Legends of the West Auction: Native American West

Legends of the West Auction: Native American West

Saturday, September 23, 2023  |  9:00 AM Mountain
Auction closed.
Legends of the West Auction: Native American West

Legends of the West Auction: Native American West

Saturday, September 23, 2023  |  9:00 AM Mountain
Auction closed.
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North American Auction Co. is proud to announce our next catalog with in-house bidding on NaaBid.com. Join us for our Legends of the West: Western & Native American Sale, September 23rd, 2023, at 9am Mountain Time. The sale includes a fantastic collection of George Armstrong Custer owned firearms, Little Bighorn artifacts, large early Navajo Trading Post Rugs, 17th to 20th Century Noted Artist Oil Paintings, rare Bronzes, advertising signs, luxury diamond and gemstone jewelry, Native American beadwork, pottery and weapons, a large Navajo Jewelry collection and more. Search the entire catalog for over 750 pieces.

Preview Friday September 22nd, 10am to 5pm
Auction Saturday September 23rd at 9am Mountain Time.

Located at 34156 E Frontage Rd. Bozeman, MT 59715

All Shipping at our In-House Shipping Department FFL Transfers, when required, done In-House. Call 800-686-4216 or email info@naabid.com for more info Bid with us directly on NaaBid.com
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Leon F. Kirlie (Navajo / Dine) Squash Blossom Set

Lot # 1 (Sale Order: 1 of 702)      

The lot features a wonderful late-vintage sterling silver squash blossom necklace and earring set from Navajo artist, Leon Frances Kirlie. The artist name can be found as Leon Frances Kirlie, L.F. Kirlie, Leon F. Kirley, and LFK / L.F.K.. The necklace shows a sterling silver box chain strand with graduated bench made hand formed sterling silver Navajo pearl beads (also referred to as concho beads, bench beads) in a graduated form with five smaller beads on each side (ten total) and a total of 43 larger beads all with a ridged presses antique style concho. There are a total of 14 blossom pendants each with a fluted "blossom" end and oval polished cabochon of wonderful Blue Gem Turquoise. At the bottom shows the classic naja squash pendant with triple strand showing two bars of silver with a rope silver center set with three polished cabochons of Blue Gem Turquoise. The necklace is signed, "LFK Sterling". The necklace is accompanied by a set of matching blossom earrings, each with fluted blossom ends and polished cabochons of Blue Gem Turquoise in matching form. A wonderful late-vintage set in brand new condition. The necklace measures overall 27"L, squash pendant is 2.75" by 2.25", and earrings are 1 5/8"L each. Total weight of 100.3 grams.
The lot features a wonderful late-vintage sterling silver squash blossom necklace and earring set from Navajo artist, Leon Frances Kirlie. The artist name can be found as...more Leon Frances Kirlie, L.F. Kirlie, Leon F. Kirley, and LFK / L.F.K.. The necklace shows a sterling silver box chain strand with graduated bench made hand formed sterling silver Navajo pearl beads (also referred to as concho beads, bench beads) in a graduated form with five smaller beads on each side (ten total) and a total of 43 larger beads all with a ridged presses antique style concho. There are a total of 14 blossom pendants each with a fluted "blossom" end and oval polished cabochon of wonderful Blue Gem Turquoise. At the bottom shows the classic naja squash pendant with triple strand showing two bars of silver with a rope silver center set with three polished cabochons of Blue Gem Turquoise. The necklace is signed, "LFK Sterling". The necklace is accompanied by a set of matching blossom earrings, each with fluted blossom ends and polished cabochons of Blue Gem Turquoise in matching form. A wonderful late-vintage set in brand new condition. The necklace measures overall 27"L, squash pendant is 2.75" by 2.25", and earrings are 1 5/8"L each. Total weight of 100.3 grams.

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Harry B. Yazzie (Navajo / Dine) RARE Heavy Squash

Lot # 2 (Sale Order: 2 of 702)      

This is an outstanding heavy, large, one-of-a-kind sterling silver squash blossom necklace and earring set from Navajo artist, Harry B. Yazzie. The piece shows Harry B. Yazzie's classic flower / leaf / feather design, all hand made of sterling silver with overlapping leaf or feather design with flowers, silver spots, large blossoms and an impressive heavy large decorated squash naja. The necklace consist of a silver chain link strand with double row of polished concho / concha Navajo pearl beads with long sterling silver tube ends. The naja is signed HBY Sterling as are the matching earrings. Truly a fantastic, handmade necklace that is a one-of-a-kind work of Native American Indian art. The necklace measures overall 31"L, squash pendant is 3 1/8" by 2 3/8", and the earrings are each 1 3/8"L. Total weight of 212.9 grams.
This is an outstanding heavy, large, one-of-a-kind sterling silver squash blossom necklace and earring set from Navajo artist, Harry B. Yazzie. The piece shows Harry B. Y...moreazzie's classic flower / leaf / feather design, all hand made of sterling silver with overlapping leaf or feather design with flowers, silver spots, large blossoms and an impressive heavy large decorated squash naja. The necklace consist of a silver chain link strand with double row of polished concho / concha Navajo pearl beads with long sterling silver tube ends. The naja is signed HBY Sterling as are the matching earrings. Truly a fantastic, handmade necklace that is a one-of-a-kind work of Native American Indian art. The necklace measures overall 31"L, squash pendant is 3 1/8" by 2 3/8", and the earrings are each 1 3/8"L. Total weight of 212.9 grams.

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North & Judd Western Heart Cowboy Spurs Early 1900

Lot # 3 (Sale Order: 3 of 702)      

Featured in this lot is a set of North & Judd western heart cowboy spurs, circa early 1900s. The spurs feature a wonderfully and professionally crafted construction that ...moreshows heart shaped spur strap lugs on the outside. The spurs are marked with the anchor maker's mark and pre-dates the 1920s when North & Judd added the star to their maker mark after buying August Buermann. The condition of this pair of spurs shows a slight patina to the spurs with some oxidation in places and shows some wear to the leather spur straps. The measurements of this pair of spurs are 8 3/4"L x 3 3/4"W x 2 1/2"D. The collective weight of this pair of spurs is 1 lb.

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Ball Watch Co. Waltham 17J Gold Pocket Watch -1914

Lot # 4 (Sale Order: 4 of 702)      

Featured in this lot is a Ball Watch Co. Waltham 17J Gold pocket watch, circa 1914. The watch features a wonderfully and professionally crafted gold filled construction t...morehat shows 17 Jewels. The watch face is marked as follows: Trademark - Official Standard - Ball Watch Co. Cleveland. The case backing is marked on the inside as follows: Warranted - B & B - Royal - 20 Years - 6224497. The mechanism is marked as follows: Ball Watch Co. - Cleveland - 17 Jewels - Adjusted - 5 Positions - B238694 - Trademark Official Standard. The condition of this pocket watch is good with the glass to the case missing and the bow that swivels around the winder but otherwise shows good overall working condition. The measurements of this pocket watch are 2 3/8" x 2" x 3/8".*

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D. Hanlon W. Co. 21 Jewel Sterling Silver Watch

Lot # 5 (Sale Order: 5 of 702)      

Featured in this lot is a D. Hanlon W. Co. 21 Jewel sterling silver pocket watch. The pocket watch features a wonderfully and professionally crafted sterling silver const...moreruction that shows 21 Jewels. The watch is marked on the face D. Hanlon W. Co. circa 1905-1918 The inside of the watch case is marked as follows: Illinois Watch Case Co. - Elgin, Ill. - Sterling Silver - United States ASSAY - 925/1000 Fine - 596397. The condition of this pocket watch is good with the face not screwed into the case but otherwise shows good overall condition. The measurements of this pocket watch are 3 1/4" x 2 1/4" x 3/4".*

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Petite Blue Sapphire Diamond & 14k Gold Bracelet

Lot # 6 (Sale Order: 6 of 702)      

Featured in this lot is this petite blue sapphire diamond and 14k white gold bracelet with AIGL paperwork. The bracelet features a wonderfully and professionally crafted 14k white gold construction that shows marking on the underside of the male end of the clasp reads as follows: Oscar Friedman - 14k. The bracelet features links that are decorated with centerstones that show a total 11 oval brilliant cut crown step cut pavilion natural sapphires that show measurements of 5 x 4mm and shows blue color and a very good cut grade with some diffusion for treatment and shows a total weight of 4.80cts. The links and spacers are decorated with a total of 143 round brilliant cut diamonds that show measurements of 1.5mm and shows a color grade of H - I and a clarity of I1 - I2 and shows a total weight of 2.20cts. The piece comes complete with AIGL Inc.(American International Gemological Laboratories, Inc. a GIA certified lab AIGL#: K41E12-EA18420) report and appraisal confirming the above info and giving a total value of $11,720.00. The measurements of this bracelet from clasp to clasp is 7". BR007897.
Featured in this lot is this petite blue sapphire diamond and 14k white gold bracelet with AIGL paperwork. The bracelet features a wonderfully and professionally crafted ...more14k white gold construction that shows marking on the underside of the male end of the clasp reads as follows: Oscar Friedman - 14k. The bracelet features links that are decorated with centerstones that show a total 11 oval brilliant cut crown step cut pavilion natural sapphires that show measurements of 5 x 4mm and shows blue color and a very good cut grade with some diffusion for treatment and shows a total weight of 4.80cts. The links and spacers are decorated with a total of 143 round brilliant cut diamonds that show measurements of 1.5mm and shows a color grade of H - I and a clarity of I1 - I2 and shows a total weight of 2.20cts. The piece comes complete with AIGL Inc.(American International Gemological Laboratories, Inc. a GIA certified lab AIGL#: K41E12-EA18420) report and appraisal confirming the above info and giving a total value of $11,720.00. The measurements of this bracelet from clasp to clasp is 7". BR007897.

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4.59ct Emerald VS2 Diamond & Platinum Ring

Lot # 7 (Sale Order: 7 of 702)      

Featured in this lot is this 4.59ct emerald VS2 diamond and platinum ring with GAL paperwork. The ring features a polished, stamped, and tested platinum construction that is marked 'Sheffield & Sons' and 'PT950' on the inside of the ring band. The ring shows a centerstone of rectangular cut emerald that shows measurements of 10.75 x 8.77 x 5.94 and shows green color hue and shows moderately strong saturation and is transparent with a total weight of 4.59 carats. The split shoulders and centerstone is decorated with a total of 132 round brilliant cut diamonds that shows coloration of E-F and a clarity of VS2 - SI2. The piece comes complete with GAL(Gemological Appraisal Laboratory of America, Inc., a GIA certified lab GAL Appraisal Number#: GAL202212550) report and appraisal confirming the above info and giving a total value of $20,280.00.
Featured in this lot is this 4.59ct emerald VS2 diamond and platinum ring with GAL paperwork. The ring features a polished, stamped, and tested platinum construction that...more is marked 'Sheffield & Sons' and 'PT950' on the inside of the ring band. The ring shows a centerstone of rectangular cut emerald that shows measurements of 10.75 x 8.77 x 5.94 and shows green color hue and shows moderately strong saturation and is transparent with a total weight of 4.59 carats. The split shoulders and centerstone is decorated with a total of 132 round brilliant cut diamonds that shows coloration of E-F and a clarity of VS2 - SI2. The piece comes complete with GAL(Gemological Appraisal Laboratory of America, Inc., a GIA certified lab GAL Appraisal Number#: GAL202212550) report and appraisal confirming the above info and giving a total value of $20,280.00.

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C. Dec. 25, 1890 Ghost Dance Lakota Photograph

Lot # 8 (Sale Order: 8 of 702)      

This is an original, authentic Lakota Sioux Ghost Dance photograph at Pine Ridge Indian Reservation in South Dakota from photographer George E. Trager Northwestern Photographic Co. taken December 25, 1890. This is from the Jim Aplan Piedmont, South Dakota collection. The image was taken 10 days after the arrest and murder of Chief Sitting Bull (just North at Standing Rock Indian Reservation in South Dakota) pushing tensions near the breaking point, and just 4 days before the U.S. Cavalry killed hundreds of Lakota in the Wounded Knee Massacre, only around 20 miles from this spot (it is easily presumed that some of the members in the photograph were eventually killed at Wounded Knee). There is another promenade or boudoir card photographs that was listed by Swann Auction Gallery in September 2021 which shows two photographs, one being this exact image and the other taken at the exact same time, several of the exact dancers can be seen in both photographs, with the other being marked in the negative, “Rose Bud and Sioux Indian War Dance at Pine Ridge Agcy, Dec 25th, 1890, S. Dak.,”. The back of the card is handwritten in graphite pencil at the top in cursive, “The Ghost Dance”. The card also is printed on the back, “VIEWS Wounded Knee Battle, Indian Camps, War Camps, Indian Chiefs. Everything of interest in the late Pine Ridge War are held by us for sale. Agents wishing to make $10 to $15 per day wanted. Northwestern Photographic Co., Chadron, Neb.” The back also shows a quack Epilepsy Cure stating, “The water from the famous MINNE PAZUTA SPRINGS have cured 20 cases of the worst forms of Epilepsy within the last year. For information and testimonials address Trager & Ford Chadron, NEB.” The photograph truly shows one of the most contentions and important moments in time during the Indian Wars and Native American history. Tatanka Iyotake, better known as Sitting Bull led the Lakota / Hunkpapa Sioux during years of resistance against the brutal anti-Native American policies declared by the United States government. Sitting Bull was killed by the police on the Standing Rock Indian Reservation just north of where this photograph was taken during an attempt to arrest him. The authorities greatly feared that Sitting Bull, being the highest person of influence, would join the Ghost Dance movement, which preached resistance to assimilation. This photograph is a reaction to the killing of their beloved leader, taken only 10 days after his death, and eventually led to the great massacre of nearly 300 Lakota Sioux by the U.S. Cavalry. One of the best photographs we have offered and on the public market. Provenance: From the Jim Aplan collection Piedmont, South Dakota. Measures 8.5” by 5”.
This is an original, authentic Lakota Sioux Ghost Dance photograph at Pine Ridge Indian Reservation in South Dakota from photographer George E. Trager Northwestern Photog...moreraphic Co. taken December 25, 1890. This is from the Jim Aplan Piedmont, South Dakota collection. The image was taken 10 days after the arrest and murder of Chief Sitting Bull (just North at Standing Rock Indian Reservation in South Dakota) pushing tensions near the breaking point, and just 4 days before the U.S. Cavalry killed hundreds of Lakota in the Wounded Knee Massacre, only around 20 miles from this spot (it is easily presumed that some of the members in the photograph were eventually killed at Wounded Knee). There is another promenade or boudoir card photographs that was listed by Swann Auction Gallery in September 2021 which shows two photographs, one being this exact image and the other taken at the exact same time, several of the exact dancers can be seen in both photographs, with the other being marked in the negative, “Rose Bud and Sioux Indian War Dance at Pine Ridge Agcy, Dec 25th, 1890, S. Dak.,”. The back of the card is handwritten in graphite pencil at the top in cursive, “The Ghost Dance”. The card also is printed on the back, “VIEWS Wounded Knee Battle, Indian Camps, War Camps, Indian Chiefs. Everything of interest in the late Pine Ridge War are held by us for sale. Agents wishing to make $10 to $15 per day wanted. Northwestern Photographic Co., Chadron, Neb.” The back also shows a quack Epilepsy Cure stating, “The water from the famous MINNE PAZUTA SPRINGS have cured 20 cases of the worst forms of Epilepsy within the last year. For information and testimonials address Trager & Ford Chadron, NEB.” The photograph truly shows one of the most contentions and important moments in time during the Indian Wars and Native American history. Tatanka Iyotake, better known as Sitting Bull led the Lakota / Hunkpapa Sioux during years of resistance against the brutal anti-Native American policies declared by the United States government. Sitting Bull was killed by the police on the Standing Rock Indian Reservation just north of where this photograph was taken during an attempt to arrest him. The authorities greatly feared that Sitting Bull, being the highest person of influence, would join the Ghost Dance movement, which preached resistance to assimilation. This photograph is a reaction to the killing of their beloved leader, taken only 10 days after his death, and eventually led to the great massacre of nearly 300 Lakota Sioux by the U.S. Cavalry. One of the best photographs we have offered and on the public market. Provenance: From the Jim Aplan collection Piedmont, South Dakota. Measures 8.5” by 5”.

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C. 1870-1880's Chief Crow Eagle Photo - R.L. Kelly

Lot # 9 (Sale Order: 9 of 702)      

This is an original circa 1870-1880’s photograph of Chief Crow Eagle by R.L. Kelly Pierre, South Dakota. The cabinet card original albumen photograph is handwritten on the back in fountain pen ink, “A Sioux, formerly First Sergeant of an Indian Cavalry Troop.” The photograph is by R.L. Kelly of Pierre, South Dakota Territory, he is said to photograph as early as circa 1860-1870’s from Pierre, South Dakota Territory and later worked with partner, M.B. Odell of Deadwood. Known for taking the iconic photograph of Sitting Bull with a Monarch Butterfly pinned to his hat in 1883. History of Chief Crow Eagle is hard to deduce, some mention him being born around mid-1800’s being the son of a Brule warrior named Big Warrior who was a Creek Indian Chief and married Two Kettle a Sioux woman. This could be his son or another. The piece is marked in the negative “Crow Eagle, Chief” and on the cabinet card “R.L. Kelly Pierre S.D.” The photograph shows a Native American man’s portrait wearing a jacket with handkerchief around his neck and pocket watch chain coming from his vest pocket. Provenance: From the Jim Aplan Piedmont, South Dakota collection. The cabinet card measures 6.5” by 4.25”.
This is an original circa 1870-1880’s photograph of Chief Crow Eagle by R.L. Kelly Pierre, South Dakota. The cabinet card original albumen photograph is handwritten on th...moree back in fountain pen ink, “A Sioux, formerly First Sergeant of an Indian Cavalry Troop.” The photograph is by R.L. Kelly of Pierre, South Dakota Territory, he is said to photograph as early as circa 1860-1870’s from Pierre, South Dakota Territory and later worked with partner, M.B. Odell of Deadwood. Known for taking the iconic photograph of Sitting Bull with a Monarch Butterfly pinned to his hat in 1883. History of Chief Crow Eagle is hard to deduce, some mention him being born around mid-1800’s being the son of a Brule warrior named Big Warrior who was a Creek Indian Chief and married Two Kettle a Sioux woman. This could be his son or another. The piece is marked in the negative “Crow Eagle, Chief” and on the cabinet card “R.L. Kelly Pierre S.D.” The photograph shows a Native American man’s portrait wearing a jacket with handkerchief around his neck and pocket watch chain coming from his vest pocket. Provenance: From the Jim Aplan Piedmont, South Dakota collection. The cabinet card measures 6.5” by 4.25”.

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Marquise Ruby Diamond & 14k Yellow Gold Ring

Lot # 10 (Sale Order: 10 of 702)      

Featured in this lot is this marquise ruby and 14k yellow gold ring. The ring features a wonderfully and professionally crafted 14k yellow gold construction that shows a single marquise ruby that weights a total of 0.60 carats. The centerstone and pave set shoulders are decorated with a total of 38 round brilliant cut diamonds with a total weight of 0.17 carats. The condition of this ring is good with no obvious signs of damage and shows good overall condition. The measurements of this ring is 1" x 3/4". The ring size is US 7.
Featured in this lot is this marquise ruby and 14k yellow gold ring. The ring features a wonderfully and professionally crafted 14k yellow gold construction that shows a ...moresingle marquise ruby that weights a total of 0.60 carats. The centerstone and pave set shoulders are decorated with a total of 38 round brilliant cut diamonds with a total weight of 0.17 carats. The condition of this ring is good with no obvious signs of damage and shows good overall condition. The measurements of this ring is 1" x 3/4". The ring size is US 7.

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Navajo Chaz Tsosie Silver Spiny Oyster Ring

Lot # 11 (Sale Order: 11 of 702)      

Featured in this lot is this sterling silver spiny oyster ring from Navajo artist Chaz Tsosie. The ring features a wonderfully and professionally crafted sterling silver and spiny oyster construction that features scalloped border that shows a stamped design with a twisted rope halo around the center stone. The centerstone is a oval cut spiny oyster gemstone that shows stripes of salmon pink with an orange hue and beautiful sheen. The ring is stamped 'CCT' and 'sterling' on the underside of the ring. The ring size is US 6 1/4. The collective weight of this ring is 12.3g.
Featured in this lot is this sterling silver spiny oyster ring from Navajo artist Chaz Tsosie. The ring features a wonderfully and professionally crafted sterling silver ...moreand spiny oyster construction that features scalloped border that shows a stamped design with a twisted rope halo around the center stone. The centerstone is a oval cut spiny oyster gemstone that shows stripes of salmon pink with an orange hue and beautiful sheen. The ring is stamped 'CCT' and 'sterling' on the underside of the ring. The ring size is US 6 1/4. The collective weight of this ring is 12.3g.

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Navajo Artie Yellowhorse 14k Gold Silver Earrings

Lot # 12 (Sale Order: 12 of 702)      

Featured in this lot is a pair of vintage original Navajo Artie Yellowstone 14k gold sterling silver earrings, signed by the artist, featuring her signature "Rising Sun" ...moredome design in 14k gold, centered on square sterling shields. Artie Yellowhorse is known for her contemporary designs that incorporate high-quality stones and materials with an exceptional quality of silverwork. The influences of her Navajo heritage are apparent in the beautiful wearable art, which evolved out of generations of artistic talent. Families have been known to bond in many different ways. For Yellowhorse family members, fine jewelry design is their common thread. Influences of the Navajo culture, blended with the bold fashion of the southwest, creates beautifully refined American art with a multi-generational evolution. Yellowhorse is a third generation Navajo jewelry artist from the Towering House Clan. The Yellowhorse trademark "Rising Sun" design is one of their most popular collections with its round or oval-domed center surrounded by small 'drops' or beads of silver – each one made by hand. These 14k gold & sterling silver earrings are in good condition, slight scratches from normal use, no other marring noted, the total weight of these earrings is 13.2 grams and they measure 15/16" L x 15/16" W x 3/8" H.

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Persian Tabriz Hand Knotted Woven Wool Area Rug

Lot # 13 (Sale Order: 13 of 702)      

Featured in this lot is a Persian Tabriz Hand-Knotted Woven Wool Area Rug. The rug features a fine detailed design, bright colors, and a tight weave. A Tabriz rug/carpet is a type in the general category of Persian carpets from the city of Tabriz, the capital city of East Azerbaijan Province northwest of Iran. It is one of the oldest rug weaving centers and makes a huge diversity of types of carpets. Tabriz has one of the most diverse displays of designs from medallion and Herati/Mahi to figural, pictorial, and even 3D shaped rugs. The rug displays colors of blue, green, red, and dark blue. The rug shows good condition with some wear due to age and use. The rug measures
Featured in this lot is a Persian Tabriz Hand-Knotted Woven Wool Area Rug. The rug features a fine detailed design, bright colors, and a tight weave. A Tabriz rug/carpet ...moreis a type in the general category of Persian carpets from the city of Tabriz, the capital city of East Azerbaijan Province northwest of Iran. It is one of the oldest rug weaving centers and makes a huge diversity of types of carpets. Tabriz has one of the most diverse displays of designs from medallion and Herati/Mahi to figural, pictorial, and even 3D shaped rugs. The rug displays colors of blue, green, red, and dark blue. The rug shows good condition with some wear due to age and use. The rug measures

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Persian Tabriz Hand Knotted Woven Wool Area Rug

Lot # 14 (Sale Order: 14 of 702)      

Featured in this lot is a Persian Tabriz Hand-Knotted Woven Wool Area Rug. The rug features a fine detailed design, bright colors, and a tight weave. A Tabriz rug/carpet is a type in the general category of Persian carpets from the city of Tabriz, the capital city of East Azerbaijan Province northwest of Iran. It is one of the oldest rug weaving centers and makes a huge diversity of types of carpets. Tabriz has one of the most diverse displays of designs from medallion and Herati/Mahi to figural, pictorial, and even 3D shaped rugs. This rug features more subtle colors with blue, green, grey, and black. The rug shows good condition overall with some light wear across the piece. It measures 142" long by 113 1/2" wide.
Featured in this lot is a Persian Tabriz Hand-Knotted Woven Wool Area Rug. The rug features a fine detailed design, bright colors, and a tight weave. A Tabriz rug/carpet ...moreis a type in the general category of Persian carpets from the city of Tabriz, the capital city of East Azerbaijan Province northwest of Iran. It is one of the oldest rug weaving centers and makes a huge diversity of types of carpets. Tabriz has one of the most diverse displays of designs from medallion and Herati/Mahi to figural, pictorial, and even 3D shaped rugs. This rug features more subtle colors with blue, green, grey, and black. The rug shows good condition overall with some light wear across the piece. It measures 142" long by 113 1/2" wide.

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Chippendale Style Mahogany China Cabinet

Lot # 15 (Sale Order: 15 of 702)      

For your consideration is this beautiful Chippendale style mahogany china cabinet. The cabinet is attributed to Chippendale and is constructed of beautiful mahogany wood. The cabinet shows intricate carvings on the doors near the glass and on the valanced skirt. The cabinet sits on four ball and claw feet with cabriole style legs. The cabinet shows dovetail joints, a very durable joint that took a certain amount of skill and special attention to construct. There is glass on the front two doors as well as both sides showing a beveled edge. Below the two doors are two drawers showing rosette style mounts with a bail handle. The cabinet shows good condition with some slight wear from years of use but no obvious signs of damage are present on the cabinet. The cabinet measures 18 1/4" L x 35 5/8" W x 76" H.
For your consideration is this beautiful Chippendale style mahogany china cabinet. The cabinet is attributed to Chippendale and is constructed of beautiful mahogany wood....more The cabinet shows intricate carvings on the doors near the glass and on the valanced skirt. The cabinet sits on four ball and claw feet with cabriole style legs. The cabinet shows dovetail joints, a very durable joint that took a certain amount of skill and special attention to construct. There is glass on the front two doors as well as both sides showing a beveled edge. Below the two doors are two drawers showing rosette style mounts with a bail handle. The cabinet shows good condition with some slight wear from years of use but no obvious signs of damage are present on the cabinet. The cabinet measures 18 1/4" L x 35 5/8" W x 76" H.

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Koyukon Athabascan Carved Totem Box by Rose Albert

Lot # 16 (Sale Order: 16 of 702)      

The box shows a finely carved and painted large box titled "Eagle & Wolf Bentwood" dated September 2001, and signed by Rose Albert, a renowned Koyukon Athabascan artist. This is commonly referred to as Pacific Northwest Coast bentwood or bent wood storage or carrying box. Rose Albert is Koyukon Athabascan and is originally from Ruby, Alaska. Rose has been an artist since 2 years of age. She worked on the Trans-Alaskan Pipeline System after high school and would paint on her free time doing commission work. She then attended the Institute of American Indian Arts (IAIA) in Santa Fe, New Mexico earning an associate’s degree in two dimensional art specializing in painting in 1981. Rose then returned to Alaska and finished in 32nd place at the iconic Iditarod dog sled race, being the first Alaska Native woman to get into the Iditarod. She began building Alaska Yellow Cedar boxes and carving wildlife, totemic art and Iditarod images in 1998. This box is signed / handwritten under the lid by Rose Albert and shows a nice large-medium Alaskan Yellow Cedar box with high relief carved lid showing an outstanding Eagle and Wolf totem figure / figures in classic Athabaskan pattern with original painted features and a raised beveled border. The box itself shows a beveled foot bordering the bottom with a band of totem / totemic incised carved design with black painting. This is truly a work of art which displays beautifully and one of the few if not only original box on the public market by Rose Albert. The box is done in a classic pattern, reminiscent of Argillite and bent wood Haida boxes. The box and lid together measure 12 5/8”W x 9.25”D x 6 7/8”H. Total weight of 4 lbs. 4 oz.*
The box shows a finely carved and painted large box titled "Eagle & Wolf Bentwood" dated September 2001, and signed by Rose Albert, a renowned Koyukon Athabascan artist. ...moreThis is commonly referred to as Pacific Northwest Coast bentwood or bent wood storage or carrying box. Rose Albert is Koyukon Athabascan and is originally from Ruby, Alaska. Rose has been an artist since 2 years of age. She worked on the Trans-Alaskan Pipeline System after high school and would paint on her free time doing commission work. She then attended the Institute of American Indian Arts (IAIA) in Santa Fe, New Mexico earning an associate’s degree in two dimensional art specializing in painting in 1981. Rose then returned to Alaska and finished in 32nd place at the iconic Iditarod dog sled race, being the first Alaska Native woman to get into the Iditarod. She began building Alaska Yellow Cedar boxes and carving wildlife, totemic art and Iditarod images in 1998. This box is signed / handwritten under the lid by Rose Albert and shows a nice large-medium Alaskan Yellow Cedar box with high relief carved lid showing an outstanding Eagle and Wolf totem figure / figures in classic Athabaskan pattern with original painted features and a raised beveled border. The box itself shows a beveled foot bordering the bottom with a band of totem / totemic incised carved design with black painting. This is truly a work of art which displays beautifully and one of the few if not only original box on the public market by Rose Albert. The box is done in a classic pattern, reminiscent of Argillite and bent wood Haida boxes. The box and lid together measure 12 5/8”W x 9.25”D x 6 7/8”H. Total weight of 4 lbs. 4 oz.*

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C. 1962 First Nations Beaded Moose Hide Mukluks

Lot # 17 (Sale Order: 17 of 702)      

This lot features a fine set of Moose hide beaded mukluks made by Mrs. Joe Charles of the First Nations Native American Indians of Saskatchewan, Canada done in 1962. The set is accompanied by a letter from the owner stating, "Moos(e) hide smoke-tanned Mukluks made as a gift for Dan Paynich by Mrs Joe Charles, the wife of Joe Charles who, with his son Izzak, was our fishing guide on Wathaman Lake in Northern Saskatchewan 1962" (written on a Tuktu Resources, Wildlife and Economic Development letter head paper). The set shows Indian smoked tanned thick Moose hide with a classic Mukluk shape, otherwise referred to as high-top moccasins. The top of the foot and front of the ankle show panels of geometric beadwork done in glass trade seed beads which is well preserved with little to no bead loss. The top of the ankle shows a section of beaver hide with braided yarn tassel pompom end ties as well as hand-cut thick fringes just below the ankle beadwork along with the original Moose hide ties. These are soft bottom, with a nice foot pattern from being used. Each mukluk measures 11.25"L along the sole by about 4.75-5"W and 10"H.*
This lot features a fine set of Moose hide beaded mukluks made by Mrs. Joe Charles of the First Nations Native American Indians of Saskatchewan, Canada done in 1962. The ...moreset is accompanied by a letter from the owner stating, "Moos(e) hide smoke-tanned Mukluks made as a gift for Dan Paynich by Mrs Joe Charles, the wife of Joe Charles who, with his son Izzak, was our fishing guide on Wathaman Lake in Northern Saskatchewan 1962" (written on a Tuktu Resources, Wildlife and Economic Development letter head paper). The set shows Indian smoked tanned thick Moose hide with a classic Mukluk shape, otherwise referred to as high-top moccasins. The top of the foot and front of the ankle show panels of geometric beadwork done in glass trade seed beads which is well preserved with little to no bead loss. The top of the ankle shows a section of beaver hide with braided yarn tassel pompom end ties as well as hand-cut thick fringes just below the ankle beadwork along with the original Moose hide ties. These are soft bottom, with a nice foot pattern from being used. Each mukluk measures 11.25"L along the sole by about 4.75-5"W and 10"H.*

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Ca. 1900- Blackfeet Beaded Pipe Tobacco Bag

Lot # 19 (Sale Order: 18 of 702)      

The lot features a fantastic circa 1900-1930's Blackfeet / Blackfoot Indian tanned hide beaded pipe bag / tobacco bag. The bag exhibits a traditional pipe bag pattern with logn stove pipe like upper bag and beaded lower section with thin Indian hide fringes below. The top of the bag shows four rounded tabs, mostly seen on Cheyenne examples and typical referred to by collectors as Four-Tab bags. The bag was likely made by a Blackfeet / Blackfoot woman who spent some time with the Cheyenne. The bag shows a Maltese cross like stepped pattern on one side and repetative geometric pattern on the other, all done in early 1900's glass trade seed beads. The beadwork includes colors of greasy yellow, Cheyenne pink, greasy blue, rose, chalk white in petit seed, greasy green, , greasy light sky or padre blue and a bright blue. The outside edge and top four-tabs are all bordered with a chalk white fancy beaded design. The bag was found to be an authentic Blackfeet early 1900 / second quarter 1900 example by the experts at Cowan's Hindman. The bag shows cotton trade thread sewing. Little bead loss, mostly shown with supple hide with the top being partially stiff. Measures overall 23.5"H by 5.5"W with an additional 10"L belt tie. Has a cardboard lining on the inside of the bag for display. Total weight of 8 oz.
The lot features a fantastic circa 1900-1930's Blackfeet / Blackfoot Indian tanned hide beaded pipe bag / tobacco bag. The bag exhibits a traditional pipe bag pattern wit...moreh logn stove pipe like upper bag and beaded lower section with thin Indian hide fringes below. The top of the bag shows four rounded tabs, mostly seen on Cheyenne examples and typical referred to by collectors as Four-Tab bags. The bag was likely made by a Blackfeet / Blackfoot woman who spent some time with the Cheyenne. The bag shows a Maltese cross like stepped pattern on one side and repetative geometric pattern on the other, all done in early 1900's glass trade seed beads. The beadwork includes colors of greasy yellow, Cheyenne pink, greasy blue, rose, chalk white in petit seed, greasy green, , greasy light sky or padre blue and a bright blue. The outside edge and top four-tabs are all bordered with a chalk white fancy beaded design. The bag was found to be an authentic Blackfeet early 1900 / second quarter 1900 example by the experts at Cowan's Hindman. The bag shows cotton trade thread sewing. Little bead loss, mostly shown with supple hide with the top being partially stiff. Measures overall 23.5"H by 5.5"W with an additional 10"L belt tie. Has a cardboard lining on the inside of the bag for display. Total weight of 8 oz.

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Rare & Early, Ca. 1850 Baldwin & Hill Dag Knife

Lot # 20 (Sale Order: 19 of 702)      

This is a fantastic, rare and authentic circa 1850 American Indian Dag Knife made by Baldwin & Hill Company in New York. The knife was documented as coming in two versions; a forged lance or spear head like this one, and a second featuring a typical dag style blade that was supplied with a wooden haft with an engraved scene on the handle. The lance spear blade, such as this example, could be used either as a hunting spear blade or Native-hafted piece, as this one is. The grips are hardwood haft with two copper pins and a pewter inlaid five-point star on one side. The knife shows two large rectangular notches, a raised median running down both sides (a documented early weapons feature) and the correct heavy stamped rectangular Baldwin & Hill stamp. The knife shows the proper signs of true age and use and is in very well kept condition. Provenance: From the Ted Levy collection. Overall measures 12 ¼ inch in length.
This is a fantastic, rare and authentic circa 1850 American Indian Dag Knife made by Baldwin & Hill Company in New York. The knife was documented as coming in two version...mores; a forged lance or spear head like this one, and a second featuring a typical dag style blade that was supplied with a wooden haft with an engraved scene on the handle. The lance spear blade, such as this example, could be used either as a hunting spear blade or Native-hafted piece, as this one is. The grips are hardwood haft with two copper pins and a pewter inlaid five-point star on one side. The knife shows two large rectangular notches, a raised median running down both sides (a documented early weapons feature) and the correct heavy stamped rectangular Baldwin & Hill stamp. The knife shows the proper signs of true age and use and is in very well kept condition. Provenance: From the Ted Levy collection. Overall measures 12 ¼ inch in length.

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Hippolyte Francois Moreau (1832-1927) Bronze

Lot # 21 (Sale Order: 20 of 702)      

Featured in this lot is a bronze sculpture of a girl with a lute from French sculptor Hippolyte Francois Moreau who was born in 1832 and died in 1927. This sculpture features a wonderfully and professionally crafted bronze and marble construction that shows a woman sitting on a chest holding a lute looking off to her right and wearing a dress with her shoulders exposed. The bronze is marked on the left side of the chest as follows: Hip. Moreau (for the artist Hippolyte Francois Moreau). Hippolyte Francois Moreau was a French sculptor famous for his bronze statuettes of young women. Born in 1832 in Dijon, France as the son of the renowned sculptor Jean-Baptiste Moreau, he grew up learning from his father’s workshop. As a young man, Moreau moved to Paris to study further under Francois Jouffroy at the École Nationale Supérieure des Beaux-Arts, first exhibiting at the Salon of French artists in 1863 and continuing to show work there until 1914. In both 1878 and 1900, he won medals for his work—large-scale, decorative pieces such as vases and statuettes—at the Universal Exposition in Paris. Among his notable sculptures is his 1880 statue of the celebrated French mathematician, Alexis Clairaut, which now permanently occupies one of the facades of the City Hall of Paris. He died in 1927, in Neuilly-sur-Seine, France, and today many of his works are collected in the Museum of Fine Arts in Dijon. The overall condition of this bronze statue is good with no obvious signs of damage. The measurements of this bronze statue are 13" x 10 1/2" x 5 1/2".*
Featured in this lot is a bronze sculpture of a girl with a lute from French sculptor Hippolyte Francois Moreau who was born in 1832 and died in 1927. This sculpture feat...moreures a wonderfully and professionally crafted bronze and marble construction that shows a woman sitting on a chest holding a lute looking off to her right and wearing a dress with her shoulders exposed. The bronze is marked on the left side of the chest as follows: Hip. Moreau (for the artist Hippolyte Francois Moreau). Hippolyte Francois Moreau was a French sculptor famous for his bronze statuettes of young women. Born in 1832 in Dijon, France as the son of the renowned sculptor Jean-Baptiste Moreau, he grew up learning from his father’s workshop. As a young man, Moreau moved to Paris to study further under Francois Jouffroy at the École Nationale Supérieure des Beaux-Arts, first exhibiting at the Salon of French artists in 1863 and continuing to show work there until 1914. In both 1878 and 1900, he won medals for his work—large-scale, decorative pieces such as vases and statuettes—at the Universal Exposition in Paris. Among his notable sculptures is his 1880 statue of the celebrated French mathematician, Alexis Clairaut, which now permanently occupies one of the facades of the City Hall of Paris. He died in 1927, in Neuilly-sur-Seine, France, and today many of his works are collected in the Museum of Fine Arts in Dijon. The overall condition of this bronze statue is good with no obvious signs of damage. The measurements of this bronze statue are 13" x 10 1/2" x 5 1/2".*

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Frederic Remington 1861-1909 Bronco Buster Bronze

Lot # 22 (Sale Order: 21 of 702)      

Featured in this lot is an after- Frederic Remington born in 1861 and died in 1909 bronze called "Bronco Buster." Frederic Remington is considered one of the most prolific and important Western artists of the 19th century. His works are immensely valuable, and his style is highly sought after. The bronze features a cowboy riding a horse starting to rear and holding on through the movement wearing shotgun chaps and carrying saddle bags. Frederic Remington is etched to the bottom of the base and shows gold gilt lettering. The overall condition of this bronze sculpture is good with no obvious signs of damage. The measurements of this bronze sculpture are 16" x 14 1/4" x 6 5/8".*
Featured in this lot is an after- Frederic Remington born in 1861 and died in 1909 bronze called "Bronco Buster." Frederic Remington is considered one of the most prolifi...morec and important Western artists of the 19th century. His works are immensely valuable, and his style is highly sought after. The bronze features a cowboy riding a horse starting to rear and holding on through the movement wearing shotgun chaps and carrying saddle bags. Frederic Remington is etched to the bottom of the base and shows gold gilt lettering. The overall condition of this bronze sculpture is good with no obvious signs of damage. The measurements of this bronze sculpture are 16" x 14 1/4" x 6 5/8".*

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19th C. Buffalo Horn & Elk Antler Rocking Chair

Lot # 23 (Sale Order: 22 of 702)      

Featured in this lot is this 19th century Victorian rocking chair constructed of oak wood, buffalo horns and massive elk antlers. The chair shows a red/orange floral designed upholstery surrounded by buffalo horns and elk antlers. The rocking chair features six polished buffalo horns (three pairs) and a pair of very large elk antlers. The buffalo horns are set on both sides of he back rest with one pair sitting on the base of the chair and the other two pairs rising up the backrest. The elk antlers act as the arm rests and show buffalo horn end caps, held in place by two brass screws. Below the seat, four supports are also from the elk antlers, as well as one of the cross sections. The chair shows good condition overall but shows signs of wear and use throughout. No signs of obvious damage are present. The chair measures 30 3/4" L x 23 5/8" W x 35" H.
Featured in this lot is this 19th century Victorian rocking chair constructed of oak wood, buffalo horns and massive elk antlers. The chair shows a red/orange floral desi...moregned upholstery surrounded by buffalo horns and elk antlers. The rocking chair features six polished buffalo horns (three pairs) and a pair of very large elk antlers. The buffalo horns are set on both sides of he back rest with one pair sitting on the base of the chair and the other two pairs rising up the backrest. The elk antlers act as the arm rests and show buffalo horn end caps, held in place by two brass screws. Below the seat, four supports are also from the elk antlers, as well as one of the cross sections. The chair shows good condition overall but shows signs of wear and use throughout. No signs of obvious damage are present. The chair measures 30 3/4" L x 23 5/8" W x 35" H.

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Navajo Herbert Tsosie Silver Turquoise Necklace

Lot # 24 (Sale Order: 23 of 702)      

Featured in this lot is this sterling silver turquoise necklace from Navajo artist Herbert Tsosie. The necklace features a wonderfully and professionally crafted sterling silver and turquoise construction that shows a dangle cluster a four penant cluster with four triangular carico lake turquoise cabochon. The necklace is marked 'HT' and 'Sterling' on the backside of the penant. The condition of this necklace shows a bright sheen to the sterling and shows a beautiful luster of green to the turquoise. The measurements of this necklace from clasp to clasp is 20" and the dangle cluster pendants measure 2 5/8" x 2 3/4". The collective weight of this necklace is 24.8g.
Featured in this lot is this sterling silver turquoise necklace from Navajo artist Herbert Tsosie. The necklace features a wonderfully and professionally crafted sterling...more silver and turquoise construction that shows a dangle cluster a four penant cluster with four triangular carico lake turquoise cabochon. The necklace is marked 'HT' and 'Sterling' on the backside of the penant. The condition of this necklace shows a bright sheen to the sterling and shows a beautiful luster of green to the turquoise. The measurements of this necklace from clasp to clasp is 20" and the dangle cluster pendants measure 2 5/8" x 2 3/4". The collective weight of this necklace is 24.8g.

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1752 Henry Buxton English Long Case Clock

Lot # 25 (Sale Order: 24 of 702)      

For your consideration is this 1752 long case clock made by Henry Buxton in Wolverhampton, England. Henry Buxton was born in Wolverhampton and operated there from 1748 to 1775. The clock shows a mahogany construction with intricately carved block and vase style turnings on the sides of the case. The top of the clock shows a beautiful bonnet top and painted clock face. The face shows a painted farm scene with four women, one on each corner, a farm house on the top right and a vase on the top left. The face of the clock shows a white background with black painted roman numerals. The face of the clock reads, "Power Buxton". The very top of the clock face is painted with an ocean scene and rotates as the clock ticks. The painting appears to have been done on an old saw blade. The back of the movement is marked, "Buxton Wolverhampton Year 1752". Overall the clock shows good condition with wear from its age and use over the many years but no obvious signs of damage are present. The clock has not been tested for functionality. The clock measures 9 9/16" L x 23 1/16" W x 87 1/2" H. Power Buxton Wolverhampton Year 1752 longcase clock, thats whats marked on the clock. Front Power Buxton on back of movement Buxton Wolverhampton Year 1752. Appears that moon face is a saw blade.
For your consideration is this 1752 long case clock made by Henry Buxton in Wolverhampton, England. Henry Buxton was born in Wolverhampton and operated there from 1748 to...more 1775. The clock shows a mahogany construction with intricately carved block and vase style turnings on the sides of the case. The top of the clock shows a beautiful bonnet top and painted clock face. The face shows a painted farm scene with four women, one on each corner, a farm house on the top right and a vase on the top left. The face of the clock shows a white background with black painted roman numerals. The face of the clock reads, "Power Buxton". The very top of the clock face is painted with an ocean scene and rotates as the clock ticks. The painting appears to have been done on an old saw blade. The back of the movement is marked, "Buxton Wolverhampton Year 1752". Overall the clock shows good condition with wear from its age and use over the many years but no obvious signs of damage are present. The clock has not been tested for functionality. The clock measures 9 9/16" L x 23 1/16" W x 87 1/2" H. Power Buxton Wolverhampton Year 1752 longcase clock, thats whats marked on the clock. Front Power Buxton on back of movement Buxton Wolverhampton Year 1752. Appears that moon face is a saw blade.

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The Lamentation Of Christ, Delacroix c. 1852-63

Lot # 26 (Sale Order: 25 of 702)      

Featured in this lot is an Original "The Lamentation Of Christ, A Study In Progress" attributed to Eugène Delacroix, circa 1852-1863; Provenance: Henry Sjaardema collection Big Sky, Montana. Delacroix, considered the greatest painter of the Romantic period, is probably best known for his painting “Liberty Leading the People.” He is far less known and appreciated as an important painter of religious subjects, yet with 120 pictures and over 220 drawings depicting traditional subjects, like The Pietà or Christ on the Cross, initiate the style of modern religious art. Although Delacroix (1798-1863) has been characterized as a radical and an unbeliever who found religion irrational, these pictures challenge claims that Delacroix’s religious subjects were few in number, mere commissions remote from his personal interests. Delacroix’s religious paintings were informed in general terms by the Romantic penchant for introspection that defined the aesthetic experience as a sign of the spiritual. In 1847, 1848, and again in 1857, Delacroix painted variations of The Lamentation. Delacroix’s early work is in marked contrast to his later versions which were created in a variety of media from the 1840s through the 1850s. The later pictures demonstrate a transformation from the solitary, strong, heroic figure to a more austere and vulnerable personality, posed in a stark and haunting vision of suffering as described in the Gospel of Mark. Delacroix continued to paint until the end of his life, but in his last years, perhaps as a result of personal reflection, he increasingly focused on Christian-themed works. This oil painting features the central figures of the Virgin Mary, arms outstretched, standing over the white-robed lifeless body of Christ being borne by three men. Next to Mary is a young boy, three adults are in the forefront right side while one man in the forefront left side is holding a torch in front of what appears to be the entrance to a cave. In the above left background, a cross is visible on a hill, three figures kneeling over a dead body. This painting was made over two strips of horizontal canvas. Appears unsigned but is titled and dated on an accompanying metal plaque. The painting has an ornate gold gilt wood frame. Craquelure observed, scuffing, and spotting observed on the reverse of the canvas. Visible art measures 92"L x 66.5"W with the frame measuring 97.5"L x 72.5"W x 2.5"D.*
Featured in this lot is an Original "The Lamentation Of Christ, A Study In Progress" attributed to Eugène Delacroix, circa 1852-1863; Provenance: Henry Sjaardema collecti...moreon Big Sky, Montana. Delacroix, considered the greatest painter of the Romantic period, is probably best known for his painting “Liberty Leading the People.” He is far less known and appreciated as an important painter of religious subjects, yet with 120 pictures and over 220 drawings depicting traditional subjects, like The Pietà or Christ on the Cross, initiate the style of modern religious art. Although Delacroix (1798-1863) has been characterized as a radical and an unbeliever who found religion irrational, these pictures challenge claims that Delacroix’s religious subjects were few in number, mere commissions remote from his personal interests. Delacroix’s religious paintings were informed in general terms by the Romantic penchant for introspection that defined the aesthetic experience as a sign of the spiritual. In 1847, 1848, and again in 1857, Delacroix painted variations of The Lamentation. Delacroix’s early work is in marked contrast to his later versions which were created in a variety of media from the 1840s through the 1850s. The later pictures demonstrate a transformation from the solitary, strong, heroic figure to a more austere and vulnerable personality, posed in a stark and haunting vision of suffering as described in the Gospel of Mark. Delacroix continued to paint until the end of his life, but in his last years, perhaps as a result of personal reflection, he increasingly focused on Christian-themed works. This oil painting features the central figures of the Virgin Mary, arms outstretched, standing over the white-robed lifeless body of Christ being borne by three men. Next to Mary is a young boy, three adults are in the forefront right side while one man in the forefront left side is holding a torch in front of what appears to be the entrance to a cave. In the above left background, a cross is visible on a hill, three figures kneeling over a dead body. This painting was made over two strips of horizontal canvas. Appears unsigned but is titled and dated on an accompanying metal plaque. The painting has an ornate gold gilt wood frame. Craquelure observed, scuffing, and spotting observed on the reverse of the canvas. Visible art measures 92"L x 66.5"W with the frame measuring 97.5"L x 72.5"W x 2.5"D.*

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1.178.0.790.bd1250c.8.26