with wooden stand. Approx. height: 38 inches = 95 cm tall, The wood stands adds 12 inches = 30 cm. Approximate weight: 70-80 lb. Approximate age: 1850-1950. Authenticity report: The dating of Asian Works of Art is very difficult and opinions of authenticity vary between experts and specialists. Subsequently, we strongly encourage all prospective buyers and/or his/her agent to carefully examine and inspect any and all items they wish to bid on before the auction. All references to time periods and cultures are only an opinion and are not a guarantee of authenticity. Shipping in USA by Craters and Freighters 5105 W Knox St., Tampa, FL 33634 (813) 889-9008 (813-889-9008), approximately $400-$600. International shipping: UPS, Craters and Freighters (813-988-4162). Example: shipping to China by ocean boat to port Hong Kong - $950. Shipping to China by air - $1700-$2000. Ask for shipping cost, please! Local pick up is available, - if you live or take your vacation in Florida or Georgia. You can save hundreds of dollars by picking it up from Clearwater or Tampa, FL. This vase fits perfectly to the back seat of most of the large size cars, make sure there is 38-40" x 20" space in your car.
Condition Perfect for the age, no cracks or chips, some normal wear of the lower base rim.
Low Estimate: 4000
High Estimate: 10000

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LARGE SATSUMA EARTHENWARE KORO VASE & lid: Meiji period

Lot # 147      

LARGE SATSUMA EARTHENWARE KORO VASE with lid: Meiji period. The Meiji period ( Meiji-jidai), also known as the Meiji era, is a Japanese era which extended from September 1868 through July 1912. The cover surmounted by a shishi or guardian dog, also with shishi handles on the main body. Decorated in colored enamels and gilding. Beautiful aging crackles all over. Size: Approximately 33 in. tall x 22 in. wide. Weight: 40 lb. Weight with packing: 55 lb. Condition: Several cracks and chips in the area of legs of the vase, body of the dog on the lid and ears of all three dogs are damaged, refer to the photos, please. Shipping in USA by Freight FedEx or UPS may cost $500-$1000, depending on shipping terms. International shipping is available: Approximate cost $1000-$2000, please, contact before bidding about the cost and terms.
Condition Several cracks and chips in the area of legs of the vase and body of the dog on the lid. Ears of all three dogs are damaged/broken, refer to the photos, please.
Low Estimate: 10000
High Estimate: 40000
Original: Yes

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Chinese Terracotta Lady, Tang dynasty(?) 27.7 cm

Lot # 148      

Exceptionally Well-Preserved, Large Medieval Tang Dynasty(?) Painted Ceramic Statuette of a Woman. CLASSIFICATION: Painted Ceramic Statuette. ATTRIBUTION: Ancient China, in the Style of Tang Dynasty, 8th or 9th Century A.D. Possibly an 18th or 19th Century Imitative Revival. SIZE/MEASUREMENTS: Height: 277 millimeters (11.12 inches); Breadth: 100 millimeters (4 inches). Thickness: 82 millimeters (3.25 inches) at top lip. CONDITION: Very good, no repairs but some of the paint was worn away. A little wear and a few blemishes consistent with any item which is at least several centuries old. Not flawless, but certainly in a better than average state of preservation and unrepaired! Stands on its own. DETAIL: A nicely preserved painted ceramic statuette so wonderfully characteristic of Tang Dynasty statuary. Although it is quite possible that this specimen could be much older than we credit, it is possible that this is a revivalist imitative produced for the European market of the 18th or 19th century. The style and indications of age strongly suggest that it is indeed eighth or ninth century Tang. However it is widely known that Chinese porcelain was quite popular in Victorian Europe. Carrying Chinese porcelain from China to Europe was an industry for the seafaring mariners of the 16th, 17th, and 18th centuries. Entire fleets of sailing ships plied the trade, especially the Dutch and English. Ancient Chinese ancient ceramics were also extremely popular in Victorian Europe. Chinese ceramic artwork was highly appreciated and in great demand. Although the style of this specimen is very convincing and suggests it might indeed be of Tang Dynasty origin, most of the Chinese ceramics in Europe date to the 17th, 18th or 19th century so it is quite possible that this is an imitative revival piece. Judging by the style and wear it could indeed be considerably older, but only a $600 thermo luminescence test would establish this conclusively. So well simply err on the side of being conservative and label it as a revival piece, and if it is indeed older, so much the better for the buyer. However whether an antique several centuries old, or an antiquity a few centuries older, this is a valuable and collectible piece of art. Though obviously some of the paint has decomposed over the centuries, most of the paint remains intact. And all of the eloquent features remain quite distinct, the facial expression and gesture so lifelike quite remarkable for statuary this old.
Condition A little wear and a few blemishes consistent with any item which is at least several centuries old. Not flawless, but certainly in a better than average state of preservation and non-repaired! Stands on its own.
Low Estimate: 2000
High Estimate: 10000

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Chinese snuff blue bottle: Peasants threshing rice Qing

Lot # 149      

Chinese antique snuff blue bottle: Peasants threshing rice, Qing dynasty (1600-1800). Description: 2 & 1 peasants, thrashing ricernHeight (with a cork): 3 in. = 73 mm. Weight: 2 oz. = 69.29 g. Condition: Used, slightly scratched, no defects. Authenticity report: genuine antique hand-made carving. Provenance: from private collection in Florida, USA; purchased in 1980s -1990's. History: Snuff bottles were used by the Chinese during the Qing Dynasty to contain powdered tobacco. Smoking tobacco was illegal during the Dynasty, but the use of snuff was allowed because the Chinese considered snuff to be a remedy for common illnesses such as colds, headaches and stomach disorders. Therefore, snuff was carried in a small bottle like other medicines. The snuff bottle is comparable to the snuff box used by Europeans. Tobacco was introduced to the court at Beijing some time during the mid- to late-16th century. It was originally smoked in pipes before the establishment of the Qing Dynasty. The use of snuff and snuff bottles spread through the upper class, and by the end of the 17th century it had become a part of social ritual to use snuff. This lasted through most of the 18th century. Eventually, the trend spread into the rest of the country and into every social class. It was common to offer a pinch of snuff as a way to greet friends and relatives. Snuff bottles soon became an object of beauty and a way to represent status. The highest status went to whoever had the rarest and finest snuff bottle. The peak of snuff bottle manufacture was during the 18th century.rnThe use of snuff increased and decreased with the rise and fall of the Qing Dynasty and died away soon after the establishment of the Republic of China. However, replica snuff bottles are still being made, and can be purchased in souvenir shops, flea markets and museum gift shops. Original snuff bottles from the Qing period are a desirable target for serious collectors and museums. A good bottle has an extra quality over and above its exquisite beauty and value: that is touch. Snuff bottles were made to be held and so, as a rule, they have a pleasant tactile quality.
Condition Used, very good, no defects.
Low Estimate: 500
High Estimate: 1500
Orignal: Yes

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Chinese antique snuff black bottle: Waiter & cashier

Lot # 150      

Chinese antique snuff black glass bottle: Waiter and cashier in Chinese restaurant. The bottle was open for a while and original bronze cosmetic powder/eye shadow has accumulated in a plastic bag. The lucky bidder will get original ancient cosmetics!!!!!!! Description: Waiter in the restaurant with inscriptions Height (cork including): 2.7 in. = 73 mm Weight: 2 oz. = 64.35 g Condition: Used, slightly scratched, no defects Authenticity report: genuine antique hand-made painting and glass blowing Provenance: from private collection in Florida, USA; purchased in 1980s -1990's History Snuff bottles were used by the Chinese during the Qing Dynasty to contain powdered tobacco. Smoking tobacco was illegal during the Dynasty, but the use of snuff was allowed because the Chinese considered snuff to be a remedy for common illnesses such as colds, headaches and stomach disorders. Therefore, snuff was carried in a small bottle like other medicines. The snuff bottle is comparable to the snuff box used by Europeans. Tobacco was introduced to the court at Beijing some time during the mid- to late-16th century. It was originally smoked in pipes before the establishment of the Qing Dynasty. The use of snuff and snuff bottles spread through the upper class, and by the end of the 17th century it had become a part of social ritual to use snuff. This lasted through most of the 18th century. Eventually, the trend spread into the rest of the country and into every social class. It was common to offer a pinch of snuff as a way to greet friends and relatives. Snuff bottles soon became an object of beauty and a way to represent status. The highest status went to whoever had the rarest and finest snuff bottle. The peak of snuff bottle manufacture was during the 18th century. The use of snuff increased and decreased with the rise and fall of the Qing Dynasty and died away soon after the establishment of the Republic of China. However, replica snuff bottles are still being made, and can be purchased in souvenir shops, flea markets and museum gift shops. Original snuff bottles from the Qing period are a desirable target for serious collectors and museums. A good bottle has an extra quality over and above its exquisite beauty and value: that is touch. Snuff bottles were made to be held and so, as a rule, they have a pleasant tactile quality.
Condition Used, slightly scratched, no defects
Low Estimate: 500
High Estimate: 1500
Orignal: Yes

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Chinese antique snuff black bottle: Great Wall of China

Lot # 151      

Chinese antique snuff black glass bottle: Great Wall of China Description: under the glass you can see Great Wall of China with characters on both sides. Height (with the cork): 2.7 in. = 6.8 cm. Weight: 1.5 oz. = 39.83g. Authenticity report: genuine antique hand-made painting and glass blowing Provenance: from private collection in Florida, USA; purchased in 1980s -1990's
Condition Used, slightly scratched, no defects
Low Estimate: 500
High Estimate: 1500
Orignal: Yes

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Chinese antique Peking glass snuff bottle, Carp 10cm

Lot # 152      

Chinese antique Peking glass snuff bottle, in the shape of the carp. Description: white orange fish. Length: 3.75 in. = 10 cm. Weight: 2 oz. = 56.78 g. Authenticity report: genuine antique hand-made carving. Provenance: from private collection in Florida, USA; purchased in 1980s -1990s.
Condition Used, very slightly scratched, no defects
Low Estimate: 700
High Estimate: 1500
Orignal: Yes

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1.178.0.1842.dd73747.9.221