Japanese woodblock print titled Night Rain at Omiya (also known as Rain at Omiya) by Kawase Hasui (1883-1957), a prominent artist of the Shin-hanga movement. The print showcases a rural village in Omiya, Saitama Prefecture, on a rainy evening, with tall grasses in the foreground, a pond, and reflections of light from houses in the water. The design was originally published in 1930, and this is a post-war impression. Dimensions are approximately 11 3/4 inches high by 16 3/4 inches wide. The reverse shows some tape residue. Kawase Hasui was an influential landscape artist of the Shin-hanga movement, renowned for his emotive and atmospheric prints that blend traditional Japanese woodblock techniques with Western realism.. .

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Japanese woodblock print titled Zentsuji Temple in Rain by Kawase Hasui (1883-1957), a prominent artist of the Shin-Hanga movement known for his serene landscape prints. This post-war impression, measuring 11 1/4 high x 16 1/4 wide, captures a rainy day at Zentsuji Temple in Shikoku, Japan. The print features the temple's intricate gate, a stone lantern, and a towering pagoda surrounded by lush greenery and distant mountain peaks. The piece exhibits mild toning and creases in the bottom margin. Kawase Hasui was one of the most renowned landscape printmakers of the Shin-Hanga movement, which revitalized traditional Japanese woodblock prints by blending Western and Eastern artistic techniques. His works are celebrated for their atmospheric qualities and exquisite attention to detail.. .

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This Japanese woodblock print, titled Lake Kawaguchi (Kawaguchiko), was created by the renowned artist Kawase Hasui in 1932. It depicts a serene landscape of Lake Kawaguchi, one of the famous Fuji Five Lakes, featuring Mount Fuji with its snow-capped peak, tall pine trees framing the scene, and a solitary boat gliding across the tranquil waters. The print measures 8 inches high and 16 inches wide, tipped on a sheet, and is a post-war impression. Kawase Hasui (1883–1957) was a leading artist of the Shin Hanga movement in Japan, celebrated for his evocative landscapes and skillful use of light and shadow. His work beautifully captures the spirit and atmosphere of traditional Japanese scenery while incorporating Western influences in perspective and shading techniques.. .

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Japanese woodblock print titled Mt Fuji from Yamanaka by Ito Takashi (1894-1982). Ito Takashi was a prominent artist of the shin-hanga movement, which revitalized the traditional Japanese woodblock printing technique in the early 20th century. He is celebrated for his serene landscapes and collaboration with renowned publisher Watanabe Shozaburo. The print captures the snow-covered peak of Mount Fuji on a crisp winter day, viewed through a grove of slender bare trees against a delicately hued sky. This work, showcasing Ito Takashi's mastery of composition and atmospheric effect, measures 15 1/2 inches high by 10 1/2 inches wide, with its original mount preserved.. .

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Japanese woodblock print titled Cockatoo and Pomegranate created by Ohara Koson (1877-1945), a renowned Japanese artist celebrated for his kacho-e (bird-and-flower) designs within the shin-hanga (new prints) movement. Measuring 10 1/4 high, 15 1/4 wide, this print is approximately from 1927 and features a striking composition showcasing a white cockatoo with heavily embossed feathers seated on a branch beside a pomegranate. The sharp contrast between the white form and the deep black background exemplifies Koson's innovative use of bold elements during this period. The print has light creases at the bottom left corner. Ohara Koson is remembered for his mastery in blending traditional ukiyo-e techniques with modern aesthetic sensibilities, which earned him international acclaim.. .

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Post-war Japanese woodblock print titled Two White-fronted Geese Flying in Snow by Ohara Koson (also known as Shoson). The artwork measures 10 3/4 x 15 1/2 inches and is accompanied by its original mount. The print depicts two white-fronted geese in flight during a snowstorm, with snow-covered reeds in the foreground. Ohara Koson (1877-1945) was a prominent Japanese printmaker celebrated for his kacho-e, or bird and flower subjects. He mastered the shin-hanga movement, blending traditional Japanese woodblock techniques with Western aesthetics to capture the natural world in exquisite detail. Koson's works are highly acclaimed for their delicate portrayals of avian subjects and their surroundings.. .

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Japanese woodblock print titled 'Great Geese in Flight' by Ohara Koson (1877-1945). The print features a serene depiction of geese in mid-flight, with meticulous detail characteristic of Koson's skill in capturing birds and elements of nature. Measuring 10 1/2 inches high by 15 1/2 inches wide, the artwork retains its original mount and belongs to the post-war period. Ohara Koson, also known as Shoson or Hoson, was a prominent Japanese woodblock print artist celebrated for his kacho-e, or bird-and-flower pictures. Active in the shin-hanga ('new prints') movement, he revitalized traditional woodblock printing techniques and gained international acclaim for his ability to combine traditional Japanese aesthetics with modern sensibilities. His works, including this piece, continue to be admired for their exquisite detail and mastery of the medium.. .

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Japanese woodblock print titled Mt Fuji from Mitsukubo, created circa 1936 by Shotei Takahashi (1871-1945). Shotei Takahashi, also known as Hiroaki Takahashi, was a renowned Shin Hanga artist, a key figure in the early 20th-century movement that rejuvenated traditional Japanese Ukiyo-e woodblock printing by blending it with Western artistic influences. This print portrays Mount Fuji as seen from Mitsukubo, with the iconic mountain featured prominently against a serene backdrop of traditional Japanese houses, trees, and a picturesque landscape. The dimensions of the piece are 15 1/2 inches high, 10 1/2 inches wide. The piece is post-war and reflects the typical Shin Hanga attention to detail and atmospheric perspective, making it a fine example of Takahashi's celebrated works.. .

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Japanese woodblock print titled 'Wisteria at Kameido' from the Famous Views of Tokyo series by Kobayashi Kiyochika (1847-1915). The artwork was created in 1877 and features the scenic depiction of wisteria blossoms and the iconic Drum Bridge at the Kameido Tenjin Shrine in Tokyo. The composition portrays two women on a verandah overlooking the river and bridge, with large poles in the water supporting the blooming wisteria. The print measures 13 1/4 inches high, 8 3/4 inches wide. Condition: Toning present, with repaired side margins and tape residue on reverse. Kobayashi Kiyochika, a renowned artist of the Meiji period, was celebrated for his innovative landscape prints that fused Japanese tradition with Western artistic influences, documenting the modernization of Japan during his lifetime.. .

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Japanese woodblock print titled Koromo River below Tenno-ji Temple (Tenno-ji shita Koromogawa) by Kobayashi Kiyochika, created in 1880. Measuring 12 3/4 high x 8 1/2 wide, the print is part of Kiyochika's Tokyo landscape series and was published by Fukuda Kumajiro. The image showcases Kiyochika's celebrated skill in depicting night scenes, featuring light sources including a house, a lantern, and numerous fireflies, all reflected delicately in the water. The title refers to Firefly Valley along the Aizome River, west of Tenno-ji Temple. There is mild toning and trimming consistent with age. Kobayashi Kiyochika (1847-1915) is renowned for his innovative approach to traditional ukiyo-e woodblock prints, often blending Western-style perspective and shading with classical Japanese themes. His works frequently highlight dramatic uses of light and shadow, particularly in nocturnal landscapes.. .

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Japanese woodblock print titled Ryogoku After the Fire by Kobayashi Kiyochika, created in 1881. Measuring 12 3/4 inches high by 9 inches wide, the print depicts the aftermath of the second great fire of 1881 in Tokyo, focusing on the Ryogoku Bridge area, which also consumed the artist's residence. The image captures the devastation with details such as undamaged gas street lamps glowing against the twilight sky, emphasizing the scene's somber and surreal elements. The print has mild toning and a repaired margin. | | Kobayashi Kiyochika (1847-1915) was a noted Japanese artist recognized for his landscapes, scenes of daily life, and contributions to the modern evolution of ukiyo-e woodblock printing during the Meiji period. His works reflect a blend of traditional Japanese artistry and Western realism, marking him as an innovator who documented the rapidly changing times of Japan during his era.. .

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Japanese woodblock print created by artist Kobayashi Kiyochika in 1881, depicting the Year-End Market at Sensoji Temple (Hagoita-Ichi Fair) in Asakusa, Tokyo, Japan. The image captures the nocturnal setting of the annual fair with light sources and silhouettes of bustling people in front of the stalls. This traditional event, held between December 17th and 19th near the Sensoji Temple, is celebrated for the sale of 'hagoita,' ornamental wooden bats thought to bring good luck. The scene is characteristic of Kiyochika's impressionist style and focus on light and shadow. The piece measures 13 inches high by 8 3/4 inches wide. Condition details include tape residue on the reverse side, wrinkles in the upper right, and repaired side margins. Kobayashi Kiyochika (1847–1915) is renowned for his innovative woodblock prints that blend traditional ukiyo-e with modern Western artistic techniques to portray changing urban landscapes during Japan's Meiji period.. .

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Japanese woodblock print depicting the Night Market at Asakusa (Asakusa yomise), created in 1881 by the acclaimed ukiyo-e artist Kobayashi Kiyochika. This artwork portrays a lively nighttime market scene near the Senso-ji Temple in Asakusa, Tokyo, focusing on the Nakamise area. The piece measures approximately 12 3/4 inches high by 8 3/4 inches wide and has repaired margins. Kobayashi Kiyochika (1847–1915) is renowned for his mastery of light and shadow, particularly in his depictions of Tokyo during the Meiji period (1868–1912). His works often highlight the rapid modernization of the city, blending traditional Japanese aesthetics with Western-influenced techniques. This specific print is celebrated for its atmospheric portrayal of nocturnal life and the transformation of Asakusa.. .

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Japanese woodblock print titled Night on the Sumida River, created in 1881 by Kobayashi Kiyochika (1847–1915). This print is a fine example of Kiyochika’s style, known as kosen-ga, a technique inspired by Western art’s use of light and shadow. Measuring 13 1/2 inches high by 9 inches wide, the artwork portrays a serene nocturnal scene along the Sumida River in Japan. A silhouetted couple is depicted walking along the riverbank, with shimmering reflections of lights across the water, creating a tranquil and atmospheric tableau. A noticeable foxing spot is present on the top margin. Kobayashi Kiyochika was a prominent artist of the Meiji period, renowned for capturing transitional moments between traditional and modern Japan. He is celebrated for his innovative depiction of light effects and urban scenery, effectively bridging Edo-period woodblock techniques with Western influences.. .

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Japanese woodblock print titled Yokohama Sankei Garden by Tsuchiya Koitsu (1870-1949). This post-war impression depicts the scenic Sankei-en Garden in Yokohama, Japan, featuring a tranquil pond surrounded by cherry blossoms with a pagoda in the background. The artwork measures 8 inches high by 11 1/2 inches wide and retains its original mount. Tsuchiya Koitsu, a significant figure in the Shin-hanga movement, was renowned for his lyrical landscape prints that captured the beauty and atmosphere of Japanese scenery. Known for meticulous details and vibrant colors, his works continue to be highly prized by art collectors worldwide.. .

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Japanese woodblock print titled Evening at Miidera Temple by Tsuchiya Koitsu (1870-1949), measuring 8 inches high by 11 1/2 inches wide. This post-war impression is mounted on its original backing and features a serene evening scene at Miidera Temple (also known as Mii Temple) in Otsu, Japan. The print depicts two figures in traditional attire strolling on a pathway, illuminated by a warm light from within the temple building, showcasing Koitsu's masterful use of light and shadow. Tsuchiya Koitsu is a celebrated Japanese woodblock print artist who is highly regarded in the Shin Hanga movement for his exquisite ability to convey mood and atmosphere through landscapes. His work is characterized by its meticulous detail and exceptional lighting effects.. .

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Japanese woodblock print by Tsuchiya Koitsu titled Nikko Pagoda in Snow, originally created in 1938. This post-war impression is mounted and measures 8 inches high by 11 1/2 inches wide. It depicts the Five-Story Pagoda at Nikko Toshogu Shrine in Tochigi Prefecture, Japan, during a snowfall. The location is a prominent Shinto shrine and a celebrated cultural site in Japan. The pagoda is visible through snow-covered trees, showcasing the serene beauty of the scene. This piece is a striking example of Shin-hanga, a movement in early 20th-century Japan that revitalized traditional ukiyo-e woodblock printmaking. About the artist, Tsuchiya Koitsu (1870-1949) was a Japanese woodblock printmaker known for his stunning landscapes and mastery of light and atmosphere. A student of ukiyo-e artist Kobayashi Kiyochika, Tsuchiya Koitsu became a prominent figure in the Shin-hanga movement, with his works celebrated for their vibrant use of color and expressive detail. Koitsu’s prints are highly regarded for their ability to capture Japan’s natural and architectural beauty in his distinct style.. .

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Japanese Woodblock Print titled Snowy Miyajima (also known as Yuki no Miyajima or Snow at Miyajima) by Tsuchiya Koitsu. The dimensions are 8 inches high by 11 1/2 inches wide. This post-war impression depicts the iconic Itsukushima Shrine at Miyajima Island, near Hiroshima, shrouded in snow and featuring the prominent torii gate reflected in the water. The print retains its original mount. Tsuchiya Koitsu (1870-1949) was a renowned Japanese artist associated with the Shin-hanga (new print) movement, known for his expert use of light and shadow and detailed portrayals of landscapes. His works often combine traditional themes with a modern sensibility, earning him a prominent place among Japanese woodblock printmakers.. .

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Japanese woodblock print titled Yotsuya Araki Yokocho, created in 1935 (Showa 10) by acclaimed Shin-hanga artist Tsuchiya Koitsu. Measuring 10.5 inches high by 15.5 inches wide, this post-war impression illustrates a tranquil nighttime view of a teahouse or establishment in Yotsuya Araki Yokocho, a location in Tokyo. The Shin-hanga movement is notable for blending traditional Ukiyo-e techniques with modern artistic elements, as exemplified by this work. Tsuchiya Koitsu (1870–1949) was a master of atmospheric landscapes and serene scenes, collaborating with publishers such as Watanabe Shozaburo. His works are celebrated for their meticulous detailing and use of light to enhance mood and setting. Verso reveals the detailed impression of the printing process, further emphasizing the craftsmanship of the piece.. .

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Japanese woodblock print measuring 15 1/4 high x 10 1/2 wide. The post-war impression, titled "Fishing for Cormorants at Nagaragawa," is by Tsuchiya Koitsu, a noted artist renowned for his contributions to the Shin Hanga movement. This artwork portrays the traditional Japanese method of cormorant fishing, known as ukai, practiced for over 1,300 years on the Nagara River in Gifu. The scene captures fishermen on boats using torches to attract sweetfish while cormorants are used to catch the fish. A pleasure boat carrying spectators observes this ancient method against the backdrop of illuminated waters and distant mountains. Tsuchiya Koitsu (1870–1949) started his career as a lithographer and later contributed significantly to the Shin Hanga art movement, known for merging traditional Japanese woodblock printing with Western-style realism.. .

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Post-war impression of "Benkei Bridge (Benkei-bashi)," a Japanese woodblock print by Tsuchiya Koitsu (1870-1949). Measuring 10 1/2 inches high by 15 1/2 inches wide, the scene is part of Koitsu's "Views of Tokyo (Tokyo fukei)" series, initially published in 1933. The print depicts the iconic Benkei Bridge at night, spanning the outer moat of Edo Castle in Tokyo, with cherry blossoms and illuminated lanterns enhancing the tranquil atmosphere. The bridge, named after the legendary monk-warrior Benkei, was relocated to its current site in 1889. Tsuchiya Koitsu, a celebrated artist of the Shin-hanga movement, was known for his evocative portrayals of landscapes and traditional Japanese scenes, utilizing light and shadow to great effect. This print showcases his mastery of atmospheric detail and his notable contribution to modern Japanese woodblock art.. .

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Japanese Woodblock Print by Tsuchiya Koitsu titled Nijo Castle Kyoto, first produced in 1933. This post-war impression depicts a serene nighttime view of Nijo Castle, including its watchtower and moat, with moonlight reflecting on the water and illuminating the clouds. Dimensions measure 7 1/2 inches high by 15 1/2 inches wide including the mount. Reverse shows tape stains visible in the front margins. Nijo Castle, located in Kyoto, Japan, was built in 1603 as a residence for the Tokugawa shoguns, featuring two fortified rings of walls and moats. Artist Tsuchiya Koitsu (1870-1949) is renowned for his mastery of shin-hanga woodblock prints, blending traditional Japanese aesthetics with Western-style realism. Koitsu initially trained under Kobayashi Kiyochika and later became a noted contributor to the modern woodblock print movement, particularly celebrated for his evocative landscapes and cityscapes.. .

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