Important May 8th Collection of Asian Arms, Part I

Important May 8th Collection of Asian Arms, Part I

Saturday, May 8, 2021  |  10:00 AM Central
Auction closed.
Important May 8th Collection of Asian Arms, Part I

Important May 8th Collection of Asian Arms, Part I

Saturday, May 8, 2021  |  10:00 AM Central
Auction closed.
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A Prominent, Fresh to Market Collection of Antique Asian Arms. This Auction will include part I of the entire David Schmiedt Collection. We are very humbled and excited to facilitate the sale of such an impressive estate. Mr. Schmiedt, internationally known, prominent collector, out of California have been actively and passionately gathering priceless artifacts from All Over the World for period over 30+ years . The collection includes some exceptionally rare and fine quality examples of Indonesian and Philippine Weaponry Art with mega-rare Damascus steel patterned blades and exquisite mounts, almost never encountered on the market. Some Fantastic Kris, Keris, Barong, Kampilan, Mandau, Balato & Parang Jimpul examples that will Blow any Collector's Mind ! Also a number of High Quality Ottoman and Indo-Persian sabers with fine Wootz blades, as well as some rare examples of Large Tribal Shields and Armor, Spears, Clubs, Dayak Headhunter's Skull displays & Fantastic carved wood Keris-holder statues. This phenomenal sale is a Once in a Lifetime opportunity to put together a Superb... Show more
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Unusual 19th-early 20th C. Philippine Talismanic Moro KRIS Sword ~ Rare Copper Inlaid Twistcore Dama

Lot # 202 (Sale Order: 201 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian ke...moreris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight, or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, and more numerous and therefore required greater skill to prevent the blade bouncing off or being stuck in an enemys body.One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard. Certain Mindanao kris have a similar form except that the mouth is round instead of oval and is notangled. The Maguindanao form is very similar to the Sulu style with an elliptical shape but it is not angled downwards and instead runs perpendicular to the guard. Later versions of thisgenerally exhibit a ridge which has been chiseled into the outer metal that surrounds both sides of the mouth hollow. The Maranao form has an elongated trunk while the mouth cavity isnarrow and the lower jaw runs parallel to the guard. While Sulu and Maguindanao forms have a concave cavity beneath the lower jaw, the Maranao form does not and instead has a protrusionthat juts out from beneath it (Cato 1996).This example in the Schmiedt Collection is a fine example with a classic Maranao style fighting kris with a talismanic silver inlaid blade. The plain tubular handle with a carved pommel isclassic for fighting examples and in this case wrapped in blackened twine. The blade is a straight form with a double fuller starting approximately one quarter of the length of the blade from the ganja, and inlaid with talismanic arrows, an indication of the quality of the workmanship.According to Cato (1996) these talismanic inlays are potentially indicative of esoteric ceremonies that trapped magic or spirits in the blade.Late 19th to early 20th century.Total Length (inside scabbard if present) : 27 1/4" Blade Length : 23 3/4"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Superb 19th-early 20th C. Philippine Moro Datu

Lot # 203 (Sale Order: 202 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian ke...moreris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight, or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, and more numerous and therefore required greater skill to prevent the blade bouncing off or being stuck in an enemys body. The higher number of waves meant the more potent the kris was in talismanic power such as this example. Sometimes engravings (often filled in with brass or silver inlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or other esoteric motifs.One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard. Certain Mindanao kris have a similar form except that the mouth is round instead of oval and is notangled. The Maguindanao form is very similar to the Sulu style with an elliptical shape but it is not angled downwards and instead runs perpendicular to the guard. Later versions of thisgenerally exhibit a ridge which has been chiseled into the outer metal that surrounds both sides of the mouth hollow (Cato 1996).This example in the Schmiedt Collection is a fine example of a Maguindanao or Sulu fighting kris with a finely carved danganan oversized kakatua pommel. The handle has silver bands withchased okir designs interspersed with braided silver wire. The double asang asang clamps are silver and original to the sword. The 9 luk blade displays a fine lamellar pattern and is a widelater form, likely Maguindanao in origin judging by the cavity form. Judging by the quality of the hilt this is a Datus kris.Late 19th to early 20th century.Total Length (inside scabbard if present) : 25 1/2 Blade Length : 21"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare and Fine 19th C. Philippine Moro Datu's KRIS Sword ~ Superb Twistcore Damascus Blade ~ Exquisit

Lot # 204 (Sale Order: 203 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian ke...moreris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight, or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, and more numerous and therefore required greater skill to prevent the blade bouncing off or being stuck in an enemys body. The higher number of waves meant the more potent the kris was in talismanic power such as this example. Sometimes engravings (often filled in with brass or silver inlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or other esoteric motifs such as this example in the Schmiedt Collection. Kris from Borneo are also known as as Malay kris they are called sundang. Their stylistic features are similar in most respects to Moro kris from Sulu and Mindanao, but display different design elements more reflective of influencesfrom the Dayak and Chinese communities.This example in the Schmiedt Collection is an important example featuring a number of idiosyncratic design elements with exceptional quality workmanship. The overall form is difficult to attribute exactly but the quality of the chiseling and the form of the handle with an offset pommel potentially indicates Sulu workmanship or North Bornean workmanship influenced by the diaspora Chinese communities. The carving of the pommel is not present on other known extant examples and appears to be a combination stylistically of the classic Sulu horse hoof and a jawa demam or garuda hilt due to the distinct angle of the pommel. The 3 luk blade is an exceptional twistcore blade with a finely controlled pattern, sharp fullering, and delicate angular waves indicating an earlier dating.Dating to the early- mid 19th century.Total Length (inside scabbard if present) : 23 3/4" Blade Length : 19 3/4"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Combes, F. (1667) Historia de Mindanao y Jol, por el p. Francisco Comb ... Obrapublicada en Madrid en 1667, y que ahora con la colaboracin del p. Pablo Pastells ...saca nuevamente á luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]5. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.6. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau7. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Fine 19th C. Philippine Sulu Moro Datu's Talismanic KRIS Sword ~ Superb Silver Inlaid Damascus

Lot # 205 (Sale Order: 204 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian ke...moreris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight, or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Sometimes engravings (often filled in with brass or silver inlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or other esoteric motifs such as this example in the Schmiedt Collection. Most commonly found are inlaid silver dots. This form of decoration is also found on Bornean Dayak swords, but not onother Philippine swords from other regions beside the Moro lands. The decoration therefore is likely influenced from the Borneo Dayak swords, though the forms of the blades are distinctlyMoro.One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard. Certain Mindanao kris have a similar form except that the mouth is round instead of oval and is notangled. While Sulu and Maguindanao forms have a concave cavity beneath the lower jaw, the Maranao form does not and instead has a protrusion that juts out from beneath it (Cato 1996).This example in the Schmiedt Collection is a superb example of a high quality Sulu kris dating to the 19th century. This style of blade hearkens to the archaic form from the 18th century but islarger indicating 19th century workmanship. The pommel is a beautifully carved danangan form with an oversized kakatua. The handle is very finely wrapped in darkened twine and set withsilver rings and pommel and guard bands. The 5 luk blade is a superb example, displaying lamellation beneath the silver inlay decoration. This is one of the most decorated of this form ofblade displaying silver inlaid dots on almost every portion of the blade surface which is then engraved underneath the silver inlay.Dated 19th century.Total Length (inside scabbard if present) : 25 1/2" Blade Length : 21 1/4"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Good 19th C. Philippine Sulu Moro Datu's Talismanic KRIS Sword ~ Rare Copper Inlaid Twistcore D

Lot # 206 (Sale Order: 205 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian ke...moreris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight, or straight in which case they were more practical in combat. The higher number ofwaves meant the more potent the kris was in talismanic power such as this example. Sometimes engravings (often filled in with brass or silver inlay) are found on the blade in okir motifs (vines,foliage, etc.), Arabic script, or other esoteric motifs such as this example in the Schmiedt Collection.One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard. Certain Mindanao kris have a similar form except that the mouth is round instead of oval and is notangled. The Maguindanao form is very similar to the Sulu style with an elliptical shape but it is not angled downwards and instead runs perpendicular to the guard (Cato 1996).This example in the Schmiedt Collection is a superb example of a high quality Sulu or Maguindanao kris dating to the 19th century. This style of blade hearkens to the archaic form from the 18th century with fullering at the ricasso but is larger and indicates 19th or early 20th workmanship. The pommel is a beautifully carved danangan form with an oversized kakatua. The handle wrapped in silver okir chased bands, a Maguindanao feature. The 5 luk blade is a fine example, displaying lamellation beneath the silver inlay decoration and with a thin elegant double fuller culminating at the end of the fullers pointing outwards.Dating from mid to late 19th century.Total Length (inside scabbard if present) : 30" Blade Length : 25"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare 18th C. Damascus Blade on Early 20th C. Philippine Sulu Moro Datu's KRIS Sword ~ Fine Large Car

Lot # 207 (Sale Order: 206 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian ke...moreris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of all foliage, etc.), Arabic script, or other esoteric motifs such as this example in the Schmiedt Collection. Many kris blades are forged with fullers and these are likely heavily influenced by Malay style keris called malela keris.One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard (Cato 1996).This example in the Schmiedt Collection is an interesting example of a high quality archaic Sulu kris likely mounted with early 20th century pommel and handle. The 5 luk blade is an earlyexample, 18th century, displaying a worn surface but which displays a latent twistcore pattern. The ganja of this blade has been mounted in copper or suasa wrapping which is an uncommon feature on kris of any period. The handle is mounted with silver bands interspersed with filigree and granulation work in the Malay manner known as telur ikan ('fish egg').Blade dates to the 18th century or earlier, comprehensively early 20th century. Total Length (inside scabbard if present) : 24 1/2" Blade Length : 20"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Good 19th C. Philippine Maguindanao Datu's KRIS Sword ~ Twistcore Damascus Blade ~ Fine Large C

Lot # 208 (Sale Order: 207 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian ke...moreris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight, or straight in which case they were more practical in combat. Sometimes engravings(often filled in with brass or silver inlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or other esoteric motifs such as this example in the Schmiedt Collection.Many kris blades are forged with fullers and these are likely heavily influenced by Malay style keris called malela keris.One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. The Maguindanao form is very similar to the Sulu style with an elliptical shape but it is not angled downwards and instead runs perpendicular to the guard. Later versions of this generally exhibit a ridge which has been chiseled into the outer metal that surrounds both sides of the mouth hollow (Cato 1996).This example in the Schmiedt Collection is an interesting example of a high quality Maguindanao kris likely mounted in the early 20th century with silver and suasa grip bands. The suasa bands are chased with okir designs of classic Mindanao style. The pommel is finely aged and carved with a deep patina. The 17 luk blade has a flattened cross section without fullers and likely Maguindanao in origin judging by the elephant trunk cavity. Overall a high quality kris of Datu level workmanship.Dates from late 19th to early 20th century.Total Length (inside scabbard if present) : 27 1/2" Blade Length : 22 1/4"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Good 19th C. Philippine Maguindanao Datu's KRIS Sword ~ Twistcore Damascus Blade ~ Fine Large C

Lot # 209 (Sale Order: 208 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian ke...moreris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight, or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Sometimes engravings (often filled in with brass or silver inlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or other esoteric motifs such as this example in the Schmiedt Collection. Kris such as this example inlaidwith silver dots are influenced by the blades of the Dayak in Borneo which also feature inlays ofbrass or silver of circles or other forms, though Moro kris generally have larger silver inlay. One of the ways to identify the origin of a kris is through the design of the elephant head trunkand cavity of the ganja. The Maguindanao form is very similar to the Sulu style with an elliptical shape but it is not angled downwards and instead runs perpendicular to the guard. Laterversions of this generally exhibit a ridge which has been chiseled into the outer metal that surrounds both sides of the mouth hollow. The Maranao form has an elongated trunk while themouth cavity is narrow and the lower jaw runs parallel to the guard. While Sulu and Maguindanao forms have a concave cavity beneath the lower jaw, the Maranao form does not and instead has a protrusion that juts out from beneath it (Cato 1996).This example in the Schmiedt Collection is an interesting example of a high quality Maguindanao kris likely mounted in the early 20th century with silver and suasa grip bands. The silver bands are very finely chased with okir designs of classic Mindanao style while the braided wire appears to be suasa metal. The pommel is finely aged and carved with a deep patina. The straight fighting blade has a flattened oval cross section without fullers, and is inlaid with silver dots and likely Maguindanao in origin judging by the elephant trunk cavity. The blade also have a linear damascus lamellar pattern.A high quality kris of Datu level workmanship.Dates from late 19th to early 20th century.Total Length (inside scabbard if present) : 29" Blade Length : 23 3/4" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Outstanding 19th C. Philippine Maguindanao Datu's KRIS Sword ~ Museum Quality Twistcore Damascus Bla

Lot # 210 (Sale Order: 209 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian ke...moreris but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight, or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, and more numerous and therefore required greater skill to prevent the blade bouncing off or being stuck in an enemys body. The higher number of waves meant the more potent the kris was in talismanic power such as this example. Sometimes engravings (often filled in with brass or silver inlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or other esoteric motifs such as this example in the Schmiedt Collection.One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. The Maranao form has an elongated trunk while the mouthcavity is narrow and the lower jaw runs parallel to the guard. While Sulu and Maguindanao forms have a concave cavity beneath the lower jaw, the Maranao form does not and instead has a protrusion that juts out from beneath it (Cato 1996).In some Moro swords, one finds the use of twistcore designs in the iron. Twistcore iron is not solely relegated to use by Moro bladesmiths, also called pandays, but can be found in othercultures as disparate as the Vikings, China, and elsewhere. However, Moro swords with twistcore designs are desirable based on the quality of the pandays workmanship. The twistcoredesign in the iron is inherent to the structure of the blade and serves not only the purpose of creating a beautiful design but also to strengthen the blade. The twisted rod technique by whichthis pattern has been achieved is also called a pattern-welding. All of the patterns seen on Moro kris, and other swords with twistcore designs are built up from rods composed of several,frequently up to seven, alternating layers of varyingly dissimilar irons. Because the trace elements in the iron vary from one to one, when they are twisted, welded together, forged intoshape, and then cleaned and etched, the designs in the iron will stand out in lighter and darker tones. Rods with matching or complementary twist patterns were usually installed side-by-sideinto the sword blade and on grinding away the outer surfaces of such rods the blade would display a series of patterns (Jones).This example in the Schmiedt Collection is one of the most superb examples of twistcore on a Moro kris displaying an exceptionally fine control of the iron by the panday. The blade is a deceptively simple straight fighting blade but with a core of twisted steel and a series of fullers on the lower portion serving to frame the twistcore pattern. The straight handle mounted inchiseled silver bands and silver braids is capped with a carved pommel. The overall form of the ganja and handle indicate a Maranao origin based on similar examples.An exceptional Maranao kris of Datu level workmanship.Dates to 19th century.Total Length (inside scabbard if present) : 26 1/2" Blade Length : 23 1/4"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare Variant 19th C. Philippine Sulu Moro KRIS Sword ~ Fine Pimmel & Silver Mounts ~ Early Twistcore

Lot # 211 (Sale Order: 210 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kris. The classic Moro kris is based heavily on the Indonesian ke...moreris but is distinctly larger and made purposefully for fighting. The kris has always been the most famous of all Moro weapons and there are a wide set of variation of blade types, handle forms, and materials. Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewer waves and the waves were deeper and wider. One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard (Cato1996).This example in the Schmiedt Collection features a rare variant of handle form considered Sulu in origin (Cato 1996: pl. 47). In this case the carved cone like pommel indicates a Sulu origin forthe sword, which is supported by the ganja form of the blade. The handle also mounted with flattened silver bands and braided wire of fine workmanship. The 5 luk blade is finely craftedwith shallow undulating waves and inlaid with a series of talismanic overlapping circles at the ricasso. A fine Sulu kris of Datu level workmanship.Dates to 19th century, blade possibly earlier.Total Length (inside scabbard if present) : 29 1/4" Blade Length : 23 3/4"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Fabulous 19th-early 20th C. Indonesian KERIS Dagger ~ Bugis or Minangkabau ~Fine Carved Mounts ~ Ear

Lot # 212 (Sale Order: 211 of 298)      

Keris from the Minangkabau often resemble in form the Bugi style keris of Sumatra. The classic form of the Minankabau keris has a pistol grip shaped hilt called a kerdas ...moreand which is also found on Bugis keris. Keris daggers such as this example were referred to as a karih by the Minangkabau. They were worn for ceremonial purposes as a sign of power and prestige and were designed to slip into a mans waist band. The Minangkabau are the largestethnic group on the island of Sumatra, Indonesia, and traditionally from west-central highlands. Their keris were related in form to others on Sumatra and especially from the Malay Peninsula where many Minangkabau emigrated in the 19th century.The overall dagger is beautifully crafted and carved with an en suite carved hilt and scabbard displaying carved floral tendrils throughout. The silver mendak with a granulated filigree design. The 3 luk blade is a very old example, potentially earlier than the 19th century as evidenced by the degree of age and wear. As is common on Sumatra keris, there is no discernible pamor pattern, as opposed to keris found in Java and Bali. Blade 19th century or earlier, dress late 19th century- 20th century.Total Length (inside scabbard if present) : 12 3/4" Blade Length : 9 1/2"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji9. Neka, W. S. (2014) Understanding Balinese Keris: An Insiders Perspective. Neka ArtMuseum.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare 19th C. Indonesian Cirebon, Java KERIS Dagger ~ Superb Damascus Blade of Very Rare Pattern ~ Ca

Lot # 213 (Sale Order: 212 of 298)      

Javanese keris daggers, are some of the most highly variegated objects in the world of arms and armor. Despite maintaining a distinct overall form and shape, the variatio...moren, in particular of the style of blades is greater than any other arms and armor culture. The most classic style of hilt is from the Royal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. Other hilts from the island of Java include hilts from Cirebon which have figural forms generally covered incarved floral scrollwork. These hilts have been considered to be the image of Bhima, the hero of the Hindu Mahabharata epics, or of a Garuda. Other explanations for the grotesque forms is thatthe figures represent a being called pulungan, or a demon like creature, related to the raksasa of Bali and other parts of Java. The raksasa is a classic Hindu demon often depicted with fangs and bulging eyes. Balinese interpretations are the most well-known but the form is found throughout Java also.This example in the Schmiedt collection is a fine old example of a Cirebon keris with a hilt in the pulungan or raksasa form, entirely carved with scrollwork and with long hair denoting the figures ascetic values (Ghiringelli 2011) and with a fine patina indicating a 19th century or earlier form. The superb 9 luk blade likewise is an old form with a dapor bale kencana with a wavy ganja. The superb pamor pattern appears to be dwi warna with two patterns of ron pakis side by side and skillfully forged together with a central line separating them, running the length of the blade. The blade is deeply etched with the edges of the pattern showing as jagged from the many folds of the nickel and iron metal.19th century.Total Length (inside scabbard if present) : 18 3/4" Blade Length : 15"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignes de kris de l'archipelindonsien.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare 19th-early 20th C. Indonesian Cirebon, Java KERIS Dagger ~ Superb Carved Damascus Blade ~ Carve

Lot # 214 (Sale Order: 213 of 298)      

Javanese keris, are some of the most highly variegated objects in the world of arms and armor. Despite maintaining a distinct overall form and shape, the variation, in pa...morerticular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from the Royal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. Other hilts from the island of Java include hilts from Cirebon which have figural forms generally covered incarved floral scrollwork. These hilts have been considered to be the image of Bhima, the hero of the Hindu Mahabharata epics, or of a Garuda. Other explanations for the grotesque forms is thatthe figures represent a being called pulungan, or a demon like creature, related to the raksasa of Bali and other parts of Java.This example in the Schmiedt collection is a fine example of a Cirebon keris with a hilt in the pulungan form, entirely carved with scrollwork and with long hair denoting the figures asceticvalues (Ghiringelli 2011) and with a fine patina indicating an early 20th century or earlier form. The superb 13 luk blade has two carvings of a human being with an animal body at the gandik, similar to a sphinx creature and an elephant with an upturned snout at the wadidang, which is the blade portion opposite the main part of the gandik that is carved. The dapor form is somewhat unique as a result of these two carvings and remains to be classified. The pamor pattern appears to be a richly formed beras wutah pattern.19th to early 20th century.Total Length (inside scabbard if present) : 18 3/4" Blade Length : 15 1/4" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignes de kris de l'archipelindonsien.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Good 19th Peninsular Malaysian KERIS Dagger ~ Fine Carved Grip ~ Strong Damascus Blade.

Lot # 215 (Sale Order: 214 of 298)      

Keris dagger from Peninsular Malaysia display features similar to those of Sumatra but often has a distinctive hilt called a perkaka and which resembles the Jawa Demam hi...morelt. The perkaka hilt was referenced by Gardner (1936) as a Jawa Demam, Northern type from Pattani. These keris are associated with the peninsular Malaysian state of Kelantan and the Pattani region of Southern Thailand. Keris hilts in the Jawa Demam style literally translates to Feverish Javanese. The design is said to originally represent the deity Naga in a sitting position, with a snake on its back, or is a representation of a story where a prince ordered a keris hilt in a new form and the artisan carved a representation of the commissioner seated while he was ill.The overall dagger is finely crafted and likely a 19th century example. The hilt is delicately carved with a powerful presence with a beautiful well used patina. The cup form pendongkok isin silver with filigree and in the form of a flower. The blade displays a simple linear pamor called Adeg but with an interesting inclusion near the tip, likely accidental but potentially purposeful and therefore of importance to the owner.Overall 19th century.Total Length (inside scabbard if present) : 19 1/4" Blade Length : 12 3/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji9. Neka, W. S. (2014) Understanding Balinese Keris: An Insiders Perspective. Neka ArtMuseu10. Gardner, G. B. (1936). Keris and Other Malay Weapons. EP Publ.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Beautiful Indonesian Bali KERIS Dagger ~ First Half of 20th C.

Lot # 216 (Sale Order: 215 of 298)      

Keris from Bali are considered some of the finest among the Indonesian archipelago. As Bali is a Hindu society, the influences on the keris have survived the Islamicizati...moreon of form and design found elsewhere in the region, with some exceptions. As aresult, Balinese keris often sport hilts carved with richly designed Hindu deities in much more realistic manner than the more the stylized interpretations found in other parts of the region, suchas the highly stylized Garuda imagery of the Bugis or Sumatra. The keris played a particularly important role in Balinese society, is used as a ritual tool in almost every Balinese religiousceremony. Standing as pusaka, a powerful sanctified heirloom and serving as a strong marker of socio-economic status, a keris could only be made by Pande blacksmiths who claim status higher than that of a Brahman. The Majaphit conquest of Bali in 1343 especially influenced the development of the keris in Balinese society. In Bali, the keris is referred to as kadutan, but the term keris is used as it is widespread through the region.This example in the Schmiedt Collection has a hilt with a well carved representation of a classic Balinese form in the form of a demon or raksasa carved in wood with gilded elements. Thedemon with bulging eyes and belly and fangs, indicative of the type, sits upon the tumpal with triangular forms. The mendak is in filigreed silver. The 9 luk blade has a rare form called dhapur luk sia singa lembu (for the 9 luk form with a lion/bull at the base), rather distinctively separated with a long section of straight blade and with the luk distributed evenly near thepucukan (tip of the blade) and the ganja (the crosspiece at the base of the blade). The pamor pattern is distinctive with undulating ridged waves along the edges, called untu belang, meaning grasshoppers tooth and in the esoteric significance of pamor is the form most suited for educators and teachers.Overall first half of 20th century.Total Length (inside scabbard if present) : 18 3/4" Blade Length : 15 1/4" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Neka, W. S. (2014) Understanding Balinese Keris: An Insiders Perspective. Neka ArtMuseum.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Fine Indonesian Cirebon, Java KERIS Dagger ~ Exquisite Carved Bone Grip & Damascus Blade ~ Early 20t

Lot # 217 (Sale Order: 216 of 298)      

Javanese keris, are some of the most highly variegated objects in the world of arms and armor. Despite maintaining a distinct overall form and shape, the variation, in pa...morerticular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from the Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. Other hilts from the island of Java include hilts from the northern coast region of Cirebon which havefigural forms generally covered in carved floral scrollwork. These hilts have been considered to be the image of Bhima, the hero of the Hindu Mahabharata epics, or of a Garuda. Otherexplanations for the grotesque forms is that the figures represent a being called pulungan, or a demon like creature, related to the raksasa of Bali and other parts of Java.This example in the Schmiedt collection is an interesting example of a Cirebon keris with a hilt in the pulungan form, entirely carved with scrollwork and with carved waved hair denoting thefigure’s ascetic values (Ghiringelli 2011). The fine straight blade has a form called dapor kalamisani. The pamor is a very rare form showing of the skill of the smith, and consists of aseries of circles framed by a shaped pattern with each back to back and the circles in between. The mendak is in filigreed gilded silver or gilt metal, potentially gold.Dates from early 20th century.Total Length (inside scabbard if present) : 18 3/4 Blade Length : 15 1/2" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignes de kris de l'archipelindonsien.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Scarce Early 20th C. Indonesian Bali Java KERIS Dagger ~ Rare Carved Wood Grip Form ~ Fine Damascus

Lot # 218 (Sale Order: 217 of 298)      

Javanese keris, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation, in par...moreticular of the style ofblades is greater than any other arms and armor culture. While Javanese hilts are most recognized by the form called the cecekan hilt associated with the royal court of Surakarta andYogyakarta, other types of hilts are known and which incorporate elements from nearby islands such as Madura and Bali. Likewise, keris in Java may be composed of elements from nearby oreven further afield and what makes a keris Javanese is a complex affair. The many regional interactions across islands and cultures led to keris which have parts from multiple regions in onekeris, with a blade of Javanese make, a hilt from Bali and a scabbard style from elsewhere. Hilts from Bali are often found with Javanese blades, and Balinese hilts displays the most realistic carved interpretations of various mythological and anthropomorphic figures. Balinese carvings of Ganesha, the Hindu God, take the fantastic carved form of an elephant headed creature, often holding his right arm above the head.This example in the Schmiedt collection is an example of Balinese workmanship of the hilt, likely carved of stained wood, now worn. The hilt is in the form of Lord Ganesha with an elephant head and a human body. The classic Balinese integral selut, sometines in carved gold and inlaid with stones, is carved integrally to the ukiran (or hilt). The mendak here is of classic Javanese silver granulated form. The 17 luk blade with an elephant carved into the gandik in a more realistic representation than the classic style of praen and telaleh gajah (or the formal Javan terms for the portion of the gandik that represents an elephant trunk). The pamor is a linear Adeg form.Dated 20th century.Total Length (inside scabbard if present) : 20 1/2" Blade Length : 16 1/2"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignes de kris de l'archipelindonsien.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Super Rare 17th C. Blade on 20th C. Indonesian KERIS Dagger ~ Solid Gold Mounts with Large Gemstones

Lot # 219 (Sale Order: 218 of 298)      

Keris from Bali are considered some of the finest among the Indonesian archipelago. As Bali is a Hindu society, the influences on the keris have survived the Islamicizati...moreon of form and design found elsewhere in the region, with some exceptions. As aresult, Balinese keris often sport hilts carved with richly designed Hindu deities in much more realistic manner than the more the stylized interpretations found in other parts of the region, suchas the highly stylized Garuda imagery of the Bugis or Sumatra. The keris played a particularly important role in Balinese society, is used as a ritual tool in almost every Balinese religiousceremony. Standing as pusaka, a powerful sanctified heirloom and serving as a strong marker of socio-economic status, a keris could only be made by Pande blacksmiths who claim status higher than that of a Brahman. In Bali, the keris is referred to as kadutan, but the term keris is used as it is widespread through the region. Keris are found with a variety of blade shapes and forms, though the Balinese keris with Balinese forged blades generally display less variation than those from Java which has an extremely wide and disparate field of keris blades, with hundreds of forms and patterns. Keris blades are found in both straight and curved forms, and there is no qualitative or symbolic difference between these two basic shapes. Traditionally, the wavy blade is ascribed as a snake (or naga) in motion, while the straight blade is a naga at rest.This Balinese example in the Schmiedt Collection has a gilded silver and silver wire formed hilt, inlaid with semi-precious stones, and with a selut and mendak likewise inlaid with semi-precious stones. The form of the hilt appears to be a stylized version of the kusia or kocet kocetan (the beetle cocoon) which represents the pupa of a of an insect before it becomes a butterfly. These hilts are supposed to represent a change in the life fortune of the owner.The blade is a rare form with a dapor keris pendang which is supposed to bring power and authority to the owner and is suitable for royalty. The distinctive spiral ganja is called a ganjawilut duin pandan gelung Panji (or a blade crosspiece with a harmonious pandanus thorn, Pandanus moschatus, headdress of Panji) (Neka 2014). The open space in the curled formrepresents the gelung (hairstyle headdress) and profile of Panji in gambuh. Gambuh is the courtly Balinese dance representing stories of Prince Panji of the 12th and 13th centuries. Thepamor pattern is difficult to identify and maybe a beras wutah pattern. The blade displays significant age and older than the handle mounting. A similar rarely formed blade is dated to the17th century in the Neka Museum of Art, bali (Neka 2014).Dates : Blade as early as 17th century, Mountings 20th century.Total Length (inside scabbard if present) : 28" Blade Length : 20 3/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Neka, W. S. (2014) Understanding Balinese Keris: An Insiders Perspective. Neka ArtMuseum.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Fine Indonesian Java KERIS Dagger ~ Exquisite Gold Mounted Damascus Blade ~ Fine Carved Horn Gr

Lot # 220 (Sale Order: 219 of 298)      

Javanese keris, are some of the most highly variegated objects in the world of arms and armor. Despite maintaining a distinct overall form and shape, the variation, in pa...morerticular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from the Royal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. Other hilt from the island of Java include hilts from Cirebon which have figural forms generally covered incarved floral scrollwork. These hilts have been considered to be the image of Bhima, the hero of the Hindu Mahabharata epics, or of a Garuda. Other explanations for the grotesque forms is thatthe figures represent a being called pulungan, or a demon like creature, related to the raksasa of Bali and other parts of Java. Other forms of hilt in the 20th century are more idiosyncratic andreflect the interests of the commissioner and the hilt makers influences.This example in the Schmiedt collection is an interesting example of a Javanese keris with an idiosyncratic hilt of two men sitting atop each other. Idiosyncratic representations are wellknown in Indonesian keris hilts, especially from regions with figural representations as a primary form. The meaning of the figures however remains mysterious. The blade is a fine example with two kinatah, or inlays, in gold. The first is called a kala cakra and represents a scorpionwhile the other is a naga snake. The 9 luk blade has a distinct form with a double gandik, foregoing the traditional ron dhanut and greneng. The pamor appears to be a fine form of beraswutah with very distinctive definition between the nickel and iron compositions. First half of 20th century.Total Length (inside scabbard if present) : 18 1/2" Blade Length : 15 1/4" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poigns de kris de l'archipelindonsien.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Superb early 20th C.Indonesian Bali KERIS Dagger ~ Fantastic High Contrast Damascus Blade ~ Fine Car

Lot # 221 (Sale Order: 220 of 298)      

Keris from Bali are considered some of the finest among the Indonesian archipelago. As Bali is a Hindu society, the influences on the keris have survived the Islamicizati...moreon of form and design found elsewhere in the region, with some exceptions. As aresult, Balinese keris often sport hilts carved with richly designed Hindu deities in much more realistic manner than the more the stylized interpretations found in other parts of the region, suchas the highly stylized Garuda imagery of the Bugis or Sumatra. Keris are found with a variety of blade shapes and forms, though the Balinese keris with Balinese forged blades generally displayless variation than those from Java which has an extremely wide and disparate field of keris blades, with hundreds of forms and patterns. Keris blades are found in both straight and curvedforms, and there is no qualitative or symbolic difference between these two basic shapes.Traditionally, the wavy blade is ascribed as a snake (or naga) in motion, while the straight blade is a naga at rest. The Balinese carving tradition, displayed in the fine quality of carved kerishilts, started about the 11th century with Buddhist and Hindu influences. While Bali was a colony of the Majapahit Kingdom carving continued to flourish and by the 16th and 17th centuryrecognizable Balinese carved hilts were brought back to Europe to reside now in various ethnographic institutional collections (Dam-Mikkelsen and Lundbaek 1980).This example in the Schmiedt Collection has a very finely carved hilt seemingly in the form of a Balinese demon, raksasa. The bulging eyes and fangs are the clear indictors of the type, whilethe flowing hair is finely detailed in the carving. The mendak is in the Javanese form, while the selut is carved integrally to the hilt. The blade is a fine straight example called dhapur luk lurus,which according to esoteric belief indicates religiosity. The well-defined pamor pattern is called kupu tarung, or fighting butterflies, and represent rows of butterflies opposite another along a line running the length of the blade.Early 20th century.Total Length (inside scabbard if present) : 19 1/4 Blade Length : 15 1/2" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Neka, W. S. (2014) Understanding Balinese Keris: An Insiders Perspective. Neka ArtMuseum9. Dam-Mikkelsen, B., Lundbaek, T. (1980) Ethnographic Objects in The Royal DanishKunstkammer, 1650-1800 Nationalmuseet.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Good Indonesian Surakarta, Java KERIS Dagger ~ Rare Carved Damascus Blade ~ First Half of 20th

Lot # 222 (Sale Order: 221 of 298)      

Javanese keris, are some of the most highly variegated objects in the world of arms and armor. Despite maintaining a distinct overall form and shape, the variation, in pa...morerticular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from the Royal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. Another form closely related in form is from the Palaces of Yogyakarta and is referred to as a NunggakSemi shape, but also has the distinctive carvings on the inside angles of the handle, though generally does not have kuncung carving.This example in the Schmiedt collection is a good example of a classic Javanese keris of cecekan hilt form in the Surakarta style or Yudo Winatan. The finely carved hilt features a Javanese selutin filigreed silver inlaid with intan intan diamonds or rock crystals. The 13 luk blade has a distinct form and is carved the entire length with a naga and represents a dapor naga sasra. Thepamor surrounds the tail of the naga and is a simple linear style called Adeg, though the border of the blade along the edges is without pamor.First half of 20th century.Total Length (inside scabbard if present) : 19 1/4" Blade Length : 16"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignes de kris de l'archipelindonsien.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Fine & Rare Indonesian KERIS Dagger ~ Exquisite Carved Damascus Blade with Winged Horse ~ Fine Carve

Lot # 223 (Sale Order: 222 of 298)      

The keris is the traditional dagger and weapon of the Indonesian Archipelago and the most well-known form among the myriad of weapon forms in the region. The main parts o...moref a keris are its blade, sheath and hilt. Each part helps to characterize the keris in terms of origination, era, owner, and symbolism. The blade is the most valued part, in that it holds the sacred power of the keris imbued through the power of the smith, called an empu. There are two main constituents of the blade: the pamor (the damascene design on the blade) and the dapor (theshape of the blade). Keris from the island of Madura off the east coast of Java have fantastically carved hilts with various emblematic designs, some of which are playfully hidden within the complex Maduran floral carvings called gaya kembang, also known as the ginger-flower style, kembang temu (Ghiringelli 2011). The island of Madura is located off the Northeast coast ofJava and had a rich royal culture and history with a variety of symbolism employed to representthe royal family. The most emblematic motif in Madura keris is the winged horse called Si Mega, representing a horse gifted to an ancient Maduran prince and which today is still theregional symbol.This overall keris is Maduran and has the classic Madura donoriko style hilt with gaya kembang carved decoration and the carved winged horse Si Mega on the inside curve of the hilt. Themendak is in filigreed silver and inlaid with intan intan diamonds or rock crystals. The blade is an interesting style with a rare integral pamor showing the winged horse Si Mega and with apamor pattern called manikem, or a pattern of circles, running the length of the blade.Dates from first half of 20th century.Total Length (inside scabbard if present) : 18 1/2" Blade Length : 15 1/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Ghiringelle. V. (2011) Kris hilts: Masterpieces of South-east Asian Art. 5 Continents6. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books7. Gardner, G. B. (1936). Keris and Other Malay Weapons. EP Publ.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Fine Indonesian Madura, Java KERIS Dagger ~ Very Fine Carved Grip & Damascus Blade ~ Early 20th C.

Lot # 224 (Sale Order: 223 of 298)      

Keris from Madura have some of the most distinctly carved hilts of all Indonesian keris. The hilts often resemble the Javanese form in rough outline but are otherwise fan...moretasticallycarved with various emblematic designs, some of which are playfully hidden within the complex Maduran floral carvings called gaya kembang, also known as the ginger-flower style, kembangtemu (Ghiringelli 2011). The island of Madura is located off the Northeast coast of Java and hada rich royal culture and history with a variety of symbolism employed to represent the royal family. One of the most iconic images found in Maduran royal imagery and also on Keris hilts isthe winged horse. The winged horse is mentioned in the story of Joko tolè, a Maduran prince who was gifted a winged horse named Si Mega. This winged horse emblem is still the regionalsymbol of the Sumenep regency in Indonesia.This example in the Schmiedt Collection is a fine representation of an antique Maduran keris.The hilt is a classic Maduran carved form in the Donoriko style, with a very deep and fine carving showing the Si Mega winged horse design on the inside curve of the handle. The hiltfitting in the Javanese style with a silver granulated mendak. The blade is a finely crafted form of 13 luk form called dhapur naga siluman with a mythical sea serpent (naga) carved into the ganja. The blade displays a richly patterned random pamor most closely approximated by the style called beras wutah (Ki Empu Jhuel).Dates to the early 20th century.Total Length (inside scabbard if present) : 17 1/2" Blade Length : 14 1/2" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Exquisite Indonesian Bugis, Sulawesi KERIS Dagger ~ Fabulous Pierced & Carved Damascus Blade ~ Finel

Lot # 225 (Sale Order: 224 of 298)      

Keris from the Bugis people in South Sulawesi display a distinct form of hilt called a kerdas set an angle, and often heavily carved with scrollwork and floral designs. T...morehese hilts would be made of various materials depending on the stature of the owner but the finest would often acquire a deep aged patina from use such as the handle on this example.The overall dagger is well made with a likely older Bugis hilt, very finely carved and with deep piercing work. A similar hilt is in the British Museum (Museum No. As 1972,Q.982.a). Themendak is a Javanese form and appears to be inlaid with intan intan diamonds or rock crystals.The 13 luk blade is a Javanese of the form called dapor nagasasri and heavily carved and pierced with a naga (serpent) design at the base carved into the blade with head emerging above theganja. There is no discernible pamor or pattern in the iron.Overall late 19th to early 20th century.Total Length (inside scabbard if present) : Blade Length : References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z Sesuatu mengenai KERIS dan TOMBAK KERIS SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare 19th C. Short KRiS Sword ~ Sulu Sea Region, Malay Peninsula ~ Very Fine Layered Damascus Blade.

Lot # 226 (Sale Order: 225 of 298)      

This is a classic sword influenced by and reflective of Moro swords from the southern Philippines and the Sulu Sea region. The classic Moro form is based heavily on the I...morendonesiankeris but is distinctly larger and made purposefully for fighting. Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved half-straight, or straight in whichcase they were more practical in combat. Older kris had fewer waves and the waves were deeper and wider. Over time the waves became shallower, tighter, and more numerous and therefore required greater skill to prevent the blade bouncing off or being stuck in an enemys body.One of the additional ways in which origins are identified are through the design of the elephant head trunk and cavity of the ganja. Whereas the ganja form and cavity is less of a determination in the identification of Indonesian kris, there are also variants of kris from the Malay regions around the Sulu Sea region and those forms are more idiosyncratic in design.This example in the Schmiedt Collection is an intriguing variation of the kris, and is likely of Malay origin. In this case, the ganja does not follow the traditional Moro forms and has avestigial or minimal cavity. The blade is also relatively short and deeply curved in less of a Moro style and closer to Malay kris forms, such as the malela form (which though fullered oftendisplays a similar shortened and waved form). The blade has a lamellar pattern showing linear damascus throughout. The handle pommel has elements of the Sulu style but the silver filigree iscloser to Bugis style silverwork than the Moro work found on later period brass or gold filigreed examples.Dating from the 19th century, a very rare and high quality example.Total Length (inside scabbard if present) : 14 1/4" Blade Length : 10 3/4"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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1.178.0.1842.dd73747.11.35