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Variation Xii By Frank Okada 21.5in Tall X 28in Wide
Variation Xii By Frank Okada 21.5in Tall X 28in Wide
Variation Xii By Frank Okada 21.5in Tall X 28in Wide
Variation Xii By Frank Okada 21.5in Tall X 28in Wide
Variation Xii By Frank Okada 21.5in Tall X 28in Wide
Variation Xii By Frank Okada 21.5in Tall X 28in Wide9 Photos
Variation Xii By Frank Okada 21.5in Tall X 28in Wide
Variation Xii By Frank Okada 21.5in Tall X 28in Wide
Variation Xii By Frank Okada 21.5in Tall X 28in Wide
Variation Xii By Frank Okada 21.5in Tall X 28in Wide
Variation Xii By Frank Okada 21.5in Tall X 28in Wide
Variation Xii By Frank Okada 21.5in Tall X 28in Wide
Variation Xii By Frank Okada 21.5in Tall X 28in Wide
Variation Xii By Frank Okada 21.5in Tall X 28in Wide
Variation Xii By Frank Okada 21.5in Tall X 28in Wide
Variation Xii By Frank Okada 21.5in Tall X 28in Wide

Variation Xii By Frank Okada 21.5in Tall X 28in Wide

Lot Closed

Auction by NCAuctions.com(2538)
This item is in Escondido, CA

Overview of Variation Xii By Frank Okada 21.5in Tall X 28in Wide

Item Details

Earlier Work
In Okada's early paintings, each was carefully controlled in both composition and color, alternating as they did between symmetry and implied symmetry and between monochrome and subtly manipulated monochrome. The painted fields of some works become a delicate surface of exquisitely rendered brush strokes, with all of the shimmering complexity of a silk tapestry. In other paintings, the overall color field will be derived from many different tones of that color, perhaps laid over a backdrop of dissimilar hues. In a field of brilliant red the viewer may be startled to catch a glimmer of yellow or to find that the slivers of other colors at the edges repeat themselves in whispers in the under painting within the larger field.

Paintings, 1996-2000
Most clearly, Okada?s last series of paintings suggest a great variety of formal influences, including fan, urn and kimono shapes relating to his ancestral Japanese culture. With continued examination, Okada's refined painterly surfaces and highly developed sense of color also become apparent. The expansive paint surface is built of thousands of shimmering brush strokes laid one atop another with small brushes, acquiring an appearance similar to silk brocade.

In this work, familiar shapes once confined to the margins of the canvas have begun to migrate towards the middle of the work and play a more active role as formal elements of the painting. Furthermore, where random chaos once flourished in his vast expanses of color, subtle striations and patterns have appeared in some works, creating a gentle movement from shape to shape. His subtly manipulated fields of color most often come in the form of bright marine blues, crisp whites, golden yellows, and vivid reds. This marked a return to Okada?s work of a dynamic, graphic sense of color and shape.

Personal History
Frank Okada was born in Seattle in 1931. He taught painting at the University of Oregon, retiring in 1999. Okada received his B.F.A. from Cranbrook Academy in 1957. He lived and worked in Eugene, Oregon until his death in October, 2000.

Commissions, Honors and Awards
Okada was awarded a Guggenheim Fellowship in 1967, a Fulbright Fellowship in 1959 and a Whitney Fellowship in 1957. He had several one-person exhibitions at regional institutions, including: The Whatcom County Museum of Art, Bellingham, WA (1997), Portland Art Museum, Oregon (1972) and Tacoma Art Museum, Washington (1970). In addition, Okada?s work had been exhibited in group exhibitions including Asian Tradition, Modern Expression, Jane Voorhees Zimmerli Museum, Rutgers University, NJ (1997); Light, Shadow and Gesture: By Northwest Artists, Seattle Art Museum (1997); Washington: 100 Years, 100 Paintings, Bellevue Art Museum, Bellevue, WA (1995); ART/LA 90, Los Angeles, CA (1991) and Japan and the Northwest, The National Museum of Art, Osaka, Japan (1982). His work had been shown at the Laura Russo Gallery, Portland, Oregon and Foster/White Gallery, Seattle. Okada exhibited with the Greg Kucera Gallery beginning in 1988 and continuing up to his death in 2000.

Works by the artist are included in the collections of: Philbrook Museum, Museum of Northwestern Art, Microsoft Corporation, Redmond, WA; Portland Art Museum; SAFECO Insurance Company, Seattle; Seattle Art Museum; Swedish Hospital, Seattle; Tacoma Art Museum, WA; University of Oregon Museum, Eugene; Whatcom Museum of History and Art, Bellingham, WA.


Payment

Your credit card on file will be charged in full at the close of the auction. If you would like to pay cash, please contact (619) 789-7848 or casey@NCauctions.com immediately after the auction event ends. If you have any questions please contact NC Auctions prior to the auction closing at 888-622-8284 or casey@NCauctions.com
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Auction Details

2023 February Collectors Estate Sale AuctionS Escondido Blvd, Escondido, CA, 92025Sunday, Jan 29, 2023 | 2:32 PM CST

Auction House

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