Vintage Estate Sale Collectibles

Vintage Estate Sale Collectibles

Wednesday, June 25, 2025  |  9:00 AM Pacific
to bid until the live auction begins!
Vintage Estate Sale Collectibles

Vintage Estate Sale Collectibles

Wednesday, June 25, 2025  |  9:00 AM Pacific
to bid until the live auction begins!
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Description

Step into a treasure trove of nostalgia with our Vintage Estate Sale Collectibles Auction, featuring a unique array of timeless pieces curated from private collections and estate holdings. This auction showcases a diverse mix of vintage memorabilia, decorative art, antique curiosities, rare keepsakes, and collectible finds that span decades of history.

Whether you're a seasoned collector or a first-time buyer, you'll discover charming and unusual items that tell stories of the past?from retro household items and classic toys to vintage advertising, ephemera, and more. Each piece offers a glimpse into a bygone era and is ready to be appreciated once again in a new home.

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Pg : 5 of 16

South Arabian Sabaean 1-4C BC Stone inscription

Lot # 101 (Sale Order: 101 of 400)      

A rare and well-preserved South Arabian Sabaean stone inscription dating from the 1st to 4th century BC. Carved in a light limestone or sandstone block, the surface displ...moreays finely incised Sabaean script — one of the oldest written languages of ancient South Arabia. These inscriptions typically recorded religious dedications, legal decrees, or commemorative texts, reflecting the literacy and cultural development of the Sabaean civilization. This piece exemplifies the epigraphic tradition of the Kingdom of Saba, known for its monumental architecture and incense trade. The inscription remains legible, with minor surface weathering consistent with age. Mounted on a custom display base (optional).

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South Arabian Sabaean 1-4C BC Stone seated inscribed idol

Lot # 102 (Sale Order: 102 of 400)      

A striking South Arabian Sabaean stone idol depicting a seated figure, dating to the 1st–4th century BC. Carved from a pale limestone or alabaster-like stone, the figur...moree sits rigidly with stylized features and a rectangular base. An inscription in ancient Sabaean script is carved into the front or back of the figure, likely dedicatory or commemorative in nature. This type of votive idol was used in religious or funerary contexts, possibly representing a deity, ancestor, or revered individual. The geometric form and engraved text are typical of early South Arabian artistic and epigraphic traditions. An exceptional example of pre-Islamic Arabian ritual sculpture, reflecting the cultural and spiritual life of the Kingdom of Saba.

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South Arabian Sabaean Stone Bull – 1st–4th Century BC

Lot # 103 (Sale Order: 103 of 400)      

An exceptional South Arabian Sabaean stone sculpture of a bull, dating from the 1st to 4th century BC. Finely carved from dense limestone or sandstone, the bull stands in...more a stylized yet powerful posture, with pronounced shoulders, broad horns, and defined facial features. Such animal figures were likely used as votive offerings or symbolic representations in temples or shrines. In South Arabian culture, bulls symbolized strength, fertility, and divine protection—often associated with religious rites or royal iconography. The piece reflects the skilled craftsmanship and symbolic artistry of the Sabaean civilization, which flourished in ancient Yemen.

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Roman Marble 1C AD Architectural piece

Lot # 104 (Sale Order: 104 of 400)      

A finely carved Roman marble architectural fragment dating to the 1st century AD. Likely part of a larger structure such as a frieze, cornice, or decorative column elemen...moret, the piece features deeply incised classical motifs, possibly floral or geometric in style, consistent with Imperial Roman architectural aesthetics. Carved from white or pale beige marble with light patina and age-worn edges, the fragment demonstrates the refined craftsmanship and ornamental detail characteristic of early Roman architecture. Pieces like this were typically used in temples, villas, or civic buildings across the Roman Empire.

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Roman Marble head 1C AD of Hercules

Lot # 105 (Sale Order: 105 of 400)      

A powerful Roman marble portrait head of Hercules, dating to the 1st century AD, sculpted in the classical tradition of heroic idealism. The head features strong masculin...moree features: deeply set eyes, a prominent brow, and a thick, curled beard, all consistent with traditional depictions of Hercules in Roman art. Rendered in white marble with a natural patina, this fragment likely once belonged to a larger full-figure statue or bust displayed in a villa, public space, or temple. The sculptor’s treatment of the hair and beard—with deeply incised, stylized curls—reflects the influence of Greek prototypes, while also conveying the physical strength and stoic presence associated with the mythological hero.

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Greek Limestone head 1C BC-1 CAD of a Kore

Lot # 106 (Sale Order: 106 of 400)      

A finely carved Greek limestone head of a Kore (maiden), dating from the 1st century BC to 1st century AD, during the Hellenistic-to-Roman transitional period. The figure...more exhibits idealized youthful features—almond-shaped eyes, an elegant nose, and a subtle, serene smile—hallmarks of the Kore type seen in Archaic and Classical Greek sculpture. Her hair is centrally parted and arranged in wavy locks, possibly once adorned with a stephane or veil, now lost to time. Kore statues were traditionally associated with votive offerings or grave markers, symbolizing purity, fertility, and divine femininity. Sculpted in soft limestone with traces of encrustation and weathering, this piece reflects a blend of late Hellenistic naturalism and early Roman influence, likely originating from the Eastern Mediterranean.

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Roman Marble Portrait head 1CAD

Lot # 107 (Sale Order: 107 of 400)      

A finely carved Roman marble portrait head, dating to the 1st century AD, likely representing a patrician or imperial figure. The head exhibits classical Roman portraitur...moree features—realistic facial structure, defined cheekbones, strong jawline, and neatly styled hair in tight curls, reflecting the veristic style that emphasized individual character and social stature. Sculpted from white marble with subtle aging and surface patina, this piece may have originated from a public monument, funerary bust, or domestic shrine. The naturalistic execution reflects the Roman appreciation for capturing both ideal beauty and personal realism in their sculptural traditions.

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Roman Marble head of Venus 1C AD

Lot # 108 (Sale Order: 108 of 400)      

An elegant Roman marble head of Venus, dating to the 1st century AD, sculpted in the classical tradition of idealized beauty. The goddess is depicted with delicately carv...moreed features: softly arched brows, almond-shaped eyes, and full, parted lips that evoke a serene and timeless expression. Her wavy hair is centrally parted and pulled back into a chignon or topknot, a popular style in Imperial Roman depictions of Venus. Venus, the Roman counterpart to the Greek Aphrodite, was the goddess of love, beauty, and fertility. Marble heads such as this were once part of full-length statues adorning temples, gardens, or elite Roman villas. Carved from fine white marble with a light surface patina, the piece reflects the influence of earlier Hellenistic models, while embracing the Roman preference for grace and harmony in divine representations.

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Egyptian Alabaster Vase – 1st Century AD

Lot # 109 (Sale Order: 109 of 400)      

An elegant Egyptian alabaster vase, dating to the 1st century AD, finely carved from a single piece of translucent calcite-alabaster. The vessel features a rounded body w...moreith a narrow neck and slightly flared rim, characteristic of Roman-period Egyptian craftsmanship. The natural veining and creamy tone of the stone enhance its aesthetic appeal. Alabaster vessels such as this were typically used to store perfumes, unguents, or sacred oils and often placed in tombs or used in ritual contexts. The smooth surface and balanced proportions reflect the enduring skill of Egyptian stoneworkers well into the Roman occupation.

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Egyptian Alabaster Vase – 1st Century AD

Lot # 110 (Sale Order: 110 of 400)      

A rare Bactrian alabaster vase from the 1st century AD, carved from translucent creamy-white calcite alabaster. The vessel displays a globular body with a short cylindric...moreal neck and flattened rim, typical of utilitarian yet refined craftsmanship from the ancient Bactrian region (modern-day Afghanistan and surrounding areas). Alabaster vessels such as this were used for storing precious oils, perfumes, or ritual substances and are often associated with elite burials and ceremonial contexts. The smooth polish and subtle natural veining of the stone enhance its visual and tactile quality. This piece reflects the cultural synthesis of Greco-Bactrian traditions and local craftsmanship during a period of flourishing trade along early Silk Road routes.

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Ancient Egyptian Alabaster on 1C BC

Lot # 111 (Sale Order: 111 of 400)      

A beautifully carved Egyptian alabaster, dating to the 1st century BC, from the late Ptolemaic period. Fashioned from fine calcite-alabaster, the vessel features a smooth...more, tapering body with a rounded shoulder and a slightly flared rim. The stone exhibits natural banding in soft ivory and honey tones, characteristic of Egyptian alabaster sourced from ancient quarries near Hatnub and Tell el-Amarna. Such vessels were commonly used to store perfumes, sacred oils, or funerary offerings and were frequently placed in tombs as part of elite burial customs. The form and craftsmanship reflect a refined continuation of Egyptian stonework traditions, even as Roman influence began to emerge in the region.

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Anatolian Alabaster “Violin Idol” – 2nd Century BC

Lot # 112 (Sale Order: 112 of 400)      

A rare and abstract Anatolian alabaster “violin idol”, dating to the 2nd century BC. Characterized by its stylized anthropomorphic form, the figure features a flatten...moreed body with a rounded base, narrow shoulders, and an arched top resembling a violin — hence the name. The minimalist shape is typical of prehistoric and early Iron Age Anatolian cult objects, with possible continuity or revival during later Hellenistic rural traditions. Carved from smooth, translucent alabaster with natural banding, the idol would have served a ritual or symbolic purpose, possibly as a fertility figure, ancestral effigy, or household deity. Its simplicity evokes both abstraction and sacred symbolism in ancient Near Eastern cultures.

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Egyptian Ushabtis – Ptolemaic Period, circa 332–30 BC Set of 4

Lot # 113 (Sale Order: 113 of 400)      

A group of four faience ushabtis from the Ptolemaic period, dating approximately to the 3rd–1st century BC. Each ushabti is mold-formed and glazed in blue or green faie...morence, depicting a mummiform figure with arms crossed, typically holding agricultural implements such as hoes or picks—symbolizing the deceased's readiness to work in the afterlife. These funerary figurines were intended to serve as substitute laborers for the deceased in the Field of Reeds, the Egyptian afterlife. The Ptolemaic period continued the tradition of placing ushabtis in tombs, often with inscriptions invoking a spell from the Book of the Dead.

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Egyptian Ushabtis – Ptolemaic Period, circa 332–30 BC Set of 4

Lot # 114 (Sale Order: 114 of 400)      

A group of four faience ushabtis from the Ptolemaic period, dating approximately to the 3rd–1st century BC. Each ushabti is mold-formed and glazed in blue or green faie...morence, depicting a mummiform figure with arms crossed, typically holding agricultural implements such as hoes or picks—symbolizing the deceased's readiness to work in the afterlife. These funerary figurines were intended to serve as substitute laborers for the deceased in the Field of Reeds, the Egyptian afterlife. The Ptolemaic period continued the tradition of placing ushabtis in tombs, often with inscriptions invoking a spell from the Book of the Dead.

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Egyptian Ushabtis – Ptolemaic Period, circa 332–30 BC Set of 5

Lot # 115 (Sale Order: 115 of 400)      

A group of four faience ushabtis from the Ptolemaic period, dating approximately to the 3rd–1st century BC. Each ushabti is mold-formed and glazed in blue or green faie...morence, depicting a mummiform figure with arms crossed, typically holding agricultural implements such as hoes or picks—symbolizing the deceased's readiness to work in the afterlife. These funerary figurines were intended to serve as substitute laborers for the deceased in the Field of Reeds, the Egyptian afterlife. The Ptolemaic period continued the tradition of placing ushabtis in tombs, often with inscriptions invoking a spell from the Book of the Dead.

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Egyptian Inscribed Ushabti – New Kingdom, circa 1550–1070 BC

Lot # 116 (Sale Order: 116 of 400)      

A finely crafted inscribed faience ushabti from Ancient Egypt's New Kingdom (circa 1550–1070 BC), molded in traditional mummiform pose with arms crossed over the chest,...more holding agricultural implements. The figure wears a tripartite wig and false beard—both symbols of divine status in the afterlife. A vertical column of hieroglyphic inscription is clearly visible on the front, likely naming the deceased and invoking a passage from Spell 6 of the Book of the Dead, which calls upon the figure to perform labor on behalf of the tomb owner in the Field of Reeds. Made of glazed faience in a blue-green hue, this ushabti reflects the New Kingdom’s peak in funerary artistry and belief in an active afterlife.

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Egyptian Middle Kingdom inscribed Ushabti

Lot # 117 (Sale Order: 117 of 400)      

An exceptional and early inscribed ushabti from the Egyptian Middle Kingdom (circa 2050–1710 BC), carved from a pale limestone or similar stone. The figure stands in tr...moreaditional mummiform pose with arms crossed, wearing a tripartite wig. Ushabtis from this period are notably rarer than later examples and often exhibit more simplified yet deeply symbolic forms. A vertical line of hieroglyphic text is carved down the front, naming the tomb owner and invoking one of the earliest forms of Spell 6, intended to animate the ushabti to labor on behalf of the deceased in the afterlife. The inscription is legible and well preserved considering the age. This piece represents an important transitional phase in Egyptian funerary belief, bridging the Old Kingdom servant statues and the fully developed ushabti tradition of the New Kingdom.

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Pair of Egyptian Ushabtis – Late Dynastic Period, circa 664–332 BC

Lot # 118 (Sale Order: 118 of 400)      

A group of two faience ushabtis from the Late Dynastic Period of Egypt, dating approximately to 664–332 BC. Both figures are depicted in classic mummiform posture with ...morearms crossed over the chest, and each holds agricultural tools—symbolizing their role as workers in the afterlife. The ushabtis are formed from pale blue-green faience, a material favored during this period for its symbolic association with regeneration and rebirth. Though uninscribed, the stylistic elements—tripartite wigs, tool detailing, and proportion—are typical of Late Dynastic production.These figures were funerary inclusions meant to magically serve the deceased in the Field of Reeds, continuing Egypt’s enduring ritual traditions into its later periods.

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Pair of Inscribed Egyptian Ushabtis – Late Period, circa 664–332 BC

Lot # 119 (Sale Order: 119 of 400)      

A group of two faience ushabtis from the Late Dynastic Period of Egypt, dating approximately to 664–332 BC. Both figures are depicted in classic mummiform posture with ...morearms crossed over the chest, and each holds agricultural tools—symbolizing their role as workers in the afterlife. The ushabtis are formed from pale blue-green faience, a material favored during this period for its symbolic association with regeneration and rebirth. Though uninscribed, the stylistic elements—tripartite wigs, tool detailing, and proportion—are typical of Late Dynastic production.These figures were funerary inclusions meant to magically serve the deceased in the Field of Reeds, continuing Egypt’s enduring ritual traditions into its later periods.

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Egyptian Blue Faience Ushabti – Late Period, circa 664–332 BC

Lot # 120 (Sale Order: 120 of 400)      

A vibrant blue faience inscribed ushabti from Ancient Egypt’s Late Period, dating approximately to 664–332 BC. Mold-formed in the classic mummiform pose, the figure w...moreears a tripartite wig and false beard, and holds agricultural tools crossed over the chest—symbolizing its role as a servant for the deceased in the afterlife. A vertical column of hieroglyphic inscription is clearly visible down the front of the body, likely invoking a version of Spell 6 from the Book of the Dead, identifying the deceased and commanding the ushabti to carry out labor in the Field of Reeds. Crafted from vibrant blue faience—a material associated with divine light, rebirth, and immortality—the piece remains a visually striking and symbolically powerful funerary object.

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Egyptian Ushabti – Ptolemaic Period, circa 332–30 BC

Lot # 121 (Sale Order: 121 of 400)      

A finely molded faience ushabti from the Ptolemaic Period, dating to approximately 332–30 BC. The figure stands in traditional mummiform posture with arms crossed over ...morethe chest, holding agricultural implements, and wearing a tripartite wig and false beard—iconic features associated with funerary servant statues. Crafted in pale blue-green faience, the ushabti reflects the enduring ritual practices of ancient Egypt even under Hellenistic rule. These figures continued to be placed in tombs as magical substitutes for the deceased, expected to perform labor on their behalf in the afterlife. While uninscribed, the form is stylistically typical of Ptolemaic ushabtis, which maintained continuity with earlier New Kingdom and Late Period types.

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Egyptian Ptolemaic Large Faience Bead Necklace – circa 332–30 BC

Lot # 122 (Sale Order: 122 of 400)      

A striking large faience bead necklace from Ptolemaic Egypt, dating to approximately 332–30 BC. The necklace is composed of dozens of tubular and disk-shaped faience be...moreads in varying shades of blue, green, and turquoise—colors symbolizing fertility, life, and rebirth in ancient Egyptian culture. These types of necklaces were commonly worn in life and often placed with the deceased in burials as protective amulets. Faience, a glazed non-clay ceramic material, was widely used in Egypt due to its symbolic associations and lustrous, gem-like finish. This well-matched strand may have been restrung in modern times for preservation and display, but the beads themselves are authentic and representative of elite Ptolemaic-period adornment.

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Egyptian Ancient Carnelian and Faience Bead Necklace – circa 3rd–1st Century BC

Lot # 123 (Sale Order: 123 of 400)      

Egyptian Ancient Carnelian and Faience Bead Necklace – circa 3rd–1st Century BC...more

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Egyptian Ancient faience and bronze bead necklace

Lot # 124 (Sale Order: 124 of 400)      

An attractive ancient Egyptian bead necklace composed of alternating carnelian and faience beads, dating to approximately the Ptolemaic period (circa 3rd–1st century BC...more). The necklace features warm orange-red carnelian barrel beads interspersed with small blue-green faience spacers, symbolizing balance, protection, and rebirth.Carnelian, a semi-precious stone highly valued in ancient Egypt, was believed to carry protective and energizing properties. Combined with faience—representing life and regeneration—this necklace would have served both as a personal adornment and as a funerary item with amuletic significance.

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Egyptian Ancient Silver Ushabti and Faience Bead Necklace – circa 3rd–1st Century BC

Lot # 125 (Sale Order: 125 of 400)      

A rare and visually compelling Egyptian necklace composed of faience beads and a central miniature silver ushabti, dating to the Ptolemaic period, circa 3rd–1st century...more BC. The necklace features alternating small disk and tubular beads in vibrant blue-green faience, a material symbolic of fertility, renewal, and divine protection. At its center hangs a delicately cast silver ushabti, a miniature funerary figure shown in mummiform pose with arms crossed—believed to serve the deceased in the afterlife. The use of silver is particularly notable, as it was considered rarer than gold in ancient Egypt and carried lunar and divine associations. This necklace likely held dual significance: as a protective amulet worn during life and as a ritual offering in burial. A highly collectible and unusual piece combining precious metal with traditional faience craftsmanship.

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