Important May 8th Collection of Asian Arms, Part I

Important May 8th Collection of Asian Arms, Part I

Saturday, May 8, 2021  |  10:00 AM Central
Auction closed.
Important May 8th Collection of Asian Arms, Part I

Important May 8th Collection of Asian Arms, Part I

Saturday, May 8, 2021  |  10:00 AM Central
Auction closed.
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A Prominent, Fresh to Market Collection of Antique Asian Arms. This Auction will include part I of the entire David Schmiedt Collection. We are very humbled and excited to facilitate the sale of such an impressive estate. Mr. Schmiedt, internationally known, prominent collector, out of California have been actively and passionately gathering priceless artifacts from All Over the World for period over 30+ years . The collection includes some exceptionally rare and fine quality examples of Indonesian and Philippine Weaponry Art with mega-rare Damascus steel patterned blades and exquisite mounts, almost never encountered on the market. Some Fantastic Kris, Keris, Barong, Kampilan, Mandau, Balato & Parang Jimpul examples that will Blow any Collector's Mind ! Also a number of High Quality Ottoman and Indo-Persian sabers with fine Wootz blades, as well as some rare examples of Large Tribal Shields and Armor, Spears, Clubs, Dayak Headhunter's Skull displays & Fantastic carved wood Keris-holder statues. This phenomenal sale is a Once in a Lifetime opportunity to put together a Superb... Show more
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Ultra Rare Fine Indonesian Madura, Northeast Java KERIS Dagger ~ Unique Blade of Superb Quality ~ Fi

Lot # 227 (Sale Order: 226 of 298)      

Keris from Madura have some of the most distinctly carved hilts of all Indonesian keris. The hilts often resemble Javanese form only in rough outline but are fantasticall...morey carvedwith various emblematic designs, some of which are playfully hidden within the complex Maduran floral carvings called gaya kembang, also known as the ginger-flower style, kembangtemu (Ghiringelli 2011). The island of Madura is located off the Northeast coast of Java and had a rich royal culture and history with a variety of symbolism employed to represent the royalfamily. One of the most iconic images found in Maduran royal imagery and keris hilts is the winged horse, Si Mega. Other imagery that is found on these so-called Donoriko style hiltsinclude Dutch colonial imagery, human beings, and other images of importance to the commissioner of the keris.This example in the Schmiedt Collection is a fine representation of the Maduran Donoriko style hilt with an interesting blade with an uncommon gandik carving. The hilt is a classic Madurancarved form in the Donoriko style, with a deep and well-formed gaya kembang floral carving showing the winged horse, Si Mega, carved on the inside curve of the handle. The mendak in theJavanese style, in granulated silver. The blade is a finely crafted Javanese form and with a rare 3 luk form approximated by the form called urubing dilah but with a carved human being in thegandik with an erect phallus. This imagery likely of some significance to the commissioner of the blade. The blade has a complex pamor pattern appearing to be a mix of ron pakis and blarak ngirid (Ki Empu Jhuel).First half of 20th century. Outstanding quality and rarity example.Total Length (inside scabbard if present) : 18 3/4" Blade Length : 16"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Superb Quality Philippine Moro KRIS Sword ~ Maguindanao, Mindanao ~ Jeweled and Silver Mounted ~ Twi

Lot # 228 (Sale Order: 227 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian ke...moreris but is distinctlylarger and made purposefully for fighting. Sometimes engravings (often filled in with brass or silver inlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or other esoteric motifs such as this example in the Schmiedt Collection. Many kris blades are forged with fullers and these are likely heavily influenced by Malay style keris called malela keris.One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard. Certain Mindanao kris have a similar form except that the mouth is round instead of oval and is notangled. The Maguindanao form is very similar to the Sulu style with an elliptical shape but it is not angled downwards and instead runs perpendicular to the guard. Later versions of thisgenerally exhibit a ridge which has been chiseled into the outer metal that surrounds both sides of the mouth hollow (Cato 1996).This example in the Schmiedt Collection is a fine example showing the long lifespan these swords would have in Moro communities. The sword itself is likely late 19th centuryMaguindanao workmanship with a very fine blade with a distinctive geometry and crisp fullers.The blade is further inlaid with silver dots encircling the base which is now covered by a silver or other metal plate, likely added later during the period of the scabbard which is likely mid-20th century. The plate likely covers the triangular fullering found on kris of this blade form. The handle is a classic Maguindanao/Sulu crossover with a finely carved pommel and handle wrapped in twine. The scabbard is a later addition made for the blade and composed of wood with decorative scales at the chape and the upper portion, inlaid with silver dots and semiprecious stones. These uncommon decorative elements indicate mid-20th century manufacture for the scabbard.Dates to the late 19th to early 20th century comprehensively.Total Length (inside scabbard if present) : 29" Blade Length : 24 1/4" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San Francisco Craft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum of Cultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of the Philippine islands in the United States National museum. Washington: Govt. Print. Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare 19th C. Asian Burmese or Thailand DHA Sword ~ Dramatic Patterned Damascus Blade ~ Silver Mounts

Lot # 229 (Sale Order: 228 of 298)      

A distinctive south-east Asian sword, this example is high quality example of the classic sword of Burma and Thailand, called a dha and daab, respectively in each country...more, with large variations in form and nomenclature across the Golden Triangle region which includes Cambodia, Laos, Burma, Thailand and southern China/Yunnan. These swords typically have a similar form which is comprised of round cross section tubular grips, though these come in many forms of decoration including those mounted in silver such as this example. The blades display significant variation and are distinguished by the quality of the blade geometry and smithing. Inthis case, this blade form with the rounded spatulate tip with a slight extension is termed a hua bua in Thai, or a sheeps head tip. The dha and its variants were possibly derived from the Assamese and Naga dao, a broadsword used by both the Assamese people and Naga people of northeast India for digging as well as fighting. The Naga weapon was a thick, heavy, eighteen-inch long backsword with a bevel instead of a point, and this form of blade is found on some dha.Alternatively, the dha may have its origins with the Tai people who migrated to the area from present-day Yunnan Province in southern China. The Khmer and Mon peoples were wellestablished before the arrival of the Tai or the Burmese people and perhaps invented the dha as 13th-century reliefs at Angkor Wat depict the weapon.The example in the Schmiedt Collection is a beautifully preserved example with a very finely made blade displaying a well-defined blade profile including a deep fuller running the length ofthe blade and a rare form of blade tip. The hilt and scabbard both of dark wood and mounted with silver fittings. The pommel in the form of a lotus bud, as is common on Southeast Asianswords, while the scabbard mounted with silver fittings with a braided silver fitting at the chape.The blade displays a rich damascened pattern showing the lamellar construction rarely found on dha and indicative of the level of quality of the sword.Dating from the 19th century.Total Length (inside scabbard if present) : 29" Blade Length : 15"References:1. Greaves, I. A., Bowditch, M. Winston, A. (2007) "The Swords of ContinentalSoutheast Asia," in History of Steel in Eastern Asia, Macao Museum of Art.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare early 20th C. Philippine Moro Datu's KRIS Sword ~ Fine Twistcore Damascus Blade ~ Silver Mounts

Lot # 230 (Sale Order: 229 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian ke...moreris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight, or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, and more numerous and therefore required greater skill to prevent the blade bouncing off or being stuck in an enemys body. One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. The Maranao form has an elongated trunk while the mouth cavity is narrow and the lower jaw runs parallel to the guard. While Sulu and Maguindanaoforms have a concave cavity beneath the lower jaw, the Maranao form does not and instead has a protrusion that juts out from beneath it (Cato 1996). This example in the Schmiedt Collection is a fine example of a classic Maranao style fighting kris with a finely crafted silver horsehoof pommel. The plain tubular handle with carved twine interspersed with silver bands. The pommel is multifaceted silver horsehoof form found in Sulu and Mindanao, though in this casethe overall sword may be Maranao judging by the form ganja on the blade. The 17 luk blade is finely crafted with angular waves near the base and sharply crested waves throughout, both anindication of early 20th century production. The blade also displays lamellar construction found on higher quality Moro blades.Late 19th to Early 20th century.Total Length (inside scabbard if present) : 26 3/4" Blade Length : 22 3/4" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Rare 19th C. Datus Moro KRIS Sword ~ Fossil Mammoth Tooth Pommel ~ Twistcore Damascus Blade ~ S

Lot # 231 (Sale Order: 230 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian ker...moreis but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider.One of the additional ways in which origins are identified are through the design of the elephanthead trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard. (Cato1996).This example in the Schmiedt Collection is an interesting example of a Sulu kris influenced bymaterials used in Java and elsewhere south of Borneo. The jute wrapped grip of interestingcomposition, finely woven together and reminiscent of European sailor made work of the 19thcentury. The finely carved pommel is original and displays a rich yellowish patina. Thismaterial appears similar to that used on other South East Asian swords from Vietnam toMalaysia but is almost never seen on Philippine weapons. As a result the rarity of the materialfor the region indicates the high quality of the sword and the owners rank. The 13 luk blade isfinely crafted with soft crested waves and displaying an original patina without later cleaning.Based on the cavity form of the ganja, this is likely Sulu.Likely dating from the late 19th century.Total Length (inside scabbard if present) : 24" Blade Length : 20" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Superb 19th C. Philippine Moro Datu's KRIS Sword ~ Top Quality Twistcore Damascus Blade ~ Sulu Sea R

Lot # 232 (Sale Order: 231 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian ker...moreis but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, andmore numerous and therefore required greater skill to prevent the blade bouncing off or beingstuck in an enemys body. Especially high quality kris would be mounted with twistcore blades.The twistcore design in the iron is inherent to the structure of the blade and serves not only thepurpose of creating a beautiful design but also to strengthen the blade. The twisted rodtechnique by which these patterns are achieved is also called pattern-welding. All of the patterns seen on Moro kris, and other swords with twistcore designs are built up from rodscomposed of several, frequently up to seven, alternating layers of varyingly irons. Because the trace elements in the iron vary from ore to ore, when they are twisted, welded together, forgedinto shape, and then cleaned and etched, the designs in the iron will stand out in lighter and darker tones. Rods with matching or complementary twist patterns were usually installed side by-side into the sword blade and on grinding away the outer surfaces of such rods the blade would display a series of patterns (Jones).One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard (Cato1996).This example in the Schmiedt Collection is a superb example of twistcore workmanship on a Moro kris displaying a very fine controlled twist core pattern throughout the 11 luk blade. Whilethe blade has an angular initial luk at the base of the blade, the remaining luk are softly crested. Coupled with the fine twist core pattern and the delicate waved fullering the overall workmanshipis likely late 19th century. The handle is a simple form but with a rare variant of pommel made of carved wood with multiple sides and which appears to be an earlier interpretation of ahorsehoof form. It is possible that the exaggerated horsehoof pattern evolved from this more subdued octagonal form which may approximate a flower more than a horsehoof. The grip isblack lacquered twine. Based on the ganja form and pommel the origin is likely Sulu.Late 19th century.Total Length (inside scabbard if present) : 28 1/4" Blade Length : 24 1/4".References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main7. Jones, L. Blade Patterns Intrinsic to Steel Edged Weapons.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Large Early 20th C. Silver Mounted Philippine Moro Datu's KRIS Sword ~ Twistcore Damascus Blade ~ Su

Lot # 233 (Sale Order: 232 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian ker...moreis but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Sometimes engravings (often filled in with brass orsilver inlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or otheresoteric motifs such as this example in the Schmiedt Collection. Many kris blades are forgedwith fullers and these are likely heavily influenced by Malay style keris called malela keris.One of the additional ways in which origins are identified are through the design of the elephanthead trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard (Cato1996).This example in the Schmiedt Collection is a good example of a 20th century Moro datus kris, likely from Sulu. The handle is finely mounted with an oversized danganan silver kakatuapommel and mounted with suasa and silver bands. The 13 luk blade is a fine heavy fighting examples with a carved naga approximating the fullers, and then inlaid with silver okir designs.The sharper angled luk indicate a 20th century form while the ganja has Sulu elements with the rounded cavity.Dates to the early 20th century.Total Length (inside scabbard if present) : 27 3/4" Blade Length : 23"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Fine 19th C. Philippine Sulu Moro KRIS Sword ~ Exceptional Twistcore Damascus Blade ~ Fine Carv

Lot # 234 (Sale Order: 233 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian ker...moreis but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Straight fighting blades were also common, andcould be found mounted with very fine hilts despite the general belief that multi-luk or wavedblades were considered more prestigious.One of the additional ways in which origins are identified are through the design of the elephanthead trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard (Cato1996).This example in the Schmiedt Collection is a good example of a 19th century Sulu fighting kris ofvery fine design with aged and patinated elements displaying early construction elements. Thepommel is a carved kakatua form while the grip is wrapped in silver bands and rattan binding,which is artfully wrapped around the kakatua crest. This likely keeps the pommel more securelyattached to the pommel but also is an interesting design elements found rarely on other kris. Thestraight fighting blade displays a well carved ganja of Sulu form while the blade otherwisedisplays a fine lamellar pattern.Dates to the 19th century. An exceptionally fine and rare example.Total Length (inside scabbard if present) : 25" Blade Length : 20 1/2" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Beautiful & Rare Philippine Sulu Moro KRIS Sword ~ Actively Patterned Damascus Steel Blade ~ Fine Ca

Lot # 235 (Sale Order: 234 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian ke...moreris but is distinctly larger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight, or straight in which case they were more practical in combat. Older kris had fewer waves and the waves were deeper and wider. Over time the waves became shallower, tighter, and more numerous and therefore required greater skill to prevent the blade bouncing off or being stuck in an enemys body. The higher number of waves meant the more potent the kris was intalismanic power such as this example.One of the additional ways in which origins are identified is through the design of the elephant head trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical in shape. The mouth cavity and lower jaw point downwards towards the base of the guard. CertainMindanao kris have a similar form except that the mouth is round instead of oval and is not angled. The Maguindanao form is very similar to the Sulu style with an elliptical shape but it isnot angled downwards and instead runs perpendicular to the guard (Cato 1996).This example in the Schmiedt Collection is a good example of a mid-20th century kris of the form often acquired by American servicemen in the Philippines. These were often made with blades approximating the earlier styles but otherwise did not have the refinement found on the earlier blades. Another feature is that the ganjas are forged integrally to the blades as opposed to most pre-WWII examples which feature separately forged ganjas. The 13 luk blade displays lamellation of a no-nontrolled form and has a distinctive sharp luk indicating 20th century production. The handle is a Sulu style horsehoof pattern inlaid with shell and wrapped in twine.The use of shell inlay also dates this to the mid-20th century as this form decoration began to be used following WWII.Dates to the middle of 20th century.Total Length (inside scabbard if present) : 28 1/2" Blade Length : 24 1/4"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Extremely Fine 19th C. Philippine Sulu Maguindanao KRIS Sword ~ Exquisite Large Carved Pommel ~ Gold

Lot # 236 (Sale Order: 235 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian ke...moreris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight, or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, and more numerous and therefore required greater skill to prevent the blade bouncing off or being stuck in an enemys body. The higher number of waves meant the more potent the kris was in talismanic power such as this example. Sometimes engravings (often filled in with brass or silver inlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or other esoteric motifs such as this example in the Schmiedt Collection.Many kris blades are forged with fullers and these arelikely heavily influenced by Malay style keris calledmalela keris.One of the additional ways in which origins are identifiedare through the design of the elephant head trunk andcavity of the ganja. Generally Sulu kris have cavitieswhich are elliptical in shape. The mouth cavity and lowerjaw point downwards towards the base of the guard.Certain Mindanao kris have a similar form except that themouth is round instead of oval and is not angled. TheMaguindanao form is very similar to the Sulu style withan elliptical shape but it is not angled downwards andinstead runs perpendicular to the guard. Later versions ofthis generally exhibit a ridge which has been chiseled intothe outer metal that surrounds both sides of the mouthhollow. (Cato 1996).This example in the Schmiedt Collection is one of themost exceptional forms of early Datu or Sultan level kris1 Kris of this quality do not show up in the auction record and so valuation is an approximation but considering thequality and provenance this is a fair approximation.in the collection. This particular example with superb provenance having been published in Robert Catos Moro Swords (1996) and pictured on the frontispiece. Described in Cato as Superlative jungayyans: (19th century barung and kris). Beautifullysculpted with chased, solid gold fittings. Such pieces are extremely rare probably due to their reserved status, the economic conditions of the era, and the Prophets injunction against the use of gold for personal ornamentation for males. Each weapon undoubtedly belonged to a prominent datu or a member of Sulu royalty. The quality of this kris is without question at the highest level of workmanship with a superb oversized jungayyan hilt displaying no damage. Theoversized and massive 23 luk blade of Sulu or Maguindanao origin likewise is very finely crafted and display a complex luk form with simple lamellation faintly evident. In Krieger (1926) such similar jungayyan pommel kris are attributed to Jolo island in the Sulu sea. Dates to the 19th century.Provenance: Formerly in the Robert Cato collection.Owners note: Moro Jungayyan kris from Sulu. cockatoo pommel with the handle covered with alternating bands of woven silver wire and gold bands. Stirrups are of silver, andthe blade carries 23 waves. This kris was formerly owned by Robert Cato, and is pictured in the frontispiece of the book Moro Swords. Very few of this quality Kris survive today. Dates from the 19th century. A Museum quality example.Total Length (inside scabbard if present) : Blade Length : References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Extremely Fine 19th C. Philippine Sulu Maguindanao KRIS Sword ~ Exquisite Large Carved Pommel ~ Supe

Lot # 237 (Sale Order: 236 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian ke...moreris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight, or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, and more numerous and therefore required greater skill to prevent the blade bouncing off or being stuck in an enemys body. The higher number of waves meant the more potent the kris was in talismanic power such as this example.One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard. Certain Mindanao kris have a similar form except that the mouth is round instead of oval and is notangled. The Maguindanao form is very similar to the Sulu style with an elliptical shape but it is not angled downwards and instead runs perpendicular to the guard (Cato 1996).This example in the Schmiedt Collection is one of the most exceptional forms of early Datu or Sultan level kris in the collection. This particular example is documented with superbprovenance to the Seward Collection, Washington D.C. The quality of this kris is without question at the highest level of workmanship with a superb oversized jungayyan hilt displayingno damage. The oversized and massive 19 luk blade of Sulu or Maguindanao origin likewise is finely crafted and displays a complex luk form with linear lamellation. In Krieger (1926) suchsimilar jungayyan pommel kris are attributed to Jolo island in the Sulu sea. It is also possible that based on the cavity of the ganja the blade may be Maguidanao, though there were closerelationships between the Tausugs of Sulu and the Moros of Maguindanao.Dates to the 19th century.Provenance: Formerly in the Seward collection (Washington D.C.)Owners note: Moro Jungayyan kris from Sulu. Cockatoo pommel with handle of knotted, one gold band with silver stirrups. 19 wave laminated blade. This Kris of this quality do not show up in the auction record and so valuation is an approximation but considering the quality and provenance this is a fair approximation. The Seward estate in Washington D.C. This is another example of a very rare kris in mint condition 19th century.Total Length (inside scabbard if present) : Blade Length : References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Good 18th-19th C. Turkish YATAGAN Sword ~ Gold Inlaid Blade ~ Ottoman Empire, Anatolian Peninsu

Lot # 238 (Sale Order: 237 of 298)      

A fine representation of one of the distinct swords of the Ottoman Empire, this sword is most classically called a yataghan and is distinguished by the down swept curved ...morebladeand the eared handle. This example is of classic Ottoman Turkish manufacture, likely from the Balkan region, though these swords were known as far east as North Africa and the form foundits way as far west as the Malay peninsula, though there it evolved and adapted itself to indigenous forms. The yataghan is one of the most distinctive Turkish swords and during theperiod of Ottoman conquest especially from the early 16th century to the late 18th century, the yatagan served as the sword of Janissaries Corp. The sultan also carried a similar sword to hisJanissary corps into battle and which highlighted the integral link between the sultanate and the elite infantry. The Janissaries in particular were able as a result of their military prowess andsocietal standing accrete power such that by the 1830s the Ottoman Sultan was forced to disband them for fear for rebellion.Yataghan blades are often engraved or inlaid with motifs or inscriptions, the latter sometimes literary, such as a line of poetry or reference to an epic legend, sometimes religious in content,such as a verse from the Koran or a prayer, and sometimes words expressing the thoughts of the sword's owner. There may also be the mark of the swordsmith, the declaration of God's unity,and words identifying the ruler of the time and wishing him victorious. On this blade the makers mark is deeply impressed near the bottom of the inscriptions.This example in the Schmiedt Collection has a classic down swept blade and with gold decoration and inscriptions along the side of the blade. The inscriptions appear to be a classic sura from the Quran though difficult to decipher from the images. The hilt is a typical Balkan form and is also mounted with silver filigreed mounted inlaid with stones along the securing stripholding the blade to the handle.Total Length (inside scabbard if present) : 33 1/4" Blade Length : 23 3/4".Comparable auction sale:https://www.bonhams.com/auctions/25424/lot/14/References:1. Elgood, R. (2009). The Arms of Greece. Thames and Hudson.2. Hales, R. (2013). A Lifetimes Passion: Islamic and Oriental Arms and Armour,3. Rivkin, K., Isaac, B. (2018) A Study of the Eastern Sword. Independent Publisher.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare 18th-19th C. Ottoman Empire Balkan KARABELA SHAMSHIR Sword ~ Superb Wootz Damascus Blade with

Lot # 239 (Sale Order: 238 of 298)      

A fine representation of a shamshir style sword, this sword is distinguished by the deeply curved shamshir blade in fine dark wootz. The hilt is carved in the form of a k...morearabelastyle handle, though the mounting is in the Balkan style with filigreed brass mounted with stones. Balkan mounted shamshirs are uncommon, and most often associated with Greekshamshirs, which are usually entirely in silver with distinctive Greek silver fittings.While Balkan shamshir hilt would normally take the form of classic Ottoman pistol grip, this distinctive sword has a karabela grip. The term, karabela, refers to a style of handle mostassociated with Polish and Eastern European swords and has given multiple meanings for the origin of the term, including Cara e bella ( Italian for "Dear and beautiful"), Arabella ( Italian for"Arabian"), Karbala ( town in Iraq), and Karabel ( town in Turkey). These forms of grips are also known in Persia and it is likely that the Shiite population of Karbalah may be associatedwith this style of grip in Persia which then shifted to Poland and spread through Eastern Europe.Other theories note that the hilt is a stylized eagle head form, and having been taken from Ottoman sabres with similar hilts captured by the Polish at the Siege of Vienna in 1683.Total Length (inside scabbard if present) : 30 3/4" Blade Length : 26"References:1. Elgood, R. (2009). The Arms of Greece. Thames and Hudson.2. Hales, R. (2013). A Lifetime Passion: Islamic and Oriental Arms and Armour,3. Pinchot, O. (2002) On the Persian Shamshir and the Signature of Assad Allah. Journal ofArms Collecting.4. Egerton, Lord of Tatton, (1896). A Description of Indian and Oriental Armour. London,W. H. Allen & Co5. Ostrowski, J & Bochnak, W. (1979) "Polish Sabres: Their Origins and Evolution" in Art,Arms and Armour Ed.R.Held, Chiasso6. Zygulski, Z. (1982) Stara Bron W Polskich Zbiorach: Old weapons in Polish collections.Krajowa Agencja Wydawnicza.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Good 19th C. Indonesian Sumatra SIKIN PANJANG Sword ~ Fine Carved Grip with Possibly Gold Mount

Lot # 240 (Sale Order: 239 of 298)      

A distinct form of a classic Indonesian sword, the Sikin Panjang has a distinct formoften with a well forged iron blade with a fuller. The Sikin Panjang is considered one...more of themore popular of the weapons of the Acehnese and the tribes of North Sumatra. Prior to the Acehwar against the Dutch beginning in 1873 many sikin were made before the population wasdisarmed by the Dutch. As a weapon, the sikin was limited to Sumatra, and mainly to Aceh andGayo (where the term Luju Naru is used), but also in Alas (where it is named Andar) and to alesser degree in the Batak area.There are long standing rituals and rites associated with the sikin. For example, during the AcehSultanate period (1496-1903), royals and other men could receive the title of Panglima Prang(warlord). The sikin panjang and rencong which the Panglima Prang would receive from theUlubalang (district chief) on his appointment, would have to be returned to the Ulubalang againif he were to ever cross or join forces with an enemy of the Ulubalang. Both of these weaponstherefore were invested not only with the power of an object but also as totems of loyaltybetween the ruler and his chiefs.The example in the Schmiedt Collection is of classic form and has an especially distinct hiltreferred to as a Hulu Tumpang Beunteueng taking the form of a bifurcated handle pommelangled at a thirty degree angle from the primary part of the handle. The handle is mounted inwhat appears to be silver and suasa. Suasa is a precious material found on Acehnese weaponsand is also known as tembaga suasa as a gold and copper alloy with a reddish hue. The scabbardis a classic form of sikin scabbard with a carved throat, remaining in good condition with no breaks or losses.Excellent and rare 19th century example.Total Length (inside scabbard if present) : Blade Length : References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Beautiful 19th C. Indonesian KERIS Dagger ~ Panjang, Sumatra ~ Exquisite Carved Grip ~ Strong Damasc

Lot # 241 (Sale Order: 240 of 298)      

Keris from Sumatra have a distinct form and are most often associated with avariety of handles form, including this rare form called a keris panjang. While normallyassoci...moreated with Sumatra these were also found in Kelantan on the Malay Peninsula. The bladeof these keris were usually long, thin, straight, and double sided. The hilts are a very highlyabstract form of a garuda. Long keris such as these are commonly referred to as ‘executioner’s’keris. In Malaysia, only the ruler could use the beheading sword for executions as they were theonly ones who could shed blood. Therefore the local authorities would use keris of this form forexecution as they were considered a bloodless According to Gardner (1936), the usual Malayway of execution was to make the victim squat with the executioner driving a long thin bladedown through the upper shoulder near the collar bone, towards the heart. The blade would bedriven in quickly or slowly depending on the severity of the sentence. The kris was driventhrough cotton wool or other cloth so that the blood would be soaked up, thereby absolving theexecutioner of shedding blood.This example in the Schmiedt Collection is a fine representation of an antique keris panjan. Thewell carved and aged garuda form handle is in fine condition and nicely carved with crispdetailing. The Panjang style sheath is of fine quality with a classic sharply wrangka in theTengah form of Bulan Sabit type and mounted with an embossed silver pendok, sheath covering.The blade of typical Keris Panjang form, straight and of stiff proportions with no discerniblepamor pattern.Overall likely 19th C.Total Length (inside scabbard if present) : 19 1/2" Blade Length : 14" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Good Silver Mounted Sudanese Arabic KASKARA Sword ~ Late 19th - Early 20th C.

Lot # 242 (Sale Order: 241 of 298)      

This sword is characteristic of the swords of Sudan, Darfur, Kanem-Bornu (Chad) and Nubia andis currently referred to as a kaskara. The term kaskara is a recent name and ...moreis completelyunknown in the Sudan, where these swords are termed simply saaif. The kaskara is a broadsword,with a long straight blade with a central grove with two cutting edges. The cruciform hilt has astraight cross guard with two languets. The quillons are flared and usually are long, straight andend in a T-shaped form. The wooden grip is usually wrapped with leather and on certain higherend examples mounted either in silver or with additional decorations in silver. There are someregional differences in the types of kaskara especially with respect to the form of the crossguard.The tips of the cross guards are found in three styles. The most difficult to make is the six sidedstyle and is known as the Samanniya: after the largest Sufi order in Sudan. The "Mutamaan" hasa diamond shape at the ends, but has eight facets, hence the name deriving from the Arabic wordfor eight, tamaanye. The shape of all of these crossguards but generally speaking the overallform most closely resembles the early straight swords of the Mamluk period and is likely a longstanding interpretation of an ancient style.This example in the Schmiedt Collection is an example of a high quality sword, with a classictrade blade with a single fuller. The fittings are distinctive in form and indicate a high statusowner with silver filigreed fittings inlaid with red stones. This form of decoration has elementsof Afar workmanship found on high quality Gile daggers and may indicate the sword traveled toother regions further east of Sudan where it was decorated in this manner. The crossguard ofdiamond shape and of the form called Mutamaan. The original scabbard with matching silverfiligree fittings and in hardened leather. The trade blade likely from Germany and havingentered Africa via the Mediterranean harbours of Tripoli and Alexandria travelling from there via trans-Saharan caravans.Total Length (inside scabbard if present) : 42 1/2" Blade Length : 34 3/4"References:1. Stone, G. C. (1934). A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times. Mineola NY: Dover Publications.2. Spring, Christopher (1993). African arms and armour. British Museum Press3. Pradines, Stephane & Khorasani, Manouchehr. (2018). SUFI IN WAR: PERSIAN INFLUENCEON AFRICAN WEAPONRY IN 19TH CENTURY MAHDIST SUDAN.4. Hunley, E. (1984) The Social Economics of Small Craft Production: The Sword andKnife Makers of Kassala, Eastern Sudan. Dissertation. State University of New York atBinghamton5. Hunley. E. “The Sudanese Kaskara Sword in Silver Dress.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Nice Small 19th C. Indonesian KERIS Dagger ~ Minangkabau, Sumatra

Lot # 243 (Sale Order: 242 of 298)      

Keris from the Minangkabau often resemble in form the Bugi style keris ofSulawesi. The classic form of the Minankabau keris has a pistol grip shaped hilt called a kerdasa...morend which is also found on Bugis keris. Keris dagger such as this example were referred to as akarih by the Minangkabau. They were worn for ceremonial purposes as a sign of power andprestige and were designed to slip into a manas waist band. That there were similarities acrossBugis and Minakabau and other Peninsular keris is understandable as the seafaring peoples of theCelebes would have traveled throughout the archipelago and styles would have co-mingledconsiderably. This is why there is no specific Bornean keris style as the long coastline wasexposed to many different styles of keris throughout Indonesia. This is also why on a keris onecan find features from different parts of the region, with a handle form one of region, a selut andmendak of another, a blade form elsewhere, and a scabbard from another region. The best way toassign regional assignations is by looking at the handle, sheath, and blade in that order and seewhat elements point to specific regions.This old example is finely made and has a carved en suite hilt and scabbard fittings. The blade isa 3 luk variant of a Sumatran form. The mendok is a Sumatran cup form. The scabbard ismounted with a classic Sumatran tengah style wrangka in the Sumatran Minangkabau form. Asis common on Sumatra keris, there is no discernible pamor pattern, as opposed to keris found inJava and Bali.Overall 19th century to early 20th century.Total Length (inside scabbard if present) : 12" Blade Length : 8 1/2"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare 19th C. Indonesian Hulu Meucangge RECONG Dagger ~ Damascus Steel Blade ~ Aceh, North Sumatra,

Lot # 244 (Sale Order: 243 of 298)      

A rare form of a classic Indonesian dagger, called the rencong, this example in the Schmiedt Collection has handle in the classic form and called a Hulu Meucangge. This f...moreorm ofhilt with a sharp ninety degree curve is found on most rencong. The blade of this example hasthe classic shape of down swept blade with an inside edge, while the handle has a fitting in theshape of a crown in silver with seven layers, a rare feature as most of these crowns have two orthree layers. The rencong is the traditional weapon of Aceh and Acehnese folklore ascribesmystical attributes and supernatural powers to dagger. The Acehnese say that the rencong takesthe shape of the invocation, "Bismillaah In the name of God, the merciful and compassionate"Leigh 1989)Leigh (1989) research indicated that the component parts of the rencong were likened to theindividual letters of the formal Arabic script huruf gundul, forming the phrase Bismillaah:The hilt of the rencong is in the shape of "ba"The decoration at the base of the hilt is "sin"The blade's shape is "mim"The shape of the metal parts at the top of the blade is "lam"The base of the scabbard has the shape of the letter "ha"Together, "ba, sin, mim, lam and ha" make up the world, "Bismillaah"The length of most rencongs varies drastically from very short examples of 3-4 to those nearly20 in length but all are distinguished by the shape of the blade, which slightly undulates and ishollowed along its back. The underside of the blade has a protuberance called Duru Seuke,chiseled like the keris greneng.The example in the Schmiedt Collection is distinguished by the crown mounting which features asilver seven tiered crown, a rare if ever seen element. These crowns have a hidden meaning aslittle has been written of them but they bear a resemblance to the classic tumpal motif, triangulardesign. For people who believe it, the tumpal motif has a negative meaning because of thepointed triangle motif that symbolizes crocodile's teeth but are otherwise magical or symbolic inmeaning.Total Length (inside scabbard if present) : 19 1/2" Blade Length : 10 1/4"References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books2. Leigh, B. (1989) Hands of Time: The Crafts of Aceh. Jakarta3. Utami, N.R., Pamadhi, H. An Axiological Study of Tumpal Batik Motif and ItsRelevance to the Character Education. Advances in Social Science, Education andHumanities Research, volume 327.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Nice 19th C. Turkish YATAGAN Sword ~ Silver Inlaid Blade ~ Ottoman Empire, Anatolian Peninsula.

Lot # 245 (Sale Order: 244 of 298)      

A good representation of one of the distinct swords of the Ottoman Empire, thissword is most classically called a yataghan and is distinguished by the down swept curved b...moreladeand the eared handle. This example is of classic Ottoman Turkish manufacture, likely from theBalkan region, though these swords were known as far east as North Africa and the form foundits way as far west as the Malay peninsula, though there it devolved and adapted itself toindigenous forms. Yataghan blades are often engraved or inlaid with motifs or inscriptions, thelatter sometimes literary, such as a line of poetry or reference to an epic legend, sometimesreligious in content, such as a verse from the Koran or a prayer, and sometimes words expressingthe thoughts of the sword's owner. There may also be the mark of the swordsmith, thedeclaration of God's unity, and words identifying the ruler of the time and wishing himvictorious.As yataghans were used in the Balkans for long period under Turkish occupation, in Bosnia andSerbia, cloth and weapons that had the symbol of the yataghan were used to protect soldiers fromevil spells and spirits (Elgood 2015). The yataghan was also used to protect the dead frombecoming vampires as totemic arm.This example in the Schmiedt Collection of classic Balkan form with a down swept blade andwith silver koftgari and inscriptions along one side of the blade. The inscriptions appear to be aclassic sura from the Quran though difficult to decipher from the images. The inscription alsoincludes a date for the Hijra date 1278, approximately 1900, in the Gregorian calendar. The hiltis a classic Balkan form and is mounted with silver filigreed mounts inlaid with stones along thesecuring strip holding the blade to the handle. The sword with the original leather scabbard.Total Length (inside scabbard if present) : 28" Blade Length : 21 1/4" Comparable auction sale:https://www.bonhams.com/auctions/25424/lot/14/References:1. Elgood, R. (2009). The Arms of Greece. Thames and Hudson.2. Hales, R. (2013). A Lifetime’s Passion: Islamic and Oriental Arms and Armour,3. Rivkin, K., Isaac, B. (2018) A Study of the Eastern Sword. Independent PublisherDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Large 20th C. Indonesian Bali KERIS Dagger ~ Powerful Damascus Blade ~ Fine Carved Grip.

Lot # 246 (Sale Order: 245 of 298)      

Keris from Bali are considered some of the finest among the Indonesianarchipelago. As Bali is a Hindu society, the influences on the keris have survived theIslamicization...more of form and design found elsewhere in the region, with some exceptions. As aresult, Balinese keris often sport hilts carved with richly designed Hindu deities in much morerealistic manner than the more the stylized interpretations found in other parts of the region, suchas the highly stylized Garuda imagery of the Bugis or Sumatra. The keris played a particularlyimportant role in Balinese society, and is used as a ritual tool in almost every Balinese religiousceremony. Standing as pusaka, a powerful sanctified heirloom and serving as a strong marker ofsocio-economic status, a keris could only be made by Pande blacksmiths who claim status higherthan that of a Brahman. Balinese keris with Balinese forged blades generally display lessvariation than those from Java which has an extremely wide and disparate field of keris blades,with hundreds of forms and patterns. Keris blades are found in both straight and curved forms,and there is no qualitative or symbolic difference between these two basic shapes. Traditionally,the wavy blade is ascribed as a snake (or naga) in motion, while the straight blade is a naga atrest.This example in the Schmiedt Collection has a black wood carved hilt in the form of a Balinesedemon or raksasa, of which there are numerous types. The bulging eyes and fangs are the clearindictors of the type, while the flowing hair is finely detailed in the carving. The wewer, or ringbetween the handle and blade, is set with semi-precious stones, while the selut is carvedintegrally to the hilt representing the form of selut found on other hilts which is separate andinlaid with semi-precious stones. The blade is an old 17 luk form called dhapur kalawijan (andrepresents a blade with any number of luk more than 13). These high luk blades were purportedto have special meanings and relevance to the owners. The pamor is of the style called pamortiban, or an unexpected pattern, and of the type called beras wutah (spilled rice grains).Overall mid 20th century.Total Length (inside scabbard if present) : 25 1/2" Blade Length : 20 3/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Neka, W. S. (2014) Understanding Balinese Keris: An Insiders Perspective. Neka ArtMuseum.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Good 19th C. Turkish YATAGAN Sword ~ Silver Inlaid Blade ~ Ottoman Empire, Anatolian Peninsula.

Lot # 247 (Sale Order: 246 of 298)      

A good representation of one of the distinct swords of the Ottoman Empire, thissword is most classically called a yataghan and is distinguished by the down swept curved b...moreladeand the eared handle. This example is of classic Ottoman Turkish manufacture, likely from theBalkan region, though these swords were known as far east as North Africa and the form foundits way as far west as the Malay peninsula, though there it devolved and adapted itself toindigenous forms. Yataghans were widely used during the Ottoman period in the Anatolianpeninsula and the Balkans, and was a traditional weapon used by the Janissaries-Ottomaninfantry soldiers, the levents or Ottoman marines and the zeibecks gangs of the Aegean Region.The typical inverse curved shape is found also in Northern Ordos bronze blades of Hunnicheritage and the evolution of the form can be traced from to the town of Yatagan in the Anatolianpeninsula. One of the earliest known of the Ottoman form of a yataghan (Acc. No. 1993.14) canbe found in the Metropolitan Museum and is associated with royal Ottoman manufacture.Yataghan blades are often engraved or inlaid with motifs or inscriptions, the latter sometimesliterary, such as a line of poetry or reference to an epic legend, sometimes religious in content,such as a verse from the Koran or a prayer, and sometimes words expressing the thoughts of thesword's owner. There may also be the mark of the swordsmith, the declaration of God's unity,and words identifying the ruler of the time and wishing him victorious.This example in the Schmiedt Collection has the classic down swept blade and silver decorationand inscriptions along the side of the blade. The inscriptions appear to be a classic sura from theQuran though difficult to decipher from the images. The hilt is a classic Balkan form and is alsomounted with silver filigreed mounted inlaid with stones along the securing strip holding theblade to the handle.Total Length (inside scabbard if present) : 31" Blade Length : 25 1/4" Comparable auction sale:https://www.bonhams.com/auctions/25424/lot/14/References:1. Elgood, R. (2009). The Arms of Greece. Thames and Hudson.2. Hales, R. (2013). A Lifetime’s Passion: Islamic and Oriental Arms and Armour,3. Rivkin, K., Isaac, B. (2018) A Study of the Eastern Sword. Independent Publisher4. Baykara, T. (2017). Unrivaled Turkish sword with a unique design: YataghanInternational Journal of Cultural Heritage.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Unusual 19th C. Burmese Thailand DHA Sword ~ Silver Mounted with Stone Pommel ~ Massive Blade.

Lot # 248 (Sale Order: 247 of 298)      

A distinctive south-east Asian sword, this example is a typical though higherquality example of the classic sword of Burma and Thailand, called a dha and daab, respective...morelyin each country, with large variations in form and nomenclature across the Golden Triangleregion including Cambodia, Laos, Burma, Thailand and southern China/Yunnan. These swordstypically have a similar form which is comprised of rounded cross section tubular grips, thoughthese come in many forms of decoration including those mounted in silver such as this example.The blades display significant variation and are distinguished by the quality of the bladegeometry and smithing. In this case, this blade form with the rounded spatulate tip with a slightextension is termed a hua bua in Thai, or a sheephead tip.The dha and its variants were possibly derived from the Assamese and Naga dao, a broadswordused by both the Assamese people and Naga people of northeast India for digging as well asfighting. The Naga weapon was a thick, heavy, eighteen-inch long backsword with a bevelinstead of a point, and this form of blade is found on some dha.Alternatively, the dha may have its origins with the Tai people who migrated to the area frompresent-day Yunnan Province in southern China. The Khmer and Mon peoples were wellestablished before the arrival the Tai or the Burmese people; and perhaps invented the dha as13th-century reliefs at Angkor Wat depict the weapon.The example in the Schmiedt Collection is a beautifully preserved example with a very finelymade blade displaying a well-defined blade profile including a deep fuller running the length ofthe blade and the rare form of hua bua blade tip. The fullering and geometry of the blade areindicative of very high quality smithing.Total Length (inside scabbard if present) : Blade Length : References:1. Greaves, I. A., Bowditch, M. Winston, A. (2007) "The Swords .of ContinentalSoutheast Asia," in History of Steel in Eastern Asia, Macao Museum of ArtDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare 18th C. Bidri-Hilt Indian SHAMSHIR Sword with 17th C. Wootz Damascus Blade ~ Mughal Empire ~ Ra

Lot # 249 (Sale Order: 248 of 298)      

An interesting Indian tulwar-hilted Shamshir saber, with classically formed North Indian hilt with adistinctively decorated form with decoration in true zarneeshan fashio...moren (inlaid as opposed tooverlaid) silver. The sword is in the classic style of an Indian tulwar, with a traditional form hilt,a discoid pommel, swelling grip, and double quillons.The example in the Schmiedt Collection of fine quality workmanship. The hilt is a classicregional tulwar style with decoration of inlaid silver most associated with Bidar in the state ofKarnataka and described as Bidri-work. Bidri-work was made from the 17th century through tothe 19th century but is distinguished by silver floral decoration inlaid into iron and burnished.Often the silver would be inlaid against a blackened iron background to highlight the decoration.The decoration on this example remains in fine condition with a few losses. The blade appearsto be a native wootz blade in fine condition as well.A few bidri decorated hilts are known though they are uncommon. One is published inMohammed (2007) and has a distinctive Arabian style nimcha hilt but made in the Indian stylewith inlaid floral silver decoration.Dating from the 18th century, blade is 17th century.Total Length (inside scabbard if present) : 38 1/2" Blade Length : 30 3/4"References:1. Elgood, R. (2004) Hindu Arms and Rituals.2. Elgood, R. (2018) Rajput Arms and Armor.3. Stone, G. (1934) A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times: Together with Some Closely Related Subjects.Portland, Maine: Southwork Press.4. Mohamed, B. (2007) The Arts of the Muslim Knight: The Furusiyya Art Foundation.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Good 19th C. Malaysian KERIS Dagger ~ Pattani, Thailand ~ Fine Carved Grip & Damascus Blade.

Lot # 250 (Sale Order: 249 of 298)      

Keris from the Pattani area of Thailand and the Terengganu and Kelantan region ofMalaysia display a distinct form of hilt called a tajong hilt, or also known as a Pekaka,...more Pattani, orKingfisher keris. This form of hilt is classically found on warrior keris, called Tajong keris, ofthe Malaysian royal families. While it often described a Kingfisher hilt, due to the superficialsimilarity with the Kingfisher bird species, the hilt actually reflects a stylized figure from theWayang Kulit shadow theatre so popular in the Indonesian Archipelago. Other sources haveascribed an origin to the figure as the Hindu god Lord Shiva. However, the hilt is mostcharacteristic with a smooth upturned nose, cheeks decorated with geometric patterns, and scrollsand floral carving throughout the body. These hilts evolved in form from a smaller beakedversion in earlier centuries, pre-19th century, towards a more fully developed form in the 19ththrough 20th centuries.This example in the Schmiedt Collection is a rare quality form of the Tajong hilt, carved in woodwith finely detailed carving. The pendongkok in the Sumatran/Malay style with a cup and stemmade in silver with a worn patina. The scabbard is in the Sumatran/Malay style and is craftedwith a chiseled silver pendok, sheath cover, embossed with classic floral designs from the region.The enlarged buntut terminates the sheath with barber pole repouss design reminiscent of Malaywork.The blade is a straight Sumatran style blade called a dhapur laler mangeng and a pamor with awell etched distinct patterning. The pamor appears to have two elements with a straight linearpattern adeg towards the edges and a more random beras wutah pattern in the middle (Ki EmpuJhuel).Dating to 19th century.Total Length (inside scabbard if present) : 19 1/4" Blade Length : 15 3/4" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Good & Rare 17th-18th C. Ottoman Turkish KALKAN Shield with Coins.

Lot # 251 (Sale Order: 250 of 298)      

This is a classic form of Ottoman shield called a kalkan. These were defensivebucklers used to parry sword blows. They typically take the form of a domed and circular for...moremcomposed of concentric wicker bands woven with thread, the exterior made up of radial steelbars linking the steel frame, steel domed center boss with rosette and square finials. The interiorcenter set with wood and remains of the original red fabric lining. Some shields were also covered in coins, such as this example.This type of wicker kalkan shield is a rare example of the latter interpretation of much largerwicker Ottoman shield which were emblematic of the Golden Age of the Ottoman Empire andwere made for high ranking officers as large luxurious parade shields decorated with gold andembellished with precious stones. This particular one is a smaller combat shield and a moremaneuverable form of to protect the Ottoman warrior from attack by archers. The flexibility ofthe wicker absorbed the blow of arrows and sword cuts.This example in the Schmiedt Collection of fine workmanship for the style decorated with early Ottoman coins and with few losses. Fine early example, likely to date from the 18th century or earlier.Total Length (diameter) : 10 1/2"References:1. Stone, G. (1934) A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times: Together with Some Closely Related Subjects.Portland, Maine: Southwork Press.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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1.178.0.1842.dd73747.8.94