Important May 8th Collection of Asian Arms, Part I

Important May 8th Collection of Asian Arms, Part I

Saturday, May 8, 2021  |  10:00 AM Central
Auction closed.
Important May 8th Collection of Asian Arms, Part I

Important May 8th Collection of Asian Arms, Part I

Saturday, May 8, 2021  |  10:00 AM Central
Auction closed.
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A Prominent, Fresh to Market Collection of Antique Asian Arms. This Auction will include part I of the entire David Schmiedt Collection. We are very humbled and excited to facilitate the sale of such an impressive estate. Mr. Schmiedt, internationally known, prominent collector, out of California have been actively and passionately gathering priceless artifacts from All Over the World for period over 30+ years . The collection includes some exceptionally rare and fine quality examples of Indonesian and Philippine Weaponry Art with mega-rare Damascus steel patterned blades and exquisite mounts, almost never encountered on the market. Some Fantastic Kris, Keris, Barong, Kampilan, Mandau, Balato & Parang Jimpul examples that will Blow any Collector's Mind ! Also a number of High Quality Ottoman and Indo-Persian sabers with fine Wootz blades, as well as some rare examples of Large Tribal Shields and Armor, Spears, Clubs, Dayak Headhunter's Skull displays & Fantastic carved wood Keris-holder statues. This phenomenal sale is a Once in a Lifetime opportunity to put together a Superb... Show more
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Very Good Indonesian MANDAU Parang Ihlang Sword ~ Kalimantan, Borneo Dayak Headhunters ~ Strong Engr

Lot # 128 (Sale Order: 126 of 298)      

A distinctive Bornean sword of the Iban Dayak, called a Mandau or Parang Ihlang,these swords are found throughout institutional and private collections in varying degrees...more ofquality. In the past, the majority of the native people living in the island of Kalimantan, theDayak, were animists in belief. The most widely commented on practice of the Dayak was theirancient tradition of headhunting practices and which was conducted by the use of the Mandau.As a result Mandau were crafted with attention to detail and ritual materials. Sacred kinds ofwood from specific forest trees were used for carving the hilt and features of the mandau.They are distinguished by a set of similar features, all varying in the level of quality of theconstructions, materials, and workmanship. The Mandau blade has a convex shape on one sideand somewhat concave on the other. The blades are often made of tempered metal and in somecases may display a lamellar pattern, similar to the pamor found on Indonesian kris blades,though this is highly uncommon. The hilts are often delicately carved with various carvingdetails varying across the many tribes of the Dayak, but often depict creatures oranthropomorphic deities. The scabbards of some of the finer swords will often depict varioussymbols, and may include various charms include animals teeth, shells, and beads.This example in the Schmiedt Collection has nicely carved hilt. The blade is a simple style withthe blade tip most closely related to the style called leng-ook-monong based on research from1888 from the Dutch resident in Koetei, where the Kayan tribe made mandaus of this form andstyle (Tromp 1888). The original scabbard is well made, bound with rattan and covered inanimal fur, and includes a piso raut side knife used for wood and rattan carving. The flat slope of the blade in this example, cut in the form, according to Shelford (1901),transcribing the Kajamans of the Belaga district is also referred as song bila, referring to thesmooth slope of the blade.Dating to the first half of 20th century.Total Length (inside scabbard if present) : 26 1/2" Blade Length : 19 1/4" References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fürEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Fine 19th - early 20th C. Indonesian MANDAU Parang Ihlang Sword ~ Impressive Carved Grip & Gold Inla

Lot # 129 (Sale Order: 127 of 298)      

A distinctive Bornean sword of the Iban Dayak, called a Mandau or Parang Ihlang,these swords are found throughout institutional and private collections in varying degrees...more ofquality. They are distinguished by a set of similar features, all varying in the level of quality ofthe constructions, materials, and workmanship. The Mandau blade has a convex shape on oneside and somewhat concave on the other side. The blades are often made of tempered metal andin some cases may display a lamellar pattern, similar to the pamor found on Indonesian krisblades, though this is highly uncommon. The hilts are often delicately carved with variouscarving details varying across the many tribes of the Dayak, but often depict creatures oranthropomorphic deities. The scabbards of some of the finer swords will often depict varioussymbols, and may include various charms include animals teeth, shells, and beads or stags horn.This example in the Schmiedt Collection has nicely carved hilt. The blade is a simple style withthe blade tip most closely related to the style called leng-ook-monong based on research from1888 from the Dutch resident in Koetei, where the Kayan tribe made mandaus of this form andstyle (Tromp 1888). The original scabbard is well made, bound with rattan and covered inanimal fur, and includes a piso raut side knife used for wood and rattan carving. The flat slope of the blade in this example, cut in the form, according to Shelford (1901),transcribing the Kajamans of the Belaga district, is referred to as song bila, referring to thesmooth slope of the blade. The blade of this sword also decorated the entire length with severaltraditional Dayak designs including inlaid brass dots called tap-set-sien and mata kalaong of fourmirrored S-shapes also representing a flying fox bat. The decoration is not proportional or wellinlaid indicating a later dating for the sword.Dating to the late 19th to early 20th century.Total Length (inside scabbard if present) : 26 1/2" Blade Length : 19 1/2"References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fürEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Good Indonesian MANDAU Parang Ihlang Sword ~ Kalimantan, Borneo Dayak Headhunters ~ Strong Engr

Lot # 130 (Sale Order: 128 of 298)      

A distinctive Bornean sword of the Iban Dayak, called a Mandau or Parang Ihlang,these swords are found throughout institutional and private collections in varying degrees...more ofquality. They are distinguished by a set of similar features, all varying in the level of quality ofthe constructions, materials, and workmanship. The Mandau blade has a convex shape on oneside and somewhat concave on the other. The blades are often made of tempered metal and insome cases may display a lamellar pattern, similar to the pamor found on Indonesian kris blades,though this is highly uncommon. The hilts are often delicately carved with various carvingdetails varying across the many tribes of the Dayak, but often depict creatures oranthropomorphic deities. The scabbards of some of the finer swords will often depict varioussymbols, and may include various charms include animals teeth, shells, and beads or stags horn.This example in the Schmiedt Collection has nicely carved hilt. The blade is a simple style withthe blade tip most closely related to the style called lid-jib based on research from 1888 from theDutch resident in Koetei, where the Kayan tribe made mandaus of this form and style (Tromp1888). The original scabbard is well made, bound with rattan and with charms and toggles, andincludes a piso raut side knife used for wood and rattan carving.The flat slope of the blade in this example, cut in the form, according to Shelford (1901),transcribing the Kajamans of the Belaga district is also referred as song ikang, referring to thehooks and frets along slope of the blade. The blade of this sword appears to show a simplelamellar pattern as well which is uncommon on Dayak swords of this type.Dating to the 1st half of the 20th century.Total Length (inside scabbard if present) : 27" Blade Length : 19 1/2"References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fürEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Scarce early 20th C. Indonesian JIMPUL Parang Latok Sword ~ Borneo Dayak Headhunters ~ Rare Blade Fo

Lot # 131 (Sale Order: 129 of 298)      

A distinctive Bornean sword of the Dayak, this sword displays design elements ofboth the jimpul and the Parang Latok. The jimpul is, similar to the Langgai Tinggang, with...morea krowit developed on one side and the tip of the blade is in a slanting angle. In this case, theblade has a distinctive upturned angle from the base of the blade and approximates the LandDayak sword called a Parang Latok. As swords of this region would often come in nondoctrinairestyles it is not unheard to see a cultural mix such as that found on this sword, thoughit is common. The hilts of this sword has a distinct plain style of hilt with subdued carving moresimilar to that found on niabor hilts.This example in the Schmiedt Collection has a nicely carved hilt. The blade is a simple stylewith the blade inlaid with brass dots, called tap-set-sien based on research from 1888 from theDutch resident in Koetei (Tromp 1888). The original scabbard is well made, carved withinterlocked designs, bound with rattan and inset with two brass 2 ½ cent from the NetherlandsIndies, with script in Soenda in the outer band and Djawi in the inner band.Dating to the early 20th century.Total Length (inside scabbard if present) : 28" Blade Length : 18 1/2"References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fürEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Nice 19th-early 20th C. Indonesian Bali KERIS Dagger ~ High Contrast Damascus Blade.

Lot # 132 (Sale Order: 130 of 298)      

Keris from Bali are considered some of the finest among the Indonesianarchipelago. As Bali is a Hindu society, the influences on the keris have survived theIslamicization...more of form and design found elsewhere in the region, with some exceptions. As aresult, Balinese keris often sport hilts carved with richly designed Hindu deities in much morerealistic manner than the more the stylized interpretations found in other parts of the region, suchas the highly stylized Garuda imagery of the Bugis or Sumatra. Other forms of hilts are moresimple and would be used by the warrior class and commoners such as a planar form calleddanganan bebondolan (weaver bird) named for the resemblance to the common bondol, orweaver bird. The blade of the keris is considered to represent a serpent and likely reflects thenaga of Hindu mythology, guardian of the earth's treasures, and which can be found on somekeris blades carved into the base. When the blade is straight such as this example, the serpent isat rest. Since the earthly serpent is formed of meteoric metal in the pamor of the keris blade, thekeris is considered to fuse the heavenly and earthly.The belief system surrounding the keris is complex and multifaceted. Each keris is believed tohave its own spirit, reflected by the blade shape and the individual pamor. It was consideredimportant for a prospective owner to acquire a keris whose spiritual persona was compatible withhis own. Only then could the weapon's mystical powers be used to his advantage. A keris couldhelp keep disease away, ease the pain of childbirth, prevent quarrels, ensure victory in battle,extinguish fires and deter attacks by wild animals. As a result, many keris were kept as familyheirlooms called pusaka.This example in the Schmiedt Collection is a good representation of a classic Balinese form.This hilt called the danganan cecekahan in carved wood with a thick striation, considered anauspicious and desirable feature. The form of hilt classicaly Balinese in execution but thececekan form hilt is originally from Java and can be found primarily on Javanese keris. Thecrosspiece of the sheath in the form called batun poh, or mango seed. The pamor is a rare formcalled udan mas with circular designs in a twisted form up the blade called pamor pluntiran.Overall late 19th to early 20th century.Total Length (inside scabbard if present) : 27 1/4" Blade Length : 17 1/2" References:1. Frey, E. (1988) The Kris: Mystic Weapon of the Malay World. Oxford University Press.2. Mardianto, W. A to Z – Sesuatu mengenai KERIS dan TOMBAK KERIS – SENJATATRADISIONAL INDONESIA A to Z3. Ki Empu Jhuel. Pamor Keris4. Ghiringelli. V. (2007) The Invincible Krises 2. Saviolo Publisher5. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books6. Gardner, G.B. (2009) Keris and other Malay Weapons. Orchid Press7. Weihrauch, A., Kloubert, U. and Aljunied, A. (2017)The Gods & the Forge: BalineseCeremonial Blades- The Gods & the Forge in a Cultural Context. IFICAH8. Neka, W. S. (2014) Understanding Balinese Keris: An Insiders Perspective. Neka ArtMuseumDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Fine and Rare 18th-19th C. Ottoman Turkish KILIJ / SHAMSHIR Sword ~ Gold Inlaid Wootz Damascus

Lot # 133 (Sale Order: 131 of 298)      

A fine representation of one of the distinct swords of the Ottoman Empire, this sword does not have a specific name but is iconically associated with the Persian trade bl...moreade thatit is mounted with. These trade blades are all distinguished by several design elements, but which then come in a variety of sizes and shapes. The first is the chiseled design at the base ofthe blade with an inscription that often reads Assadullah which is either a reference to a 17th century swordsmith or a mark of the bladesmith guild that made these blades (Pinchot 2002).These blades hearkened back to earlier Safavid swords with more complex fullers and were invariably made of good quality wootz steel, such as this example. This blade has an especiallyfine wootz pattern of dark Kara Khorasan style wootz and with a complex fullering and blade geometry. In addition to the quality of the workmanship of the blade, the ricasso is decoratedwith gold koftgari inscriptions in Arabic, from the Quran.The mounts of this swords are of indeterminate origin, while the hilt is in the classic style. These sort of carved grips have been associated with North Africa and Egypt during the Ottomanperiod which is a reasonable geographic attribution though swords of this type would have been widely traded.Total Length (inside scabbard if present) : 37 1/4" Blade Length : 30 3/4"References:1. Elgood, R. (2009). The Arms of Greece. Thames and Hudson.2. Hales, R. (2013). A Lifetime’s Passion: Islamic and Oriental Arms and Armour3. Pinchot, O. (2002) On the Persian Shamshir and the Signature of Assad Allah. Journal ofArms Collecting.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Australian 19th-early 20th C.Aborigine Kimberley Glass Dagger shaped Spear Point.

Lot # 134 (Sale Order: 132 of 298)      

A distinctive spear point from the Aborigine people of Australia. These particularforms of spear points, made of recycled glass were a phenomenon in Colonial Australia in...more the19th century. This serrated spear point is likely from the Kimberley district of North WesternAustralia. This spear point represents a fascinating object representative of the intermingling ofcultures during the Colonial period in Australia. In this case, Australian Aboriginal methods ofproducing stone tools were hybridized with imported European materials, such as the dark glasson this Schmiedt Collection example, to produce a sharper and more easily manufacturedspearhead. These points are excellent examples of the sort of pressure-flaked spear points thathave been produced in the northern Kimberley and Arnhem Land for more than three thousandyears. These points are bifacial, worked on both sides of the blade, and were regarded veryhighly by many Aboriginal groups throughout Northern and Western Australia. Consequently,they have been documented as passing more than 1,000km to the south through trade. There arenumerous types of Kimberley points known and manufactured in materials such as bottle glass,porcelain from the insulators of cross-country telegraph cables, as well as more the moretraditional materials of quartzite and basalt used in pre-colonial times.The point itself was made by applying a hammer stone to a large core of the material, in this caseglass. When it was formed into the rough shape, the edge was then flaked. The distinctiveserrated edge that runs along the outer edge of the point was produced by 'pressure flaking',which involves applying a pressure flaking stick - such as a pointed stick or a shaped piece ofanimal bone - at a very slight oblique angle to the flat of the blade, at evenly spaced points alongthe edge.The example in the Schmiedt Collection is a beautifully preserved example with a very finelyserrated double sided edge. This example made from dark green glass.Total Length (inside scabbard if present) : Blade Length : 4 1/4" References:1. Pitt Rivers Museum. Arms and Armor: Selected Objects from the Upper Gallery. Greenglass spear head (1932.34.1).Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Nice 20th C. Custom Made Indonesian KERAMBIT Dagger ~ Maker Marked Damascus Steel Blade.

Lot # 135 (Sale Order: 133 of 298)      

The kerambit is believed to have originated with the Minangkabau people of WestSumatra, presumably inspired by the claw of a large cat. It is often considered a stealth w...moreeaponlike the tiger claw daggers of India called the bagh nakh. It is traditionally used with anunderhand grip that could aid in its concealment. It original uses were probably as an agriculturaltool but ultimately it was used in a fighting format. As a pair of knives, they are able to deliverdeadly slashing or ripping wounds in close fighting. The use of kerambit was largely disdainedby the upper class, and was primarily used by the lower class such as peasants. The kerambit isalso known as a weapon used by used by women, due to the relative ease with which it could beconcealed in clothing or hair.The Minangkabau are one of the core ethnic groups of Indonesia and their trade and socialcontacts with other parts of South Asia led to the wider use of the kerambit. They werecommonly used by the Bugis people and in Philippine martial arts. They are sometimes knownby other names, for example as a lawi ayam (chicken's claw) (Gardner 1936). Variants are madewith a semicircle to place the index finger rather than a closed loop.This kerambit is a 20th century. The blades appears to be fashioned from Damascus pattern welded steel, layered in a decorative pattern to simulate the pamor foundon Indonesian kris. Last photo for size reference only, this lot contains 1 dagger.Total Length (inside scabbard if present) : 6 3/4" Blade Length : 3 1/2" References:1. Gardner, G. (1936) Keris and other Malay Weapons. Orchid Press; Reprint Edition (April16, 2010)2. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Nice 20th C. Custom Made Indonesian KERAMBIT Dagger ~ Maker Marked Damascus Steel Blade.

Lot # 135A (Sale Order: 134 of 298)      

The kerambit is believed to have originated with the Minangkabau people of West Sumatra, presumably inspired by the claw of a large cat. It is often considered a stealth ...moreweapon like the tiger claw daggers of India called the bagh nakh. It is traditionally used with an underhand grip that could aid in its concealment. It original uses were probably as an agricultural tool but ultimately it was used in a fighting format. As a pair of knives, they are able to deliver deadly slashing or ripping wounds in close fighting. The use of kerambit was largely disdained by the upper class, and was primarily used by the lower class such as peasants. The kerambit isalso known as a weapon used by used by women, due to the relative ease with which it could be concealed in clothing or hair.The Minangkabau are one of the core ethnic groups of Indonesia and their trade and social contacts with other parts of South Asia led to the wider use of the kerambit. They were commonly used by the Bugis people and in Philippine martial arts. They are sometimes known by other names, for example as a lawi ayam (chickens claw) (Gardner 1936). Variants are made with a semicircle to place the index finger rather than a closed loop. This kerambit is a 20th century. The blades appears to be fashioned from Damascus pattern welded steel, layered in a decorative pattern to simulate the pamor found on Indonesian kris. Last 2 photos are for size reference only, this lot contains 1 dagger.Total Length (inside scabbard if present) : 8 1/2" Blade Length : 5"References:1. Gardner, G. (1936) Keris and other Malay Weapons. Orchid Press; Reprint Edition (April16, 2010)2. Van Zonneveld, A.G. (2001) Traditional Weapons of the Indonesian Archipelago.Leiden: Art Books.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Good 18th-19th C. Turkish SHAMSHIR Sword ~ Black Wootz Damascus Blade ~ Ottoman Empire, Anatoli

Lot # 136 (Sale Order: 135 of 298)      

A fine representation of one of the distinct swords of the Ottoman Empire, this sword is most classically called a shamshir and is distinguished by the deeply curved blad...moree, the finest of which are mounted with wootz blades, such as this example. The shamshir in its classic form such as this example was developed in the 16th centuries and was primarily associated most closely with Persian swords of the period. The Ottomans, though devout enemies of the Persians, adopted Persian blades through trade and capture, many of which were mounted in Ottoman style hilts.Shamshir means "lions tail" and describes the deeply curved and continuously tapering parabolic saber blade typical of the Islamic world from Persia through to Mughal India from the middle of the 16th century. Contemporary illustrations most often show these swords being worn within scabbards, suspended horizontally and diagonally with the edge down, at the wearer's left side. Though the deeply curved blades are adapted for the draw cut at the expense of thrusting, these swords are known to have been carried by dismounted warriors as well as mounted warriors where the slashing technique was the preferred form of fencing for Islamic warriors.The blade of this shamshir has an especially fine wootz pattern of dark Kara Khorasan style wootz with no damages or flaws. These mirror like wootz blades were considered especially fineas the watering of the blade brought to mind poetry for the Muslim warrior and the embellishment of gold would have been considered as against Islamic teaching, though that hasnot prevented many other blades from being embellished with gold throughout the ages. These seemingly simple blades would have been highly valued for the quality of the watered steel.Total Length (inside scabbard if present) : 38 1/4" Blade Length : 33 1/4"References:1. Elgood, R. (2009). The Arms of Greece. Thames and Hudson.2. Hales, R. (2013). A Lifetime’s Passion: Islamic and Oriental Arms and Armour,3. Pinchot, O. (2002) On the Persian Shamshir and the Signature of Assad Allah. Journal ofArms Collecting.4. Egerton, Lord of Tatton, (1896). A Description of Indian and Oriental Armour. London,W. H. Allen & Co5. Ferrel, J. (1998), The Dr. Leo S. Figiel Collection of Mogul Arms. (San Francisco:Butterfield & Butterfield6. Figel, L.S., (1991) On Damascus Steel. Atlantis, Florida: Atlantis Arts Press.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Good 19th-early 20th African Ethiopian GURADE Curved Sword ~ Well Engraved Blade ~ Silver Coin Pomme

Lot # 137 (Sale Order: 136 of 298)      

A classic form of sword from Ethiopia referred to as a gurade, this curved sword is a well-known style of sword introduced in the 19th century and often mounted with impo...morerted European blades. This example in the Schmiedt Collection is of typical form with a handle of classic form with a mirrored flared pommel and crossguard with a tubular cross section.The blade of this sword is single edged and likely made by Wilkinson, a famous English sword maker, and which exported many blades to Ethiopia during the period of Menelik II (1885-1913), who was also known as the Lion of Judah. This blade crisply decorated in the fullers withfloral designs typical of the period and engraved with Amharic script at the base. A group of these blades with similar Amharic inscriptions and designs can be seen in an early 20th century Wilkinson catalog.Total Length (inside scabbard if present) : 37" Blade Length : 32 1/2" References:1. Stone, G. C. (1934). A Glossary of the Construction, Decoration, and Use of Arms andArmor in All Countries and in All Times. Mineola NY: Dover Publications.2. Spring, C. (1993). African arms and armour. British Museum Press.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Late 19th - Early 20th C. Indonesian MANDAU Parang Ihlang Sword ~ Borneo Dayak Headhunters

Lot # 138 (Sale Order: 137 of 298)      

A distinctive Bornean sword of the Iban Dayak, called a Mandau or Parang Ihlang,these swords are found throughout institutional and private collections in varying degrees...more ofquality. They are distinguished by a set of similar features, all varying in the level of quality ofthe constructions, materials, and workmanship. The Mandau blade has a convex shape on oneside and somewhat concave on the other. The blades are often made of tempered metal and insome cases may display a lamellar pattern, similar to the pamor found on Indonesian kris blades,though this is highly uncommon. The hilts are often delicately carved with various detailsvarying across the many tribes of the Dayak, but often depict creatures or anthropomorphic deities.This example in the Schmiedt Collection has nicely carved hilt. The blade is well made withstyle with the blade tip most closely related to the style called leng-ook-monong based onresearch from 1888 from the Dutch resident in Koetei, where the Kayan tribe made mandaus ofthis form and style (Tromp 1888). The curvature of the blade is generally less common thanstraighter profiled Mandau blades, and has similarity with other Dayak swords with similar blade profiles.The flat slope of the blade in this example, cut in the form, according to Shelford (1901),transcribing the Kajamans of the Belaga district is also referred as song ikang, referring to thehooks and projections along slope of the blade.Dating to the first half of 20th century.Total Length (inside scabbard if present) : 29" Blade Length : 23/12"References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fürEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Large 19th - early 20th C. African MASAI Tribe Hide War Shield

Lot # 139 (Sale Order: 138 of 298)      

Very Large 19th - early 20th C. African MASAI Tribe Hide War Shield. Size : 33" x 29 1/2"Detailed condition reports are not included in this catalog. For additional in...moreformation, including condition reports, please contact us at info@sofedesignauctions.co.

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Good 19th - early 20th C. Indonesian MANDAU Parang Ihlang Sword ~ Sarawak, Borneo Dayak Headhunters.

Lot # 140 (Sale Order: 139 of 298)      

A distinctive Bornean sword of the Iban Dayak, called a Mandau or Parang Ihlang,these swords are found throughout institutional and private collections in varying degrees...more ofquality. They are distinguished by a set of similar features, all varying in the level of quality ofthe constructions, materials, and workmanship. The Mandau blade has a convex shape on oneside and somewhat concave on the other. The blades are often made of tempered metal and insome cases may display a lamellar pattern, similar to the pamor found on Indonesian kris blades,though this is highly uncommon. The hilts are often delicately carved with various detailsvarying across the many tribes of the Dayak, but often depict creatures or anthropomorphic deities.This example in the Schmiedt Collection has nicely carved hilt with the leech pattern carved onthe hilt called (lemetek) and which is associated with blood sucking and considered anappropriate motif for a weapon. Swords with leech motifs are considered to come from the IbanDayak of Sarawak, though the Kayan tribe also used this motif. The blade is well made withstyle with the blade tip most closely related to the style called leng-ook-monong based onresearch from 1888 from the Dutch resident in Koetei, where the Kayan tribe made mandaus ofthis form and style (Tromp 1888).The many loops and projections along the spine of the blade, according to Shelford (1901),transcribing the Kajamans of the Belaga district is referred as song batong, referring to thefretwork along the spine of the blade.Dating to the early 20th century.Total Length (inside scabbard if present) : 25 3/4" Blade Length : 20 1/2" References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fürEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare 19th - early 20th C. Indonesian JIMPUL Sword ~ Sarawak, Borneo Dayak Headhunters.

Lot # 141 (Sale Order: 140 of 298)      

A distinctive Bornean sword of the Iban Dayak, called a jimpul, these swords arefound throughout institutional and private collections in varying degrees of quality. They...more aredistinguished by a set of similar features and may be considered as a hybrid between the parangilang and the langgai tinggang. The blade has flat sides and both back and edge have a stronganterior curvature. The blade at the commencement of the slope is generally quite broad and insome cases there are hooks and projections or a fret design on the slope and sometimes for ashort distance along the back two or three grooves run along the posterior part of the blade oneach side and each side of the shoulder is incised with a phyllomorphic pattern. A rudimentaryfinger guard krowit of the same nature as those of the parang ilang and langgai tinggang isgenerally present on jimpul such as this example. The blades are often made of tempered metaland in some cases may display a lamellar pattern, similar to the pamor found on Indonesian krisblades, though this is uncommon. The hilts are often delicately carved with various detailsvarying across the many tribes of the Dayak, but often depict creatures or anthropomorphic deities.This example in the Schmiedt Collection has a nicely carved hilt with the leech pattern carved inthe hilt called (lemetek) and which is associated with blood sucking and considered anappropriate motif for a weapon. Swords with leech motifs are considered to come from the IbanDayak of Sarawak, though the Kayan tribe also used this motif. The hilt and blade seated with abinding of red wire, likely later. The hilt is likely later than the blade which displays a finegeometry and is well forged.Dating to the early to mid-20th century.Total Length (inside scabbard if present) : 28 1/2" Blade Length : 22 1/2" References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fürEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Rare 19th C. Philippine Naga Sulu Moro KRIS Sword ~ Unique Copper Inlaid Blade

Lot # 142 (Sale Order: 141 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian ker...moreis but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, andmore numerous and therefore required greater skill to prevent the blade bouncing off or beingstuck in an enemys body. The higher number of waves meant the more potent the kris was intalismanic power such as this example. As opposed to Javanese and Balinese keris where nagadesigns carved into the blades are more common, it is uncommon to find naga forms carved intothe blades of Moro blades.One of the additional ways in which origin is identified is through the distinctive design of theelephant head trunk and cavity of the ganja. Generally Sulu kris have cavities which areelliptical in shape. The mouth cavity and lower jaw point downwards towards the base of theguard. Certain Mindanao kris have a similar form except that the mouth is round instead of ovaland is not angled. The Maguindanao form is similar to the Sulu style with an elliptical shape butit is not angled downwards and instead runs perpendicular to the guard. Later versions of thisgenerally exhibit a ridge which has been chiseled into the outer metal that surrounds both sidesof the mouth hollow. The Maranao form has an elongated trunk while the mouth cavity isnarrow and the lower jaw runs parallel to the guard. While Sulu and Maguindanao forms have aconcave cavity beneath the lower jaw, the Maranao form does not and instead has a protrusionthat juts out from beneath it (Cato 1996).This example in the Schmiedt Collection is an interesting example displaying a series ofdecorative elements rarely found on Moro kris and more common on Indonesian keris. Thisincludes the carved form of the naga in the lower part of the blade and which is inlaid in copperor suasa. The single asang asang is also in suasa or copper and matching with a chiseled snakeskin design. The blade also inlaid with silver designs showing a flame pattern and a trisula formnear the tip. The handle is a plain straight form with a wooden pommel and wrapped in twine orjute. The ganja is separately forged indicating that this is likely Not a tourist example of the later20th century but a real fighting sword, while the inlay is of fine quality throughout.Dating to the late 19th - early 20th century.Total Length (inside scabbard if present) : 28" Blade Length : 24 3/4" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Fine 18th C. Ottoman Turkish SHAMSHIR KILIJ Sword ~ Black Wootz Damascus ~ Inlaid 1612 on the B

Lot # 143 (Sale Order: 142 of 298)      

A very fine representation of one of the distinct swords of the Ottoman Empire,this sword is most classically called a shamshir and is distinguished by the deeply curved ...moreblade,the finest of which are mounted with wootz blades, such as this example. This example is aslight hybrid of the shamshir and kilich blade and likely dates to the 18th century based onRivkin's (2018) determination on the evolution of shamshir and kilich blades.The shamshir in its classic form such as this example was developed in the 16th centuries andwas primarily associated most closely with Persian swords of the period. The Ottomans, thoughdevout enemies of the Persians, adopted Persian blades through trade and capture, many ofwhich were mounted in Ottoman style hilts. This blade is likely of Ottoman manufacture and infine condition displaying a fine wootz pattern visible throughout and with an interesting bladeprofile. The blade has a wide shallow fuller running the length of the blade and terminating witha raised rib near the yelman. At the base of the fuller appears to be a decorative chiseled orinlaid design.The scabbard and crossguard of this example are fine condition and mounted in silver.Total Length (inside scabbard if present) : 37 3/4" Blade Length : 31"References:1. Elgood, R. (2009). The Arms of Greece. Thames and Hudson.2. Hales, R. (2013). A Lifetime’s Passion: Islamic and Oriental Arms and Armour,3. Pinchot, O. (2002) On the Persian Shamshir and the Signature of Assad Allah. Journal ofArms Collecting.4. Egerton, Lord of Tatton, (1896). A Description of Indian and Oriental Armour. London,W. H. Allen & Co5. Ferrel, J. (1998), The Dr. Leo S. Figiel Collection of Mogul Arms. (San Francisco:Butterfield & Butterfield6. Figel, L.S., (1991) On Damascus Steel. Atlantis, Florida: Atlantis Arts Press7. Rivkin, K., Isaac, B. (2018) A Study of the Eastern Sword. Independent Publisher.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Fine 19th C. Arabic Algerian NIMCHA Sword ~ Silver & Copper Mounts ~ Impressive Sash with Silve

Lot # 144 (Sale Order: 143 of 298)      

Very Fine 19th C. Arabic Algerian NIMCHA Sword ~ Silver & Copper Mounts ~ Impressive Sash with Silver Tassels.A Nimcha is a single-handed sword from north Africa, especia...morelly Morocco and Algeria, a type of scimitar or saif. Becoming popular in north Africa during Ottoman presence, surviving nimcha are usually from the late 18th century onward and are notable for often using older blades. Stylistically they often bore Arabian type handles with Ottoman tugrah inscribed on the blade.This outstanding example is mounted with an early large-fullered blade of European manufacture, possibly obtained as a war trophy and remounted with these high quality furniture of native workmanship. A truly beautiful and rare example overall.Total length in scabbard : 39" Blade length : 32"Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Good 19th C. Philippine Moro KAMPILAN Sword ~ Layered Damascus Blade ~ Fine Large Hilt ~ Mindan

Lot # 145 (Sale Order: 144 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kampilan. The basic form of the sword is considered to have been b...moreorrowed from Malayprototypes and similar swords from Timor and Borneo are found in Dutch institutionalcollections, though with slightly different grip shapes, a representative example can be seen here.The kampilan profile is strikingly similar to that Timorese prototype but also the blade profilehas deep similarities to the klewang and mandau (parang ihlang)swords that were used by the Dayak of Borneo. Others contendthat the Celebes islands are the origin for the Moro kampilan. However, there areindigenous Philippine archeological found objects from theSurigao hoard of the early 2nd millennium A.D. that also showsimilarities to the kampilan and may have been the vestigialinfluences, including elements of the crossguard, the central eyeat the base of the forked pommel, and protrusion along one sideof the crossguard.The swords are generally distinct, and primarily distinguished by a carved hilt, sometimes in rarematerials such as bone, with a heavy crossguard and in most cases a bifurcated carved pommeldecorated with floral decoration called okir. The design of the pommel varies between ethnicgroups, but it is considered to depict a variety of animals most prominently as a buaya (crocodile).In some cases, the hilt also called a sumba in Maguindanoan is often carved and decorated withfloral decoration called okir.This example in the Schmiedt Collection is a fine fighting example in beautifully patternedhardwood displaying a rich chatoyancy. The handle is finely carved with the classic bifurcatedpommel and decorated with okir carving and inlaid plugs of red tinted horse hair. The handleretains wrapped around the iron protrusion the original twisted textile cloth, now worn, whichwhen the sword was wielded would be wrapped around the hand and wrist in a figure-eight tokeep the sword tight during battle. The blade of this sword a fine fighting blade displaying astrong lamellar pattern and with the sumba protrusion in good condition.Based on the above features, the kampilan likely dates 19th century and from the period of actualfighting use.Total Length (inside scabbard if present) : 36 3/4" Blade Length : 27 1/4" References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Pigafetta, A. (2010). PIGAFETTA'S ACCOUNT OF MAGELLAN'S VOYAGE. InH. Stanley (Ed.), First Voyage Round the World by Magellan: Translated from theAccounts of Pigafetta and Other Contemporary Writers (Cambridge LibraryCollection - Hakluyt First Series, pp. 33-163). Cambridge: Cambridge UniversityPress5. Combes, F. (1667) Historia de Mindanao y Joló, por el p. Francisco Combés ... Obrapublicada en Madrid en 1667, y que ahora con la colaboración del p. Pablo Pastells ...saca nuevamente á luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]6. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off..7. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau8. Macaraeg, R. (2009). "Pirates of the Philippines: a critical thinking exercise." Journalof Asian Martial Arts,18 (3)9. Foy (1899) Schwerter von der Celebes-See. Dresden.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Fine 19th C. Philippine Moro Datu's KAMPILAN Sword ~ Spectacular Carved Hilt ~ Mindanao, Southe

Lot # 146 (Sale Order: 145 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kampilan. The basic form of the sword is considered to have been b...moreorrowed from Malayprototypes and similar swords from Timor and Borneo are found in Dutch institutionalcollections, though with slightly different grip shapes, a representative example can be seen here.The kampilan profile is strikingly similar to that Timorese prototype but also the blade profilehas deep similarities to the klewang and mandau (parang ihlang)swords that were used by the Dayak of Borneo. Others contendthat the Celebes islands are the origin for the Moro kampilan. However, there areindigenous Philippine archeological found objects from theSurigao hoard that also show similarities to the kampilan andmay have been the vestigial influences, including elements of thecrossguard, the central eye at the base of the forked pommel, and protrusion along one side of the crossguard.The swords are generally distinct, and primarily distinguished by a carved hilt, sometimes in rarematerials such as bone, with a heavy crossguard and in most cases a bifurcated carved pommeldecorated with floral decoration called okir. The design of the pommel varies between ethnicgroups, but it is considered to depict a variety of animas most prominently as a buaya (crocodile).In some cases, the hilt also called a sumba in Maguindanoan is often carved and decorated withfloral decoration called okir. The especially finely decorated and designed hilts were mostassociated with Moro Datus, such as this sword. Moro Datus were the royals or gentry beneath thelevel of the Sultans and who provided troops to the Sultanate in times of war, but could themselveshave considerable power. The finest Philippine weapons are associated with Datu's or the Sultansthemselves.This example in the Schmiedt Collection is a fine example like belonging to a Datu as it is very finely decorated and made. The hilt appears to be very finely carved in (other than wood) natural material, inlaid with plugs of hair. The grip is wrapped in finely chased gilded brass also in okir motifs, and inset with brass coins and plaques, along the crossguard and thebase of the bifurcated pommel. The blade is a long example in the classic Moro shape with thesumba protrusion in good condition. The blade displays a potential lamellar pattern. An exceptional and very rare fine example made for a wealthy individual.Dating from late 19th - early 20th century.Total Length (inside scabbard if present) : 42 3/4" Blade Length : 32 1/2"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Pigafetta, A. (2010). PIGAFETTA'S ACCOUNT OF MAGELLAN'S VOYAGE. InH. Stanley (Ed.), First Voyage Round the World by Magellan: Translated from theAccounts of Pigafetta and Other Contemporary Writers (Cambridge LibraryCollection - Hakluyt First Series, pp. 33-163). Cambridge: Cambridge UniversityPress5. Combes, F. (1667) Historia de Mindanao y Joló, por el p. Francisco Combés ... Obrapublicada en Madrid en 1667, y que ahora con la colaboración del p. Pablo Pastells ...saca nuevamente á luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]6. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off..7. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau8. Macaraeg, R. (2009). "Pirates of the Philippines: a critical thinking exercise." Journalof Asian Martial Arts,18 (3)9. Foy (1899) Schwerter von der Celebes-See. DresdenDetailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Highly Unusual 19th C. Philippine Moro Datu's KAMPILAN Sword ~ Mindanao, Southern Philippines ~ Laye

Lot # 147 (Sale Order: 146 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kampilan. The basic form of the sword is considered to have been b...moreorrowed from Malayprototypes and similar swords from Timor and Borneo are found in Dutch institutionalcollections, though with slightly different grip shapes, a representative example can be seen here.The kampilan profile is strikingly similar to that Timorese prototype but also the blade profilehas deep similarities to the klewang and mandau (parang ihlang)swords that were used by the Dayak of Borneo. Others contendthat the Celebes islands are the origin for the Moro kampilan. However, there areindigenous Philippine archeological found objects from theSurigao hoard that also show similarities to the kampilan andmay have been the vestigial influences, including elements of thecrossguard, the central eye at the base of the forked pommel, andprotrusion along one side of the crossguard.The swords are generally distinct, and primarily distinguished by a carved hilt, sometimes in rarematerials such as bone, with a heavy crossguard and in most cases a bifurcated carved pommeldecorated with floral decoration called okir. The especially finely decorated and designed hilts weremost associated with Moro Datus, such as this sword. Moro Datus were the royals or gentrybeneath the level of the Sultans and who provided troops to the Sultanate in times of war, but couldthemselves have considerable power. The finest Philippine weapons are associated with Datu's orthe Sultans themselves.This example in the Schmiedt Collection has a rare carved hilt form. The hilt carved of anunknown material and distinctly striated with a barber pole carving or potentially reflecting thenatural form of the material. The sword is otherwise of classic kampilan form and with a finelymade blade, with talismanic holes nearest the edge while the blade displays a fine lamellarpattern, hardened edge, and sumba protrusion. The crossguard is in the classic Moro form butnow missing the iron hand guard hemispherical iron inlays.Based on the above features, this kampilan likely dates to 19th century though this handle may havebeen added following the manufacture of the blade, and it is not uncommon to have had blades re-hilted. A very special and rare example overall.Total Length (inside scabbard if present) : 32 1/2" Blade Length : 27"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Pigafetta, A. (2010). PIGAFETTA'S ACCOUNT OF MAGELLAN'S VOYAGE. InH. Stanley (Ed.), First Voyage Round the World by Magellan: Translated from theAccounts of Pigafetta and Other Contemporary Writers (Cambridge LibraryCollection - Hakluyt First Series, pp. 33-163). Cambridge: Cambridge UniversityPress5. Combes, F. (1667) Historia de Mindanao y Joló, por el p. Francisco Combés ... Obrapublicada en Madrid en 1667, y que ahora con la colaboración del p. Pablo Pastells ...saca nuevamente á luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]6. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off..7. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau8. Macaraeg, R. (2009). "Pirates of the Philippines: a critical thinking exercise." Journalof Asian Martial Arts,18 (3)9. Foy (1899) Schwerter von der Celebes-See. Dresden.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Very Fine Presentation Quality Philippine Moro Datu's KRIS Sword ~ Silver Inlaid Copper mounts ~ Mas

Lot # 148 (Sale Order: 147 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian ker...moreis but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, andmore numerous and therefore required greater skill to prevent the blade bouncing off or beingstuck in an enemy's body.One of the additional ways in which origins are identified are through the design of the elephanthead trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard. CertainMindanao kris have a similar form except that the mouth is round instead of oval and is notangled. The Maguindanao form is similar to the Sulu style with an elliptical shape but it is notangled downwards and instead runs perpendicular to the guard. Later versions of this generallyexhibit a ridge which has been chiseled into the outer metal that surrounds both sides of themouth hollow. The Maranao form has an elongated trunk while the mouth cavity is narrow andthe lower jaw runs parallel to the guard. While Sulu and Maguindanao forms have a concavecavity beneath the lower jaw, the Maranao form does not and instead has a protrusion that jutsout from beneath it (Cato 1996).This example in the Schmiedt Collection is an interesting example displaying a series ofdecorative elements rarely found on Moro kris and more commonly found in other Morodecorative arts. The entire composition of the handle and the scabbard is made of brass orcopper and then inlaid in silver. Other types of Moro decorative arts, specifically associated withthe Maranao in Lanao and Cotabato, such as gadors (brass jars inlaid in silver) are often made inthis exact manner. The motifs in silver inlay on the scabbard include bands of stylised orchids(obar-obar) and rope twist (obid-obid) borders. This type of decoration has its origins inwoodcarving (Fraser-Lu 1989). The brassware of the Southern Philippines is closely related tothat cast in other areas of Southeast Asia. It is likely that the technique was introduced to theMaranao through close ties with Brunei a well-known area for brassware production. Howeverthe inlaying of floral and geometric patterns using silver alloy is unique to Maranao work andmakes their brassware distinctive. This type of idiosyncratic decoration likely dates this piece tothe 20th century as older examples do not utilize this form of composition. The overall form however closely associated with other Moro kris and in this case the form of the pommel iscalled a danganan, which is an oversize kakatua form. The scabbard with the enlarged chape andricasso area also associate with the form found on enlarged Datu's kris. Finally, the blade is aclassic form and the ganja form and cavity also are associated with the Maranao.Dating to the first half of 20th century.Total Length (inside scabbard if present) : Blade Length : References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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HUGE early 20th C. Philippine Moro Datu's Moro KRIS Sword ~ Sulu, Maguindanao ~ Large Carved Stone P

Lot # 149 (Sale Order: 148 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kris. The classic Moro kris is based heavily on the Indonesian ker...moreis but is distinctlylarger and made purposefully for fighting. The kris has always been the most famous of allMoro weapons and there are a wide set of variation of blade types, handle forms, and materials.Generally all kris blades are wide at the base, double-edged, and can be waved, half-waved halfstraight,or straight in which case they were more practical in combat. Older kris had fewerwaves and the waves were deeper and wider. Over time the waves became shallower, tighter, andmore numerous and therefore required greater skill to prevent the blade bouncing off or beingstuck in an enemy's body. The higher number of waves meant the more potent the kris was intalismanic power such as this example. Sometimes engravings (often filled in with brass or silverinlay) are found on the blade in okir motifs (vines, foliage, etc.), Arabic script, or other esotericmotifs such as this example in the Schmiedt Collection. Many kris blades are forged with fullersand these are likely heavily influenced by Malay style keris called malela keris.One of the additional ways in which origins are identified are through the design of the elephanthead trunk and cavity of the ganja. Generally Sulu kris have cavities which are elliptical inshape. The mouth cavity and lower jaw point downwards towards the base of the guard. CertainMindanao kris have a similar form except that the mouth is round instead of oval and is notangled. The Maguindanao form is very similar to the Sulu style with an elliptical shape but it isnot angled downwards and instead runs perpendicular to the guard. Later versions of thisgenerally exhibit a ridge which has been chiseled into the outer metal that surrounds both sidesof the mouth hollow. The Maranao form has an elongated trunk while the mouth cavity isnarrow and the lower jaw runs parallel to the guard. While Sulu and Maguindanao forms have aconcave cavity beneath the lower jaw, the Maranao form does not and instead has a protrusionthat juts out from beneath it (Cato 1996).This example in the Schmiedt Collection is a fine example of Giant proportions, with a large danganan carved hard-stone pommel in fine condition. The handle itself with gilded brass and filigree bands near the pommel and ganja. The 23 luk waved blade has a fine patina and is attached through the hilt through twoasang asang clamps. The ganja and cavity form indicates this is a crossover Maguindanao and Sulu origin.Dating to the early 20th century.Total Length (inside scabbard if present) : 41 3/4" Blade Length : 32 1/2"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.5. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau6. Wetzler, S. (2020) Steel and Magic. Edged Weapons of the Malay Archipelago.Edition Fichter, Frankfurt am Main.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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Spectacular HUGE 19th C. Philippine Moro Datu's KAMPILAN Sword ~ Massive Hilt of Very Fine Carved Ma

Lot # 150 (Sale Order: 149 of 298)      

This is a classic sword of the Moro people of the southern Philippines and of the Sulu Sea areacalled a kampilan. The basic form of the sword is considered to have been b...moreorrowed form Malayprototypes and similar swords from Timor and Borneo are found in Dutch institutional collections, though with slightly different grip shapes, a representative example can be seen here.The kampilan profile is strikingly similar to that Timorese prototype but also the blade profilehas deep similarities to the klewang and mandau (parang ihlang) swords that were used by theDayak of Borneo. Others contend that the Celebes islands are the origin for the Moro kampilan,and a representative example can be found here, which shows off the similarity with the Moro version.The kampilan also has a storied history and from the first-hand account of Magellan's shipmate,Antonio Pigafetta, it is thought that Magellan was killed by the kampilan in the region of thesouthern Philippines. Later accounts during the Spanish conquest of the Philippines indicate thatthe kampilan was a favorite weapon of the Ilanuns (a Moro ethnic group from Mindanao and theWest Coast of Borneo), though this is difficult to explain (Demetrio 1991) as the length of akampilan approaches and exceeds one yard.The swords are generally very distinct, and primarily distinguished by a carved hilt, sometimes inrare materials such as bone such as this example, with a heavy crossguard and in most cases abifurcated carved pommel decorated with floral decoration called okir. The design of the pommelvaries between ethnic groups, but it is considered to depict a variety of animas most prominently asa buaya (crocodile). In some cases, the hilt also called a sumba in Maguindanoan is often carved and decorated with floral decoration called okir.This example in the Schmiedt Collection is one the finest of the kampilans in the World. Cato (1996) describes the bone handled kampilans as the property of wealthier Moros. This was due to the cost and aristocratic character of the raw material, as well as the expense of hiring a top-flight artisan who knew how to carve it properly. This example likely dates to the 1st quarter of the 20th century as it displays a refinement in the carving and inlay of metal, alongside with the metal rings of the grip that are indicative of post-Spanish American war period Philippine swords. However, this is likely not made for re-sale or tourists as the quality of the workmanship is superb and of the highest quality of Moro swords. The blade of classic kampilan form with several protrusions near the tip in the form of a sumba and with an aged patina but which may be due to poor cleaning over the years.Kampilans such as this example mounted in bone, would have been considered Datu's swords.The Datu in Moro culture being the equivalent of a nobleman or gentry elsewhere, and who would have worn more expensive swords such as this example. They followed in importance the Moro sultans, whose rule was sanctioned by the Quran. The title of Datu and Rajah however, predated the coming of Islam but these titles were assimilated into the new structure when the Moros were Islamicized. In return for tribute and labor, the Datu provided aid in emergencies and advocacy in disputes with other communities and warfare through the Agama and Maratabat laws.Total Length (inside scabbard if present) : 49 1/4" Blade Length : 34"References:1. Cato, R. (1996) Moro swords. Graham Brash: Singapore2. Barados, D., (1995) Land of the Morning: Treasures of the Philippines, San FranciscoCraft & Folk Museum, 1995.3. Casal, G. et al, (1981) The People and Art of the Philippines, UCLA Museum ofCultural History4. Demetrio, F. (1991). Encyclopedia of Philippine folk beliefs and customs. Volume 2:Folk medicine to weaponry. Cagayan de Oro City, R.P.: Xavier University5. Pigafetta, A. (2010). PIGAFETTA'S ACCOUNT OF MAGELLAN'S VOYAGE. InH. Stanley (Ed.), First Voyage Round the World by Magellan: Translated from theAccounts of Pigafetta and Other Contemporary Writers (Cambridge LibraryCollection - Hakluyt First Series, pp. 33-163). Cambridge: Cambridge UniversityPress.6. Combes, F. (1667) Historia de Mindanao y Joló, por el p. Francisco Combés ... Obrapublicada en Madrid en 1667, y que ahora con la colaboración del p. Pablo Pastells ...saca nuevamente á luz W. E. Retana. Madrid: [Viuda de M. Minuesa de los Rios]7. Krieger, H. W. (1926). The collection of primitive weapons and armor of thePhilippine islands in the United States National museum. Washington: Govt. Print.Off.8. Macao Museum of Art. (2007). History of Steel in East Asia. Macao Museum of Art.Macau9. Macaraeg, R. (2009). "Pirates of the Philippines: a critical thinking exercise." Journalof Asian Martial Arts,18 (3)10. Foy (1899) Schwerter von der Celebes-See. Dresden11. Demetrio, F. (1991). Encyclopedia of Philippine folk beliefs and customs. Volume 2:Folk medicine to weaponry. Cagayan de Oro City, R.P.: Xavier University.Detaile

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Very Nice Indonesian LANGGAI TINGGANG Sword ~ Borneo Dayak Tribe Headhunters.

Lot # 151 (Sale Order: 150 of 298)      

A distinctive Bornean sword of the Sea Dayak, called a Langgai Tinggang, theseswords are found throughout institutional and private collections in varying degrees of qual...moreity.The Langgai Tinggang is practically a niabor with the handle of a parang ilang or mandau. Theterm langgai tinggang means the “longest tail feather of a hornbill” and refers to a broad groovewhich runs along the posterior part of the blade on each side and which is purported to be featherlike in appearance. This groove runs across to the anterior border just below the rudimentaryfinger guard. This finger guard is not a derivative of the kundieng of the niabor but is a copy ofthe ikang of the parang ilang which constitutes part of a aso dog dragon design. The handle ofthe langgai tinggang does not generally differ from that of the classic mandau.This example in the Schmiedt Collection is likely a mid 20th century example judging by thequality of the hilt, scabbard, and blade. All of these display a lack of facility with the traditionalDayak designs and are out of proportion with traditional swords. The blade is the classicLanggai Tinggang form though without the blade fuller, but inlaid with brass dots and a forgedon brass ikang, or finger guard. The scabbard is made of wood and decorated with carveddesigns showing linked tusks or perhaps derivative of the leech (lemetek) design.Total Length (inside scabbard if present) : 37 1/2" Blade Length : 25" References:1. Van Zonneveld, A.G. (2002). Traditional Weapons of the Indonesian Archipelago.Koninklyk Instituut Voor Taal Land2. Heppell, M., et al, (2005) Iban Art: Sexual Selection and Severed Heads, C.Zwartenkot/Kit Publishers3. Sellato, B. (ed.), Plaited Arts from the Borneo Rainforest, NIAS Press, 20124. Fischer, H.W. (1909) Katalog des ethnographischen Reichsmuseums- Die Inselnringsum Sumatra, (vol. 4, Leiden)5. Tromp, S.W. (1888) Medeelingen Omtrent Mandaus. Internationales Archiv fürEthnographie. Band 1. Pp.22-266. Shelford, R. (1901) A provisional classification of the swords of the Sarawak tribes.Journal of the Anthropological Institute of Great Britain and Ireland. Vol. 31.Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com

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1.178.0.1819.d18c6b8.25.67