Important May 8th Collection of Asian Arms, Part I

Important May 8th Collection of Asian Arms, Part I

Saturday, May 8, 2021  |  10:00 AM Central
Auction closed.
Important May 8th Collection of Asian Arms, Part I

Important May 8th Collection of Asian Arms, Part I

Saturday, May 8, 2021  |  10:00 AM Central
Auction closed.
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A Prominent, Fresh to Market Collection of Antique Asian Arms. This Auction will include part I of the entire David Schmiedt Collection. We are very humbled and excited to facilitate the sale of such an impressive estate. Mr. Schmiedt, internationally known, prominent collector, out of California have been actively and passionately gathering priceless artifacts from All Over the World for period over 30+ years . The collection includes some exceptionally rare and fine quality examples of Indonesian and Philippine Weaponry Art with mega-rare Damascus steel patterned blades and exquisite mounts, almost never encountered on the market. Some Fantastic Kris, Keris, Barong, Kampilan, Mandau, Balato & Parang Jimpul examples that will Blow any Collector's Mind ! Also a number of High Quality Ottoman and Indo-Persian sabers with fine Wootz blades, as well as some rare examples of Large Tribal Shields and Armor, Spears, Clubs, Dayak Headhunter's Skull displays & Fantastic carved wood Keris-holder statues. This phenomenal sale is a Once in a Lifetime opportunity to put together a Superb... Show more
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Very Good 19th - early 20th C. Indonesian Sumatra KERIS Dagger ~ Fine Carved Grip & Rare Damascus Bl

Lot # 26 (Sale Order: 26 of 298)      

Keris Dagger from Sumatra have a distinct form and are most often associated with aparticular handle form referred to as a Jawa Demam hilt. The origin of this form are un...moreknownbut the general form is a highly abstracted crouching figure, the term itself translates as feverstricken. Commentators have noted that its origin may be as varied as a representation of theHindu bird god Garuda (which can be found on other Indonesian origin hilts in Madura forexample), whether it is a representation of an earlier Majapahit period hilt, or a variation on acockatoo which is otherwise found represented in Malay and Indonesian hilts. Regardless of theorigin it is consistently a striking form closest in approximation to modern art abstract humanforms.This example in the Schmiedt Collection is a fine representation of an antique example. Thevery finely carved and aged jawa demam form handle is in fine condition with finely carved andengraved mendak, similar to those found on other Sumatran keris (See Ghirinelli 2007; pg. 65).The sheath is simple but made of finely patterned wood, which was much prized for the qualityof the wood grain and lustre called chatoyancy. Chatoyancy in wood occurs in various species, especially the most prized hardwoods found on Indonesian keris scabbards and hilts, particularlywhere stress from the weight of the growing tree results in denser patches, or where stressescause burls or bird's eye. The richer the chatoyancy of the hilt or scabbard the more prized thekeris is.The blade is very finely crafted and with a 3 luk waved form, and displaying a richly patternedpamor. This has a pattern in the middle called a Kulit Semangka but with lines running along theedges in the style called Adeg.Dating from late 19th to early 20th century.Total Length (inside scabbard if present) : 18" Blade Length : 12 1/4" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid PressDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Beautiful Indonesian Surakarta Java KERIS Dagger ~ Fine Painted Mounts & Exquisite Carved Damascus B

Lot # 27 (Sale Order: 27 of 298)      

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation,...more in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt. This hilt has seven flatplanar sides, with two carvings at internal angles of the hilt. The one nearest the pommelrepresents the kala mask, a benevolent demon and the small protrusion in the carving called akuncung represents a nose. One of the features only found on Javanese and some early Balinesekeris is the use of painted designs called sungginan. These painted designs are found on kerisinearly collected European collections where the designs have more affinity with Chinese paintingbut later keris sunggingan are closer to Europeanized painting and may reflect one of the fewEuropean influences on Javanese keris. Many of the designs on sunggingan keris are taken fromlocal motifs and can also be found on batak textiles.This example in the Schmiedt collection is a Javanese Keris of cecekan form in the Surakartastyle called Yudo Winkan and painted ensuite with the wrangka and scabbard. The blade is handforged and with a 13 luk pattern most closely approximated by the form known as dapor nagasastra and consists of a pamor pattern called beras wutah, or spilled rice grains. The silvermendak in Surakarta style. Warangka (scabbard throat) of Ladrang Surakarta type and paintedin the form called sunggingan showing a variety of animals and the emblem of Surakarta in thecentral portion of the wrangka. The gandar (scabbard body) painted ensuite with a brass pendok,sheath covering.First half of 20th century overall.Total Length (inside scabbard if present) : 19 3/4 Blade Length : 14 3/4 References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignées de kris de l'archipelindonésienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Rare and Fine Indonesian Surakarta, Java KERIS Dagger in Fossil Mammoth Tooth Mounts ~ Fine Dam

Lot # 28 (Sale Order: 28 of 298)      

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation,...more in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt. This hilt has seven flatplanar sides, with two carvings at internal angles of the hilt. The one nearest the pommelrepresents the kala mask, a benevolent demon and the small protrusion in the carving called akuncung represents a nose. Another form closely related in form is from the Palaces ofYogyakarta and is referred to as a Nunggak Semi shape, but also has the distinctive carvings onthe inside angles of the handle. These highly abstract forms represent the highest level ofabstraction in Indonesian keris handles, though other such as the Bugis hilt representing a garudaare also highly abstract.The blade, or wilah, of the keris is the most valued part, holding the sacred and esoteric power ofthe keris. The different forms of pamor and blade shapes all have specific attributions to the typeof owner that is most suited to that pamor and shape and also the magical powers it can provide.Pamor comes in many varieties, each having a particular symbolism. Pamor then is furtherdivided into two categories called rekan and tiban, meaning respectively "willed" and "fated".Blades have a series of waves called luk, or may alternately be straight. Any keris above luk 13is uncommon and made for either someone of high status of representing some esoteric need ofthe commissioner.This example in the Schmiedt collection is a Javanese Keris of cecekan form in the Surakartastyle called Yudo Winkan and carved en suite of the same material as the wrangka. Thebeautiful grain and patina of the handle and wrangka indicate a fossilized appearance. The bladeis hand forged and with an 11 luk pattern most closely approximated by the form known as daporcarita prasaja and consists of a pamor pattern likely to be ngulit semangka, watermelon skin.The gilded mendak in Surakarta style and inlaid with intan intan rough cut diamonds or rockcrystal in the Javanese manner. The warangka (scabbard throat) of Gayaman Surakarta typeand carved of en suite material as the hilt. The gandar (scabbard body) with a brass pendok,sheath covering.First half of 20th century overall.Total Length (inside scabbard if present) : 20 1/4" Blade Length : 14"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignées de kris de l'archipelindonésienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Good late 19th - early 20th C. Indonesian KERIS Dagger ~ Surakarta, Java ~ Damascus Blade.

Lot # 29 (Sale Order: 29 of 298)      

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation,...more in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt. This hilt has seven flatplanar sides, with two carvings at internal angles of the hilt. The one nearest the pommelrepresents the kala mask, a benevolent demon and the small protrusion in the carving called akuncung represents a nose. Another form closely related in form is from the Palaces ofYogyakarta and is referred to as a Nunggak Semi shape, but also has the distinctive carvings onthe inside angles of the handle. These highly abstract forms represent the highest level ofabstraction in Indonesian keris handles, though other such as the Bugis hilt representing a garudaare also highly abstract.This example in the Schmiedt collection is a Javanese Keris of cecekan form in the Surakartastyle called Yudo Winkan. The beautiful wood grain and patina of the handle and wrangkaindicate a high quality wood, such as Sawo or Sono wood, and have a good degree ofchatoyancy. Chatoyancy being the lustre of the hardwood and which is highly prized onIndonesian keris fittings. The quality of the wood used in the hilts and wrangka is highlyindicative of the quality of the keris. The blade is hand forged and with a 31 luk pattern. Themendak in the Surakarta style. The warangka (scabbard throat) of Gayaman Surakarta type.The gandar (scabbard body) with an embossed brass pendok, sheath covering.Dating from late 19th - early 20th century overall.Total Length (inside scabbard if present) : 19 1/2" Blade Length : 15"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignées de kris de l'archipelindonésien Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Fine 19th C. Indonesian Madura Northeast Java KERIS Dagger ~ Exquisite Carved Grip & Damascus Blade.

Lot # 30 (Sale Order: 30 of 298)      

Keris Dagger from Madura have some of the most distinctly carved hilts of all Indonesiankeris. The hilts often resembling in the Javanese form only in rough outline are f...moreantasticallycarved with various emblematic designs, some of which are playfully hidden within the complexfloral carvings. The island of Madura is located off the Northeast coast of Java and had a richroyal culture and history with a variety of symbolism employed to represent the royal family.One of the most iconic images found in Maduran royal imagery and also on Keris hilts is thewinged horse. The winged horse is mentioned in the story of Joko tolè, a Maduran prince whowas gifted a winged horse named Si Mega. This winged horse emblem is still the regionalsymbol of the Sumenep regency in Indonesia.This example in the Schmiedt Collection is a fine representation of an antique Maduran keriswith elements of other regions in the overall design. The hilt is a classic Maduran carved form,with a very deep and fine carving showing the Si Mega winged horse design on the inside curveof the handle. The hilt fittings in the Javanese style with a silver mendak inlaid with semipreciousstones and a silver selut also inlaid with stones. The Tengah form wrangka is in theSulawesi Macassor style with a silver pendok and carved buntut.The blade is very finely crafted and a 9 luk form called dhapur jarudeh displaying a richlypatterned pamor. This style is approximated by a form called wulan wulan comprised of circularpatterns running the length of the blade (Ki Empu Jhuel).Dating from 19th century.Total Length (inside scabbard if present) : 19 1/2" Blade Length : 15" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art BooksDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Early 20th C. Ethiopian (Horn of Africa) Danakil GILE Dagger

Lot # 31 (Sale Order: 31 of 298)      

A classic form of Horn of Africa dagger called a gile, similar in form and derivedfrom the Arabian peninsular jambiya, the gile can be found in Ethiopia, Eritrea, Djibout...morei, andSomalia, where is known by a variety of different terms including qolxad in Somali and jile inthe Afar language.Most closely associated with the Afar or Danakil people, the gile is primarily considered adagger with a distinctive pommel ending in a cap-like protrusion often of bronze, zinc or silver.The double-edged blade is shaped like an asymmetrical leaf with a distinctive flare at the sharpcurve of the blade. The blades were most often made from salvaged metal, usually iron or steelfrom vehicle springs, though older examples would have forged trade blades. The sheaths weremade of hardened leather or leather wrapped wood and in some cases would be decorated, suchas this example. The sheath usually has a prolonged metal tip, sometimes embellished with metaldecoration of varying quality with an enlarged knob on the end.The sheath is worn on a belt around the waist and attached to the belt with a circular or squarebuckle or more rarely sewn on. As with other daggers in this region, the dagger's handle oftenindicates the social status of the person who wears it.This example is of classic form. The handle of middling quality, with a brass pommel protrusion.The double edged blade in fine condition but likely of leaf stock or scrap metal construction.The scabbard is hardened leather with an embossed brass decorated chape.Total Length (inside scabbard if present) : 25" Blade Length : 15"References:1. Stone, G. C. (1934). A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times. Mineola NY: Dover Publications.2. Spring, Christopher (1993). African arms and armour. British Museum Press.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Good 19th C. African Sudanese KASKARA Sword

Lot # 32 (Sale Order: 32 of 298)      

This sword is characteristic of the swords of Sudan, Darfur, Kanem-Bornu (Chad) and Nubia andis known as a kaskara. The term kaskara is a recent name and is unknown in th...moree Sudan, wherethese swords are termed simply saif. The kaskara is a broadsword, with a long straight bladewith a central grove with two cutting edges. The cruciform hilt has a straight cross guard withtwo languets. The quillons are often flared andusually are long, straight and end in a T-shapedform. The crossguard center has upper and lowerlanguets. The wooden grip is usually wrapped withleather bands and ends with a disc shaped pommelsuch as this example. These swords are usually oneyard in length though sometimes there are shorterexamples such as this one. There are some regionaldifferences in the types of kaskara especially withrespect to the form of the crossguard and thisparticularly crossguard of iron is more specific to theregion around Dongola to the north.This example in the Schmiedt Collection is a rathersimple style likely attributed to the examples usedby the Beja and Hadendoa of south east Sudan. Thescabbards are frequently made of molded leathersuch as this example and have a characteristic bulgeat the tip, called a bouterolle. See to the right animage of a Beja warrior holding a similar kaskara,though of longer dimensions.Total Length (inside scabbard if present) : 24 3/4" Blade Length : 19 1/2"References:1. Stone, G. C. (1934). A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times. Mineola NY: Dover Publications.2. Spring, Christopher (1993). African arms and armour. British Museum Press3. Pradines, Stephane & Khorasani, Manouchehr. (2018). SUFI IN WAR: PERSIAN INFLUENCEON AFRICAN WEAPONRY IN 19TH CENTURY MAHDIST SUDAN.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Fine Early 20th C. Indonesian Sumatra KERIS Dagger ~ Silver Mounts ~ Fine Carved Grip.

Lot # 33 (Sale Order: 33 of 298)      

Keris Dagger from Sumatra have a distinct form and are most often associated with aparticular handle form referred to as a Jawa Demam hilt. The origin of this form are un...moreknownbut the general form is a highly abstracted crouching figure, the term itself translates as (fever stricken). Commentators have noted that its origin may be as varied as a representation of the Hindu bird god Garuda (which can be found on other Indonesian origin hilts in Madura for example), whether it is a representation of an earlier Majapahit period hilt, or a variation on a cockatoo which is otherwise found represented in Malay and Indonesian hilts. Regardless of the origin it is consistently a striking form closest in approximation to modern art abstract human forms.This example in the Schmiedt Collection is a fine representation of an antique example very finely aged and patinated from handling over time. It appears to be a mix of both the Jawa Demam form with elements of the Bugis style and classically Sumatran. The sheath has a wood wrangka (upper portion) in the Tengah form and the Sulawesi Macassar form. The pendok in chiseled silver and with a classic Sumatran/Malay buntut. There is an old repair near the buntut in silver wire.The 9 luk blade is very finely made and likely of significant age as the edged are now soft from repeated etchings over time. The pamor is richly patterned and could be called a wulan wulan pattern (Ki Empu Juel) showing circular patterns the length of the blade. Early 20th century, a very beautiful example.Total Length (inside scabbard if present) : 18 1/2" Blade Length : 14 1/4"1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid PressDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Rare and Fine Indonesian Yogyakarta, Java KERIS Dagger ~ Fossil Mammoth Tooth mounts ~ Superb D

Lot # 34 (Sale Order: 34 of 298)      

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation,...more in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt. This hilt has seven flatplanar sides, with two carvings at internal angles of the hilt. The one nearest the pommel represents the kala mask, a benevolent demon and the small protrusion in the carving called a kuncung represents a nose. Another form closely related in form is from the Palaces ofYogyakarta and is referred to as a Nunggak Semi shape, but also has the distinctive carvings onthe inside angles of the handle. These highly abstract forms represent the highest level ofabstraction in Indonesian keris handles, though other such as the Bugis hilt representing a garudaare also highly abstract.The blade, or wilah, of the keris is the most valued part, holding the sacred and esoteric power ofthe keris. The different forms of pamor and blade shapes all have specific attributions to the typeof owner that is most suited to that pamor and shape and also the magical powers it can provide.Pamor comes in many varieties, each having a particular symbolism. Pamor then is furtherdivided into two categories called rekan and tiban, meaning respectively "willed" and "fated".Blades have a series of waves called luk, or may alternately be straight. Any keris above luk 13is uncommon and made for either someone of high status of representing some esoteric need ofthe commissioner.This example in the Schmiedt collection is a Javanese Keris of cecekan form in the Yogyakartastyle called Nunggak Semi and carved en suite of the same material as the wrangka. Thebeautiful grain and patina of the handle and wrangka indicate a fossilized appearance. The bladeis hand forged and with a straight blade most closely approximated by the form known as daporpasupati and consists of a superb etched pamor pattern called mangar, or a reference to themanggaran clapper plant. The gilded mendak in the Yogyakarta style. The warangka (scabbard throat) of Gayaman Yogyakarta type and carved of en suite material as the hilt. The gandar(scabbard body) with a chiseled silver pendok, sheath covering.First half of 20th century overall, very beautiful and rare example.Total Length (inside scabbard if present) : 19 1/4" Blade Length : 14 3/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignées de kris de l'archipelindonésienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Impressive Indonesian Cased Presentation KERIS Dagger ~ Carved Wood ~ Very Large Piece ~ First Half

Lot # 35 (Sale Order: 35 of 298)      

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation,...more in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt. This hilt has seven flatplanar sides, with two carvings at internal angles of the hilt. Other forms of hilts from NortheastJava and Madura include a form called Jangellan and which is distinct in form, shaped like anelongated corn cob with carvings. This form lends itself to various interpretation including shortor longer Jangellan style hilts but all are distinguished by the heavy carving which covers theshape with floral designs similar to those found on the most classic Madurese hilt called adonoriko form.This example in the Schmiedt collection is a Northeast Java or Madura Keris of with a hilt in aJangellan style but more elongated in form. The blade is hand forged and with a 5 luk form mostclosely approximated by dapor known as dholog and with a pamor pattern called ngulitsemangka, or watermelon skin. The warangka (scabbard throat) of Ladrang Balinese type witha kandik axe shape. The gandar (scabbard body) with a chiseled silver pendok, sheathcovering.20th century overall.Total Length (inside scabbard if present) : 25 3/4" Blade Length : 14"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignées de kris de l'archipelindonésien Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Nice 19th-early 20th C. Indonesian Java, Madura KERIS Dagger ~ Gold Embellished Damascus Blade

Lot # 36 (Sale Order: 36 of 298)      

Keris Dagger from the region of Java and Madura often are composed of individual elements of differentregional origin. A single keris may have a Maduran handle, Javan bla...morede, and Balinese scabbard,and may even include elements Sumatran style as well. Classic elements of Maduranworkmanship include carved scabbards and especially finely carved hilts in various materials.The use of figural carving is also known on Northeast Javan hilts and Maduran hilts as well.While especially fine hilts are prized, the blade, or wilah, of the keris is the most valued part,holding the sacred and esoteric power of the keris.Some keris blades would be carved with representations of nagas. In the Javanese belief systemswhere nagas are referenced, the naga refers to a a class of semi-divine beings, half human andhalf serpent who were relegated to an underground kingdom by Brahma, when they became toopopulous on earth. There are a number of individually named nagas, who carry individualresponsibilities and are capable of supernatural acts (Maisy, 2000).This example in the Schmiedt collection is a Javanese and Maduran Keris of with a hilt carved inwood of figural form, potentially of a Wayang figure. The blade is hand forged and with an 11luk pattern called dapor naga siluman and with a very fine pamor primarily in the middle portionof the blade, approximated by the style ngulit semangka, or watermelon skin, or beras wutah.The base of the blade, gandik, is chiseled with a gold decorated Naga head. The mendak (cuff)between hilt and blade in Solo style. The Warangka (scabbard throat) of Ladrang Surakartatype but carved with Maduran style carving. The gandar (scabbard body) with a brass Pendok(cover).Late 19th to early 20th century.Total Length (inside scabbard if present) : 21" Blade Length : 15"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Maisy, A. (2000) The Keris and the Naga. Arms Cavalcade (1) 39. Marval, G.de. (1994) UKIRAN - Essai de classification des poignées de kris de l'archipelindonésien Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Antique Indonesian KERIS Stand ~ Surakarta, Java, Bali ~ Fits 5 Daggers ~ Nicely Carved Dragons.

Lot # 37 (Sale Order: 37 of 298)      

Antique Indonesian KERIS Stand ~ Surakarta, Java, Bali ~ Fits 5 Daggers ~ Nicely Carved Dragons.Total Length (inside scabbard if present) : 23 1/2" x 15".Detailed condit...moreion reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Beautiful Indonesian Surakarta, Java KERIS Dagger ~ Painted Mounts ~ Strong Damascus Blade.

Lot # 38 (Sale Order: 38 of 298)      

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation,...more in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt, and specifically YudoWinatan. This hilt has seven flat planar sides, with two carvings at internal angles of the hilt.The one nearest the pommel represents the kala mask, a benevolent demon and the smallprotrusion in the carving called a kuncung represents a nose. Another form closely related inform is from the Palaces of Yogyakarta and is referred to as a Nunggak Semi shape, but also hasthe distinctive carvings on the inside angles of the handle. These highly abstract forms representthe highest level of abstraction in Indonesian keris handles, though other such as the Bugis hiltrepresenting a garuda are also highly abstract. One of the features only found on Javanese andsome early Balinese keris is the use of painted designs called sungginan. These painted designsare found on kerisin early collected European collections where the designs have more affinitywith Chinese painting but later keris sunggingan are closer to Europeanized painting and mayreflect one of the few European influences on Javanese keris. Many of the designs onsunggingan keris are taken from local motifs and can also be found on batak textiles.This example in the Schmiedt collection is a Javanese Keris of cecekan form in the Surakartastyle, Yudo Winatan, which differs from Yogyakarta in having a more pronounced roundedpommel. The blade is hand forged and with a straight blade with a pamor pattern called beraswutah, or spilled rice grains. The mendak (cuff) between hilt and blade in Solo style. The warangka (scabbard throat) of Ladrang Surakarta type and in the sunginngan painted style with the central medallion the emblem of the Sultanate (Kasunanan) of Surakarta. The gandar(scabbard body) with a chiseled silver Pendok (cover) featuring embossed floral decoration.Total Length (inside scabbard if present) : 19 1/2" Blade Length : 14 3/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignées de kris de l'archipelindonésien Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Rare 19th - early 20th C. Indonesian Nias BALATO Sword ~

Lot # 39 (Sale Order: 39 of 298)      

A very rare sword of the Nias islands near Sumatra, this sword is called a balato and in the classic form but with the distinctive carved hilt in the form of dog or drago...morenhead called a lasara. This relatively typical Balato has a form that appears to take less the form of the traditional Lasara (dragon head) hilt and closer to a dogs head and which can be seen illustrated as a less common hilt style in Modigliani (1890). While the classic balato is considered to be a traditional headhunters sword the more common domestic knife of the Nias takes a similar form. The headhunters swords are distinguished by their longer blades, such as this example. The blades are generally not laminated and can have various forms, the common factors are: a single edge that starts only a few centimeters from the hilt and more or less widening to the point. The Schmiedt Collection example has a well carved and nicely patinated handle with a sculptural creature design carved in the pommel. The curled whorls likely represent boars tusks while the creature sitting astride the pommel is called a bechu zocha, a spirit who hunts and feeds on mens shadows, just as men feed on pigs. By sitting astride the pommel and biting the boars head, he takes on the role of a man. This image can be regarded as a talisman working against the misfortunes that the bechu zocha spirit would ordinarily bring (Brenner-Felsach 1998). Because of the spirits thirst for blood and its prominence on the headhunters sabre, the image was believed to have increased the warriors strength. This hilt can also potentially be interpreted as a niobawa bae representing the head of a monkey with a bekhu zocha on its back. The locked teeth of the spirit may it appear aggressive and this form of hilt associated with a monkey allegedly provides the warrior with speed in combat (Van Zonneveld 2001). The scabbard is of two pieces of wood secured with strips of rattan, while the talismanic basket, called raga ifoboaya, at the top of the scabbard is of classic shape and decorated with animal's teeth.The balato is most classically associated with the headhunting tradition of the Nias. Chiefs paid warriors to perform the task of headhunting task on their behalf and during peacetime, these hired warriors would hide at a bend in the path and take as victim the first person to pass by, whether it be a man, woman, or child. When warriors were unavailable, the chief slave was instead set to the task. The aim of headhunting was to take possession of the dead persons soul, or life-force, and to offer it as a gift to the spirits. In this way, the chief acquired a form of guarantee for his afterlife. A victim's soul also served as a substitute for a sick mans soul and was used to heal the latter and appease the vindictive spirit, who was thought to have caused the illness. Balato are difficult to date accurately, but this example likely dates to late 19th to early 20th century.Total Length (inside scabbard if present) : 28" Blade Length : 26 3/4" References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago. Leiden: Art Books2. Viaro, M. A. (2001). Ceremonial sabres of nias headhunters in indonesia. Arts Et Cultures, 3, 150-171.3. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inseln ringsum Sumatra, (vol. 4, Leiden)4. Modigiliani, E. (1890) Un viaggio a Nias.5. Brenner-Felsach, Joachim Freiherr von. Eine Reise nach Nias, die Indonesienexpedition 1887, edited by Reinhold Mittersakschmöller, 171–75. Vienna: 1998Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Good 19th - early 20th C. Indonesian Java, Mandura KERIS Dagger ~ Fine Carved Grip & Damascus B

Lot # 40 (Sale Order: 40 of 298)      

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation,...more in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt, and specifically YudoWinatan. This hilt has seven flat planar sides, with two carvings at internal angles of the hilt.The one nearest the pommel represents the kala mask, a benevolent demon and the smallprotrusion in the carving called a kuncung represents a nose. Other hilts from the region includethe many varied hilts from eastern Java and Madura, which often have more carving. Maduranhilts in particular are often entirely covered in floral carving in a variety of materials. The mostwell-known of this form of hilt is called a donoriko style hilt and often includes imagery ofhorses on the inside curve of the hilt.This example in the Schmiedt collection is a Javanese Keris of with a rare and early Maduran hiltcalled Kojuk Mrenges (bucktoothed smiling bird) form. The blade is hand forged and with a 13luk blade with a dapor kantar with a pamor pattern called ngulit semangka, or watermelon skin.The mendak (cuff) between hilt and blade in Solo style. Warangka (scabbard throat) ofLadrang Surakarta type. The gandar (scabbard body) with a chiseled gilded metal Pendok(cover) featuring embossed floral decoration.Late 19th to early 20th century. Beautiful example.Total Length (inside scabbard if present) : 19" Blade Length : 15" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignées de kris de l'archipelindonésienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare 19th-early 20th C. Indonesian Java, Madura KERIS Dagger ~ Carved Horn Grip ~ Early Blade.

Lot # 41 (Sale Order: 41 of 298)      

Keris Dagger from the region of Java and Madura often are composed of individual elements of differentregional origin. A single keris may have a Maduran handle, Javan bla...morede, and Balinese scabbard,and may even include elements Sumatran style as well. Classic elements of Maduranworkmanship include carved scabbards and especially finely carved hilts in various materials.The use of figural carving is also known on Northeast Javan hilts and Maduran hilts as well.While especially fine hilts are prized, the blade, or wilah, of the keris is the most valued part,holding the sacred and esoteric power of the keris. The different forms of pamor and bladeshapes all have specific attributions to the type of owner that is most suited to that pamor andshape and also the magical powers it can provide. Pamor comes in many varieties, each having aparticular symbolism. Pamor then is further divided into two categories called rekan and tiban,meaning respectively "willed" and "fated".This example in the Schmiedt collection is a Maduran Keris of with a hilt carved in wood offigural form, potentially of a Wayang figure. The blade is hand forged and with a powerful 3 lukpattern called dapor jangkung mayang and with a fine pamor, approximated by the style calledbonan rinenteng, known as gamelan instrument with two rows of drums with two rows ofcircular patterns separated by a line in the middle. The warangka (scabbard throat) ofGayaman Gabilan Maduran type carved with Maduran style carving. The gandar (scabbardbody) in carved dark wood.Early 20th century, Blade is 18th to early 19th century.Total Length (inside scabbard if present) : 34 1/2" Blade Length : 27 1/4References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignées de kris de l'archipelindonésien Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Good 19th - early 20th C. Indonesian Surakarta, Java KERIS Dagger ~ Strong Damascus Blade ~ Beautifu

Lot # 42 (Sale Order: 42 of 298)      

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation,...more in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. The onenearest the pommel represents the kala mask, a benevolent demon and the small protrusion in thecarving called a kuncung represents a nose. Another form closely related in form is from thePalaces of Yogyakarta and is referred to as a Nunggak Semi shape, but also has the distinctivecarvings on the inside angles of the handle. These highly abstract forms represent the highestlevel of abstraction in Indonesian keris handles, though other such as the Bugis hilt representinga garuda are also highly abstract.The blade, or wilah, of the keris is the most valued part, holding the sacred and esoteric power ofthe keris. The different forms of pamor and blade shapes all have specific attributions to the typeof owner that is most suited to that pamor and shape and also the magical powers it can provide.Pamor comes in many varieties, each having a particular symbolism. Pamor then is furtherdivided into two categories called rekan and tiban, meaning respectively "willed" and "fated".Blades have a series of waves called luk, or may alternately be straight. Any keris above luk 13is uncommon and made for either someone of high status of representing some esoteric need ofthe commissioner.This example in the Schmiedt collection is a Javanese Keris of cecekan form in the Surakartastyle, Yudo Winatan, which differs from the Yogyakarta form in having a more pronouncedpommel. The blade is a 19th century example, hand forged and with a straight form called daporbethok and consists of a pamor pattern ngulit semangka, or watermelon skin. The mendak (cuff)between hilt and blade in Solo style. The scabbard likely belonging to a different keris and ofSumatran form. The warangka (scabbard throat) of Bulan Sabit Riau form and in the samehigh quality en suite wood as the gandar (body). The wood displays a rich chatoyancy shine.Early 20th century, Blade is 19th century.Total Length (inside scabbard if present) : 19 3/4" Blade Length : 14 1/4" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignées de kris de l'archipelindonésienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Indonesian 20th C. KERIS Dagger, Surakarta, Java Islands.

Lot # 43 (Sale Order: 43 of 298)      

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation,...more in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. The onenearest the pommel represents the kala mask, a benevolent demon and the small protrusion in thecarving called a kuncung represents a nose. Another form closely related in form is from thePalaces of Yogyakarta and is referred to as a Nunggak Semi shape, but also has the distinctivecarvings on the inside angles of the handle. These highly abstract forms represent the highestlevel of abstraction in Indonesian keris handles, though other such as the Bugis hilt representinga garuda are also highly abstract.The blade, or wilah, of the keris is the most valued part, holding the sacred and esoteric power ofthe keris. The different forms of pamor and blade shapes all have specific attributions to the typeof owner that is most suited to that pamor and shape and also the magical powers it can provide.Pamor comes in many varieties, each having a particular symbolism. Pamor then is furtherdivided into two categories called rekan and tiban, meaning respectively "willed" and "fated".Blades have a series of waves called luk, or may alternately be straight. Any keris above luk 13is uncommon and made for either someone of high status of representing some esoteric need ofthe commissioner.This example in the Schmiedt collection is a Javanese Keris of cecekan form in the Surakartastyle, Yudo Winatan mi, which differs from the Yogyakarta form in having a more pronouncedpommel. The blade is a 19th century example, hand forged and with a 13 luk blade called daporparungsari (Ki Empu Jhuel) and consists of the tiban pamor pattern called beras wutah. Themendak (cuff) between hilt and blade in Solo style. The Warangka (scabbard throat) of Gayamn of the Surakarta form and with a windowed pendok, (scabbard sheat) over a woodengandar (body).Mid 20th century.Total Length (inside scabbard if present) : 19 1/4" Blade Length : 14 1/2"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignées de kris de l'archipelindonésien Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Good Early 20th C. Indonesian Surakarta, Java KERIS Dagger ~ Rough Diamonds set mount ~ Strong Damas

Lot # 44 (Sale Order: 44 of 298)      

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation,...more in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. The onenearest the pommel represents the kala mask, a benevolent demon and the small protrusion in thecarving called a kuncung represents a nose. Another form closely related in form is from thePalaces of Yogyakarta and is referred to as a Nunggak Semi shape, but also has the distinctivecarvings on the inside angles of the handle. These highly abstract forms represent the highestlevel of abstraction in Indonesian keris handles, though other such as the Bugis hilt representinga garuda are also highly abstract.The blade, or wilah, of the keris is the most valued part, holding the sacred and esoteric power ofthe keris. The different forms of pamor and blade shapes all have specific attributions to the typeof owner that is most suited to that pamor and shape and also the magical powers it can provide.Pamor comes in many varieties, each having a particular symbolism. Pamor then is furtherdivided into two categories called rekan and tiban, meaning respectively "willed" and "fated".Blades have a series of waves called luk, or may alternately be straight. Any keris above luk 13is uncommon and made for either someone of high status of representing some esoteric need ofthe commissioner.This example in the Schmiedt collection is a Javanese Keris of cecekan form in the Surakartastyle, Yudo Winatan, which differs from the Yogyakarta form in having a more pronouncedpommel. The hilt has a fine patina, and old tag, likely indicating an early 20th century or earlierdating. The overall form, quality of the blade, and age indicate that the blade is a 19th centuryexample, hand forged and with a 13 luk blade called dapor parungsari (Ki Empu Jhuel) andconsists of the pamor pattern called ngulit semangka, or watermelon skin. The mendak (cuff)between hilt and blade in Solo style and inlaid with precious stones, potentially diamonds. TheWarangka (scabbard throat) of ‘Ladrang’ style in the Surakarta form and with a windowedpendok, (scabbard sheath) over a wooden gandar (body). The wood of the wrangka displays arich color and chatoyancy, indicative of high quality keris.Early 20th century.Total Length (inside scabbard if present) : 18" Blade Length : 14 1/2" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignées de kris de l'archipelindonésienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare Indonesian Bali KERIS Dagger ~ Carved Bone Grip ~ Fine Scabbard ~ Early 20th C.

Lot # 45 (Sale Order: 45 of 298)      

Keris Dagger from Bali are considered some of the finest among the Indonesianarchipelago. As Bali is a Hindu society, the influences on the keris have survived theIslamic...moreization of form and design found elsewhere in the region, with some exceptions. As aresult, Balinese keris often have hilts carved with richly designed Hindu deities in a morerealistic manner than the stylized interpretations found in other parts of the region, such as thehighly stylized Garuda imagery of the Bugis or on Sumatra. The keris played a particularlyimportant role in Balinese society, and was used as a ritual tool in almost every Balinesereligious ceremony. Standing as pusaka, a powerful sanctified heirloom, and serving as a strongmarker of socio-economic status, a keris could only be made by Pande blacksmiths who claimstatus higher than that of a Brahman. In Bali, the keris is referred to as kadutan, but the termkeris is used as it is widespread through the region.This example in the Schmiedt collection is a Balinese Keris of figural form in a provincial style,lacking the deep carving and traditional forms found on more traditional togongan hilts. Thefigure sits squatting in an ancestor pose with a hand underneath the body, one knee pulled uphigh against the belly, and the other hand grasping the belly. The hilt has an aged patina. The old 7 luk blade has the shape approximated by dapor sempana panjul (Ki Empu Jhuel) andconsists of an interesting pamor pattern called sada saler, of an undulating single line running thelength of the blade. The mendak (cuff) between hilt and blade in Javanese style and inlaid withprecious stones, potentially intan intan rough diamonds. The carved warangka (scabbard throat)of Ladrang style in the Balinese form and with a stained wood gandar (body).Early 20th century, Beautiful and rare example.Total Length (inside scabbard if present) : 20 1/4" Blade Length : 11"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Neka, W. S. (2014) Understanding Balinese Keris: An Insiders Perspective. Neka ArtMuseumDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare 19th-20th C. Indonesian Surakarta, Java KERIS Dagger ~ Spectacular Damascus Blade.

Lot # 46 (Sale Order: 46 of 298)      

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation,...more in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. The onenearest the pommel represents the kala mask, a benevolent demon and the small protrusion in thecarving called a kuncung represents a nose. Another form closely related in form is from thePalaces of Yogyakarta and is referred to as a Nunggak Semi shape, but also has the distinctivecarvings on the inside angles of the handle. These highly abstract forms represent the highestlevel of abstraction in Indonesian keris handles, though other such as the Bugis hilt representinga garuda are also highly abstract.The blade, or wilah, of the keris is the most valued part, holding the sacred and esoteric power ofthe keris. The different forms of pamor and blade shapes all have specific attributions to the typeof owner that is most suited to that pamor and shape and also the magical powers it can provide.Pamor comes in many varieties, each having a particular symbolism. Pamor then is furtherdivided into two categories called rekan and tiban, meaning respectively "willed" and "fated".Blades have a series of waves called luk, or may alternately be straight. Any keris above luk 13is uncommon and made for either someone of high status of representing some esoteric need ofthe commissioner.This example in the Schmiedt collection is a Javanese Keris of cecekan form in the Surakartastyle, Yudo Winatan. The hilt has a fine patina likely indicating an early 20th century or earlierdating. The 13 luk blade is a rare form possibly unique and has carved gandiks on both sides ofricikan of the blade, each in the classic elephant trunk form. This is an uncommon form andrarely found. The blade furthermore has a very finely formed serrated edge and consists ofpotentially a dwi warna pattern with two side by side pamor patterns called blarak ngirid. Themendak (cuff) between hilt and blade in Solo style in silver with filigreed designs.A rare quality keris.Early 20th century.Total Length (inside scabbard if present) : 19 3/4" Blade Length : 16" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignées de kris de l'archipelindonésienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare Indonesian Surakarta, Java KERIS Dagger ~ Fine Damascus Blade of Rare Pattern ~ Early 20th C.

Lot # 47 (Sale Order: 47 of 298)      

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation,...more in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. The onenearest the pommel represents the kala mask, a benevolent demon and the small protrusion in thecarving called a kuncung represents a nose. Another form closely related in form is from thePalaces of Yogyakarta and is referred to as a Nunggak Semi shape, but also has the distinctivecarvings on the inside angles of the handle. These highly abstract forms represent the highestlevel of abstraction in Indonesian keris handles, though other such as the Bugis hilt representinga garuda are also highly abstract.This example in the Schmiedt collection is a Javanese Keris of cecekan form in the Surakartastyle, Yudo Winatan. The hilt has a fine patina likely indicating an early 20th century or earlierdating. The 11 luk blade with a dapor singo barong, referencing the carved dog or lion at thebase of the blade ganjik, and which is further inlaid with a golden tongue. The pamor pattern iscalled ron genduru and in this blade has widely spaced upward sweeping designs in the nickelpart of the blade. The mendak (cuff) between hilt and blade in Solo style in brass with filigreeddesigns.Early 20th century.Total Length (inside scabbard if present) : 20" Blade Length : 16 1/2"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignées de kris de l'archipelindonésienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare 19th - early 20th C. Indonesian Bali KERIS Dagger ~ Fine Carved Bone Grip ~ Dramatic Damascus

Lot # 48 (Sale Order: 48 of 298)      

Keris Dagger from Bali are considered some of the finest among the Indonesian archipelago. As Bali isa Hindu society, the influences on the keris have survived the Islami...morecization of form and designfound elsewhere in the region, with some exceptions. As a result, Balinese keris often sport hiltscarved with richly designed Hindu deities in much more realistic manner than the more thestylized interpretations found in other parts of the region, such as the highly stylized Garudaimagery of the Bugis or Sumatra. The keris played a particularly important role in Balinesesociety, is used as a ritual tool in almost every Balinese religious ceremony. Standing as pusaka,a powerful sanctified heirloom and serving as a strong marker of socio-economic status, a keriscould only be made by Pande blacksmiths who claim status higher than that of a Brahman. InBali, the keris is referred to as kadutan, but the term keris is used as it is widespread through theregion.The blade, or wilah, of the keris is the most valued part, holding the sacred and esoteric power ofthe keris. The different forms of pamor and blade shapes all have specific attributions to the typeof owner that is most suited to that pamor and shape and also the magical powers it can provide.Pamor comes in many varieties, each having a particular symbolism. Pamor then is furtherdivided into two categories called rekan and tiban, meaning respectively "willed" and "fated".Blades have a series of waves called luk, or may alternately be straight. Any keris above luk 13is uncommon and made for either someone of high status of representing some esoteric need ofthe commissioner.This example in the Schmiedt collection is a Balinese keris of figural form in a provincial style,lacking the deep carving and traditional forms found on more traditional togongan hilts. Thefigure sits squatting in an ancestor pose with the hands up behind its head and the knees pulledup high against the belly atop a stylized tumpal, triangular motif. The hilt has an aged patina andis carved of wood. The 13 luk blade has the shape approximated by dapor parung sari (Ki EmpuJhuel) though the gandik does not have the two sharp protrusion beneath the elephant trunk. Thepamor pattern appears to be a type of Ron Pakis, or fern feathers, whic in some areas in someareas is also called Bulu Ayam (chicken feathers). The mendak (cuff) between hilt and blade inJavanese style and in filigreed silver.Total Length (inside scabbard if present) : 18" Blade Length : 15 1/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignées de kris de l'archipelindonésien Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Scarce Indonesian Yogyakarta, Java KERIS Dagger ~ Carved Bone Grip ~ Rare Damascus Pattern ~ Early 2

Lot # 49 (Sale Order: 49 of 298)      

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation,...more in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. The onenearest the pommel represents the kala mask, a benevolent demon and the small protrusion in thecarving called a kuncung represents a nose. Another form closely related in form is from thePalaces of Yogyakarta and is referred to as a Nunggak Semi shape, but also has the distinctivecarvings on the inside angles of the handle, though generally does not have kuncung carving.abstract.The blade, or wilah, of the keris is the most valued part, holding the sacred and esoteric power ofthe keris. The different forms of pamor and blade shapes all have specific attributions to the typeof owner that is most suited to that pamor and shape and also the magical powers it can provide.Pamor comes in many varieties, each having a particular symbolism. Pamor then is furtherdivided into two categories called rekan and tiban, meaning respectively "willed" and "fated".This example in the Schmiedt collection is a Javanese Keris of cecekan form in the Yogyakartastyle, Nunggak Semi, which differs from the Surakarta form in having a less pronouncedpommel. The hilt has a fine patina, indicating an early 20th century dating. The 9 luk blade witha form called dapor sempana (Ki Empu Jhuel) and with a pamor pattern called Adeg Sakler -Adeg Telung Ler, consisting of three upright lines running the length of the blade. The mendak(cuff) between hilt and blade in Javan style and in chiseled silver. The warangka (scabbardthroat) of Gayaman style in the Yogyakarta form and with a windowed pendok, scabbardsheath, over a wooden gandar (body).Early 20th century.Total Length (inside scabbard if present) : 19" Blade Length : 15" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignées de kris de l'archipelindonésienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Wonderful Indonesian Bali Carved Wood KERIS Dagger Holder ~ Late 19th - Early 20th C.

Lot # 50 (Sale Order: 50 of 298)      

In Bali, especially fine keris were sometimes displayed in holders carved in theshape of a person, an animal, or a mythological figure. Elaborate kris holders like this e...morexamplewould have been found only in wealthy and aristocratic homes. Wooden kris holders inparticular serve as important examples of the tradition of Indonesian woodcarving. Wooden krisholders range from intricately carved and painted wall plaques to freestanding statues thatpossess slots in their backs or hands into which a kris is fitted. Carved in elaborate and stylizedforms, these items are decorated with vibrant colored paints, semiprecious gems or gold, and,like the kris, range in style and form depending on their place of origin within Indonesia.In all their varying forms, traditional kris holders exhibit a variety of influences from the Pre-Hindu and Indo-Javanese periods. Balinese kris holders, in particular offer the greatest examplesof Indonesian cultural development while incorporating a uniquely Balinese style. One reasonfor this includes the lack of an Islamic presence on the island of Bali. After the influx of Islaminto Indonesia after the eleventh century, Indonesian art absorbed Islamic ideas in addition tothose of Buddhism and Hinduism. The art styles with strong Hindu influences that arose duringthe Majapahit period gradually disappeared as Indonesian rulers began to request art with moreIslamic influence (Castillo 2009). As a result on Java, keris holders do not take a figural formand are instead plainer, almost furniture like in their construction, while those from Bali continueto be made in figural representations of a wide variety.This example in the Schmiedt Collection is a fine example of classical form and appears torepresent Rawana. The figure is carved from a single piece of wood and decorated inpolychrome and gold paint. Rawana is shown with long, black curly hair and bulging eyes.Rawaṇa (known as Ravana in India) is the primary antagonist in the Hindu epic Ramayana,where he is depicted as the warrior demon king of Lanka (now Sri Lanka). The Ramayana hashad great influence on traditional culture across Southeast Asia, and especially on Bali whichremained a Hindu society after much of the rest of the Indonesian archipelago converted toIslam. The carving is very well modeled and retains much of its polychrome paint. There aresome small damages due to age but otherwise in very fine condition.Dates to the early 20th century.Height : 21 1/4"References:1. Frey. E. (1988) The Kris: Mystic Weapons of the Malay World. Oxford UniversityPress2. Castillo, C. (2009) PROTECTIVE ART OF INDONESIA BALINESE KRISHOLDERS FROM THE COLLECTION OF THE BERMAN MUSEUM OFWORLD HISTORY. Dissertation. University of Alabama Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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1.178.0.1774.cf7307d.10.66