
Estate of George & Piret Munger art & collectables
Auction closed.
Auction closed.
Estate of George & Piret Munger art & collectables
Auction closed.
Auction closed.
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Modern Art work, Russell Forester. 48 3/4" x 43 7/8"
RUSSELL FORESTER: San Diego architect/artist, Forester's abstract multimedia works explore valuation of linearity and repetition of patterns and lines.
This piece of linen and acrylic on artist's board was exhibited in 1981 as part of a triptych. Signed and dated. A Forester piece similar to this one - entitled "79-29 No Parade Today" - was previously owned by the Guggenheim Museum in New York, and sold at auction for $8750.
This piece of linen and acrylic on artist's board was exhibited in 1981 as part of a triptych. Signed and dated. A Forester piece similar to this one - entitled "79-29 No Parade Today" - was previously owned by the Guggenheim Museum in New York, and sold at auction for $8750.
Peter Max, famed Pop Artist, signed lithograph "Guru" series 1973, "Lithograph a x b x c" No. 1/250
Peter Max, famed Pop Artist, signed lithograph "Guru? series 1973, "Lithograph a x b x c" No. 1/250 Framed under glass. 12" x 12". PETER MAX: Pop art is a movement that emerged in the mid-20th century in which artists incorporated commonplace objects-comic strips, soup cans, newspapers, and more-into their work. Peter Max was one of the founders of this movement. In this delightful piece, resembling a comic strip scene, Max creates an optical illusion with color and form,
Framed art in silk, 20" x 20", 1986, by Masakazu Kobayashi
MASAKAZU KOBAYASHI: Textile artist best known for large installations exploring the nature of space, light and harmony. His works appear to be feather light, often floating through space in lyrical movement. But like the waves or waterfalls he sometimes emulates, the reality is one of strength and powerful forces of nature. The interdependence of light and space creates a sense of balance and harmony while disunity, chaos of unknown forces lie just beneath the surface
Framed art. "Protection To American Industries" . 27" x 28"
For President Theodore Roosevelt 1904, For Vice President Chas W Fairbanks 1904
Framed art. Russell Forester. 36" x 25" (diode light, panel is in need of repair)
San Diego architect/artist, Forester's abstract multimedia works explore valuation of linearity and repetition of patterns and lines.
The Gallium Phosphide Series' #82-1012, 2001. Contemporary framed construction of 3 linear panels, two in shades of magenta divided by a bright redwood panel and two strips of red diode lights exploring the relationship of repeated patterns and lines. Mounted on white panel in a plexiglass shadow box and wood frame, 36" x 25".(diode light, panel is in need or repair)
The Gallium Phosphide Series' #82-1012, 2001. Contemporary framed construction of 3 linear panels, two in shades of magenta divided by a bright redwood panel and two strips of red diode lights exploring the relationship of repeated patterns and lines. Mounted on white panel in a plexiglass shadow box and wood frame, 36" x 25".(diode light, panel is in need or repair)
Thomasin Grim. "Fog Map" 1984, weaving, 72 x 56 1/2" .
Thomasin Grimm. Fog Map 1964, weaving 72" high x 56" wide on a wood frame. New Art Examiner/ April 1983. "Thomas Grim's.....supplementary warp-faced pick-up brocades combine intricate pattern work with subtle coloring and shine, synthetic textures to create dazzling frosty landscapes in white, grey, taupe and other neutral tones...." Purchased The Alrich Gallery, San Francisco in 1984. Grims work is widely admired and held in numerous public and private collections, including that of the textile expert , Jack Lenor Larsen, the Chancery building, U.S. Embassy in Moscow and King Fand , Saudi Arabia. "Fog Map" represents Grim's narrative tapestry of San Francisco Bay as seen through early morning fog from the hills of Oakland
Framed art. Signed Susan Kleinberg. 55" x 60"
Susan Kleinberg: Kleinberg's paintings in the mid-1980s explored dynamic energy that appears to come together while also falling apart. The large canvases use color and line to express the dynamics and ambiguities of explosive change. Kleinberg has had numerous solo and group shows in the U.S. and Paris where she was artist in residence in 1986. More recently, her work was featured at p.s.1/MOMA in NYC. "Metamorphosis". 55" square multi-colored contemporary acrylic on canvas painting. Framed under glass
Metamorphesis. 55"-square multi-colored contemporary acrylic on canvas painting. Framed under glass. Estimated value $4000-$5000
Metamorphesis. 55"-square multi-colored contemporary acrylic on canvas painting. Framed under glass. Estimated value $4000-$5000
Framed art. Signed Nancy Kay, 1984. 40" x 80"
Nancy Kay: Kay's wall constructions consist of layered planes that contain intricately cut shapes and patterns. Bright multi-colored fractured strips move through a single overall color and activate the surface, resulting in a composition that is both flat and dimensional so they appear to be both static and dynamic. Her work is in collections from Donald Bran, Los Angeles, Dana Fayman in San Diego to collectors in Newport Beach, New York City, Switzerland, Sweden, Mexico and Brazil. Kay lives in Santa Monica and Switzerland.
This piece 40" x 80", predominantly white with bright blue, yellow, orange, and black dynamic figures and white on white layered forms. Framed in lacquered, glazed white frame and glass. Signed and dated 1984 in lower right hand corner.
Estimated value $5000-$6500
This piece 40" x 80", predominantly white with bright blue, yellow, orange, and black dynamic figures and white on white layered forms. Framed in lacquered, glazed white frame and glass. Signed and dated 1984 in lower right hand corner.
Estimated value $5000-$6500
Framed art. Signed Nancy Kay 1986. 25" x 25"
Kay's wall constructions consist of layered planes that contain intricately cut shapes and patterns. Bright multi-colored fractured strips move through a single overall color and activate the surface, resulting in a composition that is both flat and dimensional so they appear to be both static and dynamic. Her work is in collections from Donald Bran, Los Angeles, Dana Fayman in San Diego to collectors in Newport Beach, New York City, Switzerland, Sweden, Mexico and Brazil. Kay lives in Santa Monica and Switzerland.
Blue, orange, yellow, green and gray sculpted multi-layered forms on a black ground. 25" square.
Blue, orange, yellow, green and gray sculpted multi-layered forms on a black ground. 25" square.
Art work blown glass deco. Each piece signed Oiva Toikka Nuutajarvi. Each piece is 11" T x 10" W
Art work blown glass deco. Each piece signed Oiva Toikka Nuutajarvi. Each piece is 11" T x 10" W
Framed art. Signed Aki Kuroda. 48-3/4" x 43-7/8".
AKI KURODA. White figure amid geometric shapes and lines variously in black, blue and red, with a red moon shape and the white human torso predominating. Signed in pencil. Framed 48-3/4" x 43-7/8". Japanese abstract lithograph 5/120 purchased at the famed Galeria Maeght printmaker in Paris. Kuroda, born in Kyoto in 1944 is based in Paris. His works are in collections such as The National Museum of Modern Art in Tokyo, the City of Paris Collection, and the Marguerite and Aim... Maeght Foundation in France.
Textile sculpture by Maria Lench
MARIA LENCH: La Jolla artist Maria Lench, recognized for her sculnture in fibers, served as President of the Art Guild of the Fine Arts Gallery of San Diego, and has juried exhibitions at the Laguna Beach Museum. Contemporary multi-dyed wool yarn, knitted and woven representation of the human heart, with protruding ventricles and veins. On a plexiglass standard with pedestal. Approximately 16" diameter sphere (heart) and approx. 33" overall.
Hiroyuki Shindo ramie indigo dye, resist dyed wrapped 6 1/2" includes books with items picture.
HIROYUKI SHINDO (b. 1941 Tokyo, Japan) is one of the world's pre-eminent indigo artists, and is bringing new life into this ancient craft, using venerable techniques to produce his fascinating contemporary indigo works. Shindo says, "I have developed my own system for indigo dyeing, which utilizes wide flat troughs in which I lay small stones. As I pour the dye into the trough, I watch carefully as the indigo is drawn slowly into the fabric. The resulting gradations of hues of blue - from nearly invisible shadows to areas of nearly black -are a happy combination of natural process and my own invention. His pieces are in the permanent collections of The Fine Arts Museum of San Francisco, and The Art Institute of Chicago