Important May 8th Collection of Asian Arms, Part I

Important May 8th Collection of Asian Arms, Part I

Saturday, May 8, 2021  |  10:00 AM Central
Auction closed.
Important May 8th Collection of Asian Arms, Part I

Important May 8th Collection of Asian Arms, Part I

Saturday, May 8, 2021  |  10:00 AM Central
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A Prominent, Fresh to Market Collection of Antique Asian Arms. This Auction will include part I of the entire David Schmiedt Collection. We are very humbled and excited to facilitate the sale of such an impressive estate. Mr. Schmiedt, internationally known, prominent collector, out of California have been actively and passionately gathering priceless artifacts from All Over the World for period over 30+ years . The collection includes some exceptionally rare and fine quality examples of Indonesian and Philippine Weaponry Art with mega-rare Damascus steel patterned blades and exquisite mounts, almost never encountered on the market. Some Fantastic Kris, Keris, Barong, Kampilan, Mandau, Balato & Parang Jimpul examples that will Blow any Collector's Mind ! Also a number of High Quality Ottoman and Indo-Persian sabers with fine Wootz blades, as well as some rare examples of Large Tribal Shields and Armor, Spears, Clubs, Dayak Headhunter's Skull displays & Fantastic carved wood Keris-holder statues. This phenomenal sale is a Once in a Lifetime opportunity to put together a Superb... Show more
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Beautiful Indonesian Java KERIS Dagger ~ Elaborate Carved Bone Grip ~ Strong Damascus Blade ~ Late 1

Lot # 51 (Sale Order: 51 of 298)      

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation,...more in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt. Other Javan hilts haveelements of Balinese designs, with figural representations such as those called togongan figuralhilts on Balinese keris.This example in the Schmiedt collection is a Javanese Keris of with a figural handle withelements of Balinese design. The hilt is carved in a provincial style, and not likely Palace orroyal workmanship. The hilt likely represents a prince wearing a crown and in a squattingposition with the hands on the knees atop a tumpal design. The straight blade with a daportumenggung has a dwi warna pamor pattern with an untu walang pattern along the edgesshowing a sawtooth pattern and ngulit semangka, or watermelon skin pattern, in the middle ofthe untu walang pattern. The mendak (cuff) between hilt and blade in Javan style and in chiseledsilver. The warangka (scabbard throat) of Gayaman style in the Surakarta form and with awindowed chiseled brass pendok, (scabbard sheath) over a wooden gandar (body).Late 19th - Early 20th century.Total Length (inside scabbard if present) : 21 1/4" Blade Length : 14 1/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignées de kris de l'archipelindonésienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Good early 20th C. Indonesian Java KERIS Dagger ~ Nice Carved Wood Grip ~ Strong Blade.

Lot # 52 (Sale Order: 52 of 298)      

Keris Dagger from Java have some of the most distinctly carved hilts of all Indonesiankeris. The hilts often resembling in the Javanese form only in rough outline are fan...moretasticallycarved with various emblematic designs, some of which are playfully hidden within the complexfloral carvings. The island of Madura is located off the Northeast coast of Java and had a richroyal culture and history with a variety of symbolism employed to represent the royal family.One of the most iconic images found in Maduran royal imagery and also on Keris hilts is thewinged horse. Other imagery found on Javanese and Maduran keris include variousrepresentations of a Nyamba, a classic Wayang figure, and other imagery include Raden Bima,Prince Bhima, and whose status would be signified by the crown on his head and jewels acrossthe head and ears.This example in the Schmiedt Collection is a fine carved wood representation of an antiqueMaduran keris showing Javanese elements. The hilt is an interesting interpretation of a Nyambasitting atop a tumpal that is normally found on Java proper and often attributed to Western Java(Ghiringelli 2011). The scabbard is a classic Javanese form with stained wood composition andwith a Sulawesi Macassar Tengah form wrangka.The blade is a straight form with a dapor betok with a kulit semangka pamor or a form of beraswutah, random pattern (Ki Empu Jhuel).20th century.Total Length (inside scabbard if present) : 19" Blade Length : 14 3/4" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Ghiringelle. V. (2011) Kris hilts: Masterpieces of South-east Asian Art. 5 Continents6. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books7. Gardner, G. B. (1936). Keris and Other Malay Weapons. EP Publ.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare Indonesian Java KERIS Dagger ~ Fine Carved Parrot Bone Grip ~ Strong Damascus Blade.

Lot # 53 (Sale Order: 53 of 298)      

Keris Dagger from Java have some of the most distinctly carved hilts of all Indonesiankeris. The hilts may often take a variety of forms including various mythological an...mored Javanesefolkloric characters. Other forms of hilt have a more naturalistic interpretation most oftenaround a carving, either stylized or more realistic of a bird. Often the cockatoo or other parrotsare the choice of representation and these can be seen on keris handle through the archipelago,from the highly stylized cockatoo form in the Malay Peninsula, to the kingfisher form in Sumatraand Pattani, Thailand, and to the Buis stylized Garuda bird form. Javanese representations of theparrot keep the representations within the confines of the Javanese hilt form, which is generallystraight and with less angular design like those in Bugis, Sumatra, or the Malay Peninsula.This example in the Schmiedt Collection is a finely carved image of a parrot, likely of Javaneseorigin though a similar Malay origin parrot is found in Ghiringelli 2011: pg 130. The scabbard isan interesting form with a Surakarta Gayaman form wrangka, and with a pendok of brassencasing the timber of the gandar. It is possible the pendok was repurposed from a European,likely Dutch, sword scabbard or was inspired by Dutch colonial sword scabbards.The blade is a straight form with a dapor betok with a linear pamor of thin close fitting linescalled ilining warih (Ki Empu Jhuel).First half of 20th century. Beautiful and rare example.Total Length (inside scabbard if present) : 20 1/2" Blade Length : 16" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Ghiringelle. V. (2011) Kris hilts: Masterpieces of South-east Asian Art. 5 Continents6. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books7. Gardner, G. B. (1936). Keris and Other Malay Weapons. EP Publ.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Nice Indonesian Bali Carved Wood KERIS Dagger Holder ~ Early 20th C.

Lot # 54 (Sale Order: 54 of 298)      

In Bali, especially fine keris were sometimes displayed in holders carved in theshape of a person, an animal, or a mythological figure. Elaborate kris holders like this e...morexamplewould have been found only in wealthy and aristocratic homes. Wooden kris holders inparticular serve as important examples of the tradition of Indonesian woodcarving. Wooden krisholders range from intricately carved and painted wall plaques to freestanding statues thatpossess slots in their backs or hands into which a kris is fitted (see Figure 2). Carved in elaborateand stylized forms, these items are decorated with vibrant colored paints, semiprecious gems orgold, and, like the kris, range in style and form depending on their place of origin withinIndonesia.In all their varying forms, traditional kris holders exhibit a variety of influences from the Pre-Hindu and Indo-Javanese periods. Balinese kris holders, in particular offer the greatest examplesof Indonesian cultural development while incorporating a uniquely Balinese style. One reasonfor this includes the lack of an Islamic presence on the island of Bali. After the influx of Islaminto Indonesia after the eleventh century, Indonesian art absorbed Islamic ideas in addition tothose of Buddhism and Hinduism. The art styles with strong Hindu influences that arose duringthe Majapahit gradually disappeared as Indonesian rulers began to request art with more Islamicinfluence (Castillo 2009).This example in the Schmiedt Collection is a fine example of classical form and seems torepresent a demon figure, or perhaps a raksasa. The demon is carved with human hair and atraditional Balinese men's headband. The two hands cup together in front to form the holder forthe keris. The carving is well modeled and retains much of its polychrome paint showing thespotted green skin of the demon. There are some small damages and a wood split due to age butotherwise in good condition.Dates to the first half of 20th century.Height : 21"References:1. Frey. E. (1988) The Kris: Mystic Weapons of the Malay World. Oxford UniversityPress2. Castillo, C. (2009) PROTECTIVE ART OF INDONESIA BALINESE KRISHOLDERS FROM THE COLLECTION OF THE BERMAN MUSEUM OFWORLD HISTORY. Dissertation. University of AlabamaDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Nice 20th C. Indonesian Java, Surakarta KERIS Dagger ~ Lovely High Contrast Damascus Blade.

Lot # 55 (Sale Order: 55 of 298)      

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation,...more in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. The onenearest the pommel represents the kala mask, a benevolent demon and the small protrusion in thecarving called a kuncung represents a nose. Another form closely related in form is from thePalaces of Yogyakarta and is referred to as a Nunggak Semi shape, but also has the distinctivecarvings on the inside angles of the handle, though generally does not have kuncung carving.abstract.This example in the Schmiedt collection is a Javanese Keris of cecekan form in the Surakartastyle, Yudo Winatan, which differs from the Yogyakarta form in having a more pronouncedpommel. The 5 luk blade called dapor kebo dhengen (Ki Empu Jhuel) and consists of a dwiwarna pamor pattern with a Batu Lapak - Watu Lapak, or flat stone pattern, at the base of theblade and an Adeg Sakler line running partially the length of the last third of the blade. Themendak (cuff) between hilt and blade in Javan style and in chiseled silver. The warangka(scabbard throat) of Gayaman style in the uncommon Cirebon form and with a windowedembossed silver pendok, (scabbard sheath) over a wooden gandar (body).Total Length (inside scabbard if present) : 19" Blade Length : 14" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignées de kris de l'archipelindonésienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Early to Mid 20th C. Indonesian Java, Surakarta KERIS Dagger

Lot # 57 (Sale Order: 56 of 298)      

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation,...more in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. The onenearest the pommel represents the kala mask, a benevolent demon and the small protrusion in thecarving called a kuncung represents a nose. Another form closely related in form is from thePalaces of Yogyakarta and is referred to as a Nunggak Semi shape, but also has the distinctivecarvings on the inside angles of the handle, though generally does not have kuncung carving.This example in the Schmiedt collection is a Javanese Keris of cecekan form in the Surakartastyle, Yudo Winatan, which differs from the Yogyakarta form in having a more pronouncedpommel. The 11 luk blade called dapor sabuk inten (Ki Empu Jhuel). The pamor is difficult todiscern and may be nglulit semangka form but which is obscured as the blade appears to be anold form now worn through many years of etchings. The blade shape nonetheless has a powerfulappearance. The mendak (cuff) between hilt and blade in Javan style and in chiseled silver. Thewarangka (scabbard throat) of Ladrang style in the Surakarta form and with a windowed metalpendok, (scabbard sheath) over a wooden gandar (body).First half of 20th century.Total Length (inside scabbard if present) : 19" Blade Length : 14 1/4" 1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignées de kris de l'archipelindonésienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Good Early 20th C. Indonesian Surakarta, Java KERIS Dagger ~ Rare Damascus Pattern Blade with X

Lot # 58 (Sale Order: 57 of 298)      

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation,...more in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. The onenearest the pommel represents the kala mask, a benevolent demon and the small protrusion in thecarving called a kuncung represents a nose. Another form closely related in form is from thePalaces of Yogyakarta and is referred to as a Nunggak Semi shape, but also has the distinctivecarvings on the inside angles of the handle, though generally does not have kuncung carving.This example in the Schmiedt collection is an exceptional Javanese Keris of cecekan form in theSurakarta style, Yudo Winatan. The straight blade called dapor sempaner (Ki Empu Jhuel). Thedwi warna pamor is an especially rare with a batu lapak, mountain form, at the base and thentransitioning to a rarely seen form with forged X's up the blade each with with two circles onopposite sides. The form must carry deep esoteric significance to the commissioner and theblade displays good age and is potentially as early as the early 20th century. The quality of thestriated wood cecekan hilt and the wrangka of the scabbard indicate this was a very high statuskeris. The mendak (cuff) between hilt and blade in Javan style and in chiseled silver and inlaidwith rubies or other red stones. The warangka (scabbard throat) of Gayaman style in theSurakarta form of thinly striated wood. On Balinese scabbards in particular and in someJavanese scabbards, the thinner the line of striation the rarer and more valuable the wood. Thependok now in tarnished and embossed silver over a wooden gandar (body).First half of 20th century. Rare and a very nice example.Total Length (inside scabbard if present) : 19 1/2" Blade Length : 14 1/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignées de kris de l'archipelindonésienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare and Fine Indonesian Madura KERIS Dagger ~ Fine Carved Bone Grips ~ Strong Damascus Blade ~ Earl

Lot # 59 (Sale Order: 58 of 298)      

Keris Dagger from Madura, an island east of Java, often feature well carved hilts in avariety of designs. The most classic Maduran carved design is form of hilt called a ...moredonoriko hiltentirely carved in floral designs and often with a winged horse carved into the inside angle of thehilt. Other hilts include those with various figural carvings either of princes, representations ofJavan deities from the period of Hindu rule, and other more naturalistic carving. Keris played aparticularly important role in Maduran society and the blades especially were worshiped, as onthe island of Java, according to a vast set of esoteric rituals. Standing as pusaka, a powerfulsanctified heirloom, and serving as a strong marker of socio-economic status, a keris was animportant object for Maduran royalty and commoners alike.This example in the Schmiedt collection is an interesting example of a Maduran keris with afigural form carved in a provincial style, with deep carving and a traditional form found on moreclassic Balinese togog hilts. The figure is likely of a prince with a Maduran keris in the waistband worn on behind the back. The keris as carved on the back of the figure can be discerned asa classic Maduran form by the Madurese wrangka of the dagger and the approximation of thedonoroki hilt. The hilt has a fine aged patina. The 3 luk blade has the shape approximated bydapor naga siluman (Ki Empu Jhuel) and consists of the pamor pattern called beras wutah. Themendak (cuff) between hilt and blade in Balinese style and in brass. The carved warangka(scabbard throat) of Gayaman style in the Surakarta form and with a pendok with a largebonaspatti face in embossed brass over a wood gandar (body) in the classic Maduran shape,similar to those found in Bali.First half of 20th century. Beautiful and rare example.Total Length (inside scabbard if present) : 22" Blade Length : 15 1/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignées de kris de l'archipelindonésien9. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAHDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Beautiful Indonesian Sumatra KERIS Dagger ~ Fine Silver Mounts & Carved Wood Grip ~ Early 20th C.

Lot # 60 (Sale Order: 59 of 298)      

Keris Dagger from Sumatra or Kelamantan area display a variety of stylistic attributes. Inthis example, the hilt is formed in the style of a highly stylised Garuda. This ...morehilt form may alsobe from the Pattani area in Kelamantan. As the area was Islamized, the Hindu god Garuda wasmodified to the point where it took on the shape of a seated or squatting humaniod figure with along beak and which now is considered to be a representation of a kingfisher bird. These longbeaked birds do not appear as if in motion and instead sit solidly on a stylized tumpal throne,with a triangular design of a row of triangles and inverse triangles, in the classic squattingancestor pose. The design of these distinct hilts is more associated with Sumatra than the otherlong beaked hilt, classically known as Thai Pattani work. These Sumatran hilts are called HuluBurung and are distinguished by triangular palmettes, feathers depicted as tight curls, and whirling flower or sun motifs.This example in the Schmiedt Collection is a rare example of a quality Hulu Burung hilt, finelycarved in wood with an aged patina. The scabbard is in the Sumatran style often associated withRiau called a bulan sabit, or crescent, with three finely chiseled silver fittings showing doubleheaded birds with large fanned tail feathers, and with a slightly enlarged buntut.The blade is a straight form called a dapor sinom and a finely patterned pamor with a deep etchin Javanese style. The pamor appears to be a type called sisik sewu, translated as Thousand Sheds.First half of 20th century.Total Length (inside scabbard if present) : 20 1/2" Blade Length : 14 3/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.KerisattosanajiDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare Indonesian South Sumatra / North Java KERIS Dagger ~ Fantastic Carved Damascus Blade ~ First Ha

Lot # 61 (Sale Order: 60 of 298)      

Javanese keris Dagger, are some of the most highly variegated objects in the world of arms and armor.Despite maintaining a distinct overall form and shape, the variation,...more in particular of the style ofblades is greater than any other arms and armor culture. The most classic style of hilt is from theRoyal Palaces of Surakarta in central Java and called a cecekan hilt in the Yudo Winatan style.This hilt has seven flat planar sides, with two carvings at internal angles of the hilt. The onenearest the pommel represents the kala mask, a benevolent demon and the small protrusion in thecarving called a kuncung represents a nose. Other forms of hilt from Java include rare form thatrepresent Wayang figures with elongated noses and exaggerated features. While other forms inNorthwest Java approximate veiled durga forms from southern Sumatra. Some hilts displaysyncretic influences across cultures with features of multiple regions in one hilt, representing theskills and origin of the carver or the interests of the commissioner of the keris. As each kerishas its own spirit, reflected by the blade shape and its individual pamor. It was consideredimportant for a prospective owner to acquire a keris whose spiritual persona was compatible withhis own. The choice of hilt was generally an aesthetic choice but would often be done inalignment with the type of blade and pamor. Keris, as spiritual objects, were believed tointervene supernaturally in the lives of their owners and could help keep disease away, ease thepain of childbirth, prevent quarrels, ensure victory in battle, extinguish fires and deter attacks bywild animals. As a result many family keris, were considered pusaka, or treasured familyheirlooms. Because keris were so often calibrated to the owner's particular personality, a kerisowned by a person without the right temperament or personality could create misfortune anddisorder for the owners and others around him.This example in the Schmiedt collection is an interesting example with a hilt that has elements ofa Wayang visage but with the veiled durga form with an angular smooth shape found on southernSumatran hilts. The 13 luk blade of dapor nagasastra form with a naga carved into the gandikand the tail chiseled into the blade running towards to the tip. The pamor is indiscernible. Themendak (cuff) between hilt and blade in Javan style and in chiseled silver and inlaid withdiamonds or paste stones. The warangka (scabbard throat) of Ladrang style in the Madura Irasform and with a rich chatoyancy, or wood lustre. The pendok now in tarnished silver over awooden gandar (body) and with a chape at the foot of the gandar that represents a Dutch colonialinfluence. The overall composition potentially late Dutch colonial period.Early to mid-20th century, rare and unusual example.Total Length (inside scabbard if present) : 20 1/4" Blade Length : 15 3/4"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignées de kris de l'archipelindonésienDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Good Indonesian Sumatra KERIS Dagger ~ Silvered Copper Mounts ~ Damascus Blade ~ First Half of 20th

Lot # 62 (Sale Order: 61 of 298)      

Keris Dagger from Sumatra, Riau province, or Kelamantan area display a variety ofstylistic attributes. In this example, the hilt is formed in the style of a highly stylis...moreed Garuda.This hilt form may also be from the Pattani area in Kelamantan. As the area was Islamized, theHindu god Garuda was modified to the point where it took on the shape of a seated or squattinghumanoid figure with a long beak and which now is considered to be a representation of akingfisher bird. These long beaked birds do not appear as if in motion and instead sit stolidly ona stylized tumpal, triangular design, throne in the classic squatting ancestor pose. The design ofthese distinct hilts is more associated with Sumatran than the other long beaked hilt, classicallyknown as Thai Pattani work. These Sumatran hilts are called Hulu Burung and are distinguishedby triangular palmettes, feathers depicted as tight curls, and whirling flower or sun motifs.This example in the Schmiedt Collection is a rare quality form of the Hulu Burung hilt, finelymade in silver copper or bronze with a fine worn patina. The scabbard is in the Tengah styleoften associated with Gayo in Sumatra with two silvered copper finely chiseled fittings, and witha slightly enlarged buntut. The blade is a 13 luk form called a dhapur sinom and a finelypatterned pamor with a deep etch in Javanese style. The pamor appears to be a type called ngulitsemangka sewu, Watermelon Skin.First half of 20th century.Total Length (inside scabbard if present) : 20 1/4" Blade Length : 14 3/4" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.KerisattosanajiDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Exceptionally Fine 19th C. Philippine Moro Datu's BARONG Sword ~ Dramatic Damascus Blade ~ Silver Gr

Lot # 63 (Sale Order: 62 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sultanatearea called a barong. These swords have a distinctive form that is specifi...morec to this region of SouthEast Asia and the southern Philippines, though it is believed that they are related to theIndonesian badik knife, though in a greatly expanded and enlarged form. The barong has adistinct leaf shaped blade which is an effective cutting and slicing form, and may be used forstabbing depending on the profile the smith develops. Barong blades are often thick and heavywith the weight aiding in the slicing capability of this sword. Older blades can range from smalllengths of 8" upwards to 22" which is uncommon. In some cases barong blades are alsopatterned in lamellar patterns and in rarer examples with twistcore iron. Some blades were alsoknown to either have been traded from China, and are marked with a series of Chinesecharacters, or were marked by Moro smiths as a mark of quality with pseudo-marks which areunintelligible.The handles are simple in design except in the pommel which in some examples have adistinctive interpretation of a cockatua bird as a vestigial visual representation of the bird. Often handles would be made from finely patterned wood representing the social class of the owner.Especially fine Datu's examples would be made of rare materials, such as this example in the Schmiedt Collection.This example is of exceptional quality with a superbly carved jungayyan cockatoo in near perfectcondition with no losses. The size of the pommel and the lack of damage is a rare occurrence onsuch a largely proportioned kakatua. The blade in fine condition and displaying a lamellar pattern. The grip has a long silver ferrule and embossed silver fittings. This barong likely fromSulu or Mindanao.Dating to the late 19th century.Total Length (inside scabbard if present) : 25 3/4" Blade Length : 17 1/4"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum of CulturalHistory3. Combes, F. (1667) Historia de Mindanao y Joló, por el p. Francisco Combés ... Obra publicadaen Madrid en 1667, y que ahora con la colaboración del p. Pablo Pastells ... sacanuevamente á luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]4. Krieger, H. W. (1926). The collection of primitive weapons and armor of the Philippineislands in the United States National museum. Washington: Govt. Print. Off..5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art. Macau Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Fine 19th C. Indonesian Banjarmasin, Borneo KERIS Dagger ~ Gold Gilt Grip with Countless Rough

Lot # 64 (Sale Order: 63 of 298)      

Borneo does not a distinct culture of keris and the arms of the people of Borneo are primarilydistinguished by a wide variety of swords and daggers in different forms, ma...moreny influenced by themultiple cultures that met at the crossroads of South Borneo due to trade and conquest. The onedistinct Bornean type of keris is not distinguished by a blade form and instead by a specific typeof hilt. This style of workmanship is associated specifically with Banjarmasin on the south coastof Borneo in South Kalimantan. These Banjarmasin hilts are distinguished by the use of inlay with (intan-intan) or rough cut diamonds or yakut, rock crystal, and which were found inabundance in Mataram and also found their way onto the mendaks of Javanese hilts as well as other decorated hilts of the region. The hilts do not display a specific shape distinctive to Banjarmasin and are found in approximation of hilt styles from across the regions south, west, and east of Kalimantan which is why these hilts can be found in planar Javanese type of cecekan form, the Java demam type of Sumatra and the Malay Peninsula, and the kerdas type from Bugisand the Malay Peninsula.This example in the Schmiedt collection is a rare example of a Banjarmasin keris of early construction and form. The Javanese cecekan form hilt inlaid with intan intan rough cut diamonds or yakut rock crystal stones, over a gilded brass or copper filigree handle. The condition is very fine with little loss to the inlays. The workmanship is of fine quality indicating an earlier dating for this style which continues to be made into the 20th century. The blade is an early example and displays both age and a fine pamor pattern, approximated best by the typecalled Jung Isi Dunia, or a sailing ship with earthly goods. The mendak (cuff) between hilt andblade in Javan style and made ensuite with the hilt inlaid with stones as well. The warangka(scabbard throat) of Ladrang style in the Java Yogyakarta form. The gandar (body) of the sheath in wood with a wooden pendok, offset in a different patterned wood from the gandar.Late 19th century. Rare and very impressive example.Total Length (inside scabbard if present) : 17 1/2" Dagger Blade Length : 14"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Maisey, A. Dhapur and pamor according to Djeno Harumbrojo, Jogjakarta.Kerisattosanaji8. Marval, G.de. (1994) UKIRAN - Essai de classification des poignées de kris de l'archipelindonésien Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Good Silver Mounted Ethiopian (Horn of Africa) Danakil GILE Dagger Sword ~ Early 20th C.

Lot # 65 (Sale Order: 64 of 298)      

A classic form of Horn of Africa dagger called a gile, similar in form and derived from theArabian peninsular jambiya, the gile can be found in Ethiopia, Eritrea, Djibout...morei, and Somalia,where is known by a variety of different terms including qolxad in Somali and jile in the Afarlanguage.Most closely associated with the Afar or Danakil people, the gile is primarily considered a dagger with a distinctive pommel ending in a cap-like protrusion often of bronze, zinc or silver.The double-edged blade is shaped like an asymmetrical leaf with a distinctive flare at the sharp curve of the blade. The blades were most often made from salvaged metal, usually iron or steel from vehicle springs, though older examples would have forged trade blades. The sheaths weremade of hardened leather or leather wrapped wood and in some cases would be decorated, suchas this example. The sheath usually has a prolonged metal tip, sometimes embellished with metaldecoration of varying quality with an enlarged knob on the end. The sheath is worn on a belt around the waist and attached to the belt with a circular or square buckle or more rarely sewn on.As with other daggers in this region, the dagger's handle often indicates the social status of theperson who wears it.This example is of classic form but of superior quality. The handle is of classic form and relatedto the handle of Ethiopian gurade of shotel though with a flattened appearance. In this case, thehandle is embellished with silver overlay and silver wire in the central portion of the grip. The blade of classic double edged form with sharpened and polished external portion and darkened fullers for a contrasting effect. The scabbard is hardened leather and with a very fine silverchape in silver with delicate filigree work, most likely associated with Ethiopia. It is possiblethat Ethiopian silversmiths created the fittings for a Danakil client.Total Length (inside scabbard if present) : 21 1/2" Blade Length : 13 3/4" Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare 19th C. Arabic Omani KATTARA Sword with Early European Crusader's Blade ~ Rare Battle Example.

Lot # 66 (Sale Order: 65 of 298)      

The traditional battle sword of an Omani warrior is traditionally a curved swordcalled a saif. During the 19th century, a straight sword called the kattara replaced the A...morerab saif asa traditional Omani sword. However, it is unlikely that the kattara was used extensively as aserious weapon. The kattara is still today utilized as a ceremonial weapon is now almost entirelyassociated with traditional forms of ceremonial dancing at weddings and religious events. The blades of kattara are invariably made of European trade blades or locally made blades made in the European trade blade shape.The blade of this sword was most likely produced in Europe, with a faint stamped mark near the top of the fuller indicating a trade blade. The double edged blade has a short wide fullerrunning roughly ¼ of the length of the blade and with a spatulate tip as is common on these swords. The leather-covered grip tapers continuously to the iron pommel. The crossguard is gently curved with two quillons. Historically, Omani kattaras do not have crossguards, but thecrossguard of the example in the Schmiedt Collection appears original to the mounting and idiosyncratic in form as it has design elements of Sudanese kaskara and may be influenced by those swords, as the Beja exported shields across the Red Sea and potentially swords as well.These kattara swords are especially associated with the traditional form of Omani dance and music, known as funun, originated in the Dhofar mountains in southern Oman. The dances are intended to mimic battle, and the men brandish their jambiyas and kattaras. In the dances with kattaras, men often hold small shields in their left hands so that parrying movements are incorporated in the dance.Total Length (inside scabbard if present) : 41" Blade Length : 32" References:1. Stone, G. C. (1934). A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times. Mineola NY: Dover Publications.2. Elgood, R. (1994) The Arms and Armour of Arabia in the Eighteenth, Nineteenth andTwentieth Centuries, Aldershot, England: Scolar Press3. Spring, Christopher (1993). African arms and armour. British Museum Press.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Impressive 19th C. Philippine Moro Mindanao KAMPILAN Sword

Lot # 68 (Sale Order: 66 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea area called a kampilan. The basic form of the sword is considered to have been ...moreborrowed from Malay prototypes and similar swords from Timor and Borneo are found in Dutch institutional collections, though with slightly different grip shapes, and a representative example from Timor.The kampilan profile is strikingly similar to that Timorese prototype but also the blade profile has deep similarities to the klewang and mandau (parang ihlang) swords thatwere used by the Dayak of Borneo. Regardless of the origin, the kampilan has been used by the Moro for hundreds of years and generally following this distinctive and primarily distinguished by a carved hilt with a heavy crossguard and in most cases a bifurcated carved pommel decoratedwith floral decoration called okir. The design of the pommel varies between ethnic groups, but it isconsidered to depict a variety of animas including a bakunawa (dragon), buaya (crocodile), kalaw(hornbill), or a kakatua (cockatoo). Some hilts also have a plugs of hair, varying called goat orhuman hair, though the longer examples in black may well be human. Krieger (1926) refers to these "hairy kampilans" as denoting considerable rank on the part of the bearer, they areornamented with a tuft of tufts of human or horse hair at the sides of the handle.The kampilan also has a storied history and from the first-hand account of Magellan’s shipmate,Antonio Pigafetta, it is thought that Magellan was killed by the kampilan in the region of thesouthern Philippines. Pigafetta (2010) writes:Recognizing the captain [Magellan], so many turned upon him that they knocked his helmet offhis head twice... A native hurled a bamboo spear into the captain's face, but the latterimmediately killed him with his lance, which he left in the native's body. Then, trying to lay handon sword, he could draw it out but halfway, because he had been wounded in the arm with abamboo spear. When the natives saw that, they all hurled themselves upon him. One of themwounded him on the left leg with a large cutlass, which resembles a scimitar, only being larger.That caused the captain to fall face downward, when immediately they rushed upon him withiron and bamboo spears and with their cutlasses, until they killed our mirror, our light, ourcomfort, and our true guide.These early accounts considered some of the earliest European documented uses of the kampilan,the sword is mentioned in early Filipino epic poems such as the Hiligaynon Hinilawod from theVisayas; the Ilocano Biag ni Lam-Ang from Luzon; and the Maranao Darangen of Mindanao.This example in the Schmiedt Collection of fine quality. The hilt delicately carved in a darktoned and patinated wood with okir decoration and a rich chatoyancy rarely seen on kampilanhilts. The hilt also inset with longs plugs of black hair, potentially human but more likely goat.The crossguard is in the classic Moro style and inset with an iron projection for additional handprotection. The blade of classic Moro profile, with a thin ricasso and a widening blade, and inthis case with piercings at the slope, derivate perhaps of the hooks and whorls of certain Mandaublades and which supposedly one of the progenitors of the kampilan form.Total Length (inside scabbard if present) : 38 1/2" Blade Length : 28 1/4" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San Francisco Craft &Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum of CulturalHistory4. Pigafetta, A. (2010). PIGAFETTA'S ACCOUNT OF MAGELLAN'S VOYAGE. In H. Stanley (Ed.),First Voyage Round the World by Magellan: Translated from the Accounts of Pigafetta andOther Contemporary Writers (Cambridge Library Collection ‐ Hakluyt First Series, pp. 33‐163). Cambridge: Cambridge University Press5. Combes, F. (1667) Historia de Mindanao y Joló, por el p. Francisco Combés ... Obra publicadaen Madrid en 1667, y que ahora con la colaboración del p. Pablo Pastells ... sacanuevamente á luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]6. Krieger, H. W. (1926). The collection of primitive weapons and armor of the Philippineislands in the United States National museum. Washington: Govt. Print. Off..7. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art. MacauDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Good 19th C. Philippine Moro Mindanao KAMPILAN Sword ~ Powerful Layered Steel Blade.

Lot # 69 (Sale Order: 67 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kampilan. The basic form of the sword is considered to have been b...moreorrowed form Malayprototypes and similar swords from Timor and Borneo are found in Dutch institutionalcollections. The kampilan profile is strikingly similar to that Timorese prototype but also the bladeprofile has deep similarities to the klewang and mandau (parang ihlang) swords that were usedby the Dayak of Borneo. Other experts contend that the Celebes islands are the origin for theMoro kampilan.The kampilan also has a storied history and from the first-hand account of Magellan's shipmate,Antonio Pigafetta, it is thought that Magellan was killed by the kampilan in the region of thesouthern Philippines. Pigafetta (2010) writes:Recognizing the captain [Magellan], so many turned upon him that they knocked his helmet offhis head twice... A native hurled a bamboo spear into the captain's face, but the latterimmediately killed him with his lance, which he left in the native's body. Then, trying to lay handon sword, he could draw it out but halfway, because he had been wounded in the arm with abamboo spear. When the natives saw that, they all hurled themselves upon him. One of themwounded him on the left leg with a large cutlass, which resembles a scimitar, only being larger.That caused the captain to fall face downward, when immediately they rushed upon him withiron and bamboo spears and with their cutlasses, until they killed our mirror, our light, ourcomfort, and our true guide.Later accounts during the Spanish conquest of the Philippines indicate that the kampilan was afavorite weapon of the Ilanuns (a Moro ethnic group from Mindanao and the West Coast ofBorneo), though this is difficult to explain (Demetrio 1991) as the length of a kampilanapproaches and exceeds one yard. These sword are quite lengthy and difficult to use onshipboard condition but nonetheless there are accounts of Moro pirates on the classic Sulu seapiranha boats wielding these large swords.The swords are generally very distinct, and primarily distinguished by a carved hilt, sometimes inrare materials such as bone, with a heavy crossguard and in most cases a bifurcated carved pommeldecorated with floral decoration called okir. The pommels are considered to depict a variety ofanimals including a bakunawa (dragon), buaya (crocodile), kalaw (hornbill), or a kakatua(cockatoo). Some hilts also have a plugs of hair, varying called goat or human hair, though thelonger examples in black may well be human.This example in the Schmiedt Collection of fine quality. The hilt carved in a with fine decorationand sheets of brass or darkened silver interspersed with rattan. The hilt also inset with long plugsof black hair, likely goat. The crossguard is in the classic Moro style and inset with halfhemispherical iron projections for hand protection. The blade of classic Moro profile, with a thinricasso and a widening blade, and in this case with the sharp point at the edge called a sundi.According to Cato (1996) different Moro groups attribute different meanings to it, bothdecorative and utilitarian. Maranaos indicate that it is a representation of a hornbill, whileMaguindanao warriors used the projection in battle as a way to distract and harass the opposingwarrior. Most of these are broken off considering the delicate manner in which they are carved,but this example remains on this blade in good condition.Total Length (inside scabbard if present) : 37" Blade Length : 27" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Pigafetta, A. (2010). PIGAFETTA'S ACCOUNT OF MAGELLAN'S VOYAGE. InH. Stanley (Ed.), First Voyage Round the World by Magellan: Translated from theAccounts of Pigafetta and Other Contemporary Writers (Cambridge LibraryCollection - Hakluyt First Series, pp. 33-163). Cambridge: Cambridge UniversityPress5. Demetrio, F. (1991). Encyclopedia of Philippine folk beliefs and customs. Volume 2:Folk medicine to weaponry. Cagayan de Oro City, R.P.: Xavier University.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Early 20th C. Philippine Moro Mindanao KAMPILAN Sword.

Lot # 70 (Sale Order: 68 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kampilan. The basic form of the sword is considered to have been b...moreorrowed form Malayprototypes and similar swords from Timor and Borneo are found in Dutch institutionalcollections, though with slightly different grip shapes, a representative example can be seen here.The kampilan has a storied history and from the first-hand account of Magellan's shipmate,Antonio Pigafetta, it is thought that Magellan was killed by the kampilan in the region of thesouthern Philippines. Later accounts during the Spanish conquest of the Philippines indicate thatthe kampilan was a favorite weapon of the Ilanuns (a Moro ethnic group from Mindanao and theWest Coast of Borneo), though this is difficult to explain (Demetrio 1991) as the length of akampilan approaches and exceeds one yard.The swords are generally very distinct, and distinguished by a carved hilt, sometimes in rarematerials such as bone, with a heavy crossguard and in most cases a bifurcated carved pommeldecorated with floral decoration called okir. The design of the pommel varies between ethnicgroups, but it is considered to depict a variety of animas most prominently as a buaya (crocodile).In some cases, the hilt also called a sumba in Maguindanoan is often carved and decorated withfloral decoration called okir.This example in the Schmiedt Collection of early 20th century quality. The hilt carved in a darktoned and patinaed wood with minimal okir decoration. The hilt also inset with longs plugs ofblack hair, likely goat. The crossguard is in the classic Moro style but wider than usually found,in a disproportionate way indicating a later production example. The blade is in a known style ofMoro profile, with a thin ricasso and a widening blade, and in this case with the rounded invertedbarong form (Cato 1996). The hilt on this example also inset with silver or aluminum pins in adecorative manner and featuring a star shaped inset brass plaque, normally where a coin wouldbe inset.Total Length (inside scabbard if present) : 43 3/4" Blade Length : 32 3/4"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Pigafetta, A. (2010). PIGAFETTA'S ACCOUNT OF MAGELLAN'S VOYAGE. InH. Stanley (Ed.), First Voyage Round the World by Magellan: Translated from theAccounts of Pigafetta and Other Contemporary Writers (Cambridge LibraryCollection - Hakluyt First Series, pp. 33-163). Cambridge: Cambridge UniversityPress5. Combes, F. (1667) Historia de Mindanao y Joló, por el p. Francisco Combés ... Obrapublicada en Madrid en 1667, y que ahora con la colaboración del p. Pablo Pastells ...saca nuevamente á luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]6. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off..7. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau8. Macaraeg, R. (2009). "Pirates of the Philippines: a critical thinking exercise." Journalof Asian Martial Arts,18 (3)9. Demetrio, F. (1991). Encyclopedia of Philippine folk beliefs and customs. Volume 2:Folk medicine to weaponry. Cagayan de Oro City, R.P.: Xavier University. Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare Southern Philippine Cotabato KAMPILAN Sword with Scabbard & Brass Bells ~ First Half of 20th C.

Lot # 71 (Sale Order: 69 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kampilan but with decorative elements distinct to the T'Boli ethni...morec group as well. Thebasic form of the sword is considered to have been borrowed form Malay prototypes and similarswords from Timor and Borneo are found in Dutch institutional collections, though with slightlydifferent grip shapes. The kampilan profile isstrikingly similar to that Timorese prototype but also the blade profile has deep similarities to theklewang and mandau (parang ihlang) swords that were used by the Dayak of Borneo. Otherscontend that the Celebes islands are the origin for the Moro kampilan, which shows off the similarity with the Moro version.The kampilan also has a storied history and from the first-hand account of Magellan's shipmate,Antonio Pigafetta, it is thought that Magellan was killed by the kampilan in the region of thesouthern Philippines. Later accounts during the Spanish conquest of the Philippines indicate thatthe kampilan was a favorite weapon of the Ilanuns (a Moro ethnic group from Mindanao and theWest Coast of Borneo), though this is difficult to explain (Demetrio 1991) as the length of akampilan approaches and exceeds one yard.The swords are generally very distinct, and primarilydistinguished by a carved hilt, sometimes in rarematerials such as bone, with a heavy crossguard and inmost cases a bifurcated carved pommel decorated withfloral decoration called okir. The design of the pommelvaries between ethnic groups, but it is considered todepict a variety of animas most prominently as a buaya(crocodile). In some cases, the hilt also called a sumbain Maguindanoan is often carved and decorated withfloral decoration called okir.This example in the Schmiedt Collection of mid- 20thcentury dating. The hilt carved in a medium coloredbrown wood with some okir decoration and insetwith now worn plugs of hair. The crossguard is aderivation of the classic Moro style butdisproportionate and inset with small brass bells,called tiger bells and often found on T'Boli andBagobo swords. These tiger bells were known on kampilans particularly from the Ilanun and canbe found on two swords in the Dresden Ethnographic museum, seen in the image on the previouspage and published in Foy (1899). The blade is a derivation of classic kampilan blade but alsoshows elements of T'Boli style blade in its thicker ricasso and more sharply angled edge but withthe sharpened Moro protrusion called a sundi.The original scabbard is made for the sword and of wood, decorated with chiseled brass fittingsand the classic T'Boli or Bagobo style brass plugs at the foot of the scabbard.Based on the look of the wood, the brass fittings, and the combination of styles, it was likely produced in the first half of 20th century.Total Length (inside scabbard if present) : 34" Blade Length : 21 1/4"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Pigafetta, A. (2010). PIGAFETTA'S ACCOUNT OF MAGELLAN'S VOYAGE. InH. Stanley (Ed.), First Voyage Round the World by Magellan: Translated from theAccounts of Pigafetta and Other Contemporary Writers (Cambridge LibraryCollection - Hakluyt First Series, pp. 33-163). Cambridge: Cambridge UniversityPress5. Combes, F. (1667) Historia de Mindanao y Joló, por el p. Francisco Combés ... Obrapublicada en Madrid en 1667, y que ahora con la colaboración del p. Pablo Pastells ...saca nuevamente á luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]6. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off..7. Demetrio, F. (1991). Encyclopedia of Philippine folk beliefs and customs. Volume 2:Folk medicine to weaponry. Cagayan de Oro City, R.P.: Xavier University8. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau9. Macaraeg, R. (2009). "Pirates of the Philippines: a critical thinking exercise." Journalof Asian Martial Arts,18 (3)10. Foy (1899) Schwerter von der Celebes-See. Dresden.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Good 19th C. African Egyptian Abyssinian Arabic Hide Domed Shield with Pierced Brass Mounts.

Lot # 72 (Sale Order: 70 of 298)      

Good 19th C. African Egyptian Abyssinian Arabic Hide Domed Shield with Pierced Brass Mounts.Total Diameter : 19"References:1. Stone, G. C. (1934). A Glossary of the Const...moreruction, Decoration, and Use of Arms andArmor in All Countries and in All Times. Mineola NY: Dover Publications.2. Spring, Christopher (1993). African arms and armour. British Museum Press.3. Paschke, D. and Zirngibl, M. (1992) Afrikanische Schilde / African Shields. PanterraPress4. Benitez-Johannot, P. and Barbier, J-P (2000) Shields: Africa, Southeast Asia andOceania, Prestel Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare 18th C. Mughal Indian Tulwar Hilted DHUP Sword ~ Actively Patterned Damascus Blade ~ Chiseled &

Lot # 73 (Sale Order: 71 of 298)      

An Indian sword dating to the 18th century, this example is classically termed a Dhup by Stone (1934) and Elgood (2004). Both authors describe a straight bladed Indianswo...morerd with a disc pommel and a short spike. These long straight swords were consideredemblems of authority and conferred as a mark of distinction on successful soldiers, nobles andfavourites. The Mughals used these swords as a staff sword conveying rank, and they wouldoften be made from European trade blades, in which case they were known as firangis. Whenthey used an Indian made blade, also called sukhela, these swords would then be known as adhup or sukhela.The example in the Schmiedt Collection of fine quality workmanship. The hilt is in the classicIndian style, with a discoid pommel, swelling grip, and two short rounded quillons. The hilt offine quality in chiseled iron and with gilding embellishment to the raised surfaced, now worn.The floral decoration on the handle with five petalled flowers surrounding a six petaled flower inthe swollen grip. These floral designs can be found through North and Central India and aredifficult to directly attribute to a specific region though these swords are found through MughalIndia and among the Mahrattas. The crossguard terminates with a stylized lotus bud at the tipnear the pommel.The blade is a native made blade, and with a visible layered patterned damascus iron pattern, anda false edge for the last fifth of the blade.Total Length (inside scabbard if present) : 37 3/4" Blade Length : 33"References:1. Elgood, R. (2004) Hindu Arms and Rituals.2. Elgood, R. (2018) Rajput Arms and Armor.There are hundreds of examples of Indian tulwar hilted sword sales, from those selling for $50 to those in thetens of thousands. The vast majority of swords are sold for between $200‐1000. Higher quality swords aredistinguished by the quality of the workmanship on the blade, handle, and whether they are complete. Listingcomparable sales would not produce a useful metric and the value is based on handling hundreds of tulwars overthe period of nearly 35 years and reviewing sales for dozens of tulwars.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Early 20th African Sudanese Arabic KASKARA Sword ~ Beja Tribe ~ Rare Snake Skin Mounts

Lot # 74 (Sale Order: 72 of 298)      

This sword is characteristic of the swords of Sudan, Darfur, Kanem-Bornu (Chad) and Nubia andis currently referred to as a kaskara. The term kaskara is a recent name and ...moreis completelyunknown in the Sudan, where these swords are termed simply saif. The kaskara is a broadsword,with a long straight blade with a central grove with two cutting edges. The cruciform hilt has astraight cross guard with two languets. The quillons are often flared and usually are long, straightand end in a T-shaped form. The crossguard center has upper and lower languets. The woodengrip is usually wrapped with leather bands or other materials such as silver filigree and ends witha disc shaped pommel. These swords are usually one yard in length. There are some regionaldifferences in the types of kaskara especially with respect to the form of the crossguard. Thisparticular crossguard with the heavily flared quillons of iron is more characteristic of swordsfrom the western Sudan Darfur region.This example in the Schmiedt Collection is a good example of a mid-level sword, with a distinctstyle of handle mounted in twine and reptile skin. The crossguard of this sword most closelyresembles the style of crossguard called the "Mutamaan" which has a diamond shape at the ends,but with eight facets, hence the name deriving from the Arabic word for eight, tamaanye. It is the most common style. The blade of this sword, attributed in the Schmiedt Collection as a local blade, has a wide single fuller running the full length of the blade, called khar (channel or canal).The scabbard in embossed leather, with white leather embellishment and a bouterolle enlargedtip mounted with a silver chape.Total Length (inside scabbard if present) : 40 3/4" Blade Length : 35 1/4" References:1. Stone, G. C. (1934). A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times. Mineola NY: Dover Publications.2. Spring, Christopher (1993). African arms and armour. British Museum Press3. Pradines, Stephane & Khorasani, Manouchehr. (2018). SUFI IN WAR: PERSIAN INFLUENCEON AFRICAN WEAPONRY IN 19TH CENTURY MAHDIST SUDAN.4. Hunley, E. (1984) The Social Economics of Small Craft Production: The Sword andKnife Makers of Kassala, Eastern Sudan. Dissertation. State University of New York atBinghamton.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Good Silver Mounted African Sudanese Arabic KASKARA Sword ~ South East Sudan Beja Tribe ~ Early

Lot # 75 (Sale Order: 73 of 298)      

This sword is characteristic of the swords of Sudan, Darfur, Kanem-Bornu (Chad) and Nubia andis currently referred to as a kaskara. The term kaskara is a recent name and ...moreis completelyunknown in the Sudan, where these swords are termed simply saif. The kaskara is a broadsword,with a long straight blade with a central grove with two cutting edges. The cruciform hilt has astraight cross guard with two languets. The quillons are often flared and usually are long, straightand end in a T-shaped form. The crossguard center has upper and lower languets. The woodengrip is usually wrapped with leather bands or other materials such as silver filigree and ends witha disc shaped pommel. There are some regional differences in the types of kaskara especiallywith respect to the form of the crossguard and this particularly crossguard of with the heavilyflared quillons of iron and the silver filigree handle is more characteristic of fine swords from theEast Sudan region of the Beja people.This example in the Schmiedt Collection is a good example of a higher quality sword, with adistinct style of handle mounted in silver filigree. This type of grip treatment consists of filigreedsilver tape wrapped around the wooden grip base. The process close to the execution of similarlystyled handles with embossed silver patterns. However, this signature style addresses theprotective qualities of silver and is coupled with a traditional Beja tassel. The crossguard of thissword most closely resembles the style of crossguard called the "Mutamaan" which has adiamond shape at the ends, but with eight facets, hence the name deriving from the Arabic wordfor eight, tamaanye. The blade of this sword, attributed in the Schmiedt Collection as aEuropean blade, has a wide single fuller running the full length of the blade, called khar (channelor canal). The scabbard in embossed brown leather and mounted with silver scabbard fittings,and an enlarged bouterolle.Total Length (inside scabbard if present) : 41" Blade Length : 34 1/2"References:1. Stone, G. C. (1934). A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times. Mineola NY: Dover Publications.2. Spring, Christopher (1993). African arms and armour. British Museum Press3. Pradines, Stephane & Khorasani, Manouchehr. (2018). SUFI IN WAR: PERSIAN INFLUENCEON AFRICAN WEAPONRY IN 19TH CENTURY MAHDIST SUDAN.4. Hunley, E. (1984) The Social Economics of Small Craft Production: The Sword andKnife Makers of Kassala, Eastern Sudan. Dissertation. State University of New York atBinghamton5. Hunley. E. “The Sudanese Kaskara Sword in Silver Dress.”Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Good 18th C. Islamic Afghan PULWAR Sword ~ Early European Blade.

Lot # 76 (Sale Order: 74 of 298)      

A classic Indo-Afghan sword called a pulwar, or pulouar, this sword likely dates to the 18th to early 19th century. The pulwar sword is an interesting amalgam of two styl...morees and hasdesign elements of early origin. The hilts of these swords take the partial form of the classic Indian tulwar, with a discoid pommel, swelling grip, and double quillons. However, invariablythe quillons terminate in stylized dragon heads which are relics of much earlier Central Asian Timurid swords which migrated to the Indo-Afghan region and to the Mughal Empire. Whereasthat earlier form of dragon headed quillon died out in the Indian sub-continent and was replaced by more abstract rounded or tri-foil designs the more secluded Afghan environment led to this design element being preserved through to the 19th century when pulwars continued to be used by Afghan armies.The example in the Schmiedt Collection of fine quality workmanship. The hilt is in the classicpulwar style, with a discoid pommel, swelling grip, and two curved quillons with stylized dragonhead terminals. This hilt of fine quality in chiseled iron and pierced embellishment in thequillons and the pommel. This piercing work is another cultural influence from Safavid and early Qajar Persian (Iran) where pierced ironwork of high quality was popular on religious objects and in arms and armor (Allan and Gilmor 2000).The blade appears to be a European trade blade with marks along the inner fuller near the handle and embellished with chiseled designs along the upper portion following the spine, and with a raised false edge similar to a yelman on Ottoman swords. It is also possible that the blade is a native interpretation of a European blade, as similar style blades have been found in places as far west as the Balkans and in Indonesia, and were likely produced in Italian iron making towns for export.Total Length (inside scabbard if present) : 39" Blade Length : 30 1/2" References:1. Allan, J. and Gilmour, B. (2000). Persian Steel: The Tanavoli Collection. New York:Oxford University Press2. Elgood, R. (2004) Hindu Arms and Rituals.3. Elgood, R. (2018) Rajput Arms and Armor.4. Stone, G. (1934) A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times: Together with Some Closely Related Subjects.Portland, Maine: Southwork Press.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare 19th C. Mughal Indian SHAMSHIR / TULWAR Sword ~ Vicious Serrated Blade ~ Fine Silver Damascened

Lot # 77 (Sale Order: 75 of 298)      

An interesting Indian tulwar of classic hilt but with a rather unique serrated blade.The hilt of this sword takes the form of the classic Indian tulwar, with a discoid po...moremmel,swelling grip, and double quillons, and this case a d-guard that flows into the pommel andterminates in a stylized lotus bud.The example in the Schmiedt Collection of fine quality workmanship. The hilt is a classicregional tulwar style most associated with Lahore and North-west India, and finely decoratedoverall with silver foil decoration, called koftgari, in floral designs. The decoration remains infine condition with few losses. The blade appears to be a native blade which has been serratedalong the cutting edge with a series of vicious looking indentations and sharpened points.Along the spine the blade has been indented. Serrated blades on Indian swords are not unknown, and blades with indentations along the spine are also known but quite scarce. In the Royal Collection Trust, U.K., several such swords can be found all with original collection provenance to the 19th century including Acc. No. RCIN 38425 and Acc. No.RCIN 38768. Others with serrated blades have come up for sale in previous years including an example with an identical form blade sold at Bonhams in 2007.Total Length (inside scabbard if present) : 32 1/4" Blade Length : 27" Comparable sales:https://www.bonhams.com/auctions/23410/lot/1044/https://www.bonhams.com/auctions/15101/lot/7/References:1. Elgood, R. (2004) Hindu Arms and Rituals.2. Elgood, R. (2018) Rajput Arms and Armor.3. Stone, G. (1934) A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times: Together with Some Closely Related Subjects.Portland, Maine: Southwork Press.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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1.178.0.1774.cf7307d.15.190