Davis Brothers Auction » Collecting American Ethnographic History D3
Collecting American Ethnographic History D3

Collecting American Ethnographic History D3

Saturday, March 15, 2025  |  9:00 AM Mountain
Auction closed.
Collecting American Ethnographic History D3

Collecting American Ethnographic History D3

Saturday, March 15, 2025  |  9:00 AM Mountain
Auction closed.
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Missoula, MT
 
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Day 3:

Featured Artists:
Charles Schreyvogel, Jaune Quick-To-See Smith, Nahum Gutman, Charles M Russell, Paul Calle, Mark Maggiori, Olaf Carl Seltzer, Howard Norton Cook, Anna Althea Hills, Fremont Ellis, Franklin Watkins, Michael Atkinson, Allen Tucker, Karl Moon, Pierre Jules Mene, Michael McCarthy, Warren Eliphalet Rollins, Ivan Otterlifter, Bill Kuhnley, George Dabich, Jack Koonce, Donald Locke, and More

Featured Items:
Extensive and Exhaustive Collection of Ancient Inuit Artifacts, 1890s Zuni Olla, Native American Indian Beadwork/Artifacts/Art, Navajo Jewelry, Camdo Del Cielo Meteorites, Take a Kodak with You Advertising Photo Sign, Spider Woman Cross Chief's Blanket, Wyoming Mule Deer Locked In Combat Death Taxidermy, Fine Jewelry, and more.

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Charles M Russell Montana Trigg Silver Sow

Charles M Russell Montana Trigg Silver Sow

Lot # 801 (Sale Order: 801 of 1523)      

Title is Sow. Sterling Silver. 4 1/8" by 3 1/2" by 3". Number 6/100. Charles Marion Russell (1864 - 1926) was active/lived in Montana, California, Missouri. Charles Russe...morell is known for Indian-frontier genre painting, sculpture. Charles M. Russell, the nostalgic, held tight memories of a youthful past when the West belonged to God. There was a sense of loss, as poignant as losing a loved one. The specter of what this loss meant loomed over Russell the rest of his life. He was the quintessential nostalgic who grabbed history and married it to idealized memory and imagination. For example, despite Russell never witnessing a buffalo hunt, it became the basis for his most popular and desired art. Nancy Russell explained, "No man can be a painter without imagination." The Romantic art of the nineteenth century was the cornerstone to build the West reimagined for not only Russell, but also his contemporaries and future artists. No Western American artist fought back harder against racism, sexism, and championed environmentalism more than did Charles M. Russell. He thrived on imagining a time when the land was pristine, women were held in high regard, and people of color were the heroes. Paradoxically, the industrialized world championed just the opposite. To many, his life appeared odd—that cowboy hat, that sash, that unruly hair, that folksy talk. He and his art embraced an identity of an exile from a different place and time, which is even more appealing today. In that way, Russell was a visionary who instilled hope in all who saw his art, and his heart. For those reasons and much more, he is the most beloved of all the Western American artists. The Charles M. Russell Museum in Great Falls, Montana; the Charles M. Russell Center for the Study of Art of the American West at the University of Oklahoma in Norman; the Charles M. Russell Center Series on Art and Photography of the American West (books published by the University of Oklahoma University Press); the Charles M. Russell National Wildlife Refuge in Montana; the Russell Riders; and the Russell Skull Society are a testament to that fact. The Cowboy Artists of America have been called "The Sons of Charlie Russell" by art historian B. Byron Price for good reason. Russell was a legendary painter, sculptor, and author. Ever humble and self-effacing, as his fame skyrocketed, he never forgot his cowboy friends. The importance of his life and works is that no one has inspired more new generations of artists. Russell lived in the past and his wife Nancy who was his business manager lived for the future. How could a self-trained artist living in remote Montana become the highest paid artist in America? It’s quite a story. Charles Marion Russell was born on March 19, 1864 in St. Louis, Missouri, a bustling gateway to the West of some 200,000 people. Family history and adventure stories such as the Leatherstocking Tales by James Fenimore Cooper lured Russell to the West. On a crisp March day in 1880 Charles M. Russell jumped off the stagecoach in Helena, Montana Territory and took his turn as the latest easterner seeking western adventure. Accompanying him was Willis L.W. "Pike" Miller, a family acquaintance who acted as Russell’s guardian and gave him his first job in Montana on a sheep ranch Miller owned in the Judith Basin. While Miller was kind enough to chaperone Russell, they soon parted ways because Russell wanted nothing to do with sheepherding. For twelve years Russell and his horse Monte were together on the open range mainly nighthawking—somewhat of a lowly cowboy job of watching the horses overnight while the rest of the cowboys slept—until 1893 when Russell began transitioning from cowboy artist to full-time artist. Only a teenager, Russell was younger than most cowboys who were usually in their early twenties but shared with them the qualities of being gregarious, humble, energetic and adventuresome. Charlie saw the cowboy as the last frontiersman—unlike the colorless overburdened farmer and sheep herder. The period from 1906 to 1910 was one of the most productive and enjoyable times of Charlie’s life, which in no small part was due to the summers at Bull Head Lodge and the mentoring by others such as Philip R. Goodwin who visited him there in 1907 and 1910. Glacier National Park has the type of views that keep postcard publishers in business. The mountains fanned the flames of Charlie Russell’s creative genius. He understood that the mountains don’t need us, we need the mountains. Charlie’s favorite place in the world was the lodge, a log structure nestled among the cedar, fir, and tamarack along the shoreline of beautiful Lake McDonald. The years from 1911 to 1915 were a time of artistic achievement by Russell and promotion by Nancy who was as skilled as any field general with her well planned exhibitions in America, Canada, and England. It would be a grueling pace for the duo, but one that would yield a bountiful harvest of financial and critical succ

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Charles M Russell Montana Trigg Silver Sheep

Charles M Russell Montana Trigg Silver Sheep

Lot # 802 (Sale Order: 802 of 1523)      

Title is Mountain Sheep. Sterling Silver. 4" by 3" by 2 3/4". Number 6/100. Charles Marion Russell (1864 - 1926) was active/lived in Montana, California, Missouri. Charle...mores Russell is known for Indian-frontier genre painting, sculpture. Charles M. Russell, the nostalgic, held tight memories of a youthful past when the West belonged to God. There was a sense of loss, as poignant as losing a loved one. The specter of what this loss meant loomed over Russell the rest of his life. He was the quintessential nostalgic who grabbed history and married it to idealized memory and imagination. For example, despite Russell never witnessing a buffalo hunt, it became the basis for his most popular and desired art. Nancy Russell explained, "No man can be a painter without imagination." The Romantic art of the nineteenth century was the cornerstone to build the West reimagined for not only Russell, but also his contemporaries and future artists. No Western American artist fought back harder against racism, sexism, and championed environmentalism more than did Charles M. Russell. He thrived on imagining a time when the land was pristine, women were held in high regard, and people of color were the heroes. Paradoxically, the industrialized world championed just the opposite. To many, his life appeared odd—that cowboy hat, that sash, that unruly hair, that folksy talk. He and his art embraced an identity of an exile from a different place and time, which is even more appealing today. In that way, Russell was a visionary who instilled hope in all who saw his art, and his heart. For those reasons and much more, he is the most beloved of all the Western American artists. The Charles M. Russell Museum in Great Falls, Montana; the Charles M. Russell Center for the Study of Art of the American West at the University of Oklahoma in Norman; the Charles M. Russell Center Series on Art and Photography of the American West (books published by the University of Oklahoma University Press); the Charles M. Russell National Wildlife Refuge in Montana; the Russell Riders; and the Russell Skull Society are a testament to that fact. The Cowboy Artists of America have been called "The Sons of Charlie Russell" by art historian B. Byron Price for good reason. Russell was a legendary painter, sculptor, and author. Ever humble and self-effacing, as his fame skyrocketed, he never forgot his cowboy friends. The importance of his life and works is that no one has inspired more new generations of artists. Russell lived in the past and his wife Nancy who was his business manager lived for the future. How could a self-trained artist living in remote Montana become the highest paid artist in America? It’s quite a story. Charles Marion Russell was born on March 19, 1864 in St. Louis, Missouri, a bustling gateway to the West of some 200,000 people. Family history and adventure stories such as the Leatherstocking Tales by James Fenimore Cooper lured Russell to the West. On a crisp March day in 1880 Charles M. Russell jumped off the stagecoach in Helena, Montana Territory and took his turn as the latest easterner seeking western adventure. Accompanying him was Willis L.W. "Pike" Miller, a family acquaintance who acted as Russell’s guardian and gave him his first job in Montana on a sheep ranch Miller owned in the Judith Basin. While Miller was kind enough to chaperone Russell, they soon parted ways because Russell wanted nothing to do with sheepherding. For twelve years Russell and his horse Monte were together on the open range mainly nighthawking—somewhat of a lowly cowboy job of watching the horses overnight while the rest of the cowboys slept—until 1893 when Russell began transitioning from cowboy artist to full-time artist. Only a teenager, Russell was younger than most cowboys who were usually in their early twenties but shared with them the qualities of being gregarious, humble, energetic and adventuresome. Charlie saw the cowboy as the last frontiersman—unlike the colorless overburdened farmer and sheep herder. The period from 1906 to 1910 was one of the most productive and enjoyable times of Charlie’s life, which in no small part was due to the summers at Bull Head Lodge and the mentoring by others such as Philip R. Goodwin who visited him there in 1907 and 1910. Glacier National Park has the type of views that keep postcard publishers in business. The mountains fanned the flames of Charlie Russell’s creative genius. He understood that the mountains don’t need us, we need the mountains. Charlie’s favorite place in the world was the lodge, a log structure nestled among the cedar, fir, and tamarack along the shoreline of beautiful Lake McDonald. The years from 1911 to 1915 were a time of artistic achievement by Russell and promotion by Nancy who was as skilled as any field general with her well planned exhibitions in America, Canada, and England. It would be a grueling pace for the duo, but one that would yield a bountiful harvest of financial and critic

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Charles M Russell Montana Trigg Silver Bears

Charles M Russell Montana Trigg Silver Bears

Lot # 803 (Sale Order: 803 of 1523)      

Title is Three Grizzly Bears. Sterling Silver. 4 3/8" by 2 3/4" by 2 1/2". Number 6/100. Charles Marion Russell (1864 - 1926) was active/lived in Montana, California, Mis...moresouri. Charles Russell is known for Indian-frontier genre painting, sculpture. Charles M. Russell, the nostalgic, held tight memories of a youthful past when the West belonged to God. There was a sense of loss, as poignant as losing a loved one. The specter of what this loss meant loomed over Russell the rest of his life. He was the quintessential nostalgic who grabbed history and married it to idealized memory and imagination. For example, despite Russell never witnessing a buffalo hunt, it became the basis for his most popular and desired art. Nancy Russell explained, "No man can be a painter without imagination." The Romantic art of the nineteenth century was the cornerstone to build the West reimagined for not only Russell, but also his contemporaries and future artists. No Western American artist fought back harder against racism, sexism, and championed environmentalism more than did Charles M. Russell. He thrived on imagining a time when the land was pristine, women were held in high regard, and people of color were the heroes. Paradoxically, the industrialized world championed just the opposite. To many, his life appeared odd—that cowboy hat, that sash, that unruly hair, that folksy talk. He and his art embraced an identity of an exile from a different place and time, which is even more appealing today. In that way, Russell was a visionary who instilled hope in all who saw his art, and his heart. For those reasons and much more, he is the most beloved of all the Western American artists. The Charles M. Russell Museum in Great Falls, Montana; the Charles M. Russell Center for the Study of Art of the American West at the University of Oklahoma in Norman; the Charles M. Russell Center Series on Art and Photography of the American West (books published by the University of Oklahoma University Press); the Charles M. Russell National Wildlife Refuge in Montana; the Russell Riders; and the Russell Skull Society are a testament to that fact. The Cowboy Artists of America have been called "The Sons of Charlie Russell" by art historian B. Byron Price for good reason. Russell was a legendary painter, sculptor, and author. Ever humble and self-effacing, as his fame skyrocketed, he never forgot his cowboy friends. The importance of his life and works is that no one has inspired more new generations of artists. Russell lived in the past and his wife Nancy who was his business manager lived for the future. How could a self-trained artist living in remote Montana become the highest paid artist in America? It’s quite a story. Charles Marion Russell was born on March 19, 1864 in St. Louis, Missouri, a bustling gateway to the West of some 200,000 people. Family history and adventure stories such as the Leatherstocking Tales by James Fenimore Cooper lured Russell to the West. On a crisp March day in 1880 Charles M. Russell jumped off the stagecoach in Helena, Montana Territory and took his turn as the latest easterner seeking western adventure. Accompanying him was Willis L.W. "Pike" Miller, a family acquaintance who acted as Russell’s guardian and gave him his first job in Montana on a sheep ranch Miller owned in the Judith Basin. While Miller was kind enough to chaperone Russell, they soon parted ways because Russell wanted nothing to do with sheepherding. For twelve years Russell and his horse Monte were together on the open range mainly nighthawking—somewhat of a lowly cowboy job of watching the horses overnight while the rest of the cowboys slept—until 1893 when Russell began transitioning from cowboy artist to full-time artist. Only a teenager, Russell was younger than most cowboys who were usually in their early twenties but shared with them the qualities of being gregarious, humble, energetic and adventuresome. Charlie saw the cowboy as the last frontiersman—unlike the colorless overburdened farmer and sheep herder. The period from 1906 to 1910 was one of the most productive and enjoyable times of Charlie’s life, which in no small part was due to the summers at Bull Head Lodge and the mentoring by others such as Philip R. Goodwin who visited him there in 1907 and 1910. Glacier National Park has the type of views that keep postcard publishers in business. The mountains fanned the flames of Charlie Russell’s creative genius. He understood that the mountains don’t need us, we need the mountains. Charlie’s favorite place in the world was the lodge, a log structure nestled among the cedar, fir, and tamarack along the shoreline of beautiful Lake McDonald. The years from 1911 to 1915 were a time of artistic achievement by Russell and promotion by Nancy who was as skilled as any field general with her well planned exhibitions in America, Canada, and England. It would be a grueling pace for the duo, but one that would yield a bountiful harvest of financi

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Charles M Russell Montana Trigg Silver Turkey

Charles M Russell Montana Trigg Silver Turkey

Lot # 804 (Sale Order: 804 of 1523)      

Title is Tom Merriam Turkey. Sterling Silver. 4 1/8" by 3 3/4" by 3 1/8". Number 6/100. Charles Marion Russell (1864 - 1926) was active/lived in Montana, California, Miss...moreouri. Charles Russell is known for Indian-frontier genre painting, sculpture. Charles M. Russell, the nostalgic, held tight memories of a youthful past when the West belonged to God. There was a sense of loss, as poignant as losing a loved one. The specter of what this loss meant loomed over Russell the rest of his life. He was the quintessential nostalgic who grabbed history and married it to idealized memory and imagination. For example, despite Russell never witnessing a buffalo hunt, it became the basis for his most popular and desired art. Nancy Russell explained, "No man can be a painter without imagination." The Romantic art of the nineteenth century was the cornerstone to build the West reimagined for not only Russell, but also his contemporaries and future artists. No Western American artist fought back harder against racism, sexism, and championed environmentalism more than did Charles M. Russell. He thrived on imagining a time when the land was pristine, women were held in high regard, and people of color were the heroes. Paradoxically, the industrialized world championed just the opposite. To many, his life appeared odd—that cowboy hat, that sash, that unruly hair, that folksy talk. He and his art embraced an identity of an exile from a different place and time, which is even more appealing today. In that way, Russell was a visionary who instilled hope in all who saw his art, and his heart. For those reasons and much more, he is the most beloved of all the Western American artists. The Charles M. Russell Museum in Great Falls, Montana; the Charles M. Russell Center for the Study of Art of the American West at the University of Oklahoma in Norman; the Charles M. Russell Center Series on Art and Photography of the American West (books published by the University of Oklahoma University Press); the Charles M. Russell National Wildlife Refuge in Montana; the Russell Riders; and the Russell Skull Society are a testament to that fact. The Cowboy Artists of America have been called "The Sons of Charlie Russell" by art historian B. Byron Price for good reason. Russell was a legendary painter, sculptor, and author. Ever humble and self-effacing, as his fame skyrocketed, he never forgot his cowboy friends. The importance of his life and works is that no one has inspired more new generations of artists. Russell lived in the past and his wife Nancy who was his business manager lived for the future. How could a self-trained artist living in remote Montana become the highest paid artist in America? It’s quite a story. Charles Marion Russell was born on March 19, 1864 in St. Louis, Missouri, a bustling gateway to the West of some 200,000 people. Family history and adventure stories such as the Leatherstocking Tales by James Fenimore Cooper lured Russell to the West. On a crisp March day in 1880 Charles M. Russell jumped off the stagecoach in Helena, Montana Territory and took his turn as the latest easterner seeking western adventure. Accompanying him was Willis L.W. "Pike" Miller, a family acquaintance who acted as Russell’s guardian and gave him his first job in Montana on a sheep ranch Miller owned in the Judith Basin. While Miller was kind enough to chaperone Russell, they soon parted ways because Russell wanted nothing to do with sheepherding. For twelve years Russell and his horse Monte were together on the open range mainly nighthawking—somewhat of a lowly cowboy job of watching the horses overnight while the rest of the cowboys slept—until 1893 when Russell began transitioning from cowboy artist to full-time artist. Only a teenager, Russell was younger than most cowboys who were usually in their early twenties but shared with them the qualities of being gregarious, humble, energetic and adventuresome. Charlie saw the cowboy as the last frontiersman—unlike the colorless overburdened farmer and sheep herder. The period from 1906 to 1910 was one of the most productive and enjoyable times of Charlie’s life, which in no small part was due to the summers at Bull Head Lodge and the mentoring by others such as Philip R. Goodwin who visited him there in 1907 and 1910. Glacier National Park has the type of views that keep postcard publishers in business. The mountains fanned the flames of Charlie Russell’s creative genius. He understood that the mountains don’t need us, we need the mountains. Charlie’s favorite place in the world was the lodge, a log structure nestled among the cedar, fir, and tamarack along the shoreline of beautiful Lake McDonald. The years from 1911 to 1915 were a time of artistic achievement by Russell and promotion by Nancy who was as skilled as any field general with her well planned exhibitions in America, Canada, and England. It would be a grueling pace for the duo, but one that would yield a bountiful harvest of financia

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Charles M Russell Montana Trigg Silver Indian

Charles M Russell Montana Trigg Silver Indian

Lot # 805 (Sale Order: 805 of 1523)      

Title is Indian. Sterling Silver. 4" by 3 1/2" by 3 1/4". Number 6/100. Charles Marion Russell (1864 - 1926) was active/lived in Montana, California, Missouri. Charles Ru...moressell is known for Indian-frontier genre painting, sculpture. Charles M. Russell, the nostalgic, held tight memories of a youthful past when the West belonged to God. There was a sense of loss, as poignant as losing a loved one. The specter of what this loss meant loomed over Russell the rest of his life. He was the quintessential nostalgic who grabbed history and married it to idealized memory and imagination. For example, despite Russell never witnessing a buffalo hunt, it became the basis for his most popular and desired art. Nancy Russell explained, "No man can be a painter without imagination." The Romantic art of the nineteenth century was the cornerstone to build the West reimagined for not only Russell, but also his contemporaries and future artists. No Western American artist fought back harder against racism, sexism, and championed environmentalism more than did Charles M. Russell. He thrived on imagining a time when the land was pristine, women were held in high regard, and people of color were the heroes. Paradoxically, the industrialized world championed just the opposite. To many, his life appeared odd—that cowboy hat, that sash, that unruly hair, that folksy talk. He and his art embraced an identity of an exile from a different place and time, which is even more appealing today. In that way, Russell was a visionary who instilled hope in all who saw his art, and his heart. For those reasons and much more, he is the most beloved of all the Western American artists. The Charles M. Russell Museum in Great Falls, Montana; the Charles M. Russell Center for the Study of Art of the American West at the University of Oklahoma in Norman; the Charles M. Russell Center Series on Art and Photography of the American West (books published by the University of Oklahoma University Press); the Charles M. Russell National Wildlife Refuge in Montana; the Russell Riders; and the Russell Skull Society are a testament to that fact. The Cowboy Artists of America have been called "The Sons of Charlie Russell" by art historian B. Byron Price for good reason. Russell was a legendary painter, sculptor, and author. Ever humble and self-effacing, as his fame skyrocketed, he never forgot his cowboy friends. The importance of his life and works is that no one has inspired more new generations of artists. Russell lived in the past and his wife Nancy who was his business manager lived for the future. How could a self-trained artist living in remote Montana become the highest paid artist in America? It’s quite a story. Charles Marion Russell was born on March 19, 1864 in St. Louis, Missouri, a bustling gateway to the West of some 200,000 people. Family history and adventure stories such as the Leatherstocking Tales by James Fenimore Cooper lured Russell to the West. On a crisp March day in 1880 Charles M. Russell jumped off the stagecoach in Helena, Montana Territory and took his turn as the latest easterner seeking western adventure. Accompanying him was Willis L.W. "Pike" Miller, a family acquaintance who acted as Russell’s guardian and gave him his first job in Montana on a sheep ranch Miller owned in the Judith Basin. While Miller was kind enough to chaperone Russell, they soon parted ways because Russell wanted nothing to do with sheepherding. For twelve years Russell and his horse Monte were together on the open range mainly nighthawking—somewhat of a lowly cowboy job of watching the horses overnight while the rest of the cowboys slept—until 1893 when Russell began transitioning from cowboy artist to full-time artist. Only a teenager, Russell was younger than most cowboys who were usually in their early twenties but shared with them the qualities of being gregarious, humble, energetic and adventuresome. Charlie saw the cowboy as the last frontiersman—unlike the colorless overburdened farmer and sheep herder. The period from 1906 to 1910 was one of the most productive and enjoyable times of Charlie’s life, which in no small part was due to the summers at Bull Head Lodge and the mentoring by others such as Philip R. Goodwin who visited him there in 1907 and 1910. Glacier National Park has the type of views that keep postcard publishers in business. The mountains fanned the flames of Charlie Russell’s creative genius. He understood that the mountains don’t need us, we need the mountains. Charlie’s favorite place in the world was the lodge, a log structure nestled among the cedar, fir, and tamarack along the shoreline of beautiful Lake McDonald. The years from 1911 to 1915 were a time of artistic achievement by Russell and promotion by Nancy who was as skilled as any field general with her well planned exhibitions in America, Canada, and England. It would be a grueling pace for the duo, but one that would yield a bountiful harvest of financial and critical s

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Charles M Russell Piegan Brave Plaster Model

Charles M Russell Piegan Brave Plaster Model

Lot # 806 (Sale Order: 806 of 1523)      

The original plaster Piegan Brave by Charles M Russell. This is the only known plaster model of it's kind made. There was nothing that Charles Russell loved more than mak...moreing small, painted plaster sculptures which he could give as presents as a true gesture of friendship. From the Estate of Dr. Van Kirke Nelson - Kalispell, MT. Measures: 2 2/5" tall, 1 1/3" by 1" wide. This model's nose has been lost to time. The bronze in the previous lot is the first casting made from this model. The feather in the top right of the plaster on the Brave's head is representative of the same portrait sitting that Russell painted. That original watercolor sold in 1997 at auction. Charles Marion Russell (1864 - 1926) was active/lived in Montana, California, Missouri. Charles Russell is known for Indian-frontier genre painting, sculpture. Charles M. Russell, the nostalgic, held tight memories of a youthful past when the West belonged to God. There was a sense of loss, as poignant as losing a loved one. The specter of what this loss meant loomed over Russell the rest of his life. He was the quintessential nostalgic who grabbed history and married it to idealized memory and imagination. For example, despite Russell never witnessing a buffalo hunt, it became the basis for his most popular and desired art. Nancy Russell explained, "No man can be a painter without imagination." The Romantic art of the nineteenth century was the cornerstone to build the West reimagined for not only Russell, but also his contemporaries and future artists. No Western American artist fought back harder against racism, sexism, and championed environmentalism more than did Charles M. Russell. He thrived on imagining a time when the land was pristine, women were held in high regard, and people of color were the heroes. Paradoxically, the industrialized world championed just the opposite. To many, his life appeared odd—that cowboy hat, that sash, that unruly hair, that folksy talk. He and his art embraced an identity of an exile from a different place and time, which is even more appealing today. In that way, Russell was a visionary who instilled hope in all who saw his art, and his heart. For those reasons and much more, he is the most beloved of all the Western American artists. The Charles M. Russell Museum in Great Falls, Montana; the Charles M. Russell Center for the Study of Art of the American West at the University of Oklahoma in Norman; the Charles M. Russell Center Series on Art and Photography of the American West (books published by the University of Oklahoma University Press); the Charles M. Russell National Wildlife Refuge in Montana; the Russell Riders; and the Russell Skull Society are a testament to that fact. The Cowboy Artists of America have been called "The Sons of Charlie Russell" by art historian B. Byron Price for good reason. Russell was a legendary painter, sculptor, and author. Ever humble and self-effacing, as his fame skyrocketed, he never forgot his cowboy friends. The importance of his life and works is that no one has inspired more new generations of artists. Russell lived in the past and his wife Nancy who was his business manager lived for the future. How could a self-trained artist living in remote Montana become the highest paid artist in America? It’s quite a story. Charles Marion Russell was born on March 19, 1864 in St. Louis, Missouri, a bustling gateway to the West of some 200,000 people. Family history and adventure stories such as the Leatherstocking Tales by James Fenimore Cooper lured Russell to the West. On a crisp March day in 1880 Charles M. Russell jumped off the stagecoach in Helena, Montana Territory and took his turn as the latest easterner seeking western adventure. Accompanying him was Willis L.W. "Pike" Miller, a family acquaintance who acted as Russell’s guardian and gave him his first job in Montana on a sheep ranch Miller owned in the Judith Basin. While Miller was kind enough to chaperone Russell, they soon parted ways because Russell wanted nothing to do with sheepherding. For twelve years Russell and his horse Monte were together on the open range mainly nighthawking—somewhat of a lowly cowboy job of watching the horses overnight while the rest of the cowboys slept—until 1893 when Russell began transitioning from cowboy artist to full-time artist. Only a teenager, Russell was younger than most cowboys who were usually in their early twenties but shared with them the qualities of being gregarious, humble, energetic and adventuresome. Charlie saw the cowboy as the last frontiersman—unlike the colorless overburdened farmer and sheep herder. The period from 1906 to 1910 was one of the most productive and enjoyable times of Charlie’s life, which in no small part was due to the summers at Bull Head Lodge and the mentoring by others such as Philip R. Goodwin who visited him there in 1907 and 1910. Glacier National Park has the type of views that keep postcard publishers in business. The mountains fanned

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Folk Art Cane Washington DC Flood of 1936

Folk Art Cane Washington DC Flood of 1936

Lot # 807 (Sale Order: 807 of 1523)      

This cane was made from a piece of wood found after the flood waters succeeded in Washington DC. It is dated March 20 1936. Wonderful piece of American Folk Art documenti...moreng one of the most significant historical events of the 20th Century. 35 5/8" long. The 1936 Northeastern United States flood was a historic flood that occurred across the Northeastern United States, as well as the Mid-Atlantic region and Ohio, in March 1936. Record-setting flooding after a combination of a particularly precipitation-heavy winter and large amounts of rainfall in March caused severe damage across the region. Record heights were recorded in many rivers, including the Connecticut River, which peaked at 37.6 feet (11.5 m) in Hartford, the Merrimack River, the Pemigewasset River, and the Androscoggin River. The flood led to an estimated 150 to 200 deaths across the Northeast, and hundreds of millions of dollars in damage in 1936 dollars. Flooding reached the nation's capital on March 20. The Potomac River crested at 18.5 feet (5.6 m) under Key Bridge, which was the only bridge connecting the district to Virginia to remain above the waters. Large portions of the National Mall were flooded, but there was enough warning for the Capitol Park Service to protect the Washington Monument and the Lincoln Memorial by building a barrier of stone and sandbags, with the help of more than 3,000 men and multiple steam shovels. Hains Point was impossible to see due to flooding, which was as high as the tops of trees. Despite the large extent of flooding, there were no fatalities in Washington, D.C.

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Frederic Remington Cheyenne Bronze

Frederic Remington Cheyenne Bronze

Lot # 808 (Sale Order: 808 of 1523)      

Title is Cheyenne. 4" by 3 3/4" by 2". Frederic Sackrider Remington (1861 - 1909) was active/lived in New York, Kansas, Connecticut. Frederic Remington is known for Weste...morern painting and sculpture, illustration. In his lifetime polymath Frederic Remington was the most successful and famous Western American artist. His immense talents included excelling as an illustrator, author, sculptor, and fine artist. His was a life tragically cut short. Born on October 4, 1861 in Canton, a small berg in bucolic upper state New York, he was much influenced by his father Seth Pierpont Remington, a Republican journalist who founded the St. Lawrence Plaindealer. His father had been a captain in the Civil War, and in 1870 President Ulysses S. Grant appointed him United States Collector of the Port of Ogdensburg, New York. In 1876 young Frederic enrolled at Highland Military Academy in Worcester, Massachusetts where he studied for the next two years. Two years later he enrolled at Yale for one year to study in the School of Fine Arts. His two loves were art and football. Only three months into school, he published his first illustration in the on-campus newspaper Yale Courant. On the gridiron he was a natural, demonstrating great strength and agility. Like Theodore Roosevelt, Remington also enjoyed boxing. A year later he met his future wife Eva Caten from Gloversville, New York. After the death of Remington’s father from tuberculosis on February 18, 1879, Eva rejected his first marriage proposal. Floundering, Remington headed to the American West to find himself—much like Theodore Roosevelt did when his mother and wife died on the same day. That led to a trip to Montana where he completed a number of sketches. Invigorated by his Western experiences, in February 1883 he headed to Kansas and with part of his inheritance bought a 160 acre sheep ranch near Peabody, Kansas. That failed adventure lasted about a year, and he then relocated to Kansas City, Missouri where Eva would join him as his wife. Yet he squandered the rest of his inheritance on a saloon there. After more illustrations were sold to Harper’s Weekly, in 1885 the Remingtons moved to New York City, and in 1886 he attended the Art Students League. By then Remington was earning $1,200 a year, twice the income of a school teacher. Other magazines such as St. Nicholas and Outing also published his art. His work certainly impressed a young Theodore Roosevelt who was chronicling his life in Medora—now in North Dakota—for a serial that ran in The Century Magazine. It was very common at the time for authors to serialize their works in magazines before they were published in book form. In the fall of 1887 Remington was commissioned to illustrate the magazine stories which ended up in Roosevelt’s 1888 classic book Ranch Life and the Hunting Trail. Early on, a lasting friendship between the two was cemented through these publications. By 1889 he had garnered national notoriety as one of the most accomplished illustrators in the country. He was a national celebrity. In 1889 his monumental canvas A Dash for the Timber was exhibited at the National Academy of Design. The New York Times reported, "The picture at the Autumn exhibition of the Academy of Design before which stands the largest number of people is Frederic Remington’s Dash for the Timber." A Silver medal for Last Lull in the Fight followed at the Exposition Universelle in Paris. In 1891 the National Academy of Design elected Remington as an Associate member. Yet he was never admitted as National Academician, despite support from fellow artists Gilbert Gaul, Childe Hassam, and others. His financial success allowed the Remingtons to move into a grand home he named Ednion Algonquin for "a place where I live in New Rochelle, New York. A young Norman Rockwell would someday paint in his studio. Through his travels, Remington embraced social Darwinism survival of the fittest that championed the U.S. military’s domination of the inferior Native Americans. Theodore Roosevelt, George Armstrong Custer, and Remington along with most other Americans—idolized Charles Darwin. As early as 1888 Remington started contributing short stories along with illustrations to magazines. His writings teemed with romantic Western stories chalk full of drama and violence. Initially, they presented the cavalryman as the hero and the Indian as the villain, especially when the Indian had been tainted with the vices of the white man. His West was the "frontier model where the fittest were rugged individuals from northern Europe and white Americans. Even though he was an accomplished author and painter, perhaps his greatest talent was as a sculptor. His bronzes are more famous and collectible than any other Western American artist. And yet his bronze repertoire was completed in just fourteen years. Starting in order of modeling, they are: The Broncho Buster, The Wounded Bunkie, The Wicked Pony, The Scalp, The Norther, The Cheyenne, The Buffalo Signal,

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Lowell Davis Coyote Prairie Dog Bronze

Lowell Davis Coyote Prairie Dog Bronze

Lot # 809 (Sale Order: 809 of 1523)      

Title is Prairie Dog. 6 1/2" by 5 1/8" by 4". Lowell Davis (Born 1937) is active/lives in Missouri. Lowell Davis is known for Wildlife sculpture....more

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Almar Metal Arts Buffalo

Almar Metal Arts Buffalo

Lot # 810 (Sale Order: 810 of 1523)      

3 3/4" by 2 3/4" by 1 1/2"...more

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Donald Locke Prince Buster Bull Bronze

Donald Locke Prince Buster Bull Bronze

Lot # 811 (Sale Order: 811 of 1523)      

Title is Prince Buster. 7 1/2" by 4 3/8" by 4 1/4". Donald Locke (1930 - 2010) was active/lived in United States. Donald Locke is known for Ceramic sculpture. Post Gradua...morete Award, Ceramic Research, Edinburgh College of Art, Scotland Edinburgh University, Scotland (in conjunction with Edinburgh College of Art) MA Honors Degree in Fine Art (equivalent to American PhD) Bath Academy of Art, Corsham, England. Teaching Certificate in Art Education, Supplementary Certificate in the Visual Arts with Museum and Drama (equivalent to American MA). Studied painting under William Scott, sculpture under Bernard Meadows, and ceramics under James Tower. Guyana Teacher’s Certificate, Ministry of Education, Guyana (equivalent to American BA)

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Michael Atkinson Native American Indian Bronze

Michael Atkinson Native American Indian Bronze

Lot # 812 (Sale Order: 812 of 1523)      

Title is Daughter of Acoma. 35" by 12" by 13 1/2". Michael Atkinson (Born 1946) is active/lives in Texas. Michael Atkinson is known for Mod-landscape and figure painting,...more sculpture. Michael Atkinson is a painter in watercolor in abstract realist style of western and southwestern landscapes and also a sculptor of figurative, often nude, male and female figures, and athletic in pose. He works in clay and then bronze.

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Russian Silver Oklad Icon Vladimir Mother of God

Russian Silver Oklad Icon Vladimir Mother of God

Lot # 813 (Sale Order: 813 of 1523)      

Aleksandr Nikolayevich Krollau hallmark, dated 1881, 84 zolotniks. 4 3/8" by 3 1/2"....more

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Russian Silver Oklad Icon Christ Pantocrator

Russian Silver Oklad Icon Christ Pantocrator

Lot # 814 (Sale Order: 814 of 1523)      

5 1/8" by 4 3/8"...more

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Antique Imperial Russian Saint Nicholas Icon

Antique Imperial Russian Saint Nicholas Icon

Lot # 815 (Sale Order: 815 of 1523)      

6" by 7"....more

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Mexican Folk Art Building

Mexican Folk Art Building

Lot # 816 (Sale Order: 816 of 1523)      

6 7/8" by 4 3/4" by 4"....more

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L.A. Huffman Chief Two Moons Photogravure

L.A. Huffman Chief Two Moons Photogravure

Lot # 817 (Sale Order: 817 of 1523)      

9 1/2" by 10". Cheyenne Chief Two Moons talking with George Bird Grinnell...more

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The Forks Historic Site Canada Photo

The Forks Historic Site Canada Photo

Lot # 818 (Sale Order: 818 of 1523)      

20 1/8" by 16"...more

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Charles Russell

Charles Russell

Lot # 819 (Sale Order: 819 of 1523)      

Sophia Craze. 1989...more

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2025 Charles C.M. Russell Museum Calendar

2025 Charles C.M. Russell Museum Calendar

Lot # 820 (Sale Order: 820 of 1523)      

9 1/8" by 12"...more

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Hear The Hammer

Hear The Hammer

Lot # 821 (Sale Order: 821 of 1523)      

The story of Montana's Ruana Knives John Mandell, Frank Towsley, 2012...more

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Blackfeet John L. Cutapuis Clarke Wood Sculptor

Blackfeet John L. Cutapuis Clarke Wood Sculptor

Lot # 822 (Sale Order: 822 of 1523)      

The Silent Call of Glacier National Park. Dr. Larry Len Peterson. 2024...more

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Richard Shorty Cycle of Life Print

Richard Shorty Cycle of Life Print

Lot # 823 (Sale Order: 823 of 1523)      

11" by 14" in matte...more

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Steve Burnley Folk Art Critters Bricky Tastard

Steve Burnley Folk Art Critters Bricky Tastard

Lot # 824 (Sale Order: 824 of 1523)      

Painted Tin. Title is Bricky Tastard. 19" by 9 1/2" From the Artist My name is Steve Burnley. I’ve been drawing since I was old enough to hold a pencil. I’ve always drawn...more creatures and such. I’m 50 years old. It’s a long story on how I got started doing these. I grew up in Thomson, Ga. Zip code 30824. I just started writing $30824 on the back one day and it stuck. My family moved to a house in Thomson in 1979. Our property touched the library property so I spent ten thousand hours looking at books. I drew creatures as soon as I could draw. The painting is kind of new to me. I’ve been painting roosters for a long time and I don’t like doing those anymore. I have zero art education other than art class in high school I’m still learning Teaching myself.

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Steve Burnley Folk Art Critters Bathroom Sign

Steve Burnley Folk Art Critters Bathroom Sign

Lot # 825 (Sale Order: 825 of 1523)      

Painted Tin. Title is Beerdy the Bathroom Sign. 23 1/2" by 9 3/4". From the Artist My name is Steve Burnley. I’ve been drawing since I was old enough to hold a pencil. I’...moreve always drawn creatures and such. I’m 50 years old. It’s a long story on how I got started doing these. I grew up in Thomson, Ga. Zip code 30824. I just started writing $30824 on the back one day and it stuck. My family moved to a house in Thomson in 1979. Our property touched the library property so I spent ten thousand hours looking at books. I drew creatures as soon as I could draw. The painting is kind of new to me. I’ve been painting roosters for a long time and I don’t like doing those anymore. I have zero art education other than art class in high school I’m still learning Teaching myself.

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