Arms, Armour & Militaria Sale

Arms, Armour & Militaria Sale

Wednesday, December 2, 2015  |  12:00 PM EUR (GMT)
Auction closed.
Arms, Armour & Militaria Sale

Arms, Armour & Militaria Sale

Wednesday, December 2, 2015  |  12:00 PM EUR (GMT)
Auction closed.
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Description

A rare collection of Arms, Armour & Militaria-
Wednesday 2nd December 2015. A variety of highly desirable European and American pieces and property of a European Prince and many private collectors.
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Pg : 6 of 21

A VICTORIAN 1897 PATTERN 1ST VOLUNTEER BATALLION SOUTH LANCASHIRE REGIMENT OFFICER'S SWORD

Lot # 126 (Sale Order: 126 of 501)      

A VICTORIAN 1897 PATTERN 1ST VOLUNTEER BATALLION SOUTH LANCASHIRE REGIMENT OFFICER'S SWORD
of regulation type, with etched blade (ground), in its field service scabbard
82 cm; 32 1/4 in blade
Estimate: 100-150

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A FRENCH MODEL 1822 CAVALRY TROOPER'S SWORD, DATED 1833

Lot # 127 (Sale Order: 127 of 501)      

A FRENCH MODEL 1822 CAVALRY TROOPER'S SWORD, DATED 1833
the blade with Chtellerault arsenal inscription, brass hilt, in its iron scabbard
97.8 cm; 38 1/2 in blade

Estimate: 150-200

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AN 1846 PATTERN NAVAL OFFICER'S SWORD BY BY J.R. GAUNT & SON LTD, LATE EDWARD THURKLE, LONDON & BIRM

Lot # 128 (Sale Order: 128 of 501)      

AN 1846 PATTERN NAVAL OFFICER'S SWORD BY BY J.R. GAUNT & SON LTD, LATE EDWARD THURKLE, LONDON & BIRMINGHAM
with etched blade including crowned Royal arms and fouled anchor (worn), brass hilt with folding guard, in its scabbard (worn, cracked)
79.2 cm; 31 1/4 in blade
Estimate: 150-200

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AN 1846 PATTERN NAVAL OFFICER'S SWORD BY HENRY WILKINSON, PALL MALL

Lot # 129 (Sale Order: 129 of 501)      

AN 1846 PATTERN NAVAL OFFICER'S SWORD BY HENRY WILKINSON, PALL MALL
with etched blade including crowned VR cypher and fouled anchor (worn), brass hilt with folding guard, in its scabbard (worn, now in two pieces)
80.5 cm; 31 3/4 in blade
Estimate: 150-200

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A SPORRAN OF THE KING'S LIVERPOOL SCOTTISH REGIMENT, 20TH CENTURY

Lot # 130 (Sale Order: 130 of 501)      

A SPORRAN OF THE KING'S LIVERPOOL SCOTTISH REGIMENT, 20TH CENTURY
with German silver cantle, regimental badge, complete with two tassels and its purse

Estimate: 80-120

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AN ELIZABETH II TRUMPET BANNER

Lot # 131 (Sale Order: 131 of 501)      

AN ELIZABETH II TRUMPET BANNER
of red silk, embroidered with gold and silver thread with the crowned royal arms, framed and glazed
70 cm; 27 ½ in x 58 cm; 22 7/8 in

Estimate: 600-800

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A PLAID BROOCH OF THE BLACK WATCH AND ANOTHER, 20TH CENTURY

Lot # 132 (Sale Order: 132 of 501)      

A PLAID BROOCH OF THE BLACK WATCH AND ANOTHER, 20TH CENTURY
the first charged with the regimental device, motto and 'Egypt' battle honour; the second charged with St Andrew crucified, and each retaining its pin
the first: 9.5 cm; 3 3/4 in diameter
(2)
Estimate: 150-250

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A PLAID BROOCH OF THE SEAFORTH HIGHLANDERS AND ANOTHER FOR THE ROYAL SCOTS, 20TH CENTURY

Lot # 133 (Sale Order: 133 of 501)      

A PLAID BROOCH OF THE SEAFORTH HIGHLANDERS AND ANOTHER FOR THE ROYAL SCOTS, 20TH CENTURY
each charged with the regimental device and motto and retaining its pin
9 cm; 3 in diameters
(2)
Estimate: 100-150

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A CASED SHAKO FOR AN OFFICER OF THE HIGHLAND LIGHT INFANTRY BY SANDILANDS & SON, LONDON 20TH CENTURY

Lot # 134 (Sale Order: 134 of 501)      

A CASED SHAKO FOR AN OFFICER OF THE HIGHLAND LIGHT INFANTRY BY SANDILANDS & SON, LONDON, 20TH CENTURY
with cap badge, cockade and lines, in its case, the lid named to 'C. R. Morrison Esq., The Highland Light Infantry'
15 cm; 6 in high, the shako

Estimate: 350-450

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A SPANISH CARTOUCHE POUCH AND GORGET, CIRCA 1886-1931

Lot # 135 (Sale Order: 135 of 501)      

A SPANISH CARTOUCHE POUCH AND GORGET, CIRCA 1886-1931
the first with black patent leather flap with gilt-brass mounts including the central badge with the Order of Santiago; the second of gilt-brass, charged with the silvered Royal cypher of Alphonse XIII, complete with its buff liner and cords
the first: 16.5 cm; 6 1/2 in wide
(2)

Estimate: 250-350

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A GEORGE V SWAGGER STICK OF THE ROYAL ENGINEERS

Lot # 136 (Sale Order: 136 of 501)      

A GEORGE V SWAGGER STICK OF THE ROYAL ENGINEERS
of cane, with characteristic silver metal knob
66.5 cm; 26¼ in overall

Estimate: 30-50

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A BLACK LEATHER CAVALRY HELMET AND SILVER-MOUNTED CARTOUCHE POUCH OF 11TH (PRINCE ALBERT'S OWN) HUSS

Lot # 137 (Sale Order: 137 of 501)      

A BLACK LEATHER CAVALRY HELMET AND SILVER-MOUNTED CARTOUCHE POUCH OF 11TH (PRINCE ALBERT'S OWN) HUSSARS, CIRCA 1868-70
the first with black leather skull, white metal helmet plate, chin chain, plume-holder and white horse hair plume, the second with engraved silver cover (marks rubbed) applied with the regimental title in brass, and black leather pouch (both worn)
the helmet: 35 cm; 13 3/4 in high
(2)

Estimate: 300-500

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A CAVALRY TROOPER'S HELMET PLATE, 20TH CENTURY

Lot # 138 (Sale Order: 138 of 501)      

A CAVALRY TROOPER'S HELMET PLATE, 20TH CENTURY
mounted on a velvet board

Estimate: 80-120

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A FRENCH LOUIS PHILIPPE PERIOD GORGET AND TWO CIVIC FLAG FINIALS, 19TH CENTURY

Lot # 139 (Sale Order: 139 of 501)      

A FRENCH LOUIS PHILIPPE PERIOD GORGET AND TWO CIVIC FLAG FINIALS, 19TH CENTURY
the first applied with a cockerel between a spray of laurel foliage, and associated leather liner; the second including a crowned eagle displayed above the imperial letters 'NIII' with a socketed base; and the third probably made for the Imperial Russian visit of Czar Nicholas II to Paris, formed in two pieces, each embossed with the crowned double eagle charged with the order of St George (cracks and dents)
the first: 14 cm; 5 1/2 in wide
(3)
Estimate: 150-250

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A COMPOSITE NORTH ITALIAN CAP-A-PIE ARMOUR WITH ETCHED DECORATION, LATE 16TH CENTURY

Lot # 140 (Sale Order: 140 of 501)      

A COMPOSITE NORTH ITALIAN CAP-A-PIE ARMOUR WITH ETCHED DECORATION, LATE 16TH CENTURY
comprising close helmet with rounded one-piece skull rising to a high roped medial comb (patched), and associated visor, upper bevor and lower bevor attached to it by common pivots, the 'frog-mouthed' visor fitted beneath the right of its pair of vision-slits with a short lifting-peg (replaced), and the blunt prow-shaped upper bevor pierced at its right with nine circular ventilation-holes in rosette-formation, the upper and lower bevor each fastened at the same side by means of hinged hasps and turning-pins, and the lower edges of the skull and bevor fitted with extension-plates formed with hollowed rims designed to fit over and rotate on the turned upper edge of the collar; the composite collar formed of three plates front and rear (the lowest front one restored); breastplate formed of a main plate of deep 'peascod' fashion fitted at its arm-openings with moveable gussets and flanged outwards at its lower edge to receive a fauld of one lame fitted at each side with a pair of straps supporting a pendent tasset of five lames (the waist-flange and left gusset of the breastplate each with a crack at its centre); one-piece backplate flanged outwards at its lower edge; two pauldrons (not a pair) of near-symmetrical design, each formed of seven lames (the uppermost two of the right and the lowest four of each associated); two vambraces (not a pair) of fully articulated tubular design, each fitted at its upper end with a turner, the right of two lames, and the left of one, and at its elbow with a bracelet couter of three lames; two gauntlets (not a pair), each formed of a flared and obtusely-pointed tubular cuff (the tip of the right chipped), closed at the inside of the wrist by an overlapped join, five metacarpal-plates (the last of the right restored and the inner end of the left disarticulated) and a shaped knuckle-plate (the right restored , both lacking their scaled finger-defences); two cuisses (not a pair) each formed of a short gutter-shaped main plate rising to a convex upper edge and fitted at its lower edge with a poleyn of four lames formed at the outer end of its third with a small medially-puckered oval side-wing (the lowest lame of the right poleyn patched); and a pair of greaves (restored) each of full-length tubular form, articulated at the ankle and terminating in a moderately broad-toed integral sabaton of eight lames; the main edges of the armour formed with inward turns decorated, other than on the cuirass and gauntlets, with roping, and its surfaces etched in bands and borders on a blackened ground, variously stippled or cross-hatched, with trophies involving at some points busts, masks, cherubs and interlace, original in the case of that applied to the skull and bevor of the helmet, the upper lames of the collar and the main plate of the right pauldron, but more recently added elsewhere (the armour lightly to moderately patinated overall)

See note at front of catalogue for information concerning stands
Provenance
Duveen Brothers, New York, (no. 24444)

JWHA Inv. No. 424

Exhibited
Worcester Art Museum, Massachussetts, 1928-30
Estimate: 15000-20000

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A CAP-A-PIE ARMOUR FOR THE 'JOUSTS REAL', WITH ETCHED DECORATION, 19TH CENTURY IN THE SOUTH GERMAN

Lot # 141 (Sale Order: 141 of 501)      

A CAP-A-PIE ARMOUR FOR THE 'JOUSTS REAL', WITH ETCHED DECORATION, 19TH CENTURY IN THE SOUTH GERMAN STYLE OF CIRCA 1520
of exceptional weight, comprising helm of pronounced 'frog-mouthed' shape formed of a front and a rear section joined to one another at each side by a push-button operated spring-catch and a pair of screws, the front section formed of an upper and a lower plate joined by rivets at each side at the level of the broad vision-slit and pierced at the right with a large sub-rectangular ventilation-hole closed by a hinged trap-door secured by a sprung sliding catch, the rear section formed of a single plate contoured to the back of the head and neck, medially ridged in its upper part, fitted at the back with an upstanding plume-holder and pierced at each side with lace-holes fitted in each case with copper eyelets for the attachment of an arming-cap, and both the front and rear sections extending downwards over the cuirass to which it is attached by bolts; breastplate of rounded, medially-ridged form, pierced beneath its straight upper edge with a pair of threaded holes to accommodate the bolts that attached the helm and at the left of the chest with three similar holes for those that attach a shoulder-shield, and fitted within its right arm-opening with a large semi-circular flange, at the right of the chest with four pierced staples for the attachment of a rigid lance rest fitted at the centre of its arm with a red velvet-covered block of wood, and within its lower edge with waist-lame flanged outwards to receive a fauld of three lames, the lowest of which is cut at its centre with a shallow arch separating a pair of pendent medially-ridged one-piece tassets, the left of which is considerably longer than the right, each suspended by a pair of straps (broken) from the second lame of the fauld; backplate formed of a straight-topped main plate fitted within its lower edge with a waist-lame flanged outwards to receive a culet of three lames; shoulder-shield of sub-trapezoidal form, curving forward at its top and bottom, pierced to the right of centre with three holes to receive its retaining screws, and reinforced peripherally and in a diagonal trellis-pattern with applied half-round strips decorated with roping; spaudlers each of four lames, the first decorated medially with a rib, linked by a turner to a fully articulated vambrace formed of a tubular upper and lower cannon linked to one another by an intervening winged bracelet couter and, in the case of the right, a series of lames protecting the inside of the elbow, the right couter decorated across its front with a medial rib and the left pierced at its front with a threaded hole for the attachment of a large shell-like reinforce covering its front and outside; mitten gauntlet for the right hand formed of a flared and rounded cuff boxed along its upper surface, closed by riveting at its inside, decorated with a large almond-shaped boss over the end of the ulna, and fitted with three metacarpal-plates and three shaped finger-plates; manifer for the left hand of similar form to the right gauntlet but having a larger and more markedly flared cuff and a single finger-plate fitted on its upper surface with a flanged thumb-defence; cuisses each formed medially with a raised rib and fitted at its lower end with a poleyn of five lames, the third of which is shaped to the point of the knee, decorated with a similar rib and formed at its outside with a large medially-puckered oval side-wing; and full-length tubular greaves each fitted within the arched lower edge of its front plate with a broad-toed sabaton of eight lames, the last of which is decorated with a medial rib; the main edges of the armour decorated at points with boldly roped inward turns, and its surfaces etched throughout with bands, borders and panels of foliate interlace and scrolls inhabited by grotesques and flower-heads, all on a blackened and stippled ground (some parts of the armour showing patches of light recent rust)

See note at front of catalogue for information concerning stands

Provenance
The Duque del Infantado, Madrid, May 1931

JWHA Inv. No. 1649

Exhibited
Rensselaer County Junior Museum, Troy, NewYork, 1 October - 5 September 1975
Children's Museum, Hartford, Connecticut, March - April 1976
WBZ Television, 14 January 1980

The design of the armour is inspired by that in the Real Armeria, Madrid, Inv. No. A 37, made for the Emperor Charles V, probably by Koloman Helmschmied of Augsburg circa 1520. See Calvert 1907, pl. 23 and Godoy et.al 1991, pp. 118-22.
Estimate: 14000-18000

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A COMPOSITE NORTH ITALIAN FIELD ARMOUR WITH LATER ETCHED DECORATION, MID- TO LATE 16TH CENTURY

Lot # 142 (Sale Order: 142 of 501)      

A COMPOSITE NORTH ITALIAN FIELD ARMOUR WITH LATER ETCHED DECORATION, MID- TO LATE 16TH CENTURY
comprising collar of three lames front and rear (the lowest two in each case associated); medially-ridged one-piece breastplate formed with a deep narrow neck-opening and matching arm-openings (the left cracked), and flanged outwards at its slightly V-shaped lower edge to receive a fauld of two lames (restored) of which the second is cut at the centre of its lower edge with a shallow arch separating a pair of tassets (restored) each of seven lames and attached by a pair of hasps and turning-pins; one-piece backplate en suite with the breastplate, well shaped to the shoulders and flanged outwards at its lower edge to receive a culet of two lames of which the second is cut at the centre of its lower edge with a shallow arch; large symmetrical pauldrons each of six lames (the first to second and fourth to sixth of the left, and the second of the right restored); vambraces of fully articulated tubular form, each fitted at its upper end with a turner of two lames (the uppermost of the left restored) and at its elbow with a winged bracelet couter of three lames (the wing of the left with a small rust-perforation) and the outer plate of the lower cannon in each case fitted within its lower end with a later nut to attach a gauntlet); gauntlets each formed of a moderately long, flared and pointed cuff closed at the inside of the wrist, pierced with a later hole to attach it to the underlying vambrace and fitted at its lower end with five metacarpal-plates and a shaped knuckle-plate (all except the cuff of the right gauntlet restored and the outer end of the second metacarpal plate of the left cracked through); cuisses each formed of a long gutter-shaped main plate (the right pierced with a small rust-perforation medially) fitted at its convex upper edge with an extension-plate (the left possibly restored) and at its lower edge with a winged poleyn of five lames (the entire right poleyn restored, and the second lame of the left lacking its inner end); and a pair of ankle-length greaves formed of a front plate (restored) fitted at its lower edge with an extension-plate (restored) and at its outside with a hinged side-plate leaving the inside of the calf open, it and the extension-lame each pierced at their lower edges with small stitch-holes for the attachment of mail sabatons; the main edges of the armour formed with boldly roped inward turns, and its surfaces later decorated with etched bands and borders of running foliage on a blackened and stippled ground, bordered to their outside by repeated voided scallops separated by small dags

See note at front of catalogue for information concerning stands

Provenance
Duque del Infantado, Madrid, May 1931

JWHA Inv. No. 1650

The decoration of the armour is based on a design found on the scattered remains of at least one Italian garniture, represented by a locking-gauntlet and boot stirrup formerly in the respective collections of F.H. Cripps-Day and Dr Richard Williams and now in the Royal Armouries Museum, Leeds. See Dufty & Reid 1968, pl. CXXXIV.

Estimate: 12000-18000

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A COMPOSITE SOUTH GERMAN HALF-ARMOUR WITH LATER ETCHED DECORATION, 16TH CENTURY

Lot # 143 (Sale Order: 143 of 501)      

A COMPOSITE SOUTH GERMAN HALF-ARMOUR WITH LATER ETCHED DECORATION, 16TH CENTURY
comprising rounded one-piece skull (restored) of a close helmet, formed medially with a pair of low plain combs and at its lower edge with a prominent plain rib, the hollowed underside of which was designed to fit over the turned upper edge of a collar; heavy prognathous visor (restored) formed of seven vertical bars of rectangular section and an equal number of horizontal bars of circular section which pass through transverse holes in the former, and are riveted within a U-shaped frame closed at the top by a separate brow-band, and fitted at the right with a large-headed lifting-peg; mid-16th century collar of four lames front and rear (the first three of the front and the second and third of the rear restored using old plates), the lowest and deepest originally fitted with integral spaudlers; one-piece breastplate (restored) with straight-top, fitted at the right of the chest with a folding lance-rest attached by two internal screws, and at the shoulders and sides with hasps to connect it to its backplate; the latter, of early 16th century date, formed of a straight-topped central main plate and a pair of smaller side-plates (associated) riveted within its lateral edges, the three together fitted within their combined lower edge with a waist-lame (associated and cut at its upper edge), flanged outwards to receive a culet of two lames, the shorter upper one (restored) fitted within the flange, and the deeper lower one, having a sinuous lower border, fitted over it (the width of the latter increased by inserting extra metal at its centre); large asymmetrical pauldrons of late 16th century Italian make (not a pair) each formed of six lames (the lowest three of each and the upper two of the right associated), the third of the right fitted at its front with an early 16th century haute-piece, and the third of the left fitted at the same point with a threaded hole for the attachment of a reinforce; left vambrace (restored) formed of a tubular upper cannon fitted at its upper end with a two-part turner operating on transversely-sliding rivets, and connected by leathers to a tubular lower cannon opening at the inside of the arm; mid-16th century German mitten-gauntlet for the right hand formed of a short straight-ended flaring cuff (restored) fitted with a separate hinged inner plate, six metacarpal-plates (the second cracked through and disarticulated at its outer end), a shaped knuckle-plate, four finger-plates shaped to the individual fingers, and a laterally-hinged scaled thumb-defence (restored); and manifer (restored) formed of a flaring asymmetrical cuff (cut down and reworked from a late 16th century black-and-white elbow-length gauntlet), on the inside of the wrist with a separate fixed plate and on the outside with a large circular roundel mounted on a moulded stem, five metacarpal plates, a shaped knuckle-plate and four finger-plates shaped to the individual fingers; the main edges of the armour formed with full or partial inward turns, boldly roped in the case of those of the collar and originally file-roped in the case of those of the left pauldron, and accompanied, except on the vambrace, by borders, in part recessed, of finely etched running foliage and flower-heads on a blackened and stippled ground, and supplemented at points by narrower transverse bands of similar etching, accompanied on the pauldrons by engrailing

See note at front of catalogue for information concerning stands

Provenance
Dr Bashford Dean, Riverdale, New York
Clarence H. Mackay, Harbor Hill, Long Island, New York

JWHA Inv. No. 2527

These pieces were where necessary altered, restored and etched by Leonard Hugel and Leonard Heinrich, armourers at the Metropolitan Museum of Art, New York, to match a group of fine early 16th century Augsburg reinforces for the tourney then belonging to Dr Bashford Dean, first Curator of the Museum's Arms and Armour Department. The grilled visor was copied by Hugel from one in the Museum's collections, from Burg Kreuzenstein, near Vienna. The etching in the upper border of the haute-piece of the left pauldron, is possibly original. A plain secondary border to the inside of it has been erased.
Estimate: 8000-14000

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A CAP-A-PIE FIELD ARMOUR, 19TH CENTURY IN THE GERMAN 'MAXIMILIAN' STYLE OF THE EARLY 16TH CENTURY

Lot # 144 (Sale Order: 144 of 501)      

A CAP-A-PIE FIELD ARMOUR, 19TH CENTURY IN THE GERMAN 'MAXIMILIAN' STYLE OF THE EARLY 16TH CENTURY
comprising close helmet with rounded two-piece skull rising to a low roped medial comb, fitted at its rear with a neck-guard of two lames and at its front with a bellows visor and bevor attached by common pivots, the visor stepped below its centrally-divided vision-slit, pierced with three rows of ventilation-slots and fitted at its right with a lifting-peg, and the bevor flanged outwards at its lower edge to form an integral front gorget-plate; collar of three lames front and rear; breastplate formed of a rounded main plate fitted at each of its arm-openings with a moveable gusset, at its right with a cabled folding lance-rest and within its lower edge with a waist-lame flanged outwards to receive a fauld of four lames and integral tassets each of four lames; backplate formed of a main plate fitted within its lower edge with a waist-lame flanged outwards to receive a culet of three lames; large asymmetrical pauldrons formed in each case of five lames fitted at the front of the third and largest of them with an upstanding haute-piece; vambraces formed in each case of a tubular upper and lower cannon linked by internal leathers to a large well-shaped intervening winged bracelet couter; mitten-gauntlets each formed of a short straight-ended cuff fitted with a separate hinged inner plate, four metacarpal-plates, a transversely-roped knuckle-plate and four finger-plates; cuisses each formed of a gutter-shaped main plate fitted at its upper edge with a short crescentic extension-plate and at its lower edge with a winged poleyn of four lames; and full-length tubular greaves each fitted within the arched lower edge of its front plate with a broad-toed sabaton of seven lames; the main edges of the armour formed with boldly-roped inward turns accompanied by recessed borders, and its surfaces decorated overall, except on the visor, bevor, waist-lames, haute-pieces and greaves, with bands and panels of flutes

See note at front of catalogue for information concerning stands

Provenance
Chateau Vic near Carcassone, France, 1926

JWHA Inv. No. 1964
Estimate: 10000-15000

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A CAP-A-PIE FIELD ARMOUR FOR A YOUTH, 19TH CENTURY IN THE SOUTH GERMAN STYLE OF CIRCA 1540-50

Lot # 145 (Sale Order: 145 of 501)      

A CAP-A-PIE FIELD ARMOUR FOR A YOUTH, 19TH CENTURY IN THE SOUTH GERMAN STYLE OF CIRCA 1540-50
comprising close helmet with rounded two-piece skull joined by brazing along the right side of the crest of its low boldly roped medial comb, fitted at its rear with a slender tapering plume-holder and its front with a 'sparrow's beak' visor and bevor attached by small common pivots with radially-fluted washers, the visor stepped and roped beneath its centrally-divided vision-slit, pierced on the upper face of its 'beak' with small circular ventilation-holes, pierced on its lower face with diagonal ventilation-slots and fitted at its right with a baluster-ended lifting-peg, the visor secured to the bevor at its right by a spring-catch with push-button release and the bevor secured to the skull at the same side by a swivel-hook and pierced stud, the lower edges of the skull and bevor each formed with internally hollowed rims to lock over and rotate on the turned upper edge of the collar of four lames front and rear; breastplate formed of a medially-ridged main plate projecting forward over the belly as a pronounced so-called 'tapul', and flanged outwards at its lower edge to receive a fauld of three lames, the lowest of which has a small forward-projecting arch at the centre of its lower edge, separating a pair of tassets of five lames each suspended from a pair of iron hinges; backplate formed of a main plate flanged outwards at its lower edge to receive a culet of two lames; large symmetrical pauldrons formed in each case of six lames (the front end of the top one in each case disarticulated), the second fitted at its upper edge with an upstanding haute-piece, and the lowest one connected by a turner with a transverse roped rib to a fully articulated vambrace formed in each case of a tubular upper and lower cannon (the inner plate of the right lower cannon detached) linked by an intervening winged bracelet couter of three lames; mitten-gauntlets each formed of a pointed cuff that flares abruptly at its upper end and is fitted with a short separate inner plate, four metacarpal-plates, a transversely-roped knuckle-plate, a shaped finger-plate, and in the case of the left, the main plate of a scaled thumb-defence and the proximal portions of the four scaled finger-defences; fully articulated legharness each formed of a long gutter-shaped cuisse with a convex upper edge cuisse fitted at its lower edge with a poleyn of four lames of which the second is shaped to the point of the knee and formed at its outside with a medially-puckered oval side-wing; and a pair of integral tubular greaves each terminating in an integral sabaton of nine lames; the main edges of the armour formed with boldly-roped inward turns accompanied by recessed borders

See note at front of catalogue for information concerning stands

Provenance
Giulia Morosini, sold by the American Art Association, New York, 10 - 15th October 1932, lot 334

JWHA Inv. No. 1824

Exhibited
Worcester YWCA, Worcester, Massachusetts, 12 - 14 December 1953
Poughkeepsie Junior League, New York, 2-3 May 1969
Estimate: 10000-15000

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A COMPOSITE GERMAN LIGHT FIELD ARMOUR, PARTLY NUREMBERG, LATE 16TH TO EARLY 17TH CENTURY, WITH ...

Lot # 146 (Sale Order: 146 of 501)      

A COMPOSITE GERMAN LIGHT FIELD ARMOUR, PARTLY NUREMBERG, LATE 16TH TO EARLY 17TH CENTURY, WITH LATER ETCHED DECORATION
comprising burgonet with rounded one-piece skull slightly boxed at each side and rising to a high file-roped medial comb, projecting forward to an obtusely-pointed peak struck at its centre with the quality-control mark of the City of Nuremberg and three circles in triangular formation, fitted at its flanged lower edge, just beneath a slender tapering plume-holder, with an obtusely-pointed neck-guard of one lame, and at each side with a cheek-piece shaped at its upper front corner to fit over the rear of the peak and flanged outwards at its lower edge to form a continuation of the neck-guard, and pierced at its centre within a raised circular panel decorated with an eight-pointed recessed asterisk with nine small circular auditory holes arranged in rosette-formation; 'Almain' collar formed of three lames front and rear, the lowest front one struck internally with the Nuremberg mark of an N within a circle (the lowest rear one associated), and each side fitted with an integral spaudler, the left formed of seven lames and the right of eight (two of the left and five of the right restored or associated, and one of each patched); breastplate formed of a medially-ridged main plate fitted at its arm-openings with moveable gussets (the right restored) and at its flanged lower edge with a fauld of three lames of which the lowest is cut at its centre with a shallow arch separating a pair of long pendent tassets each of seven lames extending to just above the knee (the right associated and reworked to match the left and the inner end of three of its lames patched); backplate formed in one piece with a broad shallow neck-opening and a short flange at the waist; a circular besague (restored) rising slightly to a conical boss at its centre; fingered gauntlets (the right restored) each formed of a long, flared and pointed cuff fitted with a short separate inner plate, five metacarpal-plates, a transversely-roped knuckle-plate, a shaped finger-plate, and scaled finger and thumb-defences, the latter laterally attached by a short leather hinge to the inner end of the last metacarpal-plate, and the whole retaining a fragmentary buff-leather lining-glove; the main edges of the armour turned inward and decorated, except on the backplate, with roping, the subsidiary edges of the burgonet decorated with pairs of incised lines, and the surface of the armour decorated with bands and borders of later etching consisting for the most part of running foliate scrolls executed on a blackened and stippled ground, but including on the breastplate three coats of arms and on the comb of the burgonet, warriors in combat accompanied by a bear and lion on the right and a scroll bearing the inscription HERCVLA on the left

See note at front of catalogue for information concerning stands

Provenance
The armour without burgonet, Charassé, rue Bonaparte, Paris, circa 1889
The burgonet, Seymour Hayden, sold F. Muller & Co., Amsterdam, 26 April 1911, lot 219

The armour with burgonet, Dr Bashford Dean, Riverdale, New York, sold American Art Association, New York, 23 November 1928, lot 148

JWHA Inv. No. 610

Exhibited
Worcester Art Museum, Massachusetts, 1928-30

Literature
F.H. Cripps-Day, A Record of Armour Sales 1881-1924, London, 1925, p.153
Estimate: 10000-15000

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A COMPOSITE CAP-A-PIE FIELD ARMOUR, GERMAN AND ITALIAN, MID-16TH TO EARLY 17TH CENTURY

Lot # 147 (Sale Order: 147 of 501)      

A COMPOSITE CAP-A-PIE FIELD ARMOUR, GERMAN AND ITALIAN, MID-16TH TO EARLY 17TH CENTURY
comprising close helmet of so-called 'Savoyard' type with rounded skull formed in two halves joined by a turn along a low medial comb, peak, face-defence and bevor attached to it by common pivots (replaced) with heads cast in relief as lions' masks, the peak of narrow obtusely-pointed form, the face-defence formed as a human mask with flanged oval eye-opening, a nose embossed in high relief and pierced with nostrils, and an engraved grinning mouth pierced with five circular ventilation-holes, the face-defence and bevor each secured by a pierced stud and swivel-hook (the latter probably replaced), and the lower edges of the skull and bevor each flanged outwards to receive a single deep rounded gorget-plate (both associated and the lower edge of the rear one restored); collar of three lames front and rear; breastplate formed of a medially-ridged main plate projecting forward over the belly, possessing a shallow neck-opening, fitted at its arm-openings with movable gussets, struck with four bullets, two of which have respectively pierced or cracked the metal, and flanged outwards at its lower edge to receive a fauld of three lames (associated) the lowest of which is cut with a shallow arch pierced just above its centre with a hole for the attachment of a codpiece and fitted to either side of it on three straps (the inner one in each case broken) supporting a knee-length tasset of ten lames, divisible between the fifth and sixth, and terminating in a winged poleyn of three lames; backplate (restored) formed in one piece with shallow neck and arm-openings and flanged outwards at its lower edge to receive a culet of three lames; large symmetrical pauldrons each formed of eleven lames of which five at the front serve as a fan-like extension of the lower edge of the third and main one, operating about a pivot (replaced) furnished with a lion's-mask head en suite with those of the helmet (the lowest three lames of the right pauldron protecting the outside of the arm associated); two fully articulated vambraces (not a pair), each fitted at its upper end with a turner of one lame and at its elbow with a winged couter of three lames open at the inside of the elbow, the second decorated at the point of the elbow with an embossed eight-petalled flower-head (the right couter cracked and patched at points and having associated upper and lower lames); fingered gauntlets each formed of a moderately long flared and pointed cuff fitted with a shorter separate inner plate, a wrist-plate, five metacarpal-plates, a shaped knuckle-plate, a shaped finger-plate and scaled finger and thumb-defences (some scales detached or missing); and a pair of full-length tubular greaves each terminating in an integral broad-toed sabaton of eight lames; the main edges of the armour turned inwards and, except on the helmet and greaves, extensively decorated with roping, and the subsidiary edges of the collar, tassets and pauldrons decorated with pairs of scored lines

See note at front of catalogue for information concerning stands

Provenance
The Vigier family, Solothurn
Count R. von Kaunitz, sold Gallerie Fischer, 13 May 1936, lot 85

JWHA Inv. No. 2354

Literature
Stephen V. Grancsay, The John Woodman Higgins Armoury, Worcester Masssachusetts, 1961, pp. 98-9
Estimate: 10000-14000

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A COMPOSITE FIELD ARMOUR IN THE 'GOTHIC' FASHION, GERMAN, CIRCA 1480-90 AND LATER

Lot # 148 (Sale Order: 148 of 501)      

A COMPOSITE FIELD ARMOUR IN THE 'GOTHIC' FASHION, GERMAN, CIRCA 1480-90 AND LATER
comprising bevor formed of a main plate shaped to the chin and throat, a tall face-plate (restored) articulated to its upper edge and supported at its right by a spring-catch, the right of the plate pierced with nine small circular ventilation-holes in rosette formation and three more holes to the outside of it, and two gorget-plates (restored) of which the lowest and deepest has a square lower edge pierced at each corner with a hole to accommodate a retaining-bolt; lance-rest (restored) with an arm of inverted L-shaped section fitted on its front face with a fretted decorative plate and issuing from an integral rectangular base-plate fitted with two screws of which the upper one is welded in place and the lower is secured by a nut; tassets (restored) each of scutiform outline and fitted at its upper end with a pair of suspension-buckles; backplate formed of three downward-overlapping plates (the first patched at its upper corners, the second restored and the third associated), the first cut at its upper edge with a V-shaped neck-opening filled with a triangular gusset (restored), and at each side with an arm-opening, and the third flanged outwards at the waist to receive a culet of three lames descending to a multi-cusped lower edge; large left pauldron (restored) of Italian fashion, formed of four downward-overlapping lames; three-piece vambraces (restored and the right disarticulated), each formed of a gutter-shaped upper and lower cannon open linked by a shell-like couter open at the inside of the elbow; mitten gauntlets (the left and all but the cuff of the right restored), each formed of a long acutely-pointed cuff open at the inside of the wrist, five metacarpal-plates, a shaped knuckle-plate, four fluted finger-plates and a laterally-hinged thumb-defence of four scales; cuisses (the left and all but the upper six lames of the poleyn of the right restored) each formed of a gutter-shaped main plate fitted at its outer edge with a hinged side-plate and at its lower edge with a medially-cusped extension-plate terminating in a poleyn of seven lames overlapping outwards from the fourth which is shaped to the point of the knee and fitted at its outer end with a separate fan-like wing, and has medially-cusped upper and lower edges; ankle-length tubular greaves each open at the inside of the calf; and sabatons each formed of a rear section of one plate having a threaded hole at the heel for the attachment of a spur, and joined by a hinge at its inside to a front section of thirteen plates, the foremost of which takes the form of a long acutely-pointed toe-cap articulated to the preceding plate in such a way as to suggest that is detachable; the main edges of the armour formed in part with either inward or outward turns, the subsidiary edges of the backplate, pauldron, and gauntlets cusped at points, the surfaces of the backplate, pauldron vambraces and poleyns decorated with sprays of flutes in the 'Gothic' fashion and the bevor decorated with a roped transverse rib and incised lines (extensively pitted and patinated with some rust-perforations, cracks and patching)

See note at front of catalogue for information concerning stands

Provenance
Stadtrath Richard Zschille, Grossenhain, Saxony, sold Christie's 25 January 1893, without present bevor, tassets and lance-rest

Possibly Oliver H.P. Belmont, New York City and Newport,Rhode Island to 1911
Clarence H. Mackay, Harbor Hill, Long Island, New York (sold from his estate by Jaques Seligman & Co, New York, 9 November 1939)

JWHA Inv. No. 2608

Exhibited
Springfield Museum of Fine Arts, Springfield, Massachusetts, 17 February - 12 December1941
Worcester Art Museum, Worcester, Massachusetts, 1 April 1942 - 14 October 1947
Philbrook Art Center, Tulsa, Oklahoma, 4 October-28 November 1965
'Renaisance Hardware: The Art and Technology of Armor', National Ornamental Metal Museum, Memphis, Tennessee,4 September 1987 - 3 January 1988
'The Art of the Printmaker', J. W. Higgins Armory Museum, Worcester, Massachusetts, 2 June - 6 September 1998
Estimate: 8000-14000

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A COMPOSITE ARMOUR FOR FOOT COMBAT, EUROPEAN, 16TH AND 19TH/ EARLY 20TH CENTURIES

Lot # 149 (Sale Order: 149 of 501)      

A COMPOSITE ARMOUR FOR FOOT COMBAT, EUROPEAN, 16TH AND 19TH/ EARLY 20TH CENTURIES
comprising late 16th century German collar formed of four lames front and rear (the second and third in each case restored and the fourth associated); early 16th century German breastplate formed of a rounded main plate fitted at each of its arm-openings with a moveable gusset having at its free edge a prominent angled inward turn matching that of the broad shallow neck-opening, and overlain at its lower end by a low medially-cusped plackart cut from a near-contemporary breastplate and rigidly secured by three rivets of which the central one is formed with a large baluster head, and flanged outwards at its lower edge to receive a fauld of one lame (restored); early 17th century backplate formed of a main plate with a broad shallow neck-opening (reshaped to match that of the breastplate) and overlain at its lower end by a plackart (restored) matching that of the breastplate and like it flanged outwards at its lower edge to receive a culet of one lame (restored); 19th century skirt formed in imitation of a deep flaring fabric base of the early 16th century and composed of eight lames front and rear, the two sections joined to one another by hinges at the right end of all the lames and by a turning-pin at the left of the uppermost of them which is fitted with a pair of loose rings for the suspension of a sword; late 16th century German pauldrons of large symmetrical fashion, each formed of seven upward-overlapping lames (the lowest two in each case associated and reworked), the second (originally the third) of which has riveted at its front an upstanding haute-piece (the interiors of all the lames retaining traces of a later but subsequently deleted embossed border of adorsed crescents); early 16th century Italian or Flemish vambraces (the left restored except for the lames protecting the inside of the elbow) each of fully articulated tubular form, fitted at its upper end with a turner of one lame (that of the right struck with a spurious version of the mark of the mid-15th century Milanese partnership of Pier Innocenzo da Faerno and Antonio Missaglia), at its elbow with a couter of three lames (the lowest of the right restored), the second having at the centre of its medially-puckered oval wing a hole, threaded in the case of the right for the attachment of a reinforce, and both closed at the inside of the elbow by a series of twelve lames (associated); 19th century mitten-gauntlets each formed of a short straight-ended flaring cuff open at the inside of the wrist, five metacarpal-plates, a transversely-ridged knuckle-plate, five finger-plates and a laterally-hinged scaled thumb-defence (the right missing); 19th or early 20th century cuisses each formed of a gutter-shaped main plate fitted at its lower end with a winged poleyn of six lames, and at its outer edge with a hinged side-plate fitted at its lower end with a series of seven lames protecting the back of the knee; and 19th century full-length tubular greaves each fitted within the arched lower edge of its front plate with integral sabaton of eight lames terminating in a rounded toe-cap bearing fluted decoration ; the main edges of the armour largely formed with inward or outward turns of which those of the pauldrons and cuisses are partly roped (the armour dislocated at a few points, showing patches of active corrosion in places, and variably patinated overall)

See note at front of catalogue for information concerning stands

Provenance
JWHA Inv. No. 936
Estimate: 2500-3500

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A COMPOSITE PARTIAL NORTH GERMAN LIGHT FIELD ARMOUR, SECOND HALF OF THE 16TH CENTURY

Lot # 150 (Sale Order: 150 of 501)      

A COMPOSITE PARTIAL NORTH GERMAN LIGHT FIELD ARMOUR, SECOND HALF OF THE 16TH CENTURY
comprising burgonet with rounded skull formed in two pieces joined along the notched crest of a high medial comb, projecting forward to an acutely-pointed integral peak (chipped at its right rear edge), backwards to an obtusely-pointed integral neck-guard and cut away at each side to receive a missing hinged cheek-piece; 'Almain' collar formed of three lames front and rear and fitted at each side with an integral spaudler of five lames (associated and in part composite); breastplate formed of a medially-ridged main plate with near-straight upper edge, projecting forward over the belly and fitted at its arm-openings with moveable gussets and at its flanged lower edge with a fauld of two (originally three) lames; backplate formed in one piece with a slightly convex upper edge and an outward-flanged lower edge bearing a culet of one lame cut with a notch at the centre of its lower edge; the main edges of the armour formed with boldly roped inward turns accompanied by recessed borders, those at the upper edges of the breastplate and backplate of ogival form, and its surfaces decorated in low relief with narrow bands enclosed by grooves, forming broader bands originally burnished bright against a black-from-the hammer ground in the 'black-and-white' fashion (now cleaned to a mottled patina overall)

See note at front of catalogue for information concerning stands

Provenance
Possibly from the armoury of the Princes Radziwill, Niescwiez Castle, Poland, sold Christies, London, 29 June 1926, lot 49
York Galleries, New York, July 1930

JWHA Inv. No. 1125
Estimate: 5000-7000

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1.178.0.771.56c32e2.9.108