Important May 8th Collection of Asian Arms, Part I

Important May 8th Collection of Asian Arms, Part I

Saturday, May 8, 2021  |  10:00 AM Central
Auction closed.
Important May 8th Collection of Asian Arms, Part I

Important May 8th Collection of Asian Arms, Part I

Saturday, May 8, 2021  |  10:00 AM Central
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A Prominent, Fresh to Market Collection of Antique Asian Arms. This Auction will include part I of the entire David Schmiedt Collection. We are very humbled and excited to facilitate the sale of such an impressive estate. Mr. Schmiedt, internationally known, prominent collector, out of California have been actively and passionately gathering priceless artifacts from All Over the World for period over 30+ years . The collection includes some exceptionally rare and fine quality examples of Indonesian and Philippine Weaponry Art with mega-rare Damascus steel patterned blades and exquisite mounts, almost never encountered on the market. Some Fantastic Kris, Keris, Barong, Kampilan, Mandau, Balato & Parang Jimpul examples that will Blow any Collector's Mind ! Also a number of High Quality Ottoman and Indo-Persian sabers with fine Wootz blades, as well as some rare examples of Large Tribal Shields and Armor, Spears, Clubs, Dayak Headhunter's Skull displays & Fantastic carved wood Keris-holder statues. This phenomenal sale is a Once in a Lifetime opportunity to put together a Superb... Show more
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Scarce 19th C. Philippine BICOL MINASBAD Sword ~ Silver Mounted Carved Horn Grip.

Lot # 103 (Sale Order: 101 of 298)      

A distinct form of a Philippine sword, this form of sword is called a minasbad andis associated with Bicol region of Eastern Luzon Island. These swords have a distinct fo...morerm witha stylized bat head carved grip, flared blade, and a crossguard with strong influences from theSpanish colonial period. It is possible as well that these swords were influenced by colonialswords from Nuevo Espana (now Mexico) which was the vice royalty that controlled thePhilippines. Spanish colonial swords from Mexico, display a similar form and profile profile,though it possibly the transmission occurred from west to east as well. The minasbad is alsospecifically identified with the Cimarrones tribe of the Bicol, and like many other Philippine andIndonesian weapons, often functioned as a war sword and an agricultural tool.The example in the Schmiedt Collection is of classic form and has the especially distinct hilt thatis alternately referred to as a bat or a dogs head and decorated in silver. The blade flares in thedistinctive style of the Bornean parang nabur which may have influenced this sword. The handleform also has distinct resemblance to Chinese inspired mythological creatures and may have alsobeen influenced by the large Chinese community in the Philippines.Total Length (inside scabbard if present) : 25" Blade Length : 19 1/2" References:1. Macau Museum of Art. (2007). History of Steel in Eastern Asia–A View on theDevelopment of Weaponry. Macau Museum of Art.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Unique WW II Period Indonesian MANDAU Sword ~ Japanese Hilt & Inscription on Blade.

Lot # 104 (Sale Order: 102 of 298)      

A most odd form of sword and one of the most interestingobjects in the Schmiedt Collection. This sword appears to marry two distinct cultures in aparticular time period a...moreround the WWII period. The blade of this sword is a classic Dayak bladedisplaying exceptional quality chiseled iron decorative details and blade profile of the stylefound on fine Dayak blades. The decorative vinework along the spine of this blade is of veryfine quality, while blade is inlaid at the base with several copper circles, and incised with whatappears to be Japanese kanji characters.The handle of this sword appears to be a cast brassversion of a Japanese WWII naval sword, with eithercrossguard taken from such a sword or the handle castentirely from a carved copy of such a handle.The marriage of two such pieces could only have takenplace during the Japanese occupation of Borneo, andlikely done locally, so the sword may be dated to theperiod of March 1942-September 1945. The Japanesewere as cruel in their occupation of Dutch Indonesia asthey were elsewhere in their occupations, and by late1944 the Dayaks of West Kalimantan had begun killingJapanese in retaliation for the cruelty of Japanese control. The Japanese in particular perpetrateda series of massacres in Kalimantan that exterminated the Malay elite regardless of their origincalled the Pontianak Massacres and which sparked resistance amongst the Malay and Dayak ofBorneo. During May and June 1945, some Japanese were killed in a rebellion by the Dayaks inSanggau. This rebellion, during which many Dayaks and Japanese were killed, occurred fromApril through August 1945, and was called the "Majang Desa War".This unique sword was likely a product of this tumultuous time period and speaks to the unique forced cultural intermingling of this period during WWII.Total Length (inside scabbard if present) : 25 1/4" Blade Length : 20 1/4"References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books2. Davidson, Jamie Seth (2002). Violence and Politics in West Kalimantan, Indonesia.University of Washington.3. Heidhues, Mary F. Somers (2003). Golddiggers, Farmers, and Traders in the "ChineseDistricts" of West Kalimantan, Indonesia. Volume 34 of Southeast Asia publicationsseries (illustrated ed.). SEAP Publications.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Nice 19th C. BELADAH BELABANG Sword ~ Malaysian Indonesian ~ Kalimantan, Borneo Islands.

Lot # 105 (Sale Order: 103 of 298)      

A rare form of a classic Indonesian sword, called a beladah belabang, this examplein the Schmiedt Collection has the classic form of the sword with the pistol gripped han...moredle andthe upswept blade that has close parallels with Turkish and Islamic swords of similar form andshape and which are likely the inspiration of this sword form but which are also influenced byEuropean swords with the crossguards. These swords are most closely associated withBanjarmasin on the island of Kalimantan. From the 16th century onward, Banjarmasin was oneof the chief sources of pepper in South East Asia during the period up to the mid-18th century.The need for this commodity attracted the English, Dutch, Chinese and Indonesian merchants tothe area. The longstanding Muslim linkages also brought traders in contact with OttomanEmpire traders who would have carried their traditional scimitars, termed kilichs. All of theseinfluences can be seen in the beladah belabang.The blade is a well-balanced slashing weapon and is adapted in form and size for the Malaypeople. The production of these swords and blades was described by Hendriks (1842) where hedescribes the smith's techniques as the blades were polished on completion with stones, oil and afragment of shark skin.This example in the Schmiedt Collection is in fine condition with a finely patinated wooden grip,crossguard with no damage and a finely incised iron blade of classic cutlass form. Thecrossguard and pommel both feature design elements betraying the Indonesian region with floraldesigns that are uncommon to other Islamic or European swords. The blade is forged without afuller but decorated with incised design and has the characteristic flattened tip with carved floraldesign indicative of the indigenous influence of the Bornean weapons of the Dayak.Total Length (inside scabbard if present) : 29" Blade Length : 22 1/2" References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books2. Deutsche Klingen Museum (2019). Steel and Magic Edged Weapons of the MalayArchipelago. Deutsche Klingen Museum Solingen.3. Hendriks, A. (1842) Iets over de wapenfabricatie op Borneo. Bataviaasch Genootschapvan Kunsten en Wetenschappen.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Good Indonesian MANDAU PARANG IHLANG Sword, Kalimantan, Borneo Dayak Headhunters ~ Highly Decorated

Lot # 106 (Sale Order: 104 of 298)      

A distinctive Bornean sword of the Iban Dayak, called a Mandau or Parang Ihlang,these swords are found throughout institutional and private collections in varying degrees...more ofquality. They are distinguished by a set of similar features, all varying in the level of quality ofthe constructions, materials, and workmanship. The Mandau blade has a convex shape on oneside and somewhat concave on the other. The blades are often made of tempered metal and insome cases may display a lamellar pattern, similar to the pamor found on Indonesian kris blades,though this is highly uncommon. The hilts are often delicately carved with various carvingdetails varying across the manytribes of the Dayak, but oftendepict creatures oranthropomorphic deities. Thescabbards of some of the finerswords will often depict varioussymbols, such as the matakalung (necklace eye; paralleltwo dots with a carvingbeneath), mubung bilah (tombof ancient kings), kalung telu,kalung helat, and kalung asolejo (tiger).This example in the Schmiedt Collection for example hasnicely carved hilt, though not to the level of the finest carved Mandau hilts. The hilt also inlaid with shortened tufts of grey hair. The blade is a relatively simple style with a blade tip stylemost closely related to the style called li-po-tong based on research from 1888 from the Dutchresident in Koetei, where the Kayan tribe made mandaus of this form and style. The decorationalong the spine is also closely related to the form of decoration called mata joh.Total Length (inside scabbard if present) : 28 1/2" Blade Length : 22 3/4" Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Scarce 19th C. Indonesian JIMPUL Sword ~ Sarawak, Borneo Dayak Headhunters ~ Rare Blade Form.

Lot # 107 (Sale Order: 105 of 298)      

A distinctive Bornean sword of the Sea Dayak, called a Parang Jimpul, this swordis similar in style to the classic Iban Dayak Mandau and is the traditional weapon of the ...moreSeaDayak and Kenyah people from Borneo. It is often thought that the Parang Jimpul may beconsidered as a hybrid between the Mandau and Langgai Tinggang usually date to the late 19thcentury.Jimpul are distinguished by a set of similar features to the Mandau though the blade of theJimpul has flat sides and is distinctly curved with a widened point and a slanted or drop point.The blade often has two or three grooves, running at short distance from the back, as well ashooks and protrusions (krowit) near the hilt on the sharp edge. Chased designs can be found onboth sides near the hilt while the hilt and scabbard are made in the same way as those ofthe Mandau. The blades are often made of tempered metal and in some cases display a lamellarpattern, similar to the pamor found on Indonesian kris blades, though this is highly uncommon.The hilts are often delicately carved with various carving details varying across the many tribesof the Dayak, but often depict creatures or anthropomorphic deities.This example in the Schmiedt Collection for example has a finely carved hilt with short tufts ofhair and showing the carved tusks and aso designs found on classic Mandau hilts. The hiltdisplays a pleasing patina indicating an earlier sword. The blade is classic jimpul form, flat onboth sides, with a long single fuller running along the spine and darkened while the remainder ofthe blade polished, creating a contrasting effect. The drop point of the blade carved with a floraldesign, and showing the influence it has on the beladah belabang sword.Dating to the late 19th century to early 20th century.Total Length (inside scabbard if present) : 26" Blade Length : 21"References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fürEthnographie. Band 1. Pp.22-26.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Good 19th C. Indonesian MANDAU PARANG IHLANG Sword, Kalimantan, Borneo Dayak Headhunters.

Lot # 108 (Sale Order: 106 of 298)      

A distinctive Bornean sword of the Iban Dayak, called a Mandau or Parang Ihlang,these swords are found throughout institutional and private collections in varying degrees...more ofquality. They are distinguished by a set of similar features, all varying in the level of quality ofthe constructions, materials, and workmanship. The Mandau blade has a convex shape on oneside and somewhat concave on the other. The blades are often made of tempered metal and insome cases may display a lamellar pattern, similar to the pamor found on Indonesian kris blades,though this is highly uncommon. The hilts are often delicately carved with various carvingdetails varying across the many tribes of the Dayak, but often depict creatures oranthropomorphic deities. The scabbards of some of the finer swords will often depict varioussymbols, and may include various charms include animals teeth, shells, and beads, such as this example.This example in the Schmiedt Collection has nicely carved hilt of a darker material thannormally found Mandau swords. The hilt is inset with shortened tufts of black and grey tintedhair. The blade is a simple style with the blade tip most closely related to the style called long-nabased on research from 1888 from the Dutch resident in Koetei, where the Kayan tribe mademandaus of this form and style (Tromp 1888). The original scabbard is well made, bound withrattan and covered in animal fur, and includes a piso raut side knife used for wood and rattancarving. The blade of this example along the slope with a plain back and no fretwork. Shelford (1901)describes these kinds of slopes as song bang where it is not fretted nor produced into hooks andprojections but plain or excised into a series of short concave curves.Dating to the late 19th to early 20th century, the blade is quite early.Total Length (inside scabbard if present) : 27 1/2" Blade Length : 20" References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fürEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare 19th C. Indonesian PENAI Sword ~ Sumara, Sulawesi, Toraja ~ Layered Damascus Blade ~ Large Carv

Lot # 109 (Sale Order: 107 of 298)      

A rare form of Indonesian sword, this sword is called a sumara and is related to amore common style called a penai. The penai or the sumara are the machete sword of the B...moreareespeaking Toraja people. The hilts distinguish these swords and are formed with a ninety degreeangle and then two long protrusions finely carved in this case and which attribute this swordspecifically as a sumara. Both the penai and the sumara however have similar blades with theblade broadening towards the tip and turning in a slight curve towards the edge. These areconsidered to be true headhunters swords and those that are decorated with tin foil were reservedfor only the most renowned headhunters.The Toraja people were only converted to Christianity in the early 20th century and these swordshave a long tradition of usage in Toraja culture. According to Blair and Blair, the “Toraja huntedheads until as recently as the 1920s, but they were feared by their neighbours less for theirferocity than for their magic, part of which was their unnerving reputation for being able to causethe dead to walk. Toraja warriors had to die in their own 'Rante,' or village circle, if their soulswere successfully to return to the stars. Should they die beyond the Rante, then their shamans,the stories went, could quicken their corpses long enough for them to walk home under their ownsteam, even without their heads.” As late as WWII, this zombie folklore continued as “theoccupying Japanese forces had apparently been so terrified by the Toraja that after a fewerstwhile massacres they had left them to themselves. On several occasions groups of Torajaresistance fighters had been taken into the forest by the Japanese, machine-gunned, and left thereas a warning to others. Later in the evening their horrified executioners had reportedencountering them again, in serious disrepair, shambling in single file back through the foresttowards their Rante."This example in the Schmiedt Collection is in fine condition with a well toned carved grip. Theblade is a particularly fine example made of twistcore iron, an indication of the status of theowner and a rarity throughout the weapons of the Indonesian Archipelago.Total Length (inside scabbard if present) : 24 1/2" Blade Length : 19"References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books2. Blair, L., and Blair, L. (1988). Ring of Fire. Bantam Books.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Strong 19th C. Philippine Moro Datu's KRIS Sword ~ Rare Blade Form ~ Silver Inlays

Lot # 110 (Sale Order: 108 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian ker...moreis but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, andmore numerous and therefore required greater skill to prevent the blade bouncing off or beingstuck in an enemys body. The higher number of waves meant the more potent the kris was intalismanic power such as this example. Sometimes engravings (often filled in with brass or silverinlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or other esotericmotifs such as this example in the Schmiedt Collection. Many kris blades are forged with fullersand these are likely heavily influenced by Malay style keris called malela keris.This example in the Schmiedt Collection is a very fine example with a large heavy silverjungayyan carved pommel in superb condition. The handle itself with gold or suasa bands withchased okir designs and filigreed silver. The asang asang also with okir motifs and original tothe sword. The blade is a 5 luk form with a complex geometry, inlaid with silver dots and asilver border around the fuller running two thirds of the length of the blade. The large hilt formof this type was most popular with Sulu Moros and those from Maguindanao on the island ofMindanao. Mindanao pieces were often hilted in this form with the okir chased silver andfiligreed silver hilts. Pieces of this level of quality would be considered lineage pieces (Cato 1996) and would be passed down through generations of ownership.Dating to the late 19th to early 20th century.Total Length (inside scabbard if present) : 32 1/4" Blade Length : 26 1/2" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Combes, F. (1667) Historia de Mindanao y Joló, por el p. Francisco Combés ... Obrapublicada en Madrid en 1667, y que ahora con la colaboración del p. Pablo Pastells ...saca nuevamente á luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]5. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.6. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau7. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Good 19th C. Indonesian MANDAU Parang Ihlang Sword ~ Borneo Dayak Headhunters ~

Lot # 111 (Sale Order: 109 of 298)      

A distinctive Bornean sword of the Iban Dayak, called a Mandau or Parang Ihlang,these swords are found throughout institutional and private collections in varying degrees...more ofquality. They are distinguished by a set of similar features, all varying in the level of quality ofthe constructions, materials, and workmanship. The Mandau blade has a convex shape on oneside and somewhat concave on the other. The blades are often made of tempered metal and insome cases may display a lamellar pattern, similar to the pamor found on Indonesian kris blades,though this is highly uncommon. The hilts are often delicately carved with various carvingdetails varying across the many tribes of the Dayak, but often depict creatures oranthropomorphic deities. The scabbards of some of the finer swords will often depict varioussymbols, and may include various charms include animals teeth, shells, and beads.This example in the Schmiedt Collection has a very finely carved hilt seemingly displaying theiconography of the leech, which is traditionally based on scrolls and leech motifs. The leech(lemetek) is associated with blood sucking and was considered an appropriate motif for aweapon. The hilt also inlaid with shortened tufts of black and red tinted hair. The blade is asimple style with the blade tip most closely related to the style called lidjib based on researchfrom 1888 from the Dutch resident in Koetei, where the Kayan tribe made mandaus of this formand style (Tromp 1888).The flat slope of the blade in this example, cut in the form, according to Shelford (1901),transcribing the Kajamans of the Belaga district as song bila, referring to the smooth slope of theblade though in this case cut into a distinctive stepped shape.Dating to the 19th to early 20th century though the blade may date earlier.Total Length (inside scabbard if present) : 30" Blade Length : 21"References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fürEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Large Indonesian Bali KERIS Dagger ~ Silver Grip with Gemstones ~ High Contrast Damascus Blade.

Lot # 112 (Sale Order: 110 of 298)      

Keris from Bali are considered some of the finest among the Indonesianarchipelago. As Bali is a Hindu society, the influences on the keris have survived theIslamicization...more of form and design found elsewhere in the region, with some exceptions. As aresult, Balinese keris often sport hilts carved with richly designed Hindu deities in much morerealistic manner than the more the stylized interpretations found in other parts of the region, suchas the highly stylized Garuda imagery of the Bugis or Sumatra. Other forms of hilts are simplerin design and would have been used by the warrior class while another type in a distinctivecylindrical form is called danganan grantim. The keris played a particularly important role inBalinese society, is used as a ritual tool in almost every Balinese religious ceremony. Kerisfunctioned as pusaka, or powerful sanctified heirlooms, and served as a strong marker of socioeconomicstatus depending on the materials and quality of the workmanship. The historicaldevelopment of the Balinese keris is related to the origination of the keris in the early part of the2nd millennium A.D. and which spread to the Bali from the east Javanese kingdom of Kedhirifrom 11th-13th centuries. The Majaphit conquest of Bali in 1343 especially influenced thedevelopment of the keris in Balinese society. The classic indicators of a Balinese keris are thehilt, which are richly carved in realistic interpretations of Hindu deities or otherwise in theclassic form of hilt such as danganan grantin.This example in the Schmiedt Collection is a good representation of a classic Balinese form.The hilt called a danganan grantim, in embossed silver, imitating a woven lotjeng- or grantimhandle. In the pommel cap, the tail of a mythical animal can be seen, or a plant’s sprout. Theselut is silver inlaid with semi-precious stones.The blade is a finely crafted 17 luk form, called a dhapur kalawijan, representing a blade withover 13 luk and meaning a (time for sowing seeds) This luk pattern is believed to have specialmeanings for the commissioner and does not represent a standard luk pattern with a specificmeaning. The pamor is nglulit semangka, known as watermelon skin pattern.Overall first half of 20th century.Total Length (inside scabbard if present) : 24 3/4" Blade Length : 19 1/2"References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Neka, W. S. (2014) Understanding Balinese Keris: An Insiders Perspective. Neka ArtMuseum.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Good 19th C. Indonesian JIMPUL Sword ~ Sarawak, Borneo Dayak Headhunters ~ Nicely Carved Grip

Lot # 113 (Sale Order: 111 of 298)      

A distinctive sword of the Sea Dayak, called a Parang Jimpul, these swords arefound throughout institutional and private collections in varying degrees of quality though ...moreareconsidered an interesting transitional form between the langgai tingang and the Mandau.They are distinguished by a set of similar features, all varying in the level of quality of theconstructions, materials, and workmanship. The Mandau blade has a convex shape on one sideand somewhat concave on the other. The blades are often made of tempered metal and in somecases may display a lamellar pattern, similar to the pamor found on Indonesian kris blades,though this is highly uncommon. The hilts are often delicately carved with various carvingdetails varying across the many tribes of the Dayak, but often depict creatures oranthropomorphic deities. The scabbards of some of the finer swords will often depict varioussymbols, and may include various charms include animals teeth, shells, and beads.This example in the Schmiedt Collection has very finely carved hilt seemingly displaying theiconography of the leech (lemetek), which is traditionally based on scrolls and leech motifs. Thehilt also inlaid with shortened tufts of black and red tinted hair. The blade is of the classic jimpulform, with a long single fuller terminating in a curved form near the ricasso, and the bladedecorated with linear designs called kyan (Shelford 1901).Dating to the late 19th century.Total Length (inside scabbard if present) : 28 1/2" Blade Length : 18 1/2"References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fürEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Scarce 19th C. Indonesian PANDANT Sword ~ Sarawak, Kalimantan

Lot # 114 (Sale Order: 112 of 298)      

The Pandat, also knownas Parang Pandit is the war sword of theland Dayak or Bidayah of Sarawak, inNorth West Kalimantan (Borneo). TheLand Dayak is the name for severalind...moreigenous groups found in southernSarawak, Malaysia and northern WestKalimantan, Indonesia, on the island ofBorneo, that are broadly similar inlanguage and culture (see also issuesbelow). The name Bidayuh means'inhabitants of land'. Originally from thewestern part of Borneo, the collectivename Land Dayak was first used duringthe period of Rajah James Brooke, theWhite Rajah of Sarawak during the 19thcentury.It is a two handed sword, used only as awar sword and never as a tool, a multiusewhich is so common to other blades fromthe Indonesian archipelago. The uniqueconstruction is such that the blade andhandle are forged from one piece of steel.Most examples are approximately 20-30inches with blades widening toward thetip and cut in a V shaped cut. The handlesoften mounted with brass bands and a bone pommel. The shape of the swords suggest that theyare often attributed to the Sidin or Bennah Dayak people.This example in the Schmiedt Collection is a fine example entirely in iron as is traditional, withremnants of hair at the joint of the blade. The handle includes a bone protrusion with brass bandon the handle. The blade tip in an less common form more closely related to a parang bladeedge.Total Length (inside scabbard if present) : 26" Blade Length : 21 3/4"References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books2. Blair, L., and Blair, L. (1988). Ring of Fire. Bantam Books.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Scarce 19th C. Indonesian BELADAH BELABANG Sword ~ Kalimantan, Banjarmarsin ~ Marked Blade.

Lot # 115 (Sale Order: 113 of 298)      

A rare form of a classic Indonesian sword, called the beladah belabang, thisexample in the Schmiedt Collection has the classic form of the sword with the pistol grippedha...morendle and the upswept blade that has close parallels with Turkish and Islamic swords of similarform and shape and which are likely the inspiration of this sword form but which are alsoinfluenced by European swords with the crossguards. This example is interesting for twodeviations including a chain link crossguard, also mainly found on European swords, and thenon-standard beladah belabang blade, instead approximating the style of blade found on the cojang, a different sword.These swords are most closely associated with Banjarmasin on the island of Kalimantan. Fromthe 16th century onward, Banjarmasin was one of the chief sources of pepper in South East Asiaduring the period up to the mid-18th century. The need for this commodity attracted the English,Dutch, Chinese and Indonesian merchants to the area. The longstanding Muslim linkages alsobrought traders in contact with Ottoman Empire traders who would have carried their traditionalscimitars, termed kilichs. All of these influences can be seen in the beladah belabang.The blade is a well-balanced slashing weapon and is adapted in form and size for the Malaypeople. The production of these swords and blades was described by Hendriks (1842) where hedescribes the smith's techniques as the blades were polished on completion with stones, oil and afragment of shark skin.This example in the Schmiedt Collection is in fine condition with a well-toned wooden grip,crossguard with no damage and a finely incised iron blade of interesting form. The blade isstraight with a rounded edge, similar to a co jang blade. The blade at the forte marked in Latinletters "KT 5".Total Length (inside scabbard if present) : 26 1/4" Blade Length : 21 3/4" References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books2. Hendriks, A. (1842) Iets over de wapenfabricatie op Borneo. Bataviaasch Genootschapvan Kunsten en Wetenschappen,Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare Indonesian Nias BALATO Sword (telugu, balatu sebua) ~ Hippo Teeth Mounts.

Lot # 116 (Sale Order: 114 of 298)      

A rare sword of the Nias islands near Sumatra, this sword is called a balato and is of the classic balato form but with the distinctive carved hilt in the form of a drago...morenhead called a lasara. The balato is the classic and well recognized Nias warriors sword and comes in a variety of shapes. This relatively typical Balato has a form that closely follows the traditional Lasara (dragon head) hilt and which can be seen illustrated in Modigliani (1890). While the classic balato is considered to be a traditional headhunters sword the more common domestic knife of the Nias takes a similar form. The headhunters swords are distinguished by their longer blades, such as this example. The blades are generally not laminated and can have various forms, the common factors are: a single edge that starts only a few centimeters from the hilt and more or less widening to the point.The Schmiedt Collection example has a well carved and nicely patinated handle with a sculptural creature design carved in the pommel. The curled whorls likely represent boars tusks while the creature sitting astride the pommel is called a bechu zocha, a spirit who hunts and feeds on mens shadows, just as men feed on pigs. This image can be regarded as a talisman working against the misfortunes that the bechu zocha spirit would ordinarily bring (Brenner-Felsach 1998). Because of the spirit's thirst for blood and its prominence on the headhunter's sabre, the image was believed to have increased the warrior's strength. This particular form of hilt is called niobawa lawolo and is cut in the form of the lasara with the open mouth and striking teeth. This hilt is the most common form of hilt found on Nias and comes in a variety of forms from more realistic to abstract types (Van Zonneveld 2001). The scabbard is of two pieces of wood secured with strips of rattan, while the talismanic basket at the top of the scabbard is of classic shape and decorated with charms of various types and in some places held in place with metal wire, indicating a 20th century dating. The blade now with pitting from age. The Schmiedt Collection example here, has an interesting charm basket, or raga ifoboaya, whereas most are decorated with animal teeth, this example has multiple charms, which is less commonly found. Modigliani writes in 1890 that: In the south of the island, the sabre evokes moments of glory in the mind of the warrior-headhunter and is girdled with precious idols that have protected him and will continue to protect him in the future. The idols are always attached to a ball of braided rattan which is bound to the sheath with pieces of vegetable cord. . . . The amulets are sometimes inserted inside the ball, and are always wrapped with pieces of cotton and firmly tied. Balato are difficult to date accurately, but this example likely dates to the first half of 20th C.Total Length (inside scabbard if present) : 28 1/4" Blade Length : 19"References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago. Leiden: Art Books2. Viaro, M. A. (2001). Ceremonial sabres of nias headhunters in indonesia. Arts Et Cultures, 3, 150-171.3. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inseln ringsum Sumatra, (vol. 4, Leiden)4. Modigiliani, E. (1890) Un viaggio a Nias.5. Brenner-Felsach, Joachim Freiherr von. Eine Reise nach Nias, die Indonesienexpedition 1887, edited by Reinhold Mittersakschmöller, 171–75. Vienna: 1998.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Rare 19th C. Indonesian Nias Sumatra BALATO Sword ~ Alligator Teeth Mounts ~ Museum Number on S

Lot # 117 (Sale Order: 115 of 298)      

A very rare sword of the Nias islands near Sumatra, this sword is called a balato and is of the classic balato form but with a highly distinct and finely patinated cast b...moreronze handle of stylized balato hilt form. The Balato is the classic and well recognized Nias warriors sword and comes in a variety of shapes. It can be recognized by its hilt representing an animal's head and has a brass ferrule. The wooden scabbard is decorated with a series of metal rings or rattan strips and in the south Nias, with a charm basket called a raga ifoboaya. The typical Balato has a Lasara (dragon head) hilt. The blades are generally not laminated and can have various forms, the common factors are: a single edge that starts only a few centimeters from the hilt and more or less widening to the point. Hilts can vary from the more classically carved lasara hilt to those of more stylized design which are considered earlier examples. A similarly designed hilt to the Schmiedt Collection example can be found in the Wereldmuseum, Netherlands, collected circa 1940, though carved of wood and not cast in bronze such as this one. Another rare form in the Wereldmuseum deviates also from the classic Lasara form though not exactly similar to the example in the Schmiedt Collection and which was itself collected circa 1887. Another example of direct comparison in hilt style but carved in wood is in the Musee de Quai Branly. The form in the Schmiedt Collection, very rarely encountered, was documented in the classic work on Indonesian ethnography (Katalog des ethnographischen Reichsmuseums, Vol. 4) and reproduced in a line drawing in 1909, as Type 2, and of which nine are documented in the catalog as Type 2. Even earlier examples were documented by Elio Modigliano in 1890 in his classic work Un Viaggio a Nias where this form is considered the earliest in the progression of the style of handle.The balato is most classically associated with the headhunting tradition of the Nias. Chiefs paid warriors to perform the task of headhunting on their behalf and during peacetime, these hired warriors would hide at a bend in the path and take as victim the first person to pass by, whether it be a man, woman, or child. When warriors were unavailable, the chief slave was instead set to the task. The aim of headhunting was to take possession of the dead person's soul, or life-force, and to offer it as a gift to the spirits. In this way, the chief acquired a form of guarantee for his afterlife. A victim's soul also served as a substitute for a sick man's soul and was used to heal the latter and appease the vindictive spirit, who was thought to have caused the illness. This sword is one of the superlative examples in the Schmiedt Collection and stands out for the rare form of hilt, complete condition, and the quality of workmanship. This distinctive form of stylized lasara hilt is called a niotaka waena from the South Nias term for "a hilt as a swallow". In this hilt the lips of the lasara mouth are stylized, flatly cut, and recede completely (Van Zonneveld 2001). While balato are difficult to date accurately, considering the earlier form of hilt, well documented institutional examples and early ethnographic literature, a 19th century attribution is reasonable as a true headhunters sword.Total Length (inside scabbard if present) : 30 1/2" Blade Length : 21"Comparable auction sales:1. https://www.christies.com/lotfinder/lot_details/?intobjectid=50058342. https://www.sothebys.com/en/auctions/ecatalogue/2014/collection-murray-frum-oceanie-pf1438/lot.45.html3. https://www.sothebys.com/es/auctions/ecatalogue/2012/art-dafrique-et-docanie-pf1218/lot.32.html4. https://www.bonhams.com/auctions/24872/lot/72/5. https://www.bonhams.com/auctions/20973/lot/3230/References:1. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago. Leiden: Art Books2. Viaro, M. A. (2001). Ceremonial sabres of nias headhunters in indonesia. Arts Et Cultures, 3, 150-171.3. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inseln ringsum Sumatra, (vol. 4, Leiden)4. Modigiliani, E. (1890) Un viaggio a NiasDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare 19th C. Philippine Moro BARONG Sword ~ Unbelievable Damascus Blade Pattern.

Lot # 118 (Sale Order: 116 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sultanatearea called a barong. These swords have a distinctive form that is specifi...morec to this region of SouthEast Asia and the southern Philippines, though it is believed that they are related to theIndonesian badik knife, though in a greatly expanded and enlarged form.The barong has a distinct leaf shaped blade which is an effective cutting and slicing form, andmay be used for stabbing depending on the profile the smith develops. Barong blades are oftenthick and heavy with the weight aiding in the slicing capability of this sword. Some of the rarerexamples have blades made of twistcore iron. Some Moro swords including the kris swords,kampilans, and barong are found with twistcore blades such as this example. Moro twistcorewas formed in a manner very similar to Chinese twistcore blades, and it possible that the Moroand Indonesian twistcore construction influenced Chinese and Tibetan twistcore workmanship(Tom 2001). The use of this technique among the Moros of the southern Philippines indicatesthat the technique was exported northward from Indonesia, likely with the spread of Islam. Therows of star-shaped elements, feathery or flamelike bands, and "barber-pole" structures seen onMoro and Chinese twist-core forging are remarkably similar. Traders, pirates, and emigres fromsouthern China had extensive contact with Southeast Asian peoples. Chinese smiths are knownto have made barong blades of lamellar qiangang structure for export to the Philippines, whilethe type of twistcore found on this sword may have influenced twistcore construction in Chinaitself. The twistcore pattern of the blade was formed by laying together multiple bars of steel,twisting them in a specific manner and then hammering them out flat. Multiple such twisted barscould be welded together forming multiple twisted layers side by side.This example in the Schmiedt Collection has a fine blade of twistcore construction, showing themulti-bar tiger stripe pattern indicative of twistcore workmanship. The handle is original,mounted with rattan, and with some loss to the pommel.Total Length (inside scabbard if present) : 23 1/4" Blade Length : 17"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History3. Combes, F. (1667) Historia de Mindanao y Joló, por el p. Francisco Combés ... Obrapublicada en Madrid en 1667, y que ahora con la colaboración del p. Pablo Pastells ...saca nuevamente á luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off..5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Tom, P. (2001) Notable sabers of the Qing Dynasty at the Metropolitan Museum ofArt. The Metropolitan Museum Journal. 36Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Extremely Fine 19th C. Philippine Moro Datu's KRIS Sword ~ Fabulous Carved Pommel ~ Rare Gold Inlaid

Lot # 119 (Sale Order: 117 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian ker...moreis but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, andmore numerous and therefore required greater skill to prevent the blade bouncing off or beingstuck in an enemy's body. The higher number of waves meant the more potent the kris was intalismanic power such as this example. Sometimes engravings (often filled in with brass or silverinlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or other esotericmotifs such as this example in the Schmiedt Collection. Many kris blades are forged with fullersand these are likely heavily influenced by Malay style keris called malela keris.This example in the Schmiedt Collection is an exceptionally fine example with a large heavyjungayyan carved pommel in superb condition. The handle itself with silver bands with chasedokir designs and silver wire interspersed between. The double asang asang in silver and originalto the sword. The blade is a superb dark colored 13 luk waved blade inlaid with silver dots andlinear silver inlay throughout the length. These inlaid blades are uncommon, especially in thislevel of quality, and considered to be some of the highest quality Moro kris blades, in addition totwistcore blades. The form of the hilt were most popular with Sulu Moros and those fromMaguindanao on the island of Mindanao. While Mindanao pieces were often hilted in this formwith the okir chased silver and silver plaited wire, the complex blade form may indicate a Suluorigin for this sword overall.Dating to the mid- late 19th century.Total Length (inside scabbard if present) : 27 3/4" Blade Length : 22"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Large 19th C. Philippine Moro KAMPILAN Sword ~ Rare Brass or Gold Inlaid Blade.

Lot # 120 (Sale Order: 118 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kampilan but with decorative elements distinct to the T'Boli ethni...morec group as well. Thebasic form of the sword is considered to have been borrowed form Malay prototypes and similarswords from Timor and Borneo are found in Dutch institutional collections, though with slightlydifferent grip shapes, a representative example can be seen here. The kampilan profile isstrikingly similar to that Timorese prototype but also the blade profile has deep similarities to theklewang and mandau (parang ihlang) swords that were used by the Dayak of Borneo. Otherscontend that the Celebes islands are the origin for the Moro kampilan, and a representativeexample can be found here, which shows off the similarity with the Moro version.The kampilan also has a storied history and from the first-hand account of Magellan's shipmate,Antonio Pigafetta, it is thought that Magellan was killed by the kampilan in the region of thesouthern Philippines. Later accounts during the Spanish conquest of the Philippines indicate thatthe kampilan was a favorite weapon of the Ilanuns (a Moro ethnic group from Mindanao and theWest Coast of Borneo), though this is difficult to explain (Demetrio 1991) as the length of akampilan approaches and exceeds one yard.The swords are generally very distinct, and primarily distinguished by a carved hilt, sometimes inrare materials such as bone, with a heavy crossguard and in most cases a bifurcated carved pommeldecorated with floral decoration called okir. The design of the pommel varies between ethnicgroups, but it is considered to depict a variety of animas most prominently as a buaya (crocodile).In some cases, the hilt also called a sumba in Maguindanoan is carved and decorated with floraldecoration called okir.This example in the Schmiedt Collection is an early fighting example displaying several featuresof early forms, including the use of inset brass plugs, which is relatively uncommon on Moro orSouthern Philippine kampilans and indicates it may be a Bornean example more heavilyinfluenced by the Dayak parang ihlang. In addition, the crossguard, of classic form, and inset notwith the more common iron hand guard, but with chainmail twisted on itself to form theadditional hand protection. The handle carved in the classic kampilan shape with rattan bindingfor the grip and delicate okir carving along the outer edge of the bifurcated pommel.Total Length (inside scabbard if present) : 39" Blade Length : 28 1/4" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Pigafetta, A. (2010). PIGAFETTA'S ACCOUNT OF MAGELLAN'S VOYAGE. InH. Stanley (Ed.), First Voyage Round the World by Magellan: Translated from theAccounts of Pigafetta and Other Contemporary Writers (Cambridge LibraryCollection - Hakluyt First Series, pp. 33-163). Cambridge: Cambridge UniversityPress5. Combes, F. (1667) Historia de Mindanao y Joló, por el p. Francisco Combés ... Obrapublicada en Madrid en 1667, y que ahora con la colaboración del p. Pablo Pastells ...saca nuevamente á luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]6. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off..7. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau8. Macaraeg, R. (2009). "Pirates of the Philippines: a critical thinking exercise." Journalof Asian Martial Arts,18 (3)9. Foy (1899) Schwerter von der Celebes-See. Dresden10. Demetrio, F. (1991). Encyclopedia of Philippine folk beliefs and customs. Volume 2:Folk medicine to weaponry. Cagayan de Oro City, R.P.: Xavier University.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Rare and Fine 19th C. Philippine Moro Datu's KAMPILAN Sword ~ Fantastic Carved Hilt ~ Layered D

Lot # 121 (Sale Order: 119 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kampilan but with decorative elements distinct to the T'Boli ethni...morec group as well. Thebasic form of the sword is considered to have been borrowed form Malay prototypes and similarswords from Timor and Borneo are found in Dutch institutional collections, though with slightlydifferent grip shapes. The kampilan profile isstrikingly similar to that Timorese prototype but also the blade profile has deep similarities to theklewang and mandau (parang ihlang) swords that were used by the Dayak of Borneo. Otherscontend that the Celebes islands are the origin for the Moro kampilan.The kampilan has a storied history and from the first-hand account of Magellan's shipmate,Antonio Pigafetta, it is thought that Magellan was killed by the kampilan in the region of thesouthern Philippines. Later accounts during the Spanish conquest of the Philippines indicate thatthe kampilan was a favorite weapon of the Ilanuns (a Moro ethnic group from Mindanao and theWest Coast of Borneo), though this is difficult to explain (Demetrio 1991) as the length of akampilan approaches and exceeds one yard.The swords are distinct in shape typified by the pommel and distinguished by a carved hilt,sometimes in rare materials such as bone as this example, with a heavy crossguard and in mostcases a bifurcated carved pommel decorated with floral decoration called okir. The design of thepommel varies between ethnic groups, but it is considered to depict a variety of animals, mostprominently as a buaya (crocodile). In some cases, the hilt, also called a sumba in Maguindanoan,is carved and decorated with floral decoration called okir.This example in the Schmiedt Collection is the finest of the kampilans in the collection, and waspublished in Cato (1996: pl. 31) where it is described in the text further as: Bone kampilans were the property of wealthier Moros. This was due to the cost and aristocratic character of theraw material, as well as the expense of hiring a top-flight artisan who knew how to carve it properly. While the blade is an early fighting example well-worn and displaying a lamellarpattern, the hilt is the distinguishing feature. Kampilans mounted in bone such as this example would have been considered Datu's swords. The Datu in Moro culture being the equivalent of anobleman or gentry elsewhere, and who would have worn more expensive swords such as this example. The Datu followed in importance the Moro sultans, whose rule was sanctioned by theQuran. The title of Datu and Rajah however, predated the coming of Islam but these titles were assimilated into the new structure when the Moros were Islamicized. In return for tribute and labor, the Datu provided aid in emergencies and advocacy in disputes with other communities and warfare through the Agama and Maratabat laws.The hilt of this example is very finely carved, with beautiful okir carvings along the hilt, and inset with red plugs of hair.Based on the above features, likely a mid-19th century or earlier example.Provenance: Robert Cato. Published in Cato (1996: pl. 31)Total Length (inside scabbard if present) : 40" Blade Length : 3 1/2"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Pigafetta, A. (2010). PIGAFETTA'S ACCOUNT OF MAGELLAN'S VOYAGE. InH. Stanley (Ed.), First Voyage Round the World by Magellan: Translated from theAccounts of Pigafetta and Other Contemporary Writers (Cambridge LibraryCollection - Hakluyt First Series, pp. 33-163). Cambridge: Cambridge UniversityPress5. Combes, F. (1667) Historia de Mindanao y Joló, por el p. Francisco Combés ... Obrapublicada en Madrid en 1667, y que ahora con la colaboración del p. Pablo Pastells ...saca nuevamente á luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare 19th - early 20th C. Philippine Moro KAMPILAN Sword ~ Wavy & Engraved Blade ~ Mindanao, Souther

Lot # 122 (Sale Order: 120 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kampilan but with decorative elements distinct to the T'Boli ethni...morec group as well. Thebasic form of the sword is considered to have been borrowed form Malay prototypes and similarswords from Timor and Borneo are found in Dutch institutional collections, though with slightlydifferent grip shapes, a representative example can be seen here. The kampilan profile isstrikingly similar to that Timorese prototype but also the blade profile has deep similarities to theklewang and mandau (parang ihlang) swords that were used by the Dayak of Borneo. Otherscontend that the Celebes islands are the origin for the Moro kampilan.The swords are generally distinct, and primarily distinguished by a carved hilt, sometimes in rarematerials such as bone, with a heavy crossguard and in most cases a bifurcated carved pommeldecorated with floral decoration called okir. The design of the pommel varies between ethnicgroups, but it is considered to depict a variety of animals most prominently as a buaya (crocodile).In some cases, the hilt also called a sumba in Maguindanoan is often carved and decorated withfloral decoration called okir.This example in the Schmiedt Collection is a post Spanish-American war example which has aninteresting blade with a series of waves at the ricasso approximating the form of a Moro kris.This is not unknown in kampilan blades but is attributed by Cato (1996) to post-SpanishAmerican war period swords which were made for the trade. The blade however is made oflamellar steel and further decorated with okir carving along its entire length, and does feature theclassic sumba spike.The handle with white metal mounts and a less refined form of carving. The crossguard alsoindicating later production through the thicker and less lengthy proportions. Based on the abovefeatures, the kampilan dates to the post Spanish-American war period into the early 20th century.Total Length (inside scabbard if present) : 39" Blade Length : 27 1/2" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Pigafetta, A. (2010). PIGAFETTA'S ACCOUNT OF MAGELLAN'S VOYAGE. InH. Stanley (Ed.), First Voyage Round the World by Magellan: Translated from theAccounts of Pigafetta and Other Contemporary Writers (Cambridge LibraryCollection - Hakluyt First Series, pp. 33-163). Cambridge: Cambridge UniversityPress5. Combes, F. (1667) Historia de Mindanao y Joló, por el p. Francisco Combés ... Obrapublicada en Madrid en 1667, y que ahora con la colaboración del p. Pablo Pastells ...saca nuevamente á luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]6. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off..7. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau8. Macaraeg, R. (2009). "Pirates of the Philippines: a critical thinking exercise." Journalof Asian Martial Arts,18 (3)9. Foy (1899) Schwerter von der Celebes-See. Dresden.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Scarce 19th C. Philippine Moro PANABAS Sword ~ Maguindanao, Mindanao ~ Massive Blade.

Lot # 123 (Sale Order: 121 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a panabas. The panabas has an especially fearsome reputation and is ...moreknown as abeheading sword. Because of its effectiveness at chopping due to its distinct construction andblade weight, the panabas was favored for use in executions. As such, the panabas also came tosymbolize a datu's power - a demonstration of his ability to wield violence on behalf of the state.The panabas was also used by a rearguard of Moro warriors who would move through abattlefield and kill any enemy warriors still alive after the battle.The swords are distinct, and are distinguished by a heavy upswept curved blade, which often has arelatively sharp curve and widening tip. The blade is often of very heavy thickness and the handlesgenerally long, for two handed usage and to counterbalance the heavy blades. The older examplesare usually devoid of decoration while later examples, of the 20th century, sometimes have incisedokir carving along the side of the blade. Those later blades are often relatively thin, while the olderswords have thick cross-section blades, such as this example.This example in the Schmiedt Collection is a good example of this sword with a thick and heavyblade and the hilt in the general form, roughly octagonal or hexagonal in cross-section, and withseveral sections of metal bands dividing the hilt.This example likely dates to the 19th century, or the period of the Philippine Insurrection.Total Length (inside scabbard if present) : 33" Blade Length : 19 3/4" Blade Width : 4 1/2"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Macaraeg, R. (2009). "Pirates of the Philippines: a critical thinking exercise." Journalof Asian Martial Arts,18 (3). Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Good 19th Philippine Moro KAMPILAN Sword ~ Layered Steel Damascus Blade ~ Mindanao, Southern P

Lot # 124 (Sale Order: 122 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kampilan but with decorative elements distinct to the T’Bol...morei ethnic group as well. Thebasic form of the sword is considered to have been borrowed from Malay prototypes and similarswords from Timor and Borneo are found in Dutch institutional collections, though with slightlydifferent grip shapes. The kampilan profile isstrikingly similar to that Timorese prototype but the blade profile has deep similarities to theklewang and mandau (parang ihlang) swords that were used by the Dayak of Borneo. Otherscontend that the Celebes islands are the origin for the Moro kampilan. The swords are distinct, and distinguished by a carved hilt, with a heavy crossguard and in mostcases a bifurcated pommel decorated with floral decoration called okir. The design of the pommelvaries between ethnic groups, but it is considered to depict a variety of animals most prominently asa buaya (crocodile). In some cases, the hilt also called a sumba in Maguindanoan, is carved anddecorated with floral decoration called okir.This example in the Schmiedt Collection is an earlier fighting example in beautifully patternedhardwood with a shiny chatoyancy. The handle is finely carved with the classic bifurcatedpommel and decorated with delicate okir carving. The handle retains the original textile clothwhich when the sword was wielded would be wrapped around the hand and wrist in a figure-eightto keep the sword tight during battle. The blade of this sword a fine fighting bladedisplaying a strong lamellar pattern and with the sumba protrusion worn from use.Total Length (inside scabbard if present) : 37 3/4" Blade Length : 27 3/4" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Pigafetta, A. (2010). PIGAFETTA'S ACCOUNT OF MAGELLAN'S VOYAGE. InH. Stanley (Ed.), First Voyage Round the World by Magellan: Translated from theAccounts of Pigafetta and Other Contemporary Writers (Cambridge LibraryCollection - Hakluyt First Series, pp. 33-163). Cambridge: Cambridge UniversityPress5. Combes, F. (1667) Historia de Mindanao y Joló, por el p. Francisco Combés ... Obrapublicada en Madrid en 1667, y que ahora con la colaboración del p. Pablo Pastells ...saca nuevamente á luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]6. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off..7. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau8. Macaraeg, R. (2009). "Pirates of the Philippines: a critical thinking exercise." Journalof Asian Martial Arts,18 (3)9. Foy (1899) Schwerter von der Celebes-See. Dresden.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare 19th C. Laz People KOPESH Yataghan Sword ~ Eastern Ottoman Empire ~ Black Sea Region.

Lot # 125 (Sale Order: 123 of 298)      

A good example of a rare sword called a Laz Bichaq, these swords are most associated with the Laz people of the eastern Anatolian peninsula along the eastern Black Seanea...morer Georgia. Of classic form these swords have a double recurved blade with a swollen tip which culminates in a sharp point, similar to early Tatar swords of the 14th-16th centuries.The Laz people were known as pirates and these swords would have been worn shipboard. This style of sword, being relatively short and with good cutting ability, was well suited to use on small and medium sized boats, such as those used by Laz pirates. Many of these swords were made in Sormene, Turkey, and there is still an active modern knifemaking industry in the region. The Laz Bichaq has a distinctive style of pommel with a bifurcated tip that approximates the Turkish yataghan form but is distinct in the sharpness of the ears. These are very fragile and often broken on extant examples.Total Length (inside scabbard if present) : 31 1/2" Blade Length : 25"References:1. Elgood, R. (2009). The Arms of Greece. Thames and Hudson.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Classic 19th C. Philippine Moro Sulu KRIS Battle Sword.

Lot # 126 (Sale Order: 124 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian ker...moreis but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, andmore numerous and therefore required greater skill to prevent the blade bouncing off or beingstuck in an enemy’s body.One of the additional ways in which origins are identified are through the design of the elephanthead trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard. CertainMindanao kris have a similar form except that the mouth is round instead of oval and is notangled. The Maguindanao form is very similar to the Sulu style with an elliptical shape but it isnot angled downwards and instead runs perpendicular to the guard. Later versions of thisgenerally exhibit a ridge which has been chiseled into the outer metal that surrounds both sidesof the mouth hollow. The Maranao form has an elongated trunk while the mouth cavity isnarrow and the lower jaw runs parallel to the guard. While Sulu and Maguindanao forms have aconcave cavity beneath the lower jaw, the Maranao form does not and instead has a protrusionthat juts out from beneath it (Cato 1996).This example in the Schmiedt Collection is a fine fighting example displaying elements of earlyarchaic Sulu kris in the form of the pommel and the simplicity of the blade, but which alreadyhas later elements including the larger form and size and the form of carving of the ganja. Basedon the carving of the elephant’s trunk cavity the kris may be of Maranao origin. The pommel ofthis example is finely carved in the stylized kakatua form with a rich chatoyancy, while the gripis wrapped in twine or jute. The nine 9 luk blade is a half waved and half straight form whichhas been heavily used and polished over its lifetime but which displays a very pleasing geometrywith a medial ridge that follows the length of the sword in a crisp manner indicating a highlycontrolled smithing process.Dating to the 19th century.Total Length (inside scabbard if present) : 28 1/2" Blade Length : 23"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San Francisco Craft &Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum of CulturalHistory4. Krieger, H. W. (1926). The collection of primitive weapons and armor of the Philippineislands in the United States National museum. Washington: Govt. Print. Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art. Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago. EditionFichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare 19th C. Indonesian NIABOR Sword ~ Kalimantan, Borneo Dayek Headhunters ~ Superb Blade.

Lot # 127 (Sale Order: 125 of 298)      

distinctive Bornean sword of the Sea Dayak this type of sword is called a niabor.The niabor has a convex edge and concave back broadening towards the tip in the form of a...morecutlass and similar to the parang nabur. The blade usually has one or more broken hollowsections and no midrib. Most blades are not usually decorated though this example has someminimal decoration at the ricasso. In some versions, a projection, called a kundieng, is forged tothe blade, which is seated on the cutting edge and serves as a finger guard. The hilts are carvedin a distinct form with approximately a thirty degree angle between the handle and the projectingpommel. Often, the hilt is carved with traditional Dayak designs, including scrolls and leechmotifs. The leech (lemetek) is associated with blood sucking and so was considered anappropriate motif for a weapon and is found with this motif. Other motifs found on niaborsinclude phyllomorphic patterns with some common patterns called cantok referring to the resamshoots of Gleichenia dichotoma or telingai (scorpion), or entadok kaul (caterpillars interlocking).The Niabor is very similar to another Sea Dayak sword called Langgai Tinggang which has asimilar blade but a traditional Mandau style handle. These swords often would reflect theowners predilections and interests so would not always be doctrinaire in their construction.The example in the Schmiedt Collection has the classic niabor style hilt and blade. The finelyforged blade features an integrally forged kundieng projection and phyllomorphic decoration atthe ricasso and with an early patina indicating long use. The carved hilt with a rich patina alsoand patterned carving at the crook of the hilt, is secured to the blade with a brass wire.Likely dating to the late 19th century.Total Length (inside scabbard if present) : 26 1/2" Blade Length : 20 1/4"Comparable auction sale:https://www.bonhams.com/auctions/21588/lot/22/References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fürEthnographie. Band 1. Pp.22-264. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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